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10-12-1997

Carmina Burana

School of Music Illinois State University

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Recommended Citation School of Music, "" (1997). School of Music Programs. 1577. https://ir.library.illinoisstate.edu/somp/1577

This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. I: I Illinois State University Symphony Orchestra

I Carl Orfrs I Carmina Burana and I Eight Miniatures for Small Orchestra by Roque Cordero

Glenn Block, Music Director and Conductor Roque Cordero, Guest Conductor .. ISU Concert Choir, ISU Civic Chorale .,. James Major, Director Bloomington Singing Y'ers David Bennett, Director Michelle Vought, Soprano .( David Hohulin, Tenor ) s)~~ John Koch, Baritone ~~~~.....~•;....,~:::;;::;...~~.,.

October 12, 1997 Braden Auditorium, 3:00 pm

The fourteenth program of the 1997-98 season I .. -~, PROGRAM ~$; composed Carmina Burana (Songs of I \_' Beuren) in 1935 and 1936. fie was inspired to Eight Miniatures for Small Orchestra Roque Cordero t write the piece after discovering a collection of I. Marche Grotesca (b. 19 17) medieval poems. These poems were compiled around the II. Medatacion I first half of the 13th century in a southern border region of III. Pasillo Bavaria. They had never been officially cataloged because of IV. Danzonelle V. Nottumo the offensive nature of some of the poems. In 1803 the VI. Mejorana I collection was found in the library of the Benediktbeuren VII. Plegaria monastery. The manuscript was published in 1847 by the VIII. Allegro Final Munich court librarian, Johann Andreas Schmeller, who also I felt it was in his power to censor the collection: the most Roque Cordero, guest conductor suggestive poems were left out. In celebration of the Composer's 89th birthday I This manuscript is said to be the most important and compre­ Carmina Burana (1935-1936) Carl Orff hensive collection of lyric poetry. Over two­ Fortuna imperatrix mundi (Fortune, Empress of the World) (1895-1982) hundred pieces were collected with subject matter such as: I. Primo vere (In Springtime) I Uf dem Anger (On the Green) moralizing and satirical songs, love songs, eating, drinking, II. In tabema (In the Tavern) and gambling songs, Goliard poetry,. and religious plays. III. Cour d' amours (The Court of Love) I "Perhaps" as one scholar remarked, "the monks found it an Blanzitlor et Helena (Blanitlor and Helena) amusing relief after long hours of contemplation!" Many Fortuna imperatrix mundi poems of the period contain satires on the immorality of the I clergy, and such songs, composed in Latin, were truly inter­ national and crossed linguistic frontiers as easily as the music that went with them.

