PIANIST PHILIP CHIU WINS CANADA’S BIGGEST CLASSICAL MUSIC PRIZE FOR EMERGING ARTIST- $125,000 PRIX GOYER 2015-2016
FOR IMMEDIATE RELEASE
Montréal, Québec, Sept. 17th, 2015
Montréal pianist Philip Chiu, heralded internationally for the brilliance of his playing and his infectious personality, is the winner of the $125,000 Prix Goyer 2015-2016 for Extreme Emerging Artist. Prix Goyer is the biggest prize in Canada and one of the largest in the world for an artist emerging in classical music. The award is founded to honour Jean-Pierre Goyer and his contributions to music, arts and culture in Montréal, Québec and Canada.
The prize will be presented to Philip, Saturday, Sept. 19th 2015 at 8 pm, Ensemble Caprice concert, Bourgie Hall, Montréal Museum of Fine Arts, 1339 Sherbrooke Street West. Tickets can be purchased online at Montreal Museum of Fine Arts.
About Philip Chiu Philip Chiu has appeared in recitals with leading musicians of the world stage, including James Ehnes, Raphael Wallfisch, Patrice Fontanarosa, Regis Pasquier, Matt Haimovitz, Radovan Vlatkovic, Stefan Dohr, Philippe Bernold, Alex Klein, and Eugene Izotov. Philip performs regularly with principal members of Canada’s leading orchestras and ensembles, including Toronto Symphony Orchestra concertmaster Jonathan Crow, Orchestre Symphonique de Montréal concertmaster Andrew Wan, and Pascale Giguère of Les Violons du Roy. Along with pianist Janelle Fung, Philip forms one of Canada’s most exciting piano duos, the Fung-Chiu Duo. Philip has toured numerous times with premier touring organizations, Jeunesses Musicales Canada, Prairie Debut, and Debut Atlantic.
Music by Philip Chiu Philip Chiu - Prokofiev: III. Precipitato Sonata no.7 Philip Chiu - Ravel: Tombeau de Couperin I. Prélude
Philip Chiu - Poulenc: Badinage
For inquiries and bookings: Matthias Maute Philip Chiu noncerto [email protected] [email protected] [email protected] 438 404-7886 514 947-6498
### Prix Goyer
Extreme Emerging Artist Mécénat Musica noncerto Ensemble Caprice / Matthias Maute
Prix Goyer : $ 125,000 $ 125,000 2015 - 2016 $ 125,000 2017 - 2018 Confidential
This Award is founded to honor Jean-Pierre Goyer and his contributions to music, arts and culture in Montréal, Québec and Canada.
Jean-Pierre Goyer has been involved in many Montreal cultural organizations, notably as President of the “Conseil des arts de Montréal” and as Chairman of the board of the “Orchestre Métropolotain”.
The amount is 125 000$: $50,000 Mécénat Musica : cash $50,000 noncerto : production, distribution and marketing of 18 classical music videos $13,500 Matthias Maute : new composition by Canadian Composer $11,500 Anonymous : business coaching
The award is advertised: The Extreme Emerging Artist Award is by invitation only as selected by the Worthiness Judges, similar to the Gilmore Artist Award following a confidential non‐competitive selection process whereby “… six‐member Artistic Advisory Committee appraises the nominees over a period of time and assesses their musicianship and performing abilities through numerous performances under varying conditions. Throughout the … process, candidates for the Award are unaware they are under consideration”.
Selection criteria and eligibility is determined by: Potential candidates are emerging artists who are classical musicians under the age of 33 1/3 years old as of December 30th of the year prior to selection. Each candidate must show a broad diversity of successful musical collaborations with other musicians and ensembles. Each candidate must have made performances with Canadian and internationally established artists. Each candidate must have already been recognized as one of Canada’s most promising musicians by a number of other music organizations such as Jeunesses Musicales of Canada Emerging Artists, OSM Manulife Competition, Montréal International Music Competition, Prix d’Europe, Canadian Music Competition, Eckhardt‐Gramatté or Sylva Gelber Music Foundations, “Révélations de l’année de Radio- Canada”, CBC’s 30 hot Canadian classical musicians under 30, or Canada Council for the Arts.
Philip Chiu Extreme Emerging Artist
Philip Chiu, pianist, is an Extreme Emerging Artist. Why Extreme? Because of the diversity of successful musical partnerships he has formed in a short time, his recognition by the Sylva Gelber Music Foundation as one of Canada’s most promising musicians, and his recognition by internationally established artists as a leading chamber musician.
Phil has partnered with emerging artists to win awards:
Artist Video with Phil Artist Awards won with Philip Chiu on piano Janelle Fung Piano Duo Jeunesses Musicales Emerging Artists Piano Duo Prairie Debut Ewald Cheung Violin Jeunesses Musicales Emerging Artists McGill Golden Violin Award Carissa Klopoushak Violin Eckhardt-Gramatté Competition (Grand Prize) Canada Council for the Arts Musical Instrument Bank Debut Atlantic Wai Lau Clarinet Canadian National Music Competition (Grand Prize) Nikki Chooi Violin Canada Council for the Arts Musical Instrument Bank Stephen Waarts Violin Montreal International Musical Competition (2nd Prize) Lara Deutsch Flute McGill Classical Concerto Competition Emily Belvedere Harp Yolanda Bruno Violin OSM Standard Life Competition (Grand Prize) Kerson Leong Violin OSM Standard Life Competition (1st Prize)
Phil has partnered with internationally renowned artists:
Artist Performances with Philip Chiu Andrew Wan Violin Grand Opening - Maison Symphonique de Montréal Montreal Symphony Chamber Music Jeunesses Musicales Emerging Artists James Ehnes Violin Montreal Symphony Chamber Music Raphael Wallfisch Cello Domaine Forget International Academy Matt Haimovitz Cello Bourgie Hall Concerts Régis Pasquier Violin Domaine Forget International Academy Tokyo Opera City Concert Hall (2015) Jonathan Crow Violin Album of Schubert’s Violin and Piano works Stefan Dohr Horn McGill Schulich School of Music
Radovan Vlatković Horn Domaine Forget International Academy
Philip Chiu
Pianist biography
More than a summation of technical and musical abilities, pianist Philip Chiu has become one of Canada’s leading musicians through his infectious love of music and his passion for communication and collaboration. Lauded for the brilliance, colour and sensitivity of his playing, he is particularly noted for his ability to connect with audiences on and offstage.
“...a pianist painter who turns every musical idea into a beautiful array of colors.” La Presse (Montréal)
“Pianist Philip Chiu played with striking precision and subtle poetry.” The Gazette (Montréal)
An exceedingly sociable pianist, Philip concertizes extensively as one of Canada's most soughtafter chamber musicians. He has appeared in recitals with leading musicians of the world stage, including Régis Pasquier, James Ehnes, Raphael Wallfisch, Patrice Fontanarosa, Matt Haimovitz, Radovan Vlatkovic, Stefan Dohr, Philippe Bernold, Alex Klein and Eugene Izotov.
He performs regularly with principal members of Canada’s leading orchestras and ensembles, including Toronto Symphony Orchestra concertmaster Jonathan Crow (as part of the CrowChiu Duo), and Orchestre Symphonique de Montréal concertmaster Andrew Wan. Along with pianist Janelle Fung, he forms one of Canada’s most exciting piano duos, the FungChiu Duo. He tours regularly with premier touring organizations, Jeunesses Musicales du Canada, Debut Atlantic and Prairie Debut.
Dedicated to elevating the standard and art of collaborative piano, Philip Chiu is the creator and director of the new Collaborative Piano Program at the Domaine Forget International Festival and Academy.
Philip is the inaugural recipient of the Prix Goyer (20152016), one of Canada’s largest classical music prizes, in recognition of his artistic achievements and contribution to Canadian classical music. He is also extremely grateful for the support of the Sylva Gelber Music Foundation, Canada Council for the Arts and Jeunesses Musicales du Canada. He can be heard/seen on Classical 96.3 FM, Australia’s ABC Radio, CBC Radio and RadioCanada, and has recorded for Analekta and Espace XXI.
