Press Conference Invite: Launch of Voddler's Global Video Solution, Voddler Liveshelf

Press Conference Invite: Launch of Voddler's global video solution, Voddler LiveShelf You are warmly invited to a press conference in London, hosted by Voddler to mark the launch of its unprecedented global solution LiveShelf, set to revolutionize video streaming and take the entire film industry by storm, content owners and viewers alike. Voddler LiveShelf enters new territory by enabling both streaming of premium content on a global scale and also legal uploading and sharing of videos, which has been fully endorsed from video content organisations, including the world’s leading film studios. Please let us know if you are able to attend the press conference on 18 April from 9am to 11am at 41PortlandPlace, London (www.41portlandplace.com ) and we will secure you a place. One-on-one interviews with Voddler CEO Marcus Bäcklund can be arranged from 11am to 12 noon upon request. RSVP to [email protected]. For more information, [email protected]. Based in Stockholm, Sweden, Voddler provides cloud-based video streaming globally, powered by its own streaming solution VoddlerNet, which gives unlimited storage and guaranteed streaming quality to any broadband connected consumer, including offline viewing. Launched in 2010, Voddler grew to over 1.2 million registered customers in Sweden, Norway, Denmark, Finland and Spain, before its global product launch. The company is financially-backed by private equity owners including Cipio Partners, Nokia Growth Partners and Elisa. For more information: Anders Sjöman, VP Communications, Voddler, [email protected], 46707176078, @anderssjoman on Twitter Voddler, What the World Is Watching Next-generation video-on-demand (VOD) provider Voddler simplifies film viewing for consumers everywhere while offering the best and most up-to-date movies and TV-series from around the world. Voddler offers an unparalleled film viewing experience with quality of service (QoS) and features such as HD, Dolby Digital Sound and offline viewing.Voddler is powered by VoddlerNet, Voddler’s patented, proven, device- neutral and globally scalable streaming technology, giving content owners direct access to consumers worldwide. Based in Stockholm, Voddler grew to over 1.2 million registered customers in Sweden, Norway, Denmark, Finland and Spain, before its international expansion. .

Copy Link

Recommended publications

Uila Supported Apps
Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage.
[Show full text]
My Friend P2p
MY FRIEND P2P Music and Internet for the Modern Entrepreneur Lucas Pedersen Bachelor’s Thesis December 2010 Degree Program in Media Digital Sound and Commercial Music Tampereen ammattikorkeakoulu Tampere University of Applied Sciences 2 ABSTRACT Tampere University of Applied Sciences Degree Program in Media Digital Sound and Commercial Music PEDERSEN, LUCAS: My Friend p2p – Music and Internet for the Modern Entrepreneur Bachelor’s thesis 81 pages December 2010 _______________________________________________________________ The music industry is undergoing an extensive transformation due to the digital revolution. New technologies such as the PC, the internet, and the iPod are empowering the consumer and the musician while disrupting the recording industry models. The aim of my thesis was to acknowledge how spectacular these new technologies are, and what kind of business structure shifts we can expect to see in the near future. I start by presenting the underlying causes for the changes and go on to studying the main effects they have developed into. I then analyze the results of these changes from the perspective of a particular entrepreneur and offer a business idea in tune with the adjustments in supply and demand. Overwhelmed with accessibility caused by democratized tools of production and distribution, music consumers are reevaluating recorded music in relation to other music products. The recording industry is shrinking but the overall music industry is growing. The results strongly suggest that value does not disappear, it simply relocates. It is important that both musicians and industry professionals understand what their customers value and how to provide them with precisely that. _______________________________________________________________ Key Words: Music business, digital revolution, internet, piracy, marketing.
[Show full text]
Raider of the Lost Art - What Kind of a Product Is Film?
