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Home , George Condo, Jessica Chastain, Paris Passion, Villa Manin

GEORGE CONDO

BIOGRAPHY

Born 1957 in Concord, New Hampshire Lives and works in New York, NY

EDUCATION 1976-1978 B.F.A, Lowell University, Lowell, MA

AWARDS

1999 Academy Award in Art, American Academy of Arts and Letters 2005 Award, Francis J. Greenburger Foundation 2008 Annual Artist Award, ArtsConnection National Artist Award, Anderson Ranch

2013 New York Studio School of Drawing, Painting & Sculpture Honoree

2018 BOMB 37th Anniversary Gala Honorees

TEACHING POSITIONS

2004 Visiting Lecturer on Visual and Environmental Studies, , Cambridge, MA

SELECTED SOLO EXHIBITIONS

2019 May You Live in Interesting Times, Venice Biennale, Venice, George Condo: What’s the Point?, Sprüth Magers, , CA

2018 George Condo at Cycladic, of Cycladic Art, Athens, Greece Expanded Portrait Compositions, Maritime Museum, Hong Kong Face-Off: Picasso / Condo, Sotheby’s S|2, Hong Kong

2017 The Way I Think, The Phillips Collection, Washington, D.C. This exhibition travelled to the Louisiana , Humlebæk, Denmark Life is Worth Living, Almine Rech, , George Condo: New Works, Skarstedt, New York, NY Newport Sexx Festival, Newport, R.I.

2016 George Condo: Entrance to the Void, Sprüth Magers Los Angeles, CA George Condo. Selections from a Private Collection, The Heydar Aliyev Centre, Baku, Azerbaijan Confrontation, Museum Berggruen, Berlin, Germany

2015 George Condo, Xavier Hufkins, Brussels, Belgium George Condo (display), Tate Modern, , UK

2014 George Condo, Double Heads/Black Paintings/Abstractions, Skarstedt, New York, NY George Condo, Headspace, Simon Lee Gallery, London, UK George Condo, Ink Drawings, Skarstedt Gallery, London, UK

2013 Paintings & Sculptures, Sprüth Magers, Berlin, Germany George Condo’s Jesters, Gallery Met, New York, NY

2012 George Condo, PRISM Gallery, Los Angeles, CA

2011 George Condo, Mental States, , New York, US (exh. cat). This exhibition travelled to Museum Boijmans van Beuningen, Rotterdam, The Netherlands; Hayward Gallery, London, UK; and Schirn Kunsthalle, Frankfurt, Germany (2012) Drawing Paintings, Skarstedt Gallery, New York, NY Drawings, Sprüth Magers, London, UK George Condo: a collection of etchings, Jack Rutberg Fine Arts, Los Angeles, CA 2010 The Lost Civilization, Galerie Andrea Caratsch, Zurich, Switzerland Cartoon Abstractions, Galerie Jérome de Noirmont, Paris, France Family Portraits, Sprüth Magers, Berlin, Germany 2009 George Condo, Galleria Massimo De Carlo, Milan, Italy George Condo, Xavier Hufkens, Brussels, Belgium KolnSkulptur 4, Skulpturenpark Koln, Cologne, Germany La Civilisation Perdue, Musée Maillol, Paris, France 2008 Drawings, Sprüth Magers, Berlin, Germany Christ: The Subjective Nature of Objective Representation, Luhring Augustine, New York, NY Artificial Realism, Gary Tatintsian Gallery, Moscow, Russia (exh. cat) 2007 George Condo, Galerie Andrea Caratsch, Zürich, Switzerland George Condo, Simon Lee Gallery, London, UK (exh. cat) George Condo: Paintings from the Last Ten Years, Nicholson Robinson Gallery, New York, NY 2006 George Condo, Wrong Gallery, Tate Modern, London, UK George Condo: Existential Portraits, Luhring Augustine, New York. US (exh. cat) George Condo: Existential Portraits, Xavier Hufkens Gallery, Brussels, Belgium 2005 George Condo: Sculptures, Skarstedt Fine Art, New York, NY George Condo, Sprüth Magers, Munich, Germany Disassembled Objects, Power House, Memphis, TN One Hundred Women, Museum of Modern Art, Salzburg, Austria (exh. cat). This exhibition travelled to Kunsthalle Bielefeld, Bielefield, Germany 2004 George Condo. Paintings from the Eighties, Biggs Robinson Gallery, New York, NY Religious Paintings, curated by Simon Lee, Sprüth Magers Lee Gallery, London, UK George Condo, Eleni Koroneou Gallery, Athens, Greece Memories of Manet and Velazquez, Galerie Jerome de Noirmont, Paris, France (exh cat.) George Condo, Sprüth Magers, Munich, Germany 2003 George Condo: Sculpture, Expanded Portraits, Extended Forms and Jazz Sculptures, Caratsch de Pury, Luxembourg (exh. cat) George Condo: Sculpture, Expanded Portraits, Extended Forms and Jazz Sculptures, Galerie Bruno Bischofberger, Zurich, Switzerland George Condo, The Carpenter Center for the Visual Arts, Cambridge, UK 2002 George Condo, Luhring Augustine, New York, NY George Condo, Garten-Landschaft OstWestfalenLippe, Schlosspark Wendlinghausen, Dörentrup, Germany 2001 Physiological Abstraction, Galerie Jérôme de Noirmont, Paris, France (exh. cat) George Condo, Sprüth Magers, Munich, Germany 2000 Portraits, 11 Duke Street, London, UK Mental States, Patrick Painter, Inc., Santa Monica, CA 1999 George Condo: Jazz Paintings, PaceWildenstein, New York, NY Portraits Lost in Space, Deitch Projects, New York, US (exh. cat) George Condo: Silkscreen Paintings, PaceWildenstein, Los Angeles, CA George Condo, Texas Gallery, Houston, TX New Paintings, Sprüth Magers, Cologne, Germany George Condo: New Paintings, Galerie Bruno Bischofberger, Zurich, Switzerland George Condo: Televised Silkscreens, Sandra Gering Gallery, New York, NY 1998 Collage Paintings, PaceWildenstein, 142 Greene Street, New York, NY (exh. cat) Pages de Garde/End Papers, PaceWildenstein, Los Angeles and New York, US (exh. cat) George Condo, Sprüth Magers, Cologne, Germany

The Horse and the Cardinal: George Condo and William Burroughs Collaborative Works, 1988- 1996, Pat Hearn Gallery, New York, NY

