A Record Season...
Graphic by Tony Garzio PA G EB2 DAILY NtXUS THURSDAY, N O VEM BER29, 19
Knack, it's lately been hard to keep any number of other bands, up wth the number of new bands other words, if there were suci THE sprouting up in their wake. thing as middle-of-the-road n This confusion exjsjts not only wave, the Yachte would be sitti; BUCKBOARD because wrmaiiy of the npwliaWffi? : squarely on ffite White line. tend to sbund alike'in that they The Yachts rseem to~be^5frivi draw their styles from similiar for, above a'll else, an ov sources
Gospel & Lutherans The Gospel is the story of what has happened, is happening and will yet happen with Jesus. The kingdom is here. He preached “the kingdom,” the day when all the longing God puts in us will be fulfilled. H e preached with such faithfulness as to invest his own life in his hope for us. H e proved his commitment by incurring death. ' A nd G od carried him past death, so that nothing can now hinder his love for us, so that his promise and devotion must surely triumph. Our congregation is in the world to tell this Gospel, ’ by whatever words and deeds will get it across. Please join us irt the telling and doing. Lutheran Campus Ministry PA CE B3 DAY. NOVEM BER 29, .1979 DAILY NEXUS greatest ability has always been Which brings u's to my ex So we are left with a collection the musical creation of dark, pectations: which contains bits of dialogue and moody scenes,-in which pain is confusing sound effects which do physical reality, an object which Surely, I said, his new album not add to the music. We have a can be seen and held. “ Refugee,” ■ - would,, be staggering, important, structured albjim: the use of leit the album's lead-off track, is like and contain some terrific music. motif, symmetry of design, and a that: dark, painful, powerful stuff. It’s been three years since the last progression of musical ideas which Lyrically, it seems a metaphor for album Songs In The Key Of Life, bow to the form, We also have Petty's bruising passage through and this wunderkind keeps getting ponderous and boring music — the Hollywood contract/lawsuit' if better, by quantum leaps, Songs perfectly executed — mixed with a system. But the song is not entirely was an incredibly bulky and few brillant songs. Listen to the pessimistic — indeed, it is a stark ambitious work, and about 98 sweet melodies of “ Send Someone condemnation of the idea that percent successful. Wonder sought Your Love,” the sensitive vocal, quitting is ever a viable alternative to create music which would harmonica and lyrics of “ Power. Tom Petty and The to any problem. communicate his feelings on the Flower,” the numinous song Heartbreakers “ Century City” closes side one nature and meaning of that vast “ Black Orchid,” and the beautiful Damn the Torpedoes with this same sort of theme. It is instrumental, “ The Earth’s an all-balls rocker that seems subject, life. His message is love, (MCA) and in the nature of music, I say Creation.” more amused than upset at the vie Wonder that his message in Songs is well By CRAIG ZEROUNI idea of spending your life in your In 1978, just after the release of lawyer’s Century City office. rney Through the expressed and received. What And once again. Wonder about the new work? astounds with his recording “ You’re Gonna Get It,” Tom Even “ Don’t Do Me Like That,” ret Life of Plants precision, musicality, writing Petty’s contract with ABC Records the standard hurt-in-love song, mla) Well...yes, no, and maybe. Yes, ability, and musicianship. Vir was sold to MCA, the music in comes across as a matter-of-fact there are some of the best songs tually the only instrument he dustry giant. Petty, upset at the statement rather that the usual threat of revenge for hearts By RANDY CAMPBELL Wonder has ever written on this doesn’t play on the disc is the prospect of recording for a label broken. The idea once again is the aling with my expectations is album. No, this Stevie Wonder guitar, and he plays everything that he felt would reduce him to a ultimate belief in the self, which biggest problem I have in collection is not his best ever. And masterfully. He writes, produces, mere statistic, refused to comply. The result was another round of should not be confused with con iewing Stevie Wonder’s maybe this work should not be records, sings, programs, plays Hollywood’s favorite game, “ Lets ceit. Conceit is destructive; self- rney Through the Secret Life compared to his other works, in and probably makes coffee with Go to Court.’’ confidence, as this album shows, lants. stead representing an altogether his spare hand. By the way, the different tack from the rest of his sound quality is pristine, on this And so, when Petty and his can be extremely productive. digital recording. Heartbreakers emerged early this But more than individual songs, perbole is so common in the year with a compromise deal, in it is the album as a whole that onality journalism of our time, So, you’re asking, what’s the which they would record for 'succeeds as so few others do. we shortened the word to After listening to the album for verdict, big shot? I ’d like to hide Backstreet Records, a small label Because for an album to be truly , and the word and the action the first time, I wanted to take behind something snappy, like the owned by MCA, the pressure was great, it must not lay itself out on used liberally. Genius is an sides one and four, and 'as jury is out, but what would be the on. Aside from ego, nothing is quite one listening. The albums that het which blows through the air an impromptu frisbee. Since this point of trundling through this as destructive to a rising artist as have endured have always been tantly, and is usually the didn’t seem to be objective jour article? Since I believe a primary the delay of contract negotiations. the ones that required repeated hemism for competent. But if nalism, I decided to recant. function of music is to entertain, I Damn the Torpedoes is Petty’s listenings to truly appreciate, and eone kidnapped my cats, answer to that pressure, and it Damn the Torpedoes is no ex napped?) and demanded, upon Indeed, to evaluate Journey as say buy the album, and play the triumphs in many ways. The ception. The power of the album is of torture that I say yes or no, any.. work of art should be disc with sides two and three (which, on the whole, is en album is an emotional, - electric that indescribable something that ould have to say, “ Yes, Stevie examined — that is, what exactly tertaining). Then, save the disc testament to the power of deter compels you to play it again and der is a genius,,r|rWithout too is til« artist trying to do, and how with sides one and four to be used mination in this society. The un again, and to uncover new layers h coaxing, I would probably well did he or she achieve this goal as mood music when either no one dercurrent of optimism is both of meaning each time you do. Tom that he may be the most potent — ispto admit that the album is a is paying attention to the stereo, or surprising and welcome. Petty and the Heartbreakers have consistent recording artist of souidtrack, made to accompany a you’re in one helluva strange Which is not to say that this is a done that, and the 80s will be the decade, and easily, one of the movie. But the goddamn movie mood. light, pleasant work. Petty’s better for it. ior figures in popular music. hasn’t even been released. The Second Annual Christmas Record Shopping Guide
Boomtown Rats have much to offer last year’s single “ Runaway.” after a while. Four of the songs de- chorus, to those who want-to listen to a new Also, rhythm guitarist Paul not have a lead vocal; rather, there are three or four part har There’s always someone looking angle on life; all they have to do is Kantner’s playing is his best in five at you... practice “The Fine Art of Sur years. His chords echo back to the mony vocal parts that at times T h e y ’re always looking at you. scream out at the listener in an facing.” song “ Ride the Tiger” from the By dealing with political Starship’s Dragon Fly LP, where annoying fashion. These choral espionage cliches, Bob Geldof, who Kantner’s rhythms’s churned out a vocals also appear on all of the wrote this song, as well as seven dynamic, energetic sound. This other songs, causing them to be others on the album, create in your echo can especially be heard on the somewhat redundant at times. The mind what goes on in the mind of title track, where Kantner pumps Starship stoops to a bit of musical the modern paranoid politician. out rhythm lines in the same “ borrowing,” as evidenced by the Another strong cut on side one is manner as “ Ride the Tiger,” and piano part in “ Jane,” which is "WindChill Factor (Minus Zero),” he manages to go one better on blatantly reminiscent of Jay which |makes use of the bionic Freedom at Point Zero because his Ferguson’s “ Shakedown Cruise.” vocals familiar to all fans of new singing is also used to a better Such an obvious influence tends to he Fine Art of Surfacing wave. This song explores the plight effect on his new song. mar the Starship’s credibility. he Boomtown Rats ;; of hbw the working man sees But perhaps it is the two - For a band that has gone through 1olumbia) himself. It is a pessimistic view for newcomers to the band that have as many changes as this one has had the greatest effect on the during the past year, it is. sur By TONY GUZMAN