A Report to the Nation Two Great Goals: to Help Students Become Smart and to Help Them Become Good
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John Mccain Annual Financial Disclosure 2016
United States Senate Financial Disclosures Annual Report for Calendar 2016 The Honorable John McCain (McCain, John) Filed 05/15/2017 @ 6:46 PM The following statements were checked before filing: I certify that the statements I have made on this form are true, complete and correct to the best of my knowledge and belief. I understand that reports cannot be edited once filed. To make corrections, I will submit an electronic amendment to this report. I omitted assets because they meet the three-part test for exemption. Part 1. Honoraria Payments or Payments to Charity in Lieu of Honoraria Did any individual or organization pay you or your spouse more than $200 or donate any amount to a charity on your behalf, for an article, speech, or appearance? No Part 2. Earned and Non-Investment Income Did you or your spouse have reportable earned income or non-investment income? Yes Who Was Amount # Paid Type Who Paid Paid 1 Self Pension US Navy Finance Center $73,488.00 Cleveland, OH 2 Self Royalties Sterling Lord Literistic Inc./Random House Character is Destiny Contract $272.52 dated 7/21/2004 New York, NY 3 Self Royalties Sterling Lord Literistics Inc./Random House Faith of My Fathers Contract $780.99 New York, NY 4 Spouse Salary Hensley & Co. > $1,000 Phoenix, AZ Part 3. Assets eFD: Home Did you, your spouse, or dependent child own any asset wortUhR mLo:re than $1000, have a deposit account with a balance over $5,000, or receive income of more than $200 from an asset? Yes eFD: Home https://efdsearch.senate.gov/search/home/ Asset Asset Type Owner Value Income Type Income hide me Asset Asset Type Owner Value Income Type Income 1 USAA Bank Deposit Self $1,001 - Dividends, None (or less (San Antonio, TX) $15,000 than $201) Type: Money Market Account, 2 JPMorgan Chase Bank NA Bank Deposit Joint $15,001 - Interest, None (or less (Newark, DE) $50,000 than $201) Type: Checking, Savings, 3 JPMorgan Chase Bank NA Bank Deposit Spouse $100,001 - Interest, None (or less (Phoenix, AZ) $250,000 than $201) Type: Checking, Savings, 4 Wells Fargo & Co. -
Keeping the Tradition by Marilyn Lester © 2 0 1 J a C K V
AUGUST 2018—ISSUE 196 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM P EE ING TK THE R N ADITIO DARCY ROBERTA JAMES RICKY JOE GAMBARINI ARGUE FORD SHEPLEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2018—ISSUE 196 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : ROBERTA GAMBARINI 6 by ori dagan [email protected] Andrey Henkin: [email protected] Artist Feature : darcy james argue 7 by george grella General Inquiries: [email protected] ON The COver : preservation hall jazz band 8 by marilyn lester Advertising: [email protected] Encore : ricky ford by russ musto Calendar: 10 [email protected] VOXNews: Lest We Forget : joe shepley 10 by anders griffen [email protected] LAbel Spotlight : weekertoft by stuart broomer US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 31 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, Event Calendar 32 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mathieu Bélanger, Marco Cangiano, Ori Dagan, George Grella, George Kanzler, Annie Murnighan Contributing Photographers “Tradition!” bellowed Chaim Topol as Tevye the milkman in Fiddler on the Roof. -
From the on Inal Document. What Can I Write About?