1997 Collage Abstractions, PaceWildenstein, Los Angeles, CA 1996 Drawings, 1976-1996, PaceWildenstein, Los Angeles, CA George Condo, Park Gallery, Taipei, Taiwan 1995 George Condo, Palais des Congrès de Paris, Paris, France Zeichnungen, Galerie Bruno Bischofberger, Zurich, Switzerland George Condo, Galerie Daniel Templon, Paris, France Paintings and Drawings, PaceWildenstein, New York, NY (exh. cat) George Condo, McKinney Avenue Contemporary, Dallas, US. This exhibition travelled to Contemporary Arts Museum, Houston, TX 1994 Recent Paintings, PaceWildenstein, New York, NY (exh. cat) 1993 George Condo, Galeria Fernando Latorre, Zaragoza, Spain Sculpturen, Galerie Bruno Bischofberger, Zurich, Switzerland George Condo, Galeria Salvador Riera, Barcelona, Spain 1992 George Condo, Monika Sprüth Galerie, Cologne, Germany Obra 1990-1992, Galería Soledad Lorenzo, Madrid, Spain (exh. cat) George Condo, Stuart Regen Gallery, Los Angeles, CA George Condo, Galeria Salvador Riera, Barcelona, Spain (exh. cat) Neue Bilder, Galerie Pfefferle, Munich, Germany Gravats, Galeria Joan Prats, Barcelona, Spain 1991 Recent Paintings, The Pace Gallery, New York, NY (exh. cat) 1990 George Condo, Akira Ikeda Gallery, Tokyo, Japan Peintures récentes 1989-90, Galerie Daniel Templon, Paris, France Drawings, Galerie Kaj Forsblom, Helsinki, Finland Paintings, Drawings, Prints, Michael Maloney Contemporary Art, Inc., Santa Monica, US George Condo, Galerie de Poche, Paris, France George Condo, Monika Sprüth Gallerie, Cologne, Germany 1989 George Condo, Waddington Galleries, London, UK (exh. cat) 1988 Neue Arbeiten, Monika Sprüth Galerie, Cologne, Germany Paintings and Drawings, The Pace Gallery, New York, NY George Condo, Galeria Leyendecker, Tenerife, Spain Works on Paper, Vrej Baghoomian Inc., New York, NY George Condo, Monika Sprüth Galerie, Cologne, Germany 1987 Neue Bilder, Galerie Bruno Bischofberger, Zurich, Switzerland George Condo, Monika Sprüth Galerie, Cologne, Gemany Gemälde/Paintings 1984-1987, Kunstverein Munich, Munich, Germany (exh. cat) Paintings, 1983-1987, Akira Ikeda Gallery, Nagoya, Japan 1986 Paintings, Akira Ikeda Gallery, Tokyo, Japan (exh. cat) Recent Paintings, Gallery, New York, US (exh. cat) George Condo, Larry Gagosian Gallery, Los Angeles, CA George Condo, Barbara Gladstone Gallery, New York, NY 1985 Schilderijen en Tekeningen, Galerie ‘t Venster, Rotterdam, The Netherlands Neue Arbeiten, Monika Sprüth Galerie, Cologne, Germany Major New Works, Galerie Bruno Bischofberger, Zurich, Switzerland (exh. cat) George Condo, Pat Hearn Gallery, New York, NY 1984 George Condo, Galería Leyendecker, Tenerife, Spain (exh. cat) Bilder – Zeichnungen, Monika Sprüth Galerie, Cologne, Germany Paintings and Works on Paper, Ulrike Kantor Gallery, Los Angeles, CA

SELECTED GROUP EXHIBITONS

2019 George Condo & les meubles et objets d'art du XVIIIeme siècle, Galerie Kraemer, Paris, France

2018 Lineage: de Kooning and His Influence, Skarstedt, New York, NY Cliche, Organized with Bill Powers, Almine Rech, New York, NY

2017 An Uncanny Likeness, Simon Lee Gallery, New York, NY The Human Form, Berggruen Gallery, San Francisco, CA Proof of Life, Weserburg Museum of Modern Art, Bremen, Germany Summer Exhibition 2017, Royal Academy of Arts, London, UK Magritte, Broodthaers & Contemporary Art, Musée Magritte, Brussels, Belgium

2016 Black’N’White, Galerie Andrea Caratsch, St. Moritz, Switzerland Portraits, Skarstedt Gallery, New York, NY Ecce Homo / Behold the Man, Museum de Fundatie, Zwolle, The Netherlands A Selection of works from the 1980s, Vito Schnabel Gallery, St. Moritz, Switzerland Condo, Kippenberger, Oehlen, Salle, Skarstedt Gallery, London, UK Human Figure, RIVA Project, Brussels, Belgium Me, Schirn Kunsthalle, Frankfurt, Germany In the Making, Luxembourg & Dayan, New York, NY Nice Weather, Skarstedt Gallery, New York, NY Condo, Gonzalez-Torres, Kelley, Prince, Salle, Sherman, Trockel, Wool, Skarstedt Gallery, New York, NY Winter Group Show: George Condo, Eric Fischl, Alex Katz, David Salle, Christopher Wool, Skarstedt Gallery, London, UK Everybody is Crazy, But Me, Maison Particulière, Belgium, Brussels Creature, The Broad, Los Angeles, CA

2015 Winter Group Show, Skarstedt Gallery, London, UK The Funnies, MOT International, Brussels, Belgium Picasso Mania, Grand Palais, Paris, France La Vie Modern (The Modern Life), 13th Biennale de Lyon, Museum of Contemporary Art, Lyon, France Faux Amis, Simon Lee Gallery, London, UK NUDE, Gemeentemuseum Den Haag, The Hague, The Netherlands The Unknown, Eden Rock Gallery and Art Saint Barth, Saint Barthélemy, France Disturbing Innocence, Curated by Eric Fischl, The FLAG Art Foundation, New York, NY As Is Is, Altman Siegel Gallery, San Francisco, CA sul como, Museo d’Arte Contemporanea di Villa Croce, Genoa, Italy Contemporary Art, My Favourite Things, Galleria Torbandena, Trieste, Italy Picasso in Contemporary Art, Deichtorhallen, Hamburg, Germany The Pellizzi Family Collections, MANA Contemporary, Jersey , NJ The Seven Deadly Sins: Lust, HVCCA, New York, NY Drawings from the Ringier Collection Chapter II, Villa Flora, Winterthur, Munchen, Germany Mutated Reality, Gary Tatintsian Gallery, Inc., Moscow, Russia

