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Oral History Interview with Edith Wyle, 1993 March 9-September 7
Oral history interview with Edith Wyle, 1993 March 9-September 7 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview EW: EDITH WYLE SE: SHARON EMANUELLI SE: This is an interview for the Archives of American Art, the Smithsonian Institution. The interview is with Edith R. Wyle, on March 9th, Tuesday, 1993, at Mrs. Wyle's home in the Brentwood area of Los Angeles. The interviewer is Sharon K. Emanuelli. This is Tape 1, Side A. Okay, Edith, we're going to start talking about your early family background. EW: Okay. SE: What's your birth date and place of birth? EW: Place of birth, San Francisco. Birth date, are you ready for this? April 21st, 1918-though next to Beatrice [Wood-Ed.] that doesn't seem so old. SE: No, she's having her 100th birthday, isn't she? EW: Right. SE: Tell me about your grandparents. I guess it's your maternal grandparents that are especially interesting? EW: No, they all were. I mean, if you'd call that interesting. They were all anarchists. They came from Russia. SE: Together? All together? EW: No, but they knew each other. There was a group of Russians-Lithuanians and Russians-who were all revolutionaries that came over here from Russia, and they considered themselves intellectuals and they really were self-educated, but they were very learned. -
Annual Report 2018–2019 Artmuseum.Princeton.Edu
Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb. -
Neural Dust: Ultrasonic Biological Interface
Neural Dust: Ultrasonic Biological Interface Dongjin (DJ) Seo Electrical Engineering and Computer Sciences University of California at Berkeley Technical Report No. UCB/EECS-2018-146 http://www2.eecs.berkeley.edu/Pubs/TechRpts/2018/EECS-2018-146.html December 1, 2018 Copyright © 2018, by the author(s). All rights reserved. Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. To copy otherwise, to republish, to post on servers or to redistribute to lists, requires prior specific permission. Neural Dust: Ultrasonic Biological Interface by Dongjin Seo A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Engineering - Electrical Engineering and Computer Sciences in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Michel M. Maharbiz, Chair Professor Elad Alon Professor John Ngai Fall 2016 Neural Dust: Ultrasonic Biological Interface Copyright 2016 by Dongjin Seo 1 Abstract Neural Dust: Ultrasonic Biological Interface by Dongjin Seo Doctor of Philosophy in Engineering - Electrical Engineering and Computer Sciences University of California, Berkeley Professor Michel M. Maharbiz, Chair A seamless, high density, chronic interface to the nervous system is essential to enable clinically relevant applications such as electroceuticals or brain-machine interfaces (BMI). Currently, a major hurdle in neurotechnology is the lack of an implantable neural interface system that remains viable for a patient's lifetime due to the development of biological response near the implant. -
Perceiving Invisible Light Through a Somatosensory Cortical Prosthesis
ARTICLE Received 24 Aug 2012 | Accepted 15 Jan 2013 | Published 12 Feb 2013 DOI: 10.1038/ncomms2497 Perceiving invisible light through a somatosensory cortical prosthesis Eric E. Thomson1,2, Rafael Carra1,w & Miguel A.L. Nicolelis1,2,3,4,5 Sensory neuroprostheses show great potential for alleviating major sensory deficits. It is not known, however, whether such devices can augment the subject’s normal perceptual range. Here we show that adult rats can learn to perceive otherwise invisible infrared light through a neuroprosthesis that couples the output of a head-mounted infrared sensor to their soma- tosensory cortex (S1) via intracortical microstimulation. Rats readily learn to use this new information source, and generate active exploratory strategies to discriminate among infrared signals in their environment. S1 neurons in these infrared-perceiving rats respond to both whisker deflection and intracortical microstimulation, suggesting that the infrared repre- sentation does not displace the original tactile representation. Hence, sensory cortical prostheses, in addition to restoring normal neurological functions, may serve to expand natural perceptual capabilities in mammals. 1 Department of Neurobiology, Duke University, Box 3209, 311 Research Drive, Bryan Research, Durham, North Carolina 27710, USA. 2 Edmond and Lily Safra International Institute for Neuroscience of Natal (ELS-IINN), Natal 01257050, Brazil. 3 Department of Biomedical Engineering, Duke University, Durham, North Carolina 27710, USA. 4 Department of Psychology and Neuroscience, Duke University, Durham, North Carolina 27710, USA. 5 Center for Neuroengineering, Duke University, Durham, North Carolina 27710, USA. w Present address: University of Sao Paulo School of Medicine, Sao Paulo 01246-000, Brazil. Correspondence and requests for materials should be addressed to M.A.L.N. -