DOCUMENT RESUME ED 470 655 CS 511 615 TITLE What Can I Write about? 7,000 Topics for High School Students. Second Edition, Revised and Updated. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-5654-1 PUB DATE 2002-00-00 NOTE 153p.; Based on the original edition by David Powell (ED 204 814). AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock no. 56541-1659: $17.95, members; $23.95, nonmembers). Tel: 800-369-6283 (Toll Free); Web site: http://www.ncte.org. PUB TYPE Books (010) Guides Classroom Learner (051) Guides Classroom Teacher (052) EDRS PRICE EDRS Price MF01/PC07 Plus Postage. DESCRIPTORS High Schools; *Writing (Composition); Writing Assignments; *Writing Instruction; *Writing Strategies IDENTIFIERS Genre Approach; *Writing Topics ABSTRACT Substantially updated for today's world, this second edition offers chapters on 12 different categories of writing, each of which is briefly introduced with a definition, notes on appropriate writing strategies, and suggestions for using the book to locate topics. Types of writing covered include description, comparison/contrast, process, narrative, classification/division, cause-and-effect writing, exposition, argumentation, definition, research-and-report writing, creative writing, and critical writing. Ideas in the book range from the profound to the everyday to the topical--e.g., describe a terrible beauty; write a narrative about the ultimate eccentric; classify kinds of body alterations. With hundreds of new topics, the book is intended to be a resource for teachers and students alike. (NKA) Reproductions supplied by EDRS are the best that can be made from the on inal document. -
2014-03 Programm Domicil.Pdf
fünfundvierzig jahre domicil März 2014 domicil | Hansastraße 7–11, 44137 Dortmund | www.domicil-dortmund.de Sa 01 03 44&more – Die Party ab 40 Mo 03 03 Monday Night Session Fr 07 03 DEW21 Bandwettbewerb “DORTMUND CALLING“ Sa 08 03 SalsaBomba Sa 08 03 SPIN. - Finest Electronic Beats Party Sa 08 03 Kalle Kalima "Klima Kalima" So 09 03 The Aristocrats "Culture Clash Tour 2014" Mo 10 03 Monday Night Session Di 11 03 E-MEX Ensemble: Lady Suit Mi 12 03 ** NEU ** Päng! Do 13 03 LMBN – Slam Lesebühne Fr 14 03 ** NEU ** Friday Night Lounge: About Aphrodite Sa 15 03 Funkhaus Europa Club: Global Player Party Sa 15 03 WDR Funkhaus Europa - Trafi co: Ebo Taylor / Grandbrothers So 16 03 SOUNDZZ Familienkonzert: Jakob und der Kontrabass Mo 17 03 Monday Night Session Di 18 03 Displace Marilyn Mi 19 03 Freistil Jam Fr 21 03 Christoph Stiefel Inner Language Trio Sa 22 03 Nik Bärtsch's Ronin www.gestaltend.de Designkonzeption/Gestaltung: Sa 22 03 30+ Rock Party So 23 03 WDR Big Band feat. Christian McBride Mo 24 03 Monday Night Session Di 25 03 Karl Lippegaus: John Coltrane "Trane-Trance" II Alle Angaben ohne Gewähr. Mi 26 03 Intercontinental – Weltmusik-Session Do 27 03 Oregon Fr 28 03 Paris la nuit Sa 29 03 Jazzmeeting WDR 3: Medeski Martin & Wood feat. Nels Cline Sa 29 03 Soultrippin‘ Club Party Mo 31 03 Monday Night Session Vorschau | im Vorverkauf 3.4. Gianmaria Testa | 10.4. LMBN | 12.4. Aki Takase „New Blues Project“ | 17.4. The Dorf | 24.4. -
September 1988
Cover photo by Ebet Roberts 18 AIRTO He calls himself the "outlaw of percussion" because he breaks all the rules, but that's what has kept Airto in demand with musicians such as Miles Davis, Chick Corea, and Weather Report for almost two decades. His latest rule-breaking involves the use of electronics, but as usual, he has come up with his own way of doing it. by Rick Mattingly 24 GILSON LAVIS Back when Squeeze was enjoying their initial success, drummer Gilson Lavis was becoming increasingly dependent on alcohol. After the band broke up, he conquered his problem, and now, with the re-formed Squeeze enjoying success once again, Lavis is able to put new energy into his gig. by Simon Goodwin 28 BUDDY Photo by Ebet Roberts MILES He made his mark with the Electric Flag, Jimi Hendrix's Band of Gypsies, and his own Buddy Miles Express. Now, active once again with Santana and the California Raisins, Buddy Miles reflects on the legendary music that he was so much a part of. by Robert Santelli 32 DAVE TOUGH He didn't have the flash of a Buddy Rich or a Gene Krupa, but Dave Tough made such bands as Benny Goodman's, Artie Shaw's, and Woody Herman's play their best through his driving timekeeping and sense of color. His story is a tragic one, and it is thus even more Roberts Ebet remarkable that he accomplished so much in his by relatively short life. Photo by Burt Korall VOLUME 12, NUMBER 9 ROCK BASICS PERSPECTIVES Heavy Metal Power Warming Up: Part 1 Fills: Part 1 by Kenny Aronoff by Jim Pfeifer 38 90 UP AND COMING DRUM SOLOIST ROCK'N'JAZZ David Bowler Max Roach: "Jordu" CLINIC by Bonnie C. -
