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Illustration| Design| Story (757)705-3680 || [email protected] Website:AbelleHayford.com EDUCATION EXPERIENCE Maryland Institute College of the Art Freelance Illustrator 2016-2020 || Baltimore, MD 2014-Present BFA Illustration • Produce work for cilents including New York Times, Apartment ACCOMPLISHMENTS Therapy, Cartoon Network,The New Yorker, Penguin Random Society of Illustrators Student Scholarship House, Simon & Schuster, Henry Holt Books & ,Google. Competition • Runs online shop and sells self-made merch 2020 Recipent • Sold work at serveral conventions , including SPX,MOCCA,CALA, llustration Departmental Recognition Award and more 2019 Recipent Warner Bros.Animation |Full Time Background Painter llustration Departmental Recognition Award Oct 2020-Dec 2020 2018 Recipent • Provide BG paint for “Aquaman” Warner Bros. Animation Nickelodeon Animation | Freelance Artist Hanna-Barbera Reach Honorship Sept 2020-Oct 2020 2016 Recipient • Provide artwork for projects in development Warner Bros.Animation | Freelance Artist SKILLS June 2020-Present Animation Pre-production • provide artwork and color designs for Multiple projects in develop- Color design/styling, BG paint, ment visual development, character design, Disney TV Animation | Freelance Color Designer and storyboarding/revisions Aug 2020-Sept 2020 Illustration • Provide color designs for Big City Greens Editorial,advertisement,book illustration, Nickelodeon Animation | Freelance Color Designer stationary, comics,and book publishing Aug 2020 PROGRAM/TOOLS • Provide color designs for Middlemost Post Design Media Titmouse NYC | Character Assistant (Remote) Photoshop, Flash/Animate, July 2020-Aug 2020 Storyboard Pro, Indesign, Provide turnarounds,expression sheets, special poses, and redresses Tv Paint for approved characters designs on Netflix Adult Series Printmaking Warner Bro. Animation | Reach Art Intern Silkscreen & Risograph 2019|| Burbank,CA Video • Assisted with color and character designs for Thundercats Roar Quicktime, After Effects, Premiere pro Warner Bro. Animation | Reach Production Intern Sound & Music Editing 2016-2019 || Burbank,CA Audition,Audacity, Garageband • Previously worked on UniKitty, DC Enterainment, and Lego DC Production Comics Super Heroes: The Flash Filemaker pro,Shotgun, Bridge • Provided assists to production teams by organizing pre-production General work, archiving asssets,creating Size comp. for assets& breaking Microsoft Office, Google down storyboards. Drive, Adobe Acrobat #DrawingWhileBlack | Creator • organized #DrawingwhileBlack, a viral hashtag to celebrate and promote black artists around the world. • Organized and mantain Directory for art directors and recuiters to use to hire Artists • Created yearly promotional art for Hashtag event • Featured in Buzzfeed,Refinery29,AJ+,SYFY, and more .

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Masters of the Universe: Action Figures, Customization and Masculinity
MASTERS OF THE UNIVERSE: ACTION FIGURES, CUSTOMIZATION AND MASCULINITY Eric Sobel A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2018 Committee: Montana Miller, Advisor Esther Clinton Jeremy Wallach ii ABSTRACT Montana Miller, Advisor This thesis places action figures, as masculinely gendered playthings and rich intertexts, into a larger context that accounts for increased nostalgia and hyperacceleration. Employing an ethnographic approach, I turn my attention to the under-discussed adults who comprise the fandom. I examine ways that individuals interact with action figures creatively, divorced from children’s play, to produce subjective experiences, negotiate the inherently consumeristic nature of their fandom, and process the gender codes and social stigma associated with classic toylines. Toy customizers, for example, act as folk artists who value authenticity, but for many, mimicking mass-produced objects is a sign of one’s skill, as seen by those working in a style inspired by Masters of the Universe figures. However, while creativity is found in delicately manipulating familiar forms, the inherent toxic masculinity of the original action figures is explored to a degree that far exceeds that of the mass-produced toys of the 1980s. Collectors similarly complicate the use of action figures, as playfully created displays act as frames where fetishization is permissible. I argue that the fetishization of action figures is a stabilizing response to ever-changing trends, yet simultaneously operates within the complex web of intertexts of which action figures are invariably tied. To highlight the action figure’s evolving role in corporate hands, I examine retro-style Reaction figures as metacultural objects that evoke Star Wars figures of the late 1970s but, unlike Star Wars toys, discourage creativity, communicating through the familiar signs of pop culture to push the figure into a mental realm where official stories are narrowly interpreted.
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