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LEE-DISSERTATION-2018.Pdf
Copyright by Kyung Sun Lee 2018 The Dissertation Committee for Kyung Sun Lee Certifies that this is the approved version of the following Dissertation: Doing Good or Looking Good? Communicating Development, Branding Nation in South Korea Committee: Karin G. Wilkins, Supervisor Joseph Straubhaar Sharon Strover Robert Oppenheim James Pamment Doing Good or Looking Good? Communicating Development, Branding Nation in South Korea by Kyung Sun Lee Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2018 Dedication To my dad, who inspired me to pursue the life of a scholar. Our time together was far too short, but you live on in my heart. Acknowledgements In the course of my dissertation journey, I have benefitted from many people and institutions to whom I would like to express my sincere gratitude. My utmost gratitude goes to my supervisor, Dr. Karin Wilkins. I came to the Department of Radio-Television-Film nearly ten years ago to explore the intersections of critical studies, communications, and development. Since then, she has helped me to mature as a scholar, encouraging me to ask incisive questions, to confront them methodically, and articulate evidence systematically. Her enthusiastic support for my dissertation project gave me the courage to challenge myself and persevere through difficult circumstances. Oftentimes, my project was sustained by her unrelenting passion and confidence in my work. It is not only her intellectual influence, but her kindness and genuine concern for her students to which I am most indebted. -
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Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. -
The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. -
Conference Program
2020 Korean Society for Cognitive and Biological Psychology Conference Program Title: Computing Brain and Controlling Mind Date: 27-28 August 2020 Venue: On-line Korean Society for Cognitive and Biological Psychology (KSCBP) Committee Organizing Committee Chair: Sung-Ho Kim (Ewha Womans University) Academic Programs Committee Chair: Suk Won Han (Chungnam National University) Support: Korean Psychology Association - 2 - Program Schedule 27 August (Thu) 09:15–09:30 개회식 Opening Remarks Live Talk Session 1. Live Talk Session 2. 언어, 정서 및 의사결정 09:30-11:00 지각 I Learning, Emotion, & Perception I Decision-making 11:00–11:15 Coffee Break Symposium 1. 11:15–12:15 Controlling mind via attention: From perception to cognition 12:15–13:30 Lunch Break 13:30–15:00 Pre-recorded Talk Session I 15:00–15:15 Coffee Break Member-initiated Symposium 1. 사회정서적 경험에서 나타나는 개인차의 행동-유전-신경학적 기초: 15:15–16:45 실험실 연구에서 일상의 경험까지 The behavioral-neural-genetic basis of individual differences in socioemotional experience: from laboratory to everyday life 16:45–17:00 Coffee Break Member-initiated Symposium 2. 17:00–18:15 시각 탐색의 뇌신경학적 기전 및 발달 양상 Neurocognitive mechanisms of visual search and their development - 3 - Program Schedule 28 August (Fri) Live Talk Session 3. Live Talk Session 4. 09:30-11:15 주의 지각 II Attention Perception II 11:15–12:45 Lunch Break Symposium 2. 12:45–14:25 Computing brain: Computational approaches to cognition 14:25–14:40 Coffee Break 14:40–16:10 Pre-recorded Talk Session II Workshop. 16:10–17:00 책임있는 연구자를 위한 연구/출판윤리 Ethical guidelines for conducting and publishing research in Psychology Tutorial. -
Marriage Contract Korean Drama Youtube
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Management / Board Corporate Milestones Management
MANAGEMENT / BOARD CORPORATE MILESTONES MANAGEMENT YONG NAM 1958 1993 2004 Vice Chairman & CEO • Established as GoldStar • Established a production and sales • Received approval for E-VSB as the next- subsidiary in Huizhou, China (LGEHZ), generation ATSC DTV transmission standard 1959 beginning a full-scale advance into the • Launched world’s first 55-inch LCD TV • Produced Korea’s first radio Chinese market • Commercialized world’s first 71-inch Plasma TV 1962 1995 • Developed world’s first mobile phone with YOUNG HA LEE SIMON KANG BB HWANG SKOTT AHN • Exported Korea’s first radios to the US • Renamed as LG Electronics T-DMB mobile TV reception President & CEO / President & CEO / President & CEO / President & CEO / and Hong Kong • Acquired US-based Zenith Electronics • Developed home cinema system with Digital Appliance Digital DisplaY Digital Media MOBile CompanY CompanY CompanY Communications wireless speakers CompanY 1965 1997 • Led global CDMA mobile phone market • Produced Korea’s first refrigerator • Developed 40-inch Plasma TV and world’s for the first time first DTV IC chipset 1966 • Established India production subsidiary 2005 • Produced Korea’s first black and white TV (LGEIL) • Launched world’s first notebook with Myung-Kyu Ahn Jong-Eun Kim Nam K. Woo Young Woo Nam T-DMB reception President & CEO / President & CEO / President & CEO / President & CEO / Head of North Head of Europe Head of China Head of Asia 1968 1998 • Launched LG Chocolate, the first phone America Headquarters Headquarters Headquarters Headquarters • Produced -
THE GLOBALIZATION of K-POP by Gyu Tag
DE-NATIONALIZATION AND RE-NATIONALIZATION OF CULTURE: THE GLOBALIZATION OF K-POP by Gyu Tag Lee A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2013 George Mason University Fairfax, VA De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University By Gyu Tag Lee Master of Arts Seoul National University, 2007 Director: Paul Smith, Professor Department of Cultural Studies Spring Semester 2013 George Mason University Fairfax, VA Copyright 2013 Gyu Tag Lee All Rights Reserved ii DEDICATION This is dedicated to my wife, Eunjoo Lee, my little daughter, Hemin Lee, and my parents, Sung-Sook Choi and Jong-Yeol Lee, who have always been supported me with all their hearts. iii ACKNOWLEDGEMENTS This dissertation cannot be written without a number of people who helped me at the right moment when I needed them. Professors, friends, colleagues, and family all supported me and believed me doing this project. Without them, this dissertation is hardly can be done. Above all, I would like to thank my dissertation committee for their help throughout this process. I owe my deepest gratitude to Dr. Paul Smith. Despite all my immaturity, he has been an excellent director since my first year of the Cultural Studies program. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
Appreciations to Peer Reviewers for Journal of Korean Medical Science 2017
J Korean Med Sci. 2018 Mar 26;33(13):e114 https://doi.org/10.3346/jkms.2018.33.e114 eISSN 1598-6357·pISSN 1011-8934 Editorial Appreciations to Peer Reviewers for Journal of Korean Medical Science 2017 Sung-Tae Hong , Editor-in-Chief, Journal of Korean Medical Science Department of Parasitology and Tropical Medicine, Seoul National University College of Medicine, Seoul, Korea Received: Mar 21, 2018 The Journal of Korean Medical Science (JKMS) changed its online submission system to the Editorial Accepted: Mar 21, 2018 Manager® powered by the Aries Systems from 1 October 2017. In 2017, the submissions through Address for Correspondence: the old system were 910 and the new system were 227, total 1,137. A total of 320 (28.1%) of them Sung-Tae Hong, MD, PhD were overseas submissions. Overall accept rate was 27.8% in 2017. All of the submissions were Department of Parasitology and Tropical previewed and about half of them were requested to peer review. A total of 1,232 reviewers were Medicine, Seoul National University College of invited and 544 of them finished reviews. They were scored from 1 to 5 (5 is the best) for their Medicine, 103 Daehak-ro, Jongno-gu, review activities. Seoul 03080, Korea. E-mail: [email protected] The JKMS sincerely appreciates contributions of peer reviewers who critically reviewed and © 2018 The Korean Academy of Medical sent us their constructive comments. Thanks to their academic contributions, JKMS can Sciences. publish quality articles and invite global readers. We expect continuous good reviews that can This is an Open Access article distributed make JKMS more academic credits. -
'Hell Joseon' Is More Like It As Economy Flounders