CAPE Holds Legislative Conference, Honors Education Leader
council for American Private Education "Voice of the Nation's Private Schools" April 1993 Number 190 Council Members: American Montessori Society • Association of American Military Colleges and Schools of the U.S. • Christian Schools International • Evangelical Lutheran Church in America • Friends Council on Education • Lutheran Church—Missouri Synod • National Association of Episcopal Schools • National Association of Independent Schools • National Association of Private Schools for Exceptional Children • National Catholic Educational Association • National Society for Hebrew Day Schools • Seventh-day Adventist Board of Education, K-12 • Solomon Schechter Day School Association • U.S. Catholic Conference' Affiliated state organizations in: Arizona, California, Connecticut, Delaware, District of Columbia, Florida, Georgia, Illinois, Indiana, Iowa, Kansas, Maryland, Michigan, Minnesota, Missouri, Montana, Nebraska, New Mexico, New York, North Dakota, Oregon, Puerto Rico, Rhode Island, South Dakota, Tennessee, Texas, Virginia, Washington, and Wisconsin CAPE Holds Legislative Conference, Honors Education Leader The Council for American Private Education Leadership Award Washington, D.C. Education successfully held its 3rd An- In conjunction with the annual confer- Sizer has been Professor of Education at nual Legislative Conference March 16-17 ence, CAPE honored Sizer with the first Brown University since 1984, serving as and honored Theodore R. Sizer, an educa- "CAPE Education Leadership Award". The chairman of the Education Department from tion reform leader, during a special award selection of Sizer was made by the CAPE 1984 to 1989. Formerly dean of the Harvard dinner. Highlighted by discussion of pri- board of directors which unanimously passed University Graduate School of Education vate school issues, Congressional visits a resolution honoring Sizer earlier that day, (1964-1972) and headmaster of Phillips and a White House briefing, the confer- (see page 3). -
Unconditional Parenting
Unconditional Parenting MOVING FROM REWARDS AND PUNISHMENTS TO LOVE AND REASON Alfie Kohn ATRIA BOOKS NEW YORK LONDON TORONTO SYDNEY Praise for Alfie Kohn and Unconditional Parenting “Unconditional Parenting is going to make you think—hard—about the type of relationship you want to have with your child, about your parenting priorities, and about how to avoid many of the mistakes of our predecessors. It’s what we’ve come to expect from Alfie Kohn, and this is unquestionably one of his most persuasive, important works. For your sake and your child’s . read it!” —Ross W. Greene, author of The Explosive Child “Witty and thought-provoking. This lively book will surely rile parents who want to be boss. Those seeking alternative methods of raising confident, well-loved children, however, will warmly embrace Kohn’s message.” —Publishers Weekly “This book underscores an important parenting principle: Discipline is more about having the right relationship with your child than having the right techniques.” —William Sears, The Baby Book and The Discipline Book “I found myself wanting to underline every other sentence of Uncon- ditional Parenting, which is different from—and a refreshing challenge to—most other books about raising children. It’s entertaining enough so that you can read it quickly, but it’s so packed with thought- provoking ideas that you’ll want to take your time.” —Barbara Coloroso, author of Kids Are Worth It! “A gift to parents! Armed with voluminous research, Alfie Kohn exposes the harm inherent in widely accepted disciplinary practices and offers a variety of powerful alternatives that make it possible for children to become their most thoughtful, caring, responsible selves.” —Adele Faber, author of How to Talk So Kids Will Listen & Listen So Kids Will Talk “Alfie Kohn holds a crucial position in the American dialogue on par- enting. -
The Academy Journal
