Personal Informations Working Experience

PAOLA BUSCAGLIA CURRICULUM VITAE

PERSONAL INFORMATIONS

Name BUSCAGLIA PAOLA

Nationality Italian

Date of birth 1976

WORKING EXPERIENCE

ACADEMIC ACTIVITY

• Dates (from - to) A.y. 2007-08 –To Date • Name and address of University of Turin, Degree course in Conservation and Restoration of Cultural employer Heritage. Turin • Type of business or sector University course based at the CCR ' La Venaria Reale '. • Employment Type Adjunct Professor. Ownership of the course • Main duties and Activities include lectures and laboratory practice. Study of the techniques of responsibilities execution; materials technology and deterioration mechanism of the constituent and intervention’s materials; conservation treatements (structural interventions, treatements for painted layers, restoration). 2019-20 Wooden Polychrome sculptures. 175 hours 2018-19 Wooden Polychrome sculptures. 175 hours 2017-18 Wooden Polychrome sculptures. 175 hours 2013-14 Panel paintings. 300 hours 2012-13 Paintings on canvas. 300 hours 2011-12 Panel Paintings. 300 hours 2010-11 Paintings on canvas and panel. Advanced course. 175 hours 2008-09 Paintings on canvas. 450 hours 2007-08 Panel Paintings. 450 hours 2006-07 Assistant Professor for Panel Paintings • Employment Type Adjunct Professor. Master Thesis tutor. • Main duties and 75 hours of tutoring: study of deterioration’s mechanisms, set of the production responsibilities of samples functional to the definition of appropriate methods of intervention. Activity aimed at a planning, and realization, of an adequate conservative intervention. Supervision of the activities and treatements 2017-18 Nano-structured materials for wood consolidation. From experimental activity to a possible case study. (tutoring still going on) 2017-18 Egyptian wooden sculptures: a rare example of representation of Hapy. Study of technique of execution, Definition of conservation priorities and treatements. (tutoring still going on; experimental activiti on nano-structured gels application). 2016-17 Two paintings by Marco d’Oggiono from Brera Gallery: Conservation as a chance for interdisciplinary research and new knowledge. 2010-11 Zinc oxide preparations. Study of the material’s deterioration, mechanisms and intervention solutions. 2010-12 The Yves Klein’s Sculptures-Eponge: study of the material’s deterioration, mechanisms of failure and conservation treatements.

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RESEARCH ACTIVITY

• Dates (from - to) 02nd March 2007- To date • Name and address of Conservation and Restoration Centre ‘La Venaria Reale’ (Foundation), Via XX employer Settembre 18, Venaria Reale (TO) • Type of business or sector Conservation of Cultural Heritage • Employment Type Permanent employment • Main duties and responsibilities  (2017-To date) Researcher (for the CCR la Venaia Reale) for the international research project ARKHA dedicated to the study of the Kha and Merit tomb’s funerary equipment at Museo Egizio in Turin.  (2017-To date) Conservator-researcher for the Italian Archeological Mission at the Amenhotep II Temple Area in Luxor (Western Thebes – Egypt).  (2014-to date) Conservator-researcher (for the CCR la Venaia Reale) for the scientific internationl research project Vatican Coffin Project, finalized to the study of polychrome coffins and to the definition of diagnostic and intervention guidelines.  (2018) Tutor-supervisor in the frame of a master thesis for the application of MA-XRF (Lab Landis-INFN Catania) and a new Hyperspectral camera (CNR Florence) on a panenl painting study case.  (2018) Tutor-supervisor in the frame of master thesis for the experimental activity in cooperation with UNIFI-CSGI Florence. Nanofluids and nanostructured gels for cleaning (2 projects), nanocellulose for consolidation of wood (1 project).  (2018) Conservator-researcher for the Italian Archeological Mission at the Amenhotep II Temple Area in Luxor (Western Thebes – Egypt). Study and securing of fragments of decoration from a funerary chapel.  (2016) Conservator-researcher for the scientific research project Pigments and dyes for art: a scientific database of ancient, modern and contemporary materials  (2008-2011) Researcher in the scientific research project Neu_ART, focused on the study and application of tomography and digital radiography to cultural heritage  (2007-2008) Coordinator of the experimental activities of the Conservation Laboratories (paintings, wooden furniture, textiles, metals, contemporary art - sectors involved -) for the research project on the application of laser technology to cultural heritage (NANOMAT)

CONSERVATION ACTIVITY PROJECT DESIGN PROJECT MANAGEMENT

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responsibilities restoration process on works of art taken in charge by CCR La Venaria Reale, both for technical and economical aspects, and for planning, documentation, study, experimentation, conservation and restoration activities. - Takes part in conservation and documentation activities of the Paintings laboratory (study of execution techniques, study of conservative history, reports of intervention, conservation treatements). - Participates in educational activities (in quality of teacher or tutor). - Participates in the Centre’s design and planning activities (feasibility analysis, intervention projects, training, research) as a project leader or as a contact person for paintings on canvas, panel, wooden sculptures and egyptian wooden objects

2019:  Project leader for the study and conservation of two Late Period coffins and two mummies (one with painted shroud and the other with cartonnage mask) from Museo Egizio in Turin.  Lecturer at Post-Graduate Master Course Interdepartmental University School for Strategic Sciences Cultural property protection in crisis response I Edition. «Handling cultural goods in risky situations». 11/03/2019. Turin.  Lecturer at the conference: «Cooperazione Internazionale e tutela del patrimonio culturale a Betania (tomba di Lazzaro)» 11/02/2019. MAO, Turin.  Project leader for the study and conservation of two mummies from Museo Egizio of Turin (with reference to the painted shroud in one case, and for the cartonnage mask in the other one).  Member of the SUSCOR (Special didactical structure for the coordination of the University degree course in Conservation and Restoration of cultural heritage. University of Turin).  Researcher for ARKHA international research project, focused on the study of the funerary equipment of the Kha and Merit tomb, permanent exhibition, Museo Egizio of Turin.  Reviewer for WMSCI (World Multi-Conference on Systemics, Cybernetics and Informatics) 2019 Program Committee.