Philip is represented by Andrew Kwan Artists Management.
noncerto Phil Chiu videos
# Ensemble/Artist Location (Culture) Description Video Name (Music) Duration (mm:ss) 5 Fung-Chiu Duo Théâtre Rialto & Les Ateliers Jean-Brillant 1 Firebird 5 Fung-Chiu Duo - Stravinsky: Firebird MusicVideo 04:44
04:44 6 Fung-Chiu Duo Oyster Shack on Bishop Fairy Tales 6.1 Fung-Chiu Duo - Tchaikovsky: Russian Dance Nutcracker III.Trépak 01:26 Montréal 5 pianos publics 6.2 Fung-Chiu Duo - Ravel: Mother Goose III.Little Ugly Girl, Empress of the Pagodas. 01:29 Théâtre Rialto & Les Ateliers Jean-Brillant 2 6.3 Fung-Chiu Duo - Stravinsky: Firebird Making of the Music-Video 03:15 06:10 7 Fung-Chiu Duo Gallerie Gora 1 Nutcracker 7.1 Fung-Chiu Duo - Tchaikovsky: March, Nutcracker 02:16 Pianos Bolduc 1 7.2 Fung-Chiu Duo - Tchaikovsky: Dance of the Sugar Plum Fairy, Nutcracker 01:58 Hôtel Mount Stephen 1 7.3 Fung-Chiu Duo - Tchaikovsky: Waltz of the Flowers, Nutcracker 03:47 08:01 18:55 8 Cheung & Chiu Salle Raoul-Jobin, Palais Montcalm, Québec 1 Kreisler 8.1 Cheung & Chiu - Kreisler: Liebesleid 01:53 Salle Raoul-Jobin, Palais Montcalm, Québec 2 8.2 Cheung & Chiu - Kreisler: Schön Rosmarin 01:40 Salle Raoul-Jobin, Palais Montcalm, Québec 3 8.3 Cheung & Chiu - Kreisler: Tambourin Chinois 03:01 06:34 9 Cheung & Chiu Gallerie Gora 1 Favourites 9.1 Cheung & Chiu - Beethoven: I.Allegro Assai Violin Sonata no.8 02:15 Hôtel Mount Stephen 2 9.2 Cheung & Chiu - Sarasate: 3. Gypsy Airs Zigeunerweisen, Un poco più lento 02:38 Hôtel Mount Stephen 3 9.3 Cheung & Chiu - Sarasate: 4. Gypsy Airs Zigeunerweisen, Allegro molto vivace 02:07 07:00 10 Cheung & Chiu Home Concert Brunch 1 Brahms 10.1 Cheung & Chiu - Brahms: Bülow Violin Sonata no.3 02:44 Home Concert Brunch 2 10.2 Cheung & Chiu - Brahms: Rain Violin Sonata no.1 02:47 Le Sanctuaire de Pianos 10.3 Cheung & Chiu - Brahms: Meistersinger Violin Sonata no.2 04:15 09:46 23:20 20 Leong & Chiu Lac Tremblant, La Fête de la Musique de Tremblant Showpieces 20.1 Leong & Chiu - Sarasate: 1 & 2 Gypsy Airs Zigeunerweisen, 1.Moderato 2.Lento 03:06 Station Mont Tremblant, La Fête de la Musique de Tremblant 20.2 Leong & Chiu - Dompierre: Les Diableries III.Le Diable Gigueux 01:34 Sommet/summit Mont Tremblant, La Fête de la Musique de Tremblant 20.3 Leong & Chiu - Massenet: Thaïs Meditation 02:49 07:29 22 Leong & Chiu Festival de Musique de Lachine, L'Entrepôt 4 Klassics 22.1 Leong & Chiu - Mozart: I.Largo Allegro Violin Sonata no.32. 02:09 Festival de Musique de Lachine, L'Entrepôt 5 22.2 Leong & Chiu - Mozart: II.Andante Violin Sonata no.32 03:14 Festival de Musique de Lachine, L'Entrepôt 6 22.3 Leong & Chiu - Brahms: II.Adagio Violin Sonata no.3 02:23 07:46 15:15 32 RR2 Phil Chiu Musée McCord RR2 Philharmonique 32.1 Phil Chiu - Maute: RR2 I.Gare Windsor, Noncerto Métro Philharmonique 03:15 Métro Guy Concordia 32.2 Cheung & Chiu - Maute: RR2 II.Place-des-Arts, Noncerto Métro Philharmonique 03:36 Métro Laurier 32.3 Fung-Chiu Duo - Maute: RR2 III.Champ-de-Mars, Noncerto Métro Philharmonique 03:11 10:02 33 Phil Chiu Christ Church Cathedral 1 Phavorites 33.1 Phil Chiu - Ravel: Tombeau de Couperin I.Prelude 02:57 Hôtel Mount Stephen 4 33.2 Phil Chiu - Poulenc: Badinage 02:18 Gallerie Gora 2 33.3 Phil Chiu - Prokofiev: III.Precipitato Sonata no.7 03:33 08:48 18:50 36 Lara Deutsch & Phil Chiu Hôtel Mount Stephen 5 Masterworks 36.1 Deutsch & Chiu - Prokofiev: Sonata Op.94 IV.Allegro con brio 02:55 Gallerie Gora 3 36.2 Deutsch & Chiu - Gaubert: Sonata no.1 II.Lent 02:54 Christ Church Cathedral 2 36.3 Deutsch & Chiu - Jolivet: Chant de Linos 04:07 09:56 09:56 Total 31 1:26:16 1:26:16 1:26:16
Noncerto RR2 Métro Philharmonique© © Matthias Maute 2014
Composition Notes
A Noncerto is a concerto that pushes the limits of classical music. A Noncerto is typically without orchestra and features all types of instrumentations, ranging from solo music, to chamber music for ensembles and to orchestral music with choir. The Italian definition of Noncerto is "Hmmm…I am not sure". This is the spirit in which Noncerto Compositions are intended.
Noncerto RR2 Métro Philharmonique reflects both life in a big city like Montréal and one of its most spectacular aspects, the underground! A subway system is probably the biggest construction site of any city and it is quite fascinating, that unlike towers and skyscrapers we can’t really see its gigantic dimensions which are hidden in the dark. We have to experience it!
Noncerto RR2 Métro Philharmonique Movements are named for Métro de Montréal and the inauguration of the new MPM- 10 trains: I. Gare Windsor Piano – Allegro II. Place-des-Arts Piano et violon – Tranquillo III. Champ-de-Mars Piano quatre mains – Presto
I Gare Windsor One of Montréal’s oldest train stations, and certainly its most beautiful, the name of this majestic building serves as canvas for the chaos and ultimately completion of the huge project that led up to the construction of the subway system for the World Expo in 1967. We hear the chaos, the hammering of the machines, the noise until finally –and out of the dust! –In Noncerto RR2 bar 27 the silhouette of a magnificent building emerges.
II Places-des-Arts When the subway stops at Places-des-Arts, time stands still. The proximity of the Montréal concert halls hangs like a promise in the air: musically speaking, all is possible and the expectation carries us through the station. The movement has no flats or sharps -everything is left open and the music resembles more a dream within ourselves rather than a piece of music that we actually hear being played by someone. The beginning quotes the signal of the Montréal subway that can be heard every single time the doors are closing at departure.
III Champ-de-Mars Close to the old part of Montréal, the name of this subway station reflects the various conflicts within a city like Montréal. Old and new co-exist and the ongoing struggle can be felt. The movement begins with an old-fashioned fugue, but something seems wrong right from the beginning. Indeed, the note « C » is hammering mercilessly a counterpoint throughout the whole movement and manages to upset the fugue by calling upon the « new life », thunderous intrusions of thick and rhythmic chords! This kind of competition ends without a winner, and the palpable friction creates energy, just like closed systems like big cities do by bringing together on a comparatively small space a mass of people and ideas. It is a special twist that at some point the fugue evolves into a double fugue with the subway signal as a second subject.
Prix Goyer
Artiste émergent extrême / Extreme Emerging Artist Commanditaires / Sponsors
Les Mécènes de Mécénat Musica / Patrons of Mécénat Musica noncerto Ensemble Caprice Matthias Maute, Compositeur / Composer Mécénat Musica
La raison d’être du musicien La musique est un besoin fondamental pour la survie de l’être humain. La musique nous offre une manière de comprendre la vie, une manière par laquelle nous pouvons exprimer nos sentiments lorsque les mots nous manquent, une façon d’appréhender les choses avec le cœur là où l’esprit s’avère impuissant. La musique se glisse doucement sous le niveau de notre réalité consciente pour aller chercher ce qui se passe réellement à l’intérieur de nous-mêmes, à la manière d’un bon thérapeute. En effet, le musicien est un genre de thérapeute de l’âme humaine, une sorte de version spirituelle du chiropraticien ou du physiothérapeute, un intervenant qui agit sur notre âme pour voir si tous ses éléments sont bien alignés, qui veut voir si nous sommes capables de résonner en harmonie avec nous-mêmes, d’être heureux et en santé. - Karl Paulnack
The Purpose of a Musician Music is a basic need of human survival. Music is one of the ways we make sense of our lives, one of the ways in which we express feelings when we have no words, a way for us to understand things with our hearts when we can’t with our minds. Music can slip beneath our conscious reality to get at what’s really going on inside us the way a good therapist does. Musicians are a sort of therapist for the human soul, a spiritual version of a chiropractor, physical therapist, someone who works with our insides to see if they get things to line up, to see if we can come into harmony with ourselves and be healthy and happy and well. - Karl Paulnack
Mécénat Musica Les anniversaires en 2017 / Anniversaries in 2017 375e de Montréal, 150e du Canada & le 50e d’Expo67 ! Montréal 375th, Canada 150th, Expo67 50th! Mécénat Musica est une campagne de financement où les donateurs peuvent bénéficier d’un crédit d’impôt additionnel pour un don important en culture. Selon Revenu Québec, vous ne pouvez bénéficier de ce crédit d’impôt additionnel qu’une seule fois dans votre vie et ce, avant le 31 décembre 2017. Mécénat Musica is a fundraiser where an individual donor receives a new special tax credit for one large cultural donation. Revenu Québec says this can only be done once in a lifetime, prior to December 31, 2017. Mécénat Caprice Une contribution d’une unité de 25 000 $ à Mécénat Caprice est allouée de la façon suivante : • 20 000 $ à l’Ensemble Caprice • 5 000 $ à un Artiste émergent extrême Le coût net d’une contribution de 25 000 $ après crédits d’impôt est de 6 750* $ et ce grâce au crédit d’impôt additionnel pour un don important en culture, crédit qui ne peut être utilisé qu’une seule fois dans la vie. Avec un don de 20 000 $ à l’Ensemble Caprice, le Conseil des arts et des lettres du Québec ajoute une subvention de contrepartie de 205% ou 41 000 $, et à cela s’ajoute, une subvention de contrepartie de 100% ou 20 000 $ de Patrimoine Canada. C’est une chance unique pour Caprice. Le total représente 81 000 $ soit 11 fois le coût réel de 6 750* $ après impôt! Cet argent est déposé dans le compte à perpétuité de Caprice avec la Fondation du Grand Montréal, ce qui nous rapporte un minimum de 3,5% d’intérêt ou ~2 800 $ par année, chaque année et ce, à perpétuité. Vous aussi pouvez joindre Mécénat Caprice en écrivant dès maintenant un chèque de 25 000 $ en date du 31 décembre 2015 à Ensemble Caprice. C’est un investissement sans pareil qui change l’avenir de Caprice aujourd’hui mais également pour les générations à venir. Merci infiniment ! * Le coût réel après impôt suppose que le résident du Québec a un revenu imposable suffisamment élevé pour absorber les crédits d'impôt de ce don.
