Whitney the Irish Film Institute

Total Page:16

File Type:pdf, Size:1020Kb

Whitney the Irish Film Institute JULY 2018 WHITNEY THE IRISH FILM INSTITUTE The Irish Film Institute is Ireland’s EXHIBIT national cultural institution for film. It aims to exhibit the finest in independent, Irish and international cinema, preserve PRESERVE Ireland’s moving image heritage at the IFI Irish Film Archive, and encourage EDUCATE engagement with film through its various educational programmes. IFI FRENCH IFI FILM CLUB FILM CLUB Join us for an open discussion with members of the IFI This month’s French Film Club screening, which takes place team following the 18.15 screening of First Reformed on on Wednesday 18th at 18.10 and where IFI and Alliance Thursday 19th. In Paul Schrader’s latest, Ethan Hawke Française members pay just €7.50 per ticket, is Racer and gives an intensely committed performance as Reverend the Jailbird. A fast-paced and unabashedly sexy thriller Toller, an ex-military chaplain grieving the death of his son, from director Michaël R. Roskam, the film stars Matthias who rails against the inequities of modern society. Schoenaerts and Adèle Exarchopoulos. This screening will be introduced by Bérengère Langlois of the Alliance Française. MYSTERY MATINEE IFI CAFÉ BAR This month’s secret screening, for which tickets cost just Strolling through town, meeting friends for lunch, or catching €5, will take place at 13.00 on Sunday 29th. Sometimes a new release? Make the IFI Café Bar your destination for it will be a preview, but not always; sometimes, it will be food this summer. With delicious new menus from IFI Head a title one might expect to see at the IFI, but not always. of Food and Beverage Julien Caillabet (formerly Les Frères Previous titles have included Greta Gerwig’s Lady Bird, Jacques), there is something to suit every palate. Alexander Payne’s Citizen Ruth, and John Huston’s See www.ifi.ie/cafebar for full details, and reserve your Beat the Devil. Join us for this month’s screening, and table on 01-6798712 or [email protected]. expect the unexpected! 2 DIRECTOR’S NOTE Brilliant new releases, panel discussions, Q&As, and some stellar sci-fi will entertain and engage you at the IFI during July. JULY AT THE IFI Summer 1993 This month, following a hugely successful inaugural event July also sees the IFI team up with the Irish Georgian last year, the IFI is delighted to welcome the Dark Skies Society for a special showing of Deborah Warner’s The festival back to the IFI for its second season. Showcasing Last September; the screening will be followed by a some of the best science fiction cinema of the last 65 years, panel discussion on the Big House in Irish film featuring the theme of this year’s screenings is Invasion. Alongside photographer James Fennell, Fionnuala Ardee of Killruddery cult classics such as The War of the Worlds and Earth vs. the House, and location manager Colm Nolan. Our free Archive Flying Saucers, James Cameron’s 1986 favourite Aliens will at Lunchtime screenings throughout July will also look at screen on 70mm, while Paul Verhoeven’s Starship Troopers Georgian and Irish architecture. and Tim Burton’s Mars Attacks! will both screen on 35mm. It’s hard to believe it’s just over three years since the New releases this month include Michael R. Roskum’s Marriage Equality referendum in May 2015. This month’s critically acclaimed Racer and the Jailbird, Haifaa Al- Irish Focus screening, Linda Cullen and Vanessa Gildea’s Mansour’s biopic Mary Shelley, and Carla Simón’s very The 34th, looks back at the run-up to this monumental moving Summer 1993. Oscar-winning documentarian Kevin and emotive campaign which saw people from all over MacDonald will visit the IFI on July 3rd for a Q&A following the country come together