Brevard Live January 2015

Total Page:16

File Type:pdf, Size:1020Kb

Brevard Live January 2015 Brevard Live January 2015 - 1 2 - Brevard Live January 2015 Brevard Live January 2015 - 3 4 - Brevard Live January 2015 Brevard Live January 2015 - 5 6 - Brevard Live January 2015 Content January 2015 FEATURES Columns OMS HAS FOUR FINALISTS THE DOOBIE BROTHERS Charles Van Riper Their sound dominated the pop charts for At the end of the Original Music Series, Political Satire the whole of the 1970s and throughout four finalists are invited back to a “Battle 22 their five decade career The Doobies have of the Original Bands”: Jacie & The Knick sold over forty million records. They will Knacks, General Eyes, Brother Bean, Calendars perform at Riverfront Park in Cocoa, Coastal Breed. 25 Live Entertainment, Page 13 Page 18 Concerts, Festivals SUZAN’AH FREE NIGHT OF THE CLASSICS Outta Space Before the Beach Boys perform their leg- The third show presents the music of Led 30 by Jared Campbell endary music at a concert on January 10th Zeppelin and AC/DC. The addition of sea- at Port Canaveral, a local artist will take soned vocalist Nick Hildyard from Clas- Local Lowdown the stage - Suzan’ah Free. She will perform sic Albums Live who has performed at the 35 by Steve Keller a unique tropical show with exotic Island prestigous King Center adds to this year’s Original Music dancers. attraction of the show. Page 15 Page 20 Flori-duh! 38 by Charles Knight GRAHAM NASH GET “FLORIBBEAN” Legendary singer-songwriter Graham Brevard County is the home to some very The Dope Doctor Nash will perform a series of “An Evening unique restaurants along the Indian River 40 Luis Delgado, CAP With” concerts in Florida in January 2015, Lagoon. This month we visited Bonefish which includes a stop here on January 13th. Willy’s, a classic spot with relaxed atmo- Knights After Nights Shane Fontayne (guitar, vocals) will be ac- sphere serving delicious food - Floribbean Hot spots, events, companying Graham Nash on the road. style. 44 by Charles & Lissa Page 17 Page 43 Brevard Live January 2015 - 7 8 - Brevard Live January 2015 BREVARD LIVE The largest and most popular free entertainment Welcome To BREVARD LIVE magazine on the Space Coast Happy New Year - January 2015 and beyond for 23 years. PUBLISHER/EDITOR SC Jazz Society Concert Jason Mraz Extends Tour Heike Clarke Saxophonist Atlantic recording artist Jason Mraz has SALES MANAGER/ Kenny Co- ASSISTANT EDITOR announced new U.S. dates on his interna- John Leach hen performs tional tour to celebrate his latest album, for the Space “YES!,” released earlier this year. The ACCOUNT MANAGER Coast Jazz “YES!” tour is a unique itinerary that sees Charlene Hemmle Society from the multi-GRAMMY Award-winning sing- 2 to 4:30 pm er/songwriter MUSIC WRITERS on Sunday, John Leach performing Steve Keller January 11th in an array of Charles Knight at the Cocoa intimate ven- Beach Coun- ues around the PHOTOGRAPHY try Club, 5000 world. The Chuck Van Riper Tom Warriner additional Lissa Knight Blvd., Cocoa tour dates get COLUMNISTS Beach. Tick- underway Chuck Van Riper ets at the door this Febru- Charles & Lissa Knight are $10 for ary, including Jared Campbell SCJS members and $15 for nonmembers. a stop at the Cohen’s quartet will include Ron Teixeira King Center Reproduction of any portion of on piano, Stan Soloko on drums and Al Brevard Live Magazine is strictly on February prohibited without the written Dodds on bass. 16th, with a permission of the publisher. With a colorful career that spans five de- month long cades, Kenny is a veteran musician, vo- run of intimate ADVERTISEMENT/ SALES calist, and entertainer. He fronts his own North Ameri- Phone: (321) 956-9207 groups, sings, plays tenor, alto and sopra- can shows alongside longtime friends and [email protected] no saxophones, and flute. “YES!” collaborators, Raining Jane. www.SpaceCoastJazzSociety.com. www.jasonmraz.com/tour. COMMENTS & LETTERS Brevard Live Magazine P.O. Box 1452, Melbourne, Fl 32902 Copyright © 2015 Brevard Live GUESS & WIN All rights reserved Remember when? What is the We are not responsible for photos name of this band? It was the or scripts sent to Brevard Live first original band to win the Magazine. Published photos and articles become property of this title “Entertainer of the Year” publication. We are not at the Brevard Live Music responsible for wrongful Awards. Please email your an- advertised or canceled venues. swer to [email protected]. The first right answer wins a Download a pdf file $25 gift certificate to a local BREVARD restaurant. FLORIDA Last month’s mystery musician was Paul Chapman, former LIVE UFO guitarist. at www.brevardlive.com Brevard Live January 2015 - 9 10 - Brevard Live January 2015 Brevard Lately Concerts In Review: best mood possible. And to be honest I and keyboard player for the band since attribute this almost completely to the 1975. DeChant was just as I had re- Daryl Hall and King Center. Since it opened its doors membered him from when I was four- this venue has been bringing great teen, maybe a little grayer, but his tone John Oates at shows to our area, but in the last few is still as amazing as it always was. years they have really escalated the The other would be Tom “T-bone” The King Center environment they offer before events. Wolk, who played bass for the boys for It’s a very intimate mingle of new and nearly thirty years, and rarely missed By Matthew Bretz old friends before sharing something a show. Sadly, Wolk wasn’t there that together. Once inside, we took our night having suffered a fatal heart at- ne of my very first concert ex- seats. The house lights went down, tack in 2010. In his long career T-bone Operiences was when I was about the stage lights went up, and there played with Elvis Costello, Robert fourteen years old. My mother sur- they were - Hall and Oates - walking Palmer, Bette Midler and scores of prised me with tickets to the King unceremoniously to their designated others in addition to Hall and Oates. Center to see an acoustic show by Hall spots, and before the applause could He was even the bassist on Saturday and Oates. It was a magical night, and die down they rolled into “Maneater, Night Live for nearly seven years, but I never forgot the sensation of being in “and it was time to party. his first love was always playing with the room when great music is happen- Over the next hour and a half Hall and Oates. ing. That was longer ago than I would the boys took us through the last few After a little over an hour the show like to admit, but you can imagine how eras of their career with silky smooth began to wrap up. Daryl talked about excited I was to see them again - at the sing-a-longs like “Out of Touch,” his show Live from Daryl’s House and same venue - all these years later. and “I Can’t Go for That” off the Big his new night club aptly called “Da- For anyone that doesn’t know Bam Boom album; “Say It Isn’t So,” ryl’s House.” He also made mention of much about Hall and Oates, first off… “Rich Girl,” and “Private Eyes.” I was his live new year’s eve show that will Where have you been the last thirty odd thrilled when I recognized the opening broadcast from the club, and how we years? and secondly…They are eas- melody to one of my favorites - “She’s should all watch because “…it will be ily one of the most recognized bands Gone.” A quick story about that one: 100 times better than Ryan Seacrest.” of the last three decades. Beginning John Oates had met a pretty girl the af- After playing an amazing jam of “I in the 70s their glossy, reverberated ternoon of New Year’s Eve and invited Can’t Go For That” the duo bowed “rock‘n’soul” sound has been making her to a party that night. She accepted and left the stage to prepare for their it easier to hit on women for multiple and plans were made to meet at his encores. I think it’s funny how en- generations. Daryl Hall’s soulfully apartment. She never showed, and in- cores used to be a spontaneous thing strong vocals are unmatched in the stead going to the party alone he stayed at live concerts that the crowd would industry, and carry such a unique tim- in and wrote that song. Another pleas- make happen by cheering so loudly the bre - it literally sounds like a hot knife ant surprise was the addition of “You bands had no choice but to give them through butter. John Oates sings lead Make My Dreams.” Lately this one what they wanted. Nowadays it’s a on a few, but mainly hangs back in the has had new life breathed into it by the more expected thing to happen. Bands harmonies playing guitar in a smooth younger generations. Daryl performed and artist routinely leave their biggest compliment to Hall’s keyboard styl- it with electronic band Chromeo on his hits for the encores. Hall and Oates’ ings. The pair have been writing, re- show ‘Live from Daryl’s House’, and encores, there were two, both had big cording and performing together since the recording got some underground hits including “Rich Girl,” and “Kiss their college days, but had their big- push. The original recording of “Make On My List,” and even though I knew gest hits in the 80s’ with songs like “I My Dreams” was also featured in the it was all planned out and formulaic, it Can’t Go for That,” “Maneater,” and hipster film ‘500 Days of Summer’, was still more Daryl and John so I was “Method of Modern Love.” along with a choreographed routine all about it.