Raider of the Lost Art - What Kind of a Product is Film? Marketing Master's thesis Niklas Rinne 2013 Department of Marketing Aalto University School of Business Powered by TCPDF (www.tcpdf.org) Abstract Purpose of this study Film is a complex product that can be used in many different ways. The age of the digitalization has affected not only the product itself, but the way we consume it as well. If once film could be seen as a magical experience, then nowadays it reminds more of a disposable product. New innovations give us the freedom of enjoying it whenever and wherever. My objective in this research is to reveal the current value of film. How do we perceive films nowadays, how do we watch them and in the end what kind of a product film is in 2013? Methodology The theoretical framework discussed the literature relating to postmodernism, consumer culture theory, hedonic consumption, and downloading. The empirical part of the study is of the qualitative manner. The long interviews (McCracken, 1988) were used as data collection for the study. The ten participants all had a different approach to film, some worked with film and some studied film. Through these discussions I found ten different perceptions of film and ways of using film. The discussions revealed not only interesting ideas and concepts about the format of art itself. The question “how we use film “eventually lead to a much more fascinating question “why is it that we use film in that specific way”… Findings Every time an individual puts a film on, he/she has a goal.
[Show full text]
Voddler Launches Liveshelf Global Video Streaming Service, Featuring Viewshare, Legal Sharing of Films
Voddler launches LiveShelf global video streaming service, featuring ViewShare, legal sharing of films Stockholm-based Voddler, the next-generation video service, today began its global roll-out of Voddler LiveShelf. This groundbreaking service connects viewers and content owners directly with each other, via an online LiveShelf, for video streaming to connected devices anywhere. It also allows users to invite their friends to watch the films they have on their LiveShelf, whether uploaded or purchased online, a feature named ViewShare. This makes Voddler the world’s first legal film sharing service and the first streaming service to offer premium content globally from the world’s leading content owners. Voddler LiveShelf is powered by VoddlerNet, Voddler’s patented and proprietary streaming solution, which has already been streaming movies to 1.2 million users across Scandinavia and Spain for the past few years. Voddler, the next-generation video platform and to date Scandinavia’s leading VOD-service, today began rolling out it global solution Voddler LiveShelf. The LiveShelf simplifies a fragmented and confusing home entertainment environment, allowing end-users to collect and watch their favorite content – both from online and offline sources – on their LiveShelf. Voddler’s patented streaming solution VoddlerNet makes every user’s LiveShelf accessible, with guaranteed streaming quality, on any connected device. - Today we launched the Voddler LiveShelf for global distribution. Content owners now have an unprecedented opportunity to stream their movies and series to consumers globally. Users decide which of these films to add to their individual LiveShelf by buying or renting them directly online. Users can also upload their own existing movie files.
[Show full text]
Libro De Comunicaciones Vii Congreso Internacional Ae-Ic
LIBRO DE COMUNICACIONES VII CONGRESO INTERNACIONAL AE-IC UNA ACTIVIDAD DE CON EL PATROCINIO DE ORGANIZADA CON CON LA COLABORACIÓN Y EL APOYO DE VII Congreso Internacional de la AE-IC COMUNICACIÓN Y DIVERSIDAD VALENCIA del 28 al 30 de OCTUBRE de 2020 LIBRO DE COMUNICACIONES 2 Actas del VII Congreso Internacional de la AE-IC ‘Comunicación y Diversidad’ 28 al 30 de octubre de 2020, Valencia, España Asociación Española de Investigación de la Comunicación Universidad Complutense de Madrid. Facultad de Ciencias de la Información Departamento CAP – AE-IC Avda. Complutense s/n. 28040 Madrid – España [email protected] - www.ae-ic.org © Asociación Española de Investigación de la Comunicación, 2020 ISBN: 978-84-09-20962-0 Licencia Creative Commons: Reconocimiento-NoComercial-SinObraDerivada 4.0 Internacional (CC BY-NC-ND 4.0) Edición: octubre de 2020 Título: Actas del VII Congreso Internacional de la AE-IC Subtitulo: Comunicación y Diversidad. Autores: VV.AA. Maquetación: José María Jiménez Con el patrocinio de: VII Congreso Internacional de la AE-IC. - ´COMUNICACIÓN Y DIVERSIDAD´. Valencia del 28 al 30 de octubre de 2020 3 UNA ACTIVIDAD DE ORGANIZADA CON CON EL PATROCINIO DE CON LA COLABORACIÓN Y EL APOYO DE 4 CONTENIDOS Discursos Discurso de Miquel Francés. Presidente del Comité de Organización Local. ....................... 17 Discurso de Enrique Bustamante. Presidente de AEIC y de la Comisión Mixta Organizadora .................................................................................................................. 19 Sobre el VII Congreso AE-IC ................................................................................................ 25 Plenarias Adriana Amado. Conversación digital: de masas locales a casas globales. ......................... 28 Lorna Chacón Martínez. Los medios públicos como garantía de diversidad e inclusión: el caso del SINART en Costa Rica.