Orff chose twenty-four of the _poems to include in this mas­ terwork. As soon as Orff discovered the image of the For­ tune with the text ' velut Luna statu variabilis ... (O fortune, like the moon ever-changing)', he was overcome with sounds and images for the piece. The first performance in Frankfurt in 1937, conducted by Bertil Wetzelsberger, was staged with chorus, dancers, and magic pictures. Orff begins and ends the piece with the wheel of fortune: the grand I Fortuna . Fortune, lmperatrix Mundi Empress of the World I I. 0 Fortuna Chorus 0 Fortuna, 0 Fortune, chorus builds in speed and tempo. In between the grand velut luna variable statu vaiabilis, as the moon, 'wheel' are three chapters. The first celebrates springtime I semper crescis always dost thou with songs and dances. The second enters the tavern, domi­ aut decrescis; wax and wane. vita detestabilis Detestable life, nated by male voices in the home of food and drink. The nunc obdural first dost thou mistreat us, third chapter is set in the courts of love where we hear the I el tune curat and then, whimsically, ludo mentis aciem, thou heedest out desires. innocence of the soprano and children's chorus. Finally, the egestatem, As the sun melts the ice, wheel of fortune turns again as the composition comes to an potestatem so dost thou dissolve dessolvit ut glaciem. both poverty and power. exciting and powerful close. I I Sors immanis Monstrous et inanis, and empty fate, rota tu volubilis, thou, turning wheel, 1,., .. , status malus, art mean, ' ~- Roque Cordero wrote Eight Miniatures for vana salus voiding semper dissolubilis, good health at thy will. ··~ •.;-~Small Orchestra in 1944 and revised it in 1948, obumbrata Veiled l!J:- • with a new Allego final, which recalls motives I I el velata in obscurity, michi quoque niteris; though dost attack from some of the previous movements. In this work, the nunc per ludum me also. composer-at that time studying composition with Ernst dorsum nudum To thy cruel pleasure I bare my back. Krenek-started his search for the application of the twelve­ I fer tui sceleris. tone technique to a personal expression which would pre­ Sors salutis Thou dost el virtutis withdraw serve his Latin American roots, specifically, Panamanian. michi nunc contraria, my health and virtue, For that reason we find the Pasillo and Mejoi-ana from I est affectus thou dost et defectus threaten Panama, as well as rhythmic elements of the Tamborito in the semper in angaria. my emotion and weakness with torture. last movement, but without direct quotation from the folklore Hae in hora At this hour, 11 sine mora therefore, let us of his native country. The premiere took place in Washing­ corde pulsum tangite; pluck the strings without delay. ton, D.C., on April 10,1950, with the National Symphony quod per sortem Let us mourn sternit fortem, together, Orchestra, conducted by Eleazar de Carvalho. I mecum omnes plangite! for fate crushes the brave.

2. Fortune plango vulnera Chorus In 1974, the work was recorded for Columbia Records by the Fortune plango vulnera I lament Fortune's blows Detroit Symphony Orchestra, conducted by Paul Freeman. stillantibus ocellis, with weeping eyes, quod sua michi munera for she extorts from me Maestro Freeman also recorded it, in 1995, with the Chicago subtrahit rebellis. her gifts, Sinfonietta. 1 , Verum est, quod legitur, now pregnant fronte capillata, and prodigal, sed plerumque sequitur now lean Notes by Anne Decker and Roque Cordero Occasio calvata. and sear.

In Fortune solio Once was I seated sederam elatus, on Fortune's throne, prosperitatis vario crowned with a garland nore coronatus; of prosperity. I auisauirl !amen Oouri In the bloom 1e11x et beatus, I was struck down et in luo vere the wonted ways of love nunc a summo corrul and robbed of all my glory. fides est el probitas Hold fast gloria privatus. I tuum retinere. thy lover! Fortune rota volvitur; At the turn of Fortune's wheel, Arna me fideliter, Love me faithfully, descendo minoralus; one is deposed, fidern rnearn nota feel the constant adoration alter in altum tollitur; another is lifted on high de corde totaliter of my heart nimis exaltatus to enjoy a brief felicity. et ex mente Iota. and mind. rex sedel in vertice - Uneasy sits the king - I Sum presentialiter I am with you caveat ruinam! . let him beware his ruin, absens in remota, even when apan. nam sub axe legimus for beneath the axle of the wheel quisquis amat taliter, Who.soever shares my feeling Hecubam reginam. we read the name of HeL'Uba. I volvitur in rota. knows the torture of Jove. I Primo Vere I In Springtime 5. Chorus Ecce gratum Behold the spring, 3. Veris )eta facies Small Chorus et optatum welcome and Jong awaitec Veris leta facies The bright face of spring I ver reducit gaudia, which brings back mundo propinater, shows itself to the world, purpuratum the pleasures of life. hiemalis acies driving away floret praturn, · The meadow victa lam fugalur, the cold of winter. sol serenat omnia. with purple flowers is abloom, in vestitu vario Flora reigns I lamiam cedant tristia ! the sun brightens all things. Flora principatur, in her colorful robes, . Estas redit, Now put all sadness aside, nemorum dulcisono praised in the canticle nunc recedit for summer returns, que cantu celebratur. of sweet-sounding woods. hyemis sevitia. and winter's cold withdraws.