2014 The 10th Gwangju Biennale, Gwangju, South Korea Cast from Life, Skarstedt, New York, NY The Nakeds, Drawing Room, London,UK In Homage, Skarstedt, London, UK No Problem, Cologne/New York 1984-1989, David Zwirner, New York, NY William S. Burroughs: Creative Observer, Lawrence Arts Center, Lawrence, KS

2013 Somos Libres, MATE – Asociación Mario Testino, Lima, Peru Island, Dairy Art Centre, London, UK DSM-V, The Future Moynihan Station, New York, NY From Figuration, Skarstedt Gallery, London, UK Group Exhibition, Skarstedt Gallery, New York, NY Venice Biennale, The Encyclopedic Palace, Venice

2012 Gold, Österreichische Galerie Belvedere, Vienna, Austria (exh. cat) Looking back for the future, Kunsthalle Zurich, Zurich, Switzerland

2011 Sentimental Education, Gavlak Gallery, Palm Beach, FL How Soon Now, Rubell Family Collection, Miami, FL American Exuberance, Rubell Family Collection, Miami, FL

2010 Whitney Biennial, Whitney Museum of American Art, New York, NY 2008 Against all Odds: in the Rubell Family Collection, Palm Springs Art Museum, Palm Springs, CA How to Cook a Wolf: Part One, Dinter Fine Art, New York, NY The Luxury of Love, Vanina Holasek, New York, NY Wall Rockets: Contemporary Artists and Ed Ruscha, FLAG Art Foundation, New York, NY. This exhibition travelled to FLAG Art Foundation, Berlin, Germany (2009) It’s Not Over Yet, Invisible-Exports, New York, NY Blasted Allegories – Werke aus der Sammlung Ringier, Kunstmuseum Luzern, Luzern, Switzerland God and Goods, Villa Manin, Centro d’Arte Contemporanea, , Italy (exh. cat) Out of Shape: Stylistic Distortions of the Human Form in Art, The Frances Lehman Loeb Art Center, Poughkeepsie, NY (exh. cat) Live Undead, Transmission Gallery, Glasgow, UK 2007 …Und immer fehlt mir was, und das qualt mich, Werkstadt Graz, Graz, Austria The Beholder’s Eye, Salmagundi Club of New York, New York, NY Create Your Own Museum: Highlights of a Private Collection, Gary Tatintsian Gallery, Inc., Moscow, Russia (exh. cat) Negotiating Reality: Recent Works from the Logan Collection, Victoria H. Myren Gallery, Denver, CO (exh. cat) Meet the Artists, Deitch Projects, New York, NY (exh. cat) Still Life and Kicking: A Project with Vogue, Paula Cooper Gallery, New York, NY Hold the line, Ferenbalm – Gurbru Station, Karlsruhe, Germany My sweet sixteen party, Galerie Rodolphe Janssen, Brussels, Belgium Effigies, Modern Art Inc. and Stuart Shave/Modern Art, London, UK Fractured Figure – Works from the Dakis Joannou Collection, Deste Foundation – Center for Contemporary Art, Athens, Greece Block Party II, Daniel Weinberg Gallery, Los Angeles, CA Radar: Selections from the Collection of Vicki and Kent Logan, Denver Art Museum, Denver, CO (exh. cat) Automatic, Franklin Parrasch Gallery, New York, NY Contemporary and Modern Masters, Richard Gray Gallery, New York, NY The Present – The Monique Zajfen Collection, Stedelijk Museum, , The Netherlands Rockers Island – Olbricht Collection, Museum Folkwang Essen, Essen, Germany Impulse: Works on Paper from the Logan Collection, The Logan Collection, Vail, CO (exh. cat) Poetics Country, Ferenbalm-Gurbru Station, Karlsruhe, Germany Contemporary Art, Skarstedt Fine Art, New York, NY Comic Abstraction, Image-Breaking, Image-Making, Museum of Modern Art, New York, NY (exh. cat) 2006 Memento Mori, Mireille Mosler Ltd., New York, NY The Food Show – The Hungry Eye, Chelsea Art Museum, New York, NY This is not America, Galerie Rodolphe Janssen, Brussels, Belgium Color Aside, Luhring Augustine, New York, NY Six Feet Under: Autopsies unseres Umgang mit Toten, Kunstmuseum Bern, Bern, Switzerland Busy going Crazy – The Sylvio Perlstein Collection, La Maison Rouge, Paris, France Zuruck zur figure, Malerei der Gegenwart, Museum Franz Gertsch, Burgdorf, Switzerland. This exhibition travelled to Kunsthalle der Hypo-Kulturstiftung, Munich, Germany; KunstHaus Wein, Vienna, Austria (2007) 40 ans, Galerie Daniel Templon, Paris, France (exh. cat) Over the Limit: Christopher Wool & George Condo, Portalakis Collection, Athens, Greece (exh. cat) Surrealism: Then and Now, Paul Kasmin Gallery, New York, NY Arbeiten auf Papier, Galerie Machael Haas, Berlin, Germany Infinite Painting: Contemporary Painting and Global Realism, curated by Francesco Bonami, Villa Canarutto, Manin Centro d’Arte Contemporanea, Codroipo, Italy (exh. cat) Vous êtes ici (You are here), FRAC, Auvergne, France. (exh. cat) Negotiating Reality: Recent Works from the Logan Collection, Victoria H. Myhren Gallery, Denver, CO Redefined, The Corcoran Gallery of Art, Washington, WA 2005 Self Portraits, Skarstedt Fine Art, New York, NY East Village USA, New Museum of Contemporary Art, New York, NY Happy Birthday!, Galerie Jérome de Noirmont, Paris, France

