DOCSLIB.ORG

3 Directors' Notes

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
3 Directors' Notes 1 2 3 DIRECTORS’ NOTES 3 It’s been a busy year for all of us at the Philadelphia Film Society. As This feels like a year of monumental shift in film and it has certainly you may know, the end of 2013 saw us reopen the PFS Roxy Theater. been one for us. If you read Andy’s note or have been seeing all our Offering films reflective of those we’d play in the Philadelphia Film marketing around town, you know that we are extremely proud Festival, from the experimental to documentary, independent to of the ongoing work we are doing at the PFS Roxy Theater and the prestige studio releases, I have been thrilled with the diversity of the growing number of year-round programs. But it’s also been a shift films we’ve programmed at the PFS Roxy this year. for the rest of the world. We’ve lost a lot of the greats, such as Lauren Bacall and Philip Seymour Hoffman. We will be honoring them In addition, we’ve utilized the PFS Roxy to launch dynamic programs, with some of our screenings in a robust “From the Vaults” section including our Spring Showcase and Children’s Film Festival, special this year. This collection of classics will also include some of the series including a Wes Anderson retrospective and spotlight on strongest selections from our ongoing David Lynch Retrospective. the 2013 Oscar-Nominated documentaries as well as our monthly Saturday Morning Specials, Sensory Friendly Screenings, Graveyard Meanwhile, some of the greats still living brought us new surprises. Shift and Filmadelphia at the Roxy screenings. The PFS Roxy has Jean-Luc Godard made his first 3D feature with Goodbye to been crucial to fulfilling PFS’ mission and extending the Philadelphia Language. Alejandro Gonzalez Iñarritu honed the craft of long Film Festival year-round by giving us a venue to bring some of the takes in our incredibly cinematic opening night film, Birdman. The best cinema around the world to Philadelphia. Now, I am proud Dardennes Brothers made their most commercial movie to date with to add the PFS Roxy as a Festival venue, joining the Ritz East, Ritz the ticking-clock drama, Two Days, One Night. It’s certainly a great Bourse, Perelman Theater at the Kimmel Center and the Prince Music time to try something new! Theater, and giving us an additional presence in the Rittenhouse Square area of the city. 2014 was a challenge for the programming team with such a bevy of riches. How to choose? As you can imagine, we keep our standards It’s a fantastic year to bring the PFS Roxy on as a Festival partner, high for the quality of content in the festival and this year presented as our Festival programming team has delivered yet another stellar a unique challenge of editing down our overflowing roster of films. program. This year, programmers visited more festivals than ever I am incredibly proud of this year’s lineup because it has come before, checking out Cartagena, Clermont-Ferrand, Edinburgh and together beautifully. From the powerful Oscar contenders including more in addition to circuit regulars such as Sundance, Berlin, SXSW, St. Vincent and Imitation Game, to the brilliant award-winners such Tribeca, Cannes, LAFF, and Toronto, all to bring to Philly a diverse, as Winter Sleep and Mommy, to soon-to-be sleeper hits like The provocative and highly anticipated lineup. With the continued Duke of Burgundy and Girlhood, this year’s festival is highlighted support of the Wyncote Foundation, I’m thrilled to offer films in the by ambitious filmmakers, challenging our sensibilities with daring American Independents and Documentary Showcase categories for new work that stands out from the rest. We are peeking through the free. keyhole of the cinematic future, and it’s incredibly satisfying to bring this to Philadelphia. Likewise, we’ve added some special events this year. Our Opening Night Celebration will be bigger than ever, screening two films at There’s a lot to take in, but in the spirit of all the great innovative the Perelman Theater in the Kimmel Center followed by our opening work we have programmed, please take risks and step outside of night party upstairs. Likewise, our closing night event at Top of the your comfort zone as an audience member. Filmmakers this year Tower, with some of the best views in the city, will be equally festive. have transformed a simple ghost story into a beautiful work of art, In between, we’re hosting a reception in honor of filmmaker David a moving human rights documentary into a treatise on the nature Lynch, a Night Market in front of the PFS Roxy, and many events of perception, and a working class moral dispute into a nail-biting nightly at the Festival Lounge. All of these events will serve to race for survival. Nothing is what it seems, so I encourage you to read enhance