LUND UNIVERSITY • CENTRE FOR EAST AND SOUTH-EAST ASIAN STUDIES ‘Hell Joseon’ - Tales from a South Korean Youth Trapped Between Past and Present Author: Johan Cornelis Schoonhoven Supervisor: Erik Mobrand Master’s Programme in Asian Studies Spring semester 2017 Abstract This thesis takes its outset in the newly coined expression ‘Hell Joseon’ used by the youth in South Korea. ‘Hell Joseon’ is a comparison between today’s society and the pre-modern Joseon Dynasty. By asking “what are the main characteristics of life in ‘Hell Joseon’ from a youth perspective?”, I arrive at the following conclusion. Life in ‘Hell Joseon’ is highly characterized by discrepancies between rich and poor, old and young, men and women, global and local. This is a peculiar result of Korea’s double-compressed modernity which derives from a colonial legacy, top-down modernization in the post-war era and condensed transition to a neoliberal world economy, also known as the second modernity. Therefore, traditional and (post)modern elements coexist in Korea’s society, and is partly the reason why the youth are now drawing references to the pre-modern Joseon Dynasty. Life in ‘Hell Joseon’ thus implies frustrations over high unemployment rates, a new ‘spoon class’ class division, lack of social mobility, an education fever and a downright “gender war”. More than that, it shows traces of apathy in the fact that the young generation is giving up marriage, children, jobs, hope, housing etc., but also traces of transformation since the ‘Hell Joseon’ discourse have made the youth take it to the streets, last seen in the mass demonstrations against now impeached President Park Geun-hye. -
Power to Sell Listing Dated September 1, 2021
Power to Sell Listing Dated September 29, 2021 Notice: The amounts displayed on this page are approximations of outstanding taxes. Please contact the Kern County Treasurer-Tax Collector's Office at (661) 868-3490 for exact amounts owing. Name ATN = Amount owed Total owed 0EEP CHARLES T & MILBURN KANDI 358-121-15-00-4 = $797.64 Total = $797.64 1994 ANGULO FAMILY TR 207-153-01-00-5 = $3,052.55 Total = $3,052.55 2318844 ONTARIO INC 235-310-14-00-3 = $392.20 Total = $392.20 2AHONEY MERILEE D & MICHAEL T 288-061-07-00-4 = $2,748.96 Total = $2,748.96 2OKUMOTO TERRY 218-053-23-00-0 = $2,275.67 Total = $2,275.67 2UINES CANDIDO P & FELIPA G 359-305-03-00-6 = $4,996.97 Total = $4,996.97 7TH DAY ADV-SE CALIF CONF ASSN 276-122-11-00-2 = $1,554.08 Total = $1,554.08 7TH DAY ADV-SO CALIF ASSN TRS 272-072-11-00-0 = $3,318.34 Total = $3,318.34 A B K INC 186-020-12-00-6 = $477.39 Total = $477.39 A F WHEELER CO 272-132-11-00-7 = $2,433.05 Total = $2,433.05 A FRANCISCO REALTY & DEV CORP 252-180-06-00-8 = $1,889.21 Total = $1,889.21 A FRANCISCO REALTY & DEVELOPMENT CORP 374-200-58-00-3 = $4,335.65 Total = $4,335.65 A H ASCHERMAN INC 430-260-17-00-1 = $511.65 Total = $511.65 A WONDERLAND TRAVEL INC 209-282-27-00-6 = $2,995.77 Total = $2,995.77 AALSETH BETTY LOU TRUST 235-390-02-00-2 = $916.11 Total = $916.11 AAXIOS FINANCIAL LLC 374-382-04-00-3 = $5,538.33 374-385-07-00-3 = $4,716.02 374-392-04-00-6 = $4,716.02 374-392-05-00-9 = $5,538.33 374-393-01-00-4 = $5,538.33 374-394-01-00-1 = $4,716.02 374-394-04-00-0 = $4,716.02 374-394-05-00-3 = $4,716.02 374-395-04-00-7 -
Diversity of K-Pop: a Focus on Race, Language, and Musical Genre
DIVERSITY OF K-POP: A FOCUS ON RACE, LANGUAGE, AND MUSICAL GENRE Wonseok Lee A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2018 Wonseok Lee All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Since the end of the 1990s, Korean popular culture, known as Hallyu, has spread to the world. As the most significant part of Hallyu, Korean popular music, K-pop, captivates global audiences. From a typical K-pop artist, Psy, to a recent sensation of global popular music, BTS, K-pop enthusiasts all around the world prove that K-pop is an ongoing global cultural flow. Despite the fact that the term K-pop explicitly indicates a certain ethnicity and language, as K- pop expanded and became influential to the world, it developed distinct features that did not exist in it before. This thesis examines these distinct features of K-pop focusing on race, language, and musical genre: it reveals how K-pop groups today consist of non-Korean musicians, what makes K-pop groups consisting of all Korean musicians sing in non-Korean languages, what kind of diverse musical genres exists in the K-pop field with two case studies, and what these features mean in terms of the discourse of K-pop today. By looking at the diversity of K-pop, I emphasize that K-pop is not merely a dance- oriented musical genre sung by Koreans in the Korean language.