Angels As Guardians of Hidden Books
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Living in Drylands: Functional Adaptations of Trees and Shrubs to Cope with High Temperatures and Water Scarcity
Review Living in Drylands: Functional Adaptations of Trees and Shrubs to Cope with High Temperatures and Water Scarcity José Javier Peguero-Pina 1,2,* , Alberto Vilagrosa 3 , David Alonso-Forn 1 , Juan Pedro Ferrio 1,4 , Domingo Sancho-Knapik 1,2 and Eustaquio Gil-Pelegrín 1 1 Unidad de Recursos Forestales, Centro de Investigación y Tecnología Agroalimentaria de Aragón (CITA), Avda. Montañana 930, 50059 Zaragoza, Spain; [email protected] (D.A.-F.); [email protected] (J.P.F.); [email protected] (D.S.-K.); [email protected] (E.G.-P.) 2 Instituto Agroalimentario de Aragón -IA2- (CITA-Universidad de Zaragoza), 50059 Zaragoza, Spain 3 Mediterranean Center for Environmental Studies (Fundación CEAM), Joint Research Unit University of Alicante—CEAM, Univ. Alicante, PO Box 99, 03080 Alicante, Spain; [email protected] 4 Aragon Agency for Research and Development (ARAID), E-50018 Zaragoza, Spain * Correspondence: [email protected]; Tel.: +34-976-716-974 Received: 5 August 2020; Accepted: 22 September 2020; Published: 23 September 2020 Abstract: Plant functioning and survival in drylands are affected by the combination of high solar radiation, high temperatures, low relative humidity, and the scarcity of available water. Many ecophysiological studies have dealt with the adaptation of plants to cope with these stresses in hot deserts, which are the territories that have better evoked the idea of a dryland. Nevertheless, drylands can also be found in some other areas of the Earth that are under the Mediterranean-type climates, which imposes a strong aridity during summer. In this review, plant species from hot deserts and Mediterranean-type climates serve as examples for describing and analyzing the different responses of trees and shrubs to aridity in drylands, with special emphasis on the structural and functional adaptations of plants to avoid the negative effects of high temperatures under drought conditions. -
Conservation Assessment for the Bigleaf Snowbell (Styrax Grandifolius Ait.)
Conservation Assessment for the Bigleaf Snowbell (Styrax grandifolius Ait.) Steven R. Hill, Ph.D. Division of Biodiversity and Ecological Entomology Biotic Surveys and Monitoring Section 1816 South Oak Street Champaign, Illinois 61820 Prepared for the U.S.D.A. Forest Service, Eastern Region (Region 9), Shawnee and Hoosier National Forests INHS Technical Report 2007 (65) Date of Issue: 17 December 2007 Cover photo: Styrax grandifolius Ait., from the website: In Bloom – A Monthly Record of Plants in Alabama; Landscape Horticulture at Auburn University, Auburn, Alabama. http://www.ag.auburn.edu/hort/landscape/inbloomapril99.html This Conservation Assessment was prepared to compile the published and unpublished information on the subject taxon or community; or this document was prepared by another organization and provides information to serve as a Conservation Assessment for the Eastern Region of the Forest Service. It does not represent a management decision by the U.S. Forest Service. Though the best scientific information available was used and subject experts were consulted in preparation of this document, it is expected that new information will arise. In the spirit of continuous learning and adaptive management, if you have information that will assist in conserving the subject taxon, please contact the Eastern Region of the Forest Service - Threatened and Endangered Species Program at 310 Wisconsin Avenue, Suite 580 Milwaukee, Wisconsin 53203. 2 Conservation Assessment for the Bigleaf Snowbell (Styrax grandifolius Ait.) Table of Contents -
Genesis Notes 2:4 - 9