Post Modern Portraiture, The Logan Collection, Vail, CO (exh. cat) 48th Corcoran Biennial: Closer to Home, curated by Stacey Schmidt, Corcoran Gallery of Art, Washington, WA (exh. cat) Perspectives @ 25: A Quarter Century of New Art in Houston, Contemporary Art Museum, Houston, TX (exh. cat) 2004 A New Modernism for a New Millennium: Abstraction and Surrealism Are Reinvented in the Internet Age, The Logan Art Museum, Vail, CO (exh. cat) East Village USA, The New Museum, New York, NY (exh. cat) ...As Time Goes By, Leo Koenig Inc., New York, NY 2003 Malerei 7, Sprüth Magers, Cologne, Germany (exh. cat) Splat, Boom, Pow! The Influence of Cartoons in Contemporary Art, Contemporary Arts Museum Houston, TX (exh. cat). This exhibition travelled to Institute of Contemporary Art, , MA; and Wexner Center for , Columbus, OH Not Afraid, Rubell Familly Collection, Miami, FL 2002 Paintings, 1993-2001, Baldwin Gallery, Aspen, CO Ahead of the 21st Century: The Pisces Collection, Fürstenberg Sammlungen, Donaueschingen, Germany (exh. cat) New York Expression, Bergen Art Museum, Bergen, Norway 2001 Mythic Proportions. Painting in the 1980’s, Museum of Contemporary Art, Miami, FL (exh. cat) Televised Silkscreens, Sandra Gering Gallery, New York, NY (exh. cat) 2000 00: Drawings 2000 at Barbara Gladstone Gallery, Barbara Gladstone Gallery, New York (exh. cat) Babylon, Sprüth Magers, Munich, Germany 1999 Bad Bad – That Is a Good Excuse, Staatliche Kunsthalle, Baden-Baden, Germany 1997 Premier MARCO 1996, Museo de Arte Contemporáneo de Monterrey, Monterret, Mexico 1996 Myths and Magical Fantasies, California Center for the Arts Museum, Escondido, CA (exh. cat) 1995 Collection in Context: Picassoid, Whitney Museum of American Art, New York, NY 1994 Modern Drawings II, The Museum of Modern Art, New York, NY U.S. Painting in the 1980’s, Irish Museum of Modern Art, Dublin, Ireland 1993 Imagen y Concepto: Un Recorrido por el Arte Contemporáneo Internacional, Galería Namia Mondolfi, Caracas, Venezuela (exh. cat) Drawing the Line Against AIDS, American Foundation for AIDS Research (AmFAR) at Peggy Guggenheim Museum, Venice, Italy (exh. cat) Salon de Los 16, Palacio de Velasquez, Madrid, Spain 1992 Allegories of Modernism: Contemporary Drawing, The Museum of Modern Art, New York, NY (exh. cat) Ars Pro Domo, Gesellschaft für Moderne Kunst am Museum Ludwig, Cologne, Germany (exh. cat) Le Portrait dans I’Art Contemporain, Musée d’Art Contemporain, Nice, France (exh. cat) 1991 The 1980’s: Selections from the Permanent Collection, Whitney Museum of American Art, New York, US (exh. cat) Ghost of a Chance, Whitney Museum of American Art, New York, NY (exh. cat) Contemporary Art from the Collection of Jason Rubell, Duke University Museum of Art, North Carolina, NC Myth and Magic in the Americas: The Eigthies, Museo de Arte Contemporanoe de Monterrey, Monterrey, Mexico (exh. cat) 1990 Academy-Institute Invitational Exhibition of Painting & Sculpture, American Academy and Institute of Arts and Letters, New York, NY Le Visage dans l’art contemporain, Musee Des Jacobins, Toulouse. This exhibition travelled to Musée du Luxembourg, Paris, France Pharmakon’90, Makuhari Messe International Exhibition Hall, Chiba, Japan The Last Decade: American Artists of the 80’s, Tony Shafrazi Gallery, New York, NY Drawings of the Eighties: Part II, The Museum of Modern Art, New York, NY 1989 1979-1989 American, Italian, Mexican Art from the Collection of Francesco Pellizzi, Hofstra Museum, Hempstead, NY

I triennal de Dibuix - Joan Miro, La Fundacio Joan Miro, Barcelona, Spain. Sculpture by Painters, The Pace Gallery, New York, NY Exposition Inaugurale, Fondation Daniel Templon, Musee Temporaire, Frejus, France Summer Installation, Whitney Museum of American Art, New York, NY Aldo Crommelynck Master Prints with American Artists, Whitney Museum of American Art at the Equitable Center, New York, NY (exh. cat) Painting Beyond the Death of Painting, Kuznetsky Most Exhibition Hall, Moscow, Russia 1988 Recent Drawings, Whitney Museum of American Art, New York, NY 1987 Biennial Exhibition, Whitney Museum of American Art, New York, NY (exh. cat) 1986 Drawings, Knight Gallery, Charlotte, NC 1984 East Village Painters, Artist’s Space, New York, NY 1983 Terminal Show, Artists Library, , NY

SELECTED BIBLIOGRAPHY

BOOKS

2015 S. Baker, George Condo. Painting Reconfigured, Thames & Hudson, London. 2013 George Condo. Paintings Sculpture, Distanz Verlag, Berlin. 2008 H.W. Holzwarth (ed.), ‘George Condo’, Art Now 3: 96-99, 550. 2006 F. Richer and M. Rosenzweig, No.1: First Works by 362 Artists, Thames and Hudson, London. 2004 M. Coetzee, Not Afraid, Rubell Family Collection, Miami, Phaidon, pp. 50-51. 2002 R. Rugoff, The Imaginary Portraits of George Condo, PowerHouse Books, New York. T. Crow, Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collection, Harry N. Abrams, Inc., Los Angeles. 2000 W. Dickhoff, After Nihilism: Essays on Contemporary Art, Cambridge University Press, Cambridge. 1999 J. Cocteau, Erotische Zeichnungen, Taschen, Cologne. 1998 M. Collings, It Hurts: New York Art from Warhol to Now, 21 Publishing, London, pp. 139-143. 1997 D. Davvetas, Dialogues, France: Au Même Titre, Jouve, Paris. 1996 P. Thorei-Daviot, Petit dictionnaire des artistes contemporains, Larousse, Paris. 1991 G. Condo, Art Random, Kyoto Shoin International Co., Kyoto. 1988 K. Honnef, Kunst der Guegenwart, Taschen, Cologne. 1986 T. Godfrey, The New Image, Paintings in the 1980’s, Phaidon Press, New York.