to bring about one of the most a preview of his new documentary Whitney, a look at the seismic social changes in recent times. Gráinne Healy of extraordinary and tragic life of one of music’s greatest ever Marriage Equality and Yes Equality will join Linda Cullen for a performers. Q&A following the screening. Our relationship with religion provides the focus for a Finally, if you haven’t visited the IFI Café Bar of late, I would number of films this month, including new releasesFirst strongly encourage you to drop in during the summer to Reformed from Paul Schrader featuring Ethan Hawke and enjoy our fantastic new menus, created by the new IFI Head Amanda Seyfried, Apostasy from Daniel Kokotajlo, The of Food and Beverage Julien Caillabet, formerly of Les Frères Apparition from Xavier Giannoli, and our one-off screening Jacques. With delicious new dishes such as Philly Cheese of Custody: Custody of the Eyes, which focusses on the first Steak, Linguine with Garlic Chilli Prawns, and Tandoori days of a 25-year-old woman as she enters the cloistered Chicken and Puy Lentils, alongside classic IFI Fish and Chips community of the Poor Clares. Jacques Rivette’s 1966 and Burger favourites, there’s really something for every classic The Nun heads up a particularly strong month of 4k taste! And don’t forget, you can also enjoy a drink in the Irish digital restoration re-releases, which also features Michael summer sunshine on our newly-refurbished outdoor terrace! Cimino’s seminal The Deer Hunter, Alfred Hitchcock’s Vertigo, and James Ivory’s adaptation of E.M. Forster’s Maurice. We look forward to seeing you back at the IFI soon! Ross Keane Director 3 NEW RELEASES, IFI SEASONS & DOCS & IFI CLASSICS EVENTS CALENDAR THE DEER HUNTER OPENS FRI 6TH DATE SCREENING TIME MARY SHELLEY OPENS FRI 6TH 1ST IRISH FOCUS: 16.00 WHITNEY OPENS FRI 6TH SUN THE 34TH: THE STORY OF MARRIAGE EQUALITY FIRST REFORMED OPENS FRI 13TH 3RD PREVIEW SCREENING: WHITNEY + Q&A 18.20 RACER AND THE JAILBIRD OPENS FRI 13TH TUES 4TH FROM THE VAULTS: 18.30 VERTIGO OPENS FRI 13TH WED THE LAST SEPTEMBER + PANEL DISCUSSION THE APPARITION OPENS FRI 20TH 5TH CHOSEN: CUSTODY OF THE EYES + Q+A 18.30 GENERATION WEALTH OPENS FRI 20TH THUR SUMMER 1993 OPENS FRI 20TH 7TH DARK SKIES: INVASION: THE WAR OF THE WORLDS 15.30 APOSTASY OPENS FRI 27TH SAT MAURICE OPENS FRI 27TH 8TH DARK SKIES: INVASION: ATTRACTION 15.30 SUN THE NUN OPENS FRI 27TH 11TH OPEN CAPTIONED SCREENING: MARY SHELLEY 16.00 WED 12TH OPEN CAPTIONED SCREENING: MARY SHELLEY 18.15 THUR 14TH DARK SKIES: INVASION: STARSHIP TROOPERS 18.10 SAT † The exclusivity of films is correct at time of print. 15TH DARK SKIES: INVASION: 15.30 SUN EARTH VS. THE FLYING SAUCERS 17TH GENERATION WEALTH PREVIEW 18.30 GET SOCIAL! TUES + PRE-RECORDED INTERVIEW 18TH IFI FRENCH FILM CLUB: RACER AND THE JAILBIRD 18.10 Excited about this month’s programme? So are we! WED Tell your friends which film you’re planning to watch, share your movie reviews and show us your best pics 19TH IFI FILM CLUB: FIRST REFORMED 18.15 THUR on Instagram, Twitter and Facebook! 21ST DARK SKIES: INVASION: ALIENS (70MM) 20.20 Join the IFI Community online: SAT 22ND DARK SKIES: INVASION: 18.15 linkedin.com/company/irishfilminstitute SUN INVASION OF THE BODY SNATCHERS @IrishFilmInstitute @IFI_Dub 25TH WILD STRAWBERRIES: MONEY MONSTER 11.00 WED BIGGER PICTURE: VICTOR/VICTORIA 18.15 @IrishFilmInstitute FEAST YOUR EYES: SUMMER 1993 18.40 26TH DARK SKIES: INVASION: ALIENS (70MM) 18.15 THUR For bookings and film information, please see our 27TH WILD STRAWBERRIES: MONEY MONSTER 11.00 website, www.ifi.ie, or contact the IFI Box Office FRI on 01-6793477 (open 12.30 to 21.00 daily). 28TH DARK SKIES: INVASION: THE THING 20.30 SAT Open Captioned screening 29TH IFI FAMILY: COOL RUNNINGS 11.00 SUN MYSTERY MATINEE 13.00 Audio Described screening DARK SKIES: INVASION: MARS ATTACKS! 