From the Zhuangzi to GUO Xiang's Commentary to CHENG
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Is Freedom in Necessity Or in Happiness? Guo Xiang's and Lin Xiyi's Controversial Readings of Zhuangzi's »Free Rambling«
Is Freedom in Necessity or in Happiness? Guo Xiang’s and Lin Xiyi’s Controversial Readings of Zhuangzi’s »Free Rambling« David Machek The opening of Zhuangzi 莊子1 is subject of a long and ongoing controversy in both Chinese and Western interpretive tradition.2 The most debated issue in this discussion is the nature of relationship between big things, as represented by a huge Peng bird, and small things, as embodied by a cicada and dove. This paper will work with two traditional Chinese commentaries on Zhuangzi that represent the earliest articulations of two opposing perspectives on this relationship, charting the battlefield for later interpreters.3 Since this study will confine itself solely to the commentaries on the first 1 As tradition has it, the author of Zhuangzi is the philosopher Zhuangzi who lived in the fourth century B.C. Today, scholars generally agree that the received and the only extant version of the text in the edition of Guo Xiang consists of several textual layers written in different times by different authors. For a detailed overview and discussion of the history of the text, see David Chai, Early Zhuangzi Commentaries (München: Verlag Dr. Müller, 2008). Nonetheless, the authorship of the first chapter is ascribed to Zhuangzi himself. 2 The most recent discussion of the controversy, as well as a critique of Guo Xiang’s reading was presented by Lian Xinda, »Zhuangzi the Poet: Re-Reading the Peng Bird Image«, Dao 8 (2009), 233– 254. The present study is much indebted to Lian Xinda’s article and endorses a great deal of his conclusions. -
The Philosophy of Zhuangzi and the Commentatorial Tradition of Guo Xiang
THE PHILOSOPHY OF ZHUANGZI AND THE COMMENTATORIAL TRADITION OF GUO XIANG Desislava Damyanova Guo Xiang (also known as Kuo Hsiang or Zixuan) is the author of the most important commentary on Zhuangzi – one of the classical Daoist texts.1 He is also known as the person who implemented the current arrangement of thirty-three chapters divided into inner, outer and miscellaneous sections. Although Guo’s initial aim might have been to elucidate the ideas in the original text, his commentary on Zhuangzi represents a substantial philosophical achievement compared to the core text. It contains many original ideas and we shall examine the textual issues on which he is commenting in a try to get a deeper insight into their meaning. Guo Xiang2 practiced his philosophical pursuits this way – within the framework of the Daoist classic – and his manner has served as a blueprint for the later Neo-Confucian synthesis of the Chinese thought. 1 There is some controversy in the recent years over the true authorship of Guo’s commentary - the earliest source, the Jin Shu (Standard History of the Jin Dynasty), accuses Guo Xiang of plagiarizing all but two chapters of the commentary from Xiang Xiu (d. 300 CE, writing a generation earlier). “Current scholarship, while acknowledging that Guo made use of Xiang Xiu’s work and other earlier commentaries, still credits Guo as the principal author. The evidence for this recognition falls into three main areas. Firstly, the most innovative philosophical features in the commentary do not correspond with those in other works by Xiang Xiu. Secondly, in the early twentieth century, a postface to the commentary was discovered which details the work Guo carried out and finally, various linguistic analyses and references in other works suggest that Guo is the principal author.” <http://www.iep.utm.edu/guoxiang/>10.10.2012 2 Actually very little is known about the life of Guo Xiang: he lived in a time of great political upheaval and his own career was one of consistent and significant success. -
Ziran: Authenticity Or Authority?