A contribution of one unit of $25,000 to Mécénat Caprice is used as follows: • $20,000 to Ensemble Caprice • $ 5,000 to an Extreme Emerging Artist The net cost of a contribution of $25,000 after an individual’s personal tax credits is $6,750*, by using your once in a lifetime Revenue Quebec additional tax credit for a large cultural donation. With the $20,000 to Ensemble Caprice, the Conseil des arts et des lettres du Québec adds a matching grant of 205% or $41,000 and Heritage Canada adds a matching grant of 100% or $20,000. This is a unique chance for Caprice. The total represents ~$81,000 - as high as 11 times the after tax cost of $6,750*! This money is deposited into the Ensemble Caprice endowment account with the Fondation du Grand Montréal, which generates income for Caprice at a minimum rate of 3.5% or ~$ 2,800 per year, every year and forever. You too can join Mécénat Caprice! Please write a check to Ensemble Caprice today for $25,000 – date it December 31st, 2015. It is an investment like no other that enhances the future of Caprice today and also for generations to come. Thank you very much! *After tax cost assumes Quebec resident has sufficient taxable income to absorb the donation tax credits. Mécénat Caprice
Merci à nos donateurs ! Thank you to our donors! – Ensemble Caprice (25 000 $)
A: Sophie Larivière B: Matthias Maute Anon (musicien/musician) Anon (homme d’affaires/businessman) Anon (scientifique/scientist) Anon (comptable/accountant) Anon & anon (retraités/retired) Anon (avocat/lawyer) Anon (ingénieur/engineer) Anon & anon (recruteur & travailleur social worker) Anon & anon (comptable/accountant & retraitée/retired) (Colombie-Britannique/British Columbia)
C: Hélène Le Bel en souvenir de D: Anon (psychologue/psychologist) Suzanne et Bernard Le Bel Anon (homme d’affaires/businessman) Anon (retraité(e)s/retired) Anon (ingénieur/engineer) Anon (infirmière & représentant) Daniel Brosseau Anon (musicienne/musician) Mark Schoenhals (Saskatchewan) Anon (musicien/musician) Dr. Michael Prytula ND (Ontario) Anon (avocat/lawyer) E: Disponible/Available Seriez-vous intéressé à joindre Mécénat Caprice ? Interested in joining Mécénat Caprice? Information: Sophie Larivière [email protected] 514 523-3611
Mécénat Masques
Merci à nos donateurs ! Thank you to our donors! – Ensemble Masques (25 000 $)
A: Anon (retraité/retired) B: Nicole Forbes Anon (médecin/doctor) Anon (Colombie-Britannique/British Columbia)
C: Peter Letko D: Barbara Lagueux (Ontario) & Daniel Brosseau anon (Colombie-Britannique/British Columbia) Anon (retraité(e)s/retired)
D: Disponible/Available Seriez-vous intéressé à joindre Mécénat Masques ? Interested in joining Mécénat Masques? Information: [email protected] 514 483-6000
Mécénat Flûte
Merci à nos donateurs ! Thank you to our donors! – Autour de la Flûte (25 000 $)
B: Mika Putterman C: Anon (psychologue/psychologist) Julien Saulgrain Dr. Debbie Josephson Anon (musicien/musician)
C: Disponible/Available Seriez-vous intéressé à joindre Mécénat Flûte ? Interested in joining Mécénat Flûte? Information: Mika Putterman [email protected] 514 909-9037
Mécénat Musica Mécénat Caprice / Mécénat Masques / Mécénat Flûte Artistes & ensembles émergents / Emerging artists & ensembles
Merci à nos donateurs ! Thank you to our donors! – 250 000 $
Société d’investissement privée et familiale / Private family investment company (don d’actions publics / donation of public company shares) Conseil des arts et des lettres Québec CALQ Mécénat Placements Culture Patrimoine canadien / Heritage Canada
Seriez-vous intéressé à joindre Mécénat Musica ? Interested in joining Mécénat Musica? Information: [email protected] 514 483-6000
Prix Goyer Artiste émergent extrême / Extreme Emerging Artist 2015 Prix Goyer 125,000 $ Phil Chiu, piano
Ce prix, fondé en l’honneur de Jean-Pierre Goyer, souligne ses contributions à la musique, les arts et la culture à Montréal, au Québec et au Canada. This Award is founded to honour Jean-Pierre Goyer and his contributions to music, the arts and culture in Montréal, Québec, and Canada. Jean-Pierre Goyer était impliqué dans les institutions culturelles montréalaises, notamment en tant que président du Conseil des arts de Montréal et comme président du conseil d’administration de l’Orchestre Métropolitain.
noncerto noncerto - la chaîne vidéo de musique classique Ne manquez pas la sortie de vidéos d’ensembles remarquables et d’artistes émergents ! Veuillez envoyer votre courriel aujourd’hui à : [email protected] noncerto - the classical music video channel See new videos of exceptional ensembles & emerging artists! Send your email address today to: [email protected]
www.noncerto.tv
noncerto Description
noncerto is a classical music video channel. noncerto hosts only original classical music videos created for the noncerto channel. noncerto’s non-profit mission is to assist emerging artists and exceptional ensembles via classical music- videos. noncerto videos are to convey a sense of culture (and not just videos of musicians performing). noncerto locations are in streets, parks, shops, museums, cafes, concert halls, lakes, mountains … anywhere. noncerto channel and musicians are looking for new audiences. To appeal to the 97% not currently listening to classical music, noncerto makes music videos in an MTV and Much Music style. In Italian, noncerto means "Hmmm…I am not sure". This is the spirit in which noncerto was founded.
CLICK www.noncerto.tv or www.noncerto.com for streaming!
Vimeo noncerto LinkedIn noncerto noncerto barcode for smart phones & tablets Facebook noncerto Twitter @noncerto
noncerto channel includes two types of classical music videos : Performances and Compositions:
1. Performances 1. Each noncerto (non-concerto) has three videos of ~three mins each, total ~nine mins. 2. Each of the three videos in a single noncerto is dramatically different in music, location (culture) and story. The three videos together equal one “noncerto”. 3. Three different noncertos of the same ensemble/artist occur on noncerto channel for nine videos of ~27 minutes. 4. Music is from albums previously recorded in sound studio.
2. Original Noncerto Compositions 1. A Noncerto composition (capital N) is a composition that pushes the limits of classical music. A Noncerto composition is typically without orchestra and features all types of instrumentations, ranging from solo music, to chamber music for ensembles and to orchestral music with choir. 2. Each Noncerto Composition typically is three movements, ~three minutes per movement, total ~nine minutes. Each Noncerto Composition has three videos, one video of each movement. 3. Three different Noncertos (nine movements) composed by the same composer for nine videos of ~27 minutes.