2018:  Member of the SUSCOR (Special didactical structure for the coordination of the University degree course in Conservation and Restoration of cultural heritage. University of Turin)  Conservator-researcher for the Italian Archeological Mission at the Amenhotep II Temple Area in Luxor (Western Thebes – Egypt). Study and securing of fragments of decoration from a funerary chapel.  Researcher for ARKHA international research project, focused on the study of the funerary equipment of the Kha and Merit tomb, permanent exhibition, Museo Egizio of Turin.  Reviewer for WMSCI (World Multi-Conference on Systemics, Cybernetics and Informatics) 2018 Program Committee.  Lecturer for II AIAr School «Archeometria e multidisciplinarità. Esigenze comuni, approcci diversi» organized for the X National Congress AIAr, Turin; with: «Il caso studio: Introduzione ai manufatti lignei egizi». Venaria Reale, 12nd-13rd February 2018  Tutor for 150 hours of didactical activity focused on conservation of polychrome wooden sculptures coming from Centro Raccolta Opere Terremotate Spoleto. Italy. Curricolar internship.  Tutor 150 hours of didactical activity focused on structural conservation of polychrome wooden sculptures. Curricolar internship for 2 students from ISCR in Rome.  Supervisor for the conservation activities on 4 paintings on canvas attributed to Gaudenzio Ferrari and 1 panel painting (Madonna degli aranci) by Gaudenzio Ferrari. In occasion of the exhibition “Il

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Rinascimento di Gaudenzio Ferrari”  Project leader for the securing of 3 coffins stored in Museo Egizio in Turin, for a temporary exposition in Canada.  Teacher for the International cooperation project Italy-Palestine; ownership for the course on wooden objects, with didactical activities on Lazzarus Tomb area 2017:  Member for WMSCI (World Multi-Conference on Systemics, Cybernetics and Informatics) 2018 Program Committee.  Corservator for the study and intervention on a Late Period coffin (S. 05245, Neskhonsuennekhy), Museo Egizio, Turin.  Tutor- adjunct professor for a master thesis Degree course in conservation and restoration of cultural heritage. Subject on an egyptian wooden sculpture ‘Statutetta di Hapi’, Museo Egizio of Turin.  Tutor- adjunct professor for a master thesis Degree course in conservation and restoration of cultural heritage. Subject on a polychrome wooden sculpture from Centro Raccolta Opere Terremotate Spoleto. Italy.  Conservator-researcher for the Italian Archeological Mission at the Amenhotep II Temple Area in Luxor (Western Thebes – Egypt).  Teacher for the International cooperation project Italy-Palestine; ownership for the course on wooden objects, with didactical activities on Lazzarus Tomb area.  Lecturer at U.C.L.A. Summer School at Museo Egizio, Turin, with the contribution: Archaeometric analysis of the coffins from the Third Intermediate Period and Late Period  Virtual lecturer at the conference: «The 21st World Multi-Conference on Systemics, Cybernetics and Informatics: WMSCI 2017, at International Symposium on Research, Education, Innovations, and Applications of 3D Technologies 3DT-REIA. 08-11/07/2017. Orlando, Florida, USA, with the paper: « From the lab to the field: 3D technology supporting study and conservation processes on Ancient Egyptian artifacts ».  Lecturer at the conference: « Second Vatican Coffin Conference » with the paper « Study and conservation of some Late Period coffins coming from Queens’ Valley ».  Co-operation in the restoration of a painting on canvas ‘Last Supper by G.C. Procaccini’, coming from Genoa.  Project leader for the study and conservation of 4 Late Period coffins from Museo Egizio in Turin, and for the securing of 5 coffin stored in the Museum, for a temporary exposition at Hermitage Museum.  Project leader for the study and conservation of 5 Late Period coffins from Museo Egizio in Torino, finalized to the temporary exposition in the museum: « Missione Egitto. L’avventura archeologica mai raccontata ».  Conservator for the Italian Archeological Mission at the Amenothep II Temple Area in Luxor (Western Thebes – Egypt). Intervention on Third Intermediate Period cartonnage’s fragments. -2016 :  Tutor-Professor for a Master thesis at Degree course in conservation and restoration of cultural heritage. Subject on 2 panel paintings by Marco d’Oggiono coming from Pinacoteca di Brera, Milan.  Lecturer at the conference: « Bab el Gasus in context. International colloquium. Egyptian funerary culture during the 21th dynasty» with the paper: Reflectance transformation imaging (RTI) for an in-depth investigation of the painted surface of a Vatican’ coffin from Bab el- Gasus  Responsable for the cooperation between CCR la Venaria Reale and Egyptological Centre F. Ballerini, and member of the Italian Archeological Mission at the Amenothep II Temple Area in Luxor (Western Thebes – Egypt), that operate with the patronage of the