Publishers Who Translate in the UK and Ireland
Appendix C: Publishers who translate in the UK and Ireland This list has been compiled by the literature department of Arts Council England (ACE) and was expanded and updated by Literature Across Frontiers (LAF). Both organisations have made have made every attempt to ensure that the information in the list is complete and up to date, and bear no responsibility for any omissions or inaccuracies. Please note that the list is neither exhaustive nor prescriptive. Inclusion in the list is by way of information only and does not necessarily constitute an endorsement by ACE or LAF. Please contact us at resources@lit-across- frontiers.org with any factual corrections. ENGLAND And Other Stories www.andotherstories.org Launched in 2010, And Other Stories publishes fiction in translation with support from the Arts Council of England and its list of subscribers. They are a social enterprise, and choose fiction for its originality and appeal after listening carefully to their circles of readers, writers and translators, many of whom are eminent figures in their field. They choose to publish only a carefully selected handful of titles each year. Alma Books www.almabooks.com Alma Books was set up in October 2005 by Alessandro Gallenzi and Elisabetta Minervini, the founders of Hesperus Press. Publishing from fifteen to twenty titles a year, mainly in the field of contemporary literary fiction, Alma takes around sixty per cent of its titles from English-language originals, while the rest are translations from other languages such as French, Spanish, Italian, German and Japanese. Alma also publishes two or three non-fiction titles each year. -
Ed Carpenter, Artist [email protected] Commissions
ED CARPENT ER 1 Ed Carpenter, Artist [email protected] Revision 2/1/21 Born: Los Angeles, California. 1946 Education: University of California, Santa Barbara 1965-6, Berkeley 1968-71 Ed Carpenter is an artist specializing in large-scale public installations ranging from architectural sculpture to infrastructure design. Since 1973 he has completed scores of projects for public, corporate, and ecclesiastical clients. Working internationally from his studio in Portland, Oregon, USA, Carpenter collaborates with a variety of expert consultants, sub-contractors, and studio assistants. He personally oversees every step of each commission, and installs them himself with a crew of long-time helpers, except in the case of the largest objects, such as bridges. While an interest in light has been fundamental to virtually all of Carpenter’s work, he also embraces commissions that require new approaches and skills. This openness has led to increasing variety in his commissions and a wide range of sites and materials. Recent projects include interior and exterior sculptures, bridges, towers, and gateways. His use of glass in new configurations, programmed artificial lighting, and unusual tension structures have broken new ground in architectural art. He is known as an eager and open-minded collaborator as well as technical innovator. Carpenter is grandson of a painter/sculptor, and step-son of an architect, in whose office he worked summers as a teenager. He studied architectural glass art under artists in England and Germany during the early 1970’s. Information on his projects and a video about his methods can be found at: http://www.edcarpenter.net/ Commissions Bridge And Exterior Public Commissions 2019: Barbara Walker Pedestrian Bridge, Wildwood Trail, Portland, OR, 180’ x 12’ x 8’. -
Jonathan Lethem, Amnesia Moon the US Election This Week Has Sent Me