noncerto video objectives: 1. Story 2. Culture (excluding music) 3. Video 4. Music
3\aS[PZS "13*$& : PW]U`O^VWSaRSZ³S\aS[PZSQO^`WQSSbRSaSa[caWQWS\aThe ENSEMBLE AND ITS MUSICIANS BPW]U`O^VWSIOGRAPHY 3\aS[PZS:Yhja[] 1 Ê- /1, ]Ê1 Ê* ,-" /Ê",An original Ê voiceÊ 1-+1 Ê in early music © photo: Michel Roy
Under ½ ÃiLiÊ >«ÀViÊÃÕÃÊ>Ê`ÀiVÌÊ>ÀÌÃ̵ÕiÊ`iÊ the artistic direction of Matthias Maute and >ÌÌ >ÃÊ >ÕÌiÊ Sophie Larivière, EnsembleiÌÊ-« iÊ >ÀÛmÀi] Caprice ÊiÃÌÊÀiVÕÊ«ÕÀʽiëÀÌÊÛ>ÌiÕÀʵսÊÃÕvyÊiÊis renowned for its innovative interpretations of baroque>ÕÊÀj«iÀÌÀiÊL>ÀµÕi°Ê`jÊiÊi>}iÊiÊ£n]ʽ ÃiLiÊiÃÌÊ music. Originally formed in Germany in 1989. the ensemble has been>Ìi>ÌÊLiÊjÌ>LÊDÊ ÌÀj>°Ê"iÕÛÀ>ÌÊ`i«ÕÃÊ«ÀmÃÊ`iÊÛ}Ì well established in Montreal for ten years. For 20 years EnsembleÊ>ÃÊ Caprice`>ÃÊiÊiÕÊ`iÊ>ÊÕõÕiÊ>Vii]ʽ ÃiLiÊ >«ÀViÊV> has received national and international acclaim for ÌÊÕÊtheir performancesÀ>ÞiiÌÊÌiÀ>Ì>Ê«ÀÌ>Ì°ÊÊ«ÀjÃiÌiÊvÀjµÕiiÌÊ`i of early music. ÃÊ TheVViÀÌÃÊiÊ ÕÀ«iÊqÊiÊiÃÌÛ>Ê`iÊ ÕõÕiÊ>ViiÊ`iÊ ÀÕ}iÃÊ ensemble continues to give concerts in Europe, and is regularly invited i}µÕi®]ÊiÊiÃÌÛ>Ê`iÊ ÕõÕiÊ>ViiÊ`½1ÌÀiV ÌÊ>`i®ÊiÌ]Ê to participate in such early music festivals as those in Bruges, Belgium,iÊi>}i]ÊiÊiÃÌÛ>ÊB`iÊiÃÌëiiÊ`iÊ>i]ÊViÕÊ`iÊ Utrecht in The Netherlands, and in Germany the Händel Festival in Halle and the Recorder Festival in Stockstadt. In May of 2009 the -ÌVÃÌ>`Ì]ÊiÌÊiÃÊ,iVÌÀiÃÊ`iÊÕõÕiÊ>ViiÊ`iÊi`iLiÀ}°Ê ensemble performed at the Internationale Händel-Festspiele in ÊÓääx]ÊÛÌjÊ`iÊ>Ê«ÀiÃÌ}iÕÃiÊÃjÀiÊ`iÊVViÀÌÃÊ`ÕÊ ÃÌÊ >ÀÞÊ Göttingen. They have also toured in Israel and Taiwan. ÕÃVÊiÃÌÛ>]ʽ ÃiLiÊv>ÌÊÕiÊiÌÀjiÊÀi>ÀµÕjiÊÃÕÀÊ>ÊÃVmiÊ Subsequent to its acclaimed U.S. debut in the 2005 Boston Early Music Festival>jÀV>i°Ê ÃjµÕiiÌ]ÊÊÀiXÌÊ«ÕÃiÕÀÃÊÛÌ>ÌÃʵÕÊiÊ concert series Ensemble Caprice has appeared in many parts of themiÀÌÊDÊ«>ÀVÕÀÀÊiÃÊÌ>ÌÃ1Ã°Ê ½ ÃiLiÊ>Êj}>iiÌÊ`jÊ United States. In November 2009 The New York Times featured them in`iÃÊVViÀÌÃÊiÊÃÀ>lÊiÌÊDÊ/>Ü>° a lengthy article, praising them as “imaginative, even powerful, and theÕÊ >>`>]ʽ ÃiLiÊ >«ÀViÊiÃÌʽÛÌjÊ`½jÛjiiÌÃÊÕÃV>ÕÝÊ playing is top-flight”. CloserÌiÃʵÕiÊViÕÝÊ`ÕÊ >iÊÀ}iÌ]Ê`ÕÊiÃÌÛ>Ê ÌÀj>ÊL>ÀµÕiÊiÌÊ`ÕÊ to home, the ensemble has its own concert series in Montreal and organizesiÃÌÛ>ÊÌiÀ>Ì>Ê`iÊÕõÕiÊ`iÊV >LÀiÊ`½"ÌÌ>Ü>°Ê*ÕÃÊ«ÀmÃÊ`iÊ a festival as well as a competition for young professionals. In CanadaV iâÊÕ]ʽ ÃiLiÊÀ}>ÃiÊiÊiÃÌÛ>Ê Ensemble Caprice is invited iÃÊÕÀjiÃÊ`iÊ>ÊyÊ×ÌiÊDÊLiV]to perform at musical eventsÊ such asiÊ VÕÀÃÊÌiÀ>Ì>Ê`iÊyÊ×ÌiÊDÊLiVÊ`iÊ ÌÀj>Ê>ÃʵսÕiÊÃjÀiÊ the Ottawa Chamber Music Festival, the Elora Festival and the Domaine Forget’s International Festival. `iÊVViÀÌÃÊDÊ>Ê->iÊ,i`«>Ì Ê`iʽ1ÛiÀÃÌjÊ V°Ê iÊ«ÕÃ]ÊÊ>ÊjÌjÊ Ensemble Caprice’s CD, Gloria! Vivaldi’s Angels, on the Analekta label, iÊ>ÌÊ«ÕÃiÕÀÃÊvÃÊ`>ÃÊiÊV>`ÀiÊ`iÃÊ*ÀÝÊ"«ÕÃÊ`ÕÊ ÃiÊ won Canada’s prestigious 2009 JUNO award. Also in 2009, the ensemble µÕjLjVÃÊ`iÊ>ÊÕõÕiÊ`>ÃÊiÃÊV>Ìj}ÀiÃÊ`iÊiiÕÀÃÊ`õÕiÊiÌÊ was nominated for the Conseil québécois de la musique's illustrious Prix VViÀÌÊiÊÕõÕiÊ>Vii°Ê ÊÕÊÓääÇ]ÊiÊ`õÕiÊ>Ê/ÕÀV>ÊiÃÌÊ Opus award in three different categories, including best early music concert>Vj]Ê«À«Ã>ÌÊ`iÃÊÕõÕiÃÊ`iÊ°°ÊÕÝ]Ê°Ê >`>À>ÊiÌÊ °°Ê >`>°Ê and CD. The ensemble’s CD Vivaldi and the Baroque Gypsies (Analekta) iÕÀÊ«ÕÃÊÀjViÌÊ«ÀiÌÊ`½iÀi}ÃÌÀiiÌ]Ê was nominated for a 2009 Echo6Û>`ÊiÌÊiÃÊ}Ì>ÃÊL>ÀµÕiÃ] Klassik award in GermanyÊ in twoÃÕÃÊj̵ÕiÌÌiÊ>iÌ>]Ê>iÊ>ÊÕõÕiÊ}Ì>iÊ`iʽ ÕÀ«iÊViÌÀ>iÊ`ÕÊ categories: Ensemble/Orchestra of the Year and Classics Without Borders.8iÊÃmViÊDÊViiÊ`iÊ°Ê6Û>`°ÊÊ Ensemble Caprice’s most recent CD, Telemann and the Baroque Gypsies, was just released in October 2009 on the Analekta label.
MATTHIAS Ê*" MAUTE Ê}iÌÊ`½>ÀÌÃÌi Artistic Director -"* Ê ,6, ÊSOPHIE LARIVIÈRE `ÀiVÌÀViÊ>ÀÌÃ̵Õi Co-Artistic Directo CONTACT>]c`\]ca Tel. !514 523-3611 Tel. !514 523-3611 /j°ÊÓäήÊnÇ{xx{n /j°Êx£{®ÊxÓÎÎÈ££ 4043 Marlowe Avenue, Montreal, Quebec H4A 3M3 4043 Marlowe Avenue, Montreal, Quebec H4A 3M3 ( £nÊ7iÃÌÊ,ÛiÀÊ-Ì°]Ê vÀ`]Ê /ÊäÈ{Èä]ÊÌ>ÌÃ1ÃÊ {n{£]ÊÀÕiÊ>ÀiÀ]Ê ÌÀj>]Ê+ÕjLiV]ÊÓÊÎ-nÊ Ûbgaf\j]Û info : [email protected] [email protected] www.ensemblecaprice.com>>`>«`Ji>ÀÌ °iÌÊÊÊÜÜÜ°iÃiLiV>«ÀVi°V vJiÃiLiV>«ÀVi°Vwww.ensemblecaprice.com MPW]U`O^VWSaRSa[caWQWS\aUSICIANS’ BIOGRAPHIES