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Ministero degli Affari Esteri e della Cooperazione Internazionale.  Conservator of reference for the study of the execution technique of the coffin of Ikhy, belonging to the Vatican Museums’ collections.  Conservator, cooperates for the CCR’s planning activities for the evaluation of the Turin Royal Palace’s preservation state.  Lecturer at the conference: « Ancient Egyptian Coffin past, present, future » with the paper : Nesimenjem and the Valley of the Queens’ Coffins.  Conservator of reference for the condition reporting during works for the temporary exposition Da Poussin agli Impressionisti. Tre secoli di pittura francese dall’Ermitage, Palazzo Madama. Torino -2015 :  Project manager for the conservation yard on the painting on canvas at Sala della Colazione; Palazzo Reale, Torino  Project leader for the study and conservation project of a wall paintings’ cycle, ripped and re-supported on panel, attributed to Bernardino Luini from Villa Pelucca (25 works of art). -2014/15 :  Project leader for the study (technique of execution and conservative history) and conservation of a serie of Egyptian Coffins from the Museo Egizio in Turin, aimed at the development of the new sectors of the Museum; researches and activities included in the international project 'Vatican Coffin Project' (36 finds). -2014 :  Responsible for the intervention project, conservation and restoration of two wall paintings (B.Luini), ripped and re-supported on panel, from Villa Pelucca  Responsible for the intervention project, conservation and restoration of an oil painting on canvas (Incredulity of Saint Thomas, attributed to Fracanzano)  Tutor company for the stage aimed at the conclusion of the conservation and restoration project of a wooden polychromed sculpture (crucifix) from the Sanctuary of Ave Regina Coelorum Breglia (CO). Intern : Marita Sampietro  Tutor for additional teaching to students belonging to the third year of the university course in Conservation and Restoration of Cultural Heritage. (planning, preventive and direct conservation of panels, restoration). -2013 :  (2013-2015) Member of Teaching Commission for review, University of Turin. Co-operation in identifying areas for improvement of the inter- university course based at the CCR ' La Venaria Reale ', in defining of processes for the achievement of the objectives set out in the review and in drafting of the reference documentation. Quality policy of the university course.  Conservator-restorer for the study, preservation and conservation activities of Venetian paintings on canvas from Savoy Gallery (Bassano and Veronese)  Project manager for the study, preservation and restoration of 10 Defendente Ferrari’s paintings on panel (5 polyptyches and 5 doors) from the church of San Giovanni in Avigliana. Conservator-restorer of reference.  Teacher for the curricolar internship (150 hours) to students belonging to the second year of course in Conservation and Restoration of Cultural Heritage (University of Turin), organized in: -practical workshops for the conclusion of the interventions planned during the reference year (50 hours); -Internship for the securing and conservation reporting of damaged heritage in the earthquake in Emilia, on deposit at the Palazzo Ducale in Sassuolo (75 hours); -practical workshops for the conclusion of the conservation of a Pinot

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Gallizio’s painting on canvas (industrial painting- cycle of Le Notti di Cristallo), owned by GAM in Turin, already subject of a thesis. -2012 :  Conservator of reference in the preparation of project proposals for interdisciplinary research, education and conservation of Egyptian artifacts preserved in Turin.  Tutor Supervision of the activities in practical workshops on different types of objects (students of the II and III year, sector PFP2).  Teacher for the Refresher course for high school teachers in Turin " The Past for the future education of citizenship through the rediscovery of the past school year." Organized by the City of Turin, Department of Culture. -2011 :  Project manager for the restoration of two XVII century ‘s paintings (Caravaggio school), property of Novara museum  Teacher responsible for 2 internal internships focused on the structural intervention of antique and contemporary paintings on panel  (to 2012) Project manager for the conservation, restoration and the execution technique’s study of 34 paintings, two coats of medieval marble and one marble bust from the Castle of Racconigi and intended for rearrangement of the permanent collection of Venaria Reale’ Palace - 2010:  Project manager for the conservation and restoration of three paintings from the Castle of Racconigi and intended for rearrangement of the permanent collection of Venaria Reale’ Palace.  (to 2015)Teacher for a refresher course organized by University of Turin, focused on structural deterioration mechanisms of constituent materials of paintings on canvas and panel, metals, plastics and lithoid materials.  Teacher for Regional course for higher level technician for the handling of artworks. Ethno-antropological materials - 2009 :  Teacher responsible for an internal internship focused on study of executive technique, conservation and restoration a panel painting from the Museum of Ancient and Modern Art of the Eremitani, Padova (XV century, Bellini school).  Teacher for Regional course for higher level technician for the handling of artworks. Ethno-antropological materials - 2008 :  Technical coordinator for the restoration site of the Altarpiece of Santa Giustina, Girolamo da Romano, called Romanino, set up in the Museum of Medieval and Modern Art of the Eremitani. Padova. – Conservator-restorer and site manager -. - 2007  Secretariat and Logistics for Compagnia di San Paolo’s Art Foundation - Condition reporting and assistance to the dismantling of the exhibition Afghanistan, rediscovered treasures and packaging of works at the Musée Guimet in Paris; Collaboration staging the same exposition at the Museum of Antiquities in Turin.

• Dates ( from - to) March 2005 – February 2006 • Name and address of ‘Studio 4 s.r.l.’. Firenze. employer • Type of business or sector Conservation atelier. • Employment Type Co-operation project; conservator / restorer-. • Main duties and  Co-operation project for the conservation of the panel painting ' responsibilities Emmaus Dinner' by Santi di Tito, belonging to Santa Croce Cathedral, Florence.