sure,' but further more it shows Starship’s new sound. As stated, prising that the Starship waS able ngland has been producing how willing people are to accept vocalist Mickey Thomas (formerly to produce so strong an album. ny innovative and creative things they don’t think they can •Freedom at Point Zèro with Elvin Bishop) has graced While diehard Starship fans should icians for quite a few years, change when they really can. The Jefferson Starship Freedom at Point Zero with many perhaps be wary of this album, it is e Boomtown Rats are a con- following lines attest to this, ( Grunt) excellent performers both in lead good enough to attract many fans uation of the flow, non-stop, of Side two begins with the piano- By KEN HENRY and harmony roles. Thomas’ to its new rock 'n roll sounds. itish groups that you are at- oriented “ I Don’t Like Mondays.” The Jefferson Starship has versatility is evident in the ease in cted to instantly. Their new Although the song uses a fairly undergone many changes in its which he can handle both the hard- um, The Fine Art of Surfacing standard formula, compared to long history, but none perhaps as charging vocals needed for songs tests to the strength of British other cuts, the vocals still bring the significant as on their new album, like "Jane” and “ Rock Music,” lent. Theirs is a style that in- point across. Here the lyrics Freedom at Point Zero. The and in the graceful way in which he ¡gues you with its unique sound present an unusual situation to departure of both Marty Balin and handled the powerful, blues-tinged d catchy, yet profound lyrics. explain a bizarre occurrence. In “ I Grace Slick obviously has had an “ Awakening” which required a At first listen, you could easily Don't Like Mondays,” Geldof tells effect on the Starship’s new sound, great deal of vocal control. ke the Boomtown Rats as a the story of the shooting at a San as F reedom at Point Zero has none The other new member ,pf the Iking Heads “ clone.” This could Diego school early this year: of the commercial pop appeal that Starship is the former Jqurney a mistake. Although the basic And school's out early and soon Balin and Slick gave to the band. drummer, Aynsley Dunbar. und is similar at times, the focus we’ll be learning Yet their replacement, Mickey Reknowned throughout the rock d mentality of the music are And the lesson today is how to die Thomas, sings in a similar style to world as one of the premier ndamentally different. The Rats The pessimism within the songs both Slick and Balin, but in a drummers in all of rock, his blues- Heath Bros. g of urban situations; they are put across a certain amount of manner all his own. Freedom at based technique has definitely ore immediately attached to a tension that entices you. In Motion Point Zero may not satisfy all the changed the direction of the ~us on reality. Talking Heads It's one of those days when 1 Columbia long-time Starship fans because of Starship. Dunbar's effect on the ke an artsier approach. The don't like myself its more rock 'n roll approach, but band is best seen on “ Awakening" By ISIDRO YANEZ int is, they are different. But I get along with me O.K. it will certainly attract new where he relentlessly thrusts the Now they've got this hypnotic disco The album has brilliantly- (O.K.?) listeners who did not enjoy their Starship into new musical areas. thing. If people sit down and listen afted arrangements. The drums, The quality of the voice in this song previous works. "Awakening” could never have to that music for listening ss and rhythm guitar drive appropriately gives a mechanized One is struck immediately by the been performed prior to Dunbar’s pleasure, there's something wrong raight ahead while the feel to a situation in which a man much harder rock ’n roll stance joining, because none of the other with them, something lacking in yboards, lead guitar, voice, and sees himself as a machine. that the Starship has taken on this members of the band had ever their understanding of what music rings bring out the subtleties of It is really difficult to find a album. The guitar chords pound played any music based heavily on is and what it’s for...Bebop music eh composition. weakness in this album. The out riffs that were hardly ever the blues like Dunbar had. Thus, is American, it’s the life and times The first side starts out with a producing and engineering were heard in earlier Starship efforts, “ Awakening" reflects Dunbar's of people of America. It has to be ne about the life and times of a flawless. The musicians have an and lead guitarist Craig Chaquico past, as the song is very similar to taught in order to have art audience litical paranoiac. “ Someone’s excellent command of their in seems to be a totally different the type of sound he had with as broad as the manufactured ooking at s starts out in- struments. It is a pleasure to find Y.9U” musician or, Freedom. Chaquico’s Journey in its early works. audience of today. lent enough with the line, “ On a six musicians with such energy leads squeal, with newfound Freedom ot Point Zero does These are the words of Jimmy ight like this I deserve to get and innovation. This, their third aggressi\eness, as opposed to the succumb to timeworn .Starship uoi(. JV^cy. Hetijlh,, jd ¿pinch sup- ssed at least once or twice” but album, (js t thf. ( best new t wave passive', • 'controlled Jrads Hke bri ieehmqiii“ .' 