The Fading Suns™ FAQ
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To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. -
Fading Suns Reborn
Seawolf's Den Seek the Wolf in Thyself! http://seawolfsden.net FADING SUNS REBORN Author : Ron McClung Categories : RPG Gaming Date : February 9, 2007 FADING SUNS REBORN (Auckland, New Zealand) February 8, 2007-RedBrick Limited announced today that they have successfully concluded negotiations with Holistic Design Inc. for a license to publish English- and German-language roleplaying products for the Fading Suns universe. Fading Suns is a science-fiction roleplaying game set in the sixth millennium, when the stars are beginning to fade. A new Dark Age has descended on humanity, for the greatest of civilizations has fallen and even the stars are dying. Now, feudal lords rule the Known Worlds, vying for power with fanatic priests and scheming guilds. Nobles, priests, aliens, knights, starships, psychics, lost worlds, and ancient artifacts-welcome to the universe of Fading Suns! James Flowers, RedBrick Company Director, said “Everyone at RedBrick looks forward to taking up the reins of the Fading Suns roleplaying game line, continuing the excellent tradition established by Holistic Design. As huge fans of the game, we want the best for it. We recognize this will be a challenging universe to explore, and thank Bill Bridges, Andrew Greenberg, Chris Wiese, and the rest of the Holistic Design team, for giving us the opportunity.” Chris Wiese, Holistic Design Inc. President, said “We at Holistic Design are very pleased to have the RedBrick team develop and grow the Fading Suns roleplaying game line. Their top notch crew has the energy and vision to take the Fading Suns universe to the next level. From what Redbrick has in the works, the fans can expect great adventures in the far flung realms of the Fading Suns universe.” RedBrick’s Fading Suns products will use the Victory Point System mechanics on which the game line was founded. -
The Apocalyptic Book List
The Apocalyptic Book List Presented by: The Post Apocalyptic Forge Compiled by: Paul Williams ([email protected]) As with other lists compiled by me, this list contains material that is not strictly apocalyptic or post apocalyptic, but that may contain elements that have that fresh roasted apocalyptic feel. Because I have not read every single title here and have relied on other peoples input, you may on occasion find a title that is not appropriate for the intended genre....please do let me know and I will remove it, just as if you find a title that needs to be added...that is appreciated as well. At the end of the main book list you will find lists for select series of books. Title Author 8.4 Peter Hernon 905 Tom Pane 2011, The Evacuation of Planet Earth G. Cope Schellhorn 2084: The Year of the Liberal David L. Hale 3000 Ad : A New Beginning Jon Fleetwood '48 James Herbert Abyss, The Jere Cunningham Acts of God James BeauSeigneur Adulthood Rites Octavia Butler Adulthood Rites, Vol. 2 Octavia E. Butler Aestival Tide Elizabeth Hand Afrikorps Bill Dolan After Doomsday Poul Anderson After the Blue Russel C. Like After the Bomb Gloria D. Miklowitz After the Dark Max Allan Collins After the Flames Elizabeth Mitchell After the Flood P. C. Jersild After the Plague Jean Ure After the Rain John Bowen After the Zap Michael Armstrong After Things Fell Apart Ron Goulart After Worlds Collide Edwin Balmer, Philip Wylie Aftermath Charles Sheffield Aftermath K. A. Applegate Aftermath John Russell Fearn Aftermath LeVar Burton Aftermath, The Samuel Florman Aftershock Charles Scarborough Afterwar Janet Morris Against a Dark Background Iain M. -
(At) Miracosta
