ALBERT A I BRITISH COLUMBI A I OREGO N I WASHINGTON

GUIDE TO MUSEUMS + GALLERIES

February/March February/March 2013 2013 www.preview-art.com www.preview- art.com

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6 PREVIEW I FEBRUARY/MARCH 20 13 Feb/Mar 2013 Vol. 27 No.1 previews ALBERTA 10 Grahame Lynch: The Logic of Subduction 8 Banff, Black Diamond, Calgary 1 7 Edmonton 62 Esplanade Gallery 18 Lethbridge, Medicine Hat 12 Treasures of Kenwood House, London 19 Red Deer Seattle Art Museum 14 2013 Biennial of Contemporary Art 19 Abbotsford, Britannia Beach, Burnaby 11 Art Gallery of Alberta 22 Campbell River, Castlegar, 1 22 Carol Wainio: The Book Chilliwack 1 Kelowna Art Gallery 23 Coquitlam, Courtenay, Fort Langley 28 Cal Lane: Gutter Snipes I 24 Grand Forks , Kamloops , Kaslo, grunt gallery Kelowna 25 Maple Ridge, Nanaimo, Nelson, 40 Jutai Toonoo: Nice Day 26 New Westminster , North Vancou ver Marion Scott Gallery 28 Osoyoos 29 Penticton, Port Alberni 44 Ian Wallace 30 Port Moody, Prince George, Art Gallery Prince Rupert, Qualicum Beach, 11 42 Drama of P1e1r ception Richmond Deluge Contemporary Art Gallery 31 Salmon Arm, Salt Spring Island, Sidney, Silver Star Mountain, 46 A Colourful Vision: Kenojuak Ashevak Sooke Inuit Gallery 33 Squamish , Sunshine Coast (Roberts Creek, Gibsons, Sechelt), 48 Carrie Mae Weems: Three Decades Surrey Portland Art Museum 34 Tsawwassen, Vancouver 48 51 Vernon 48 50 Carrying on "Irregardless" 53 Victoria Gallery 56 West Vancouver 54 Michael Kenna Retrospective 57 Whistler Tacoma Art Museum 58 White Rock, Williams Lake OREGON 58 Connie Morey: Ba_ble 58 Cannon Beach Xchanges Gallery 20 59 Marylhurst, Portland 62 Manuel Izquierdo 61 Salem Hallie Ford Museum of Art WASHINGTON 64 Art Spiegelman: A Retrospective 61 Bellevue 62 Bellingham , Friday Harbor Vancouver Art Gallery 64 La Conner, Port Angeles, Seattle 67 66 Andante (a walking pace) 72 Spokane Richmond Art Gallery 73 Tacoma © 1986-2013 Preview Graphics Inc. ISSN 1481-2258 68 BAM Biennial 2012: High Fiber Diet Member of Tourism Vancouver, Tourism Victoria and the Bellevue Arts Museum Seattle’s Convention and Visitors’ Bureau. contents Reproduction in whole or in part is strictly forbidden. HEAD OFFICE + CANADIAN EDITORIAL + SALES 32 Conservator’s Co rner TEL 604-254-1405 FAX 604-254-1314 52 Confessions vignettes TOLL FREE 1-877-254-1405 E-MAIL [email protected] 69 Catalogues of Interest 11 Alberta MAILING ADDRESS P.O. Box 549, Station A, 73 Art Services + Materials Vancouver, BC V6C 2N3 20 British Columbia Janice Whitehead, Publisher 76 Gallery Index Shirley Lum, Listings Editor 78 Gallery Openings + Events 63 Oregon Anne-Marie St-Laurent, Art Director Gallery Views will return next issue 67 Washington U.S. EDITORIAL + SALES OFFICE Allyn Cantor TEL 415-971-8279 Cover: Ferdinand Bol (Dutch, 1616-1680), Portrait of an Unknown Woman (c. 1644), E-MAIL [email protected] oil on canvas [Seattle Art Museum, Seattle WA – Feb 14-May 19, 2013] ANNUAL SUBSCRIPTIONS $24 Photo courtesy American Federation of Arts The views, opinions and positions expressed are those of the authors and do not necessarily reflect those of the publisher. Please note that all gallery particulars are set out Printed on FSA approved as submitted by clients prior to the date of publication. and recycled paper ROOM Brandy Dahrouge , “Expired fine art and craft, we represent ALBERTA Places: Bankhead”, images were regional artists, most of whom live created at the old townsite of and work within 100 miles of the Bankhead, light leaks into the cam - gallery. era and eats away at the latent BANFF images, leaving streaks of red and Whyte Museum of the cyan; OFFSITE JUNIPER HOTEL , 1 Canadian Rockies Juniper Way and Mt Norquay Rd CALGARY 111 Bear S ¥403-762-229 ext. 316 Feb 1-Mar 25 Through the Lens: A Alberta Printmakers’ Society www.whyte.org Stoney Perspective , created by stu - and Artist Proof Gallery (A/P) daily 10am-5pm. Admission: adults dents from Morley that represent 2010F 11th St SE ¥403-287-1056 $8, seniors/students $5, families (2 the Bearspaw, Chiniki and Wesley www.albertaprintmakers.ca adults, 2 children) $20, children 6 Bands; WHYTE MUSEUM SHOP & S WISS wed-sat 11am-4pm. Thru Feb 16 and under free. MAIN GALLERY Feb 2- GUIDES ROOM Thru Mar 21 Waterme - Michelle Brownridge , “The Inven - Mar 24 Through the Lens , showcas - dia in the Rockies , artwork using a tion Moves In”, explores the co- ing photographs by this year’s traditional medium for artists in the existence of modern (digital) and Through the Lens extra-curricular Rocky Mountains; Ongoing HERITAGE traditional (lithographic) forms of program, a new book, Through the GALLERY “Gateway to the Rockies”, printmaking; Feb 27-Apr 6 Paul Lens – Encouraging Creativity in communicates the history of the Mitchell , “Is This Darkness In You Youth will be released; Through the Canadian Rockies using artifacts, Too?”, examines subconscious, Lens: A Retrospective , selection of artworks, archival photographs, collective memory and surrealism images from past programs that recordings and documents, works through intaglio prints, text pieces highlight the diversity of the entire by Carl Rungius and Robert Bate - and translucent works. collection; Beyond Through the man and live demonstrations by Lens , work of five past participants Dwayne Harty . # The Art Gallery of Calgary that have gone on to study or work 117 8th Ave SW ¥403-770-1350 in the field of photography; RUMMEL www.artgallerycalgary.org tues-sat 10am-5pm first thurs 4- BLACK DIAMOND # Identifies galleries and museums 9pm. Admission by donation. Thru open until 8pm on the First Thursday Bluerock Gallery Mar 9 Off the Beaten Path: Vio - ¥ of every month. Many galleries host 110 Centre Ave W 403-933-5047 lence, Women and Art , multime - opening receptions on First Thursday www.bluerockgallery.ca dia works promote awareness of wed-mon 11am-5pm. A destina - the root causes of violence against r evenings. T tion for handmade, one-of-a-kind wn omen; Mar 22-May 4 Vanity to n o Trans-Canada Hwy m d NILLINGWORTH KERR, 4th Ave NE E ACAD Prince's Island 3rd Ave NE Park r l D 2nd Ariave NE mo r M Me ive em R o ow 1 r B 1st Ave NW4 ia

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www.esplanade.ca/art-gallery Grahame Lynch: The Logic of Subduction ESPLANADE GALLERY, MEDICINE HAT AB – Feb 23-Apr 1 3, 2013 The Logic of Subduction is a travelling exhibit previously shown at the Thames Art Gallery, Ontario and continuing to the WKP Kennedy Gallery, North Bay and the Station Gallery, Whitby. Conceived by Ontario artist Grahame Lynch, the project employs unbound sections of pages from Reader’s Digest Condensed Books. They have been cut (“to reveal a core sample of their content”) and bound between steel compres - sion plates, then placed behind tempered glass in installation pieces that comment in part on his own visual difficulties. Etched text superimposed on

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P Grahame Lynch, The Logic of Subduction (2011), detail, cut and sewn paper canyons and deserts of Utah. [Esplanade Gallery, Medicine Hat AB, Feb 23-Apr 13] Lit by an LED strip, the installation requires viewers to use a magnifying glass to peer at the words. Ironically, the visually-impaired artist writes, “I find myself walking around unable to see anything, because I can't focus in low light.” The installation was conceived as a metaphor for the catastrophe inherent in the ever-shifting tectonic plates below the earth’s surface. Grahame Lynch is an artist, graphic designer and Assistant Professor in the Faculty of Com - munication and Design at Ryerson University, Toronto. He has an MFA from the University of Guelph and is currently enrolled in the Master of Inclusive Design program at OCAD University. He is developing operational methods for documenting, publishing and communicating about artwork in ways that address limits placed on the experience of artwork encountered by disabled individuals. Mia Johnson