religions Article Ziran: Authenticity or Authority? Misha Tadd Institute of Philosophy, Chinese Academy of Social Sciences, 5 Jianguo Inner St., Dongcheng District, Beijing 100022, China; [email protected] Received: 26 December 2018; Accepted: 14 March 2019; Published: 18 March 2019 Abstract: This essay explores the core Daoist concept of ziran (commonly translated as spontaneity, naturalness, or self-so) and its relationship to authenticity and authority. Modern scholarship has often followed the interpretation of Guo Xiang (d. 312) in taking ziran as spontaneous individual authenticity completely unreliant on any external authority. This form of Daoism emphasizes natural transformations and egalitarian society. Here, the author draws on Heshanggong’s Commentary on the Daodejing to reveal a drastically dissimilar ziran conception based on the authority of the transcendent Way. The logic of this contrasting view of classical Daoism results not only in a vision of hierarchical society, but one where the ultimate state of human ziran becomes immortality. Expanding our sense of the Daodejing, this cosmology of authority helps unearths greater continuity of the text with Daoism’s later religious forms. Keywords: Heshanggong; Guo Xiang; ziran; authenticity; authority; transcendence; hierarchy; immortality 1. Introduction Ziran stands as one of the key pillars of Daoist philosophy, and, following the immensely influential theory of Guo Xiang (d. 312), has, in modern times, mostly been viewed as the spontaneous and natural “authenticity” -
Tao Yuanming's Perspectives on Life As Reflected in His Poems on History
Journal of chinese humanities 6 (2020) 235–258 brill.com/joch Tao Yuanming’s Perspectives on Life as Reflected in His Poems on History Zhang Yue 張月 Associate Professor of Department of Chinese Language and Literature, University of Macau, Taipa, Macau, China [email protected] Abstract Studies on Tao Yuanming have often focused on his personality, reclusive life, and pas- toral poetry. However, Tao’s extant oeuvre includes a large number of poems on history. This article aims to complement current scholarship by exploring his viewpoints on life through a close reading of his poems on history. His poems on history are a key to Tao’s perspectives with regard to the factors that decide a successful political career, the best way to cope with difficulties and frustrations, and the situations in which literati should withdraw from public life. Examining his positions reveals the connec- tions between these different aspects. These poems express Tao’s perspectives on life, as informed by his historical predecessors and philosophical beliefs, and as developed through his own life experience and efforts at poetic composition. Keywords Tao Yuanming – poems on history – perspectives on life Tao Yuanming 陶淵明 [ca. 365–427], a native of Xunyang 潯陽 (contem- porary Jiujiang 九江, Jiangxi), is one of the best-known and most-studied Chinese poets from before the Tang [618–907]. His extant corpus, comprising 125 poems and 12 prose works, is one of the few complete collections to survive from early medieval China, largely thanks to Xiao Tong 蕭統 [501–531], a prince of the Liang dynasty [502–557], who collected Tao’s works, wrote a preface, and © ZHANG YUE, 2021 | doi:10.1163/23521341-12340102 This is an open access article distributed under the terms of the CC BY 4.0Downloaded license. -
Seeking Immortality in Ge Hong's Baopuzi Neipian
Dao Companions to Chinese Philosophy 14 David Chai Editor Dao Companion to Xuanxue (Neo-Daoism) Dao Companions to Chinese Philosophy Volume 14 Series Editor Yong Huang Department of Philosophy The Chinese University of Hong Kong Shatin, New Territories, Hong Kong E-mail: [email protected] David Chai Editor Dao Companion to Xuanxue (Neo-Daoism) Editor David Chai Department of Philosophy Chinese University of Hong Kong Shatin, New Territories, Hong Kong ISSN 2211-0275 ISSN 2542-8780 (electronic) Dao Companions to Chinese Philosophy ISBN 978-3-030-49227-4 ISBN 978-3-030-49228-1 (eBook) https://doi.org/10.1007/978-3-030-49228-1 © Springer Nature Switzerland AG 2020 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, speci"cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on micro"lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a speci"c statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors, and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Guo Xiang's Commentary of the Zhuangzi's Imputed Words and Its Implication on Explaining Metaphor
Lingnan University Digital Commons @ Lingnan University All Open Access Theses and Dissertations Theses and Dissertations 11-13-2018 Guo Xiang’s commentary of the Zhuangzi’s imputed words and its implication on explaining metaphor Dongyu XIE Follow this and additional works at: https://commons.ln.edu.hk/otd Part of the Philosophy Commons Recommended Citation Xie, D. (2018). Guo Xiang’s commentary of the Zhuangzi’s imputed words and its implication on explaining metaphor (Master's thesis, Lingnan University, Hong Kong). Retrieved from https://commons.ln.edu.hk/ otd/25/ This Thesis is brought to you for free and open access by the Theses and Dissertations at Digital Commons @ Lingnan University. It has been accepted for inclusion in All Open Access Theses and Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. GUO XIANG’S COMMENTARY OF THE ZHUANGZI’S IMPUTED WORDS AND ITS IMPLICATION ON EXPLAINING METAPHOR XIE DONGYU MPHIL LINGNAN UNIVERSITY 2018 GUO XIANG’S COMMENTARY OF THE ZHUANGZI’S IMPUTED WORDS AND ITS IMPLICATION ON EXPLAINING METAPHOR by XIE Dongyu 嫅⅔䐄 A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in Philosophy Lingnan University 2018 ABSTRACT Guo Xiang’s Commentary of the Zhuangzi’s Imputed Words and its Implication on Explaining Metaphor by XIE Dongyu Master of Philosophy This thesis discusses how Guo Xiang’s Commentary (hereinafter referred to as “the Commentary”) shapes our understanding of the Zhuangzi in regard to the usage of imputed words (yuyan ⭻妨). -