the Festival experience even further. through all of the sections, choose carefully and take chances. Thank you to all of our amazing supporters, including our returning As a final note, thank you all. Your continued patronage is what Official Sponsors 6ABC, Comcast Xfinity, Philadelphia Magazine, and inspires us to find and present the hottest films that are making Southwest Airlines, as well as our new Official Sponsors 500 Walnut, headlines and shaping new ways to think about the world. Thank the Lincoln Motor Company and Sweat Fitness. I also want to thank you for opening your eyes and ears and letting us share with you this the PFS Board of Directors and our PFS Members for their continued magic we’ve been collecting all year long. support, as well as the incredibly hardworking PFS and Festival staff, and the hundreds of volunteers who give countless hours to make the Festival run smoothly. Finally, but just as important, I thank you for making this event possible. I encourage you to see as many MICHAEL LERMAN films as you can, and to share your experience with others. Become ARTISTIC DIRECTOR immersed in the full Festival experience. I look forward to seeing you at the movies. J. ANDREW GREENBLATT EXECUTIVE DIRECTOR 4 GETTING YOU TO THE SHOW SINCE 1921. A proud sponsor of the Philadelphia Film Festival Schedule service, find parts and shop online at PepBoys.com or call us at 1-800-PEP-BOYS. 5 IMPORTANT INFO Directors’ Notes 3 Programmer Bios 7 Our Sponsors 9 Keys to a Successful Festival 10 Ticket Information 11 Opening Night Festivities 13 Closing Night Celebration 13 Special Events 15 Film Awards 20 Community & Education Programs 23 Screening Schedule 24 Thank You 101 Film Index 106 THE PROGRAM Opening Night Film 29 Closing Night Film 31 Centerpieces 33 From the Vaults 40 Spotlights 44 Masters of Cinema 48 World Narratives 52 New French Films 62 Spanish Language Stories 68 Cinema Down Under 72 American Independents 76 Greater Filmadelphia 80 Documentary Showcase 84 CONTENTS Sight and Soundtrack 90 Animated Shorts Program 95 The Graveyard Shift 96 Welcome to the twenty-third Philadelphia Film Festival. See something you’ll never forget! Philadelphia Film Festival-PROOF.pdf 1 8/29/14 3:25 PM 6 C M Y CM MY CY CMY K 7 PROGRAMMER BIOS 7 MICHAEL LERMAN J. ANDREW GREENBLATT ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Born and raised in Philadelphia, Michael A Philadelphia native, J. Andrew Greenblatt is a veteran programmer of film festivals, assumed the position of Executive Director/ currently also curating for Fantastic Fest Chief Executive Officer of the Philadelphia and working as a Programming Associate Film Society in September 2008. He is for the Toronto International Film responsible for the annual budget and Festival. Previously, he was the Director of long-term financial plan while also acting Acquisitions for The Film Sales Company and has written for several as primary fundraiser and overseer of programming initiatives. Prior film publications including indieWIRE, Spout and Hammer to Nail. to PFS, Greenblatt began his career in the entertainment industry He also co-runs a production company called Tiger Industry Films with Film 101 Productions, an independent production company. Working both with Film 101 and independently, he has produced for which he produces, directs, writes, and edits. films including Explicit Ills, Café, Twelve, and Everything Must Go. TOM QUINN RYAN WERNER PROGRAMMER PROGRAMMER Tom Quinn is the co-president of Radius, Ryan Werner, recepient of The Hollywood The Weinstein Company’s new cross- Reporter’s “Next Gen Award” in 2006, platform film releasing label, developing is a freelance publicity and marketing content and distribution strategies that consultant. He was recently SVP of move beyond the on-demand model. Marketing at IFC Entertainment, where Before that he was at Magnolia for eight he oversaw all marketing and publicity years, where he was SVP. Quinn is also a programmer, having worked for the company’s theatrical and home video releases. Prior to IFC, for Atlanta, Woodstock, and Actionfest. Prior to joining Magnolia, he Werner was Head of Theatrical Distribution at Wellspring and Palm was at Samuel Goldwyn for seven years, eventually becoming VP of Pictures. He has also worked at Magnolia Pictures, Shooting Gallery, Acquisitions. Quinn’s first industry job was working in domestic film Sundance Channel, and IFP. Werner has also programmed at the publicity for Nancy Willen at Dennis Davidson Associates. Woodstock Film Festival. CHARLOTTE COOK DOUG JONES ASSOCIATE PROGRAMMER ASSOCIATE PROGRAMMER Charlotte is Director of Programming at Hot Doug Jones got his first job in film selling Docs, North America’s largest documentary popcorn behind the candy stand of a movie festival. She was previously Head of Film theater when he was 14.