CATALOGUES

2018 George Condo at Cycladic (Museum of Cycladic Art, Athens)

2017 George Condo: The Way I Think (The Phillips Collection, Washington, D.C.)

2011 George Condo: Mental States (New Museum, New York). 2010 E. Troncy, Cartoon Abstractions (Galerie Jerome de Noirmont, Paris) O. Berckemeyer, B. Wurlitzer, Physical (Kunsthaller Autocenter, Berlin)

2009 La Civilisation perdue (Musee Maillol, Paris). 2008 God and Goods (Centro d’Arte Contemporanea, Condroipo). Artificial Realism (Gary Tatintsian Gallery, Moscow).

Out of Shape: Stylistic Distortions of the Human Form in Art from the Logan Collection (The Francis Lehman Loeb Art Center, New York).

2007 George Condo (Simon Lee Gallery, London). Meet The Artists! (Deitch Projects, New York). Create your own Museum: Highlights from a Private Collection (Gary Tantintsian Gallery, Inc., Moscow). Negotiating Reality: Recent Works from the Logan Collection (Victoria H. Myren Gallery, Denver). Comic Abstraction: Image-Breaking, Image-Making (Museum of Modern Art, New York). Impulse: Works on Paper from the Logan Collection (The Logan Collection, Vail). Radar: Selections from the Collection of Vicki and Kent Logan (Denver Art Museum, Denver). 2006 Existential Portraits (Luhring Augustine, New York). Over the Limit: Christopher Wool & George Condo (Portalakis Collection, Athens). Vous êtes ici (You are here) (FRAC, Auvergne). 40 ans (Galerie Daniel Templon, Paris). Infinite Painting: Contemporary Painting and Global Realism (Villa Manin, Centro d’Arte Contemporanea, Codroipo). 2005 Post Modern Portraiture from the Logan Collection (The Logan Collection, Vail). 48th Corcoran Biennial: Closer to Home (Corcoran Gallery of Art, Washington). Perspectives @ 25: A Quarter Century of New Art in Houston (Contemporary Arts Museum, Houston). One Hundred Women (Modern Art Museum, Salzburg). 2004 A New Modernism for a New Millennuim: Abstraction and Surrealism Are Reinvented in the Internet Age (The Logan Collection, Vail) East Village USA (New Museum of Contemporary Art, p.26). Memories of Manet and Velazquez (Galerie Jérome de Noirmont, Paris). 2003 George Condo: Sculpture, Expanded Portraits, Extended Forms and Jazz Sculptures (Galerie Bruno Bischofberger, Zurich and Caratsch de Pury, Luxembourg). Splat, Boom, Pow! The Influence of Cartoons in Contemporary Art (Contemporary Arts Museum Houston, Houston). 2002 Ahead of the 21st Century: The Pisces Collection (Fürstenberg Sammlungen, Donaueschingen). 2001 George Condo: Physiological Abstraction (Galerie Jérome De Noirmont, Paris). Televised Silkscreens (Sandra Gering Gallery, New York). Mythic Proportions. Painting in the 1980’s (Museum of Contemporary Art, Miami). 2000 00: Drawings 2000 at Barbara Gladstone Gallery (Barbara Gladstone Gallery, New York). 1999 Portraits Lost In Space (Deitch Projects, New York). 1998 George Condo: Collage Paintings (PaceWildenstein, New York). Pages de Garde/End Papers (PaceWildenstein, New York). 1998 The Horse and the Cardinal: George Condo and William Burroughs Collaborative Works, 1988-1996 (Pat Hearn Gallery, New York). 1996 Myths and Magical Fantasies (California Center for the Arts Museum, Escondido). 1995 George Condo: Paintings and Drawings (PaceWildenstein, New York) 1994 Recent Paintings (PaceWildenstein, New York). 1993 Imagen y Concepto: Un Recorrido por el Arte Contemporáneo Internacional (Galería Namia Mondolfi, Caracas). Drawing the Line Against AIDS (Peggy Guggenheim Museum, Venice, Italy). 1992 George Condo (Galeria Salvador Riera, Barcelona). George Condo: Obra 1990-1992 (Galería Soledad Lorenzo, Madrid). Ars Pro Domo (Gesellschaft für Moderne Kunst am Museum Ludwig, Cologne). 1991 Ghost of a Chance (Whitney Museum of American Art, New York). Myth and Magic in the Americas: The Eighties (Museo de Arte Contemporaneo de Monterrey, Monterrey).

1989 Aldo Crommelynck Master Prints with American Artists (Equitable Center, New York). George Condo (Waddington Galleries, London). 1987 Biennial Exhibition (Whitney Museum of American Art, New York). George Condo: Gemälde/Paintings 1984-1987 (Kunstverein Munich, Munich). 1986 George Condo (Akira Ikeda Gallery, Tokyo). Recent Paintings (Barbara Gladstone Gallery, New York). 1984 Bilder - Zeichnungen (Monika Sprüth Galerie, Cologne). George Condo (Galeria Leyendecker, Tenerife).

INTERVIEWS

2013 J. Belcove, ‘George Condo Interview’, Financial Times Online (21 April). 2011 A. Gartenfield, ‘Q&A: Warhol’s Mother, Condo’s Muse?’, Art in America Online (25 January). 2008 M. Falconer, ‘George Condo’, ArtWorld (June/July): 62-66. 2007 L. Buck, ‘Interview’, The Art Newspaper, no. 177 (February): 36. O. Ward, ‘George Condo: Interview’, Time Out London Online (6 February). 2006 K. Wright, ‘Kerouac & Me’, Modern Painters (April): 72-79. R. Rugoff, ‘The Enigma of Jean Louis’, George Condo Existential Portraits (Holzwarth Publications, Berlin): 8. 2000 A. Dannat, ‘NY artist Q & A: George Condo’, The Art Newspaper (January): 73-74. 1993 G. Condo and W. Burroughs, ‘Interaction between Artists and Writers’, Art Journal (Winter): 78.

ARTICLES AND REVIEWS

2018 N.Haramis ‘Raf Simons and his friend, the artist George Condo, on Warhol and the rest of the world’, Interview (11 September). G. Condo, ‘George Condo on Picasso’s Woman in a Red Armchair 1932’, Tate Etc. (Spring). N. Freeman, ‘What’s behind George Condo’s Journey from Warhol Assistant to Kanye Muse to Art Market Dominance’, Artsy (30 May). M. Cerini, ‘Get To Know George Condo, The Artist Behind 's Risque Album Art’, Hong Kong Tatler (14 March).