Fare/Craig LeBlanc , humorous 6 Smalls , smaller-scale and price- 16 Katerina Mertikas , "Let’s Play”, and poignant large-scale works point artworks. naive impressionistic acrylics on communicate the state of man - canvas. hood and its emasculation in con - The Collectors’ Gallery of Art temporary society; 1912/2012 1332 9th Ave SE ¥403-245-8300 # Esker Foundation Made in Alberta, Part Three , www.collectorsgalleryofart.com 444-1011 9th Ave SE works in a variety of media survey tues-fri 10am-5:30pm sat 10am- ¥403-930-2490 contemporary Alberta art, Part One 5pm. Feb 1-28 Steve Coffey, Bar - www.eskerfoundation.com Feb 7-Mar 3 and Part Two Mar 7-30 bara Hirst, Arlene Hobbs and tues & wed 10am-5pm thurs & fri at Museum of Contemporary Art – Bewabon Shilling , “Group Show”, 10am-8pm sat 10am-5pm sun 12- Calgary. new works; Mar 1-30 John Snow , 5pm. Thru Apr 21 Olga Chagaout - works from the John Snow Estate. dinova, Miruna Dragan, Orest CKG / Christine Klassen Gallery Semchishen and George Webber , 1021 6th St SW ¥403-262-1880 Diana Paul Galleries “Splendid Isolation”, photography www.christineklassengallery.com 737 2nd St SW ¥403-262-9947 tells evocative stories shaded by tues-sat 10am-5pm or by appt. www.dianapaul.com displacement, isolation and beauty. Thru Mar 2 Ben Cope , “Removal”, tues-sat 11am-5pm. Feb-Mar "His - deconstructed photos; Gary Camp - torical Estate Collection", works by Glenbow Museum bell , “Espíritus anónimos de Améri - Nicholas de Grandmaison, A.Y. 130 9th Ave SE ¥403-268-4100 ca del Sur (Anonymous Spirits of Jackson, W.J. Phillips, O.N. www.glenbow.org South America)”, portrait photo - Grandmaison, Roland Gissing, mon-sat 9am-5pm sun 12-5pm. graphs of tribal cultures; Mar 9-Apr Bruno Cote and others; Opens Mar Admission: adults $14, seniors

10 PREVIEW I FEBRUARY/MARCH 20 13 # OPEN LATE ON FIRST THURSDAYS VIGNETTES • February/March 2013 Alberta ROBIN LAuReNCe OFF THE BEATEN PATH: VIOLENCE, WOMEN AND ART Art Gallery of Calgary, Jan 11-Mar 9 This touring exhibition draws on artists from across the globe and employs a multitude of forms and media. Seeking to “promote awareness of the root causes of vio - Yoko Inoue lence against women,” it also aspires to create empathy, foster dia - logue and empower women and girls worldwide. Participating artists include Marina Abramovic, Yoko Ono, Maria Campos- Pons, Louise Bourgeois and Jaune Quick-to-See Smith. The show is given special poignancy and timeliness in the wake of the recent gang rape that led to the death of a young woman in India.

DIANNE BOS Newzones, Calgary, Feb 9-Apr 4 Acclaimed as Cana - da’s “queen of pinhole photography,” Dianne Bos has exhibited her work locally, nationally and internationally. Shooting archi - tectural and landscape images during her wide travels, she typi - cally employs long exposure times to capture the enduring “essence of place.” Her new, wonderfully atmospheric pinhole Dianne Bos photographs play the iconic against the unexpected and the familiar against the mysterious.

FRED HERZOG TrépanierBaer, Calgary, Feb 2-Mar 2 In the 1950s and 60s, when most “fine art” photography was black and white, Fred Herzog walked city streets, catching telling moments of everyday life on Kodachrome colour film. Look for vintage cars, diners, newsstands, shop fronts, neon signs, billboards, old hous - es, vacant lots and exuberant street life, all preserved in high res - olution and saturated colour. Originally shown in slide form, Herzog’s images are now processed digitally to create richly rewarding archival inkjet prints.

ECOTOPIA /ECOTONE Southern Alberta Art Gallery, Lethbridge, Feb Fred Herzog 9-Apr 14 Ecotopia takes its title from a subgenre of science fiction that may present a vision of the world that is “either ideal or nightmarish.” Representing a range of media and artists as diverse as Rodney Graham, T&T and Tristram Lansdowne, Eco - topia challenges our assumptions about “progress” and our rela - tionship with the natural world. Another group show, Ecotone , is the third stage of an ambitious environmental and agricultural sustainability project undertaken by the Field Notes Collective and the Alberta Rural Development Network. COGNITIVE NATURE: PETER DEACON AND BARBARA AMOS Bugera Matheson Gallery, Edmonton, Feb 16-Mar 2 This show of abstract - ed landscapes brings together a range of materials and processes. Tristram Lansdowne Among Peter Deacon’s works are collages on paper, their imagery based on such “irreducible” elements as “geographic location, personal experience, prime numbers, and primary colours.” Barbara Amos, who has worked in paint, steel, video and photography, creates images which are inspired by the east - ern slopes of the Rocky Mountains and the Continental Divide and which both fragment and “coalesce” through the meeting of traditional and digital media. Peter Deacon www.preview-art.com PREVIEW 11 www.seattleartmuseum.org Rembrandt, Van Dyck, Gainsborough: The Treasures of Kenwood House, London SEATTLE ART MUSEUM, SEATTLE WA – Feb 14-May 1 9, 2013 Known for its distinguished art collec - tion, Kenwood House in northern London is currently undergoing major renovation and conserva - tion efforts to restore the neoclassical villa’s façade. The popular visitor destination houses an impressive roster of masterworks, including pieces by Rembrandt van Rijn, Johan Vermeer, Frans Hals, J.M.W. Turner, Anthony van Dyck and Thomas Gainsborough. Many of these mas - terpieces are making a rare U.S. tour during the closure. Known as the Iveagh Bequest, this important collection was formed by Edward Cecil Guin - ness (1847-1927), heir to the Guinness Brewery, and was bequeathed to England, along with the Kenwood House estate and gardens upon his S T R A

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H works that were typical of English aristocratic P Rembrandt van Rijn (Dutch, 1606-1669), Portrait of the Artist taste during the late 1800s when this collection (c. 1665), oil on canvas [Seattle Art Museum, Feb 14-May 19] was primarily formed. Among the treasures of this collection is a late self-portrait by Rembrandt, Portrait of the Artist (c. 1665), one of the few where the artist depicts him - self in the studio. Other highlights of this exhibition include Gainsborough’s Mary, Countess Howe (c. 1764), a picturesque full-length portrait of the elegantly clothed woman set against the English countryside and Joshua Reynolds’ otherworldly depiction Mrs. Musters as Hebe (1782). Allyn Cantor

$10, students/youth $9, family Herringer Kiss Gallery ¥403-284-7600 ext 633 $28, children under 6 free, mem - 709A 11 Ave SW ¥403-228-4889 www.acad.ca bers free. Thru Apr 28 No Roads www.herringerkissgallery.com tues-sat 10am-6pm. Thru Mar 9 Here; Corb Lund’s Alberta , Glen - tues-fri 10am-5:30pm sat 11am- Valerie Blass (Montreal), craft bow’s Artist in Residence, vivid 5pm. Feb 2-23 Eszter Burghardt , media informed sculpture and mix of the innovative and tradition - “Tales for Tuktu”, current work is installation; Mar 14-Apr 6 Mark al, bringing new twists to estab - based on the plight of the caribou Clintberg: Do I still cross your lished Alberta themes; Fred Her - (tuktu in Inuktitut) of the Canadian mind? , recent works by Montreal- zog: Street Photography , since the Arctic, photographs of sculptures based artist, including two newly- 1950s Herzog photographed the created from Icelandic wool set commissioned pieces produced street life of Vancouver and other into narrative scenes; Mar 3-31 while in residence at the Alberta cities; Feb 23-Apr 28 Made in Cal - Bill Laing , “New Work”, paintings College of Art + Design. gary: The 1960s , five-part series and prints deal with associative that explores the character of Cal - recall and attempt to slow the Jarvis Hall Fine Art gary’s artistic community from viewer’s intake through the use of 617 11th Ave SW, Lower Level 1960 to 2000, first installment multi-layered imagery. ¥403-206-9942 draws on works from the 1960s www.jarvishallfineart.com and begins to unveil the unique - Illingworth Kerr Gallery, tues-sat 10am-5pm. Feb 7-Mar 9 ness of the visual arts community Alberta College of Art + Design Mark Dicey , “Signal/Drift”, abstract in our city. 1407 14th Ave NW paintings encompass varied experi -

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http://www.youraga.ca 2013 Alberta Biennial of Contemporary Art ART GALLERY OF ALBERTA, EDMONTON AB – Jan 26-May 5, 2013 Founded in 1996, the Alberta Bien - nial promotes and brings national attention to artists working in this Canadian province. The theme of the 2013 Alberta Biennial, The News from Here , is the idea of post-regionalism: artists forming their iden - tities around different cities, towns and areas of Alberta, while at the same time acknowledging and being influenced by the larger global context of contemporary artmak - ing today. The show seeks to pro - vide a framework through which to see how contemporary art is shaped by their perceptions of time and place – which in turn alters the perceptions. The 2013 Biennial is guest- curated by prominent Alberta art critic Nancy Tousley, an award- winning curator at numerous prestigious institutions including the Brooklyn Museum, the Art Gallery of Ontario, the Glenbow Museum and the Art Gallery of York University. Tousley reviewed more than Jason de Haan & Miruna Dragan, The Wood and Wave Each Other Know (2011), 200 applications and conducted production still [Art Gallery of Alberta, Edmonton AB, Jan 26-May 5] 60 studio visits to select the 36 artists in the current exhibition: Trevor Anderson, Kyle Armstrong, Noel Bégin, Elisabeth Belliveau, Richard Brown, Eric Cameron, Bruno Canadien, Sherri Chaba, Chris Cran, Alysha Creighton, Dav - eandJenn, Amanda Forbis and Wendy Tilby, Mackenzie Frère, Sarah Fuller, Jason de Haan and Miruna Dragan, Faye HeavyShield, Terrance Houle, Gary James Joynes, Kristopher Karklin, Emily Luce, Eric Moschopedis and Mia Rushton, Robyn Moody, Pamela Norrish, Gabrielle Paré, Laura St. Pierre, Jewel Shaw, Taras Polataiko, Larissa Tiggelers, Laura Vickerson, Jennifer Wanner, Donna White and Maria Whiteman. In their work, Alberta is in the foreground, in the background, in the content, in the imagery, in the subject matter of every piece in the show in different ways. A video, film and performance program accompanies the exhibition. Mia Johnson ences and commitment to life as an featuring Frederick James Brown Three at The Art Gallery of Calgary artist; Dean Turner , “Epilogue”, (1945-2012), prints pay tribute to Mar 22-May 4. works focus on the dark realities of many of the musical greats; George war through haunting imagery and Broomfield (1906-1992), draw - The New Gallery (TNG) thought-provoking documentation; ings, prints and poems from the Art Central, 212-100 7th Ave SW Mar 14-Apr 13 Ric Kokotovich , book Negro Spirituals 1932-1935 , ¥403-233-2399 “Wired Islands”. chronicling Black settlement in the www.thenewgallery.org Toronto region, to complement the tues-fri 11am-5pm sat 12-6pm. # Museum of Contemporary Broomfield exhibition, Gee's Bend Admission is free. +15 Window, Art–Calgary Artists , five prints by four quilting Epcor Centre for the Performing 104-800 Macleod Trail SE artists from Gee’s Bend, a rural Arts, 205 8th Ave SE. MAIN SPACE Feb ¥403-262-1737 community in Alabama; MAIN 8-Mar 2 Duane Linklater , “Sec - www.mocacalgary.com GALLERY Feb 7-Mar 3 1912/2012 ondary Explanation”, drawings and tues-fri 11am-5pm sat 12-4pm. Made in Alberta, Part One , Mar 7- photographs re-examining the tradi - Admission is free. Donations are 30 1912/2012 Made in Alberta, tional role of ledger drawing in welcome. Feb 7-Mar 2 UPPER Part Two , works in a variety of indigenous cultures; Mar 8-Apr 6 GALLERY "Nobody gets out of this media by 60 visual artists survey ACAD @ U of C 6.0 , group show place without singin’ the blues", contemporary Alberta art, Part exploring the intersections of art and