Nature Naturing Ziran in Early Daoist Thinking A
NATURE NATURING ZIRAN IN EARLY DAOIST THINKING A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN PHILOSOPHY MAY 2018 By Jing Liu Dissertation Committee: Roger T. Ames, Chair Franklin Perkins, Co-chair Steve Odin Chung-Ying Cheng David McCraw Kai Zheng Keywords: Nature, Ziran, Daoism ABSTRACT Due to the worsening environmental situation, the relation between nature and humans has been reflected on by environmental philosophers. However, we often find that the very meaning of nature has not been brought to light. So what is nature? My thesis shows that ziran in early Daoism offers us an alternative to the modern concept of nature as an object to be controlled and exploited for human purposes. Ziran is the very process of the transformation of dao and things, in which the intimacy of dao, things and humans is kept. My thesis presents ziran or nature as a way of life that penetrates dao, things, and humans. It is with the understanding of ziran that the nature of humans and all things are illuminated. Daoist ziran also sheds light on the creativity of a feminine power as the realization of nature which emphasizes the interplay between the female and the male (yin and yang), setting a contrast with any exclusively patriarchal principle of the relationship between humans and “nature.” While ziran offers us an alternative to the modern concept of nature, the investigation on ziran seeks dialogue with Western thoughts. By questioning the meaning of nature through the lens of Daoist ziran many important terms in western philosophy, e.g., being and nonbeing, permanence and transience, truth, reality, freedom and so on are reinterpreted and gain refreshed meanings. -
Dream of the Butterfly.’ Philosophical Analysis of Western Reception
The Polish Journal of Aesthetics Vol. 32 (1/2014) * Agnė Budriūnaitė The Tension Between Illusion and Reality in Zhuangzi’s ‘Dream of the Butterfly.’ Philosophical Analysis of Western Reception Abstract Zhuangzi (Qi wu lun - One of the most important allegories of Daoism is the ‘Dream of the Butterfly’ in the second chapter of the ). Sometimes it is supposed to be a rep- resentation of all Daoistwu wei or even all Chinese philosophyziran in the West. This allegory encompasses fundamental Daoist notions, such as spontaneity, ‘free and easy wan dering,’ non-action ( ), natural self-alternation ( ), the no-perspective of a sage andZhuangzi the understanding of correlation between life and death. The purpose of- this paper is a philosophical analysis of the relationship between illusion and real- ity in the looking from the ‘Western’ perspective. To achieve this, I will re- view some of the most distinct English translations of the allegory that show possible multiple meanings of the allegory and many fundamentally different, sometimes op posite interpretations of it and discuss theZhuangzi significance of the relationship between illusion and reality. There is a huge body of academic literature Zhuangziabout translating and interpreting the texts ascribed to the . I will mention only some of the commentaries and will pay more attention to other stories of the , looking there for the explication and explanation of the main ideas found in the ‘Dream of the Butterfly.’ Key words allegories in Daoism, Zhuangzi, illusion, reality, forgetting * Department of Philosophy, Centre for Asian Studies Vytautas Magnus University, Kaunas, Lithuania Email: [email protected] 138 Agnė Budriūnaitė Translation and Understanding of the ‘Dream of the Butterfly’ Reading of a Chinese text for us, Westerners, is a real challenge. -
Classifying the Zhuangzi Chapters
Classifying the Zhuangzi Chapters Michigan Monographs in Chinese Studies, no. 65 To John B. Elliotte Classifying the Zhuxmgzl Chapters Liu Xiaogan Center for Chinese Studies • The University of Michigan Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. MICHIGAN MONOGRAPHS IN CHINESE STUDIES SERIES ESTABLISHED 1968 Published by Center for Chinese Studies The University of Michigan Ann Arbor, 48104-1608 © 1994 by Center for Chinese Studies Translated by William E. Savage Cover design by Heidi Dailey Printed and made in the United States of America © The paper used in this publication meets the requirements of the American National Standard for Information Sciences—Permanence for Publications and Documents in Libraries and Archives ANSI/NISO/Z39.48—1992. Library of Congress Cataloging-in-Publication Data Liu Xiaogan, 1947- Classifying the Zhuangzi chapters / by Liu Xiaogan. p. cm.—(Michigan monographs in Chinese Studies ; no. 65) Includes bibliographic references and index. ISBN 0-89264-164-9 (paper : acid-free paper). 1. Chuang-tzu. Nan-hua ching. 2. Lao-tzu. Tao te ching. I.Title. II. Series. BL1900.C576L5863 1994 299'. 51482—dc20 93-50079 CIP ISBN 978-0-89264-106-2 (hardcover) ISBN 978-0-89264-164-2 (paper) ISBN 978-0-472-12739-9 (ebook) ISBN 978-0-472-90134-0 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ Contents -
Reading Ji Kang's Essays; Xuanxue in Early-Medieval China