2017 D. May, ‘Portrait of an artist: George Condo’, Vanity Fair (November). J. Halperin, ‘Can’t Wait for Michael Flynn’s Trial? Now George Condo Has Painted It in Advance’, Artnet News (9 June). M. Herbert, ‘George Condo: Museum Berggruen’, Artforum (April): 222-223. ‘George Condo: The Way I Think’ at The Phillips Collection Museum, Washington, D.C.”, BlouinArtInfo (23 March). M. Rosen, ‘An Engaging “Confrontation” with American Artist George Condo’, Crave (21 January).

2016 H. Moss, ‘A New Show That Puts George Condo Next to Picasso’, Style Magazine (18 November). ‘George Condo: The artist as collector’, The Art Newspaper (September). ‘Tate Modern Opens’, Art Review (Summer): 14-15. M. Bedard, ‘George Condo’, Flaunt (11 May). C. Knight, ‘Review: George Condo at Spruth Magers Gallery’, (3 May). M. Williams, ‘, Jessica Chastain and Leonardo DiCaprio Fete Artist George Condo’, (28 April). J. Riefe, ‘George Condo goes from Kanye West’s dark fantasy to painting his own demons’, (20 April). ‘Figurative Painting’s Market Boom, in 5 Charts’, Artsy (14 March). B. Mason, ‘Helping Hand: Luxembourg & Dayan Explores the Role of the Artist’s Assistant’, Wallpaper (29 February). G. Sagansky, ‘George Condo Recalls His First (and Last) Real Job’, W Magazine (27 February).

R. Zucker, ‘An Artist and a Poet Contemplate Race’, T Magazine (4 February).

2015 E. Nathan, ‘George Condo Sees Faces and Screaming Heads Everywhere’, Artnet (14 October).

2014 A. Binlot, ‘George Condo Creates Portraits in Action’, The New York Times Magazine (7 November). L. Buck, ‘George Condo’s dark headspace’, The Telegraph (21 February). D. Solway, ‘George Condo’s Altered States’, W Magazine (13 February). S. Jeffries, ‘George Condo: “I was delirious. Nearly died”’, The Guardian (10 February). I. Barnard, ‘Around the Galleries’, (February): 72-74. C. Gleadell, ‘Get ready for the February rush’, (28 January): 24. M. Conway, ‘Artist George Condo’s Instrument Collection’, Online (23 January). A. Lasane, ‘ George Condo to Open an Exhibition of New Paintings at Simon Lee Gallery’, Complex Online (14 January). A. Nagesh, ‘London Ink: Galleries to Show George Condo’s Changing Focus’, Blouin ArtInfo Online (9 January). ‘George Condo Presents Two Concurrent London Solo Exhibitions’, Artlyst Online (7 January).

2013 ‘George Condo: Ink Drawings, Skarstedt London’, Yareah Magazine Online (12 December). J. Schwartz, ‘Berlin – George Condo: ‘Paintings and Sculpture’, Art Observed Online (10 June). J. Belcove, ‘George Condo Interview’, The Financial Times (21 April). C. Vogel, ‘Arts Beat: George Condo, On View In and Outside the Metropolitan Opera House’, The New York Times Online (25 January).

2012 A. Binlot, ‘George Condo and Mickalene Thomas Turn Jessica Chastain Into Art for W’s January Issue’, BLOUIN ARTINFO (10 December) ‘A different kind of cover girl: Jessica Chastain plays muse to visual artists in the new issue of W magazine’, Daily Mail (7 December) ‘George Condo & Kanye West Unveil “Thera Flu” Artwork’, Artlyst (10 April). ‘Kanye West and George Condo Re-Team’, ARTINFO.COM (6 April). D. Duray, ‘George Condo Paints Album Art for Kanye West’s Latest Single’, GalleristNY (5 April). ‘Kanye West Reveals “Theraflu” Cover Art by George Condo’, HYPEBEAST (5 April) ‘Comprehensive Retrospective of American Artist George Condo’s work opens at Schirn Kunsthalle’, Artdaily.org (22 February).

2011 M. Brown, ‘George Condo Retrospective Opens at the Hayward’, The Guardian Online (17 October). A. Sooke, ‘George Condo’s favourite paintings’, The Telegraph Online (14 October). R. Rugoff, ‘The madness of king George’, Time Out London (13-19 October): 20-21. T. Teeman, ‘George Condo’, The Times (8 October): 8. B. Luke, ‘A Painterly Language’, Apollo (October): 68-73. A. Akbar, ‘George Condo: The comedy of horror’, Online (26 September). E. Gamerman, ‘The Changing Face of Portraits’, The Wall Street Journal Online (5 August). A. Tschorn, ‘George Condo: A Collection of Etchings’, LA Times Online (14 June). S. Schwartz, ‘The Imaginary Portraits of George Condo’, The New York Review of Books (28 April): 21. J. Sullivan, ‘For portraits, a new frame of reference’, Boston Globe Online (4 April). P. Plagens, ‘Condo Elevates New Museum’, Art in America (April): 35-36. D. Rimanelli, ‘George Condo: New Museum, New York’, Artforum (April): 211. M. Herbert, ‘Now See This: George Condo’, ArtReview 48 (March): 30. A. Michon, ‘Lése majesté’, Garageland 11: 28-32. K. Capps, ‘A “Dark, twisted fantasy” Revealed’, Washington Post (20 February): E3. A. Tschorn, ‘Condo-mania in Manhattan’, LA Times Online (9 February). A. Lindemann, ‘Outwit, Outpaint, Outlast: George Condo and the Back Burnered 1980’s All Stars’, The New York Observer Online (8 February). M. Pollack, ‘On Display: 30 Years of George Condo, Necrophilia Included’, The New York Observer Online (1 February). E. Gamerman, ‘George Condo Visits the Old Masters’, The Wall Street Journal Online (29 January). H. Cotter, ‘A Mind Where Picasso Meets Looney Tunes’, The New York Times (28 January): C29. B. Walsh, ‘Society Portrait: George Condo in New York’, Art in America Online (27 January). H. Halle, ‘George Condo: Mental States: The Master of ‘80s Remix Style Returns’, Time Out New York Online (23 January). C. Tomkins, ‘Portraits of Imaginary People’, (17 January): 56-65.