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 Conservation and restoration of additional paintings entrusted to the laboratory, on canvas and panel, to public and private commission. List of most significant projects carried on : *Lorenzo Cavaro. Retablo with religious iconography. *Michele di Ridolfo del Ghirlandaio. Santa Verdiana.

• Dates ( from - to) January– February 2005 • Name and address of ‘Jacopella Rughini’ Restoration atelier. Todi. employer • Type of business or sector Restoration atelier. • Employment Type Conservator / restorer; sub-contract for the restoration of the painting on panel ' Discovery and Exaltation of the Cross ', signed by Pompeo Landolfo, originally from SS.Apostoli Filippo and Giacomo’ Church, Baiano (AV). • Main duties and Conservation treatments on the pictorial layers, cleaning of the surface responsibilities (varnishes removal) and pictorical restoration

• Dates ( from - to) September 2004 – January 2005 • Name and address of ‘Studio 4 s.r.l.’, Firenze. employer • Type of business or sector Conservation atelier. • Employment Type Freelance co-operation. • Main duties and Co-operation for conservation of paintings on canvas and panel, public and responsibilities private commissions.

• Dates ( from - to) February 1999 – December 2003 • Name and address of ‘Venerosi Pesciolini’ conservation atelier, Firenze. employer • Type of business or sector Conservation atelier. • Employment Type Conservator-restorer; coordinated and continuous co-operation. • Main duties and -Direct participation in conservation and restoration’s projects and treatements responsibilities -Coordination of stagiaires’ activities -Partecipation to the relationships with the costumers’s management.

List of most significant projects carried on : Panel paintings : *Francesco Granacci. Compianto su Cristo morto con San Pietro e Santo Stefano . *Niccolò di Pietro Gerini Crocifissione *Pier Francesco Foschi Sacra Famiglia *Cerchia di Andrea di Bartolo Biccherna n.99. *Lorenzo di Pietro detto’ Vecchietta’ Biccherna n.96. *Giovanni di Paolo. Biccherna n.100. *Giovanni del Biondo. Madonna del Solletico *Rossello di Jacopo Franchi. Madonna del parto *Bernardo de Fancellis Pietà. (copia dal Perugino). 1427. *11 icons (russian and greek-ortodox from 3 different iconostasis. Paintings on canvas : *Francesco Furini. Giuditta e Oloferne. Ratto delle Sabine. Cacciata dei progenitori dal Paradiso Terrestre. *Viktor Adler. Ritratto di Cavaliere Polacco. *Enrico Pollastrini. Nello alla Tomba di Pia. 1851. *Pietro Annigoni. -Ritratto del figlio Benedetto -Naufragio -Autoritratto -Cinciarda *Giorgio de Chirico. Ritratto di Elide. *Tiberio Titi. -Ferdinando I De’ Medici -Cristina di Lorena *Orazio Figiani. Sant’Agostino. XVII sec.

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*Giovanni Rosi. San Luca Evangelista. XVII sec. *9 paintings on canvas coming from Monastero di Montenero. Livorno. Wooden polychrome sculptures : *Scuola fiorentina del XIV secolo Mannequin *Maestranza d’Oltralpe Sculpted and painted wooden crucifix *Baccio da Montelupo Sculpted and painted wooden crucifix

• Dates (from - to) November – December 1998. • Name and address of Orthodox Patriarchate of Constantinople (Istanbul) employer • Type of business or sector Orthodox Christian monastery of Heybeliada. Istanbul. • Employment Type Intern. • Main duties and Conservation and restoration of icons (XIII - XIV - XVI) belonging to the responsibilities treasury of the Patriarchate, under the direction of the technical manager of the same labs.

• Dates ( from - to) August – September 1998 • Name and address of ‘G.M. Galdiz’ conservation atelier. Pinehurst. North Carolina. U.S.A. employer • Type of business or sector Conservation atelier • Employment Type Assistant conservator; occasional co-operation. • Main duties and Conservation of paintings on canvas belonging to public properties (North responsibilities Carolina National Museum) and private’s.

• Dates ( from - to) April – July 1988 • Name and address of ‘Dambra’ conservation atelier, Firenze. employer • Type of business or sector Conservation atelier. • Employment Type Restorer; occasional co-operation. • Main duties and Conservation of the panel painting by Pier Francesco Foschi 'Altarpiece with responsibilities saints and angels ', belonging to San Matteo National Museum. Pisa.

• Dates ( from - to) August – September 1997 • Name and address of ‘Gioia’ conservation atelier, Torino. employer • Type of business or sector Conservation atelier • Employment Type Assistant conservator; occasional co-operation • Main duties and Conservation and restoration of three chapels (wall decorations, gilded stucco, responsibilities marble parts) of Turin Cathedral.

