, Artistic Director

Dolce Suono Trio Classics and Commissions

Sunday, October 14, 2018 at 3:00pm Trinity Center for Urban Life 22 nd and Spruce Streets,

Dolce Suono Ensemble Presents

Dolce Suono Trio Classics and Commissions

Mimi Stillman, flute Nathan Vickery, cello Charles Abramovic, piano

Trio for Flute, Cello, and Piano Bohuslav Martinu (1890-1959) Poco Allegretto Adagio Andante – Allegretto scherzando

Paean, Epitaph, and Dithyramb from Ode Jeremy Gill (1975)

Viaje for Flute, Cello, and Piano Zhou Tian (1981) Stillman, Vickery, Abramovic

Intermission

Piano Trio #1 in D Minor, Op. 49 Felix Mendelssohn (1809-1847) Molto allegro agitato Andante con moto tranquillo Scherzo: Leggiero e vivace Finale: Allegro assai appassionato

Overture to “Candide” * Leonard Bernstein (1918-1990) (arr. Abramovic) Stillman, Vickery, Abramovic

* premiere of new arrangement

About the Program Welcome to Dolce Suono Ensemble’s 2018-2019 season! We are delighted to open DSE Presents with our flagship ensemble Dolce Suono Trio, whose latest album “American Canvas” is under consideration in two Grammy categories this year. Our program “Dolce Suono Trio Classics and Commissions” spans standard repertoire by Mendelssohn and Martinu, two of our marvelous commissions by Jeremy Gill and Zhou Tian highlighting our enthusiasm for the creation of major new works through our commissioning program, and a new arrangement by our pianist Charles Abramovic of the overture to Candide in celebration of the centennial of Leonard Bernstein in 2018. Please join us throughout our season as we launch two exciting major projects: “Fall for Chamber Music” supported by a grant from the William Penn Foundation and “Rediscoveries: Festival of American Chamber Music,” for which we were awarded a grant from the National Endowment for the Arts, and programs devoted to great wind quintets, our annual Baroque concert “The Lure of Paris,” and more.

Bohuslav Martinu, Trio for Flute, Cello, and Piano (1944) Bohuslav Martinu was a Czech composer who took refuge in the United States from the upheaval of World War II. He was very prolific – 15 operas, 6 symphonies, 14 ballets, and numerous orchestral, chamber, and solo works. Martinu settled in Paris in 1923, where he encountered modernist styles such as expressionism, was influenced by jazz, and embraced aspects of Stravinsky’s neoclassicism. In 1941, he and his wife emigrated to the United States where Martinu received major commissions and performances and taught at Tanglewood, Mannes, and Princeton. Among his students were Alan Hovhaness, Chou Wen-chung, and Burt Bacharach. Written in 1944, the Trio for Flute, Cello, and Piano is a major work in the repertoire for this trio combination, substantial in scope and substance. The Poco allegretto opens in a lively way typical of Martinu’s style. Brief motifs repeat and serve as units in more extended sequences, creating a brilliance born of speed and rhythmic drive. The Adagio is lyrical and poignant, seemingly blossoming from a mysterious beginning to a soaring climax and a tranquil close. The finale begins with an Andante for solo flute which introduces the Allegretto scherzando, a sparkling, energetic movement in which a C Major section surrounds a contrasting, waltz-like portion before the work comes to a festive close.

Felix Mendelssohn , Piano Trio #1 in D Minor, Op. 49 (1839) Felix Mendelssohn’s Piano Trio #1 in D Minor is one of the most beloved works in the piano trio genre and one of Mendelssohn’s most popular chamber works. This piece and Mendelssohn’s Octet for Strings, Op. 20 tied for 6 th place in Dolce Suono Ensemble’s Chamber Music Top Twenty poll as part of our new “Fall for Chamber Music” project launching this October. This grand work is a tour de force for the ensemble, with a particularly demanding piano part. The first movement blends gravitas and tenderness; the second is a particularly moving movement in a lyrical vein reminiscent of Mendelssohn’s songs without words; the third has the vivacity and exquisite lightness characteristic of the composer’s scherzos, like the famous one from the overture to A Midsummer Night’s Dream , and the vibrant finale in rondo form builds to a climactic finish in D Major.