Genesis Notes 2:4 - 9 Chapter 2:4 “These Are The Generations” the Heavens and the Earth See Gen 5:1, 6:9, 10:1, 11:10, 11:27, 25:12, 25:19, 36:1, 37:2 2:4 New “day?” First “Yahweh” name usage First Adam First Male and Female First Marriage 2:4-17 Second Creation Account of Mankind 2:17 dying you shall die 2:18-22 Eve / Ishshah 2:18 it is not good 2:23-25 The Marriage of Adam and Eve (see Ephesians 5:30-32) Chapter 3 Sin and the Fall of Man First Lie (Gen 3:4) First Sin by Mankind (Gen 3:6) First Curse, note: Adam wasn’t cursed. (Gen 3:14) First prophecy about Jesus (Gen. 3:15) 3:16 Multiply sorrow in Childbirth 3:21 The covering of man by God 3:22 The knowledge of good and evil 3:24 Cherubims (Ezekiel 10:14) “created in the image of?” Chapter 4 Cain and Able First Born First Brothers First Offerings, but no mention of altar First Murder First Blood “Father” in Judaism (Gen 4:20) and “Son” in Judaism 4:10-12 Another Curse for Blood 4:15 The Mark of Cain 4:22 Tubalcain and Naamah the wife of Noah 4:25-26 Seth and the name of Yahweh Chapter 5 “The Book of the Generations of Adam” 5:18-24 Enoch (Heb 11:5, Jude 14-15) Two Enoch’s and two Lamechs (Gen 4:17-18, Gen 5:18-25) Note: Adam’s Son Seth lived 112 years after Noah was born. -
League with Satan. They Said, " He Casts out Devils by Beelzebub." 1
"AS OLD AS METBUSELAH." 449 league with Satan. They said, " He casts out devils by Beelzebub." 1 He is but an embodied falsehood, speaking lies, working a lie, professing to cast out Satan, that He may the better serve him. But the charge was as unwise as unveracious. The answer was easy : " If Satan cast out Satan, how shall his kingdom stand ? If he work against himself, how can his works serve him ? Then, if I cast out devils by Beelzebub, by whom do your disciples cast them out ? By Beelzebub, too ? Let them be your judges."1 The cycle was completed ; fanatical resistance to the light had become fanatical denial of its existence. It was little wonder that Jesus met the deputation from Jerusalem with the question, "Why do ye transgress the commandment of God by your tradition ? • . Ye hypocrites ! well did Esaias prophesy of you, say ing, This people draweth nigh unto me with their mouth, and honoureth me with their lips ; but their heart is far from me."3 "0 ye hypocrites ! ye can discern the face of the sky, but can ye not discern the signs of the times ?"4 A. M. FAIRBAIRN. "AS OLD AS METHUSELAH:" A CHAPTER IN ANTEDILUVIAN CHRONOLOGY. GENESIS V. AccoRDING to the generally accepted rendering of the fifth Chapter of the Book of Genesis, the lives of our antediluvian progenitors are to be reckoned by cen turies, the oldest of them completing a period of nearly a thousand years. Many suggestions have been ten- • Matt. xii 24- • Ibid. xii. 25-27. -
Azazel Historically, the Word Azazel Is an Idea and Rarely an Incarnate Demon
Azazel Historically, the word azazel is an idea and rarely an incarnate demon. Figure 1 Possible sigil of Azazel. Modern writings use the sigil for the planet Saturn as well. Vayikra (Leviticus) The earliest known mention of the word Azazel in Jewish texts appears in the late seventh century B.C. which is the third of the five books of the Torah. To modern American ( וַיִּקְרָ א ) book called the Vayikra Christians, this books is Leviticus because of its discussion of the Levites. In Leviticus 16, two goats are placed before the temple for selection in an offering. A lot is cast. One Goat is then sacrificed to Yahweh and the other goats is said to outwardly bear all the sends of those making the sacrifice. The text The general translation .( לַעֲזָאזֵל ) specifically says one goat was chosen for Yahweh and the for Az azel of the words is “absolute removal.” Another set of Hebrew scholars translate Azazel in old Hebrew translates as "az" (strong/rough) and "el" (strong/God). The azazel goat, often called the scapegoat then is taken away. A number of scholars have concluded that “azazel” refers to a series of mountains near Jerusalem with steep cliffs. Fragmentary records suggest that bizarre Yahweh ritual was carried out on the goat. According to research, a red rope was tied to the goat and to an altar next to jagged cliff. The goat is pushed over the cliff’s edge and torn to pieces by the cliff walls as it falls. The bottom of the cliff was a desert that was considered the realm of the “se'irim” class of demons. -
