Morbid Self Meaning. [ ab-hawr-uhns, -hor- ]/ æbˈhɔr əns, -ˈhɒr- /a feeling of extreme repugnance or aversion; utter loathing; abomination.something or someone extremely repugnant or loathsome.abh, abhenry, abhidhamma pitaka, abhominable, abhor, abhorrence, abhorrent, abia, abiathar, abib, abidanceFirst recorded in 1650–60; abhorr(ent) + -enceSEE MORE SYNONYMS FOR abhorrence ON THESAURUS.COMDictionary.com Unabridged Based on the Random House Unabridged Dictionary, © Random House, Inc. 2019For all his caustic polemics, Kristol had an abhorrence of finding himself in the minority.Glenn Beck's Creator|Lee Siegel|September 26, 2009|DAILY BEASTMorgan avoided the Headlight office, for there was a sensitive spot in his heart that Rhetta's abhorrence of him hurt keenly.Trail's End|George W. OgdenSo, worse and worse became the man's condition, greater and greater his abhorrence of what is counted a delicate bit of eating.The Cassowary|Stanley WaterlooThese manners and customs they were obliged to adopt in order to avoid becoming objects of abhorrence.Solomon Maimon: An Autobiography.|Solomon Maimona feeling of extreme loathing or aversiona person or thing that is loathsomeCollins English Dictionary - Complete & Unabridged 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012WORD OF THE DAYerumpentadjective | [ih-ruhm-puhnt]SEE DEFINITION [ ab-hawr-uhns, -hor- ]/ æbˈhɔr əns, -ˈhɒr- /a feeling of extreme repugnance or aversion; utter loathing; abomination.something or someone extremely repugnant or loathsome.abh, abhenry, abhidhamma pitaka, abhominable, abhor, abhorrence, abhorrent, abia, abiathar, abib, abidanceFirst recorded in 1650–60; abhorr(ent) + - enceDictionary.com Unabridged Based on the Random House Unabridged Dictionary, © Random House, Inc. 2019[They were feeling] humility, self-condemnation, self-abhorrence.They looked inward with a self-abhorrence now inseparable from their existence.French Classics|William Cleaver WilkinsonHe was aghast at himself and too full of self-abhorrence to do more than fight blindly away from what he could not but see.Father Stafford|Anthony HopeTo say that poor Ebony was filled with horror, as well as shame and self-abhorrence, is but a feeble statement.The Fugitives|R.M. Ballantynea feeling of extreme loathing or aversiona person or thing that is loathsomeCollins English Dictionary - Complete & Unabridged 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012WORD OF THE DAYerumpentadjective | [ih-ruhm-puhnt]SEE DEFINITION Related to Self-abhorrence: Quave, damascene, Wiery, word meaning, Wisly n.1.Abhorrence of one's self. Want to thank TFD for its existence? Tell a friend about us, add a link to this page, or visit the webmaster's page for free fun content. Link to this page: You’d be hard pressed in finding an early ’90s EP that tops this monstrosity. You could tell Abhorrence meant business with their demo, but nothing could have prepared the Finnish scene for their sophomore (and, regrettably, final) release. It’s remarkable how far their sound had come in just one year of activity. I listen to this at least as much as the classics of their contemporaries, and so should you. Abhorrence shared more in common with the likes of Grave and early Bolt Thrower than they did with anything else coming out of at the time. This is nothing but the finest riff-driven primitive death metal you could hope to come by. Pestilential Mists opens up gradually from a brooding intro into an array of violent tempo changes. The production is markedly improved from the Vulgar Necrolatry demo, but still sounds as if the band is performing from within a murky, nameless cavern hidden in the dank Finnish woodlands. After the howling solo of the opener dissolves into silence, my two favourite Abhorrence tracks are consecutively presented. Riff-maestro, Tomi Koivusaari, rips right into Holy Laws of Pain with some meaty, distorted chugs. Apparently the vocalist of Abhorrence never went on to do anything else in the extreme metal underground, which is as bizarre as it is unfortunate. Nevertheless, his performance here is guttural and punishing as shit, and the way it spews through the mess of guitar distortion makes the music sound that much more abrasive. Caught in a Vortex sees the band slowing down the pace for some eerie atmospheric melodies, or