2010 D. Kuspit, ‘George Condo at Skarstedt Gallery’, ArtForum, (May): 252-253. E. Silver, ‘George Condo Explains His Five Covers for Kanye West’s Twisted Fantasy’, New York Magazine Online (26 November). A. Symonds, ‘Thanks, Kanye! George Condo is Controversial Once Again’, Interview Magazine Online (18 October). 2009 S. Sherwin, ‘Ten Painters You Should Meet’, 10 Magazine (Autumn): 78 B. Lewis ‘Können vor Lachen’, Monopol (March): 32-42. C. Francblin, ‘George Condo’, Artpress (July/August): 358. J. Frimbois, ‘La Caravane Passe’, Art Actuel (May/June): 258. 2008 L. Graff, ‘A break with Tradition’, Vogue (October): 117-118. L. Jury, ‘The exclusive club where the real stars are on the walls’, Evening Standard (23 September): 3-4. S. Mueller, ‘George Condo at Luhring Augustine’, Art in America (June/July): n.p C. McCormick, ‘George Condo, Memory as the Medium’, Whitewall 10 (Summer): 128- 139 R. Van Tienhoven, ‘Clowns in Transit’, Mister Motley, no. 18 (Spring): 56-59. G. Condo, ‘Under the Influence – George Condo on Traditional Musical Instruments’, ArtReview (January): 28. 2007 G. Coddington, ‘Masterpiece Theatre’, Vogue (December): 362-379. N. Trembley, ‘Tomber le Masque’, Numero (September): 113. N. Trembrey, ‘Tomber Le Masque’, L’Oeuvre du Mois (September): 113. P. Plagens, ‘Fake Tiepolos and the Cabbage Patch Queen’, Artnews (Summer): 183-185. J. Higgie, ‘Time’s Fool’, Frieze 107 (May): 110-117. A. Lind, ‘New Luxury Condos’, Art+Action (May): 203. C. Gleadell, ‘Breaking Records’, Art Monthly (April): n.p. M. Herbert, ‘George Condo’, ArtReview (April): 136-137. F. Martin, ‘Bazaar View’, Harper’s Bazaar, (March): 153. G. Adam, ‘British peer buys Condo's controversial Queens’, The Art Newspaper, no. 177. (February): 45. O. Ward, ‘Curious George’, Time Out London (7-13 February): 40. ‘Be My Subject Ma’am’, The Sunday Telegraph (11 February): 38. S. Bishop, ‘Condo’s Caricatures Create Controversy’, Mayfair Times (February): 14. 2006 C. Tomkins, ‘Studio Visit. The Queen, Continued’, The New Yorker (23 October): 35. R. Brooks, ‘Nightmare of the Cabbage Patch Queen’, The Sunday Times (22 October): 3. B. Hope, ‘It’s My First Opera. I’m Going to Stay for the Whole Thing’, The New York Sun (26 September): 1, 4, 14, 17. D. Kazanjian, ‘Paging Picasso: Pablo on my mind’, Vogue (September): 673-674. C. Vogel, ‘Where Bel Canto Meets Paintbrush: At New Met Opera Gallery, Artists Create Images of Heroines’, The New York Times (15 August): E1. S. Mueller, ‘Funny, Elegant, And Frightening’, Gay City News (1-7 June): 22. D. Cohen, ‘Latter-Day Surrealists on the Comeback Trail’, The New York Sun (18 May): 15. R. Brooks, ‘George Condo & Nigel Cooke at Blum & Poe’, ARTnews 105, no. 5 (May): 176-177. A. Gordon, ‘Collector’s Night In’, The New York Sun (11 April): 13, 18. 2005 G. Condo, ‘Doll heads’, Modern Painters (October): 100-103. R. Smith, ‘George Condo’, The New York Times (27 May): E34. A. Bellini, ‘The East Village Revisited’, Flash Art (March/April): 60-63. F. Koeppel, ‘Brush in a Rush’, The Commercial Appeal (20 March): A18. M. O’Sullivan, ‘The Corcoran in Earnest’, Weekend (25 March): 47. 2004 R. Smith, ‘Looking Back At the Flurry On the Far Side’, The New York Times (10 December): E.35- E36. M. Sanders, ‘George Condo: The Condo Effect’, Another Magazine (Autumn/Winter): 410-423. M. Hrbacek, ‘George Condo, Biggs Robinson’, The New York Art World (November): 12. B. Skupin, ‘Mein Bild Von Ihr’, Vogue (October): 514-527. 2003 F. Colpitt, ‘Learning From Comics’, Art In America (October): 64-67. R. Hopkins ‘Artists & Antipodes’, The Boston Phoenix (3 October): 3. 2002 C. Kino, ‘Back on the Radar’, Art & Auction (December): 141. H. Cotter, ‘George Condo’, The New York Times (29 November): E36.