The Book of Abraham: Divinely Inspired Scripture
Review of Books on the Book of Mormon 1989–2011 Volume 4 Number 1 Article 52 1992 The Book of Abraham: Divinely Inspired Scripture Michael D. Rhodes Follow this and additional works at: https://scholarsarchive.byu.edu/msr BYU ScholarsArchive Citation Rhodes, Michael D. (1992) "The Book of Abraham: Divinely Inspired Scripture," Review of Books on the Book of Mormon 1989–2011: Vol. 4 : No. 1 , Article 52. Available at: https://scholarsarchive.byu.edu/msr/vol4/iss1/52 This Review is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Review of Books on the Book of Mormon 1989–2011 by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Title The Book of Abraham: Divinely Inspired Scripture Author(s) Michael D. Rhodes Reference Review of Books on the Book of Mormon 4/1 (1992): 120–26. ISSN 1050-7930 (print), 2168-3719 (online) Abstract Review of . By His Own Hand upon Papyrus: A New Look at the Joseph Smith Papyri (1992), by Charles M. Larson. Charles M. Larson, ••. By His Own Hand upon Papyrus: A New Look at the Joseph Smith Papyri. Grand Rapids: Institute for Religious Research, 1992. 240 pp., illustrated. $11.95. The Book of Abraham: Divinely Inspired Scripture Reviewed by Michael D. Rhodes The book of Abraham in the Pearl of Great Price periodically comes under criticism by non-Monnons as a prime example of Joseph Smith's inability to translate ancient documents. The argument runs as follows: (1) We now have the papyri which Joseph Smith used to translate the book of Abraham (these are three of the papyri discovered in 1967 in the Metropolitan Museum of An in New York and subsequently turned over to the Church; the papyri in question are Joseph Smith Papyri I. -
NVS 1-1 A-Williamson
“The Dead Man Touch’d Me From the Past”: Reading as Mourning, Mourning as Reading in A. S. Byatt’s ‘The Conjugial Angel’ Andrew Williamson (The University of Queensland, Australia) Abstract: At the centre of nearly every A. S. Byatt novel is another text, often Victorian in origin, the presence of which stresses her demand for an engagement with, and a reconsideration of, past works within contemporary literature. In conversing with the dead in this way, Byatt, in her own, consciously experimental, work, illustrates what she has elsewhere called “the curiously symbiotic relationship between old realism and new experiment.” This symbiotic relationship demands further exploration within Possession (1990) and Angels and Insects (1992), as these works resurrect the Victorian period. This paper examines the recurring motif of the séance in each novel, a motif that, I argue, metaphorically correlates spiritualism and the acts of reading and writing. Byatt’s literary resurrection creates a space in which received ideas about Victorian literature can be reconsidered and rethought to give them a new critical life. In a wider sense, Byatt is examining precisely what it means for a writer and their work to exist in the shadow of the ‘afterlife’ of prior texts. Keywords: A. S. Byatt, ‘The Conjugial Angel’, mourning, neo-Victorian novel, Possession , reading, séance, spiritualism, symbiosis. ***** Nature herself occasionally quarters an inconvenient parasite on an animal towards whom she has otherwise no ill-will. What then? We admire her care for the parasite. (George Eliot 1979: 77) Towards the end of A. S. Byatt’s Possession (1990), a group of academics is gathered around an unread letter recently exhumed from the grave of a pre-eminent Victorian poet, the fictional Randolph Henry Ash. -
59 ELIJAH LORE and the ENOCH METATRON NARRATIVE of 3 ENOCH I – INTRODUCTION the Enigmatic Enoch/Metatron Narrative, Included I
