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Doctor Doctor Whyhope
MUDGEE DOCTOR DOCTOR WHYHOPE 4 DAY TOUR Departing: Tuesday 13 August 2019 Returning: Friday 16 August 2019 TOUR COST: $895.00 per person Twin/Double Share $1100.00 Sole Occupancy Please call the office for Direct Deposit details PICK UP TIMES: 7.10am Crawford Street, Queanbeyan 7.50am West Row Bus Stop, City 7.30am Bay 3, Woden Bus Interchange 8.00am Riggall Place, Lyneham The fictional town of Whyhope is home to the ‘Doctor Doctor’ TV series, filmed in part in Mudgee. Our tour will take in some of the famous landmarks as we explore this colonial and charming town and region. Day 1 (LD): CANBERRA TO MUDGEE: Tuesday 13 August Be warmly greeted as we load our luggage onto the Potter Travel coach and settle into our seats. The Doctor Doctor series is now in its third season and has become popular with Australian, and overseas, audiences. Heading to Camden, we are in the vicinity of Denbigh House, the property used as the family home of the ‘Knight family’. Unfortunately, the homestead cannot be seen from the street but we will get a sense of where it was filmed and the cast often stayed in Camden. We have lunch at Camden Park House, the country mansion of John & Elizabeth Macarthur. The property possesses a grand colonnade verandah and is home to Australia's oldest oak tree grown from an acorn given to John Macarthur at Buckingham Palace! The surrounding 30 ha of garden represent a fine and rare surviving example of an early 19th century garden, albeit with later additions and alterations. -
Women in Leadership Summit 2020
WOMEN IN LEADERSHIP SUMMIT 2020 Re-ignite! 20th-23rd October 2020, Seymour Centre, Sydney DISCLAIMER: Conferences and events have been severely disrupted due to the uncertainty around Corona Virus (COVID-19). All of our events post March 2020 will be going ahead as scheduled. The Leadership Institute is committed to ensuring that all clients who have purchased tickets will get value for money from our events through credit or live streaming of the events. As a small business experiencing this troubling time, we appreciate and value your ongoing support. WOMEN IN LEADERSHIP SUMMIT 2020 SYDNEY, 20TH-23RD OCTOBER 2020 This event will also be live streamed due to disruption caused by Corona Virus (COVID-19). Live streaming tickets are available at checkout. Re-ignite! Back for its fifth year, the Women in Leadership Summit 2020 is guaranteed to be our best one yet! This year’s theme is Re-Ignite. We’ve had so much to worry about in the last six months that it’s time to re- ignite the passion for diversity and equality in the workplace, re-ignite our desires to move up and be seen, re-ignite the fire for pay equality and shared parental responsibility. Let’s create our own opportunities while helping and inspiring those around us. Let’s face it. A lot of companies say they are more committed to gender equality than ever before. But we’ve just had the most disruptive time in modern history. What will this mean in the fight for equality. We still have a severe lack of women in senior roles, especially the C-Suite. -
Film Festival Programme 2014 A5-Booklet.Indd
Please register your Of! cial Program attendance for free using SUNDAY FREE www.trybooking.com 23 March 2014 at 5.00pm EVENT a not for profi t community initiative Blue Giant Park, Manion Avenue, Rose Bay at Woollahra Colleagues Rugby Club LIVE ENTERTAINMENT REELise Film Festival REELise Film Festival Festival Director – Karen Hamilton The REELise Film Festival is a youth It is perhaps no surprise that many of our competition entries have empowerment program based chosen, within that theme, to explore aspects of cyberbullying – an issue on mobile phone !lmmaking. We that affects one in !ve Australian teens every year. encourage young