;OcbS RECORDER,DYll`aYk BAROQUE FLUTE, COMPOSER & CONDUCTOR 3/-/ Ê /Ê " *"-/ 1, Matthias Maute has achieved an international reputation as one of the finest recorder and baroque flute >ÌÌ >ÃÊ >ÕÌiÊýiÃÌÊÌ>jÊÕiÊÃ`iÊÀj«ÕÌ>ÌÊÌiÀ>Ì>iÊiÊÌ>ÌʵսÕÊ`iÃÊiiÕÀÃÊÌiÀ«ÀmÌiÃÊ`iÊÃ>Ê}jjÀ>Ì]ÊDÊ players of his generation, as a composer and as director. His solo career has soared since winning First>ÊyÊ×ÌiÊDÊLiVÊ>ÃʵսDÊ>ÊyÊ×ÌiÊÌÀ>ÛiÀÃmÀiÊiÌÊViÊV«ÃÌiÕÀ°Ê Ê£ä]ÊÊLÌiÌÊiÊ«ÀiiÀÊ«ÀÝÊ`iÊ>ÊV>Ìj}ÀiÊÃÃÌiÊ Prize in the soloist category at the renowned Early Music Competition in Bruges, Belgium in 1990. He`ÕÊ«ÀiÃÌ}iÕÝÊ VÕÀÃÊ`iÊÕõÕiÊ>ViiÊ`iÊ ÀÕ}iÃÊ i}µÕi®°Ê °Ê >ÕÌiÊÃiÊ`ÃÌ}ÕiÊj}>iiÌÊ«>ÀÊÃÊÌÀ>Û>ÊDÊ>Ê made his debut at Lincoln Center in New York in December 2008. In 2003 and 2005, he was the featured recorder soloist at the Boston Early Music Festival. Mr. Maute is also esteemed for his artistic `ÀiVÌÊ>ÀÌÃ̵ÕiÊ`iʽ ÃiLiÊ >«ÀVi]ÊÙÊÊVXÌÊ>ÛiVÊ}jÃÌjÊ`iÃÊ«À}À>iÃÊÕÃÌjÃÊiÌÊV>«ÌÛ>ÌÃ°Ê ½ ÃiLiÊ direction of Ensemble Caprice, for whom he produces ingenious and fascinating programs. With this ýiÃÌÊ«À`ÕÌÊ`>ÃÊ«ÕÃiÕÀÃÊiÕÝÊ«ÀiÃÌ}iÕÝÊiÊ ÕÀ«i]ÊiÊjÀµÕiÊ`ÕÊ À`]ÊDÊ/>Ü>ÊiÌÊiÊÃÀ>l°Ê"ÕÌÀiÊÃÊÌÀ>Û>Ê>ÛiVÊ ensemble he regularly appears at major festivals world wide. In Canada he has performed at the Ottawa Chamber Music Festival,½ ÃiLiÊ >«ÀVi]Ê °Ê >ÕÌiÊiÃÌʽÛÌjÊ`½«ÀÌ>ÌÃÊiÃÌÛ>ÃÊiÌÊ`iÊvÀjµÕiiÌÊ`iÃÊVViÀÌÃÊViÊÃÃÌiÊiÊ ÕÀ«i]Ê>ÕÝÊÌ>ÌÃ1ÃÊiÌÊ>ÕÊÃiÊ Festival international du Domaine Forget and Elora Festival among others. To these achievements Mr. Maute has added`iʽ ÃiLiÊ,iLi°Ê ÊÓääÎÊiÌÊÓääx]ÊÊjÌ>ÌÊiÊyÊ×ÌÃÌiÊÃÃÌiÊÛÌjÊ«>ÀÊiÊ ÃÌÊ >ÀÞÊ ÕÃVÊiÃÌÛ>Ê>ÕÊVÌjÊ`ÕÊÛÃÌiÊÕ>Ê >À}>°Ê °Ê >ÕÌiÊ choir and orchestra direction, to which he has dedicated a large portion of his time in the past several years. In this regardiÃÌÊj}>iiÌÊÃÃÌiÊÛÌjÊ>ÕÊ«ÀiÃÌ}iÕÝÊ VÊ iÌiÀÊ>ÕÝÊÌ>ÌÃ1ðÊ-iÃÊV«ÃÌÃÊÕiÌÊÕÊÀiÊ«ÀÌ>ÌÊ`>ÃÊiÊ`iÊ`iÊ>ÊyÊ×ÌiÊDÊLiVÊiÌÊ he has focussed more and more on large scale projects, directing among others such works as Bach’s B Minor Mass,ÃÌÊ«ÕLjiÃÊV iâÊ ÀiÌ«vÊEÊBÀÌi]Ê>`iÕÃ]Ê iVÊiÌÊ >ÀÕÃ°Ê >ÌÌ >ÃÊ >ÕÌiÊiÃi}iÊDʽ1ÛiÀÃÌjÊ VÊDÊ ÌÀj>°Ê->Ê`ÃV}À>« iÊV«ÌiÊÕiÊ G. F. Haendel’s Music for the Royal Fireworks and J. D. Zelenka’s Miserere. Under his direction Ensemble Caprice was awardedÛ}Ì>iÊ`½iÀi}ÃÌÀiiÌÃÊÃÕÃÊj̵ÕiÌÌiÃÊ>iÌ>]Ê6>}Õ>À`Ê >ÃÃVÃ]Ê i>Ê ÕÃV>]Ê À>]Ê À`}iÊiÌÊÌ>Ê >ÃõÕi°Ê the prestigious 2009 JUNO Award for Best Classical Album of the Year: Vocal or Choral performance for its CD Gloria! Vivaldi’s Angels on the Analekta label. Matthias Maute’s compositions hold an important place in the world of contemporary recorder music and are published by Breitkopf & Härtel, Amadeus, Moeck and Carus. Mr. Maute has made some twenty recordings on the Analekta, Vanguard Classics, Bella Musica, Dorian,:O`WdW|`S Bridge and Atma Classique labels. He is a professor at McGill University in Montreal. Jgh`a]Û 3/-/ Ê
-« iÊ >ÀÛmÀiÊ ÌÀ>Û>iÊ >VÌÛiiÌÊ >ÛiVÊ ½ ÃiLiÊ >«ÀViÊ `ÌÊ iiÊ iÃÌÊ >Ê V`ÀiVÌÀViÊRECORDER >ÀÌÃ̵ÕiÊ & BAROQUE `i«ÕÃÊ £Ç°Ê FLUTE Ê ViÊ ÌÌÀi]Ê iiÊ VÌÀLÕiÊ DÊ iÀV ÀÊ iÊ «>ÀVÕÀÃÊ À}>Ê `iÊ ½ ÃiLiÊ ÛÌ>ÌÊ DÊ `iÃÊ `jVÕÛiÀÌiÃÊ ÕÃV>iÃÊ µÕÊ >ÀiÌÊ Sophie Larivière is a member of Ensemble Caprice and has been its Artistic Co-Director since 1997. In thisÛÀÌÕÃÌjÊiÌÊiÝ«ÀiÃÃÛÌj°ÊÛiVʽ ÃiLiÊ >«ÀVi]Ê>ÊyÊ×ÌÃÌiÊ>Ê`jÊ`iÊLÀiÕÝÊVViÀÌÃÊÌ>iÌÊiÊÃÀ>lÊDÊ/iÊÛÛÊ capacity, she helps to enrich the creative direction of the ensemble in its quest for musical discoveriesiÌÊ>ÕÊ i`ÌiÀÀ>i>ÊÀÌÃÊiÃÌÛ>]ÊiÊ ÕÀ«iÊDÊ6ii]Ê iÀÊiÌÊ-ÌÕÌÌ}>ÀÌ]Ê>ÕÝÊÌ>ÌÃ1ÃÊDÊ ÃÊ}iiÃÊiÌÊ V>}]Ê>ÃÊ that blend virtuosity with expressivity. With Ensemble Caprice, Ms. Larivière has appeared in numerousµÕ½>ÕÊ ÃÌÊ >ÀÞÊ ÕÃVÊiÃÌÛ>]ÊiÌÊ>ÕÊ >>`>ÊDÊ `Ì]ÊÀ>`iÊ*À>ÀiÊiÌÊ«ÕÀÊ jLÕÌÊ>Ì>̵Õi°ÊÊÌiÀ«ÀmÌiÊÃÕ«i]Ê concerts, in particular in Israel (Tel Aviv and the Mediterranean Arts Festival), Europe (Vienna, Berlin,yÊiÝLiÊiÌÊiÝ«ÀiÃÃÛi]Ê-« iÊ >ÀÛmÀiÊiÃÌÊÀj}ÕmÀiiÌÊÛÌjiÊ«>ÀÊ«ÕÃiÕÀÃÊiÃiLiÃÊ`iÊÕõÕiÊ>Vii°Ê"Ê>Ê«ÕʽiÌi`ÀiÊDÊ ÌÀj>Ê>ÛiVÊ and Stuttgart), the United States (Chicago, Los Angeles and the Boston Early Music Festival) and Canada½ ÃiLiÊ (Edmonton, À]Ê ½"«jÀ>Ê Grande `iÊ ÌÀj>]Ê Prairie iÊ and -ÌÕ`Ê a Debut `iÊ ÕõÕiÊ Atlantic >ViiÊ tour). `iÊAn ÌÀj>]Êeloquent >Ê performer, ÕÛiiÊ -vi]Ê Ms. Larivière iÊ / i>ÌÀiÊ is vÊ >ÀÞÊ ÕÃV]Ê ,iLiÊ regularly iÜ9À®]Ê iÃÊ6ÃÊ`ÕÊ,ÞÊ+ÕjLiV®]ÊiÊ invited to appear with early iÜÊ9ÀÊ i}ÕÊ ÕÃVÕÊiÌÊiÊ ViÀÌÊ-«ÀÌÕiÊ*>Àî°Ê iÊ>ÊiÀi}ÃÌÀjÊÃÕÃÊj̵ÕiÌÌiÃÊ>iÌ>]Ê music ensembles, including Arion, the Opéra de Montréal,! Le Studio de musique ancienne6À}Ê >ÃÃVÃ]ÊÌ>Ê >ÃõÕi]ÊÌiÃÊ `ÌÊiÌÊÌiÀ`ÃV°Ê de Montréal, La Nouvele Sinfonie, the Theatre of Early Music, Rebel (New York), Les Violons du Roy (Quebec), the New York Collegium Musicum and Le Concert Spirituel (Paris). Ms. Larivière has made recordings on the Analekta, Virgin Classics, Atma Classique, Antes Edition and Interdisc labels. Jmka]Û VIOLA DA GAMBA & VIOLONCELLO -ÕÃiÊ >««iÀÊ >Ê jÌjÊ ÀjiÊ `ÕÊ *ÀÝÊ "«ÕÃÊ ÓääÓÊ «ÕÀÊ >Ê Ê *iÀÃ>ÌjÊ `iÊ ½>jiÊ Ê >ÕÊ +ÕjLiV°Ê iÊ iÃÌÊ >Ê v`>ÌÀViÊ Susie Napper was awarded Quebec's “Personality of the Year” Prix Opus in 2002. She is the founder iÌÊ `ÀiVÌÀViÊ >ÀÌÃ̵ÕiÊ `ÕÊ iÃÌÛ>Ê ÌÀj>Ê L>ÀµÕi°Ê «ÀmÃÊ >ÛÀÊ ÛjVÕÊ ÃÊ iv>ViÊ `>ÃÊ ÕÊ iÕÊ >ÀÌÃ̵ÕiÊ DÊ `ÀiÃ]Ê and Artistic Director of the Montreal Baroque Festival. Having grown up in an artistic milieu in London, sheiiÊ>ÊjÌÕ`jÊDÊÕ>À`ÊDÊ then studied at the iÜÊ9À]Ê«ÕÃÊ>ÕÊ ÃiÀÛ>ÌÀiÊ`iÊ*>ÀÃ°Ê i«ÕÃ]ÊiiÊÌÀ>Û>iÊ>ÛiVÊiÃÊ}ÀÕ«iÃÊiÃÊ«ÕÃÊ«ÀÌ>Ìà Juilliard School in New York and later at the Paris Conservatory. Since then, Susie`ÕÊ `iÊ has appeared`iÊ >Ê ÕõÕiÊ with >ViiÊ several ÌiÃÊ µÕiÊ internationally-known iÊ * >À>Ê >ÀµÕiÊ "ÀV iÃÌÀ>]Ê early music -ÌÀ>`Û>À>Ê ensembles, iÊ À>Vi]Ê suchiÊ -ÌÕ`Ê as `iÊ the ÕõÕiÊ>ViiÊ`iÊ ÌÀj>]ÊiÊ/ÀÌÞÊ ÃÀÌÊDÊ*ÀÌ>`]ʽ ÃiLiÊ/>viÕÃ]ʽ ÃiLiÊ >«ÀViÊiÌÊiÊ`ÕÊ`iÊÛiÃÊ`iÊ}>LiÊ iÃÊ6ÝÊÕ>iðÊPhilharmonia Baroque Orchestra, Stradivaria in France, the Studio de musique ancienne de Montréal, -iÃÊÌÕÀjiÃÊ`iÊVViÀÌÃʽÌÊijiÊ>ÕÌÕÀÊ`ÕÊ`iÆÊiÊ i]Ê>ÕÊ>«]ÊiÊthe Trinity Consort of Portland, Tafelmusik, Ensemble ÕÛii Erin Helyard graduated from the Sydney Conservatorium of Music with first class honors and >ÌvÊ`½ÕÃÌÀ>i]Ê ÀÊiÞ>À`ÊiÃÌÊ`«jÊ`ÕÊ ÃiÀÛ>ÌÀiÊ`iÊÕõÕiÊ`iÊ-Þ`iÞÊiÌÊ`iʽ1ÛiÀÃÌjÊ VÊDÊ ÌÀj>°ÊÊ completed his Masters at the Schulich School of Music at McGill University in Montreal. Earlier in his career,*ÕÃÊÌÌÊ`>ÃÊÃ>ÊV>ÀÀmÀi]Ê °ÊiÞ>À`Ê>ÃÃÕÀ>ÌÊiÊ«ÃÌiÊ`iÊV>ÛiVÃÌiÊ>ÕÊÃiÊ`iʽ"ÀV iÃÌÀiÊ`iÊV >LÀiÊ>ÕÃÌÀ>iÊiÌÊViÕÊ Mr. Helyard was co-conductor of the Australian Chamber Orchestra and assistant music director`½>ÃÃÃÌ>ÌÊ>ÕÊ`ÀiVÌiÕÀÊÕÃV>Ê`iʽj`ÌÊÓää£Ê`ÕÊiÃÌÛ>ÊDÊ-Þ`iÞ°ÊÊiÃÌÊÕÊiLÀiÊv`>ÌiÕÀÊiÌÊV`ÀiVÌiÕÀÊ>ÀÌÃ̵ÕiÊ for the 2001 Sydney Festival. He is also a founder and co-artistic director of Pinchgut Opera and`ÕÊ*V }ÕÌÊ"«iÀ>ÊiÌÊiLÀiÊv`>ÌiÕÀÊ`iʽ"ÀV iÃÌÀiÊ`iÃÊÌ«`iÃÊ-Þ`iÞ]ÊÕÃÌÀ>i®°Ê i«ÕÃʵսÊiÃÌÊjÌ>LÊDÊ ÌÀj>]Ê a founding member of the Orchestra of the Antipodes. Since moving to Montreal in 2004, Mr. Helyard ÀÊiÞ>À`ÊýiÃÌÊÀ>«`iiÌÊÌ>jÊÕiÊ«>ViÊ`iÊV ÝÊ`>ÃÊiÊiÕÊ`iÊ>ÊÕõÕiÊ>ViiʵÕjLjVÃiÊiÌÊÕiÊiÊVViÀÌÊ>ÛiVÊ iÃÊ6ÃÊ`ÕÊ,Þ]Ê has becomean active member of Quebec's early music community and has appeared with Les Violons du Roy, Daniel/ i>ÌiÀÊvÊ >ÀÞÊ ÕÃV]ʽ ÃiLiÊÀ]ÊiÊiÃÌÛ>ÊL>ÀµÕiÊ`iÊ ÌÀj>Ê>ÃʵÕiʽ ÃiLiÊ >«ÀVi°Ê °ÊiÞ>À`Ê>ÊiÀi}ÃÌÀjÊÃÕÃÊj̵ÕiÌÌiÃÊ -]Ê Ê Taylor's Theatre of Early Music, the Arion Ensemble, at the Montreal Baroque Festival and with Ensemble Caprice. Mr. >ÃÃVÃ]ÊÀÌÜÀÃÊiÌÊ>iÌ>°Ê Helyard has recorded for the BIS, ABC Classics, Artworks and Analekta labels. 3\aS[PZS "13*$& :AWARDS, NOMINATIONSQ`WbW_cSaSbRWaQ]U`O^VWS3\aS[PZS & DISCOGRAPHY FINALIST FOR THE >ÃÊiÃÊVViÀÌÃÊ`iÊ6Û>`]Ê >ÌÌ >ÃÊ >ÕÌiÊ>Ê GRAND°°°Ê iÊyÊ×ÌÃÌiÊÛÀÌÕÃi PRIZE OF MONTREALÊ >ÌÌ >ÃÊ >ÕÌi]ÊÕÃÊ>Ê v>ÌÊ«ÀiÕÛiÊ`½ÕiÊÀ>ÀiÊÛÀÌÕÃÌj°ÊÛiVÊÕiÊ"13*$&vviÀÌÊÕiÊÌiÀ«ÀjÌ>ÌÊVÌÀ>ÃÌjiÊ`iÃÊVViÀÌÃÊ © © Music ÃÀÌjÊ«ÕÀiÊiÌÊÌÕÌiÊiÊÀ`iÕÀ]ÊÊ>ÊÕjÊ`iÃÊ `iÊ/ii>ÊiÌÊ6Û>`]ÊiÃÊÕ>ÌÊ>ÛiVÊÕiÊÛÌ>ÌjÊ «>ÃÃ>}iÃÊiÝÌÀkiiÌÊÀ>«`iÃÊiÊ«Ài>ÌÊDÊWINNER OF THE A«jÌ>ÌiÊUDIENCEiÌÊÕiÊÛjVÌjÊVÀÞ>Li°Ê APPRECIATION PRIZE «iiÊiÊÌi«ÃÊ`iÊÀiëÀiÀ°ÊÛiVÊÃ>Ê«Àv`iÕÀÊ "-/" Ê " ÊqÊÌ>ÌÃ1à `½iÝ«ÀiÃÃ]Ê >ÕÌiÊýiÃÌÊÀjÛjjÊViÊjÌ>ÌÊÕÊof Montreal Arts Council on tour AWARDS `iÃÊiiÕÀÃÊyÊ×ÌÃÌiÃÊ>VÌÕið°°Ê 7- /" Ê*"-/ÊqÊÌ>ÌÃ1à Gloria! Vivaldi’s iÊiÕÊ`ÕÊÃÃÌiÊÛÌjÊ >ÌÌ >ÃÊ >ÕÌi]ÊjÌ>ÌÊÕÊ angels - Analekta © `miÊ`½jj}>ViÊiÌÊ`iÊV>À>VÌmÀi]Ê`ÕjÊ`½ÕÊ yÊ>ÀÊVÀÞ>LiÊ«ÕÀÊ>ÊÛÀÌÕÃÌj°Ê 1ÊÛÀ>ÊÕÛiÀÃÊ`iÊ}iÃÌiÃÊiÝ«ÀiÃÃvÃ]Ê`iÊVÕiÕÀÃÊ "-Ê -Ê/ -ÊqÊÌ>ÌÃ1à :© iÌÊ`½ÀiiÌÃÊ`jV>ÌÃ°Ê iÊ«>ÃÀÊ`iÃÊVÌÀ>ÃÌiÃÊ `iÊ`Þ>µÕiÃÊÃiÊv>ÌÊLiÊiÌi`Ài°Ê -- Ê 1/ ÊÊi>}iLASSICAL LBUM OF THE EAR C A"ÊÛ>ÌÊ`>ÃÊiÃÊ >ÕÌiÃÊë mÀið°°ÊÊY Vocal ©or Choral Performance Ê*, -- ÊÊ >>`>Ê 2009-2010 -7 /Ê" "Õ]ÊViÊÀjVÌ>Ê«ÀÌiÊLiÊÃÊÊ\ÊV½iÃÌÊÕiÊ © `ÕViÊviʵÕÊÃiÊ`j}>}iÊ`iÊViÌÌiÊv>ÃV>ÌiÊ Ê iÃÊ>ÀÌÃÌiÃÊ`jÌÀmÀiÌÊ>ÛiVÊiÕÀÊÌiÀ«ÀjÌ>ÌÊ VvÀÌ>ÌÊiÌÀiÊÕõÕiÃÊ>ViiÃÊiÌÊiÃÊNomination 2009 © ÕiÊÃiÊiÊvÀiÊ>ÀÌÃ̵ÕiÊiÝViiÌi°ÊNomination 2008 ÕÛÀiÃÊjVÀÌiÃÊViÃÊ`iÀmÀiÃÊ>jiÃÊ«>ÀÊ >ÌÌ >ÃÊAlbum of the Year — classical / vocal Best Album — Chamber-/1//,/ ,Ê< /1 music ÊqÊi>}icategory >ÕÌi°Ê jV>«>ÌÊtÊÊ Gloria ! Vivaldi’s Angels -- ÊÊÀ>Vi Vivaldi and the Baroque Gypsies iÊVViÀÌÊiÊÊiÕÀÊ`½ÌÊ6Û>`°°°ÊECHO KLASSIK © >ÊjÌjÊÌiÀ«ÀjÌjÊ>ÛiVÊiÝÕLjÀ>Vi]Ê«>>V iÊiÌÊÕiÊNominations 2009 ÛÀÌÕÃÌjÊj«ÕÃÌÕyÊ>ÌiÊ«>ÀʽjÌ>ÌÊ Category >ÌÌ >ÃÊ >ÕÌiʵÕÊiÃÌÊiÌÌiiÌÊiÊÌÀ>Ê`iÊ 5: Ensemble/Orchestra of the Year Category 8: Classics Without Borders Prize «iÀViÀÊViÊ>Ê«ÀV >iÊÃÕ«iÀÃÌ>ÀÊ`iÊ>Ê ÕõÕiÊ>Vii°Ê Vivaldi and the Baroques Gypsies / Ê --Ê /9Ê-/,ÊqÊÌ>ÌÃ1ÃÊ Nomination 2009 - Album : Gloria! Vivaldi’s Angels Nomination 2005 - Album : Mit Freude N OMINATIONS Nomination 2009 - Concert : The Splendour of France Nomination 2005 - Concert : Barocambolesque >]c`\]caNomination 2008 Ê*" - Concert Ê}iÌÊ`½>ÀÌÃÌi : Vivaldi and the Gypsies-"* Ê ,6, Ê `ÀiVÌÀViÊ>ÀÌÃ̵ÕiNomination 2004 - Concert : Mit Freude /j°ÊÓäήÊnÇ{xx{n /j°Êx£{®ÊxÓÎÎÈ££ ( Nomination 2008 - Concert : DIfferents Trains Nomination 2004 - Concert : Les Grenouilles Ûbgaf\j]Û £nÊ7iÃÌÊ,ÛiÀÊ-Ì°]Ê vÀ`]Ê /ÊäÈ{Èä]ÊÌ>ÌÃ1ÃÊ {n{£]ÊÀÕiÊ>ÀiÀ]Ê ÌÀj>]Ê+ÕjLiV]ÊÓÊÎ-nÊ >>`>«`Ji>ÀÌ °iÌÊÊÊÜÜÜ°iÃiLiV>«ÀVi°VNomination 2005 - Concert : Sweet Follia vJiÃiLiV>«ÀVi°VNomination 2002 - Album : Sammartini D2WaQ]U`O^VWSISCOGRAPHY DWdOZRW SbZSaUWbO\a PO`]_cSa / ÓÊ£ÓÊqÊÓääÇ /ZZOBc`QO 4cf1OZRO`O0ORWO / Ê --+1 ÊÊ ÓÊÓÎ{ÇÊqÊÓääÇ TELEMANN•THE BAROQUE GYPSIES GLORIA ! 