15.30 The F-rating is a classification reserved for any film which is directed and/or written by a woman. 4 JULY 2018 THE DEER IFI CLASSIC HUNTER IFI DOC OPENS FRI 6TH A sprawling, complex, and hugely The tripartite structure begins with ambitious film,The Deer Hunter – Steven’s wedding shortly before the FILM INFO: winner of five Oscars and many awards three ship out. Moving to the battlefield, 182 mins, UK-USA, 1978, Digital besides – returns to cinema screens in the next section finds the three held as Notes by Kevin Coyne a new 4K digital restoration. After his prisoners of war, forced to play Russian début feature, Thunderbolt and Lightfoot Roulette for the amusement of their (1974), director Michael Cimino created captors before making their escape, something on a more epic scale with this and losing each other along the way. tale of three Pennsylvanian steelworkers Finally, now home, Michael tracks down who serve in the Vietnam War: Michael his friends and discovers the terrible (Robert De Niro), Steven (John Savage), aftermath of their experiences in and Nick (Christopher Walken). Vietnam. MARY NEW RELEASE SHELLEY IFI DOC OPENS FRI 6TH Haifaa Al-Mansour follows Wadjda, dashing, debt-ridden rogue Percy the first Saudi Arabian film to be (Douglas Booth), a celebrated poet at FILM INFO: directed by a woman, with a confident 21, who whisks her away to a Swiss 119 mins, UK-Luxembourg-USA, transition into Victorian literary château for a summer of debauchery 2017, Digital period drama. She depicts 16-year-old where Mary begins to compose the Notes by David O’Mahony Mary Shelley (Elle Fanning) as the most influential horror novel of all time. proto-feminist daughter of political philosophers William Godwin and Mary There will be Open Captioned (OC) Wollstonecraft, who pushes against the screenings at 16.00 on Wednesday boundaries of an age that patronised 11th and 18.15 on Thursday 12th.
Recommended publications
  • Coming-Of-Age Film in the Age of Activism
    Coming-of-Age Film in the Age of Activism Agency and Intersectionality in Moonlight, Lady Bird, and Call Me By Your Name 29 – 06 – 2018 Supervisor: Anne Salden dr. M.A.M.B. (Marie) Lous Baronian [email protected] Second Reader: student number: 11927364 dr. A.M. (Abe) Geil Master Media Studies (Film Studies) University of Amsterdam Acknowledgements First and foremost, I would like to thank Marie Baronian for her first-rate supervision and constant support. Throughout this process she inspired and encouraged me, which is why she plays an important part in the completion of my thesis. I would also like to thank Veerle Spronck and Rosa Wevers, who proved that they are not only the best friends, but also the best academic proof-readers I could ever wish for. Lastly, I would like to express my gratitude towards my classmate and dear friend Moon van den Broek, who was always there for me when I needed advice (or just a hug) during these months, even though she had her own thesis to write too. Abstract The journey of ‘coming of age’ has been an inspiring human process for writers and filmmakers for centuries long, as its narrative format demonstrates great possibilities for both pedagogy and entertainment. The transformation from the origins of the genre, the German Bildungsroman, to classic coming-of-age cinema in the 1950s and 1980s in America saw few representational changes. Classic coming-of-age films relied heavily on the traditional Bildungsroman and its restrictive cultural norms of representation. However, in the present Age of Activism recent coming-of-age films seem to break with this tendency and broaden the portrayal of identity formation by incorporating diversity in its representations.
