The Films of Woody Allen, Second Edition Sam B

Cambridge University Press 0521810914 - The Films of Woody Allen, Second Edition Sam B. Girgus Index More information

Index

Aaron, Caroline, 156 Benjamin, Richard, 155, 158 Abzug, Bella, 80 Benjamin, Walter, 10 African Americans, 154 Bergman, Ingmar, 20, 25, 109, 122, 127, Aiello, Danny, 90, 98, 100 132–135, 145 Alda, Alan, 136, 137 Bergman, Ingrid, 32, 33, 34 Allen, Woody, Bettelheim, Bruno, 91 background and career, 21–24 bisexuality, 39, 86 inﬂuence of, 20 Bitter End, The, 21 inﬂuenced by, 20, 25 Blair, Walter, 29, 110 Jewish identity, 23, 28, 168–169 Bloom, Claire, 136 scandal and controversy, 1–17, 148–153, Bloomingdale’s, 81, 85 162–163, 171 Bogart, Humphrey, 5, 32, 33, 34, 36, 37, 39, American culture and thought, 27, 28, 29, 41 91, 92, 146 Bogosian, Eric, 169 American hero, 36, 37, 146 Borowitz, Eugene B., 129 Angel On My Shoulder, 167 Branagh, Kenneth, 14–17, 150, 162 Annie Hall, 2, 4, 11, 13, 30, 41, 44–60, 67, Breathless, 11 68, 77, 79, 80, 82, 92, 93, 95, 97, Brickman, Marshall, 24, 45, 54, 57, 67 111–112, 118, 131, 133, 134, 135, 136, Broadway Danny Rose, 4, 30, 89, 90, 98, 141, 146, 152, 153, 162, 169 130 Another Woman, 4, 97, 106, 132 Brode, Douglas, 21, 65, 69, 76, 91, 96, 130 anti-semitism, 50 Brooklyn, N.Y., 21, 146 As You Like It, 96 Brooks, Peter, 45, 46 Astaire, Fred, 103 Bullets Over Broadway, 4 Astor, Mary, 36 Bunuel,˜ Luis, 90, 96 aura, 3, 10–17, 149 Awakening Conscience, The, 140 Caesar, Sid, 21 Caine, Michael, 110, 123 Bacall, Lauren, 5 Canby, Vincent, 20, 89, 90, 96, 146 Bach, J. S., 123 Cannes FilmFestival, 132, 169 Bailey, Peter, 151 Casablanca, 31, 32, 33, 34, 35, 36 Bakhtin, Mikhail, 78 Casino Royale, 22 Balaban, Bob, 165 Cavell, Stanley, 28, 33, 36 Bananas, 22, 31 Cavett, Dick, 45 Barthes, Roland, 44 Celebrity, 14, 15, 16, 150, 158, 162 Baudry, Jean-Louis, 35 Chaplin, Charlie, 1, 13, 25, 92, 94, 95, 119 Baxter, Anne, 167 Christensen, Jerome, 165 Bellow, Saul, 37, 91, 92, 94 cinetext, 25, 33, 57