Why am I playing one of the world’s best-known piano trios on flute? For the first English publication of the work in 1840, Mendelssohn was asked to prepare a flute version as an alternative to the violin part. In a letter to the composer, Edward Buxton, owner of the publishing house J.J. Ewer & Co., explained that “a separate flute arrangement is indispensable in this country.” The flute was extremely popular among amateur musicians in England. Mendelssohn subsequently wrote his friend, the pianist and composer Ignaz Moscheles, suggesting that the second and third movements be arranged for flute, asking Moscheles’s advice on this and leaving the question up to him and Buxton. The first English edition included a flute part for all four movements, but was subsequently lost and only rediscovered in the 1990s. There is no extant autograph of the flute part, but copies of the first publication are held at the Bodleian Library at Oxford University. I often make arrangements of works for my instrument but I never would have arranged this piano trio without knowing that it had Mendelssohn’s imprimatur. I am overjoyed by this discovery. —Mimi Stillman

Zhou Tian, Viaje (2015) Viaje (Voyage) was commissioned by Dolce Suono Ensemble, with a grant from the National Endowment for the Arts. My gratitude goes to Mimi Stillman, without whose awesome musicianship and commitment the work would not have been possible. Experiencing Spain for the first time and learning about the legendary Spanish nobleman and military leader El Cid (c. 1040-1099) inspired me to compose this 9-minute thrill ride. I was particularly drawn to the relationship between El Cid and his two daughters as they went through an innocent childhood, separation, distrust, and finally, reunion. I imagined the flute as the voice of the daughters and the cello as the voice of their father. A musical dialogue between the two instruments emerges in the middle of the piece, as if recalling a long-overdue conversation between father and daughters. It wasn’t until the piece was finished that I realized that I had unconsciously married my musical roots as a Chinese-American with my new found love of Spanish music. "Viaje fused the composer's Chinese-American sensibility with the lore of ancient Spain so convincingly that the exotic flute solos for Mimi Stillman sounded like the most natural thing in the world" (The Philadelphia Inquirer).—Zhou Tian

Jeremy Gill, Paean, Epitaph, and Dithyramb (2008) Paean , Epitaph , and Dithyramb is a set of three instrumental movements excerpted from Ode (2008). Ode is an exploration of Greek lyric poetic forms, including two heard here: the dithyramb, honoring the wild Dionysus; and the paean, honoring the healer, Apollo. Together with the ode and hymn (sung by mezzo- soprano in the complete Ode), these constituted the principal lyric poetic forms of Ancient Greece. An epitaph was, as now, an inscription or eulogy to one deceased. In this work, it is given by the flute alone—an extended solo bordered by movements for the full ensemble of flute (doubling piccolo), cello, and piano. There are echoes of other musics throughout Paean, Epitaph, and Dithyramb: bits of Monteverdi (Orfeo), Puccini (Tosca), Mahler (Rückert Lieder), and others. Each of these is fragmented, as if each were being heard centuries from now, in part, without context, their meanings largely obscured and only sensed, not known. – Jeremy Gill

Leonard Bernstein, Overture to “Candide” (1956), arranged by Charles Abramovic Leonard Bernstein’s music to “Candide” straddles the worlds of opera, operetta, and musical theater. It is an intellectual and musical delight based on the great satire of Voltaire, with an original libretto by Lillian Hellman. The full work has had a mixed history of success, but is now considered one of Bernstein’s masterpieces. The rollicking overture has been a staple of the orchestral repertoire since its first performance in 1956. There are several musical ideas from the show that find their way into the overture, the most prominent being the duet between Candide and Cunegonde, one of Bernstein’s best tunes. Full of rhythmic and melodic invention, brilliant orchestration, and high spirits, this overture continues to be one of Bernstein’s most popular works. – Charles Abramovic

The Artists DOLCE SUONO TRIO , Dolce Suono Ensemble’s’ high-profile trio of flute, cello, and piano, evolved organically from the longstanding collaboration of flutist Mimi Stillman and pianist Charles Abramovic joined by cellist Nathan Vickery to explore and expand the repertoire of this captivating combination.