I lam liquescit Flore fusus gremio Phoebus laughs Ice Phebus novo more in Flora's lap again. et decrescit and snow resum dat, hoc vario Surrounde.d by flowers, grando, nix et cetera; melt away, lam stipatur flore. Zephyrus breathes bruma Jugit, the frost flees, Zaph yrus nectareo the fragrance I et iarn sugil, and spring spirans in odore. of their nectar. ver estatis ubera; sucks the breast of summer. Certatim pro bravio Let us compete curramus in amore. for the prize of love. illi mens est miser~, Miserable is he II ' qui nee vevit, who neither loves Cytharizat cantico The sweet nightingale nee lascivit nor frolics du leis phi lomena, begins her song, sub estatis dextera. under summer's spell. flore rident vario the bright meadows prata iam serena, laugh with flowers. I Gloriantur Those salit cetus avium Birds flit about et letantur who vie silve per amena, the pleasant woods, in melle dulcedinis, for Cupid's prize chorus promit virginum the maidens' chorus qui conantur, taste the sweetness lam gaudia millena. brings a thousand joys. ut ut.antur of honey.

4. Omnia sol tempera! Baritone Solo premio Cupidinis; Let us, Omnia sol tempera! The sun, pure and fine, simus jussu Cypridis proud and joyful, purus et sub ti tis, tempers all, gloi'iantes be ruled novo mundo reserat a new world is opened et letantes by Venus. faciem Aprilis, by the face of April. pares esse Paridis. Let us emulate Paris. ad amorem properat The heart of man l animus herilis rushes to Jove, Dem Anger On the Lawn et iocundis imperat and over all . (Dance) Orchestra deus puerilis. the boyish God rules. IFlorel silva Owrus and Small Chorus Rerum tanta novitas The power of Nature's renovation Floret dilva mobilis· The noble wood in solemni vere in the gloriqus spring floribus et foliis. is filled with buds et veris auctoritas commands us Ubi est antiquus and leaves. iubet nos gaudere; to be joyful. meus amicus? Where is my lover? vias prebet solitas, Sprin~ evokes I I Hine eQuitavit. He rode away on horseback. eia, quis me amabit? Alas, who will love me now? II II In Taberna In the Tavern Floret silva undique Everywhere the forest is in bloom, nah mine gesellen isl mir we. I am longing for my lover. Estuans interius Baritone Solo Gruonet der wait allenthalben, If the wood is green all over, Estuans interius Io rage wa isl min geselle alse lange? why does my lover nOI return? ira vehementi and bittermess Der ist geriten hinnen, He has hidden away. in amaritudine I talk o wi, wer sol mich minnen? Woe is me, who will love me? l loquor mee menti: to myself, . factus de materia, made of matter, 8. Cliramer, gip die varwe mir Soli (Sopranos) and Oiorus cinis elementi, ash of the elements, Oiramer, gip die varwe mir, Shopkeeper, give me color similis sum folie, I am like a leaf die min wengel roete, to paint my cheeks, de quo ludunt venti. which the wind plays with. damit ich die jungen man that young men an ir dank der minnenliebe noete. may not resist my graces. Cum sit enim proprium If a wise man Seht mich an, Young men, viro sapienti builds jungen man! look here, .] supra petram ponere his house I sedem lundamenti, lat mich iu gevallen! do I nOI charm you? upon a rock, stultus ego comparor I, fool, Minne!, tugentliche man, Make love, good men lluvio labenti, am like a gliding river minnecliche frouwen! and gracious women. sub eodem tramite which follows minne tuOI iu hoch gemuot Love will ennoble you, nunquam permanent.i. no straight path. unde lat )uch in hohen eren schouwen. and you will stand in high respect. Seht mich au, Young men, Feror ego veluti I am swept away jungen man! look here, sine nauta navis, Ii ke a pilOlless ship, lat mnich iu gevallen! do I nOI charm you? ut per vias aeris like a bird floating aimlessly vaga fertur avis; through the air. 9. Reie (Round Dance) Orchestra non me tenent vincula, No fetters, no locks non me tenent c)avis, hold me, Swaz hie gat umbe 01orus quero mihi similes I am looking for my like, S waz hie gal umbe, Here are maidens et adiungor pravis. and I join the depraved. daz sint alles megede, in a circle, die wellent an man they'd like to be without a lover Mihi cordis gravitas l11e burdens of the heart alien disen sumer gan I all the summer through. res videtur gravis; weigh too heavily on me. iocus est amabi lis Jesting is lovely Oiume, chum, geselle min Small Oiorus dulciorque favis; and sweeter than the honeycomb Oiume, chum, geselle min, Come, come, my pretty maid, quicquid Venus imperat, What Venus commands ih eubite harte din, I wait for thee. labor est suavis, is suave labor, ih eobite harte din, I wait for thee, 11 que nunquam in cordibus love never dwells chum, chum, geselle min. Come, come my pretty ma.id. habitat ignavis. in cowardly hearts.