    [Show full text]
  • Reframe and Imdbpro Announce New Collaboration to Recognize Standout Gender-Balanced Film and TV Projects
    FOR IMMEDIATE RELEASE Media Contacts: June 7, 2018 For Sundance Institute: Jenelle Scott 310.360.1972 [email protected] For Women In Film: Catherine Olim 310.967.7242 [email protected] For IMDbPro: Casey De La Rosa 310.573.0632 [email protected] ReFrame and IMDbPro Announce New Collaboration to Recognize Standout Gender-balanced Film and TV Projects The ReFrame Stamp is being Awarded to 12 Films from 2017 including Everything, Everything; Girls Trip; Lady Bird; The Post; and Wonder Woman Los Angeles, CA — ReFrame™, a coalition of industry professionals and partner companies founded by Women In Film and Sundance Institute whose mission is to increase the number of women of all backgrounds working in film, TV and media, and IMDbPro (http://www.imdbpro.com/), the leading information resource for the entertainment industry, today announced a new collaboration that leverages the authoritative data and professional resources of IMDbPro to recognize standout, gender- balanced film and TV projects. ReFrame is using IMDbPro data to determine recipients of a new ReFrame Stamp, and IMDbPro is providing digital promotion of ReFrame activities (imdb.com/reframe). Also announced today was the first class of ReFrame Stamp feature film recipients based on an extensive analysis of IMDbPro data on the top 100 domestic-grossing films of 2017. The recipients include Warner Bros.’ Everything, Everything, Universal’s Girls Trip, A24’s Lady Bird, Twentieth Century Fox’s The Post and Warner Bros.’ Wonder Woman. The ReFrame Stamp serves as a mark of distinction for projects that have demonstrated success in gender-balanced film and TV productions based on criteria developed by ReFrame in consultation with ReFrame Ambassadors (complete list below), producers and other industry experts.
    [Show full text]
  • James Ivory in France
    James Ivory in France James Ivory is seated next to the large desk of the late Ismail Merchant in their Manhattan office overlooking 57th Street and the Hearst building. On the wall hangs a large poster of Merchant’s book Paris: Filming and Feasting in France. It is a reminder of the seven films Merchant-Ivory Productions made in France, a source of inspiration for over 50 years. ....................................................Greta Scacchi and Nick Nolte in Jefferson in Paris © Seth Rubin When did you go to Paris for the first time? Jhabvala was reading. I had always been interested in Paris in James Ivory: It was in 1950, and I was 22. I the 1920’s, and I liked the story very much. Not only was it my had taken the boat train from Victoria Station first French film, but it was also my first feature in which I in London, and then we went to Cherbourg, thought there was a true overall harmony and an artistic then on the train again. We arrived at Gare du balance within the film itself of the acting, writing, Nord. There were very tall, late 19th-century photography, décor, and music. apartment buildings which I remember to this day, lining the track, which say to every And it brought you an award? traveler: Here is Paris! JI: It was Isabelle Adjani’s first English role, and she received for this film –and the movie Possession– the Best Actress You were following some college classmates Award at the Cannes Film Festival the following year. traveling to France? JI: I did not want to be left behind.
    [Show full text]
  • 2017 Producers Book Finalists
    PRODUCERS BOOK & PRINT SOURCE LIST Pre-Festival Edition THE 2017 PRODUCERS BOOK A LETTER FROM THE SCREENPLAY & FILM COMPETITION DIRECTORS Hello! Each year, we prepare our annual Producers Book which contains loglines and contact information for the year’s top scripts in our various Script Competitions. Please feel free to reach out to any of the writers listed here to request a copy of their scripts. Also included is our Print Source List containing information for all films selected for the 2017 Festival. This year’s Semifinalists and Finalists were chosen from a field of 9,487 scripts entered in our Screenplay, Digital Series, Playwriting, and Fiction Podcast Competitions. Each year we are amazed by the professional quality and talent that we receive and this year wasn’t any different. The Competition is open to feature-length scripts in the genres of drama, comedy, sci-fi, and horror; teleplay pilots and specs, short scripts, stage plays, fiction podcast scripts, and digital series scripts. Year after year, our strive in programming the Austin Film Festival film slate is to discover and champion the writers and those who can translate amazing stories to the screen. We received over 5,000 film submissions this year and had the task of whittling it down to 182 films that embody our mission and passion for storytelling. It was a harrowing task, but it led to our strongest year of film yet. We’re so proud of this year’s diverse group of filmmakers and unique voices and can’t wait for these works to be seen, shared, and loved.