The Creative Music Recording Magazine Jeff Tweedy Wilco, The Loft, Producing, creating w/ Tom Schick Engineer at The Loft, Sear Sound Spencer Tweedy Playing drums with Mavis Staples & Tweedy Low at The Loft Alan Sparhawk on Jeff’s Production Holly Herndon AI + Choir + Process Ryan Bingham Crazy Heart, Acting, Singing Avedis Kifedjian of Avedis Audio in Behind the Gear Dave Cook King Crimson, Amy Helm, Ravi Shankar Mitch Dane Sputnik Sound, Jars of Clay, Nashville Gear Reviews $5.99 No. 132 Aug/Sept 2019 christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu christy (at) miracosta (dot) edu Hello and welcome to Tape Op 10 Letters 14 Holly Herndon 20 Jeff Tweedy 32 Tom Schick # 40 Spencer Tweedy 44 Gear Reviews ! 66 Larry’s End Rant 132 70 Behind the Gear with Avedis Kifedjian 74 Mitch Dane 77 Dave Cook Extra special thanks to Zoran Orlic for providing more 80 Ryan Bingham amazing photos from The Loft than we could possibly run. Here’s one more of Jeff Tweedy and Nels Cline talking shop. 83 page Bonus Gear Reviews Interview with Jeff starts on page 20. <www.zoranorlic.com> “How do we stay interested in the art of recording?” It’s a question I was considering recently, and I feel fortunate that I remain excited about mixing songs, producing records, running a studio, interviewing recordists, and editing this magazine after twenty-plus years. But how do I keep a positive outlook on something that has consumed a fair chunk of my life, and continues to take up so much of my time? I believe my brain loves the intersection of art, craft, and technology. -
Flav Martin & Jerry Marotta Soul Redemption 2018
Flav Martin & Jerry Marotta Soul Redemption 2018 Album Review by Malcolm Moore www.malcolmmooremusic.com “To be fully alive, fully human, and completely awake is to be continually thrown out of the nest. To live fully is to be always in no-man's-land, to experience each moment as completely new and fresh. To live is to be willing to die over and over again. ” ― Pema Chödrön Soul Redemption by Flav Martin & Jerry Marotta is a beautiful collection of songs that take the listener on a secret journey of the soul. Martin composed most of these songs in a friendly and personal way (English AND Spanish!) that makes it seem like he’s talking directly to you. In addition to that, the album features his gorgeous guitar work that ranges all over the spectrum; everything from pop rock to flamenco! The sonic architect on this glorious effort is none other than famous drummer icon, Jerry Marotta (Peter Gabriel, Paul McCartney, Sarah McLachlan). Marotta’s production values are impeccable, as usual, and the team of A-list players he selected are spectacular. The band includes Tony Levin (King Crimson, Paul Simon, John Lennon) on bass, Peter Primamore (film/TV composer) on piano, and Mark Schulman (Chris Botti, Suzanne Vega) on guitar. The album was recorded at the illustrious Dreamland Recording Studios in West Hurley, New York. Tracks: 1. Soul Redemption- Radiant opening song that features a trio of diverse and textural guitars, including; Flav Martin, Mark Schulman, and Thor Jensen (SWB). Lyrically inviting and mysterious, this song welcomes the listener by floating in the door like a feather. -
The Fading Suns