people to share The REELise Film Festival is a testament to the strength of community – the their stories, broaden awareness about coming together of people who share a passion to keep our kids safe; a issues affecting them and inspire passion to inspire a new generation to achieve their full potential. From our positive change. To assist aspiring Management Team and Mentors to the many individuals and businesses young !lmmakers improve their craft, we offer a free mentoring program joining with us on festival day to provide services and support, there is for 12-18 year olds with leading Australian !lmmakers. This year’s !lm a singular dedication - to inspire cultural change, one where empathy, festival theme was “Unspoken Feelings”. What motivates a cyberbully? compassion and respect for others is valued and cyberbullying isn’t tolerated. Are there real life consequences? Is it okay to stand back and let it If you would like to lend your support to the REELise initiative whether as happen? These are all issues explored by our young !lmmakers and a mentor, participating school, volunteer or sponsor, please contact me at important for a young audience to consider. -
Kenneth A. Merique Genealogical and Historical Collection BOOK NO
Kenneth A. Merique Genealogical and Historical Collection SUBJECT OR SUB-HEADING OF SOURCE OF BOOK NO. DATE TITLE OF DOCUMENT DOCUMENT DOCUMENT BG no date Merique Family Documents Prayer Cards, Poem by Christopher Merique Ken Merique Family BG 10-Jan-1981 Polish Genealogical Society sets Jan 17 program Genealogical Reflections Lark Lemanski Merique Polish Daily News BG 15-Jan-1981 Merique speaks on genealogy Jan 17 2pm Explorers Room Detroit Public Library Grosse Pointe News BG 12-Feb-1981 How One Man Traced His Ancestry Kenneth Merique's mission for 23 years NE Detroiter HW Herald BG 16-Apr-1982 One the Macomb Scene Polish Queen Miss Polish Festival 1982 contest Macomb Daily BG no date Publications on Parental Responsibilities of Raising Children Responsibilities of a Sunday School E.T.T.A. BG 1976 1981 General Outline of the New Testament Rulers of Palestine during Jesus Life, Times Acts Moody Bible Inst. Chicago BG 15-29 May 1982 In Memory of Assumption Grotto Church 150th Anniversary Pilgrimage to Italy Joannes Paulus PP II BG Spring 1985 Edmund Szoka Memorial Card unknown BG no date Copy of Genesis 3.21 - 4.6 Adam Eve Cain Abel Holy Bible BG no date Copy of Genesis 4.7- 4.25 First Civilization Holy Bible BG no date Copy of Genesis 4.26 - 5.30 Family of Seth Holy Bible BG no date Copy of Genesis 5.31 - 6.14 Flood Cainites Sethites antediluvian civilization Holy Bible BG no date Copy of Genesis 9.8 - 10.2 Noah, Shem, Ham, Japheth, Ham father of Canaan Holy Bible BG no date Copy of Genesis 10.3 - 11.3 Sons of Gomer, Sons of Javan, Sons -
Bromilow, Belinda Biography
BELINDA BROMILOW TRAINING 1995 – 1997 Bachelor of Arts, Curtin University 1997 – 1999 Advanced Diploma of Performing Arts W.A. Academy of Performing Arts (WAAPA) FILM & TELEVISION THE GREAT S2 Aunt Elizabeth THE GREAT Aunt Elizabeth Dir: Matt Shakman DOCTOR DOCTOR S5 Betty Dir: Lisa Matthews DOCTOR DOCTOR S4 Betty Dir: Geoff Bennett DOCTOR DOCTOR S3 Betty Dir: Geoff Bennett RAKE Patrice Dir: Rowan Woods DOCTOR DOCTOR S2 Betty Dir: Geoff Bennett FELONY Accident Site Cop Dir: Matt Saville NOT SUITABLE FOR CHILDREN Claire Dir: Peter Templeman HAPPY FEET Norwegian Ambassador Warner Bros. Dir: George Miller THE RAGE IN PLACID LAKE Nurse Doreen Rapacious Pictures Dir: Tony McNamara DOCTOR DOCTOR Betty Essential Media MR & MRS MURDER Cate McVeigh Fremantle Media SPIRITED Series 1 & 2 Jonquil (series lead) Southern Star PACKED TO THE RAFTERS Libby (recurring) Seven Network TALK TO ME Nicole ITV Dir: Derabhla Walsh MDA Sally Delaney ABC TV Dir: Sally Kerr McLEOD’S DAUGHTERS Ashleigh Redstaff Millennium TV ALL SAINTS (TV) Fiona Bannock Network Seven SHAKESPEARE OUT LOUD Actor ABC CoastToCoast THEATRE THIS YEAR’S ASHES Ellen Griffin Theatre Dir: Shannon Murphy THE GRENADE Sally McTavish MTC/STC Dir: Peter Evans MY NAME IS RACHEL CORRIE Rachel Corrie B Sharp, Belvoir Dir: Shannon Murphy SEVEN BLOWJOBS Dot B Sharp, Belvoir Dir: Lee Lewis BOY GETS GIRL Harriet Sydney Theatre Company Dir: Robyn Nevin P.O BOX 7766 BONDI BEACH NSW PHONE: : + 61 412 591 049 E: sarah@ linstenmanagement.com LITTLE BOY Peta Tamarama Rock Surfers & Under the Hood Productions -