Load more

Recommended publications
  • The Aesthetics of Death, Youth, and the Road: the Violent Road Film In
    • The Aesthetics of Death, Youth, and the Road: The Violent Road Film in Popular Culture Heather E. McDiarmid Graduate Program ir. Communications McGill University Montreal, Quebec Julv, 1996 A thesis submitted ta the Facultv ofGraduate Studies and Research in partial fulfillment of the requirements of thed~ofMuterofArts • © 1996 Heather E. McDiarmid NaltOOal Llbrary Bibliothèque nationale 1+1 of Ganada duGanada ACqUISllions and Direction des acqUlsltlOtlS et Blbliographlc serllCes Branch des serviCes bibliographiques 395 Wellington Street 395. rue Well'"Q1On Ottawa. Onlano Ottawa cOnt.no) K1AON4 K'AQN4 The author has granted an L'auteur a accordé u~e licence irrevocable non-exclusive licence irrévocable et non exclusive allowing the National Library of permettant à la Bibliothèque Canada to reproduce, loan, nationale du Canada de distribute or sell copies of reproduire, prêter, distribuer ou hisjher thesis by any means and vendre des copies de sa thèse in any form or format, making de quelque manière et sous this thesis available to interested quelque forme que ce soit pour persons. mettre des exemplaires dé cette thèse à la disposition des personnes intéressées. The author retains ownership of L'a!Jteur conserve la propriété du the copyright in hisjher thesis. droit d'auteur qui protège sa Neither the thesis nor substantial thèse. Ni la thèse ni des extraits extracts from il may be printed or substantiels de celle-ci ne otherwise reproduced without doivent être imprimés ou hisjher permission. autrement reproduits sans son autorisation. ISBN 0-612-19906-1 Canada • Abstract The "roadkill" films are part of a sub-genre of the more popular road film genre.
    [Show full text]
  • ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
    ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations.
    [Show full text]
  • House of Cards Review
    House of Cards: TV Review http://www.hollywoodreporter.com/print/415589 Source URL: http://www.hollywoodreporter.com/review/house-cards-netflix-tv-review-415589 8:00 AM PST 1/26/2013 by Tim Goodman The Bottom Line Kevin Spacey shines in this heavyweight new contender in the drama category that makes Netflix a major player as a content provider. Premieres Feb. 1 (Netflix) Director David Fincher Cast Kevin Spacey, Robin Wright, Kate Mara, Corey Stoll, Michael Kelly, Constance Zimmer, Michael Gill, Sakina Jaffrey, If Netflix wanted to come out of the gates strong as a content provider worthy of any cable channel, it picked a stellar choice in House of Cards, a remake of the Brit series starring a riveting Kevin Spacey and directed by David Fincher (at least the first two episodes, which were shown to critics before Netflix releases all 13 for streaming Feb. 1). The streaming and DVD-by-mail service got its original-content feet wet a year ago with Lillyhammer, starring Steven Van Zandt as a New York gangster who goes into witness protection in Norway, but it is really making its mark with a slate of five new series rolling out in 2013. It’s a concerted, calculated slate that says, “We’ve arrived -- and what are you going to do about it?” 1 of 4 1/28/2013 10:55 AM House of Cards: TV Review http://www.hollywoodreporter.com/print/415589 PHOTOS: 7 Music to Movie Directors: Michael Bay, David Fincher, Spike Jonze [7] As a threat to higher-end niche cable channels that traffic in acclaimed dramas, Netflix’s likeliest competitors are FX, AMC and Starz.