1 Passion Play Sample file Pilgrims The passion plays of old, before the rise of the Second Republic, did depict the sufferings of the Prophet as he brought the light of the Divine Fire to shadowed man. I ask you, is this not like unto our own day? Do we not all suffer under a burden of darkness, yearning for light? Then is not life itself a Passion Play, and the cosmos its stage? If this be true, then all but this task is trifle and waste: Entreaty the Empyrean Playwright to script not a Tragedy, but to devise a grand Romance of Heroes… 2 3 Passion Play Based on FADING SUNS, created by Bill Bridges & Andrew Greenberg Game design: Bill Maxwell and Bill Bridges Writing: Bill Bridges, Jeff Brown, Gary Glass, Mareen Goebel, Bill Maxwell, Nikki Johnson- Passion Play Maxwell, Kim Scott, Trevor Valle, Dave Vasquez Development: Bill Bridges and Bill Maxwell Proofreading: Trevor Chase Art direction, book design and photo art: John Bridges Photography designer/coordinator: Kim Scott Photography: Ben Avery Thanks to all who helped with the photography: John Barrett, Rusty Buchert, Tad Dilday, Michelle Elbert, Brian & Juliet & Kyle Freyermuth, Paul Gofberg, Bree Goldman, Gina Karris, Dave & Juliet Johann, Jared Joseph, Anthony Lim, Melissa Leonard, Joseph Contents Lopez, Tony Martin, Gian Matera, Aaron Matthews, Gene Meyer, Chandra Miller, Chad Alustro’s Journal: Obligations 4 Minton, Adam Moscowitz, Charlotte Nixon, Eric Scott, Todd & Trish & Devon Tennison, Mike Vakian, John Woillard. Chapter 1: The Fading Suns 8 Playtesters: Sneezing Lizard Productions — Rusty Buchert, Michelle Elbert, Matt Keuneke, Anthony Lim, Melissa Leonard, Gene Meyer, Adam Moscowitz, Jason Ormand, James Chapter 2: Rules 28 Pinkerton, Paul Rivas, Mike Vakian Chapter 3: Characters 56 HDI —Bernard Clark, Andrew Greenberg, Andy Harmon, Ken Lightner, Tom Ricks The Pack — Channon Allen, Christian Kenney, Eric & Lalena Hutton Chapter 4: The Will & the Way (Combat, Occult, Cybernetics) 112 Amaranth —Paul Ang, John Barrett, Eric Dennison, Tad Dilday, K.C. -
Reviews: Ed Mcknight Fiction Reviews: Philip Snyder
#261 Nov.-Dec. 2002 Coeditors: Christine Mains Shelley Rodrigo Blanchard Nonfiction Reviews: Ed McKnight Fiction Reviews: Philip Snyder The SFRAReview (ISSN IN THIS ISSUE: 1068-395X) is published six times a year by the Science Fiction Research Association (SFRA) and distributed SFRA Business to SFRA members.NONNON Individual issues are not for sale; however, starting with President’s Message 2 issue #256, all issues will be pub- lished to SFRA’s website no less than two months after paper publication. For information about the SFRA and Non Fiction Reviews its benefits, see the description at the Monsters from the Id 2 back of this issue. For a membership The Frankenstein Archive 5 application, contact SFRA Treasurer Reference Guide to Science Fiction, Dave Mead or get one from the SFRA website: <www.sfra.org>. Fantasy, and Horror 6 Encyclopedia of Pulp Fiction Writers 7 SUBMISSIONS Zamiatin Examined 9 The SFRAReview editors encourage submissions, including essays, review Speculative, essays that cover several related texts, Illustrated Future Histories 9 and interviews. Please send submis- sions or queries to both coeditors. If you would like to review nonfiction or fiction, please contact the Fiction Reviews respective editor and/or email A Woman’s Liberation 9 [email protected]. Coyote 11 Christine Mains, Coeditor Sorcery Rising 12 Box 66024 The Great Escape 13 Calgary, AB T2N 1N4 The Great Escape 13 <[email protected]> Dimensions of Sheckley 14 The Omega Expedition 15 Shelley Rodrigo Blanchard, Coeditor 6842 S. 40th Place The Fantasy Writer’s Assistant 17 Phoenix, AZ 85040 Leviathan Three 19 <[email protected]> Ed McKnight, Nonfiction Editor 113 Cannon Lane Taylors SC 29687 <[email protected]> Philip Snyder, Fiction Editor 109 Northumberland Road Rochester NY 14618 <[email protected]> SFRA BUSINESS 2 President’s Message Michael M. -
Chicon V PR 6