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Stride Art Gallery Association 1004 MacLeod Trail SE ¥403-262-8507 www.stride.ab.ca tues-sat 11am-5pm. Admission is free. +15 Window, Epcor Centre for the Performing Arts, 205 8th Ave SE. MAIN GALLERY Thru Feb 15 Dan Hudson , “Shrines”, multimedia sculptures reflect on relationships between contemporary culture, the natural world, and cycles of time; Feb 22-Mar 29 Mark Dulude , “Have You Seen This?”, playful ensembles of performative sculptures, videos or photographs; PROJECT ROOM Thru Feb 8 Cassandra Paul , “Estate Sale”, explores the real and fictional histories of a decrepit old house near the artist’s studio; Feb 22-Mar 22 Heather Huston , “The Image Past”, works collapse the sense of time with the potential to trigger curiosity about the history of the rooms and an imagined future sce - nario; +15 W INDOW Feb-Mar “Inter - national Festival of Animated Objects”, featuring artwork by Louise Johnson . TrépanierBaer 105-999 8th St SW ¥403-244-2066 www.trepanierbaer.com tues-sat 10:30am-5pm. Feb 2- Mar 2 Fred Herzog ; Mar 13-Apr 6 Christian E ckart ; VIEWING ROOM Marcel Barbeau . Wallace Galleries 500 5th Ave SW ¥403-262-8050 www.wallacegalleries.com mon-sat 10am-5:30pm. Thru Feb 6 “Group Show”, new works by artists Jim Stokes, Gordon Lewis, Andy Petterson, Ivan Murphy, Camrose Ducote, Nancy Boyd and others; Feb 7-26 “For the Love of Art”, works by new artists and recent architecture, sixth iteration in the John Folsom, Joshua Jensen- works by William Duma, Brent collaboration between ACAD and U Nagle, Virginia Mak and Sarah Laycock, Shannon Williamson, of C student curator Jayda Karsten; Nind , “Perception”, process-driven Diana Zasadny, Don Pentz and oth - +15 W INDOW Feb 4-Mar 30 Lindsay and photo-based gallery artists ers; Feb 27-Mar 6 “Spring Fever”, Sorell , “A Lonely Mountain”, Sorell showcase the methods that are new works by gallery artists Luc will be working for 2 months to pro - employed in their creative process; Bernard, Walter Bachinski, Grego - duce an installation and short film, Feb 9-Apr 4 Dianne Bos , “La Porte: ry Hardy, Robert Lemay, Simon collaboration between TNG and Cal - New Images From an Old World”, Andrew, Ted Godwin, Dori-ann gary Animated Objects Society. new pinhole photographs. Steinberg, Andy Petterson, Joice M Hall and others; Mar 7-27 Alain Newzones Paul Kuhn Gallery Attar, Nancy Boyd, Camrose Ducote, 730 11th Ave SW ¥403-266-1972 724 11th Ave SW ¥403-263-1162 Steve Mennie, Linda Nardelli and www.newzones.com www.paulkuhngallery.com Dori-ann Steinberg , “SIX Abstract tues-fri 10:30am-5:30pm sat 11am- tues-sat 10am-5:30pm and by Painters of Western Canada”, artists 5pm. Feb 2-28 James Holroyd, appt. Feb-Mar Visit the website for from Alberta and BC illustrate vari - Jesse Boles, Franco DeFrancesca, exhibition information. ous approaches to exploring the

16 PREVIEW I FEBRUARY/MARCH 20 13 abstract world in texture and colour; Mar 28-Apr 3 “April Fool’s Fun!”, January 24 – March 31, 2013 contemporary edge with abstraction CASCADIA and flower accents with new works Marten Berkman, Yukon by Harold Town, Alain Attar, Leslie Michael Brophy, Oregon Poole, Jennifer Hornyak, Barrie Judith Currelly, British Columbia Szekely, Ron Bloore, Camrose Owen Kydd, British Columbia Vanessa Renwick, Oregon Ducote and others. With selected artefacts from The Reach’s Permanent Collection

eDMONTON Alberta Craft Council Gallery 10186 106 St NW ¥780-488-6611 www.albertacraft.ab.ca mon-sat 10am-5pm thurs 10am- 6pm. FEATURE GALLERY Thru Mar 30 Golden Edge , works celebrate senior ACC members who contin - ue to push the edges of their cre - ativity and craft disciplines; DIS - COVERY GALLERY Thru Feb 16 Les Manning , “Earth Elements”, cele - brating Manning’s recent appoint - ment to the Order of Canada; Charles Lewton-Brain , celebrat - ing Lewton-Brain’s 2012 Saidye Bronfman Award for Excellence in Fine Craft; Feb 23-Mar 23 The Michael Brophy, Coast Range , 2004, oil on canvas Recipients , group exhibition of the 2012 Alberta Craft award recipi - Generously supported by ents. CONSULATE OF THE UNITED STATES Vancouver, Canada Art Gallery of Alberta 2 Sir Winston Churchill Sq ¥780-422-6223 www.youraga.ca OTHER EXHIBITIONS OPENING JAN. 24: tues-sun 11am-5pm wed 11am- Nests and Trees – Vicky Marshall and Pat Service 9pm mon closed. Admission: Unintended Consequences,The Extinct Bird Series – Rosa Quintana Lillo members free, adults $12.50, sen - iors (65+)/students $8.50, chil - dren under 6 free, children 7-17 The Reach Gallery Museum $8.50, family (up to 2 adults + 4 32388 Veterans Way children) $26.50. Thru Feb 18 Abbotsford, BC V2T 0B3 thereach.ca EDO: Arts of Japan’s Last Shogun 604-864-8087 Age , works that explore the influ - ences the Edo period (1603-1868) had on arts and culture in Japan; Paul Freeman: It’s Only Natural , Ernest E. Poole and the AGA Col - 17th century to Alberta; Thru May two life-size casts of stags whose lection , 90 works donated in 1975 5 The News from Here: The 2013 antlers seem to have run wild, feature key works and will consid - Alberta Biennial of Contemporary emerging from their bodies like er how this bequest has shaped Art , works by 36 diverse Alberta branches of a tree; Mar 9-Jun 16 exhibiting practices at the AGA; artists explore the theme of post- David Janzen: Transfer Station , Thru Mar 10 Beautiful Monsters: regionalism in Alberta art. series of new paintings approach Beasts and Fantastic Creatures in the subject matter of waste man - Early European Prints , analyzes Bugera Matheson Gallery agement with curiosity and calm - the representation of monstrous (formerly Agnes Bugera) ness; Mar 9-Jul 1 “A Story of beings in Early Modern visual cul - 12310 Jasper Ave NW Canadian Art: As told by the Hart ture, European prints of the 15th, ¥780-482-2854 House Art Collection”, works 16th and 17th centuries; Mar 23- www.bugeramathesongallery.com beginning from the first half of the Jun 16 Dutch Landscapes from tues-sat 10am-5pm. Feb 16-Mar 2 20th-century include A.Y. Jack - Rembrandt to Van Gogh , images “Cognitive Nature”, abstracted land - son, Emily Carr, David Milne and of the landscape of the Nether - scapes, Barbara Amos , architectur - Lawren Harris ; The Bequest: lands that reach far back into the al glass and metal; Peter Deacon ,

www.preview-art.com PREVIEW 17 collage and metal; Mar 9-23 “Just a with the land to responsible food of the Medicine Hat Fibre Arts Moment”, Janice Mason Steeves , production, in conjunction with the Society , “Everyone Needs Fibre”, cloud-like abstract paintings; Scott Field Notes Collective. functional and decorative artworks; Pattinson , energetic and colourful Mar 1-23 Members of the South - abstract paintings. # University of Lethbridge ern Exposure Photo Club: Brenda Art Gallery Carson, Angie Cramer, Shauna Douglas Udell Gallery 4401 University Dr, W600 Centre Fockler, DeVaughn Squire and 10332 124 St NW ¥780-488-4445 for the Arts ¥403-329-2666 Maryann Westgard , “Picture That www.douglasudellgallery.com www.ulag.ca Song”, recent photographs; Mem - tues-sat 10am-5:30pm. Opens Mar mon-fri 8am-4:30pm thurs 8am- bers of the Medicine Hat Potters 23 45th Annual Spring Show . 8:30pm. HELEN CHRISTOU GALLERY Association , “Clay 2013”, function - Thru Feb 22 Tracing the Elusive al and sculptural artworks; Mar 26- West End Gallery Past of the Chinarians ; MAIN 28 Small Stuff , open call exhibition 12308 Jasper Ave NW GALLERY Thru Feb 28 The Uncanny and sale of miniature artworks in all ¥780-488-4892 Valley ; Mar 8-Apr 18 ACSE 2013 . media and technique. www.westendgalleryltd.com tues-sat 10am-5pm. Feb 16-28 Esplanade Art Gallery Claudette Castonguay ; Mar 1-31 401 First St SE ¥403-502-8786 Gordon Harrison , Canadian land - MeDICINe HAT www.esplanade.ca scapes by new artist. # Cultural Centre Gallery mon-fri 10am-5pm sat & holidays 299 College Dr SE ¥403-502-9006 12-5pm. Thru Feb 9 Chris Bennett: [email protected] The Magic Lantern , viewers are daily 9am-8pm. Feb 4-22 Members invited on a geographic adventure LeTHBRIDGe through the artist’s fascinating Southern Alberta Art Gallery investigation of painting illusion 601 Third Ave S ¥403-327-8770 and its characteristic quality of www.saag.ca being; Don’t Stop me Now! , group tues-sat 10am-5pm sun 1-5pm. exhibition describes an Indige - Admission: general $5, students/ nous world through many types of seniors $4, groups $3 per person, mobility – vehicles, bikes, planes members & children under 12 free. and spiritual travel through art; Feb Feb 9-Apr 14 Ecotopia , works by 12 23-Apr 13 Grahame Lynch , “The artists explore environmental con - Logic of Subduction”, works deal servation, destruction and the with seeing differently and ask the cacophonous blend of architecture viewer to look and gather, and and decay in our technological age; piece fragments together into a Ecotone , works by 15 artists, the poetic sense of time and place; third stage of a project that has seen George Webber, Mr. and Mrs. Chew Leung, Visual Communications Faculty artists, scientists, local ranchers and New Dayton, Alberta (1988), of Medicine Hat College , “Bian - others from the community explore gelatin silver print, selenium toned [Esker nual Exhibition”, new works in all issues ranging from engagement Foundation, Calgary AB, Jan 19-Apr 21] media.

18 PREVIEW I FEBRUARY/MARCH 20 13 # OPEN LATE ON FIRST THURSDAYS ReD DeeR BuRNABY Red Deer Museum + Art Burnaby Art Gallery Gallery 6344 Deer Lake Ave 4525 47A Ave ¥403-309-8405 ¥604-297-4422 www.reddeermuseum.com www.burnabyartgallery.ca office hours mon-fri 9-4:30pm. tues-fri 10am-4:30pm sat-sun 12- Thru Mar 25 Galleries closed for 5pm. Admission is by donation. renovations. Feb 8-Apr 7 Gilbert and George, Jack Shadbolt, Raymond Verda - guer, Jacques Hnizdovsky, Guer - BRITISH rilla Girls, Rodney Graham, Felix Gonzalez-Torres, Sonny Assu, COLUMBIA Brendan Fernandes, Mary Plumb Blade, Jeremy Shaw, Holly Ward and Raymond Boisjoly , “The Artist Poster Show”, explores the ideas ABBOTSFORD behind the rationale and impetus The Reach Gallery in the development of an important Museum Abbotsford promotional tool that embodies 32388 Veterans Way the genesis of an exhibition or cen - ¥604-864-8087 www.thereach.ca tral ideas behind an artist’s work, tues wed fri 10am-5pm thurs 10am- includes a contemporary selection 9pm sat & sun 12-5pm, Admission: from Vancouver artist-run centres. free. Thru Mar 31 Marten Berkman (Yukon), Michael Brophy (Oregon), Deer Lake Gallery Judith Currelly (BC), Owen Kydd Burnaby Arts Council (BC) and Vanessa Renwick (Ore - 6584 Deer Lake Ave gon), “Cascadia”, with selected arti - ¥604-298-7322 facts from the permanent collection; www.burnabyartscouncil.org Vicky Marshall and Pat Service , tues-fri 12-4pm, open most sat & “Nests and Trees”; Rosa Quintana sun during exhibitions. Admission Lillo , “Unintended Consequences: is free. Feb 8-Mar 2 Ron Sangha , The Extinct Bird Series”. “Dreams of the Present”, explo - ration of new cultures and per - spectives through vividly-coloured digital prints; Mar 8-30 Debra BRITANNIA BeACH Sloan, Jinny Whitehead and Dar - Britannia Mine Museum cy Greiner , “Ceramic Sensibilities: 1 Forbes Way ¥604-896-2233 One to Many”, explores the rela - www.BritanniaMineMuseum.ca tionship of the one design to the daily 9am-5pm. Admission (+HST): many produced. adults $21.50, seniors (65+) $17.20, youth age 13-18 $16, chil - Nikkei National Museum dren age 6-12 $13.50, 5 and under 6688 Southoaks Cres free, family (2 adults & 3 children) ¥604-777-7000 $72, members free. MACHINE SHOP www.nikkeiplace.org Feb-Mar Mineral Images , best pho - tues-sun 11am-5pm. Thru May tos from the 1st Annual Amateur 2013 Ryoshi: Nikkei Fishing on Photography Competition, subjects the BC Coast , this history of Japan - are metals and minerals, ranging ese Canadians’ unique contribution from rock climbers to shipwrecks; to fishing in BC both before and Ongoing Underground train tour, after the war, from the docks of gold panning, historical exhibits, Steveston to remote inlets on the theatre with award-winning film, northern coast, a story intertwined heritage buildings and historic mill. with the labour and political history of BC; Ongoing UPPER LEVEL Taiken Lunch B.A.G. Days – Japanese Canadians Since Burnaby Art Gallery. A tour and 1877 , from the hardships of pio - lunch. Call 604-297-4422 to reserve neers, to the struggles of the war years, to the Nikkei community your space. Lunch $12. today.

www.preview-art.com PREVIEW 19 VIGNETTES • February/March 2013 British Columbia ROBIN LAuReNCe WESTERN {&} SONIA CORNWALL ROUNDUP Kamloops Art Gallery, Kamloops, Jan 18-Mar 23 The group exhibition, Western , reflects on “the history of western settlement” and how it has “shaped the popular imagination.” Works include an installation by the artists’ collective DRIL, a video critiquing sexual stereotypes by Cornelia Wyngaarden and large-scale, colour photographs by Dana Claxton. Claxton’s Mustang Suite deconstructs popular cul - Dana Claxton tural notions of “the Indian.” Roundup , an exhibition of paintings by Sonia Cornwall, depicts the everyday life and landscape of a Kamloops-area ranch. MANABU IKEDA: MELTDOWN West Vancouver Museum, West Van - couver, Jan 19-Feb 16 Meltdown , executed in pen and acrylic ink, imagines a scene of sci-fi-style environmental catastrophe. Reflecting on the natural beauty of the West Coast and the Fukushima Daiichi nuclear disaster following the earthquake and tsunami that hit Japan in 2011, Ikeda has created an image of a huge, compressed metropolis of interwoven industrial, archi - tectural and transportation forms, perched on top of a glacier catapulting down a mountainside. It is a riveting work, both in its subject and execution. Manabu Ikeda PAUL MPAGI SEPUYA: STUDIO WORK Artspeak, Vancouver, Jan 26- Mar 2 Born in San Bernardino, CA and based in Brooklyn, NY, Mpagi Sepuya completed an artist’s residency in Harlem in 2011-12, resulting in this photo-based work and installation. His project includes a volume of photographs, formal portraits and snapshots of studio visitors, still lifes, and objects and materials that accrued in his workspace. “The work explores how the stu - dio environment, as site of creation, editing, and accumulation, affects and frames portraiture.” Paul Mpagi Sepuya ANTONIA HIRSCH: LIGHT TENDER Republic Gallery, Vancouver, Feb 1-Mar 2 A new installation by this smart, inventive artist brings together video and found objects in an examination of our under - standing of “value.” Hirsch juggles beauty, economics and ethics in the context of the socially and environmentally controversial trade in cut flowers. She creates codified systems of floral hues and engages us – as marketplace flowers do – with colour and form, leaving us to sort out the moral complications for ourselves. Antonia Hirsch JOSE LUIS TORRES Alternator Centre for Contemporary Art, Kelowna, Feb 1-Mar 16 This Argentinian-Canadian artist makes site-specific installations from found and recycled construction materials, “referencing precarious architecture and the notion that life is a game of survival.” Visitors will encounter the work physically and experientially, making their way through his architectural space by trial and error, to think about our rela - tionship with the built environment and how architecture directs our movements and behaviours – and differentiates pub - lic from private. José Luis Torres