Suz.er rosenvarwer munt. Sweet rosy mouth, Via lata gradior On the broad road I move along chum unde mache mich gesunt, come and heal my longing. 11 more iunventutis, as youth is wont to do. chum unde mache mich gesunt, Come and heal my longing, inplicor et vitiis I am entangled in vice, suz.er rosenvarwer munt. sweet rosy mouth. immemor virtutis, and unmindful of virtue. , 11 voluptatis avidus Greedy more for lust Swaz hie gal umbe Oiorus magis quam salutis, than for welfare, Swaz hie gat umbe, Here are maidens mortuus in anima · dead in soul, daz sint alles megede, in a circle, curam gero cutis. I care only for my body. die wellent an man they'd like to be without a lover alien disen sumer gan! all the summer through. [. Olim lacus colueram Tenor Solo and Male Oiorus

10. Were diu werlt alle min Oiorus Cignus ustus cantat: The roasted cygnet sings: Were diu werlt alle min Were the world all mine, I I Olim lacus colueram, Once I dwelt in the lakes, von deme mere unze an den Rin, from the sea to the Rhine, !J olim pulcher extiteram, once I was des wolt ih mih darben, I should gladly forsake it dum cignus ego fueram. a beautiful swan. daz diu chunegin von Engellant for the Queen of England Jege an minen armen. in my arms. u Miser, miser! 0 miserable me! modo niger Now I am 0cties pro fralribus perversis, Eight times for the sinful brethren, et uslus fortiter! roasted black! nonies pro monachis dispersis , nine times for the dispersed monks, decies pro navigantibus, ten times for the navigators, Giral, regiral garcifer; The cook turns me on the spit, I undecies pro descordantibus, eleven times for men at odds, me rogus urit fortiter; the fire roasts me through, duidecies pro penitentibus, twelve times for the penitent, propinat me nunc dapifer, and I am prepared for the feast. tredecies pro iter agentibus. thirteen for the travelers. Tam pro papa quam pro rege We drink for Pope and King alike, Miser, miser! 0 miserable me! bibunt omnes sine lege. and then we drink, we drink. modo niger Now I am et ustus fortiler! roasted black! Bi bit her, bi bit herus, The mistress drinks, the master drinks, bibit miles, bibit clerus, the soldier and the clergyman. Nunc in scutella iaceo, I am borne upon a platter bibit ille, bibit ilia, This man drinks, thal woman drinks, et volilare nequeo, and can no longer fly. bibit servus cum ancilla, the servant and lhe maid. denies frendentes video. I catch sight of gnashing teeth. bibit velox, bibit piger, The quick man drinks, the lazy drinks, bibit albus, bibit niger, the white man and the black. Miser, miser! 0 miserable me! bibit constans, bibit vagus, The sedentary drinks, the wanderer drinks, modo niger Now I am bibit rudis, bibit magus. the ignorant and the learned. el ustus fortiter! roasted black! Bibit pauper et egrotus, TI1e poor man drinks, the sick man drinks, 13. Ego sum abbas Baritone Solo and Male O1orus bibit exul et ignotus, the exiled and the unknown. Ego sum abbas Cucaniensis I am the Abbot of Cucany, bibit puer, bibit canus, The youngster drinks, the oldster drinks, et consilium meum est cum bibulis, and I meet with my fellow drinkers bibil presul et decanus, the Bishop and the Deacon. et in secta Decii voluntas mea est, and belong to the sect of Decius bibit soror, bibit Crater, The sister drinks, the brother drinks, el qui mane me quesierit in laberna, Whosoever meets me in the !tavern over dice bibit anus, bibit maier, the old woman and the mother. post vesperam nudus egredietur, loses his garments by the end of the day, bibit ista, bibil ille, Woman drink and men drink el sic denudatus veste clamabit: and thus bereft of clothes will cry out: bibunt centum, bibunt mille. by the hundreds and the thousands. quid fecisti sors turpissima? Wafna, wafna! Nostre vile gaudia what hast thou done, o infamous Parum sexcente nummate Six hundred coins are not enough abstulisti omnia! Thou hast taken away durant, cum immoderate for this aimless all the pleasures of this life. bibunt omnes sine meta. and intemperate dri"nking. 