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2005 2004 2004 2001 /`QO\USZ]1]`SZZW D]\>O`Wa\OQVEWS\ :Sa0O``WQORSa WEET OLIA RLECCHINO RCANGELO CORELLI ON ARIS ACH IEN ES ARRICADES S F / -Ê /" Ê ÊΣ°£££A Êq棂 A/ -Ê /" Ê ÊΣ°äÈÎÊqÊ£x V P N /"W Ê*,6 ÊqÊ£äL B ATMA CLASSIQUE ACD2 2213 ANTES EDITION BM-CD 31.9149 ANTES EDITION BM-CD 31.9111 ANTES EDITION BM-CD 31.9063 ÉDITION PRIVÉE 1999 1998 1997 1995 1990 Ê Ê >>`> Ê*, -- Ê ÊqÊÌ>ÌÃ1Ã Ê " "-/" ÊqÊÌ>ÌÃ1à -Ê/ - "-Ê >ÌÌ >ÃÊ >ÕÌi]ÊÕÃÊ>Ê Ê ÊqÊi>}i -/1//,/ ,Ê< /1 Ê Ê >>`> Ê*, -- Ê Ê Ê >>`> Ê*, -- Ê ÊqÊÌ>ÌÃ1Ã Ê " "-/" ÊqÊÌ>ÌÃ1Ã Ê " "-/" ÊqÊÌ>ÌÃ1à -Ê/ - "-Ê ÊqÊÌ>ÌÃ1à -Ê/ - "-Ê Ê`ÕjÊ`½ÕÊ `miÊ`½jj}>ViÊiÌÊ`iÊV>À>VÌmÀi] iÌÊÕiÊÛjVÌjÊVÀÞ>Li°Ê «jÌ>ÌiÊ ÃiÊiÊvÀiÊ>ÀÌÃ̵ÕiÊiÝViiÌi°ÊÕiÊ "ÊÛ>ÌÊ`>ÃÊiÃÊ >ÕÌiÃÊë mÀið°°ÊÊ iÊiÕÊ`ÕÊÃÃÌiÊÛÌjÊ >ÌÌ >ÃÊ >ÕÌi]ÊjÌ>ÌÊÕÊ vviÀÌÊÕiÊÌiÀ«ÀjÌ>ÌÊVÌÀ>ÃÌjiÊ`iÃÊVViÀÌÃÊ ÛÌ>ÌjÊ `iÊ/ii>ÊiÌÊ6Û>`]ÊiÃÊÕ>ÌÊ>ÛiVÊÕiÊ yÊ>ÀÊVÀÞ>LiÊ«ÕÀÊ>ÊÛÀÌÕÃÌj°Ê Ê iÃÊ>ÀÌÃÌiÃÊ`jÌÀmÀiÌÊ>ÛiVÊiÕÀÊÌiÀ«ÀjÌ>ÌÊ >ÌÌ >ÃÊ >ÕÌi]ÊÕÃÊ>Ê Ê °°°Ê iÊyÊ×ÌÃÌiÊÛÀÌÕÃi °°°Ê iÊyÊ×ÌÃÌiÊÛÀÌÕÃi >ÌÌ >ÃÊ >ÕÌi]ÊÕÃÊ>Ê Ê ÊqÊi>}i -/1//,/ ,Ê< 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We wonder by which dynamics pliable as putty, the plasticity of their diabolical trick the flautists manage to phrasing warm and extravagant, and their “ articulate at such speed, with so much breath “ virtuosity brilliant.” and energy.” THE CHRONICLE HERALD – Canada LE DEVOIR – Canada Matthias Maute Biography JUNO Award winning conductor Matthias Maute has achieved an international reputation. Impressed by his artistic approach The New York Times called the orchestra, which he conducts, Ensemble Caprice “an ensemble that encourages the listener to rehear the world”. He regularly appears at major festivals worldwide. In Canada he has performed at the Ottawa Chamber Music Festival, the Festival international du Domaine Forget and the Elora Festival among others. Known as conductor, composer and soloist (recorder and flute) the diversity of his activities shows the depth of his musicianship. In the realm of orchestra and choir direction Matthias Maute has focussed more and more on large scale projects. His versions of Bach’s B Minor Mass, Arvo Pärt's and J. S. Bach’s Magnificat and J. D. Zelenka’s Miserere were broadcast nationwide by CBC Radio 2 and Radio Canada/Espace Musique. He has recorded G. F. Handel’s Music for the Royal Fireworks on CD, and under his direction Ensemble Caprice was awarded the prestigious 2009 JUNO Award for Best Classical Album of the Year (Vocal or Choral Performance) for its CD Gloria! Vivaldi’s Angels on the Analekta label. In September 2012 Ensemble Caprice directed by Matthias Maute released a double CD on Analekta featuring Bach’s Brandenburg Concertos juxtaposed with Preludes from Shostakovich's Op. 87 which was hailed by The New Yorker (Alex Ross) as a recording, which “stands out for its fleet, characterful approach” and “its fresh, vibrant colors”. His solo career has soared since winning First Prize in the soloist category at the renowned Early Music Competition in Bruges, Belgium in 1990. He made his debut as soloist at Lincoln Center in New York in December 2008. In 2003 and 2005, he was the featured recorder soloist at the Boston Early Music Festival. Since 1991 he is the recorder and flute soloist of REBEL (New York). Matthias Maute’s compositions are published by Breitkopf & Härtel, Amadeus, Moeck and Carus. His compositions are featured on numerous videos on the noncerto website. Maute’s 1st violin concert was performed with Mark Fewer as soloist and the St. John’s Symphony as well as with I Musici de Montréal in 2014 and 2015. Mr. Maute has made some twenty recordings on the Analekta, Vanguard Classics, Bella Musica, Dorian, Bridge and Atma Classique labels. He teaches at Université de Montréal and at McGill University in Montreal. 3 Matthias Maute 2 Matthias Maute Performances of Compositions 2014/2015 31 concerts in 8 Canadian provinces 13 janvier 2014 St.John, Terre-Neuve Concerto pour violon et orchestre Mark Fewer, violon//St.John’s Symphony 15 mars 2014 Sackville, Nova Scotia Kaleidoskop Flûte Alors! 19 mars 2014 Happy Valley, Nova Scotia Kaleidoskop Flûte Alors! 22 mars 2014 Dartmouth, Nova Scotia Kaleidoskop Flûte Alors! 23 mars 2014 Lunenburg, Nova Scotia Kaleidoskop Flûte Alors! 29 mars 2014 Antigonish, Nova Scotia Kaleidoskop Flûte Alors! 14 juin 2014 Montréal,Québec Mark Djokic, Marjolaine Lambert, Noncerto Notre-Dame-de-Grâce RR3 RR1 Marie-Ève Poupart, Caroline Chéhadé, Ewald Cheung – violon 7 août 2014 Ottawa, Ontario Noncerto Notre-Dame-de-Grâce RR3 RR1 Mark Djokic 5 octobre 2014 Lacombe, Alberta Noncerto Philharmonique RR2 Phil Chiu, Janelle Fung-piano 7 octobre 2014 Snow Lake, Manitoba Noncerto Philharmonique RR2 Phil Chiu, Janelle Fung-piano 1 novembre 2014 Yorkton, Saskatchewan Noncerto Philharmonique RR2 Phil Chiu, Janelle Fung-piano 3 novembre 2014 Estevan, Saskatchewan Noncerto Philharmonique RR2 Phil Chiu, Janelle Fung-piano 5 novembre 2014 Shaunavon, Saskatchewan Noncerto Philharmonique RR2 Phil Chiu, Janelle Fung-piano 6 novembre 2014 Watrous, Saskatchewan Noncerto Philharmonique RR2 Phil Chiu, Janelle Fung-piano 7 novembre 2014 Rosthern, Saskatchewan Noncerto Philharmonique RR2 Phil Chiu, Janelle Fung-piano 8 novembre 2014 Biggar, Saskatchewan Noncerto Philharmonique RR2 Phil Chiu, Janelle Fung-piano 18 9 novembre 2014 Regina, Saskatchewan Noncerto Philharmonique RR2 