'IKai H&Kdomt*viritl¡'JuK >ori drives the point home with Hie ddlfd&lion-¡Vof • { 3-HK ” .year.' • The. • ' ” t Please turn tb'p'.Bi,’ IVil.T)' ' PAGE B4 ¡mtmtiiiüi M l U l l l i l ! muiYituxvsr" THURSDAY. NOVEMBER29. Heath Br (Continued from p.B3) ajid Percy later left with the r DiZzy’s frhythm section toforr Modem Jazz Quartet. Ji continued to play, compose teach while working occasl with his brother until 1975, the Modern Jazz Quartet broi Women's theatre guitar with visual effects fancy dancing Irish music a photo presentation by KCO Y news photographers and the Heath Bros, united to their own group. In Motion, S B. RAPE CRISIS CENTER third album together, is propriately named because it 100 E. Carrillo St. BENEFIT $4.50 a stagnant tribute to bebop OFTEN COPIED running of the changes ove standards, but a strong state supporting the inclusion ol . . NEVER EQUALED most vital aspects of custom stylistic trends of the temporary. the Rock on the Coast Much of the credit must Jimmy Heath’s skillful FM 97 positions and his inventive sc for the brass choir include most of the tracks. “ A Time Place” provides the best exa of this and proves a tune c funky without having to res DON’S electrical crutches. The resul chromatic crystals of TROPICAL WORLD delicate yet at the same providing an impermeable Tropical Fish (Please turn to p.B5, col.l
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“The Voice of the Saxophone" is d'xlicated to Coleman Hawkins and eath Bros. Jimmy’s passionate ballad does justice to Hawkin’s tradition of (Continued from p.B4) sincere romanticism. irters of the jazz tradition in ‘ Walkingthe bass urldehneath all STEPHEN CLOUD PRESENTS AN EVENING WITH neral and bebop in particular, this music is Percy Heath, who has ith over 70 years between them played with jusCabout every jazz ent refining and perfecting the great from Bird to Miles. There ost harmonically complex music seems to be some kind of intrinsic at jazz can offer, their biases can unfairness to a jazz bass player as 11 be understood. The Heath far as being the main voice of the os. first gained recognition with melody, but Percy has a couple of zzy Gillespie in the early, 50s opportunities including the the soloists explorations of the album's opening number “ Move to ucture. His choice of timbre in the Groove.” This straight-ahead creation of mood is im- blues displays his clear ar ccable. “ Passion Flower” is a ticulation and punctuation of each rkly enchanting ballad that musical sentence, proving that he gins wth Percy’s almost is a highly disciplined musician elancholy bow leadline, which is that above all never forgets to 'set by Jimmy’s lighter than air swing. te fill-ins. The mystical at- The other members of the Heath osphere is further enhanced by Bros.’ group also have deep jazz e selection of the tenor roots. Tony Purrone’s guitar solos xophone’s rich sonority as the owe a great deal to Wes Mon provising device. It offers some tgomery, and Keith Copeland’s trospective poetry that is at once thorough background manifests gant and sorrowful. itself as early 60s Art Blakey. Jimmy’s spontaneous com- Stanley Cowell has played with sitions áre not far removed from Jimmy Heath for over 10 years and s more complete works. His now finds his piano very much at prano sax solo on- “ Feelin’ home with Percy in the rhythm walin’” is concise and an obvious section. flection of his bebop upbringing, Though their attitudes smack of ore than one Charlie Parker lick musical facism, th e L ^ ^ ^ ^ i^ the heard but it is to remind the Heath Bros, have inedSporaied the tener where all the music came vitality and drive of ffebbp into an om rather than some inherent attainable commodity for the eakness of creativity. He pays many unoriented listeners of mage to another saxophone today. They have achieved a yin- ant of the past in his excerpt yang balance that will please both om his extended' piece “Afror their old fans as well as the many erican Suite, of .Evolution.’* new ones that they deserve.