Dolce Suono Trio is renowned for its contributions to the repertoire through its arrangements and commissions, the latter including works by Pulitzer Prize-winning composers and Shulamit Ran and Grammy-winning composer . Its most recent album “American Canvas” features four premieres by Higdon, Ran, Zhou Tian, and Andrea Clearfield, with acclaimed soprano Lucy Shelton. “The three were flawlessly in sync – even their trills!” (The Philadelphia Inquirer ) “Dazzling performances of brilliant new works” ( The New York Sun )

The trio’s innovative program Música en tus Manos (Music in Your Hands) combines its engagement initiative with the Latino community of Philadelphia with programming that includes chamber and popular music from Spain and the Americas.

Dolce Suono Trio has enthralled audiences at venues including the Smithsonian American Art Museum, Philadelphia Chamber Music Society, Southern Exposure New Music Series (SC), Princeton and Cornell Universities, Bard, Haverford, Bryn Mawr, and Franklin and Marshall Colleges, Great Hall Series (MA), Space (NY), and Brooklyn’s Roulette. The trio was invited to perform a gala concert featuring Jennifer Higdon's “American Canvas” at the Brandywine River Museum for the Andrew Wyeth: In Retrospect centennial exhibit. Dolce Suono Trio's residencies have included Kingston Chamber Music Festival, Lake George Music Festival, Friends of Chamber Music of Reading, and the Dolce Suono Ensemble Young Composers Competition.

Mimi Stillman, flute “A consummate and charismatic performer” ( ); Founding Artistic Director, Dolce Suono Ensemble; Yamaha Performing Artist, author on music and history, recording artist; Soloist with The , Bach Collegium Stuttgart, Chamber Orchestra of Philadelphia, Chamber Orchestra of Indianapolis, Orquesta Sinfónica de Yucatán, and at Carnegie Hall, The Kennedy Center, La Jolla Chamber Music Festival, Verbier Festival. BM, Curtis Institute of Music, MA in history, University of Pennsylvania; Faculty, Temple University, Curtis Summerfest, Music for All National Festival. www.mimistillman.com

Nathan Vickery, cello Member of the ; performs on the Philharmonic’s Ensembles chamber series and CONTACT! new music series; Soloist with Indianapolis Symphony Orchestra, recitals and chamber music at festivals including the Marlboro Chamber Music Festival, Ravinia’s Steans Music Institute, and the Chamber Music Workshop at the Perlman Music Festival, as well as throughout Europe with Curtis on Tour; appeared on NPR’s From the Top and won Second International David Popper Cello Competition (Hungary); BM, Curtis Institute of Music.

Charles Abramovic, piano “Sensitive orchestra-invoking powers on piano” ( The Philadelphia Inquirer ); Solo, chamber, and recording artist, composer; Performances with the Pittsburgh Symphony, Baltimore Symphony, and at international festivals in Berlin, Salzburg, Bermuda, Dubrovnik, Aspen and Vancouver; Recordings of the works of Babbitt, Schuller, and Schwantner; BM, Curtis Institute of Music, MA, Peabody Conservatory, DMA, Temple University; Professor of Keyboard Studies, Temple University.