PUBLICATIONS

Scientific Research  P. Buscaglia, P. Croveri, L. Degani, M. Demmelbauer, M. Ganio, R.Genta, A.Laganà, P. Luciani, M. Nervo, A. Piccirillo, F. Zenucchini, “Attività Sperimentale Di Pulitura Laser Su Materiali Di Interesse Artistico” a cura di A. Giovagnoli. Nardini Editore. 2009.  P. Buscaglia, P. Croveri, L. Degani, M. Demmelbauer, M. Ganio, R.Genta, A.Laganà, P. Luciani, M. Nervo, A. Piccirillo, F. Zenucchini “Valutazione dell’efficacia del processo di ablazione superficiale mediante utilizzo di tecnologia laser per il trattamento e la pulitura di componenti di interesse artistico” Atti del Convegno Nazionale APLAR, applicazioni laser nel restauro, le ragioni delle scelte, Siena 2008. Casa Editrice il Prato.  From experimental studies to applications in conservation field: laser tests on a polychrome wooden work of art (polittico della galleria Sabauda). Atti del convegno LACONA VIII (Sibiu, Romania 21-25

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settembre 2009)  O. Chiantore, A. Piccirillo, T. Poli, P.Buscaglia “Caratterizzazione mir- fors di pigmenti storici in presenza di resine naturali per lo studio di manufatti lignei policromi” Atti del XII congresso di Chimica per l’Ambiente e i Beni Culturali 2010  A Re et al, "Results of the Italian neu_ART project" sottomesso alla conferenza XTACH11 (International conference in the use of X-RAY (and related techniques in art and cultural heritage. Organized by The American University of Sharjah in cooperation with The international Atomic Energy Agency. Shariah. United Arab Emirates. UNESCO ICOMOS DOCUMENTATION CENTRE (online pubblications).  Radiografia e tomografia digitale con rivelatori lineari a scansione per il progetto neu\_ART, XCVII Congresso Nazionale della Società Italiana di Fisica, atti XCVI Congresso Nazionale S.I.F. 2011  Corsi et al. “A new digital radiography for canvas paintings: a case of study from Racconigi Castle (CN)”; European Conference on X- RaySpectrometry 2012 (EXRS 2012), VIENNA. Postprints .  E. Pratali, E. Diana, P. Buscaglia, “ZINC OXIDE GROUNDS IN 19th AND 20th CENTURY OIL PAINTINGS AND THEIR ROLE IN PICTURE DEGRADATION PROCESSES. Literary review, paint failure mechanisms and conditions of potential risk”, in CeROArt. 2013  C. Ricci et al, “A new instrument for X-ray radiography and tomography of large artworks”, Poster in Technart 2013.  P. Buscaglia, J. Corsi, M. Nervo, C. Ricci “La radiografia digitale come strumento di supporto per la conoscenza e la definizione delle linee di intervento”, in Cronache 4, “Il progetto neu_ART. Studi e applicazioni, ed. EDITRIS, 2013.  A.Re et al, “X-ray radiography and tomography of large artworks : a new diagnostic apparatus for the conservation of Cultural Heritage”, VII congresso nazionale di archeometria, Scienze dei beni culturali, stato dell’arte e nuove prospettive, Bologna, 5-7 febbraio 2014. In press.  P. Buscaglia, M. Cardinali, T. Cavaleri et al, “Materiali riempitivi per il risarcimento di lacune di manufatti lignei: sperimentazione di tinture e leganti innovativi per cariche cellulosiche”, in Preprints of the XIII National IGIIC Congress - Lo Stato dell’Arte, Nardini Editore,2015.  A. Re, A. Lo Giudice, M. Nervo, P. Buscaglia, P. Luciani, M. Borla, C. Greco "The importance of tomography studying wooden artefacts: a comparison with radiography in the case of a coffin lid from Ancient Egypt" International Journal of Conservation Science 7(SI2): 935-944 (2016)  T. Cavaleri, P. Buscaglia, M. Cardinali, M. Nervo, M. Pisani, P. Triolo, M. Zucco “Multi and hyperspectral imaging and 3D techniques for discovering Egyptian coffins” atti del convegno Ancient Egyptian Coffins: Past Present Future, Cambridge (Regno Unito), 07- 09/04/2016. Oxbow Books.  T. Cavaleri, P. Buscaglia, M. Nervo, A. Piccirillo, M. Pisani, P. Triolo, M. Zucco “Pigments and dyes for art: a scientific database of ancient, modern and contemporary materials”, postprints of the conference INART2016 2nd International Conference on Innovation in Art Research and Technology, Ghent (Belgio), 21-25/03/2016.  P. Buscaglia, T. Cavaleri, M. Cardinali, M. Nervo, P. Triolo, G. Prestipino “Reflectance transformation imaging (RTI) for an in-depth investigation of the painted surface of a vatican’ coffin from Bab el- Gasus”, Postprints of the conference BAB EL-GASUS IN CONTEXT INTERNATIONAL COLLOQUIUM Egyptian funerary culture during the 21th dynasty, Lisbon, September 19-20, 2016. (in press)  T. Cavaleri, M. Gargano, M. Pisani, M. Zucco and P. Buscaglia "300- 400 nm UV fluorescence multispectral imaging for organic pictorial materials identification” in TECHNART 2017, Non-destructive and microanalytical techniques in art and cultural heritage. Bilbao, 2017