ARAM, 20 (2008) 59-76. doi: 10.2143/ARAM.20.0.2033120D. ARBEL 59 ELIJAH LORE AND THE ENOCH METATRON NARRATIVE OF 3 ENOCH Dr. DAPHNA ARBEL (University of British Columbia) I – INTRODUCTION The enigmatic Enoch/Metatron narrative, included in 3 Enoch of the Hekhalot and Merkavah literature, draws together threads inherited from a broad range of previous sources to weave a new narrative in which the human/ angelic figure Enoch/Metatron plays a central role. 1 Among these sources two central streams of traditions are pivotal: early Enochic traditions concerning Enoch, and rabbinic traditions, concerning the angel Metatron. Key studies have analyzed thematic and conceptual connections between these early Enochic and rabbinic traditions and 3 Enoch, as well as the channels through which the authors of 3 Enoch came to know them.2 In contrast, not much scholarly attention has been paid to the ambiguity inherent in the new literary construction of the Enoch /Metatron narrative, and the manner in which it characterizes its main protagonist. The narrative integrates, alters, and harmo- nizes themes and images rooted in the early Enochic and rabbinic traditions in a way that seems neither predictable nor traditional. Hence, questions related 1 3 Enoch or Sefer Hekhalot, is included in P. Schäfer, Synopse zur Hekhalot Literatur in col- laboration with M. Schlüter and H.G. von Mutius (Tübingen: Mohr Siebeck, 1981) sections 1- 79. A German translation of 3 Enoch with text-critical notes has been provided by P. Schäfer and K. Herrmann, Übersetzung der Hekhalot-Literatur, vol. 1:1-82 (Tübingen: Mohr-Siebeck, 1995). -
Fortune Telling
Fortune telling How to use the spread Intuition Dowsing Relax and focus on the question Slowly open your eyes and then Using a pendulum, ask it to show you want to ask - this can be as select the card that you feel most you a movement for ‘yes’ and ‘no’. general or specific as you like. drawn to. Then hover it over each card until It’s in the Then, using one of the following Psychometry you get a ‘yes’ - this is your card. forms of divination, choose a card With your eyes closed, run your Bibliomancy Divination is the magical art of discoveringcards the unknown through the use and read the summary you have hand across the page and stop at Close your eyes and with your of tools or objects. It can help you to make a decision or give you guidance chosen for guidance. the card you feel is right for you. finger point to any card at random. Gabriel Hanael Jophiel Metatron Uriel Zaphkiel Jophiel Sandalphon Zadkiel Gabriel 1 Balance 2Willpower 3 Joy 4 Miracles 5 Friendship 6 Surrender 7 Forgiveness 8 Love 9 Security 10 Grace Gabriel wants you to The great whales of The card you have Miracles are changes Uriel wishes you to The angels want you to Jophiel asks you to let This angelic oracle The angels unite The oracle of Gabriel know that you have the oceans deep are chosen brings forth a of perception and know that the true know that you are go of the pain of the comes to you as with their powerful wishes you to receive been too busy. -
October 29, 2013 (XXVII:10) Jim Jarmusch, DEAD MAN (1995, 121 Min)
October 29, 2013 (XXVII:10) Jim Jarmusch, DEAD MAN (1995, 121 min) Directed by Jim Jarmusch Original Music by Neil Young Cinematography by Robby Müller Johnny Depp...William Blake Gary Farmer...Nobody Crispin Glover...Train Fireman John Hurt...John Scholfield Robert Mitchum...John Dickinson Iggy Pop...Salvatore 'Sally' Jenko Gabriel Byrne...Charlie Dickinson Billy Bob Thornton...Big George Drakoulious Alfred Molina...Trading Post Missionary JIM JARMUSCH (Director) (b. James R. Jarmusch, January 22, 1981 Silence of the North, 1978 The Last Waltz, 1978 Coming 1953 in Akron, Ohio) directed 19 films, including 2013 Only Home, 1975 Shampoo, 1972 Memoirs of a Madam, 1970 The Lovers Left Alive, 2009 The Limits of Control, 2005 Broken Strawberry Statement, and 1967 Go!!! (TV Movie). He has also Flowers, 2003 Coffee and Cigarettes, 1999 Ghost Dog: The Way composed original music for 9 films and television shows: 2012 of the Samurai, 1997 Year of the Horse, 1995 Dead Man, 1991 “Interview” (TV Movie), 2011 Neil Young