14. Male Chorus Quamvis bibant mente le1a, TI1ough our drink is always gay, In taberna quando sumus, When we are in the tavern, sic nos rodunt omnes genies there are ever those who nag, non curamus quid sit humus, unmindful of the grave, et sic erimus egentes. and we shall be indignent. sed ad ludum properamus, we rush to the gaming tables Qui nos rodunt confundanlur may they who nag us be confounded, cui ·semper insudamus. over which we sweat. et cum iustis non scribanlur. and never be inscribed among the just. Quid agatur in taberna, If you want to know . ubi nummus est pincerna, what happens in the tavern III III hoc est opus ut queratur, (where money gets you wine), CourD'Amour The Court of Love si quid loquar, audiatur. then listen to my tale. 5. Amor volat undique Soprano Solo and Boys' Chorus Quidam ludunt, quidam bibunt, Some men gamble, others drink, Amor volat undique, The God of Love flies everywhere quidam indescrete vivum. others shamelessly indulge themselves, I captus est libidine. and is seized by desire. Sed in ludo qui morantur, and of those suvenes, iuvencule Young men and young women ex his quidam denudantur, who stay to gamble, coniunguntur merito. are tightly joined together. quidam ibi vestiuntur, some lose their garments, -~ quidam saccis induuntur. and others are in sackcloth. S iqua sine socio, If a girl lacks a man !bi nullun timet mortem, There no one is in fear of death, caret omni gaudio; she misses all delight, sed pro Baccho mittunt sortem: throwing dice for Bacchus: tenet noctis infima darkest night sub intimo is at the bottom Primo pro nummata vini, First, the dice are thrown for wine; cordis in custodia: of her heart: ex hac bibunt libertini; which the libertines drink. semel bibunt pro captivis, Then they toast the prisoners twice, fit res amarissima. This is bitterest fate. post hec bibunt ter pro vivis, then they toast the living thrice. quater pro Christianis cunctis, Four times wine is drunk for Christians, 6. Dies, nox et omnia Baritone Solo quinquies pro fidelibus defunctis, five times for the faithful departed, Dies, nox et omnia Day and night and all the world sexies pro sororibus vanis, six times for the boastful sisters, michi sunt contraria, are opposed to me, septies pro militibus silvanis. seven times for the forest soldiers. 11 - vitginum colloquia and the sound of maidens' voices me fay plauszer, makes me weep. 19. Si puer cum puellula Soli (3 Tenors, Baritone, 2 Basses) oy suvenz suspirer, Alas, I am filled with sighing Si puer cum puellula When a boy and a maiden plu me fay temer. and fear. moratetur in cellula, are alone together, I felix coniunctio. happy is their union. 0 sodales, ludite, 0 friends, amuse yourselves Amore suscrescente, Their passions mount, vos qui scitis dicite, and speak as you please. pariter e medio and modesty desappears; michi mesto parcite, Spare me, a sad man , propulso procul tedio, An ineffable pleasure grand ey dolur, for great is my grief. fl fit ludus ineffabilis pours through attamen consulite Counsel me, membris, lacertis, labiis. their limbs, their arms, their lips. per voster honur. by your honor. Veni , veni , venias Double Chorus