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 T. Cavaleri, P. Buscaglia, S. Migliorini, M. Nervo, G. Piccablotto, A. Piccirillo, M. Pisani, D. Puglisi, D. Vaudan, M. Zucco, Pictorial materials database: 1200 combinations of pigments, dyes, binders and varnishes designed as a tool for heritage science and conservation, Appl. Phys. A. 123 (2017) 419. doi:10.1007/s00339- 017-1031-1.  A. Lo Giudice et al «A new digital radiography system for paintings on canvas and on wooden panels of large dimensions », in atti del convegno I2MTC, Torino, 2017.  P. Buscaglia, E. Biondi, A. Bovero, T. Quirino, « From the lab to the field : 3D technology supporting study and conservation processes on Ancient Egyptian artifacts » proceedings of The 21st World Multi- Conference on Systemics, Cybernetics and Informatics : WMSCI 2017, virtual presentation at International Symposium on Research, Education, Innovations, and Applications of 3D Technologies 3DT- REIA. 08-11/07/2017. Orlando, Florida, USA. Also included in : Journal of Systemics, Cybernetics and Informatics : JSCI  Picollo M., Casini A., Cucci C., Stefani L., Gulmini M., Buscaglia P., D’Elia E., Piccirillo A.,2018 – Una innovativa camera iperspettrale a supporto dello studio e delle indagini diagnostiche analitiche di opere policrome., in Preprints of the XVI National IGIIC Congress - Lo Stato dell’Arte, Nardini Editore, 2018. Conservation Activity  M.Cardinali, P. Buscaglia, MC. Canepa, V. Parlato “Gli interventi di conservazione e restauro”, in “Il Veronese e iI Bassano. Grandi artisti veneti per Palazzo Ducale di Torino. L’Artistica Editrice, Savigliano (CN). 2013. Pagg. 80-87.  R.Rezza et al, “The Sculptures-Éponge of Yves Klein: proposals of intervention with LASER. “. Atti del convegno LACONA X (Dubai, 2014).  R. Rezza et al, “Study on laser cleaning of Sculptures-Éponge by Yves Klein“, Studies in Conservation, S82-S90, 2015.  P. Buscaglia, M. Cardinali, P. Luciani, A. Piccirillo, P. Manchinu: “The panels of Quirinale Palace. A study of provenience and manufacture for a correct conservation intervention” in “The Conservation of East Asian Cabinets in Imperial Residences (1700-1900)”. Conference 2015 Postprints. (2017)  P. Buscaglia, M. Cardinali, T. Cavaleri, P. Croveri, G. Ferraris di Celle, A. Piccirillo, F. Zenucchini: “Nesimenjem and the Valley of the Queens’ Coffins” in H. Strudwick, J. Dawson (eds) Ancient Egyptian Coffins: Past Present Future, proceedings of the International Conference, Cambridge (United Kingdom), 07-09/04/2016. Oxbow Books. Oxford. Pp. 83-95. (2018)  P. Buscaglia, M. Cardinali, P. Croveri, S. De Blasi, P. Manchinu, M. Nervo, B. Ventura: “I dipinti su tavola del XVI secolo della chiesa di San Giovanni di Avigliana. Vicende storiche e problematiche conservative di un nucleo di opere sottoposte ad importanti interventi ottocenteschi”, in Atti del “XIV Congresso Nazionale IGIIC - Lo Stato dell’Arte”, Nardini Editore, 2016.  P. Buscaglia, M. Cardinali, T. Cavaleri, E. Ferraris « Study and conservation of some Late Period coffins coming from Queens’ Valley », postprints of the conference Second Vatican Coffin Conference. Città del Vaticano, 6-9/06/2017.  G. Prestipino, P. Buscaglia, H. Krudop, N. Timbart « Working at the vocabulary and at the guidelines for egyptian wooden polychrome coffins’ conservation », postprints of the conference Second Vatican Coffin Conference. Città del Vaticano, 6-9/06/2017.  A. Consonni, T. Quirino, P. Buscaglia, E. Solera « Hidden colors : coffins and cartonnages at the temple of Amenhotep II - Western Thebes. A case study », postprints of the conference Second Vatican Coffin Conference. Città del Vaticano, 6-9/06/2017.

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EDUCATION

• Dates (from – to) March 2006- January 2007 • Name and type of Conservation and Restoration Centre ‘La Venaria Reale’(Foundation), Venaria organization providing Reale (TO). education and training Master : training for trainers • Principal subjects / Ten months of full time course aimed at teaching and project managing in the occupational skills covered conservation and restoration field study • qualification awarded Trainer in Conservation and Restoration of Cultural Heritage • Level in national Regional Diploma issued by the Piedmont Region. classification (if appropriate)

• Dates (from – to) November-December 2006 • Name and type of Institut National du Patrimoine (INP). Parigi. organization providing Departement des restaurateurs; departement des conservateurs. education and training • Principal subjects / Six -week internship; studies dedicated to the teaching methodology (lectures occupational skills covered and workshops in laboratory) in the field of restoration, conservation and study heritage management, with particular attention to the structuring of the course. Insights dedicated to the technical and methodological lines of intervention, to the study of organizational and legislative. • qualification awarded Intern provided by the master ' Training for Trainers ' • Level in national - classification (if appropriate)

• Dates (from – to) A.y 2003-2004 • Name and type of University of Florence. Master Degree in Art History organization providing education and training • Principal subjects / Master degree characterized by the presence of basic examinations in occupational skills covered humanities (Italian literature, English language and literature, Latin literature, study Latin palaeography, General linguistics, Medieval philosophy, Modern history, other) and characterizing subjects for the course in art history (Greek and Roman art history, Medieval art history I - II, Modern art history , Contemporary art history, Aesthetics, History of material culture of craft production, other ) Thesis: Aspects of the catalan polychrome wooden sculpture in Romanic Age • qualification awarded Degree in Medieval Art History. • Level in national Master's degree. 105/110. classification (if appropriate)

• Dates (from – to) September 2001 – August 2002 • Name and type of Universidad Autonoma de Barcelona. Barcelona (ES) organization providing education and training • Principal subjects / Conclusion of the examinations provided by the Italian studies and research occupational skills covered relating to the subject of the thesis (in Catalan Romanesque wooden study sculpture); selection of representative works to be included in the catalog • qualification awarded Fellow for the European exchange program ' Socrates - Erasmus ' • Level in national Scholarship holder. classification (if appropriate)