    [Show full text]
  • A Dark New World : Anatomy of Australian Horror Films
    A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream.
    [Show full text]
  • The Second Woman
    Next Wave 2019 Brooklyn Academy of Music Adam E. Max, BAM Board Chair Katy Clark, President William I. Campbell and Nora Ann Wallace, David Binder, Artistic Director BAM Board Vice Chairs The Second Woman Created by Nat Randall and Anna Breckon BAM Fishman Space Oct 18 at 5pm Running time: approx. 24 hours Written and directed by Anna Breckon and Nat Randall Performed by Alia Shawkat Video direction by EO Gill & Anna Breckon Lighting design by Amber Silk & Kayla Burrett Sound design by Nina Buchanan Set design by FUTURE METHOD STUDIO Hair and makeup design by Sophie Roberts Season Sponsor: Leadership support for BAM Access Programs provided by the Jerome L. Greene Foundation Leadership support for theater at BAM provided by The SHS Foundation and The Shubert Foundation, Inc. v Directors’ Note Photo: Heidrun Lohr The Second Woman takes as its starting point the idea that emotions and identities are culturally and historically specific, and that gender identities are defined by, and produced through, emotional cul- tures and norms. Taking gender, as a particular relation to cultural power and privilege, as its focus, The Second Woman explores the ways in which gender privilege and power expresses itself through feeling. The Second Woman began as a small self-funded project. It was a high-risk endeavor as, although we could test the work with multiple participants, we couldn’t test the durational aspect of the show. There is no way to rehearse a 24-hour production that relies on audience and participants. With so many variables and unknowns, we went into our second performance with an equal amount of dread.
    [Show full text]
  • Café Society
    Presents CAFÉ SOCIETY A film by Woody Allen (96 min., USA, 2016) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia CAFÉ SOCIETY Starring (in alphabetical order) Rose JEANNIE BERLIN Phil STEVE CARELL Bobby JESSE EISENBERG Veronica BLAKE LIVELY Rad PARKER POSEY Vonnie KRISTEN STEWART Ben COREY STOLL Marty KEN STOTT Co-starring (in alphabetical order) Candy ANNA CAMP Leonard STEPHEN KUNKEN Evelyn SARI LENNICK Steve PAUL SCHNEIDER Filmmakers Writer/Director WOODY ALLEN Producers LETTY ARONSON, p.g.a. STEPHEN TENENBAUM, p.g.a. EDWARD WALSON, p.g.a. Co-Producer HELEN ROBIN Executive Producers ADAM B. STERN MARC I. STERN Executive Producer RONALD L. CHEZ Cinematographer VITTORIO STORARO AIC, ASC Production Designer SANTO LOQUASTO Editor ALISA LEPSELTER ACE Costume Design SUZY BENZINGER Casting JULIET TAYLOR PATRICIA DiCERTO 2 CAFÉ SOCIETY Synopsis Set in the 1930s, Woody Allen’s bittersweet romance CAFÉ SOCIETY follows Bronx-born Bobby Dorfman (Jesse Eisenberg) to Hollywood, where he falls in love, and back to New York, where he is swept up in the vibrant world of high society nightclub life. Centering on events in the lives of Bobby’s colorful Bronx family, the film is a glittering valentine to the movie stars, socialites, playboys, debutantes, politicians, and gangsters who epitomized the excitement and glamour of the age. Bobby’s family features his relentlessly bickering parents Rose (Jeannie Berlin) and Marty (Ken Stott), his casually amoral gangster brother Ben (Corey Stoll); his good-hearted teacher sister Evelyn (Sari Lennick), and her egghead husband Leonard (Stephen Kunken).
    [Show full text]
  • The Australian Theatre Family
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him.