Tua pulchra facies, Thy lovely face Veni I veni , venias , Come, come, me fay planszer milies, makes me weep a thousand tears ne me mori facias, .do not let me die. pectw habet glacies. because they heart is made of ice. byrca, bycrce, nazaza, Hycra, hyrce, nazaza, a remender, Thy single kiss trillirivos .. . tillirivos .. . statim vivus flerem would bring me per un baser. back to life. I Pulchra tibi facies , Pretty is thy face . oculorum acies, the look of thine eyes, 17. Stetit puella Soprano Solo capi llorum seris, the braids of thy hair, Stetit puella There stood a maid o quam clara species! o how beautiful thou art! rufa tunica; in a red tunic, I si quis ceam tetigit, when it was touched Rosa rubicundior, Redder than the rose, tunica crepuit. the tunic rustled. lilio candidior, whiter than the lily, Eia. Eia! omnibus formosior, more beautiful than all the rest, I semper in te glorior! always I shall glory in thee. Stetit puella There stood a girl; tamquam rosula like a rose, In lrutina Soprano Solo facie splenduit, her face was radiant, In truti na men tis dubia I am suspended os eius floruit. her mouth bloomed. fluctuant contraria between love Eia. Eia! lascivus amor el pudicitia. and chastity, Sed eligo quod video, but I choose 18. Circa mea pectora Baritone Solo and Chorus collum iugo prebeo; what is before me Circa mea pectora My heart is filled ad iugum tamen suave transeo. and take upon myself the sweet yoke. multa sunt suspiria with sighing. de tua pulchritudine, I am longing for thy beauty. 22. Tempus est iocundum Soli (Soprano and Baritone), Chorus, and Boys' ChonL!I que me ledunt misere. My misery is great. Tempus est iocundum, Pleasant is the season, Manda liet, Manda liel, o virgines, o maidens, manda liet, manda liel, modo congaudete now rejoice, min geselle my sweetheart vos iuvenes. ye lads. chumet niet. does not come. Tui lucent occuli Thine eyes shine Oh, oh, oh Oh, oh, oh, sicut solis radii, like the sun's rays, fl lotus floreo, with love sicut splendor fulguris like lightning flashes lucem donat tenebris. in the night. iam amore virginali I bloom Manda liet, Manda liet, lotus ardeo, for a maiden, manda liet, manda liet, I novus, novus amor my new, new love, min geselle my sweetheart est, quo pereo. of which I perish. chumel niet. does not come. Vellet deus, vellent dii, May the Gods look with favor Mea me confortat Yielding quod mente proposui: on my desire I promissio, gratifies me, ut eius verginea to undo the bonds mea me deportal refusing reserassem vincula. of her virginity. negatio. makes me grieve. Manda liet, Manda liet, manda Iiet, manda liet, Oh, oh, oh, Oh, oh, oh, min geselle my sweetheart lotus floreo, with love chumet niet. does not come. iam amore virginali I bloom lotus ardeo, for a maiden, t novus. novus amor mv new. new love. es1, quo pereo. ot winch I perish.

Tempore brumali In winier Ii\ vir patiens, man's desires are passive, I ii, ISU SYMPHONY ORCHESTRA animo vemali the breath of spring Glenn Block, Music Director and Conductor lasci vien.,. ·makes him lascivious.