20 PREVIEW I FEBRUARY/MARCH 20 13 Vignettes • February/March 2013

British Columbia ROBIN LAuReNCe KELLIE TALBOT: AMERICAN LANDSCAPES Smash Gallery of Mod - ern Art, Vancouver, Feb 1-Mar 2 With a background in graphic Kellie Talbot design, Talbot gained fame and acclaim as art director for Signal Snowboards. This show reveals that she deserves immediate recognition for her tightly focused, photo-realis - tic oil paintings. Talbot chooses segments of neon signs, vin - tage architecture, and neglected cemeteries as her subjects, finding hope and beauty in evidence of erosion and decay. American Landscapes is the first Vancouver solo show for this Seattle-based artist. RAYMOND BOISJOLY Catriona Jeffries Gallery, Vancouver, Feb 28- Apr 6 This exhibition of new work by a fast-rising young artist investigates the ways in which diverse cultures and technologies speak to each other. Boisjoly scans televised musical performanc - Raymond Boisjoly es – including one by Buffy Sainte-Marie – and captures 20 sec - onds of moving images within one digital print on photographic paper. Mounted on aluminum, the large-scale works possess a commanding, “almost psychedelic” presence. CAMROSE DUCOTE Elissa Cristall Gallery, Vancouver, Mar 2-30 Although she has long been based in Vancouver, Ducote grew up in Colorado, and her art reflects the light and the landscape of that place. Applying thin layers of tinted acrylic medium, then sanding the surface down, scraping it off and building it up again, she creates mixed-media works on panel that are lyrical and inventive. “Chance,” she says, “plays a big role in my work, Camrose Ducote and I like to be surprised by the results.” GRAHAM GILMORE: I LOVE YOU, IN THEORY Touchstones Nelson Museum of Art and History, Nelson, Mar 2-Jun 9 This show includes sculpture, mixed-media works, and text-based paintings selected from this acclaimed artist’s 30-year career. Gilmore’s recent word paintings are notable for using “humour and quick- fire wit to counter an undercurrent of loss, cynicism and discon - tent.” They combine the tropes of drip painting with a darkly funny spin on popular culture, social trends, and the vernacular language of love.

SHUVINAI ASHOONA: MERGED REALITIES Inuit Gallery, Vancouver, Graham Gilmore Mar 13-Apr 3 Drawing with pen and ink, coloured pencils and markers, this Cape Dorset artist has gained recognition for her depictions of Northern life and her fantastical, sometimes night - marish images. Her simple yet eloquent quote, “Sometimes the pencil is stronger than I am,” indicates her unconscious mind directs much of her art making. The drawings reveal life in tradi - tional Inuit hunting camps, her deep Christian faith and an expo - sure to pop culture.

Shuvinai Ashoona www.preview-art.com PREVIEW 21 www.kelownaartgallery.com Carol Wainio: The Book KELOWNA ART GALLERY, KELOWNA BC – Jan 19-Mar 17, 2013 The Book is a travelling exhibition organized by the Carleton University Art Gallery. It was shown at Carlton in 2010 and the Varley Art Gallery, Markham, in 2011. The exhibit will continue to the Dunlop Art Gallery, Regina and the McIntosh Gallery, London, Ontario in 2013. The paintings represent a ten-year survey of Wainio’s work with themes taken from fairy tales. The large and impressive acrylic paintings present characters familiar from decades of reproduc - tion, with an emphasis on Puss in Boots and Jack and the Beanstalk . Based on research into the history and evolution of fairytales, as well as inspiration from medieval manu - scripts, the images explore both the history and styles of narrative illus - tration. The most recent paintings focus on early methods for the print - ed distribution of folktales, when original illustra tions began to be reproduced as woodcuts or engrav - ings. Carol Wainio is based in Ottawa, Ontario, where she has taught paint - ing at the University of Ottawa since Carol Wainio, Tapestry (2009), acrylic on canvas [Kelowna Art Gallery, Kelowna BC, 2003. She has an MFA from Con - Jan 19-Mar 17] cordia University, Montreal. Her work is in the collections of the National Gallery of Canada, Musée d'art contemporain de Montréal, Musée des Beaux Arts de Montréal, Glenbow Museum, Art Gallery of Ontario, Canada Council Art Bank and the Banff Centre Permanent Collection, among many others. Mia Johnson

Simon Fraser University MAIN GALLERY Jo Lechay , “Two Eyes tues-sat 10am-5pm. Feb Exhibi - Gallery Five Legs, Right Hand Left Hand”, tion of West Kootenay Artists ; AQ 3004-8888 University Dr exhibit of improvisation, Lechay Mar 8-Apr 20 John Hartman , “The ¥778-782-4266 works with her entire body using Columbia in Canada”, series of www.sfu.ca/gallery either hand or sometimes both to watecolours painted along the tues-sat 12-5pm, closed sat on hol - discover colour, line and emotional Columbia River. iday long weekends. Thru Apr 13 content in the process; DISCOVERY Wild New Territories , media and GALLERY Linda Walton , “Cool Con - installation works include interna - nections”, Walton explores colours, tional and local artists who explore shapes and the element of surprise CHILLIWACK the interplay between the urban and through detailed photographs of Chilliwack Visual Artists the wild in contemporary art, also frosted and frozen naturalistic ele - Association, Chilliwack Art showing at TECK GALLERY AND VARI - ments; Mar 14-Apr 19 MAIN AND DIS - Gallery OUS LOCATIONS ALONG COAL HARBOUR COVERY GALLERIES 31st Annual Mem - Chilliwack Cultural Centre AND IN STANLEY PARK Series of exhibi - bers’ Exhibition , works by up to 80 9201 Corbould St ¥604-392-8000 tions, outdoor works, performanc - regional artists, presented in con - www.chilliwackvisualartists.ca es and workshops. junction with the CR Arts Council. wed-sat 12-5pm. Thru Mar 2 “Visions of Three”, paintings and drawings by artist and teacher John Leflock and two of his past CAMPBeLL RIVeR CASTLeGAR students Robyn MacRae and Pat Campbell River Art Gallery Kootenay Gallery Duncan demonstrate the skill and 1235 Shoppers Row ¥250-287-2261 120 Heritage Way ¥250-365-3337 technical knowledge of airbrush - www.crartgallery.ca www.kootenaygallery.com ing along with other traditional and tues-sat 10am-5pm. Thru Mar 8 Feb: mon-fri 10am-4pm, Mar: modern techniques; Mar 7-Apr 20

22 PREVIEW I FEBRUARY/MARCH 20 13 “Drawing the Line, Shaping the 2:30-5pm sun 1-5pm, Atrium and crime; COMMUNITY GALLERY Thru Clay”, Ted Driediger , ceramics Mezzanine Galleries: mon-fri 9am- Mar 2 Carlos Reyes-Manzo , and Heinz Klassen , ink drawings. 9pm sat 9am-5pm sun 1-5pm. Feb “Rights and Wrongs: explores the 7-28 ATRIUM GALLERY Artforce Col - Resilience of the World’s Indige - lective , “Shaped by the Past”, nous People”, documentary pho - multiple media; MEZZANINE GALLERY tography; Mar 15-Apr 20 Danaca COQuITLAM Nino Dobrosavljevic , “Tribute to Ackerson , “Botticelli Remix + Oth - Art Gallery at Evergreen Arts”, oil on canvas; LEONORE PEY - er Pedestrian Perspectives”, paint - Cultural Centre TON SALON Thru Feb 23 Passionate ings; GEORGE SAWCHUK GALLERY 1205 Pinetree Way ¥604-927-6550 Outdoor Painters Group , “Captur - Thru Mar 2 Samantha Christian - www.evergreenculturalcentre.ca ing the Vibrancy of Nature”, multi - son and Maddisen Farrell , “Port - mon-sat 12-5pm. Admission is free. ple media; Feb 28-Mar 16 Joanne folio”; Mar 9-Apr 20 Students Thru Mar 9 Emerging Talent XVI , Plourde , “The Voyageurs Epic: from Saltwater School , “The annual juried exhibition by Grade 12 Perseverance”, textile art. Golden Rule”. students from School District 43; Mar 16-Apr 27 Pierre Coupey: Cut - ting out the Tongue , two-venue ret - rospective looks at Coupey’s trajec - COuRTeNAY FORT LANGLeY tory as an abstract painter over the Comox Valley Art Gallery Barbara Boldt last four decades and on the conse - 580 Duncan Ave ¥250-338-6211 Original Art Studio quences of his decision to obey www.comoxvalleyartgallery.com 25340 84th Ave ¥604-888-5490 Matisse’s impossible admonition to tues-sat 10am-5pm. CONTEMPO - www.barbaraboldt.com ‘cut out the tongue’, and paint, also RARY GALLERY Thru Mar 2 Heather please call ahead; watch for the showing at West Vancouver Muse - Thomas , “In the Presence of “Open” sign at road. In-home stu - um Mar 6-Apr 27. Absence”, installation, sculpture dio gallery of Barbara Boldt locat - and mixed media works; Mar 9- ed 5 km outside of Fort Langley – Place des Arts Apr 20 CVAG/CVCAC Members , featuring local landscapes, forest 1120 Brunette Ave ¥604-664-1636 “Towards Grace”, addresses the and garden scenes in oil and soft www.placedesarts.ca transformation of the community’s pastel and her signature EarthPat - Leonore Peyton Salon: mon-wed understanding of the issues of terns paintings of sandstone for - fri 9am-2pm thurs 9am-9pm sat racism, homophobia and hate- mations found on Galiano Island.

www.preview-art.com PREVIEW 23 narrative and the Surrealist game of exquisite corpse – the work is painted directly onto the gallery walls creating a room-size comic book.

KASLO Langham Cultural Centre RED Gallery 447 A Ave ¥250-353-2661 www.thelangham.ca thurs-sun 1-4pm. Admission by donation. Feb 9-Mar 24 Ian John - SHOW son: The Chamber – Reinventing Consumption , multi-media look at our consumptive society; Mar 30- Partial proceeds to benefit Callanish Society May 12 Stanley Triggs: Changes Upstream , historical photographs of places in the Kootenays now Feb 16 – Mar 8 completely underwater.