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FREE READING EVALUATION \ SPS POST TEST If you took the reading evaluation at the Academic Skills Center at the beginning of the quarter, you are welcome to take the post I test to see if you have improved your reading skills. Thurs. - 10:00-10:50, or 4:00-4:50 Fri. - 1:00-1:50 Academic Skills Center M-F: 8-12, 1-5 • • • Bob Marley and The Waiters Bldg. 477 961-3269 j f By NORM COURY Not coincidentally, Marley’s The ill effects, too, were likel People were still singing after music had much the same effect as those of ganja. Tempo was miredl Start the New Year Right Bob Marley and the Wailers left the skybound cannabis. The beat ip repetition and there was littlel the stage Sunday night. All the lingered and soothed the psyche. cumulative progression. After thel smoke had drifted out of the Long after any drum was actually hundred-minute set came thel V-4 ^ G/f Your Ass Off! County Bowl, but the upside-down struck, conga cadences kept the realization that the audience hadl rhythms were still bouncing crowd in step aridk spirit: ;as'they been dancing in place to thel at the film around the hills. descended the gaffieHjjkthl' llu >■ sedative strains of one long song,| Wood'is a very capable singer, as in fe c t i^ i and energetic as RICHARD PRYOR jaqkedrup Nicole tte Larson. ...Rick Danko It’s too bad, at this stage LIVE IN CONCERT By KEVIN MACKINNON people with tickets for saxophonist, anyway, that neither her band norl - PLUS- Thanks to Rick Danko, Lauren Tom Scott and Lauren Wood were her material lived up to her| Wood and the fast work of Co-Pi- surprised to find Scott gone and potential. The band seemed to A MARX BROS. SHORT Let Productions, what could have Rick Danko, former bassist with pre-occupied with how they looked been a total disaster at the The Band, in Scott’s place. rather than with how they sounded! Friday, January 4 Arlington last Monday instead What happened was that Scott and her songs were strictly freeze-] 6,7:45,9:15, & 11 pm turned into one of the area’s had cancelled out of the concert at dried, mundane Michael Mc-I brightest rock and roll concerts in 11 a.m. the day of the show, ap Donald fare. Given a sturdier band Campbell Hall • $1.50 a long, long time, at least for those parently due to illness. Rather and more adventurous material! Sponsored by History Undergraduate Assoc. fortunate enough to have seen it. than cancel the whole concert Lauren Wood may have a great] Phi Alpha Theta (underwritten by A.S.) Upon arriving at the Arlington, altogether, Co-Pi-Let was lucky deal of success ahead of her. enough to have Danko nil in for Rick Danko took the stage Scott at the last minute. wearing a cocky grin that seemed Those who stayed for the concert to say, “ We’re gonna have some (most people, being either greedy fun tonight.” He was right. Danko or misinformed, unfortunately and his crack band (Blondie took advantage of the refund offer) Chaplin and Rick Beilke ^NAR-GMT^ were treated to a slick, new singer- guitars, Tommy Stephenson or NAR-GAN songwriter in Lauren Wood and a piano and Ron McClorry or loose, spontaneous, inspired set by drums) opened with “ Stage Danko, who obviously enjoyed Fright” from Danko’s old day^ : B ee r 5 Ice D o c k being there as much as the with The Band. ypocT/ audience. However, The Band nevet Featuring C02 Lauren Wood opened the concert played it as hard and fast, with as with a pleasant, though) itWr much.freedom and openness, as Q. Why does Santa buy his kegs of dark beer at NAR-GAN? challenging, set of, upbeat) tunes. *' (Please turn top.BIO, col.4)