Phil Chiu, Janelle Fung-piano 10 novembre 2014 Carman, Manitoba Noncerto Philharmonique RR2 Phil Chiu, Janelle Fung-piano 14 novembre 2014 Kingston, Ontario Four seasons and a melting iceberg Vincent Lauzer, flûte à bec 15 novembre 14 Whitehorse, Yukon Noncerto Philharmonique RR2 Phil Chiu, Janelle Fung-piano 8 janvier 2015 Fort Saskatchewan, Alberta Noncerto Philharmonique RR2 Phil Chiu, Janelle Fung-piano 9 janvier 2015 Westlock, Alberta Noncerto Philharmonique RR2 Phil Chiu, Janelle Fung-piano 10 janvier 2015 Camrose, Alberta Noncerto Philharmonique RR2 Phil Chiu, Janelle Fung-piano 19 janvier 2015 Montréal, Québec A Due Ensemble Caprice 10 février 2015 Montréal, Québec Noncerto de la Neige RR1 collectif9 20 mars 2015 Dorval, Québec A Due Ensemble Caprice 7 mai 2015 Montréal, Québec Concerto pour violon et orchestre Mark Fewer, violon // I Musici 8 mai 2015 Montréal, Québec 11h Concerto pour violon et orchestre Mark Fewer, violon // I Musici 8 mai 2015 Montréal, Québec 17h45 Concerto pour violon et orchestre Mark Fewer, violon // I Musici 9 mai 2015 Montréal, Québec Concerto pour violon et orchestre Mark Fewer, violon // I Musici 10 mai 2015 Montréal, Québec Concerto pour violon et orchestre Mark Fewer, violon // I Musici 19 Matthias Maute Composition Videos noncerto channel 4.1 collectif9 - Maute: RR1 I.Poudre de Champagne, Noncerto de la Neige 4.2 collectif9 - Maute: RR1 II.Graupel, Noncerto de la Neige 4.3 collectif9 - Maute: RR1 III.Avalanche, Noncerto de la Neige 17.1 Marc Djokic - Maute: RR3 I.Sparkle, Noncerto Notre-Dame-de-Grâce (Greque) 17.2 Marjolaine Lambert - Maute: RR3 II.Chopin, Noncerto Notre-Dame-de-Grâce (Polonais) 17.3 Marie-Ève Poupart - Maute: RR3 III.Quartier Perse, Noncerto Notre-Dame-de-Grâce (Iranien) 17.4 Caroline Chéhadé - Maute: RR3 IV.Chantal,Noncerto Notre-Dame-de-Grâce (Québécoise) 17.5 Ewald Cheung - Maute: RR3 V. Casareccia, Noncerto Notre-Dame-de-Grâce (Italiano) 17.0 Matthias Maute - Maute: RR3 Making of Noncerto Notre-Dame-de-Grâce 32.1 Phil Chiu - Maute: RR2 I.Gare Windsor, Noncerto Métro Philharmonique 32.2 Cheung & Chiu - Maute: RR2 II.Place-des-Arts, Noncerto Métro Philharmonique 32.3 Fung-Chiu Duo - Maute: RR2 III.Champ-de-Mars, Noncerto Métro Philharmonique 50.0 Matthias Maute - Maute: RR6 Making of Noncerto de la Montagne 50.1 Samantha Louis-Jean - Maute: RR6 I.Mont Royal, Noncerto de la Montagne 50.2 Suzanna Rigden - Maute: RR6 II.Outremont, Noncerto de la Montagne 50.3 Janna Miller - Maute: RR6 III.Westmount, Noncerto de la Montagne 50.4 Dawn Bailey - Maute: RR6 IV.Montagne de la Croix, Noncerto de la Montagne 70.0 Matthias Maute - Maute: RR5 Making of Noncerto de la Nage 70.1 Chloé Dominguez - Maute: RR5 I.Papillon (Butterfly), Noncerto de la Nage 70.2 Camille Paquette-Roy - Maute: RR5 II.Dos (Back), Noncerto de la Nage 70.3 Vanessa Rusell - Maute: RR5 III.Brasse (Breast), Noncerto de la Nage 70.4 Elinor Frey - Maute: RR5 IV.Libre (Free), Noncerto de la Nage 74.1 Deutsch, Belvedere & Chiu - Maute: RR9 I.St.Jean /La terre, Noncerto Montgolfières 74.2 Lara Deutsch - Maute: RR9 II.Richelieu/La rivière, Noncerto Montgolfières 74.3 Deutsch & Belvedere - Maute: RR9 III.Montgolfières/L’air, Noncerto Montgolfières 75.1 Pronto Musica - Maute: I.Place Jacques Cartier, Noncerto Vieux Montréal 75.2 Pronto Musica - Maute: II.Le Viuex Port, Noncerto Vieux Montréal 75.3 Pronto Musica - Maute: III.3. Cathédrale Notre-Dame, Noncerto Vieux Montréal https://vimeo.com/groups/mattthiasmautecomposer 17 Matthias Maute Reviews « The performers around conductor Matthias Maute give their usual, and that is the best, to resurrect this atmosphere, and they succeed splendidly. This is particularly due to the gripping, sleek and pulsing interpretation that holds the listener in its spell from the beginning.» Toccata - Allemagne « A true world of expressive gestures, colors and delicate ornaments. The pleasure of contrasting dynamics can be heard clearly. » Klassik Heute – Germany « The ensemble has established itself as an immensely thoughtful and progressive force on the musical scene. A group that encourages the world to rehear the world…. » New York Times – United States «Matthias Maute and Ensemble Caprice gave an extremely vibrant and nuanced performance of this seminal work (the Mass in B minor by J. S. Bach). In short, we witnessed a sweeping away of the dust and cobwebs. » Le Soleil de Québec – Canada « …the way in which Maute has conceived and structured these recordings makes use of Baroque symbolism to create the maximum effect. Groups like Ensemble Caprice are shedding new light on the masterpieces Vivaldi wrote. » Early Music America Magazin “…spiritual and intense” The Whole Note-Canada “…ecstatically and beautiful…” The Huffington Post-Canada « Matthias Maute and his musicians conveyed the divine sounds of Bach with an original interpretation, reaching moments of sublime beauty. » La Scena Musicale – Canada 14