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cinematography, 63, 77, 95 Fisher, Carrie, 115 Citizen Kane, 91 Flaubert, Gustave, 90, 104 Cixous, Helen, 28 France, 168–169 Cocteau, Jean, 165 Freud, Sigmund, 28, 30, 34, 35, 38, 39, 40, Columbia University, 116 41, 46, 48, 50–52, 54, 58, 79, 86, 119, comedy, 27 123, 133, 159, 162, 165, 166 communism, 104 “Analysis Terminable and Interminable,” Copacabana, 104 39 Couric, Katie, 171 Civilization and Its Discontents, 30, 39 Crimes and Misdemeanors, 8, 13, 30, 77, 97, “Family Romance,” 34, 41 106, 129–146, 153, 160 Jokes and Their Relation to the critical theory, 26, 28, 44, 49 Unconscious, 35, 50 Crystal, Billy, 155, 166 Three Essays on the Theory of Sexuality, cummings, e. e., 122 38 Curse of the Jade Scorpion, The, 4 Gallop, Jane, 33 Daniels, Jeff, 90 gaze, 32, 48, 84, 110, 111, 159, 160, 161 Davis, Judy, 155, 165 gender relationships, 28, 37, 38, 39, 44 death drive, 165, 166 Gershwin, George, 62, 63, 87, 88 Deconstructing Harry, 12, 148–171 Getting Even, 22 de Lauretis, Teresa, 28, 44, 45 Gittelson, Natalie, 131, 132 Depression, The, 98, 101, 105 Gleason, Joanna, 120, 136 De Sica, Vittorio, 20, 25, 134 Godard, Jean-Luc, 11, 12, 16 desire, 44–60, 77–79, 167 Goodman, Hazelle, 154, 162 Dewhurst, Colleen, 58 Gopnik, Adam, 150 dialogic, 78 Gould, Elliott, 151 Didion, Joan, 65, 80 Great Gatsby, The, 27, 71, 84, 91 diegesis, 45, 46 Grifﬁth, D. W., 134 Di Palma, Carlo, 24, Grimes, William, 7 Doctorow, E. L., 29, 37 documentary, 3, 8, 9, 10, 11, 14, 16, 91, 92, Hackett, Buddy, 21 93, 95, 134, 142, 143, 146 Hamlet, 123 Don’t Drink the Water, 22 Hammett, Dashiell, 36 Dos Passos, John, 57 Hannah and Her Sisters, 2, 4,13, 30, 77, 97, Dostoyevsky, Fyodor, 140 106, 108–127, 131, 133, 134, 136, 146, Doumanian, Jean, 3, 17 n.9 148, 152, 153, 167 Dowd, Maureen, 23, 117, 127, 148, Hare Krishna, 119, 131 149–153, 157, 171 Hawthorne, Nathaniel, 84 Hayden Planetarium, 71–73 Elaine’s, 64, 66, 82 Hayworth, Rita, 83 epistemology, 163 Hearst, WilliamRandolph, 95 Erler, Mary, 129 Heath, Stephen, 165 Everything You Always Wanted to Know Hemingway, Mariel, 13, 66, 110, 151–152, About Sex, 30, 130 155, 167 existentialism, 27, 62, 64, 92, 145, 165, 167, Hepburn, Katharine, 5 170 Hershey, 110, 127 Henry V, 14, 15 Farrow, Dylan O’Sullivan, 2, 162 Herrrmann, Edward, 90 Farrow, Mia, 1, 3, 5, 6, 7, 8, 12, 13, 23, 90, histoire, 45–47, 57, 60 92, 100, 112, 127, 136, 148, 162, 171 Hitchcock, Alfred, 28, 154 fascism, 168 Hitler, Adolf, 91, 92, 93, 95 Feldstein, Richard, 48–49 Hollywood, 5, 33, 54, 59, 87, 93, 95, 103, Fellini, Federico, 20, 25, 134 105, 145 feminism and feminist theory, 26, 33, 44, 82 Hollywood Ending, 16, 17 n.9, 169 59th Street Bridge, 69, 70, 80 Holocaust, The, 168–170 Fish, Stanley, 101, 102 homosexuality, 86 Fischer, Lucy, 28 Howe, Irving, 91

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Huckleberry Finn, 140 Maslin, Janet, 14, 150 Hunt, WilliamHolman, 140 Mayo, Archie, 167 Husbands and Wives, 7, 8, 152 Melville, Herman, 62 Huston, Anjelica, 80, 136 Metz, Christian, 28, 36 Michael’s Pub, 23 icon and index, 10–14, 149 Midsummer Night’s Sex Comedy, A, 4, 78, Interiors, 4, 77, 97, 108, 132 108 Irving, Amy, 155 Mighty Aphrodite, 149 mimesis, 45–46 James, Caryn, 2, 7 Mitchell, Juliet, 33 Jews and Jewishness, 27, 55, 58, 119, Modern Times, 119 129–131, 135, 151, 156, 168–169 Moore, Demi, 155, 162, 168 Joffe, Charles H., 21 Moore, Garry, 21 Johnson, Van, 90, 104 moral relativism, 157 Muni, Paul, 167 Kael, Pauline, 20, 132 Murphy, Michael, 66 Kant, Immanuel, 157, 163, 166 Museumof Modern Art, 80 Keaton, Buster, 13, 90, 96 Mussolini, Benito, 142 Keaton, Diane, 13, 23, 37, 39, 48, 55, 76, 79, 162 narcissism, 28 King, Martin Luther, Jr., 22 Naremore, James, 9 Kissinger, Henry, 8 narrative, 26, 44–60, 62, 63, 77, 78, 136 Kopple, Barbara, 8 Nazism, 92, 93, 168–169 Kristeva, Julia, 33 New York City and New Yorkers, 4, 27, 28, Kroll, Jack, 91 59, 62, 63, 66, 69, 71, 91, 137, 171 “Kugelmass Episode,” 90 Newman, Paul, 5 Nicholson, Jack, 80 Lacan, Jacques, 33, 154, 156 Nietzsche, Friedrich, 119 Lahr, John, 12, 13 Nixon, Richard M., 8 Lake, Veronica, 83 Nolan, Lloyd, 114 Landau, Martin, 136, 160 North, Maureen, 162 Las Vegas, NV, 167 Lax, Eric, 5, 6, 7, 12, 23, 30, 89, 106, 108, Oedipal theory, 33, 44 109 Ophuls, Marcel, 169 Lee, Spike, 20 Orbach, Jerry, 137 lesbianism, 85 O’Sullivan, Maureen, 2, 114 Lewis, Juliette, 152 look, the, 159 Paar, Jack, 21 Louis-Dreyfus, Julia, 155, 158, 162 Page, Geraldine, 97 Palme des Palmes, 132, 169 Macbeth, 96 Passover, 130, 141, 142, 143 MacGufﬁn, 154 patriarchy, 48, 84 McCann, Graham, 52, 53, 54, 65, 77, 91, 117 Perez, Gilberto, 9, 10, 11, 12, 14, 16 McCarthy, Mary, 117 perversion and perversity, 161, 162 McLuhan, Marshall, 53, 54 photographic image, 10, 11, 16, 95 Magic Lantern, The, 133 Play It Again, Sam, 4, 21–41, 53, 77, 78, 95, Maltese Falcon, The, 36 105, 127, 134–136, 146 “Man of the Crowd,” 92 Poe, Edgar Allan, 92, 142 Manhattan, 2, 4, 13, 30, 36, 62–88, 92, 93, Pogel, Nancy, 30, 52 95, 97, 111, 112, 116, 133–136, 138, 143, polymorphous perversity, 162 146, 151, 152, 153, 167 pornography, 158–159, 160, 161, 162 Manhattan Murder Mystery, 4 postmodernism, 155 Marnie, 28 Previn, Soon-Yi, 1, 2, 3, 7, 8, 12, 148, 151, Marx Brothers, 126, 167 162, 171 Marx, Groucho 25 Psycho, 28 Marxism, 143 psychoanalysis, 26, 27, 28, 35, 38, 44, 48, masculinity, 37, 38, 44 50, 152, 154, 161, 163, 166