DOLCE SUONO ENSEMBLE has been thrilling audiences and invigorating the music world since its founding by flutist and Artistic Director Mimi Stillman in 2005. Hailed as “an adventurous ensemble” (The New York Times ) and “One of the most dynamic groups in the US!” (The Huffington Post ), the ensemble presents critically acclaimed chamber music concerts on its home series in Philadelphia, performs on tour, commissions important new works, makes recordings, and engages in community engagement partnerships. Dolce Suono Ensemble presents dynamic and innovative programs of Baroque to new repertoire with historian Mimi Stillman’s curatorial vision setting the music in its broadest cultural context. Some of its artistically and intellectually powerful projects include the celebrated Mahler 100 / Schoenberg 60, Debussy in Our Midst: A Celebration of the 150 th Anniversary of Claude Debussy, A Place and a Name: Remembering the Holocaust, Dolce Suono Ensemble Goes to the Opera, Women Pioneers of American Music, and Música en tus Manos (Music in Your Hands), our engagement initiative with the Latino Community. “All programs should have this much to say and say it so well.” (The Philadelphia Inquirer ) Dolce Suono Ensemble has performed at venues including Merkin Hall, Smithsonian American Art Museum, Southern Exposure New Music Series (SC), Brooklyn’s Roulette, University of Pennsylvania, Brandywine River Museum, University of Virginia, Symphony Space, Great Hall Series (MA), Philadelphia Chamber Music Society, University of North Carolina/Chapel Hill, Bard College, , Virginia Tech, Kingston Chamber Music Festival, , Brandeis University, and . The ensemble enjoys a partnership with the Washington National Opera Domingo-Cafritz Young Artist Program at the invitation of Plácido Domingo. Dolce Suono Ensemble has contributed major new works to the chamber music repertoire through commissioning, giving 53 world premieres in 13 seasons. Some of today’s most eminent composers have written for the ensemble including Jennifer Higdon, Steven Stucky, Shulamit Ran, Richard Danielpour, Steven Mackey, , and Zhou Tian. The ensemble’s recordings Freedom , music for flute, piano, and the human spirit, Odyssey: 11 American Premieres , both featuring Mimi Stillman, flute and Charles Abramovic, piano, and American Canvas featuring Dolce Suono Trio (Innova Recordings), have been critically acclaimed. Dolce Suono Ensemble concerts and recordings are broadcast internationally. The ensemble has won grant awards including from the National Endowment for the Arts, William Penn Foundation, Musical Fund Society of Philadelphia, The Presser Foundation, Pew Center for Arts & Heritage, Koussevitzky Music Foundation, Fromm Music Foundation, and the Knight Foundation. www.dolcesuono.com

Check out American Canvas , Dolce Suono Trio’s latest recording for Innova! Featuring Dolce Suono Trio, soprano Lucy Shelton, and four premieres by celebrated composers Jennifer Higdon, Shulamit Ran, Andrea Clearfield, and Zhou Tian. Available at Innova Recordings, Amazon, iTunes, AppleMusic, Spotify, etc.

Fall for Chamber Music Launch Concert Wednesday, October 24, 2018 at 7:00pm Free Library of Philadelphia Central Branch, 1901 Vine Street, Philadelphia

At this free concert, DSE artists will perform selections from the winning works in our Chamber Music Top Twenty poll!

Mimi Stillman, flute - Ricardo Morales, clarinet - Amy Oshiro-Morales, violin - Brandon Garbot, violin - Che- Hung Chen, viola - Arlen Hlusko, cello - Mary Javian, bass - Charles Abramovic, piano

"Fall for Chamber Music" is our new 3-year project supported by the William Penn Foundation with the goal of engaging new audiences in chamber music. Performances and coachings will take place at Philadelphia's civic venues - the Free Library Central Branch and Christ Church Neighborhood House.

Dolce Suono Ensemble’s Sponsor an Artist Program With gratitude to our generous Artist Sponsors: James and Carolyn Barnshaw and Robert Wallner – Mimi Stillman, flute; Vincent and Lila Russo – Nathan Vickery, cello; Alton Sutnick and Society Hill Neighbors – Charles Abramovic, piano; Terri and Mark Steinberg – Ricardo Morales, clarinet; William A. Loeb – Sarah Shafer, soprano; Barbara and Matt Cohen – Kerri Ryan, viola; Kenneth Hutchins – William Polk, violin; Joel and Bobbie Porter – Doris Hall-Gulati, clarinet ; Jonathan Tobin – William Short, bassoon