    [Show full text]
  • Bob Iger Kevin Mayer Michael Paull Randy Freer James Pitaro Russell
    APRIL 11, 2019 Disney Speakers: Bob Iger Chairman and Chief Executive Officer Kevin Mayer Chairman, Direct-to-Consumer & International Michael Paull President, Disney Streaming Services Randy Freer Chief Executive Officer, Hulu James Pitaro Co-Chairman, Disney Media Networks Group and President, ESPN Russell Wolff Executive Vice President & General Manager, ESPN+ Uday Shankar President, The Walt Disney Company Asia Pacific and Chairman, Star & Disney India Ricky Strauss President, Content & Marketing, Disney+ Jennifer Lee Chief Creative Officer, Walt Disney Animation Studios ©Disney Disney Investor Day 2019 April 11, 2019 Disney Speakers (continued): Pete Docter Chief Creative Officer, Pixar Kevin Feige President, Marvel Studios Kathleen Kennedy President, Lucasfilm Sean Bailey President, Walt Disney Studios Motion Picture Productions Courteney Monroe President, National Geographic Global Television Networks Gary Marsh President & Chief Creative Officer, Disney Channel Agnes Chu Senior Vice President of Content, Disney+ Christine McCarthy Senior Executive Vice President and Chief Financial Officer Lowell Singer Senior Vice President, Investor Relations Page 2 Disney Investor Day 2019 April 11, 2019 PRESENTATION Lowell Singer – Senior Vice President, Investor Relations, The Walt Disney Company Good afternoon. I'm Lowell Singer, Senior Vice President of Investor Relations at THe Walt Disney Company, and it's my pleasure to welcome you to the webcast of our Disney Investor Day 2019. Over the past 1.5 years, you've Had many questions about our direct-to-consumer strategy and services. And our goal today is to answer as many of them as possible. So let me provide some details for the day. Disney's CHairman and CHief Executive Officer, Bob Iger, will start us off.
    [Show full text]
  • Send Subscriptions to the Irving Rambler
    IrvingIrving RamblerRambler www.irvingrambler.com “Irving’s weekly community newspaper” August 14, 2008 Local artists compete Obituaries Page 8-9 Movies Page 4 HIS WEE in shows Police Page 2 TK Puzzles Page 10 Page 6 YYYearearearlylyly TTTransporransporransportationtationtation SummitSummitSummit rocksrocksrocks ononon By Jess Paniszczyn it, there was an expert available to able of which seemed to have their cheon. Mr. Simpson spoke about time.’ Ladies and gentlemen, it is Featuring more than 120 speak about it. Experts in topics own sort of special-interest group- finding solutions to America’s fuel really time,” Mr. Simpson said dur- speakers, the 11th Annual Trans- such as public-private partnerships, ies. and transportation problems now ing his speech. portation Summit took place in the streamlining intermodalism, trans- Among those reaching rocker and the increasing role public trans- “We get myopic if we don’t Omni Mandalay Hotel this week. If portation infrastructure, high- heights was James Simpson, Ad- port will play in national mobility in leave the country. When I first got you can fly it, ride it, drive it, float speed transport and transportation ministrator of the Federal Transit the future. to the FTA, we had a budget to it, sail it, steer it, travel across it, funding were treated like rockstars. Administration and keynote “Have you heard of Paul travel overseas. I would say, ‘I’ve transport people on it or put fuel in The most popular and knowledge- speaker for Wednesday’s lun- Masson Wine? There used to be been overseas. I really shouldn’t commercials on T.V. that would say, travel, because it is a waste of the ‘We will serve no wine until its time.’ taxpayers’ dollars.’ I have to tell you, In Washington, we operate under, it is not a waste of money.