Reading Ji Kang’s Essays This is the first English-language book on the philosophy of Ji Kang. Moreover, it offers the first systematic treatment of his philosophy, thus filling a significant gap in English-language scholarship on early medieval Chinese literature and philosophy. David Chai brings to light Ji Kang’s Xuanxue heritage and explores the themes in his writings that were derived from classical Daoism, most notably the need for humanity to return to a more harmonious co- existence with Nature to further our own self-understanding. His analysis is unique in that it balances translation and annotation with expositing the creative philosophizing of Xuanxue. Chai analyzes the entirety of Ji Kang’s essays, exploring his philosophical reflections on music, aesthetics, ethics, self-cultivation, and fate. Reading Ji Kang’s Essays will be of interest to scholars and students of Chinese philosophy and literature. It offers the first comprehensive philosophical examination of a heretofore neglected figure in Xuanxue. David Chai is Associate Professor of Philosophy at the Chinese Univer- sity of Hong Kong. He is the author of Zhuangzi and the Becoming of Nothingness (2019) and editor of Daoist Encounters with Phenomenol- ogy: Thinking Interculturally about Human Existence (2020) and Dao Companion to Xuanxue [Neo-Daoism] (2020). Professor Chai is also the author of numerous papers on Chinese and comparative philosophy. To my beloved Lulu Reading Ji Kang’s Essays Xuanxue in Early-Medieval China David Chai First published 2022 by Routledge 605 Third Avenue, New York, NY 10158 and by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business © 2022 Taylor & Francis The right of David Chai to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. -
One Classic and Two Classical Traditions the Recovery and Transmission of a Lost Edition of the Analects
One Classic and Two Classical Traditions The Recovery and Transmission of a Lost Edition of the Analects BENJAMIN A. ELMAN N both China and Japan in the eighteenth and nineteenth centuries, the turn away from the interpretive commentarial approach to classical texts associ- Iated with the Song and Ming traditions of Confucian scholarship led to an emphasis on textual criticism and philological approaches. It also spurred inter- est in older, pre-Song commentarial traditions. A certain degree of mutual aware- ness and exchange of knowledge accompanied this common interest, but until late in the Tokugawa period, to a large extent the pursuit of critical textual studies in the two countries followed separate trajectories. The discovery, editing, and publication in Japan of rare texts or texts that had been lost in China and the subsequent Chinese reception of these Japanese edi- tions exemplify these circumstances. In Japan, Ogyû Sorai (1666– 1728), who led the challenge to the interpretations of the Confucian canon asso- ciated with the Song scholars Cheng Yi (1033–1107) and Zhu Xi (1130–1200), encouraged his followers to search out copies of the pre-Song com- mentaries. Several of his disciples traveled a hundred kilometers north of Edo to the Ashikaga Gakkô in Shimotsuke province (modern Tochigi pre- fecture), a center of learning that had flourished from the mid-Muromachi to the THE AUTHOR is professor of East Asian studies and history, Princeton University. He would like to thank William Boltz for introducing him to the philological issues discussed here and Ping Wang at Princeton for her comments. -
Guo Xiang and the Problem of Self-Cultivation in Daoist Naturalism
religions Article Guo Xiang and the Problem of Self-Cultivation in Daoist Naturalism Benjamin Coles School of Philosophy, Renmin University of China, Beijing 100872, China; [email protected] Received: 27 March 2019; Accepted: 10 June 2019; Published: 18 June 2019 Abstract: Recent research on Daoism has distinguished various models of self-cultivation present in the tradition, in particular those which aim at returning humanity to a natural, spontaneous form of existence (often associated with early pre-Qin “philosophical” Daoism), and those which aim at transcending human nature through technical practices (often associated with later “religious” Daoism). During the Wei-Jin period, organized Daoist religion was still in its early stages, yet the difference between the two models was very much an issue in the Dark Learning (xuanxue) thought of the intellectual elite. In this paper, I trace this debate as expressed in Wei-Jin thinker Guo Xiang’s Commentary to the Zhuangzi, in particular in Guo’s criticisms of the desire or attempt to exceed the limits (ji) of one’s inherent nature and his reinterpretation of the Zhuangzi’s criticisms of technical practices. While Guo follows Xiang Xiu in rejecting many of the claims of radical transcendence through self-cultivation, I argue that this does not imply that he lacks any positive conception of self-cultivation, but rather that he sees such cultivation as only possible through an immanent historical process in which both natural spontaneity and artificial techniques have a role to play. Keywords: self-cultivation; Daoism; Guo Xiang; naturalism; Zhuangzi 1. Introduction In the main Chinese philosophical and religious traditions of Confucianism, Daoism, and Buddhism, self-cultivation (xiuji 修ñ or xiushen 修«) is an issue of central importance, with the former two traditions in particular emphasizing the attainment of individual psychological stability and personal discipline through “governing the self” (zhishen »«) as the foundation for effective participation in social life and the governance of the state (zhiguo »國).