CELLO Oh, oh, oh, Oh, oh, oh, IOLINI CLARINET l •Oiris Frey tolus floeo, with love Benjamin Roberts •Emily B. Nunemaker •Yalin Song iam amore virginali I bloom --Concertmaster Andrea Lawhun Oiarles Davenporl torus ardeo, for a maiden, I Bartosik Brian Gaona novus, novus amor my new, .new love, ephanie Deimer BASSOON . Aaron Gradberg esl, quo perco. of which I perish. iquel DePablo •Scolt E. Reynolds Airi EnomOlo Erin Hughes Amy B. Harkess Nathaniel Johnson Mea mecum ludil My maidenhood Mary Gomez Nicole Novak virginilas, exciles me, iflMichelle Kang HORN Kimberly Martin mea me detrudil but my innocence fl J:olleen Moss •Ryan Heseltine Marie Zieske simplicilas. keeps me apart. Jennifer Smith Darcie Condon Shay Einhorn BASS Oh, oh, oh, Oh, oh, oh, flvIOLIN II . Katie Lunzman l •OiffHunl lotus floreo, with love 1/l•Megan Brady Kate Peabody Joel Packer. iam amore virginali I bloom Chrislopher Baranyk Geremy Reiner torus ardeo, for a maiden, Elizabeth Hunt TRUMPET Benjamin Sullivan novus, novus amor my new, new love, Peter Juffernbruch •Aimee Dorward John Van Benthuysen est, quo pereo. of which I perish. Christine Sands •Tara Nogle Matthew Sredman •Jennifer Drennan FLUTE Veni, domicella, Come, my rnistress, Jackie Slevenson •Oiristina L. Barnes cum gaudio, come with joy, " Kelli Stocker TROMBONE •Sabina M. White veni, veni, pulchra, come, my beauly, Rick Warner •Jason Seltlemoir Jennifer Smith (piccolo) iampereo. for I die. Joel Matter VIOLA Anne Decker Tarlton Atkinson (bass) Oh, oh, oh, Oh, oh, oh, ,l· 1 •Peggy Weiss OBOE lotus floreo, with love Emily Daoust TUBA •Jennifer Schram! iam amore virgi°nali I bloom I Steve Hampton Brian Farber Deana Rumsey (English Horn) lolus ardeo, for a maiden, Matt Barwegen novus, novus amor my new, new love, PIANO TIMPANI/PERCUSSION est, quo perco. of which I perish. Shawn Deganhart •Shawn Neely Nick Anderson Il l Dora Bizjak Jeff Matter Roger True 23. Dulcissime Soprano Solo Dulcissime, Sweetest boy, lotam tibi subdo me! I give my all to you! ISU INSTRUMENTAL FACULTY ill Aris Oiavez, clarinet Banziflor et Helena Blanzitlor and Helena Kim Risinger, flute Judy Dicker, oboe Michael Dicker, bassoon Joe Neisler, horn Amy Gilreath, lrumpet 24. Ave formosissima Oiorus Steve Parsons, trombone David Collier, percussion Sarah Gentry, violin Ave forrnosissima, Hail to thee, most beautiful, ![ Kale Hamilton, viola Greg Hamilton, cello William Koehler, bass gemma pretiosa, most preciow gem, u STAFF ave decus virginum, hail, pride of virgins, Anne Decker, Assistant Conductor virgo gloriosa, most gloriow virgin, Colleen Moss, Orchestra Manager I Librarian ave muodi luminar, hail, light of the world, ave mundi rosa, hail, rose of the world. ORCHFllTRA COMMITTEE Blanziflor et Helena, Blanziflor and Helena, Kimberly Martin, Chair Venus generosa ! Venus generosa! Christina L. Barnes Anne Decker Fortuna Fortune Ryan Heseltine Benjamin Roberts Imperatrix Mundi Empress of the World u 25. 