KeLOWNA # Alternator Centre for 244 7 Granville St. Vancouver, BC • 604-266-601 0 Contemporary Art info@granvillefineart.com • granvillefineart.com 103-421 Cawston Ave, Rotary Cen - tre for the Arts ¥250-868-2298 www.alternatorgallery.com tues, wed, sat 11am-5pm thurs & The publication – Places Of Her “Sail”; Tanya Pixie Johnson , fri 1-9pm. Feb 1-Mar 16 José Luis Heart, The Art and Life of Barbara “Riverspines”. Torres , installation. Boldt by Barbara Boldt with K. Jane Watt – is now available at Geert Maas Sculpture various locations, visit the website Gardens and Gallery for more information. For direc - KAMLOOPS 250 Reynolds Rd ¥250-860-7012 tions to the studio see map on # Kamloops Art Gallery www.geertmaas.org website or call. 101-465 Victoria St ¥250-377-2400 mon-sat 10am-5pm, sunday by www.kag.bc.ca chance. Internationally acclaimed The Fort Gallery mon-wed, fri-sat 10am-5pm thurs artist Geert Maas invites the public 9048 Glover Rd ¥604-888-7411 10am-9pm sun 12-4pm closed to visit his exceptional sculpture www.fortgallery.ca stat holidays. Thru Mar 23 “West - gardens and indoor gallery with wed-sun 12-5pm. Thru Feb 10 ern”, takes stock of the history of one of the largest collections of Gallery Members Group Show ; settlement in the West and reflects bronze sculpture in Canada; chang - Feb 13-Mar 3 Veronica Plewman , on how its manifestations have ing exhibitions, Maas creates dis - “Suspended and Flowing”, recent shaped the popular imagination, tinctive, rounded, semi-abstract paintings; Mar 6-24 Auld Acquain - includes works by: DRIL , installa - figures, architectural structures as tance II , group show of Fort tion features tumbleweed as the well as installations in a wide vari - Gallery alumni; Mar 27-Apr 14 main protagonist; Cornelia Wyn - ety of materials including bronze, Fiona Howarth , “Boneyard”, exhi - gaarden , provocative work plays stainless steel, aluminum, wood, bition of recent photographs. on the sexual stereotype of the stoneware and multimedia. The ‘Marlboro Man’ and Lawrence great diversity of outdoor art is Paul Yuxweluptun , installation complemented in the gallery by an derived from his polemical per - overwhelming number of paint - GRAND FORKS formance An Indian Shooting the ings, serigraphs, medals, reliefs Gallery 2, Grand Forks and Indian Act ; Sonia Cornwall: and sculpture in various media. District Art and Heritage Centre Roundup , paintings bring insight 524 Central Ave ¥250-442-2211 to life on a ranch near Kamloops; A # Kelowna Art Gallery www.gallery2grandforks.ca Narrative Corpse , this collabora - 1315 Water St ¥250-762-2226 tues-fri 10am-4pm sat 10am-3pm. tive project brings together the www.kelownaartgallery.com Thru Apr 17 Bettina Matzkuhn , comic strip format of sequential tues-sat 10am-5pm thurs 10am-

24 PREVIEW I FEBRUARY/MARCH 20 13 # OPEN LATE ON FIRST THURSDAYS 9pm sun 1-4pm. Thru Mar 17 Carol Wainio: The Book , large, complex paintings explore book illustration, primarily with imagery intended for children; Bruce Horak, Busser How - ell, PJ Lockhart and Eriko Watan - abe , “Just Imagine”, four blind or vision-impaired artists in an exhibi - tion intended to create a conversa - tion about how human beings see, perceive, and respond to the world around them; Mar 30-Jun 30 Bill Rodgers: Journeyman: A Ten-Year Survey of Work , about 40 works, mostly paintings, selected from sev - en series of works, highlighting Studies in Citizenship (2008-9), 18 paintings reproducing vintage book covers from a bygone era; Thru Mar 31 Sarah Maloney: Collapse , instal - lation explores the notion of the tra - ditional domestic sphere of women, and the Victorian pastime/skill of embroidery, the female connection to flowers – the centerpiece is a real chaise lounge which Maloney terms a fainting couch; SATELLITE GALLERY AT THE KELOWNA INTERNATIONAL AIRPORT Thru May 6 Dawn Emerson: Certain Movement , a 40-foot-long multi- panelled work using mixed media explores images of trees that incor - porate implied movement.

MAPLe RIDGe Maple Ridge Art Gallery 11944 Haney Pl ¥604-476-4240 www.theactmapleridge.org tues-sat 11am-4pm. Feb 9-Mar 9 Christian Nicolay and Ya-chu Kang , “Portable Walls”, will create a site-specific installation in mixed media, the work is often playful and ironic with an underlying cynicism; Mar 16-Jun 1 Celia and Keith Rice- Jones , “A Life in the Day”, sculp - Campus: mon-fri 10am-5pm sat ture and ceramics, will work with 12-4pm; Downtown: tues-sat curator Barbara Duncan to create a 10am-5pm. CAMPUS Thru Feb 16 NeLSON site-specific installation including Synergy: VIU Art and Design Fac - Craft Connection & abstract sculpture, domestic pot - ulty ; Mar 1-Apr 13 What’s Ours is Gallery 378 tery and hanging banners. Yours: On Community and Col - 378 Baker St ¥250-352-3006 lecting , works from the Perma - www.craftconnection.org nent Collection; DOWNTOWN Thru mon-sat 9:30am-5:30pm. Feb- Feb 9 Redefining the West Coast Mar Group exhibition of work by NANAIMO Spirit: Emerging Architects with local Kootenay artists. Nanaimo Art Gallery Connections to the Land ; Feb 13- Campus Gallery: 900 Fifth St 23 Rod Corraini and Jean-Paul Touchstones Nelson: 2nd location, Downtown Gallery: Langlois , “The Fatty Acids”; Mar Museum of Art and History 150 Commercial St 1-Apr 11 What’s Ours is Yours: On 502 Vernon St ¥250-352-9813 ¥250-740-6350 250-754-1750 Community and Collecting , works www.touchstonesnelson.ca www.nanaimoartgallery.com from the Permanent Collection. wed fri sat 10am-5pm sun 12- www.preview-art.com PREVIEW 25 4pm, thurs 10am-5pm, 5-8pm by donation. GALLERY A Thru Feb 24 Aliens Among Us: BC’s Recent Plant and Animal Arrivals , exhibi - tion invites visitors to interact with some of the province’s best- known and least-loved invasive species; Mar 2-Jun 9 Graham Gill - more: I Love You, In Theory , col - lection of works spanning Gill - more’s career of over 30 years, including his iconic text-based paintings on panel, canvas and paper, sculptures and new works; GALLERY B Thru Feb 17 Arin Faye , “Beyond the Batholith: Writing Women of the Kootenay/Columbia Basin”, portraits of local women authors created with paint and pyrography; Feb 23-Apr 7 Touch - stones Nelson Member’s Exhibi - tion , juried exhibition.

NeW WeSTMINSTeR Amelia Douglas Gallery, Douglas College 700 Royal Ave ¥604-527-5723 www.douglascollege.ca/artscomm mon-fri 10am-7:30pm sat 11am- 4pm. Thru Feb 22 Mikki Herbold , the story of the UNIBUG project in photographs, and Ewan McNeil , “Supermodels”, paintings; Feb 28- Apr 12 Judy Weeden and Ronald T. Crawford , “Clay Symposium: Formed Earth, Earth Formed”. Arts Council Gallery of New Westminster Queens Park, 6th & McBride Blvd ¥604-525-3244 www.artscouncilnewwest.org tues-sun 1-5pm, closed mon. Feb 5-Mar 2 Art Rental Exhibition , mixed-media works by various artists; Mar 5-30 Donna Polos , “Seasoned Fibres”, fibre art.

NORTH VANCOuVeR CAFCA: Café for Contemporary Art 138-140 E Esplanade ¥778-340-3379 604-505-7261 www.cafeforcontemporaryart.com mon-fri 7am-7pm sat & sun 8am- 7pm. Feb 7-Mar 2 Soo Yeon Lim , “Ucharted Village II”, paintings and works on rice paper; Mar Visit website for exhibition information.