    [Show full text]
  • The Importance and Achievements of Luca Guadagnino's Call Me By
    To Speak or to Die: The Importance and Achievements of Luca Guadagnino’s Call Me by Your Name (2017) Treball de Fi de Grau/ BA dissertation Author: Alex Dalmau Barreal Supervisor: Dr. Sara Martín Alegre Departament de Filologia Anglesa i de Germanística Grau d‘Estudis Anglesos June 2020 CONTENTS 0. Introduction .................................................................................................................. 1 0.1 Luca Guadagnino‘s Life and Work ........................................................................ 1 0.2 Guadagnino‘s Call Me by Your Name .................................................................... 2 1. Adapting a Novel: A Work of Respect ......................................................................... 6 1.1 Differences and similarities .................................................................................... 6 1.2 Controversies while Adapting .............................................................................. 12 2. A Film with a Legacy ................................................................................................. 17 2.1 Importance within the LGBT community ............................................................ 17 2.2 Impact within the film industry ............................................................................ 21 3. Conclusions and further research ............................................................................... 27 Works Cited ...................................................................................................................
    [Show full text]
  • Cinema: Reframed, Restored & Rediscovered, 26
    PRESS RELEASE: 20 JUNE 2018 | Cinema Rediscovered returns to Bristol for its 3rd edition, 26 - 29 July followed by UK wide tour; putting lesser known cinematic visions centre stage and asking questions about the role of cinema. CINEMA: REFRAMED, RESTORED & REDISCOVERED, 26 - 29 July Cinema Rediscovered Bristol is thrilled to announce two major focuses; Reframing the Archive (Thu 26 July) and Restored & Rediscovered including brand new restorations of Maurice (1987), The Apartment (1960) and Le Crime de Monsieur Lange (1936), Aardman’s earliest films Animated Conversations (1977) and Conversation Pieces (1983) plus a 20th anniversary launch preview of The Big Lebowski (1998) REFRAMING THE ARCHIVES Pictured: Jema Desai, Founder of I am Dora (left), Danny Leigh, Senior Curator of fiction film and television at BFI National Archive, writer/curator Karen Alexander, The Final Girls, Joan Parsons, Time is Now & Head of Queen’s Film Theatre (right) Some of the most distinctive voices in cinema curation open up a conversation on the importance of re-presenting and reframing archives, and in shifting our perspective on the past. Speaker guests include Jemma Desai (Founder of I am Dora), The Final Girls, Joan Parsons (Time is Now), Sally Griffith (Anim18), Charlotte Harman (Compass Presents) and writer/curator Karen Alexander. Co-presented with BFI Film Audience Network (FAN) partners including Film Hub North, now leading on major FAN wide screen heritage activity, this is the first in a series of initiatives aimed at inspiring and challenging the exhibition and archive sector to reframe film heritage in the context of BFI2022 priorities and beyond. Danny Leigh, writer, broadcaster and Senior Curator of fiction film and television at BFI National Archive, gives his perspective on reframing the past, present and future of the archive looking at the very recent history of film with a focus on his personal interest in class representation.
    [Show full text]
  • Call Me by Your Name