0 Fortuna • Oiorus • • denotes principal. Players are listed in each section alphabetically after principals. • Same text as Song No. I ~I r1 Concert Choir I David Bennett, Shawn Degenhart, Samantha Hammer Assistant Conductors /SU CIVIC CHORALE Patricia Foltz, Accompanist Nathan Edwards Administrative Assistant 11 Soprano Alto I Louise Andrew Leslie Amacher Emily Skelly Soprano Alto Amy Barmann Jill Attaway Rachel Skelly Abby Albright Arianna Brown Judy Brown Mary Esther Baldwin Jennifer Smetana Jenna Avery Bridget Burrell Peg Dudzik Katie Bechtel KimSnyder Jennifer Bailey Amy Butters I Jeanette Berger Rachel Tong Marie DiGiammarino Lynda Barnes Julie Fall on Susie Ferrenburg Jane Brummet Emily Vizer Christy Bookwalter Sarah Finifrock Jessica Goodman Lillian Bucher Cara Wagoner Rachel Devitt Sam Hammer Barb Green Amy Cohen Jean Wallace Molly Jones Angela Haeseker Cory Gunkel Peggy Canopy Gretchen Kemp Tori Hicks Kirsten Cordery Tenor Brigitte Lehmkohl Ann Halper Krista Koske Lola DeVore Wayne Caldwell Janna Peterson Julie Anne Hammontree Laura Noonan I' Georgia Everson Corey Coughlin Leslie Pomykala Beth Hanse Sequita Randle Kathy Fogal Doug Lamb Jane Smolen -Paula Helgeson Tracy Rhyne Ellen Hagen Joshua Masterman Sara Tresenriter Marjorie Hobbs Ragen Sanner Hannah Hansen Allen Popowski Sondra Trumble Arlene Johnson Lindsay Sullivan Judith Hines Kenneth Prince Amy Turner Karen Johnson Karen Tucka Jett Jett Tom Sullivan Amanda Vick Kim KJeinfeldt Sonja Larson-Strieff Tony Witte Melissa Vick Rowen Koshinski Sylvia Kruger lcelynn Mamuri Heather West Bass Patsy Leonard Kay Mays Bass Scott Bartnik Bea Lowery Erin Murphy James Angell Ben Cubberly Mindy Maves Penny Noble Joe Berneri Tenor Shawn Degenhart , Tara Mayberry Susan Palmer Owen Brummel Steve Bayer Mark Greer Jerry McGinnis Phyllis Parr Thomas Burrell John Beer Scott Grobstein Patti Mullen Annette Phillips Harold Goyen David Bennett Jason Gross Jan Noble Kristina Ragonese John Hensley Nate Edwards Joshua Hess I ii Kiki Osbourne Judith Ronan Ed Hines Tom Faulkner Andy Jensen Megan Poulos Kathryn Ryan Mike Humphreys Dominic Just Richard Kincanon Pat Rosenbaum Emily Safford George Kidder Brian Lareau Gary Livshits Jennifer Schmidt Jennifer Sarashinsky Morgan Kirkham Josh Lewis Eric Pingel -Jenny Shuck Kathryn Schafer Dick Koshinski Joel Matter Lennon Rodgers Karen Smith Sharon Schroeder Mark Lindberg TomMindock Chris Thilk Lauren Stenzel Mary Selk A. Keith Oliver Scott Noonan Erik Tomlin Alison Trego Stephanie Shackley Jeoung-Pil Park Jeremy Painter Richard Warner Vasiliki Vourvahis Summer Shelby Andy Tillema Steve Peter Dave Wilton Ben Thompson Christine Williams Michael Williams Mike Strand I I The Singing Y 'ers

David Andre Bennett, Conductor Debbie Carney, Accompanist

Jeffrey Adam Joshua Lannie Breu Anspach Nate Loos I Greg Brown Ryan Mru:quardt Darein Burton John Miller Aaron Cole Chris Morse Matt Van Dyke Daniel Powell I BJ Enzweiler Colin Rogers Ben Hamey Tomek Stadnik Aaron Hirst Joel Stone I Luke Hoesly Joel Werner Quentin Hursey Adison Wilkins Nathan Jacobs ~1/ // {1/ Austin Wilkins I

ISU Chamber Orchestra Greg Hamilton, cellist 7 pm, Wednesday, November 5 Kemp Recital Hall I Orchestra Tour to Chicago Greg Hamilton, cellist November 11-13 I

Holiday Concert 7 pm, Sunday, December 7 Braden Auditorium (Admission charge)

Carmina Burana