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lan .being treated.by a series of ; stimuli. R e m e m b e R special lack of diversified pacing pRÌeaòs ioitb hd from the performance in lan juStTirelodic terms, for the a Bible o r lonary nature of Marley's lyrics C b R Ì s t i d n lfo r accentuation. An angrier, Icorrelative accompaniment Book would have reinforced the CatbedRaI Bookshop Iverses with the punch that they 727 State St. Saite 6 | to produce change among the ed crowd. Santa BaRbawa, CA 93101 ! were moments, however, when {#9 6 6 321»______bsicianship was intensified to I the lyric values. As Marley fcd himself of guitar to focus lely on the pronouncement of 57(54 HolIisteR the trumpet and saxophone |ed with shelling syncopations (1 bl. so a tb o f Goleta 9re unheard. Violent outbursts Bas Company) |ed through “ I Shot the Sheriff." ’JJ.8c Co. p a n ts jmous by Eric Clapton, this tune G rzand |ide special on Sunday due to the satin only 15^5 1 lizations of the otherwise II rhythm section. O p en in g c o tto n ■rally, the Wailers were better only 1395 j; pd for the low volume, finesse nan for any of the raucous PRe-Xmas •SkiRtS rdment necessary to fulfill the 8c o e sts tan hero’s calls for the over- Sale of class structures. This ’ H a n ò c R a p t e ò Lmy was epitomized at the end of ¿Tem pting Fashions^ proper; Marley left the stage at beaaenly belts bleading in song, “ Give us the co/satin Roses ngs of his majesty, we don’t want p R i c e s ’ |dl philosophy.” Minutes later, ...Karla Bonoff ’s guitarist, seemingly oblivious metaphysics, introduced the By TOM BOLTON both the rockers and the slower with his own plea. “ Just beir Combining songwriting talent ballads. On “ The Letter,” a ¡and party." with the dynamics necessary for a touching heartbreak song which
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966 4045 Z .K ä r lä lio Matter GRANADA (Tntt*htut‘d from p.B7> months on the road. With Bonoff] «?f§ Slata Strati she first began to hit the main talent, it should be a fairly eas; IVhatJour * « ■ ■ ■ « stream; fresh, spirited .aRdysin- lesson. ‘ MARLON BRANDO 'cere! “ Jack Tempcfiin opened the sho In terms of crowd reaction. for Bonoff. with a witty and fas: Shoe Size— - s "Baby. Don't Go" was the biggest paced set that nonetheless ha THANKS FOR hit of the evening. Another crowd plenty of room for his seriou! YANKS'... pleaser. also from the R estless ballads. His most notable and bes - Gene Shaiit Nights album, was "Loving You." received offering was an anti-Ara- NBC TODAY SHOW which featured some crisp guitar tune called “ 95-Octane Dream." YANKS leads by Friching. PLUS: Same Time Next Year tUUlVlRMinttbRI W For those who attended, the view He also did some old favorite was generally the same: Bonoff such as “ Killing Me Softly Wit’ was a hit, and the music was well Kung Fu" and “ I am My 0w FOR rendered. If there was any com Grandpa." His most seriou: 966-9582 plaint. it was that her band selection was “ Peaceful Eas Yc4rlingtocv (enter INFORMATION sounded too much like the albums, Feeling," which was made famou. CALL THEATRE even to the point of identical leads. by the Eagles on their debu But that is something that a per- album. As always. Tempchin wa 966-9382 fo rr^ ” If'orrs ^f'nl tv’ih thupuifth musical and fun.