    [Show full text]
  • Programación
    Viernes 1 17:30 · Sala 1 · Antonio Moreno: Made in Hollywood The Spanish Dancer (Mar Díaz, 2016). España. DCP. VOSE. 107' «En 2003 mi pareja, Javier García, estaba documentándose sobre los españoles que trabajaron en Hollywood en la época de las dobles versiones (comienzos de los años 30) y vio una foto que atrapó su atención. Según el pie de foto se trataba de Antonio Moreno, posando feliz en 1926 junto a uno de sus coches de lujo frente a su mansión en Los Ángeles. Nunca habíamos oído hablar de él. Nos preguntamos: ¿Qué hacía este español en Hollywood antes de que llegara el sonoro y por qué nadie se ha interesado por él?». (Mar Díaz) Segunda proyección día 26. 20:15 · Sala 1 · Adictos a Ferrara The Hold Up (Abel Ferrara, 1971). EEUU. AD. VOSE*. 14’. Killer. El asesino del taladro (The Driller Killer, Abel Ferrara, 1979). Int.: Abel Ferrara, Carolyn Marz, Baybi Day, Harry Schultz. EEUU. DCP. VOSE. 96’. Total programa: 110’ Segunda proyección y nota día 28. 20:30 · Sala 2 · PNR: Plataforma de Nuevos Realizadores Som Pastor (Borja Zausen, 2015). España. B-R. 9’. Coming to Terms (David Bertrán, 2015). España, EEUU. B-R. VOSE. 12’. Palabras de caramelo (Juan Antonio Moreno Amador, 2016). España. B-R. 20′. Zero (David Victori, 2015). España, Reino Unido, México. B-R. VOSE. 29’. Total programa: 70’ Con la presencia de los directores. 22:30 · Sala 1 · Cinéditos The Challenge (Yuri Ancarani, 2016). Italia, Francia, Suiza. DCP. VOSE. 69’ «Afianzada en la observación de la realidad, y sin embargo extrañamente lujosa en su austeridad, la historia de un jeque cetrero que viaja a Catar con motivo de un torneo de fin de semana se convierte en un hipnótico estudio de contrastes: lo manso y lo salvaje, lo dorado y lo yermo, tedio y excitación, tecnología y naturaleza».
    [Show full text]
  • Reminder List of Productions Eligible for the 88Th Academy Awards
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir.
    [Show full text]
  • TOBY OLIVER, ACS Director of Photography Tobyoliver.Com
    TOBY OLIVER, ACS Director of Photography tobyoliver.com PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS DAY SHIFT J.J. Perry 87ELEVEN / NETFLIX Feature Film Shaun Redick, Yvette Yates Redick Jamie Foxx, Chad Stahelski SERIOUSLY RED Gracie Otto DOLLHOUSE PICTURES Feature Film ROADSHOW FILMS Lois Randall, Jessica Carrera Robyn Kershaw DEAD TO ME Silver Tree CBS TV / NETFLIX Season 2 Jennifer Getzinger Joe Hardesty, Liz Feldman Elizabeth Allen Rosenbaum BARB & STAR GO TO VISTA DEL MAR Josh Greenbaum GLORIA SANCHEZ PROD / LIONSGATE Feature Film Jonathan McCoy, Jessica Elbaum Margot Hand, Andrea Gamboa Adam McKay, Annie Mumolo FANTASY ISLAND Jeff Wadlow BLUMHOUSE / SONY PICTURES Feature Film Robin Fisichella, Jason Blum Marc Toberoff THE DIRT Jeff Tremaine NETFLIX Feature Film Allen Kovac, Erik Olsen, Julie Yorn GET OUT Jordan Peele BLUMHOUSE / UNIVERSAL PICTURES Feature Film Marcei Brown, Jordan Peele Winner - Oscar Best Original Screenplay Jason Blum, Shaun Redick 4 Academy Award Nominations Edward H. Hamm Jr., Gerard DiNardi HAPPY DEATH DAY 2 U Christopher Landon BLUMHOUSE / UNIVERSAL PICTURES Feature Film Samson Mucke, Jason Blum Scott Lobdell WILDLING Fritz Bohm MAVEN PICTURES / IM GLOBAL Feature Film Marco Henry, Celine Rattray, Trudie Official Selection – SXSW Styler, Liv Tyler, Charlotte Ubben BREAKING IN James McTiegue UNIVERSAL PICTURES Feature Film Valerie Sharp, Will Packer HAPPY DEATH DAY Christopher Landon BLUMHOUSE / UNIVERSAL PICTURES Feature Film Seth William Meier, John Baldecchi Jason Blum, Angela Mancuso INSIDIOUS: THE LAST KEY Adam Robitel BLUMHOUSE / COLUMBIA PICTURES Feature Film Rick Osako, Jason Blum, Oren Peli James Wan, Leigh Whannell INNOVATIVE-PRODUCTION.COM | 310.656.5151 .
    [Show full text]