[Show full text]
INITIATING COVERAGE Lucisano Media Group S.P.A
OTTOBRE 14, 2014 INITIATING COVERAGE Lucisano Media Group S.p.A. (LMG) announced 1H2014 results, according to which the top-line grew by 10% yoy, from € 14.3mn in 1H2013 to € 15.7mn in 1H2014. 51% of revenues were generated from productions, 42% from movie exhibition (Stella Film) and the rest from content distribution. Having reached € 6.8mn EBITDA in the first half (with a 30% yoy increase), the company’s EBITDA margin improved slightly to 43%, from 42% in FY2013. LMG’s bottom-line was € 1.3mn in 1H2014, with a 1.5times yoy increase. These results are in line with our Kevin TEMPESTINI expectations. +39.02.83424007 [email protected] In 1H2014, Lucisano released two of its own motion picture productions, namely Matrimonio da Favola (in April) and Pane e Burlesque (in May), which together Füsun BEKTAŞ generated € 6.4mn revenues (theatrical as well as sale of rights, Pay TV and Free +39.02.83424008 TV revenues, DVD sales, tax credits and regional funds). In addition, the company [email protected] recorded other € 1.7mn of revenues in the production segment, which arrived as product placement revenues and internal tax credits earned from the films in the pipeline and from the sale of its own LMG content in the library. All in all, with € 8.1mn of turnover, production remained to be the top contributor (with 51%) to LMG’s net sales. LMG Relative Price Chart Stella Film, LMG’s 100% subsidiary active in the movie exhibition segment Volume Lucisano Media Group S.p.A. operating 55 screens around the country, generated € 6.5mn of sales (42% of the Ftse Aim Italia Index 5 top-line), which includes not only direct revenues from ticket sales but also 0 indirect revenues from services such as advertising and parking as well as -5 -4.40 commercial goods and food & beverage sales.
[Show full text]
Anders Sjöman Is Head of Communications at Swedish-Based Video-On-Demand Provider Voddler, Which He Joined in 2010
www-old.carseywolf.ucsb.edu Carsey-Wolf Center at UC Santa Barbara 13-17 minutes Anders Sjöman is head of communications at Swedish-based video-on-demand provider Voddler, which he joined in 2010. He has experience in public relations, as a researcher for the Harvard Business School in Paris, and as head of production for Englishtown.com, an online language school. MIP spoke with Sjöman in Stockholm from over 5500 miles away in our UC Santa Barbara offices where we asked him about the origins and growth of the streaming company Voddler, including its initial encounters with the major studios. Sjöman also shared important insights into the growth of video-on- demand services in Europe, bringing an important international dimension to debates about consumer desires, regulation, and policy. Origins of Voddler and Dealing with Studios Tell us about the origins of Voddler. As a company, Voddler was founded in 2006 but it was launched as a video-on-demand (VOD) service in the fall of 2009. It’s been fully operational since the summer of 2010. Like all good start-up stories, Voddler began with three guys in a basement. In our particular story, they were trying to figure out how to deliver large data files online. They were simply interested in how to do online distribution more efficiently. In practical terms they asked, “How could you make video streaming more efficient? Video is one of the largest data files out there. How can you do that more efficiently?” So they came up with an idea that we now use for our streaming.