The Feather in the Web
THE FEATHER IN THE WEB GRIFFIN THEATRE COMPANY PRESENTS THE FEATHER IN THE WEB Production Partner BY NICK COYLE 5 OCTOBER-17 NOVEMBER GRIFFIN THEATRE COMPANY PRESENTS THE FEATHER IN THE WEB NICK COYLE 5 OCTOBER- 17 NOVEMBER Director Ben Winspear Designer Sophie Fletcher Assistant Designer Ella Butler Composer / Sound Designer Steve Toulmin Lighting Designer Trent Suidgeest AV Designer Mic Gruchy Stage Manager Samuel Johnson With Tina Bursill, Gareth Davies, Michelle Lim Davidson, Claire Lovering SBW Stables Theatre Preview 5–10 October Season 13 October–17 November Production Partner Government Partners Supported by Griffin acknowledges the generosity of the Seaborn, Broughton & Walford Foundation in allowing it the use of the SBW Stables Theatre rent free, less outgoings, since 1986. S ’ Have you ever been listening to someone tell a story and been overcome with the urge to scream SHUT UP!? Have you ever been so bored at a work event you wanted to kick someone in the groin? Have you ever been in a car travelling very fast on a highway and thought about jerking the steering wheel to the side? Me neither. That would be crazy. But a character who follows through on those impulses and doesn’t give a damn about the consequences was the starting point of this play. Kimberly is dangerous because she is fearless. She pours petrol over banality and sets it on fire, figuratively and literally. She doesn’t laugh unless there’s something funny. She knows she’s not the PLAYWRIGHT NOTE architect of the body and face she was given. She refutes the falsehoods we’re trained to accept. -
The Australian Theatre Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him. -
Nathan Lovejoy Resume
NATHAN LOVEJOY FILM BECOMING BOND Supporting Hulu/Delirio Films BOMBSHELL Lead Screentime NZ/TV One THE MYSTERY OF A HANSOM CAB Lead Burberry Entertainment/ABC TELEVISION (US/AUS) DEEP WATER Guest Star Blackfella Films/SBS THE CODE Supporting Netflix/Acorn TV/ABC THE KETTERING INCIDENT Guest Star Amazon/Showcase HERE COME THE HABIBS Guest Star Jungleboys/9 Network SAMMY J & RANDY IN THE RICKETTS LANE Lead Seeso/ABC THIS IS LITTLETON Sketch Highwire Films/ABC LAID Guest Star Jungleboys/ABC AT HOME WITH JULIA Guest Star Quail TV/ABC REVIEW WITH MYLES BARLOW Guest Star Jungleboys/ABC MY PLACE Guest Star Matchbox/ABC THE PACIFIC Guest Star HBO HEADLAND Supporting 7 Network THEATER ROMEO & JULIET Lead Sydney Symphony THE GOOD PERSON OF SZECHUAN Lead Malthouse Theatre CLYBOURNE PARK Lead Ensemble Theatre HAMLET Supporting Belvoir Street Theatre EMPIRE Lead Tamarama Rock Surfers HENRY IV Supporting Bell Shakespeare Company THIS YEAR’S ASHES Lead Griffin Theatre Company MUCH ADO ABOUT NOTHING Supporting Bell Shakespeare Company WAY TO HEAVEN Lead Ride On Theatre Company THE CRUCIBLE Lead Sydney Theatre Company A MIDSUMMER NIGHT’S DREAM Lead Sydney Symphony ANATOMY: TITUS: FALL OF ROME Lead Bell Shakespeare Company TWELFTH NIGHT Lead Siren Theatre Company THE MERCHANT OF VENICE Lead Ride On Theatre Company THE TEMPEST Lead Bell Shakespeare Company KING LEAR Lead Harlos Productions BONES Lead Darlinghurst Theatre Company TRAINING Bachelor of Dramatic Art (Undergraduate) 3 years National Institute of Dramatic Arts (NIDA) UCB 101 & 102 Level 2 Upright Citizens Brigade, Los Angeles CA AWARDS Nominated: Best Performance in a Television Comedy, 2015 AACTA Awards, SAMMY J & RANDY IN RICKETTS LANE Nominated: Best Performance in Theatre, 2011 SMAC Awards, WAY TO HEAVEN AGENT: Brianna Ancel & Scot Reynolds / 10950 Ventura Blvd, Studio City, CA 91604 Phone: 818.509.0121 / Fax: 818.509.7729 / [email protected] / [email protected] MANAGER: Art/Work Entertainment, Spencer Robinson & David Chien [email protected] / [email protected] . -