The A cademy Journal Lawrence Academ y/Fall 2012 IN THIS EDITION COMMENCEMENT 28 – 32 REUNION WEEKEND 35 – 39 ANNUAL REPORT 52 – 69 The best moments in my life in schools (and perhaps of life in First Word general) have contained a particular manner of energy. As I scan my past, certain images and sensations light up the sensors with by Dan Scheibe, Head of School an unusual intensity. I remember a day during my junior year in These truly “First Words” gravitate around the following high school when I was returning to my room after class on a particular and powerful forces: the beginning of the school year, bright but otherwise unspectacular day in the fall. The post-lunch the beginning of another chapter in Lawrence Academy’s rich glucose plunge was looming, but still, I acutely remember an history, and (obviously) the beginning of my tenure as head of unusual bounce in my stride as I approached my room on “The school. I draw both strength and conviction from the energies Plateau” (a grandiose name for the attic above the theater where associated with such beginnings. The auspicious nature of the they housed a small collection of altitude-tolerant boarders). moment makes it impossible to resist some enthusiastic The distinct physical sensations of lightness were accompanied introductory contemplations. by emotional sensations of delight not usually associated with Trustees of Lawrence Trustees with 25 or More Academy Years of Service Editors and Contributors Bruce M. MacNeil ’70, President 1793 –1827 Rev. Daniel Chaplin (34) Dave Casanave, Lucy C. Abisalih ’76, Vice President 1793 –1820 Rev. -
A Critical Pedagogy of Resistance TRANSGRESSIONS: CULTURAL STUDIES and EDUCATION
A Critical Pedagogy of Resistance TRANSGRESSIONS: CULTURAL STUDIES AND EDUCATION Series Editor: Shirley R. Steinberg, University of Calgary, Canada Founding Editor: Joe L. Kincheloe (1950–2008) The Paulo and Nita Freire International Project for Critical Pedagogy Editorial Board Jon Austin, University of Southern Queensland, Australia Norman Denzin, University of Illinois, Champaign-Urbana, USA Rhonda Hammer, University of California Los Angeles, USA Nikos Metallinos, Concordia University, Canada Christine Quail, McMaster University, Canada This book series is dedicated to the radical love and actions of Paulo Freire, Jesus “Pato” Gomez, and Joe L. Kincheloe. TRANSGRESSIONS: CULTURAL STUDIES AND EDUCATION Cultural studies provides an analytical toolbox for both making sense of educational practice and extending the insights of educational professionals into their labors. In this context Transgressions: Cultural Studies and Education provides a collection of books in the domain that specify this assertion. Crafted for an audience of teachers, teacher educators, scholars and students of cultural studies and others interested in cultural studies and pedagogy, the series documents both the possibilities of and the controversies surrounding the intersection of cultural studies and education. The editors and the authors of this series do not assume that the interaction of cultural studies and education devalues other types of knowledge and analytical forms. Rather the intersection of these knowledge disciplines offers a rejuvenating, optimistic, and positive perspective on education and educational institutions. Some might describe its contribution as democratic, emancipatory, and transformative. The editors and authors maintain that cultural studies helps free educators from sterile, monolithic analyses that have for too long undermined efforts to think of educational practices by providing other words, new languages, and fresh metaphors. -
Guitar Tunings
Guitar tunings Guitar tunings assign pitches to the open strings of guitars, including acoustic guitars, electric guitars, and classical guitars. Tunings are described by the particular pitches denoted by notes in Western music. By convention, the notes are ordered from lowest-pitched string (i.e., the deepest bass note) to highest-pitched (thickest string to thinnest).