Recommended publications
  • Aretha Franklin's Gendered Re-Authoring of Otis Redding's
    Popular Music (2014) Volume 33/2. © Cambridge University Press 2014, pp. 185–207 doi:10.1017/S0261143014000270 ‘Find out what it means to me’: Aretha Franklin’s gendered re-authoring of Otis Redding’s ‘Respect’ VICTORIA MALAWEY Music Department, Macalester College, 1600 Grand Avenue, Saint Paul, MN 55105, USA E-mail: [email protected] Abstract In her re-authoring of Otis Redding’s ‘Respect’, Aretha Franklin’s seminal 1967 recording features striking changes to melodic content, vocal delivery, lyrics and form. Musical analysis and transcription reveal Franklin’s re-authoring techniques, which relate to rhetorical strategies of motivated rewriting, talking texts and call-and-response introduced by Henry Louis Gates, Jr. The extent of her re-authoring grants her status as owner of the song and results in a new sonic experience that can be clearly related to the cultural work the song has performed over the past 45 years. Multiple social movements claimed Franklin’s ‘Respect’ as their anthem, and her version more generally functioned as a song of empower- ment for those who have been marginalised, resulting in the song’s complex relationship with feminism. Franklin’s ‘Respect’ speaks dialogically with Redding’s version as an answer song that gives agency to a female perspective speaking within the language of soul music, which appealed to many audiences. Introduction Although Otis Redding wrote and recorded ‘Respect’ in 1965, Aretha Franklin stakes a claim of ownership by re-authoring the song in her famous 1967 recording. Her version features striking changes to the melodic content, vocal delivery, lyrics and form.
    [Show full text]
  • AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
    AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr.
    [Show full text]
  • 2012 Edition
    2012 Edition Cleveland State Community College ENGLISH DEPARTMENT Editor: Julie Fulbright Assistant Editor: Heather Cline Liner Front cover photography by: Amanda Guffey Graphic Design and Production: CSCC Marketing Department Printer: Dockins Graphics, Cleveland, Tenn. Copyright: 2012 Cleveland State Community College www.clevelandstatecc.edu All Rights Reserved Funding for this publication provided under Title I of the Carl D. Perkins Career and Technical Education Act of 2006. CSCC HUM/12095/04092012 - Cleveland State Community College is an AA/ EEO employer and does not discriminate on the basis of race, color, national origin, sex, disability or age in its program and activities. The following department has been designated to handle inquiries regarding the non-discrimination policies: Human Resources P.O. Box 3570 Cleveland, TN 37320-3570 [email protected] Table of Contents Written By Title Photo/Drawing By: Page Frankie Conar After the Storm Julie Fulbright 5 Brittney Glover Weep for Me James Loyless 6 Leaves of the Sea Amanda Guffey 7 Stormy Fisher Mother 8 Savannah Tioaquen I Am the Wind Brandon Perry 9 Tracey Thompson Rose Amanda Guffey 10 Mirror Mirror Megan Payne 11 Tonya Arsenault Siblings Marchelle Wear 12-13 We Can’t Go Back in Time Kimberley Stewart 14-15 Angel Jadoobirsingh Spying Angel Jadoobirsingh 16 My Pay Angel Crawford 17 Cody Thrift Through Solemn Eyes Misti Stoika 18 I Had a Dream I Died Alonzo Bell 19-20 The Hero Tonya Arsenault 21-22 Nicholas Johnson Such Is Life Angel Jadoobirsingh 23 Turn the Lights Out 24 The Window by the Tree Marchelle Wear 25 Chet Guthrie Christmas on the Battlefield Amanda Guffey 26-29 Sweet Kalan Tonya Arsenault 30-34 The 23rd Psalm Marchelle Wear 35-37 Letters through the Fence Marchelle Wear 38-42 Grandfather’s Axe Marchelle Wear 43-44 Her Beauty Daniel Stokes 45 In the Eyes of a Dreamer Megan Payne 46 Rise o’ Rise Dear Wall Street 47 The Old Man Michael Espinoza 48 A Night of Passion Shanna Calfee 49-50 Table of Contents - Cont’d.
    [Show full text]
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales.