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Birkbeck Institutional Research Online Jonathan Lethem, Amnesia Moon The US election this week has sent me back to Jonathan Lethem’s second novel, the science fiction picaresque Amnesia Moon (1995). The novel depicts a dystopian near future in which a catastrophe has fragmented America into a series of communities that are worlds unto themselves. A character refers to the ‘FSRs’ – Finite Subjective Realities – in which people are locked into locally distorted perceptions. The one I was looking for was Vacaville, California, into which the protagonist Chaos stumbles. The town has a number of strange features. For one, the populace has to move house once a week, taking their few possessions with them. For another, they are governed by a system of ‘Luck’. The local government tests each citizen’s Luck and some are deemed unlucky, which becomes a self-fulfilling prophecy. Citizens also compete to make each other unluckier by writing out violations for each other’s behaviour. Third, government and media are peculiarly collusive. Joining the household of local resident Edie and her young sons, Chaos watches television with them: ‘“Test Your Luck!” was on, the afternoon game show hosted by President Kentman’. A game show – hosted by the President? Another programme is Moving Day: ‘Like today’, a boy explains, ‘when everybody has to move, except it’s about how all the government stars change houses’. ‘Government stars?’, wonders Chaos, like the reader. ‘Like movie stars’, Edie explains: ‘It’s not real. -
Rewriting Universes: Post-Brexit Futures in Dave Hutchinson’S Fractured Europe Quartet
humanities Article Rewriting Universes: Post-Brexit Futures in Dave Hutchinson’s Fractured Europe Quartet Hadas Elber-Aviram Department of English, The University of Notre Dame (USA) in England, London SW1Y 4HG, UK; [email protected] Abstract: Recent years have witnessed the emergence of a new strand of British fiction that grapples with the causes and consequences of the United Kingdom’s vote to leave the European Union. Building on Kristian Shaw’s pioneering work in this new literary field, this article shifts the focus from literary fiction to science fiction. It analyzes Dave Hutchinson’s Fractured Europe quartet— comprised of Europe in Autumn (pub. 2014), Europe at Midnight (pub. 2015), Europe in Winter (pub. 2016) and Europe at Dawn (pub. 2018)—as a case study in British science fiction’s response to the recent nationalistic turn in the UK. This article draws on a bespoke interview with Hutchinson and frames its discussion within a range of theories and studies, especially the European hermeneutics of Hans-Georg Gadamer. It argues that the Fractured Europe quartet deploys science fiction topoi to interrogate and criticize the recent rise of English nationalism. It further contends that the Fractured Europe books respond to this nationalistic turn by setting forth an estranged vision of Europe and offering alternative modalities of European identity through the mediation of photography and the redemptive possibilities of cooking. Keywords: speculative fiction; science fiction; utopia; post-utopia; dystopia; Brexit; England; Europe; Dave Hutchinson; Fractured Europe quartet Citation: Elber-Aviram, Hadas. 2021. Rewriting Universes: Post-Brexit 1. Introduction Futures in Dave Hutchinson’s Fractured Europe Quartet. -
Lorella Belli Literary Agency Ltd Lbf 2019
LORELLA BELLI LITERARY AGENCY LTD Translation Rights List LBF 2019 lbla lorella belli literary agency ltd 54 Hartford House 35 Tavistock Crescent Notting Hill London W11 1AY, UK Tel. 0044 20 7727 8547 [email protected] Lorella Belli Literary Agency Ltd. Registered in England and Wales. Company No. 11143767. Registered Office: 54 Hartford House, 35 Tavistock Crescent, Notting Hill, London W11 1AY, United Kingdom. 1 Fiction: New Titles/Authors Nisha Minhas Selected Backlist includes: Rick Mofina Taylor Adams Kirsty Moseley Renita D’Silva Ingrid Alexandra Owen Mullen Helen Durrant J A Baker Steve Parker Joy Ellis TJ Brearton Katie Stephens Charlie Gallagher Ruth Dugdall Mark Tilbury Sibel Hodge Ker Dukey Victoria Van Tiem Ana Johns Hannah Fielding Anita Waller Carol Mason Janice Frost Alex Walters Nicola May Sophie Jackson PP Wong Dreda Say Mitchell Maggie James Dylan H Jones Betsy Reavley Sharon Maas Alison J Waines Selected Bookouture authors (no new submissions, but handling existing deals/publishers only): Mandy Baggot Anna Mansell Rebecca Stonehill Robert Bryndza Angela Marsons Fiona Valpy Colleen, Coleman Helen Phifer Sue Watson Jenny Hale Helen Pollard Carol Wyer Arlene Hunt Kelly Rimmer Louise Jensen Claire Seeber Non-Fiction: New Titles Sally Corner Gerald Posner Marcus Ferrar Patricia Posner Hira Ali Tamsen Garrie Robert J Ray Nick Baldock/Bob Hayward Girl on the Net Tam Rodwell Christopher Lascelles Jonathan Sacks Selected Backlist Jeremy Leggett Grace Saunders -
Focused Practice for Reading Comprehension