MICHAEL DOUGLAS 1ESTA 1 SUSAN ^ 91* Sinri ANSPACH
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Fair view R f A f l PINS, BOXES ALSO: STARTING OVER MOBILES & IT CAME FROM M m NEW THINGS m e p í OUTER SP,ACE only at Twin Theatres J 4\[lrF? N B RICHARD CARLSON • BARBARA RUSH I A twi.t...... otifiitn... A t r T i/ iA (BIRDS OF A FEATHER) STARTS SUNDAY thru TUESDAY! fefsfrpgm (ENGLISH SUBTITl ES rated Ri ÿ©[UIÜ i$ "FULL Of CHARM UNIQUE" L.A. TIMES We’re As Bright As Ever "FASCINATING. AN UNCONVENTIONAL COMEDY N Y TIMES NMi Soi MO OortMMo M.\\m »# FRANCOIS TRUFFAUT PICCADILLY SQUARE l i v r e f 11 «m Q Q Q 7 STATE 5 POINTS SHOPPING CENTER 967-3606 POLICE & JOE JACKSON $4.99 ST¥X & PABLO CRUISE $5.99 ? Pablo Cruise Part O f The Game RECORDS " (3 L r® * USED RECORDS/TAPES P A G E BIO DAtbfN EA OB THURSOA Y, NOVEMBER 29,1979 CHRISTMAS ORNAMENTS • PINS • ART SUPPLIES • MIRRORS ...Rick Danko . (Continued from p.Btt) Danko in addition performed Danko and company did. Perhaps, several solo numbers,ac companying himself with acoEfefic > due to the unusual circumstances of their appearance, the band guitar on “ What a Town” and a appeared to be under no pressure, heartrending “ It Makes No Dif < but instead played with a living- ference.” When not clowning Z PLASTER room intimacy, more like old around, Danko is still a beautiful GO 10-6 Tues* Fri CRAFTS > friends than as performers. As a singer. Q_ 10-5:30 Sat. c c result, their playing achieved that The concert ended with an ab THIS YEAR - magical, quality — loose, yet still solutely wild rendition of P A IN T Y O U R O W N incredibly tight. Danko summed it “ Whatcha Gonna Do?” It’s hard to HOLIDAY DECORATIONS AND GIFTS! o up-best when he confessed, “ It’s remember when I last heard music o this raw and powerful. Before the o 7S ; kinda informal, ya know?” < 10% off fwhiteware only) thru Dec. with UCSB I.D. CO Informal or not, this band knew song was over, the audience was on 5 • 03 haw to play rock and roll. its feet, the band playing with O sheer abandon. And after the band No. 9 bus from U CSB to Fairview and Calle Real> o ‘.‘Bprainwash,” “ Java Blues,” and in the Orchid Bowl Center m “ Crazy Mama” were all kicked left the stage, the people stayed on < Z into high gear largely due to the their feet for a good five minutes CD 5915 CA LLE REAL* GOLETA.CA 93017*967-3063 o CO incredible twin guitar work of more. All told, Danko was on the S3TUV1S • SdlAIVl • S311SIHAA • SH31NV1d • SMNV8 • S3X08 0IS0I/V Chaplin and Beilke, whose in stage for about 80 minutes. I would terplay could only have come have sworn 18. through mind-reading. Chaplin Hopefully, Danko and friends also sang lead on a rousing version will soon return to Santa Barbara of “ Sail On Sailor,” bringing the under more normal cir house down. cumstances. ...Bob Marley PRICES ARE DOWN (Continued from p.B8) resembling those dashboard HOUDAY SPIRITS ARE HIGH however, that the pace livened. doggies whose heads slowly bob One dozen Waiters finally con with every bump in the road, the Great Gift Ideas spired for something that tran crowd was now thoroughly moved. scended mere Reggae Muzak. Sure to Please Pieces such as “ Jammin” ’ and For its last concert of the year, “ Stir It Up” were not only more the Bowl reverted to the decible Hawaiin print tops . Rabbit fur jackets. suitable for the euphoric renditions level of seasons past, and the show from69°° applied throughout, but they were suffered only minimally from a tramò95 elevated by the looser interplay few dissonant blurbs. Warming up Tuxedo & Cartier pants...... 