2 Chicon V Progress Report Six BROUGHT TO YOU BY President & Chairman Kathleen Meyer Functions Children’s Lindalee Stuckey Assistant Stuart Chudrlek Aide to the Chairman Becky Thomson Division Manager Dina Krause Vice President - Administration Larry Smith Assistant Division Manager Haviva Pollatta Auxiliary Tracks Vice President - Exhibits Leonard Wenshe Masquerade Dictator Susan Baugh Discussion Groups Joy Waterson Assistant Kathv Nerat Vice President - Facilities Ross Pavlac Assistant Masquerade Dictator Linda Wyatt Staff Marie Guthrie D.I.Y. Table Joy Waterson Vice President - Finance Bob Beese Assistant Kathy Nerat Vice President - Functions Marie Bartlett-Sloan Staff Mike Ormes Staff Lois Wellinghurst Autographs/Readings John Mitchell Vice President - Programming Debra Wright Staff Richard Wellinghurst Assistant Rich Johnson Vice President-Services Mike Jencevice Staff Michael Baugh Special Interest Groups Bill Weber Secretary Sally Kobee Staff Dan Lanee Assistant Jim Luttgens Treasurer Al Ballard Staff Members of NOTA, The Science Writers' Workshops Kathie Huddleston Counsel Catherine Fitzsimmons Fiction Club of Louisville, Ky. Trivia Contest Leo Doroschenko Counsel Pro Tern Greg Rihn Hugo Award Ceremonies Jane Haldeman Filking Bill Roper Mascots Executive Flunky Marty Coady Fabish Assistant Duane Elms Top Dog Ung-Ling Secret Advisor Doug Price Gaming Lawrence Lerner Staff London Opening Ceremonies Tom Seymour Program Operations/Services Folk Dance Mia McDavid Program Operations Fred Duarte, Jr. Administration Midnight Madness Michelle -
SF COMMENTARY 81 40Th Anniversary Edition, Part 2
SF COMMENTARY 81 40th Anniversary Edition, Part 2 June 2011 IN THIS ISSUE: THE COLIN STEELE SPECIAL COLIN STEELE REVIEWS THE FIELD OTHER CONTRIBUTORS: DITMAR (DICK JENSSEN) THE EDITOR PAUL ANDERSON LENNY BAILES DOUG BARBOUR WM BREIDING DAMIEN BRODERICK NED BROOKS HARRY BUERKETT STEPHEN CAMPBELL CY CHAUVIN BRAD FOSTER LEIGH EDMONDS TERRY GREEN JEFF HAMILL STEVE JEFFERY JERRY KAUFMAN PETER KERANS DAVID LAKE PATRICK MCGUIRE MURRAY MOORE JOSEPH NICHOLAS LLOYD PENNEY YVONNE ROUSSEAU GUY SALVIDGE STEVE SNEYD SUE THOMASON GEORGE ZEBROWSKI and many others SF COMMENTARY 81 40th Anniversary Edition, Part 2 CONTENTS 3 THIS ISSUE’S COVER 66 PINLIGHTERS Binary exploration Ditmar (Dick Jenssen) Stephen Campbell Damien Broderick 5 EDITORIAL Leigh Edmonds I must be talking to my friends Patrick McGuire The Editor Peter Kerans Jerry Kaufman 7 THE COLIN STEELE EDITION Jeff Hamill Harry Buerkett Yvonne Rousseau 7 IN HONOUR OF SIR TERRY Steve Jeffery PRATCHETT Steve Sneyd Lloyd Penney 7 Terry Pratchett: A (disc) world of Cy Chauvin collecting Lenny Bailes Colin Steele Guy Salvidge Terry Green 12 Sir Terry at the Sydney Opera House, Brad Foster 2011 Sue Thomason Colin Steele Paul Anderson Wm Breiding 13 Colin Steele reviews some recent Doug Barbour Pratchett publications George Zebrowski Joseph Nicholas David Lake 16 THE FIELD Ned Brooks Colin Steele Murray Moore Includes: 16 Reference and non-fiction 81 Terry Green reviews A Scanner Darkly 21 Science fiction 40 Horror, dark fantasy, and gothic 51 Fantasy 60 Ghost stories 63 Alternative history 2 SF COMMENTARY No. 81, June 2011, 88 pages, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough VIC 3088, Australia. -
Hammer of the Gods (C) 1994 New World Computing, Inc
Hammer Of The Gods (c) 1994 New World Computing, Inc. All Rights Reserved OF CONTENTS HAMMER OF THE GODS: ARN SAGA 4 Published by New World Computing, Inc. INTRODUCTION 25 Designed by Holistic Design Inc. TUTORIAL 27 Executive Producer: Jon Van Caneghem GAME RULES Produced by Mark Caldwell and Deane Rettig THE SCREENS 34 Programmed by Ken Lightner and Rob Lefebvre STACK INFORMATION 39 OVEMENT CREEN UTTONS EATURES Introduction Animation: Great Northwestern Graphics M S B & F 40 GODS AND THEIR REWARDS 54 Graphics: Ed Pike, Ed Hudson, Frank Rydberg, Stephen Beam, Daryl Elliott, Joel Payne, Bonita Long-Hemsath, APPENDIX A 60 Julia Ulano, Cris-Jon Lindsay THE VIKING GOLDEN AGE 66 Music: Rob Lefebvre and Bruce Nunley CREDITS AND DESIGNERS NOTES 70 