[Show full text]
Estimating Displacement Rates of Copyrighted Content in the EU
Estimating displacement rates of copyrighted content in the EU Final Report [Written by Martin van der Ende, Joost Poort, Robert Haffner, Patrick de Bas, Anastasia Yagafarova, Sophie Rohlfs, Harry van Til] [May – 2015] EUROPEAN COMMISSION Directorate-General for Internal Market, Industry, Entrepreneurship and SMEs Unit 0.1 — Chief Economist Team Contact: Kamil Kiljanski E-mail: [email protected] European Commission B-1049 Brussels EUROPEAN COMMISSION Estimating displacement rates of copyrighted content in the EU Final Report Directorate-General for Internal Market, Industry, Entrepreneurship and SMEs Chief Economist Team 2014 EUR [number] EN Europe Direct is a service to help you find answers to your questions about the European Union. Freephone number (*): 00 800 6 7 8 9 10 11 (*) The information given is free, as are most calls (though some operators, phone boxes or hotels may charge you). LEGAL NOTICE This document has been prepared for the European Commission however it reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. More information on the European Union is available on the Internet (http://www.europa.eu). Luxembourg: Publications Office of the European Union, 2014 ISBN [number] doi:[number] © European Union, 2014 Reproduction is authorised provided the source is acknowledged. Printed in [Country] PRINTED ON ELEMENTAL CHLORINE-FREE BLEACHED PAPER (ECF) PRINTED ON TOTALLY CHLORINE-FREE BLEACHED PAPER (TCF) PRINTED ON RECYCLED PAPER PRINTED ON PROCESS CHLORINE-FREE RECYCLED PAPER (PCF) Image(s) © [artist's name + image #], Year. Source: [Fotolia.com] (unless otherwise specified) TABLE OF CONTENTS EXECUTIVE SUMMARY ..................................................................................................
[Show full text]
EUROPEAN COMMISSION Brussels, 30.5.2018 to The
EUROPEAN COMMISSION In the published version of this decision, some Brussels, 30.5.2018 information has been omitted pursuant to Article C(2018) 3569 final 17(2) of Council Regulation (EC) No 139/2004 concerning non-disclosure of business secrets and other confidential information. The omissions are PUBLIC VERSION shown thus […]. Where possible the information omitted has been replaced by ranges of figures or a general description. To the notifying Parties Subject: Case M.7000 – LIBERTY GLOBAL / ZIGGO Commission decision pursuant to Article 6(1)(b) in conjunction with Article 6(2) of Council Regulation No 139/20041 and Article 57 of the Agreement on the European Economic Area2 1. INTRODUCTION (1) On 14 March 2014, the European Commission received notification of a proposed concentration pursuant to Article 4 of Council Regulation (EC) No 139/2004 (the "Merger Regulation") by which Liberty Global plc (''Liberty Global", the United Kingdom, also the "Notifying Party"), acquired within the meaning of Article 3(1)(b) of the Merger Regulation sole control over Ziggo N.V. ("Ziggo", the Netherlands) by way of a public bid ("the Transaction") in order to form an entity which would take over the parties' respective activities in the Netherlands ("NewZiggo"). (2) On 10 October 2014, the Commission declared the Transaction compatible with the internal market subject to the fulfilment of certain conditions (the "Conditional Clearance Decision" or "the 2014 Decision"). (3) By judgment of 26 October 2017 (the "Judgment"), the General Court annulled the Commission's Conditional Clearance Decision on the ground that the Commission failed to state the reasons of its finding that the proposed merger would not lead to vertical anti-competitive effects on the possible market for 1 OJ L 24, 29.1.2004, p.
[Show full text]
Fragmentation of the Single Market for On-Line Video-On-Demand Services: Point of View of Content Providers
FRAGMENTATION OF THE SINGLE MARKET FOR ON-LINE VIDEO-ON-DEMAND SERVICES: POINT OF VIEW OF CONTENT PROVIDERS FINAL REPORT A study prepared for the European Commission DG Communications Networks, Content & Technology by Digital Agenda for Europe This study was carried out for the European Commission by iMinds (SMIT), Gaston Crommenlaan 8, 9050 GENT, Belgium Authors: Dr. Sophie De Vinck Dr. Heritiana Ranaivoson Dr. Ben Van Rompuy with the collaboration of Anca Birsan and Katharina Hölck Internal identification Contract number: 30-CE-0540861/00-45 SMART number: 2012/0027 DISCLAIMER By the European Commission, Directorate-General of Communications Networks, Content & Technology. The information and views set out in this publication are those of the author(s) and do not necessarily reflect the official opinion of the Commission. The Commission does not guarantee the accuracy of the data included in this study. Neither the Commission nor any person acting on the Commission’s behalf may be held responsible for the use which may be made of the information contained therein. ISBN 978-92-79-38400-4 DOI 10.2759/49194 © European Union, 2014. All rights reserved. Certain parts are licensed under conditions to the EU. Reproduction is authorised provided the source is acknowledged. Table of Contents Executive Summary ................................................................................................................................. 1 1.1 Purpose, scope and method ...................................................................................................