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Purple Rose of Cairo, The, 4, 30, 46, 89, Sinatra, Frank, 52 96–106, 109, 146, 152 Smith, Henry Nash, 29 Sontag, Susan, 91 Queens, N.Y., 71 Sorrow and the Pity, The, 169 Stardust Memories, 4, 108 Radio Days, 130 Streep, Meryl, 13, 67, 85 Rafferty, Terrence, 7 subjectivity, 27, 31, 32, 50 Rains, Claude, 167 Sweet and Lowdown, 8 Reagan, Ronald, 118 Sydow, Max Von, 122 Reiner, Rob, 20 Rhapsody in Blue, 62, 63, 87 Take the Money and Run, 8, 22, 31, 91 Roberts, Tony, 37, 45, 120 Theron, Charlize, 162 Rogers, Ginger, 103 “Today Show,” 171 Rollins, Jack, 21 Todorov, Tzvetan, 170 Rose, Jacqueline, 33 Top Hat, 103, 105 Ross, Herb, 30, 31 Tracy, Spencer, 5 Roth, Philip, 29, 30, 37, 38, 58 Twain, Mark, 29, 30, 110, 140 Rothman, William, 30 Russian Tea Room, 81 VietnamWar, 22

Safer, Morley, 22 Walken, Christopher, 58 Safra, Jacqui, 3 Waterston, Sam, 121, 136, 160 Sahl, Mort, 21 Weinraub, Bernard, 2, 12, 151 “Saturday Night Live,” 118 Welles, Orson, 25, 91, 109 Schickel, Richard, 16, 171 What’s New Pussycat?, 22 schlemiel, 23 What’s Up, Tiger Lilly?, 22 Schubert, Franz, 136 Wiest, Dianne, 90, 112, 113 Scope-screen, 65–88, 134, 137 Wild Man Blues, 8 Scott, A.O., 4 Wild Strawberries, 132 self-reﬂexivity, 27, 145 Williams, Robin, 155, 156 semiology, 31, 33, 34, 38, 44 Willis, Gordon, 24, 67, 90, 96 terms of, 10, 26, 149 Without Feathers, 22 September, 4, 97,106, 132 women, 26, 28 sexism, 48 Woodward, Joanne, 5 sexuality, 31, 38, 39, 44, 78, 83, 159, 161 Woody Allen: A Life in Film, 16, 171 Shadows and Fog, 4 Woolf, Virginia, 74 Shakespeare, William, 14, 96 Shales, Tom, 132 Yates, Richard, 117 Shue, Elisabeth, 151, 155, 166 Side Effects, 22 Zelig, 4, 8, 89–95, 108, 118, 119, 133, 146, signs and signiﬁcation, 31–32 152 Silverman, Kaja, 29, 31, 34, 36 Ziˇ zek,ˇ Slavoj, 10, 154–171

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