Contact us for information about sponsoring an artist! [email protected] / 267-252-1803 ~~~~~~~~~~~~~~~~~~~ Acknowledgments Steinway piano selected from Jacobs Music Company , our Season Sponsor. With gratitude to the Dolce Suono Ensemble Board of Directors, and especially Chairman Ronni L. Gordon, for their steadfast support and vision. Thank you to Terry Sikora at Jacobs Music; Ron and Raquel Lane, publicity support; David Osenberg, Host and Music Director, and Ross Amico, Host, WWFM The Classical Network, for broadcasting DSE Presents concerts; Michael Rathke and Susan Lewus at WRTI Radio for hosting Dolce Suono Ensemble in live broadcast previews for DSE Presents concerts. Dolce Suono Ensemble is grateful to its corporate, foundation, and private sponsors: National Endowment for the Arts, William Penn Foundation, Pennsylvania Council on the Arts and Greater Philadelphia Cultural Alliance, Philadelphia Cultural Fund, The Musical Fund Society of Philadelphia, The Presser Foundation, Yamaha Corporation of America, MKM Foundation, Christian Humann Foundation

Anonymous—Alison Anderson—Charles Abramovic and Heidi Jacob—Jacqueline Axilbund—Sheila S. Bassman—Sarah and Roger Blood—Melissa and David Bonenberger—Peter and Miriam Burwasser—Lisa and Charles Carmalt—Fang Man—Robert Gordon—Penina Gould—Bonny Hohenberger and Nathan Farbman—Mary and Keith Johnson—Nancy and Richard Kauffman—Jeff and Holly Kofsky—Carol Kujawa—Monica Kulaski—Matthew Levy—Solomon Moses Hope Punnett—Richard Reicherter—Martin Rosenberg and Ellen Fennick—Lionel Ruberg—Robert and Sally Salon Rheta Smith—Shirley Smith—Roland Smith and Lu Qingqing—June Zaccone—Benjamin Zuckerman Project Leaders Circle Anthony Brown—Jan Krzywicki—Doris Dabrowski—Deborah Somers Eichman and John Eichman—Janice Gordon Keith Hansen— Olive Mosier—Paul Merluzzi—Larry Pethick— Tom Purdom—Dianne Stillman and Robert Greene Alton Sutnick—Carol and George Weinbaum—Thomas Whitman Ambassadors Circle Ruth Baker—Barbara and Matt Cohen— John and Eugenie Esser—Marilyn Fishman and James Macelderry—Nancy W. Hess—The Humann Family—Kenneth Hutchins—Reinhard and Sue D. Kruse—Raquel Benabe-Lane and Ron Lane Sherman Leis—William Morris—Ann Moskow—Barbara Moskow—Marie O’Donnell and Bruce Satalof—Joel and Roberta Porter—Vince and Lila Russo—Terri and Mark Steinberg—David M. Stillman—David Tamaccio—Jonathan S. Tobin—Anne O’Donnell Vogelmann—Robert Wallner—Carol Westfall

135 N. 22 nd St.

Philadelphia, PA 19103

267-252-1803 www.dolcesuono.com

Mimi Stillman, Artistic Director

BOARD OF DIRECTORS BOARD OF ADVISORS Ronni L. Gordon, Chairman George Crumb James Barnshaw Richard Danielpour Stuart Fleming David Devan William A. Loeb Plácido Domingo Robert McShea Gary Graffman Ralph Rosen Jennifer Higdon Ann Saul Alexander T. Stillman Jaime Laredo Mimi Stillman Philip Maneval William Ward Nello McDaniel Shulamit Ran Sharon Robinson Steven Stucky * Michael Tree * Susan Wadsworth Elizabeth Warshawer

John Wittmann

* in memoriam

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Mimi Stillman, Artistic Director Dolce Suono Ensemble 135 N. 22nd St. Philadelphia, PA 19103

Dolce Suono Ensemble, Inc. is a 501(c)(3) not-for-profit organization The official registration and financial information of Dolce Suono Ensemble, Inc. may be obtained from the Pennsylvania Department of State by calling toll-free, within Pennsylvania, 1-800-732-0999. Registration does not imply endorsement