3 pc. suits...... and uncut emotion 'hot utilized the speakers and the audience was earlier. Betty Wright. Her disco, much like from ll95 from40°° When Marley closed with the the fading scene it is a part of, was anthem, “ Get Up, Stand Up,” stylistically embellished, but Emb. blouses & tops Drawstring 8 wrap pants . . everybody did. Previously lackitfg in content. from595 from9“ Dresses ...... Cowl neck t-shirts. fromM95 from695 VV^Cak* Decorating Velour tops...... Rannel shirts . . . Y Holiday Celebrating... from149S from?95 The Skirts...... Sweaters ..... Cake Pans n m e , from69B from12°° Way Cookie Baking BRING YOUR GIFT LIST AND SAVE Cutters and Candymaking Supplies Cake Decorating Party Books & Kits N eed s Store Hours FASHION AT A PRICE Mon thru Sat 9:30^0 5:45 5781 C afe Real. C SKI MAMMOTH! I JA N . 17-20 O N L Y *55 SIGN UP BEFORE NOV. 30 fflC K P lLE AT SKI CLUB OFFICE ------RECORDS------ -► ro c k- on sale this w e e k ^ -►new w a v e 4.99 each — reggae — xtc - drums & wires — imports — police - reggatta -► import singles ~~3e blanc plus badges, magazines Serving Santa Barbara for the past IS years and more with fine handcrafted Leather Items FEATURING Birkenstock Sandals Deckers - Mexican Sandals Clogs - Belts - Buckles - Hats ■ Wallets - Handbags - Leather Jackets. Vests and Halters. Also Fine Casual Clothing - 18 IV. Anapamu * 966-2510 1/2 block off State — Free Parking HURSDAY. NOVEMBER29. 1979 DAILY NEXUS PAQEB11 selected women s men's terry ROMPERS SPORT WARM-UPS in royal. It. blue, beige, SHIRTS brown, or white women's stretch terry navy, brown, rose, or turquoise reg 15” OFF 25 % 2 9 9 9 SIZES S-M-L ° ° ★★★★★★★★★★★★★★ 10 RACKETBALLS SWEATERS POINT WEST BLUE Ov1 85/15 wool nylon grey rag 25" 2 per can reg 2 " 100% wool grey 28" LIMIT 6 CANS RAWLINGS MIKASA RAWLINGS LEATHEft * SWL 319 SOCCERBALL LEATHER RL5 BASKETBALL * youth size 4 PRO FOOTBALL reg reg reg 36“ 24 ” 23” 19 " 24“ 17 " \. TTTTTTTTTVi ■ - x TENNIS From I.V. take Los. FRAMES Carneros or Storke to a Hollister, then left. reg SALE reg SALE WILSON Adidas TRX 32” 24" Jack Kramer 44” 35” HOLIDAY Ads. Lady TRX 32” 24" Chris Evert 44” 35“ HOURS Adidas Squire 22” 16" Pro Staff 49” 39” Etonic Streetfighter 26" Advantage 59” 49” MON-FRI 9:30-8:00 men's 34” Head Pro 59" 49” SAT 9:30-6:00 Yonex SUN 11:00-4:00 women's 33" Brn. or Gld. ' 49” 34” Gloflex 66" 49” Other shoes in limited Thru Dec. 10 sizes at greatly ^ * * * * * * * * * ^ reduced prices. University Village Plaza • 7127 Hollister Ave., #18 • Goleta • 685-1295 PAGEB12 U AI LY NEXUS THURSDAY. N O VEM BER29. 1979 Ifc». *»11 W • ■* IQ r * * r j ¡ p 3 w S l M ä i . 9 WHAT’S MISSING FROM THIS PICTURE? “ $40*00 Hint: it’s 14K solid gold, and on sale now through December 2nd at the Gold Chain Supermarket in Piccadilly Square Answer Special purchase earrings 30-40% off! musical notes, shells, locks, bolts, hearts, crescents, mushrooms, and more solid gold designs. 14K solid gold earrings regularly— $10.00 ON SALE NOW O N LY.!. .$6i00 Other 14K gold earrings regularly.,. .$15.00 ON SALE NOW ONLY... .$10.00 Hand-cast 14K earrings regularly— $25.00 ON SALE NOW ONLY... .$18.95 Piccadilly Square • 813 State Street, Santa Barbara