    [Show full text]
  • The Deep Purple Tributes
    [% META title = 'The Deep Purple Discography' %] The Deep Purple Tributes Here we will try to keep a list of known Deep Purple tributes -- full CDs only. (Covers of individual tracks are listed elsewhere.) The list is still not complete, but hopefully it will be in the future. Funky Junction Plays a Tribute to Deep Purple UK 1973 Stereo Gold Award MER 373 [1LP] Purple Tracks Performed by Eric Bell (guitar), Brian Downey (drums), Dave Lennox (keyboards), Phil Lynott (bass) and Fireball Black Night Benny White (vocals). Strange Kind of Woman Hush Speed King The first known Purple tribute was recorded as early as 1972. An unknown, starving band named Thin Lizzy (which consisted of Bell, Downey & Lynott) were offered a lump sum of money to record some Deep Purple songs. (The album contains also a few non-DP tracks.) They did - with the help from two Irish guys. The album came out in early 1973. It wasn't a success. In February, Thin Lizzy had a top ten hit with a single of their own. Read more about it here. The Moscow Symphony Orchestra in Performance of the Music of Deep Purple Japan 1992 Zero Records XRCN-1022 [1CD] UK 1992 Cromwell Productions CPCD 018 [1CD] Purple Tracks Smoke on the Water Performed by the Moscow Symphony Orchestra, conducted by Constantine Krimets. Arranged by Stephen Space Truckin' Child in Time Reeve and Martin Riley. Produced by Bob Carruthers. Recorded live (in the studio with no audience) during Black Night April 1992. Lazy The Mule Pictures of Home No drums, no drum machine, no guitar - in fact, no rock instruments at all, just a symphony orchestra.
    [Show full text]
  • Montana Kaimin, May 4, 1979 Associated Students of the University of Montana
    University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 5-4-1979 Montana Kaimin, May 4, 1979 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, May 4, 1979" (1979). Montana Kaimin, 1898-present. 6834. https://scholarworks.umt.edu/studentnewspaper/6834 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Aber Day Kegger picket proposed by labor council By MARK ELLSWORTH Max Weiss, a legal counselor at Lawry said there would be no Montana Kalmfn Reporter the University of Montana, said the "line to cross" that could cause problem with a secondary boycott trouble. He said the picket is a A meeting Wednesday night is that those involved can be held potentially "explosive issue," but between the Aber Day Kegger liable for any loss of business by the group is “trying to keep it as promoters and the Missoula the third party. cool as it can." Trades and Labor Council took But in some instances, Weiss Amid all the rising sentiment place to discuss a possible picket said, if the boycott is “in­ against Coors, there is still no at the kegger site to protest formational in nature, and peace­ word that MLAC is planning to serving Coors beer.
    [Show full text]
  • Young Americans to Emotional Rescue: Selected Meetings
    YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
    [Show full text]
  • Chart-Chronology DARYL HALL & JOHN OATES
    www.chart-history.net vdw56 DARYL HALL & JOHN OATES Chart-Chronology Singles and Albums Germany United Kingdom U S A From the 1950ies to the current charts Chart - Chronology The Top-100 Singles and Albums from Germany, the United Kingdom and the USA Daryl Hall & John Oates Daryl Hall (* 11.10.1948) & John Oates (* 7.4.1949) are an American pop rock duo. Singles 38 30 16 6 14 Longplay 26 18 5 --- B P Top 100 Top 40 Top 10 # 1 B P Top 100 Top 40 Top 10 # 1 15 6 3 --- --- 32 3 1 --- --- 6 17 6 2 --- 8 15 11 2 --- 1 14 34 29 16 6 3 22 13 4 --- Singles D G B U S A 1 She's Gone 10/1976 42 02/1974 7 2 Sara Smile 01/1976 4 3 Do What You Want, Be What You Are 10/1976 39 4 Rich Girl 01/1977 1 2 5 Back Together Again 05/1977 28 6 It's Uncanny 07/1977 80 7 Why Do Lovers (Break Each Other's 10/1977 73 Heart?) 8 It's A Laugh 08/1978 20 9 I Don't Wanna Lose You 12/1978 42 10 Wait For Me 10/1979 18 11 Running From Paradise 06/1980 41 12 How Does It Feel To Be Back 07/1980 30 13 You've Lost That Lovin' Feelin' 09/1980 55 09/1980 12 14 Kiss On My List 11/1980 33 01/1981 1 3 15 You Make My Dreams 05/1981 5 16 Private Eyes 04/1982 32 08/1981 1 2 17 I Can't Go For That (No Can Do I) 04/1982 72 01/1982 8 11/1981 1 1 18 Did It In A Minute 03/1982 9 19 Your Imagination 06/1982 33 20 Maneater 12/1982 15 10/1982 6 10/1982 1 4 21 One On One 01/1983 63 01/1983 7 22 Family Man 04/1983 15 04/1983 6 23 Say It Isn't So 10/1983 69 10/1983 2 24 Adult Education 03/1984 63 02/1984 8 25 Out Of Touch 12/1984 15 10/1984 48 09/1984 1 2 26 Method Of Modern Love 02/1985 45 02/1985