• Dates (from – to) September 1997 – July 1998 • Name and type of Istituto per l’Arte e il Restauro ‘Palazzo Spinelli’. Firenze. organization providing education and training

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• Principal subjects / One year’s course of specialization, and achievement of the diploma in occupational skills covered Conservation and restoration of paintings on canvas and panel. study Thesis: Restoration and visual perception. Relations between theory and praxis. • qualification awarded Conservator-restorer of paintings on canvas and panel • Level in national Regional Diploma, issued by Regione Toscana classification (if appropriate)

• Dates (from – to) September 1995 – July 1997 • Name and type of Istituto per l’Arte e il Restauro ‘Palazzo Spinelli’, Firenze. organization providing education and training • Principal subjects / Two years’ diploma program covering theoretical subjects and practical occupational skills covered techniques applied to individual conservation projects. study • qualification awarded Assistant conservator of paintings on canvas and panel. • Level in national Regional Diploma, issued by Regione Toscana classification (if appropriate)

• Dates (from – to) September 1994 –July 1995 • Name and type of Scientific High School ‘A. Antonelli’. Novara organization providing education and training • Principal subjects / Subjects of the specific final three-year period of their studies: occupational skills covered Mathematics, chemistry, physics, biology, Italian, Latin, History of philosophy, study History, English, Technical drawing. • qualification awarded High School Degree • Level in national High School classification (if appropriate)

REFRESHER COURSES AND WORKSHOPS • Dates (from – to) 15th March 2019 • Name and type of Bastioni association. Florence organization providing Course: The use of sintetic varnishes in the field of conservation and education and training restoration of cultural heritage. Teacher: René de la Rie, Univerity of Amsterdam. NL. • Principal subjects / One day, 4 hours focused on: occupational skills covered aging processes of natural varnishes, characteristics of low molecular weight study varnishes, commercially known as Regalrez 1092, Regalrez 1126 and Laropal A81. Informations concerning additives, UV and HALS absorbers. • qualification awarded - • Level in national Certificate of participation. classification (if appropriate)

• Dates (from – to) 13-14-15th June 2018 • Name and type of Conservation and Restoration Centre ‘La Venaria Reale’ (Foundation). organization providing Workshop: Nanosistems for conservation. De-acidification and consolidation education and training treatements for cellulose based artefactsusing nanostructured materials. Teacher: Giovanna Poggi, PhD, UNIFI-CSGI, Firenze • Principal subjects / Three days full time focused on : occupational skills covered Reports and presentations on the theoretical of deterioration of cellulose and study on nano-structured materials. practical workshop on the application methodologies for nano-structred materials.

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• qualification awarded - • Level in national Certificate of participation. classification (if appropriate)

• Dates (from – to) 28-29th Maggio 2018 • Name and type of Conservation and Restoration Centre ‘La Venaria Reale’ (Foundation). organization providing Workshop: JPI Culturale heritage: a Challenge for Europe education and training • Principal subjects / Two days full time focused on: occupational skills covered Reports and presentations on the results of scientific european research study projects

• qualification awarded - • Level in national Certificate of participation. classification (if appropriate)

• Dates (from – to) 11-12-13rd May 2017 • Name and type of Conservation and Restoration Centre ‘La Venaria Reale’ (Foundation). organization providing Conference and workshop: Nanosistemi: ricerche e applicazioni sul patrimonio education and training culturale, conferenza e workshop • Principal subjects / Three days full time focused on: occupational skills covered Four practical workshops on the application methodologies of some nano- study systems Reports and presentations on the theoretical and applicative aspects of nanostructured materials Final debate on the validation protocols that intervene when a new material is proposed to the conservation world • qualification awarded - • Level in national Certificate of participation. classification (if appropriate)

• Dates (from – to) 4-5-6th April 2016 • Name and type of Fitzwilliam Museum, Cambridge (UK) organization providing Theoretical and practical seminar (Workshop) education and training Seminar organized by the association Cesmar 7 • Principal subjects / Three days full time focused on the study and conservation of egyptian occupational skills covered polychrome wooden coffins study • qualification awarded - • Level in national Certificate of participation. classification (if appropriate)

• Dates (from – to) 4-5-6th June 2014 • Name and type of Conservation and Restoration Centre ‘La Venaria Reale’ (Foundation), Venaria organization providing Reale (TO) education and training Theoretical and practical seminar (Workshop) Seminar organized by the association Cesmar 7 • Principal subjects / three days full time focused on case studies on drill and theory of technological occupational skills covered features and possible applications of the adhesive Aquazol study Teacher: R. Wolbers • qualification awarded - • Level in national Certificate of participation. classification (if appropriate)

• Dates (from – to) 13-14th March 2014 • Name and type of Conservation and Restoration Centre ‘La Venaria Reale’ (Foundation), Venaria

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organization providing Reale (TO). education and training Theoretical and practical seminar (Workshop) on techniques, deterioration and treatements of paintings on wooden support Teachers: from OPD Florence: Ciro Castelli and Andrea Santacesaria • Principal subjects / Two days full time focused on case studies and theory on the structural occupational skills covered intervention in wooden supports study • qualification awarded - • Level in national Certificate of participation. classification (if appropriate)

• Dates (from – to) 25-26th October 2013 • Name and type of Conservation and Restoration Centre ‘La Venaria Reale’ (Foundation), Venaria organization providing Reale (TO). education and training Theoretical and practical seminar on elastic stretching of paintings on canvas Teacher: A. Iaccarino Idelson • Principal subjects / Two days full time focused case studies and theory on the elastic tension occupational skills covered study • qualification awarded - • Level in national Certificate of participation. classification (if appropriate)