Digital Sound Effects: Ken Lightner Audio Technology: Human Machine Interfaces, Inc. Sound Operating System Documentation: Ed Pike Introductory Fiction: Bill Bridges Quality Assurance Manager: Mario Escamilla Play Testing at Holistic Design: Mary Lefebvre, Cheri Gatland-Lightner, Jeff Thomas, Craig Reardon, Cris-Jon Lindsay, and Kevin Creekmore. Play Testing at New world Computing: Peter Ryu, David Vela, Manny Lomas, Brian Stubbings, Clayton Retzer Play Testing at American Garners Association: Phil Bump, Kevin Hobbs, Greg Plunket, Ken King, Malcolm Todd, and Freeman Goodyear, SoftWare (c) 1994 Holistic Design, Inc. All other Materials (c) 1994 New World Computing Inc. Hammer of the Gods is a trademark of New World Computing. New World Computing and its distinctive logo are reg- istered trademarks of New World Computing, Inc. This manual may not be copied photographed repro duced, or translated or reduced to any electrical medium or machine readable form, in whole or in without prior written consent from New World Computing Inc. -
A Collision of Cultures in Starship Troopers and Ender's Game
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-20-2011 Shifting Understandings of Imperialism: A Collision of Cultures in Starship Troopers and Ender's Game Leon Perniciaro University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Perniciaro, Leon, "Shifting Understandings of Imperialism: A Collision of Cultures in Starship Troopers and Ender's Game" (2011). University of New Orleans Theses and Dissertations. 1338. https://scholarworks.uno.edu/td/1338 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Shifting Understandings of Imperialism: A Collision of Cultures in Starship Troopers and Ender’s Game A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts In English American Literature by Leon Perniciaro B.S. Loyola University New Orleans, 2007 May, 2011 Table of Contents Abstract ............................................................................................................................ -
Marotta.Griesgraber Profile.Indd
Marotta/Griesgraber - profi le From fi rst listen, Jerry Marotta and Tom Griesgraberʼs music engenders a sense of freedom and ex- perience; of new adventures led by experienced guides. What unfolds is a series of refreshingly new stories with unusual and memorable characters, all told without words, where narrative and dialogue feel present but are left for the listener to fi ll in with their own details. Both Jerry and Tom are multi-instrumentalists, but their specialties combine one of the worldʼs oldest instruments and one of its newest: drums and the Chapman Stick. While itʼs the sum of the parts that makes for this duoʼs creative whole, their individual histories give a fascinating background to the sto- ries in their music. Originally from Ohio, Jerryʼs professional career began shortly after high school with the band Orleans and their smash hit Still The One. As fate would have it this track got the attention of Peter Gabriel who was embarking upon his solo career after leaving the band Genesis. While working with Peter over the next ten years, Jerry was able to develop his own voice; a sound that would defi ne an entire movement in popular music. In the process he wrote a chapter in the history of modern rock drumming that estab- lished him as a player without peer. Jerryʼs uncanny time feel and sense of orchestration quickly attracted the notice of top artists the world over. Hall & Oats, Tears for Fears, Stevie Nicks, Paul McCartney, Elvis Costello, David Sylvian and Robert Fripp, Suzanne Vega, The Indigo Girls, Sarah McLachlan, Jewel, Ani DiFranco, 10,000 Mani- acs, Tony Levin, John Mayer and countless others have sought him out for their records.