[1] Standard tuning defines the string pitches as E, A, D, G, B, and E, from lowest (low E2) to highest (high E4). Standard tuning is used by most guitarists, and The range of a guitar with standard frequently used tunings can be understood as variations on standard tuning. tuning The term guitar tunings may refer to pitch sets other than standard tuning, also called nonstandard, alternative, or alternate. Some tunings are used for 0:00 MENU particular songs, and might be referred to by the song's title. There are Standard tuning (listen) hundreds of such tunings, often minor variants of established tunings. Communities of guitarists who share a musical tradition often use the same or similar tunings. Contents Standard and alternatives Standard Alternative String gauges Dropped tunings Open tunings Major key tunings Open D Open C Open G Creating any kind of open tuning Minor or “cross-note” tunings Other open chordal tunings Modal tunings Lowered (standard) E♭ tuning D tuning Regular tunings Major thirds and perfect fourths All fifths and “new standard tuning” Instrumental tunings Miscellaneous or “special” tunings 1 15 See also Notes Citation references References Further reading External links Standard and alternatives Standard Standard tuning is the tuning most frequently used on a six-string guitar and musicians assume this tuning by default if a specific alternate (or scordatura) is not mentioned. -
Social Emotional Learning in the Music Classroom: a Cross-Case Analysis of Teacher Experiences in the Rock and Roll Academy
SOCIAL EMOTIONAL LEARNING IN THE MUSIC CLASSROOM: A CROSS-CASE ANALYSIS OF TEACHER EXPERIENCES IN THE ROCK AND ROLL ACADEMY by PAUL ATKINSON STEPHEN TOMLINSON, COMMITTEE CHAIR JOHN DANTZLER AARON KUNTZ DOUGLAS MCKNIGHT JOHN PETROVIC A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Education in the Department of Educational Leadership Policy, and Technology Studies in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2015 Copyright Paul Atkinson 2015 ALL RIGHTS RESERVED ABSTRACT The purpose of this study is to examine the experiences of teachers in the Rock and Roll Academy, a music program designed to meet social emotional learning (SEL) objectives. This endeavor was undertaken to fill the existing research gap related to understanding the unique challenges and dynamics experienced by teachers within a commonly designed SEL environment. It employed a qualitative case study approach, providing individual and cross case analyses based on the analysis of text collected through field observations and multiple interviews of five teacher participants who trained for and teach within a Rock and Roll Academy program. Findings indicate that prior to teaching RRA, participants possessed a bias for traditional, teacher-centered educational practices. Additionally, findings identified value related to teacher preparation and training. Within the area of teacher activity, RRA evidence shows teachers engage in student-centered pedagogy, and promote social engagement within the classroom. Last, in the area of teacher outlook, research findings show teachers demonstrate program commitment and commonly identify developing SEL focus. Information contained within this study may be helpful to those who teach a classroom-based SEL program. -
Jazz Melody Generation and Recognition
Jazz Melody Generation and Recognition Joseph Victor December 14, 2012 Introduction In this project, we attempt to use machine learning methods to study jazz solos. The reason we study jazz in particular is for the simplicity of the song structure and the complexity and diversity of the solos themselves. A typical jazz song has an introduction, followed by each musician taking a turn improvising a melody over a fixed set of chord changes. The chord changes constrain what note choices a soloist can make, but also guide the melodic evolution of the solos. Abstractly, a jazz musician is a machine which reads in a set of chord changes and non-deterministically outputs a melody1. There are then two obvious problems one can attempt to solve computationally. The first is generation; can a computer be a jazz musician? The second is classification; given a solo, can a computer guess the chord changes which inspired them? One should believe the first question is possible, although admittedly hardworking musicians should always be able to beat it. One should believe the second question is possible because if one listens to a soloist without the accompaniment one can still \hear the changes", especially with the jazz greats, so long as the soloist isn't playing anything too wild. The hope is that a computer can statistically hear the changes at least as well as a toe-tapper. The basic philosophy is this: fine a bunch of reasonably structured jazz melodies (that is, 4/4 having the format described above), chop them up so we have a bunch of chord- progression/melody-snippet pairings of the same length and analyze them to solve the two problems above.