2001 K. Johnson, ‘George Condo/PaceWildenstein’, The New York Times (31 December): B42. S. Glaser, ‘The Arts’, Madison (November/December): 110-115. A. Kotur, ‘Art Up and Down’, Vogue (March): 161. L. Nassau ’Televised Silkscreens’, NY Arts (January): 70. 2000 A. Scott, ‘Film Review: Letting an Artist Explain, Whether It Helps or Not’, The New York Times Online (10 March). K. Bensinger, ‘Artifact... Painter George Condo’, The Wall Street Journal (10 March): W16. 1999 S. Anton, ‘All That Jazz’, Time Out New York (16-30 December): 120. A. Johnston, ‘Condo Painting’, Bomb (Winter): 19. C. Kino, ‘George Condo at PaceWildenstein and Deitch Projects’, Art in America (April): 154-155. B. Kelly, ‘Running Time: The Unbearable Lightness of Painting’, New York Magazine (13 March): 103. J. Winter, ‘Flaming Creatures: Kitsch or Kill’, Village Voice (14 March): 130. G. Seymour, ‘Realism, as the Painter Sees It’, Newsday (10 March): B7, B11 A. Johnston ‘Condo Painting’, Time Out New York (9-16 March): 85. 1998 B. MacAdam, ‘William Burroughs and George Condo’, ARTnews (April): 180. P. Schjeldahl, ‘Dumb and Smarter’, The Village Voice (24 February): 143. R. Smith, ‘George Condo’, The New York Times (13 February): E39. K. Levin, ‘George Condo’, The Village Voice (11-17 February): 74. C. Tomkins, ‘High Styles’, The New Yorker (9 February): 64. V. Pedersen, ‘Gallery Go’Round’, Paper Magazine (February): 104. T. Griffin, ‘George Condo and William Burroughs: Collaborative Works, 1988-1996’, Time Out New York (8-15 January): 51. 1997 K. Johnson, ‘George Condo and William Burroughs: Collaborations 1988 -1996’, The New York Times, (19 December): E40. V. Pederson, ‘Gallery Go ‘Round’, Paper Magazine (19 December): 132. B. Lemon, ‘By George, He’s Got It’, Interview (December): 36. P. Karmel, ‘Art in Review’, The New York Times (6 October): C32. G. D’Annunzio, ‘George Condo’, Vogue (July/August): 396-400. J. Steuer, ‘October Shows Off its Condo’, The Hollywood Reporter (13 May): 8. D. Chateau, ‘Kant Goes Condo: A Short Critique of Pure Aesthetics’, Artpress (May): 42-45. 1996 T. Griffin, ‘George Condo and Peter Hartman, Screaming Heads, Grating Bodies’, Time Out New York (1-8 May): 23. 1995 X. Cheung, ‘Galleries Test Taiwan Art Fair’, Art Newsletter (12 December): 4-5. G. Brown, ‘A Brush With Genius: Glenn Brown on George Condo’s Clownmaker’, Guardian (16 November): 9. V. Pedersen, ‘Gallery Go ‘Round: Senses and sensibilities’, Paper Magazine (October): 131. E. Newhall, ‘Preview: Art, Galleries’, New York Magazine (11 September): 60. A. Codrington, ‘George Condo at Bischofberger’, Art & Auction (March): 64. 1994 K. Jones, ‘George Condo/Pace Gallery’, Artforum (November): 85. J. Saltz, ‘A Year in the Life: Tropic of Painting’ Art in America (October): 90-101. K. Levin, ‘Voice Choices: Art’, The Village Voice (7 June): 71. K. Ashenburg, ‘Having Your Fill of New York’s Art’, The New York Times (12 June): 14, 35. S. Picasso, ‘Condo sur tous les tableaux’, Vogue (February): 56-57. H. Cotter, ‘George Condo at Bruno Bischofberger’, Art in America (February): 111. G. Condo, ‘Harvest’ from ‘Young at Art: Miro at 100’, Artforum (January): 81. 1993 I. Textor, ‘George Condo’, Voir (November/December/January): 40. D. Kurjakovic, ‘George Condo - Bruno Bischofberger’, Flash Art (November/December): 120.A. R. Smith, ‘Classics from the Whitney Permanent Collection’, The New York Times (19 November): C32. A. Schwartzman, ‘Can I Interest You In a Schnabel, Mr. Oritz?’, The New York Times Magazine (3 October): 31-50. D. Morera, ‘Personal Diary by George Condo December 10, 1957’, Vogue Italia (August): 102-109, 197. R. Ricard, ‘Retro Activist’, Vogue (May): 140. 1992 A. Bonney, ‘George Condo’, Bomb Magazine (Summer): 34-39.

J. Tully, ‘Where’s Baghoomian’, Art & Auction (May): 22-24 J. Perl, ‘Breakthrough, idyll, icon, allegory’, The New Criterion (May): 48-53. P. Schjeldahl, ‘Drawing Blood’, The Village Voice (3 March): 85. K. Larson, ‘Drawing Conclusions’, The New York Magazine (2 March): 60-61. E. Karcher, ‘Am¸siertes Genie’, (March): 61-66. M. Kimmelman, ‘Just What Is a Drawing? Definitions, Definitions’, The New York Times (21 February): C29. R. Kalina, ‘George Condo at Pace’, Art in America (February): 113. 1991 F. Michard-Pellissier, ‘Condo entre deux escales’, Vogue (October): 71. V. Pedersen, ‘Reviews: George Condo’, Flash Art (October): 138. K. Levin, ’Choices: Art’, The Village Voice (21 May): 110 S. Picasso, ‘Derriere la toile, la musique...’, Art (April): 238. B. Jones, ‘American Artists of the ’80s’, Tema Celeste (January): 84 D. Kuspit, ‘Tart Wit, Wise Humor’, Artforum (January): 93-101. 1990 J. Lloyd, ‘Power and the Cult of Fragments’, Art International (Autumn): 72-74. J. Pradel, ‘George Condo: Scattered Bum Heads’, L’evenement du Jeudi (17-23 May): 138. P. Dagen, ‘Peinture de mémoire’, Le Monde (6-7 May): 11. D. Kolokithas, ‘Artists for the 90’s’, Paris Passion (May): 19-21. 1988 L. Yablonsky, ‘George Condo’, Art & Auction (September): 22-26. R. Enright, ‘The Undiscovered Familiar: The Art of George Condo’, Border Crossings 22, no. 86: 18- 34. 1985 P. Evans-Clark, ‘Neo-Surrealism, or the Archetype of the Artist as an Ostrich’, Arts Magazine 60, no. 4 (December): 26-31. G. Indiana, ‘George Condo at Barbara Gladstone and Pat Hearn’, Art in America (May): 175.

PUBLIC COLLECTIONS

CANADA Art Gallery of Ontario,

FRANCE Centre Georges Pompidou, Paris Fonds National d’Art Contemporain, Ministère de la , Paris Fonds Regional d’Art Contemporain, Ile de France, Paris GERMANY Schirn Kunsthalle, Frankfurt Staedel Museum, Frankfurt Kunsthalle Bielefeld, Bielefeld The Olbricht Collection, Berlin The Pisces Collection, Donaueschingen GREECE Dakis Joannou Collection Foundation, Athens Deste Foundation for Contemporary Arts, Athens ISRAEL Doron Sebbag Art Collection, ORS Ltd., Tel Aviv NORWAY Astrup Fearnley Museum of Modern Art, Oslo SPAIN Museu d’Art Contemporani, Barcelona SWEDEN Moderna Museet, Stockholm UK Tate, London US Albright-Knox Art Gallery, Buffalo, NY The Broad Collection, Los Angeles, CA The Corcoran Gallery of Art, Washington D.C. Citigroup Art Advisory Service Collection, New York, NY The Judith Rothschild Foundation, Philadelphia, PA The Karpidas Family Collection, Dallas, TX Memorial Art Gallery – University of Rochester, Rochester, NY

The Metropolitan Museum of Art, New York, NY The Museum of Fine Arts, Houston, TX The Museum of Modern Art, New York, NY Norton Gallery, Palm Beach, CA The Solomon R. Guggenheim Museum, New York, NY Whitney Museum of American Art, New York, NY