    Presents CALL ME BY YOUR NAME A film by Luca Guadagnino (131 min., USA/Italy/France/Brazil, 2017) Languages: English, Italian, French, German w/ English subtitles Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia CALL ME BY YOUR NAME The Cast Oliver ARMIE HAMMER Elio TIMOTHÉE CHALAMET Mr. Perlman MICHAEL STUHLBARG Annella AMIRA CASAR Marzia ESTHER GARREL Chiara VICTOIRE DU BOIS Mafalda VANDA CAPRIOLO Anchise ANTONIO RIMOLDI Art Historian 1 ELENA BUCCI Art Historian 2 MARCO SGROSSO Mounir ANDRÉ ACIMAN Isaac PETER SPEARS 2 CALL ME BY YOUR NAME The Filmmakers Director LUCA GUADAGNINO Screenplay JAMES IVORY Based on the Novel Call Me By Your Name by ANDRÉ ACIMAN Producers PETER SPEARS LUCA GUADAGNINO EMILIE GEORGES RODRIGO TEIXERA MARCO MORABITO JAMES IVORY HOWARD ROSENMAN Executive Producers DEREK SIMONDS TOM DOLBY MARGARETHE BAILLOU FRANCESCO MELZI D’ERIL NAIMA ABED NICHOLAS KAISER SOPHIE MAS LOURENÇO SANT’ANNA Director of Photography SAYOMBHU MUKDEEPROM Editor WALTER FASANO Production Designer SAMUEL DESHORS Costume Designer GIULIA PIERSANTI Songs “Mystery of Love” and “Visions of Gideon” Written and Performed by SUFJAN STEVENS Production Sound Mixer YVES-MARIE OMNES Re-Recording Mixer JEAN-PIERRE LAFORCE Music Supervisor ROBIN URDANG Music Consultant GERRY GERSHMAN Casting / Line Producer STELLA SAVINO Main Titles
    [Show full text]
  • (LACMA) Hosted Its Ninth Annual Art+Film Gala on Saturday, November 2, 2019, Honoring Artist Betye Saar and Filmmaker Alfonso Cuarón
    (Los Angeles, November 3, 2019)—The Los Angeles County Museum of Art (LACMA) hosted its ninth annual Art+Film Gala on Saturday, November 2, 2019, honoring artist Betye Saar and filmmaker Alfonso Cuarón. Co-chaired by LACMA trustee Eva Chow and actor Leonardo DiCaprio, the evening brought together more than 800 distinguished guests from the art, film, fashion, and entertainment industries, among others. This year’s gala raised more than $4.6 million, with proceeds supporting LACMA’s film initiatives and future exhibitions, acquisitions, and programming. The 2019 Art+Film Gala was made possible through Gucci’s longstanding and generous partnership. Additional support for the gala was provided by Audi. Eva Chow, co-chair of the Art+Film Gala, said, “I’m so happy that we have outdone ourselves again with the most successful Art+Film Gala yet. It was such a joy to celebrate Betye Saar and Alfonso Cuarón’s incredible creativity and passion, while supporting LACMA’s art and film initiatives. I couldn’t be more grateful to Alessandro Michele, Marco Bizzarri, and everyone at Gucci—our invaluable partner since the first Art+Film Gala—and to Anderson .Paak and The Free Nationals for making this evening one to remember.” “I’m deeply grateful to our returning co-chairs Eva Chow and Leonardo DiCaprio for helping us set another Art+Film Gala record,” said Michael Govan, LACMA CEO and Wallis Annenberg Director. “We honored two incredibly powerful artistic voices this year. Betye Saar has helped define the genre of Assemblage art for nearly seven decades, and recognition of her as one of the most important and influential artists working today is long overdue.
    [Show full text]
  • Marco Movies
    Movies starting Thursday, December 26 www.FMBTheater.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “Star Wars: The Rise of Skywalker” Rated PG-13 Run Time 2:15 Starring Daisy Ridley, Adam Driver, Carrie Fisher and Mark Hamill Start 2:15 5:35 8:15 End 4:30 7:50 11:00 Rated PG-13 for sci-fi violence and action. “Little Women” Rated PG-13 Run Time 2:15 Starring Saoirse Ronan, Emma Watson and Meryl Streep Start 2:40 5:40 8:35 End 4:55 7:55 11:50 Rated PG for thematic elements and brief smoking. “Cats” Rated PG Run Time 1:45 Starring Judy Dench, Jennifer Hudson, Taylor Swift and James Corden Start 2:30 5:50 8:45 End 4:15 7:35 10:30 Rated PG for some rude and suggestive humor. “Jumanji: The Next Level” Rated PG-13 Run Time 2:05 Starring Dwayne Johnson, Kevin Hart, Nick Jonas and Danny DeVito Start 2:50 5:50 8:35 End 4:55 7:55 10:40 Rated PG-13 for adventure action, suggestive content and some language. *** Prices *** Matinees $11.00 (3D $13.00) Adults $13.50 (3D $15.50) Seniors and Children under 12 $11.00 (3D $13.00) Visit Beach Theater at www.fmbtheater.com facebook.com/BeachTheater Star Wars: The Rise of Skywalker (PG-13) • Daisy Ridley • Adam Driver • Carrie Fisher • Mark Hamill • Lucasfilm and director J.J. Abrams join forces once again to take viewers on an epic journey to a galaxy far, far away with Star Wars: The Rise of Skywalker, the riveting conclusion of the seminal Skywalker saga, where new legends will be born and the final battle for freedom is yet to come.
