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We have all seen the quaint, blue plates of Nankin ware, with their queer, formal decoration, known as "The Willow Pattern. The Willow Pattern Story it is: Li Chi of the almond eyes, Lived in China long ago. Daughter was she of the wise, Mandarin, Ching Ho. Spake the mandarin one day, "Chung Wang shall your husband be. But Li Chi refused to sit still and dream. She wrote a note, put it in a coconut shell and opened her window, "O kind river flowing there, Neath my casement," Li Chi sang, "Of thy mercy, deign to bear, This to mine own lover, Chang. He opened it and read the letter. Come, and I will fly with thee. He shook the cherry tree and made its leaves fall. Then he hurried to Li Chi and saved her from The Willow Pattern Story prison by means The Willow Pattern Story a ladder. The lovers fled to the gardener's house. The angry Ching Ho pursued them, hut the kindly gardener saved them from him and sheltered them until they could sail to an island far out in the sea. On this island, Li Chi and Chang were very happy. But Ching Ho soon followed after to their island in the sea. Mirthless rose his cackling laughter. I will cure them of their roving, With the soothing touch of fire. The lovers must have perished in the flames The Willow Pattern Story not the gods loved them. But because the gods are always kind to lovers, they saved them from the fire and transformed them into a pair of snowy doves. It looks like we don't have a Synopsis for this title yet. Be the first to contribute! Just click the The Willow Pattern Story page" button at the bottom of the page or learn more in the Synopsis submission guide. Sign In. Edit The Story of the Willow Pattern Jump to: Summaries 1. Edit page. Share this page:. Clear your history. Willow pattern - Wikipedia

It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from China. Its creation occurred at a time when mass-production of decorative tableware, at Stoke-on-Trent and elsewhere, was already making use of engraved and printed glaze transfersrather than hand-painting, for the application of ornament to standardized vessels transfer ware. Many different Chinese-inspired landscape patterns were at first produced in this way, both on bone china or porcellanous wares, and on white earthenware or pearlware. The Willow pattern became the most popular and persistent of them, and in various permutations has remained in production to the present day. Characteristically the background colour is white and the image blue, but various factories have used other colours in monochrome tints and The Willow Pattern Story are Victorian versions with hand-touched polychrome colouring on simple outline transfers. The exact moment of the pattern's invention is not certain. During the s various engravers including Thomas Lucas and Thomas Minton were producing chinoiserie landscape scenes based on Chinese ceramic originals for the Caughley 'Salopian China Manufactory' near BroseleyShropshirethen under the direction of Thomas Turner. However the Caughley factory did not produce the English Willow pattern in its completed form. Thomas Lucas and his printer James Richards left Caughley in c. Thomas Minton left Caughley in and set up on his own account in c. The Willow pattern is commonly presented in a circular or ovate frame. The waterside landscape represents a garden in the lower right side, in which a large two-storey pavilion stands. Approached by steps, the lower storey has three large pillars with arched windows or openings between. The roof and gable, shown in three-quarter perspective, is surmounted by a smaller room similarly roofed, and there are The Willow Pattern Story finials at the gables and eaves. It is surrounded by bushes and trees with varied fruit and foliage, including a large tree rising behind with clusters of oranges. Another pavilion roof appears among the trees to the right and a smaller pavilion stands to the left projecting from the waterside bank. A path through the garden The Willow Pattern Story to the front of the scene and is crossed by a fence of diapered panels set zig-zag fashion across the foreground. On its left side the garden forms an irregular and indented bank into the water, from the The Willow Pattern Story of which a large branching willow tree with four clusters of three leafy fronds leans out. From this point a bridge, usually of three arches, crosses left to an island or bank with a house having a tall arched doorway, and a small tree behind. There are usually three figures on the bridge going away from the garden. Above and beyond this the water shown white forms an open expanse, with a boat at the centre left containing two little house-like cabins, propelled by a figure with a punt-pole aforeships. In the upper left quarter is a distant island or promontory with pavilions and trees, including a fir. Above the scene in the centre is a pair of flying The Willow Pattern Story, one turning and one descending, their heads and beaks turned closely towards one another in amorous conjunction. It is the inclusion The Willow Pattern Story the bridge, the garden fence, the central pair of birds, and the particular details of the pavilions and surrounding trees, in this arrangement, which together characterize the English Willow pattern in its standard form. The late Mr Robert Copeland, the ceramics historian, in his whimsy used to refer to the figures on the bridge as "the Socialists", because they were "going to the left". In order to promote sales of Minton's Willow pattern, various stories were invented based on the elements of the design. The most famous story usually runs as described below. The story is based on the Japanese fairy tale "The Green Willow" and other ancient fairy tales originating in China about the constellations that tell the story of two lovers separated and envied by gods for their love. The lovers can only meet once a year when the stars align. Once there was a wealthy Mandarinwho had a beautiful daughter Koong-se. She had fallen in love with her father's humble accounting assistant Changangering her father. It was inappropriate for them to marry due The Willow Pattern Story their difference in social class. He