26 PREVIEW I FEBRUARY/MARCH 20 13 # OPEN LATE ON FIRST THURSDAYS Capilano University Studio Art Gallery 2055 Purcell Way, Upper Flr, Studio Art Bldg ¥604-986-1911 www2.capilanou.ca/programs/studio art/pontact.html hours mon-fri 9am-4pm. Feb 1-28 Bastien Desfriches Doria and Vir - ginie Lamarche: VNB: Narrative Tableaux from the American Mid - west , both series of work present cross-cultural views on suburbia, America’s classic social landscape with alienation as the recurring theme; Mar 1-22 Kent Anderson: New Work , sculptures posit ideas that explore the notion of a post- physical world and our problemat - ic evolution toward this end; Mar 23-30 Senior Media Art Exhibi - tion , works by 2nd year Studio Art Diploma students. # Caroun Art Gallery 1403 Bewicke Ave ¥778-372-0765 www.Caroun.net tues-sun 12-8pm. Feb 1-14 Hanieh Mohammad Bagher , “Movement”, paintings; Feb 16-27 “Winter Group Exhibition”, Atefeh Safaei Nia, Hanieh Mohammad Bagher, Leila Akhtar Shomar, Parivash Hessabi, Saba Orouji, Sara Yousef Panah, drine Pelissier, Elspeth Hart, Frigon , tranquil series of acrylic Siminzar Khosravi and Torang Sarah Hill David, Mary Shaugh - paintings of nymphaea – aquatic Rahimy , paintings and drawings; nessy and Camille Sleeman , plants. Farhad Varasteh, Kaveh Rasouli, “Exquisite Landscape”, massive Masoud Soheili, Minoo Iranpour collaborative panoramic painting Gordon Smith Gallery of and Sahar Seyedi , photographs; that wraps around the entire gallery Canadian Art Hossein Kashian , calligraphy; Mar started from one continuous line 2121 Lonsdale Ave 1-14 Mahnoush Izadi , paintings; concept drawing and a photograph; ¥604-903-3798 Mar 16-29 “Group Exhibition”, Mar 15-Apr 13 Ruminations of www.gordonsmithgallery.ca Atefeh Safaei Nia, Elmadani Bel - Order , working in photography, wed-fri 12-5pm sat 10:30am-5pm, madani, Mona Orouji, Parivash sculpture and drawing, four emerg - closed holidays. Thru Apr 27 Bill Hessabi, Parvin Soheili, Saba ing artists explore individual con - Reid, Jack Shadbolt and Gordon Orouji, Siminzar Khosravi and Tom structs of ruminations of order; Smith , Tribute to the founders of Davison , paintings and drawings; DISTRICT FOYER GALLERY , D ISTRICT the “Artists for Kids Teaching Col - Farhad Varasteh, Kaveh Rasouli, HALL OF NORTH VANCOUVER , 355 W lection of Canadian Art” that fea - Masoud Soheili, Minoo Iranpour Queens Rd, North Van Thru Mar 19 tures more than 80 master works and Sahar Seyedi , photographs; Ellen Bang , 3-D, small sculptural created by 37 prominent artists. Hossein Kashian , calligraphy. felt works in combination with materials related to architectural Graffiti Co. Art Studio/Gallery CityScape Community Art structures address the precarious 171 E 1st St, 2nd Flr Space, North Vancouver nature of human life in a city; ¥604-980-1699 Community Arts Council Stephen Dittberner , 2-D, series of www.graffiticoart.com 335 Lonsdale Ave ¥604-988-6844 oil paintings inspired by Lynn tues-fri 1:30-6:30pm or by appt. www.nvartscouncil.ca Canyon and the Capilano River; Mar Small studio gallery offering origi - Cityscape: tues-sat 12-5pm, Dis - 20-May 7 Michelle Carlson , 2-D nal fine art located on the scenic trict Foyer Gallery, District Hall of and 3-D, prints and textiles mainly North Shore close to Lonsdale North Vancouver: mon-fri 8am- concerned with memory and decay, Quay. Feb-Mar Gabriele Maurus , 4:30pm, District Library Gallery, presence and absence; DISTRICT handmade jewellery and mixed- Lynn Valley Main Library: mon-fri LIBRARY GALLERY , L YNN VALLEY MAIN media works; Sian Woodward and 9am-9pm sat 9am-5pm sun 12- LIBRARY , 1277 Lynn Valley Rd, guests, mixed media. Call for 5pm. CITYSCAPE Feb 8-Mar 9 San - North Van Mar 27-May 21 Judith details.

www.preview-art.com PREVIEW 27 http://grunt.ca Cal Lane: Gutter Snipes I GRUNT GALLERY, VANCOUVER BC – Feb 15-Mar 23, 2013 Artist and welder Cal Lane confronts tra - ditional dichotomies of feminine and masculine by carving ornate botanical and figurative patterns into steel with a blow torch. Starting with ready-made materials like shovels, oil drums, car parts, dumpsters, wheelbarrows and ship - ping containers, she burns lacy, veil-like patterns into the metal objects. The results, much like “a wrestler in a tutu,” as she puts it, are stunning. Gutter Snipes I was shown at Benrimon Contemporary, New York in 2011. The exhibit features a 20-foot long, six-foot diameter steel corrugated pipe first cut in half and welded together to make a 40-foot long half arch, then intri - cately cut with fantastic, medieval creatures in an apocalyptic setting. Born in Halifax, Nova Scotia in 1968, Cal Lane grew up in Saanich- ton, British Columbia and earned a Cal Lane, Gutter Snipes I (2011), aluminum-coated steel sewer pipe [grunt gallery, BFA in Painting from Victoria Col - Vancouver BC, Feb 15-Mar 23] lege of Art (1994). She earned a second BFA in Sculpture from Nova Scotia College of Art and Design (2001 from her website) and completed an MFA in Sculpture from State University of New York (2005). She is a certified welder. Her work has been exhibited at the 2012 Sidney Biennale, NADA Hudson 2012, the Pelham Art Center in New York, Le Musée d’art contemporain des Laurentides in Saint-Jerome, Quebec, the Musea Brugge in Belgium and at the Socrates Sculpture Park in Long Island City, NY among others. Lane currently lives and works in Putnam Valley, New York. Mia Johnson

Presentation House Gallery book entitled Let’s Take Back Our and knowledge of Canada’s lands. 333 Chesterfield Ave Space: ‘Female’ and ‘Male’ Body ¥604-986-1351 Language as a Result of Patriar - SPACE emmarts www.presentationhousegallery.org chal Structures (1979) , sociologi - 1432 Rupert St ¥604-770-2545 wed-sun 12-5pm. Thru Mar 24 cal study of how we create and www.emmarts.ca Anna Opperman: Filiations , best present ourselves. wed and fri 2-5pm & by appt. Thru known for her ‘ensembles’, frag - Mar 14 Gabriele Maurus , “The mented assemblages of photo - Seymour Art Gallery Messy Mix”. graphs, paper scraps, notes, draw - 4360 Gallant Ave ¥604-924-1378 ings, photographic canvases and www.seymourartgallery.com objects, often displayed on and daily 10am-5pm. Feb 5-Mar 2 Gera around low, altar-like podiums; Scott Chandler, Rachel Gourley, OSOYOOS Andrea Pinheiro: Bomb Book , a Carolyn Good, Tina Holden, Joan Osoyoos Art Gallery 12-volume, 2,450-page publica - Tayler, Wanda Shum, and mem - 8711 Main St ¥250-495-2800 tion that documents, one per page, bers of the Vancouver and Van - www.osoyoosarts.com the name of every test blast since couver Island Polymer Clay tues-sat 12-4pm. Thru Feb 9 Fed - 1945, where no name exists, the Guilds , “Chameleon: A Polymer eration of Canadian Artists, page is left blank, she has spent a Clay Exhibition”, selection of 3-D South Okanagan Members , origi - decade conducting historical sculpture and 2-D pieces, using the nal paintings; Feb 16-Mar 9 Osoy - research into nuclear bomb tests; medium of polymer clay; Mar 5-Apr oos Quilters Show , original quilts Marianne Wex: Let’s Take Back 6 Les Manning , “Common/Oppo - and fabric items; Mar 16-Apr 13 Our Space , photographs assem - sites”, 19 recent ceramic sculp - Osoyoos Potters Show , original bled into an in-depth archive and a tures draw on personal experiences pottery items.

28 PREVIEW I FEBRUARY/MARCH 20 13 Penticton Art Gallery (Lake Country), Shauna Oddleifson 199 Marina Way ¥250-493-2928 (Kelowna) and Johann Wessels PeNTICTON www.pentictonartgallery.com (Penticton); PROJECT ROOM Penticton The Lloyd Gallery tues-fri 10am-6pm sat & sun 12- and District High Schools , a visual 18 Front St ¥250-492-4484 5pm. Thru Mar 17 MAIN GALLERY arts education helps students devel - www.lloydgallery.com Shawn Serfas: Re-Picturing the op a higher order of thinking tues-sat 10am-5:30pm. Exhibiting Landscape , mid-career survey illus - through creativity, critical thinking gallery artists Irvine Adams, Laila trates the evolution of his visual art and the ability to pose and solve Campbell, Rod Charlesworth, and contextualizes his current work problems; TONI ONLEY GALLERY Pen - Connor Charlesworth, Glenn with what has come before; PROJECT ticton and District High Schools , Clark, Sharon Clarke-Haugli, ROOM Eliza Fry: Healing Codes for artwork by students; EDUCATION Peter Corbett, Jan Crawford, the Biological Apocalypse , attend - SPACE Penticton and District High Josette De Roussy, Serge Dubé, ed the Toni Onley Artist Project at Schools , artwork by students. Valerie Eibner, Shannon Ford, Island Mountain Arts in Wells, BC Charlotte Glattstein, Jim Glenn, this summer, selected by mentors Perry Haddock, Julia Harg - Peter von Tiesenhausen and Sarah reaves, Frances Harris, Kevin Anne Johnson for an exhibition; TONI PORT ALBeRNI Healy, Michael Hermesh, Beverly ONLEY GALLERY Tak Tanabe and Bob DRAW Gallery Inkster, Bob Kebic, Dongmin Lai, Steele , “In Safe Keeping: Recent 4529 Melrose St Robyn Lake, Gerda Lattey, Julie Donations to the Permanent Collec - ¥250-724-2056 855-755-0566 Mai, Viv McElgunn-Lieskovski, tion”, contemporary works donated www.drawgallery.com Angie Roth McIntosh, Min Ma, to the collection; Mar 22-May 12 The gallery represents Westcoast Debbie Milner, Dominic Modlins - MAIN GALLERY “Terroir: Physically Islands Contemporary Canadian ki, Toni Onley, Diane Paton Peel, Speaking”, inspiration drawn from Art. Feb-Apr Gallery closed for Graham Pettman, Lance Regan, the human form and condition pro - winter, works by gallery artists can John Revill, Bonnie Roberts, Ani - vides us with a reflection against be viewed online at “Gallery ta Skinner, Theo Tobiasse, Marla which we can judge our own place in Beyond Walls” – Paul Bishop, Wilson, Nel Witteman, Annette the world today, artists include Frank Boas, Nanci Cook, Cathy Witteman, Marjolein Witteman, Stephan Bircher (Enderby), Rose Corbett, Barbara Damer, Perry William Watt, Ingrid Mann-Willis Braun (Kelowna), Michael Her - Johnston, Louise Lavallee, Amy and Robert Wood . mesh (Summerland), Wanda Lock Louise, Dave Oram, John Stuart