    [Show full text]
  • Artist Song Title N/A Swedish National Anthem 411 Dumb 702 I Still Love
    Artist Song Title N/A Swedish National Anthem 411 Dumb 702 I Still Love You 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 Party People (Friday Night) 911 Private Number 911 The Journey 911 More Than A Woman 1927 Compulsory Hero 1927 If I Could 1927 That's When I Think Of You ​Ariana Grande Dangerous Woman "Weird Al" Yankovic Ebay "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Eat It "Weird Al" Yankovic White & Nerdy *NSYNC Bye Bye Bye *NSYNC (God Must Have Spent) A Little More Time On You *NSYNC I'll Never Stop *NSYNC It's Gonna Be Me *NSYNC No Strings Attached *NSYNC Pop *NSYNC Tearin' Up My Heart *NSYNC That's When I'll Stop Loving You *NSYNC This I Promise You *NSYNC You Drive Me Crazy *NSYNC I Want You Back *NSYNC Feat. Nelly Girlfriend £1 Fish Man One Pound Fish 101 Dalmations Cruella DeVil 10cc Donna 10cc Dreadlock Holiday 10cc I'm Mandy 10cc I'm Not In Love 10cc Rubber Bullets 10cc The Things We Do For Love 10cc Wall Street Shuffle 10cc Don't Turn Me Away 10cc Feel The Love 10cc Food For Thought 10cc Good Morning Judge 10cc Life Is A Minestrone 10cc One Two Five 10cc People In Love 10cc Silly Love 10cc Woman In Love 1910 Fruitgum Co. Simon Says 1999 Man United Squad Lift It High (All About Belief) 2 Evisa Oh La La La 2 Pac Feat. Dr. Dre California Love 2 Unlimited No Limit 21st Century Girls 21st Century Girls 2nd Baptist Church (Lauren James Camey) Rise Up 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G.
    [Show full text]
  • Les Mis, Lyrics
    LES MISERABLES Herbert Kretzmer (DISC ONE) ACT ONE 1. PROLOGUE (WORK SONG) CHAIN GANG Look down, look down Don't look 'em in the eye Look down, look down You're here until you die. The sun is strong It's hot as hell below Look down, look down There's twenty years to go. I've done no wrong Sweet Jesus, hear my prayer Look down, look down Sweet Jesus doesn't care I know she'll wait I know that she'll be true Look down, look down They've all forgotten you When I get free You won't see me 'Ere for dust Look down, look down Don't look 'em in the eye. !! Les Miserables!!Page 2 How long, 0 Lord, Before you let me die? Look down, look down You'll always be a slave Look down, look down, You're standing in your grave. JAVERT Now bring me prisoner 24601 Your time is up And your parole's begun You know what that means, VALJEAN Yes, it means I'm free. JAVERT No! It means You get Your yellow ticket-of-leave You are a thief. VALJEAN I stole a loaf of bread. JAVERT You robbed a house. VALJEAN I broke a window pane. My sister's child was close to death And we were starving. !! Les Miserables!!Page 3 JAVERT You will starve again Unless you learn the meaning of the law. VALJEAN I know the meaning of those 19 years A slave of the law. JAVERT Five years for what you did The rest because you tried to run Yes, 24601.
    [Show full text]
  • SOUL ASYLUM Biography by Arthur Levy
    SOUL ASYLUM biography by Arthur Levy “It’s a crazy mixed up world out there, Someone’s always got a gun and it’s all about money You live with loneliness, or you live with somebody who’s crazy It’s just a crazy mixed up world …” (“Crazy Mixed Up World”) Chapter 1. Every Cloud Has One Renewed and revitalized, Soul Asylum founders Dave Pirner and Dan Murphy return to rock’s front line with THE SILVER LINING, their first new studio release since 1998’s Candy From a Stranger. That album inadvertently kicked off a seven-year sabbatical for the group, which telescoped into the death of bassist Karl Mueller in June 2005, the other founding member of the triumvirate that has steered Soul Asylum through rock’s white water for the past two decades plus. The re-emergence of the group on THE SILVER LINING is as much a reaffirmation of Soul Asylum’s commitment to the music as it is a dedication to Karl, who worked and played on the album right up until the end. They were joined in the studio by not-so-new heavyweight Minneapolis drummer Michael Bland (who has played with everyone from Paul Westerberg to Prince). The band is now complemented by Tommy Stinson on bass, a member of fellow Twin Cities band the Replacements since age 13, and a pal of Dan’s since he was in high school and Tommy in junior high. Tommy was the only friend that Karl could endorse to replace himself in the band. This hard-driving lineup was introduced for the first time in October 2005, when they played sold-out showcase dates at First Avenue in Minneapolis and the Bowery Ballroom in New York – within three days.
    [Show full text]