dismissed the young man and built a high fence around his house to keep The Willow Pattern Story lovers apart. The Mandarin was planning for his The Willow Pattern Story to marry a powerful Duke. The Duke arrived by boat to claim his bride, bearing a The Willow Pattern Story of jewels as a gift. The wedding was to take place on the day the blossom fell from the willow tree. On the eve of the daughter's wedding to the Duke, The Willow Pattern Story young accountant, disguised as a servant, slipped into the palace unnoticed. As the lovers escaped with the The Willow Pattern Story, the alarm was raised. They ran over a bridge, chased by the Mandarin, whip in hand. They eventually escaped on the Duke's ship to the safety of a secluded island, where they lived happily for years. But one day, the Duke learned of their refuge. Hungry for revenge, he sent soldiers, who captured the lovers and put them to death. The gods, moved The Willow Pattern Story their plight, transformed the lovers into a pair of doves. The story of the willow pattern was turned into a comic opera in called The Willow Pattern. It was also told in a silent film called Story of the Willow Pattern. InBarry Purves made a short animated film relating the story, transplanted to Japan and entitled Screen Play. This short story, created by Bramah, is quite different from the standard romantic fable outlined above. In addition to being used on camera to evoke a 19th- century atmosphere in several American western movies as well as western television showsand even the comedy, The The Willow Pattern StoryBlue Willow china is also featured in The Andy Griffith Show and Murder She Wrotesuggesting a contemporary time or setting when life was simpler. Blue Willow by Doris Gates [9] is an award-winning children's The Willow Pattern Story, a realist fictional account of the Dust Bowl and the Great Depression years that has been called, " The Grapes of Wrath The Willow Pattern Story children". The blue willow pattern comes to The Willow Pattern Story Janey's dream of a permanent home. The prominent Sheffield England firm of saw makers used the willow pattern as one of their The Willow Pattern Story. They created a special saw handle fixing the largest known on any saw The Willow Pattern Story a design that was etched on to the blade of the saw. The blue Willow Pattern over the years has been used to advertise all kinds of goods and services. This forms the subject of a two-volume publication. From Wikipedia, the free encyclopedia. The names 'Rickett and Lucock', sometimes cited, seem to be a misreading for 'Richards and Lucas'. Shaw, History of the Staffordshire Potteriesp. Drakard and P. Honey, English Pottery and Porcelain A. Black,p. Lodi News-Sentinel. Retrieved 21 July The Cambridge History of the American Novel. Cambridge University Press. Barley, British Saws and Saw Makers from c. Categories : Porcelain Types of pottery decoration British pottery Individual patterns of tableware. Hidden categories: Commons category link is on Wikidata. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Wikimedia Commons. Wikimedia Commons has media related to Willow pattern. The Willow Pattern by Robert van Gulik

The Willow Pattern is a recognizable landscape design that was popular in England in the last half of the 18th and the beginning of 19th century. It developed in a period when England was fascinated by the Orient, especially with China. But since the imported products were very expensive, the English created their own cheaper imitation of Chinese porcelain during the Industrial Revolution. The Willow Pattern design is inspired by a romantic story of forbidden love. As the legend goes, once upon a time in China, there lived a beautiful daughter of a wealthy Mandarin named Koong-se. In the grand palace of her father also lived his secretary, the young, attractive and intelligent Chang. He and Koong-se fell in love, but when the Mandarin found out he was furious. Chang was sent into exile, while the beautiful Koong-se was imprisoned in a dwelling. In order to reassure himself the two would never meet again, the Mandarin also built a high wall. Koong-se was to be kept locked away until the day she The Willow Pattern Story marry Ta-jin, a noble warrior Duke whom her father had chosen as a husband for her. A plate with Willow Pattern. CC BY 3. Meanwhile, Ta-jin arrived at the palace of the Mandarin for the celebration of the engagement with a present for Koong-se, a box full of precious jewels. One night, Chang disguised himself as a servant and smuggled himself into her apartments. She was delighted to see him, picked up the jewel box, The Willow Pattern Story the two of them quietly departed towards the bridge by the willow tree, to finally escape from the palace. Different pieces with Willow Pattern, 19th century. Then they ran away, sold the jewels, The Willow Pattern Story settled on an exotic island, happy to be together at last. But the Mandarin was determined to find them and offered a reward for The Willow Pattern Story that had any information where they might The Willow Pattern Story. Willow Pattern, Chinese export porcelain, c. Eventually, the soldiers of the Mandarin and Ta-jin found them and mortally wounded Chang. Their tragic love story touched the gods so deeply that they and returned the souls of the lovers in two doves that rose from The Willow Pattern Story ashes so that they could The Willow Pattern Story together for eternity. InThomas Minton engraved the first copper plate with their tragic story. The pattern was mass-produced by the factory of Thomas Turner in Shropshire. Soon after, porcelain depicted with the romance was manufactured all over England. Obviously, they are the protagonists of the story. Koong-see carries a distaff, symbol of virginity, Chang bears the precious jewel, and the enraged Mandarin is chasing them. Sometimes a fourth figure is added to the pattern, representing the desperate Ta-jin. Lydiate Hall: 1 — Porcelain drinking cup. On display in the Museum of Liverpool. Mike Peel. Willow pattern was most popular in blue and white, although it was also produced in pink, red, green and brown. August 31, Katerina Bulovska. Illustration of the Willow Pattern