[Show full text]
Transcript (PDF)
Webinar ULI Netherlands: Rediscover Your Own Neighborhood Date: June 23, 2020 00:00:00 --> 00:00:03: Who made a column? All the web and our head 00:00:04 --> 00:00:07: on deck yeah cabut Courtney shit, 00:00:07 --> 00:00:13: do you lie? Finally, almost same with Canon Antala placed 00:00:13 --> 00:00:15: as usual picture surfer, 00:00:15 --> 00:00:18: shark for yearly and in the Web, 00:00:18 --> 00:00:22: and R is the market for Q&A on fractal celebrative 00:00:22 --> 00:00:25: roll or the short of a Cobra katanas at the 00:00:25 --> 00:00:29: bots now off lighting from not learning from the place 00:00:29 --> 00:00:32: that is, yeah today my brother for Co server is 00:00:32 --> 00:00:33: Harold Iqueue. 00:00:33 --> 00:00:35: Compute the center to call. 00:00:35 --> 00:00:37: He'll fill women are so for proper tickled, 00:00:37 --> 00:00:40: said the Corona for the couture and Mark will take 00:00:40 --> 00:00:40: it. 00:00:40 --> 00:00:45: Put the volume marks Michael Exima daughter Rotation period order 00:00:45 --> 00:00:47: almost Dick Balcad in the boot comma. 00:00:47 --> 00:00:50: Happened to my committee for blue during the letter beta 00:00:50 --> 00:00:50: reports. 00:00:50 --> 00:00:55: Buddha Mckamy local Cooper the woodwork smoker over hyper local 00:00:55 --> 00:01:00: level people mentally center in autumn that Alice is not 00:01:00 --> 00:01:03: took the open bar around unsettled belong Reg.
[Show full text]
Business Models for Mobile Broadband Media Services – Case Study Indonesia Telecom Market
Business Models for Mobile Broadband Media Services – Case Study Indonesia Telecom Market LAILI AIDI TRITA-ICT-EX-2012:305 Degree project in Communication Systems Second level, 30.0 HEC Stockholm, Sweden Business Models for Mobile Broadband Media Services – Case Study Indonesia Telecom Market Master of Science Thesis Student: Laili Aidi ([email protected]) Supervisors: Jan I. Markendahl ([email protected]), KTH Royal Institute of Technology Greger Blennerud ([email protected]), Ericsson Sweden Examiner: Konrad Tollmar ([email protected]), KTH Royal Institute of Technology Communication Systems School of Information and Communication Technology KTH Royal Institute of Technology Stockholm, Sweden 2012 Abstract The increase mobile data traffic from the emerging Internet services, especially multimedia, has posed considerable challenges for the telecom industry. Their initial mobile data services business models are generally not compatible with these emerging Internet services. Thus, there is a substantial need to investigate the suitable options to make media as a profitable telecom business sector. However, there are different challenges and opportunity factors in developing sustainable mobile media business in each market, due to the unique circumstances applied as the result of customer characteristics, mobile market situation and regulatory/law enforcement. The first purpose of this thesis is to explore the business model options to deliver media services on top of mobile broadband. Although, we limit our focus to Indonesia, we first analyzed the worldwide patterns toward the media services in order to get a broader view of the current trend. We mapped multitudes of actor involved in digital online / on the top (OTT) media service, which together they form different types of constellation in the value network, as well as service, delivery and revenue model.
[Show full text]