at least that’s the intro, the rest is more of the same fast-paced riffy death metal. For whatever reason, the production on the final track, Disintegration of Flesh, is hilariously less polished than the rest of the tracks. Whether this was left over from the demo or not, I’m not sure, but the song itself holds up just fine so who cares. Abhorrence didn’t waste any time during their short little stint, and while I’m often kept awake at night thinking about what a full length might have offered us, I’m fully contented with the two releases that were put forth. I guess the most logical recommendation for a full-length after this EP would be ’ debut, since it shares the primary guitarist/songwriter, but it actually doesn’t sound very similar. I’d say Amorphis’ Privilege of Evil EP is the closest companion piece to this, but still, the songs here are straight up better. If this band put out at least one more release, or if their work was given proper reissues, I’m confident that the death metal community would laud Abhorrence alongside first tier death metal acts of the same era. Alas, as it stands, they are remembered only by those who have sought them out, but those select few have been duly rewarded with filthy death metal of the highest calibre. Brief as it may have been, Abhorrence’s career is a firm and respectable pillar in the foundations of the putrid Finnish underground, and this is their definitive offering. Since I’m the biggest Amorphis fan in the known universe, it’s a wonder that I’d never thoroughly checked out Abhorrence until earlier last year. I’d heard vague rumours that they were classics of the early Finnish death metal scene, but I guess I just never considered that a band that was active for less than two years who only released a short demo and an EP could have much to offer but, my friends, let me sincerely admit that I was gravely mistaken. Abhorrence fucking rule, and tell everyone you know this fact. The Vulgar Necrolatry demo is an obscure little gem of Finnish death metal lore, but a damned significant one at that. It was the first recorded piece of music in which Tomi Koivusaari lent his riffs of ungodlike mastery, before going on to mastermind Amorphis, alongside , of then Violent Solution notoriety. Also, albeit a decade after Abhorrence’s gruesome demise, Mika ‘Arkki’ Arnkil, would go on to provide bass for Impaled Nazarene. So, two prominent members of two of Finland’s most influential metal bands played together in a band in their teens, and what did it sound like? Well, disgustingly primitive and violent death metal, naturally. Sure, the production is about as harsh and gruff as it comes, but in a much more tasteful way than bedroom bands. The riffs trudge through the grain like a thick blizzard and the solos squeal through the mix like a tortured banshee. The opening and title track is clearly the centerpiece of the release, and it’s no wonder Amorphis still play this song live. After the eerie, yet admittedly needless intro, the riffs stomp forth and never let up. Merging between a mid and fast pace, this song never ceases to decimate. The vocals are heavily Carcass inspired, and while the music is certainly brutal, there are still melodic moments which already remind one of the more epic moments of Amorphis’ debut, . Top it off with a raging solo near the end, and here you have one of Abhorrence’s best songs. What surprises me most about this release is the fact that if you can contain yourself from headbanging for a split second, and look beyond the filthy production, you’ll notice that much of the music is legitimately catchy. I could hum the breakdown at about 50 seconds into Pleasures of Putrid Flesh all day long. This is definitely an example of a classic demo in desperate need of a good reissue. This, along with Abhorrence’s EP, really does belong in the collection of fans of the early Scandinavian and British death metal scenes. It will remind you of Dismember, it will remind you of Carcass and early Bolt Thrower, but it will also offer you something different. The filthy production and putrid atmosphere do well to hide some haunting melodic breaks which really is the charm of Abhorrence. This is music to dig up festering graves to, or desecrate holy tombstones. 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