GRADE ® ® GRADE Reading 6 Supporting your child’s educational journey every step of the way. ® 6 Spectrum provides specific support in the skills and standards that your child is learning in today’s classroom. Reading • Comprehensive, grade-specific titles to prepare for the year ahead SPECTRUM Reading • Subject-specific practice to reinforce classroom learning • Skill-specific titles to enrich and enhance educational concepts • Test preparation titles to support test-taking skills No matter your need, Spectrum is with you every step of the way. Spectrum is available in these titles for sixth grade success: Focused Practice for Reading Comprehension Other titles available: • Fiction and non-fiction passages Geometry Fractions • Story structure Algebra Measurement Grades 6–8 Grades 6–8 • Integration of knowledge and ideas Geometry Data Analysis Grades 6–8 & Probability • Key ideas and details Grades 6–8 • Answer key carsondellosa.com carsondellosa.com/spectrum 704584 CO 6.indd 1 3/22/19 9:02 AM UPC 704584 CO 6.indd 2 3/22/19 9:02 AM ® Reading Grade 6 Published by Spectrum® an imprint of Carson-Dellosa Publishing LLC Greensboro, NC CD-704584 Reading Gr 6.indd 1 6/3/14 10:17 AM Spectrum® An imprint of Carson-Dellosa Publishing LLC P.O. Box 35665 Greensboro, NC 27425 USA © 2015 Carson-Dellosa Publishing LLC. Except as permitted under the United States Copyright Act, no part of this pulication may be reproduced, stored, or distributed in any form or by any means (mechanically, electronically, recording, etc.) without the prior written consent of Carson-Dellosa Publishing LLC. Spectrum® is an imprint of Carson-Dellosa Publishing LL ISBN 978-1-4838-1413-1 CD-704584 Reading Gr 6.indd 2 6/3/14 10:17 AM Table of Contents JBall ................................ -
Annual Report 2009
Annual Report 2009 Digitization INNOVATION CultureFREEDOM CommitmentChange Bertelsmann Annual Report 2009 CreativityEntertainment High-quality journalism Performance Services Independence ResponsibilityFlexibility BESTSELLERS ENTREPRENEURSHIP InternationalityValues Inspiration Sales expertise Continuity Media PartnershipQUALITY PublishingCitizenship companies Tradition Future Strong roots are essential for a company to prosper and grow. Bertelsmann’s roots go back to 1835, when Carl Bertelsmann, a printer and bookbinder, founded C. Bertelsmann Verlag. Over the past 175 years, what began as a small Protestant Christian publishing house has grown into a leading global media and services group. As media and communication channels, technology and customer needs have changed over the years, Bertelsmann has modifi ed its products, brands and services, without losing its corporate identity. In 2010, Bertelsmann is celebrating its 175-year history of entrepreneurship, creativity, corporate responsibility and partnership, values that shape our identity and equip us well to meet the challenges of the future. This anniver- sary, accordingly, is being celebrated under the heading “175 Years of Bertelsmann – The Legacy for Our Future.” Bertelsmann at a Glance Key Figures (IFRS) in € millions 2009 2008 2007 2006 2005 Business Development Consolidated revenues 15,364 16,249 16,191 19,297 17,890 Operating EBIT 1,424 1,575 1,717 1,867 1,610 Operating EBITDA 2,003 2,138 2,292 2,548 2,274 Return on sales in percent1) 9.3 9.7 10.6 9.7 9.0 Bertelsmann Value -
Bertelsmann 2018 Summary Plan Descriptions
2 018 Summary Plan Descriptions TABLE OF CONTENTS ....................................................................................... CHAPTER General and Administrative Information .......................................................................... Introduction Medical Plans ........................................................................................................................................................ 1 Medical Coverage During Retirement ................................................................................. 1A Dental Plans ............................................................................................................................................................ 2 Vision Plan................................................................................................................................................................. 3 Disability Plan ....................................................................................................................................................... 4 Life and Accident Insurance Plans.......................................................................................... 5 Health Care Flexible Spending Account Plan .......................................................... 6 Dependent Care Flexible Spending Account Plan ............................................ 7 Long Term Care.................................................................................................................................................