• Dates (from – to) 24-26th February 2010 • Name and type of Conservation and Restoration Centre ‘La Venaria Reale’ (Foundation), Venaria organization providing Reale (TO). education and training Theoretical Workshop "Study of the structural behavior and failure mechanism of easel paintings" organized by the University of Turin. Teachers: M- Mecklenbourg and L. Fauster Lopez • Principal subjects / Three days full time, focused on structural mechanisms of biodeterioration of occupational skills covered paintings. study • qualification awarded - • Level in national Certificate of participation. classification (if appropriate)

• Dates (from – to) January-April 2007 • Name and type of Conservation and Restoration Centre ‘La Venaria Reale’(Foundation), Venaria organization providing Reale (TO). education and training Refresher course. • Principal subjects / Two days per week full time course for fourteen weeks (Teaching in occupational skills covered Restoration) ; theoretical and practical course divided into 3 modules: study restoration (aqueous methods for cleaning ; treatments of the support of paintings on canvas), project management, training models and tutoring. Technical Teachers: P. Cremonesi, E. Signorini; M. Rossi Doria, E. Knight • qualification awarded Laboratory Tutor. • Level in national Regional Diploma. classification (if appropriate)

• Dates (from – to) June 2001 • Name and type of Biotechnologies’ Foundation. Villa Gualino. Torino. organization providing education and training • Principal subjects / New cleaning methods for polychrome surfaces: use of enzymes, resin soap occupational skills covered and solvent gels study Teacher: Paolo Cremonesi • qualification awarded -

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• Level in national Refresher course. classification (if appropriate)

PERSONAL SKILLS ACQUIRED IN THE COURSE OF LIFE AND CAREER BUT NOT NECESSARILY COVERED BY FORMAL CERTIFICATES AND DIPLOMAS.

FIRST LANGUAGE ITALIAN

OTHER LANGUAGES

ENGLISH • Reading ability EXCELLENT • Writing skills VERY GOOD • Verbal skills VERY GOOD

SPANISH • Reading ability EXCELLENT • Writing skills VERY GOOD • Verbal skills VERY GOOD

FRENCH • Reading ability GOOD • Writing skills - • Verbal skills BASIC

CATALAN • Reading ability ELEMENTARY • Writing skills - • Verbal skills BASIC

SOCIAL SKILLS AND Conservation and art history COMPETENCES Several opportunities to study or work in the international area (Pinehurst, NC, LIVING AND WORKING WITH USA; Istanbul, Turkey; Barcelona, Spain; Paris, France; Leiden, Netherlands; OTHER PEOPLE , IN Luxor, Egypt; Jerusalem, Israel). Development of social skills in different MULTICULTURAL locations, such as public and private conservation ateliers, museums, ENVIRONMENTS , IN POSITIONS ecclesiastical institutions, universities and national institutes of higher WHERE COMMUNICATION IS education, research institutes, embassies, informal settings. IMPORTANT AND SITUATIONS Capability in developing projects independently and in the frame of WHERE TEAMWORK IS international working in groups. ESSENTIAL ( EG . CULTURE AND In Italy professional relationships have been created with colleagues (study SPORTS) , ETC . and work), employers and clients (owners of restoration ateliers, antiquarians, public institutions such as museums or universities) for conservation projects.

ORGANIZATIONAL SKILLS - Coordination of professionists in the frame of scientific publications, as EG . COORDINATION AND corresponding author ADMINISTRATION OF PEOPLE , - Coordination of conservators and scientists among conservation projects PROJECTS AND BUDGETS ; AT (study and intervention) on Egyptian wooden polychrome coffins WORK , IN VOLUNTARY WORK ( - Coordination of the activities of the conservators for the scientific research EG . CULTURE AND SPORTS) AND project on laser applications in cultural heritage; support to projects and AT HOME , ETC.. conservation works (surveys, documentation). - Collaboration with heterogeneous professionalities in scientific research

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projects at CCR La Venaria Reale, as conservator - researcher - Coordination of working groups, checking the progress of work and budget, management of relations with the external professionists and property during the activities of project management at CCR La Venaria Reale. - Tutoring of interns within the activities of the easel paintings (on canvas and panel) and wooden sculptures Laboratories at CCR La Venaria Reale. - Coordination of conservators and trainees at the conservation atelier ‘Venerosi Pesciolini’, during the professional activity towards the same atelier. Management in collaboration with the owner of the atelier, with regard to timelines, budgets and the identification of problems of administration, and evaluation of results.

TECHNICAL SKILLS Microscopy WITH COMPUTERS , SPECIFIC Controlled conservation intervention with Stereo microscopy KINDS OF EQUIPMENT , Realization of samples stratigraphies and documentation with MO in VIS and MACHINERY, ETC. UV light. Furier Transform Infrared Spectroscopy (FTIR) In cooperation with CCR Scientific Laboratories: analysis and, in case of need, extraction of the material X-Rays and CT Digital radiography and CT, interpretation of the results. Competences adquired in the frame of the Neu_ART research project. Multispectral imaging (UV; IR-BN; IR-FC) Interpretation of data adquired. Competences boosted in the frame of the Pigments and dyes for art research project Informatics: Microsoft Office. Microsoft Project Manager (acquired as part of the training course ' Teaching restoration ', CCR La Venaria Reale, Venaria Reale, Turin).

PATENTE O PATENTI Driving Licence B

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