Journeys, 2008 Night on Earth, 1989 Mystery Train, 1986 Down by Law, 1984 CSNY/Déjà Vu, 2006 Neil Young: Heart of Gold, 2003 Stranger Than Paradise, and 1980 Permanent Vacation. He Greendale, 2003 Live at Vicar St., 1997 Year of the Horse, 1995 wrote the screenplays for all his feature films and also had acting Dead Man, and 1980 Where the Buffalo Roam. In addition to his roles in 10 films: 1996 Sling Blade, 1995 Blue in the Face, 1994 musical contributions, Young produced 7 films (some as Bernard Iron Horsemen, 1992 In the Soup, 1990 The Golden Boat, 1989 Shakey): 2011 Neil Young Journeys, 2006 Neil Young: Heart of Leningrad Cowboys Go America, 1988 Candy Mountain, 1987 Gold, 2003 Greendale, 2003 Live at Vicar St., 2000 Neil Young: Helsinki-Naples All Night Long, 1986 Straight to Hell, and 1984 Silver and Gold, 1997 Year of the Horse, and 1984 Solo Trans. -
Pastor Gary Glenney DOCTRINE of ANGELS Revised Nov
Pastor Gary Glenney DOCTRINE OF ANGELS Revised Nov. 22, 2011 1. DEFINITION: The word angel denotes the order of celestial beings quite distinct from humanity and from the Godhead. These creatures are superior to mankind in ability through creation (Heb. 2:7, 9 with Ezek. 28:12, 13). They are mentioned at least 108 times in the Old Testament and 165 times in the New Testament. 2. ETYMOLOGY: a. The word or designation “angel” connotes “a messenger.” (1) a)/ggeloj - angelos (Greek noun) - messenger, envoy, servant (Matt. 1:20; 25:41; Gal. 3:19) (2) Ea*l=m^ - male’ach (Hebrew noun) - a sent one, messenger, priest (Psa. 78:49; 91:11; 103:20; 104:5; 148:2) (3) Ea*l=m^ - male’ach (Aramaic noun) - an angel (Dan. 3:28; 6:22) b.Other designations for “angels:” (1) <yh!!l)a$h*-yn@B== - bene ha’elohim (Hb. n. pl.) - sons of god (Gen. 6:2; Job 1:6; Job 2:1; 38:7) This phrase is never used of men in the Old Testament. (2) ryx! - tzir (Aramaic. n.) - watcher, guard (Dan. 4:13, 16, 23) (3) <l!!a@-yn@B== - bene ’elim (Hb. n. pl.) - sons of the mighty one (Psa. 89:8) (4) <yv!dq= - qedoshim (Hb. n. pl.) - holy ones (Psa. 89:5, 7) (5) /yv!!yD!q^ - qaddishin (Ar. n. pl.) - holy ones (Dan. 4:17) (6) ab*x= - tzeva’ (Hb. n.) - host (Neh. 9:6) (7) stratia=j ou)rani/ou - stratias ouraniou (Gk. n.) - heavenly host (Luke 2:13) (8) leitourgika pneu/mata - leitourgika pneumata (Gk. -
Andrei A. Orlov the Face As the Heavenly
Andrei A. Orlov Marquette University, Milwaukee, WI USA The Face as the Heavenly Counterpart of the Visionary in the Slavonic Ladder of Jacob [published in: Of Scribes and Sages (ed. C. Evans; London: T&T Clark/Continuum, 2004) 59-76] Introduction The book of Genesis portrays Jacob as someone who not only saw God but also wrestled with Him. Jacob’s visionary experiences begin in Gen. 28 where he sees in a dream the ladder on which the angels of God are ascending and descending. Above the ladder Jacob beholds the Lord. The distinct feature of the Bethel account is the paucity of theophanic imagery. Despite the fact that the vision is linked with the celestial realm (“ladder’s top reaching to heaven”), which is labeled in the story as “the awesome place”, “the house of God”, and “the gate of heaven”, the narrative does not offer any descriptions of God’s celestial court or His appearance. Instead we have the audible revelation of God, His lengthy address to Jacob with promises and blessings. God appears again to Jacob in Gen. 32. While the narrative stresses the importance of the vision of God (the account claims that Jacob “saw God face to face” and even called the place of wrestling Peniel/Penuel - “The Face of God”), it focuses its description on Jacob’s wrestling with God rather than his seeing of God. The reference to the motif of God’s Face (which plays an important role in a number of Biblical theophanic accounts)1 and to Jacob’s seeing of God “face to face” could however indicate that the authors or editors of Jacob’s account might be cognizant of the broader anthropomorphic theophanic debates in which the motif of God’s Face2 1 See for example Exod.