PROGRAM Prize Fighter
LA BOITE THEATRE COMPANY & BRISBANE FESTIVAL PRESENTS PRIZE FIGHTER BY FUTURE D. FIDEL PROGRAM Presented by La Boite Theatre Company & Brisbane Festival 5 - 26 September 2015 at the Roundhouse Theatre CAST Luke, Ensemble Margi Brown-Ash Rita, Nyota, Sofia, Ensemble Sophia Emberson-Bain Kadogo, Tim, Ensemble Thuso Lekwape Moses, Matete, Jeff Wilkie, Ensemble Gideon Mzembe Isa Pacharo Mzembe Aunty, Alaki, Old Man, Wayne Durain, Ensemble Kenneth Ransom PRODUCTION TEAM Writer Future D Fidel Director Todd MacDonald Dramaturg Chris Kohn Designer Bill Haycock Lighting Designer David Walters Composer/Sound Designer Felix Cross Video Designer optikal bloc Movement & Fight Director Nigel Poulton Design Intern Hahnie Goldfinch Lighting Design Secondment Christine Felmingham Stage Manager Heather O’Keeffe Assistant Stage Manager Ariana O’Brien Rehearsal Photography Dylan Evans Special thanks to Emmanuel Otti, Brisbane Boxing, Coleman Tyre Company Wacol and Corporate Box Gym. 1 WRITER’S NOTES Future D. Fidel In the world that depends on technology, it is hard to miss breaking news on an 8.9 Magnitude Earthquake that kills 19 people or the news about a massacre of five people in the middle of Europe. Surprisingly enough, if I asked you about one of the greatest mass killings in the world after WWII, I wouldn’t be surprised if you said the war in Iraq, Afghanistan or Pakistan. The death toll in these three countries combined is recorded to be approximately 371,000 people since 2001according to Watson Institute – Cost of War. This is not close to half the great genocide of Rwanda that claimed almost a million lives. The Democratic Republic of Congo is well known for its richness in natural resources and minerals such as gold, diamond, coltan, petroleum to name a few. -
The Turquoise Elephant E X T D N F C R T O
GRIFFIN THEATRE COMPANY PRESENTS THE TURQUOISE ELEPHANT STEPHEN CARLETON BY STEPHEN CARLETON 14 OCTOBER-26 NOVEMBER E Production Sponsor Meet Augusta Macquarie: Her Excellency, patron of the arts, X formidable matriarch, environmental vandal. THE T D TURQUOISE Inside her triple-glazed compound, Augusta shields herself from the catastrophic elements, bathing in THE TURQUOISE ELEPHANT the classics and campaigning for the reinstatement of global reliance on fossil fuels. Outside, the world lurches from one environmental cataclysm to the next. ELEPHANT N Meanwhile, her sister, Olympia, thinks the best way to save endangered species is to eat them. Their niece, Basra, is intent on making a difference – but how? Can you save the world one blog at a time? F C Stephen Carleton’s shockingly black, black, black political farce won the 2015 Griffin Award. R T It’s urgent, contemporary and perilously close to being real. Director Gale Edwards brings her magic and wry insight to the world premiere of this very funny, clever and wicked new work. O S T CURRENCY PRESS GRIFFIN THEATRE COMPANY PRESENTS THE TURQUOISE ELEPHANT BY STEPHEN CARLETON 14 OCTOBER-26 NOVEMBER Director Gale Edwards Set Designer Brian Thomson Costume Designer Emma Vine Lighting and AV Designer Verity Hampson Sound Designer Jeremy Silver Associate Lighting Designer Daniel Barber Stage Manager Karina McKenzie Videographer Xanon Murphy With Catherine Davies, Maggie Dence, Julian Garner, Belinda Giblin, Olivia Rose, iOTA SBW STABLES THEATRE 14 OCTOBER - 26 NOVEMBER Production Sponsor Government Partners Griffin acknowledges the generosity of the Seaborn, Broughton and Walford Foundation in allowing it the use of the SBW Stables Theatre rent free, less outgoings, since 1986. -