    [Show full text]
  • SKYSCRAPER the Rock Jumping the Queue for Rex Tickets
    AUGUST 2018 SKYSCRAPER The Rock jumping the queue for Rex tickets “velveteen glamour and brilliant programming...” (The Guardian) “possibly Britain’s most beautiful cinema..” (BBC) AUGUST 2018 • ISSUE 161 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6.30pm Sun 4.30-5.30pm BEST IN AUGUST CONTENTS Films At A Glance 16-17 Rants & Pants 26-27 BOX OFFICE: 01442 877759 Summer 1993 Mon to Sat 10.30-6.30 From Spain, a beautifully told autobiographical story of family and belonging. The children are tiny but weirdly ‘natural actors’. Remarkable. Sun 4.30-5.30 Don’t miss. See page 11 SEAT PRICES BEST OF THE WORST Circle £9.50 Concessions/ABL £8.00 Back Row £8.00 The perfect venue for Table £11.50 Concessions/ABL £10.00 your meetings and events Royal Box Seat (Seats 6) £13.00 Whole Royal Box £73.00 Matinees - Upstairs £5, Downstairs £6.50, Royal Box £10 A unique conference venue, the perfect location for a board meeting, Swimming With Men Tag A ridiculous (true?) Full Monty tale Total All-American pap. Men being away day, or team building activities! Disabled and flat access: through of eight hapless men ‘formation children all their lives, determined the gate on High Street (right of drowning’. All the actors to win ‘tag’ at all costs. Another apartments) - 30 minutes from London drown, no stand ins. true? yarn. You will hope it’s not. - A former Royal Residence See page 11 See page 19 - 33 fully equipped meeting rooms suitable for up to 300 people Director: James Hannaway - 10 historic function rooms 01442 877999 - 190 bedrooms Advertising: Chloe Butler - Beautiful gardens ideal for team building activities 01442 877999 - Access to world class speakers through Ashridge Executive Education Artwork: Demiurge Design 01296 668739 For further information or to arrange a site inspection, The Rex please call our dedicated events team.
    [Show full text]
  • Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
    DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.
    [Show full text]
  • Creature Designers- the Frankenstein Complex Press Release.Indd
    31 Southampton Row, London WC1B 5HJ Tel: 0203 585 1396 Web: fetch.fm PRESS RELEASE Creature Designers: The Frankenstein Complex RELEASE INFORMATION Distributor Studiocanal “A wealth of pure ________________________________________________ Certifi cate 12 craftsmanship and magic” ________________________________________________ Release date 3rd October, 2016 Ain’t It Cool ________________________________________________ Extras Soundtrack / Designing On DVD from Monday 3rd Oct. 2016. the Opening Credits / A conversation with John Fast sell: Landis & Joe Dante / A conversation with Steve Like modern Frankensteins, special effects wizards create Johnson & John Vulich / life out of raw material, art and complex machinery, from Stills Gallery / Guillermo slavering werewolves to robots and zombies! Del Toro Masterclass This fascinating documentary, looking at the visionaries KEY TALENT INFORMATION responsible for some of cinema’s most fearsome and thrilling onscreen monsters, from King Kong climbing the Empire Director Gilles Penso / State through to the astonishing trickery of Terminator 2, is a Alexandre Poncet treat for creature feature fans and fi lm afi cionados alike. CONTACT/ORDER MEDIA Key talent: Thomas Hewson - [email protected] Rick Baker (Oscar-winning make up genius, An American Werewolf in London) Joe Dante (Director, Gremlin, The ‘Burbs) Guillermo del Toro (Director, Hellboy, Pacifi c Rim, Pan’s Labyrinth) Greg Nicotero (Special effects master, From Dusk Till Dawn, The Walking Dead, Kill Bill, Evil Dead 2) Steve Johnson (Creature designer, The Abyss) Gilles Penso/Alexandre Poncet (Directors, Ray Harryhausen: Special Effects Titan) Synopsis: From King Kong to Avatar, from Star Wars to Lord of the Rings, movie creatures have never been as popular as they are today! Yet the art of creating monsters for the big screen is as old as cinema itself..
    [Show full text]