50 Years of the Stables Griffin Theatre Podcast Series
50 Years of the Stables Griffin Theatre Podcast Series Episode Ten: Writing from the Heart With David Berthold and Tommy Murphy Director David Berthold and playwright Tommy Murphy discuss the pressures of adapting Timothy Conigrave’s beautiful memoir Holding the Man for the Stables stage, the deep emotional currency that the piece holds, and their interactions with Timothy’s family in the process. Host: AC - Angela Catterns Guests: DB - David Berthold TM - Tommy Murphy Angela Catterns: 2020 marks the 50th birthday of Griffin Theatres Company home: the Stables Theatre. I’m Angela Catterns. Join us as we celebrate the anniversary in this special series of podcasts, where we’ll hear about the theatre’s history and talk to some of the country’s most celebrated artists. Angela Catterns (AC): In more than 30 years of Griffin Theatre Company at the Stables Theatre, no production has been more successful than Holding the Man. The original production, adapted for the stage by Tommy Murphy, and directed by David Berthold, premiered in 2006 in a critically- acclaimed, sold out season. Tommy Murphy and David Berthold, both on tight travel schedules, joined us separately, but within hours of each other for this podcast; part of the series celebrating 50 Years of the Stables. AC: Welcome David, thank you for finding time to join our podcast series. David Berthold (DB): Great to be here Angela. AC: Thank you. So, you grew up in the theatre I read, is that right? DB: Um, well only to the extent that quite early on in my life I became involved in amateur drama in um, in Newcastle. -
2013 NIDA Annual Report
NATIONAL INSTITUTE OF DRAMATIC ART THEATRE FILM TELEVISION 215 ANZAC PARADE KENSINGTON NSW 2033 POST NIDA UNSW SYDNEY NSW 2052 PHONE 02 9697 7600 2013 NIDA Annual Report FAX 02 9662 7415 EMAIL [email protected] ABN 99 000 257 741 NATIONAL INSTITUTE OF DRAMATIC ART Theatre, Film, Television WWW.NIDA.EDU.AU ABOUT NIDA The National Institute of Dramatic Art (NIDA) is a public, not-for-profit company and is accorded its national status as an elite training institution by the Australian Government. CONTENTS We continue our historical association with the University of New South Wales and maintain FROM THE CHAIRMAN 4 strong links with national and international arts training organisations, particularly through membership of the Australian Roundtable for Arts Training Excellence (ARTATE) and through FROM THE DIRECTOR / CEO 5 industry partners, which include theatre, dance and opera companies, cultural festivals and UNDERGRADUATE STUDIES 8 film and television producers. NIDA delivers education and training that is characterised by quality, diversity, innovation GRADUATE STUDIES 10 and equity of access. Our focus on practice-based teaching and learning is designed to HIGHER EDUCATION STATISTICS 11 provide the strongest foundations for graduate employment across a broad range of career opportunities and contexts. NIDA OPEN 12 Entry to NIDA’s higher education courses is highly competitive, with around 2,000 NIDA OPEN STATISTICS 13 applicants from across the country competing for an annual offering of approximately 75 places across undergraduate and graduate disciplines. The student body for these PRODUCTIONS AND EVENTS AT courses totalled 166 in 2013. NIDA PARADE THEATRES 14 NIDA is funded by the Australian Government through the Ministry for the Arts, DEVELOPMENT 15 Attorney-General’s Department, and is specifically charged with the delivery of performing arts education and training at an elite level.