www.preview-art.com PREVIEW 29 Pryce, Perrin Sparks, Catherine under 12 $1, children under 5 free, Tableau, Astrid Thimmel and members free. Feb-Mar Bridging Cathleen Thom . Two Nations: Prince Rupert’s Chi - nese Canadian Community , explores the regions in China where ancestors of many Prince Rupert PORT MOODY Chinese Canadians originated and Port Moody Arts Centre the cultural and other ties they have 2425 St Johns St ¥604-931-2008 maintained with modern China, fea - www.pomoarts.ca tures a variety of Chinese objects mon-thurs 10am-8pm fri-sat 10am- from the museum’s collection and 5pm sun 12-4pm, closed holidays. archival photographs; Ongoing Per - Thru Feb 17 MAIN GALLERY Ximeng manent exhibits of Northwest Coast Guo , “A place in your heart”, oil and history, art and culture and per - acrylic paintings inspired by per - formances. sonal experiences; 3D G ALLERY Port Moody Public Art Exhibition , show - case of Public Art Commissions across the City of Port Moody; PLUM QuALICuM BeACH WALLS Derrick Hanni , “Project The Old School House 365”, year-long project by the artist Arts Centre taking one photograph each day; 122 Fern Rd W ¥250-752-6133 PLUM DISPLAY CASE Nicola Tibbetts , www.theoldschoolhouse.org “Cabinet of Curiosity”; CHILDREN ’S mon-sat 10am-4:30pm. Thru Feb GALLERY Artwork by the Students of 16 A Day in the Life of Qualicum Aspenwood Elementary School , Beach , photographs by local pho - portraits inspired by artist Shari tographers taking street shots of Pratt; Feb 23-Mar 17 MAIN GALLERY , the town at play; Feb 18-Mar 8 The 3D G ALLERY , P LUM GALLERY AND PLUM Federation of Canadian Artists, DISPLAY CASE The Annual Wearable Arrowsmith Chapter Spring Show ; Art Awards Exhibition ; Mar 21-Apr Elsie Griffiths and Pat Scrivener , 21 MAIN GALLERY , P LUM GALLERY AND paintings; Mar 9-16 The Art from PLUM DISPLAY CASE A Port Moody the Attic Sale , annual fundraiser – Centennial Celebration Exhibition , buy and sell unique pieces; Mar 18- photographs and artifacts; 3D Apr 6 Denise MacNeill, Greg GALLERY TriCity Potters Associa - Swainson and Ashleigh Drum - tion , “Fantastic Feast”, ceramics. mond , paintings.

PRINCe GeORGe RICHMOND Two Rivers Gallery Richmond Art Gallery 725 Civic Plaza ¥250-614-7800 7700 Minoru Gate www.tworiversgallery.ca ¥604-247-8300 604-247-8312 mon-sat 10am-5pm thurs 10am- www.richmondartgallery.org 9pm sun 12-5pm. Thru Mar 31 mon-fri 10am-6pm thurs 10am- Rick Leong: The Phenomenology 9pm sat & sun 10am-5pm. Feb 2- of Dusk , paintings, prints and Mar 24 Cheryl L’Hirondelle, Mike drawings that explore the transi - Andrew McLean, Haruko Okano, tion of day to night; Jennifer Wan - Ruth Scheuing and UWHAH are a ner: Immuto , intricate watercolour collaboration of Vancouver-based paintings, rubbings and stop- artists, “Andante (a walking pace)”, motion animation explore the conceived as a conceptual practice, genetic modification of plants. diverse narratives reflect the artists’ responses to various urban and rural landscapes. PRINCe RuPeRT Rufus Lin Gallery of Museum of Northern BC Japanese Art 100 First Ave W ¥250-624-3207 #415 S Tower, 5811 Cooney Rd www.museumofnorthernbc.com ¥604-303-6330 tues-sat 9am-5pm. Admission: www.rufuslingallery.com adults $6, students $2, children mon-fri 10am-5pm, closed holi -

30 PREVIEW I FEBRUARY/MARCH 20 13 days. Admission free. Thru Feb 25 nity for the viewer to see where Michael Stockdale, Ray Ward Naoki Totsuka , 12 watercolour Myers expands upon the language and Alan Wylie . paintings (using the artist’s self- of the Moderns and brings developed watercolour method), abstract human form and experi - mostly landscapes and buildings ence into physical reality in a con - in Japan; Ongoing “Contemporary temporary setting. SILVeR STAR Japanese Art Collection”, works by MOuNTAIN Hironori Ohta and others. Gallery Odin 215 Odin Rd ¥250-503-0822 SIDNeY www.galleryodin.com Peninsula Gallery wed & sat 1-6pm or by appt. Fea - SALMON ARM 100-2506 Beacon Ave tures established and emerging BC SAGA Public Art Gallery ¥250-655-1282 877-787-1896 artists presenting abstract, semi- 70 Hudson Ave NE ¥250-832-1170 www.pengal.com abstract and representational art - www.sagapublicartgallery.ca mon-sat 9am-5pm. Feb 1-28 “Col - work in a variety of media – oils, tues-sat 11am-4pm. Thru Feb 23 lector’s Choice”, featuring Carol acrylics, mixed-media paintings, Signs of the Seasons , juried Evans , watercolours, Ron Parker , sculptures, scrimshaw, pottery members’ exhibition on the theme acrylics, Philip Buytendorp , oils and fibre art. of the Calendario project; Mar 2-30 and Robert Bateman and Carol Audrey Nanimahoo , “Faces in Evans , Giclée prints; Mar 1-30 Stone”, sculpture. Features gallery artists Mickie Acierno, Don Bastian, Robert SOOKe Bateman, Kristina Boardman, South Shore Gallery Philip Buytendorp, Brent Cooke, 2046 Otter Point Rd SALT SPRING Ken Curley, Carol Evans, Dou - ¥250-642-2058 ISLAND glas Fisher, Real Fournier, W. www.sooke.org/southshoregallery Morley Myers Studio Allan Hancock, Tiffany Hastie, mon-sat 10am-5pm. Feb-Mar #11-315 Upper Ganges Rd Jack Kreutzer, Jo Ludwig, Dennis Gallery artists offer works large ¥250-537-4898 Magnusson, Catherine Moffat, and small – paintings, ceramic, www.morleymyersgallery.com Michael O’Toole, Nancy O’Toole, glass, sculpture, jewellery and by appt. The studio is an opportu - Ron Parker, Janice Robertson, wearables.

www.preview-art.com PREVIEW 31 BY REBECCA PAVITT Conservator’s Corner FINE ART CONSERVATION , www.fineartconserve.com Iron in Paper: Problems and Current Solutions - Part I Discoloration and foxing (scattered dark spots) in paper are some of the most common reasons that clients bring paper artifacts to a conservator for restoration. These conditions are often cleaned with oxidative bleaches. While such treatments are generally quite effective, if iron is present in the paper oxidative bleaching can actually make the discoloration worse. Part 1 of this article describes the problems that iron can cause in paper; Part 2 will describe some solutions that are making their way into the paper conservator’s repertoire. Iron is sometimes, but not always, present in paper. When iron is present in paper, it can sometimes, but not always, cause discoloration and foxing. Because iron is a catalyst, traditional oxidative bleaching methods used by conservators to reduce discoloration can, after an incubation period of a few Spots on print caused by Fenton Reaction weeks or months, actually accelerate dis - coloration, making a bad situation worse. Iron can exist in many forms. As anyone with a car, boat or carbon steel kitchen knife knows, metallic iron (Fe) is not particularly stable; it likes to oxidize into a broad array of black, white, uncoloured and multicoloured compounds, including rust. Iron can exist in more than one oxidation state. The most common oxidation states are Fe(II) in which metallic iron has lost two electrons and Fe(III), where metallic iron has lost three electrons. Fe(III) is the least reactive form of iron but both Fe(III) and metallic iron can, under the right envi - ronmental circumstances, convert to the very reactive Fe(II) form. Iron can be introduced into the paper intentionally, as in the case of inks and other media, or as unintended contaminants. Iron can be found in unpurified wood pulp, the water used to make the paper, low grade chalk fillers, rosin and papermaker’s alum. Bits of metallic iron that rub together and break off from paper-making machines also find their way into paper sheets. Traditional methods of treating discoloured paper include oxidative bleaches that contain or gen - erate peroxides (for example, hydrogen peroxide, sodium perborate and light). Peroxides react with and solublize the damaged and discoloured portions of the cellulose molecule, allowing them to be washed away. Although these oxidative bleaches can be very effective, Fe(II) can (but not always) cat - alyze the peroxides to trigger the dreaded Fenton Reaction. In a few weeks or months, the previously cleaned paper can become heavily spotted and discoloured. This situation is obviously something to be avoided, but its occurrence cannot always be predicted. How, then, to avoid such a situation? Is it possible to determine if paper contains iron before embarking on oxidative bleaching treatments? There are visual and chemical tests for detecting iron in paper before treatment but, unfortu - nately, these tests are not foolproof. Iron particles can be hidden deep within the paper sheet; oxides may not be concentrated enough to give positive reactions when tested with chemical reagents or they may be unevenly distributed in the paper sheet, leading to false negative test results. What, then, is the best way to safely reduce discoloration in paper that may contain iron, detect - ed or not? And once discoloration has been reduced, how can paper be protected from residual iron that may have been left behind? There are no simple answers to these questions, but my research over the past year has given me some leads which I will share in the next article.

NEXT ISSUE : Iron in Paper: Problems and Current Solutions - Part 2

32 PREVIEW I FEBRUARY/MARCH 20 13 SQuAMISH Foyer Gallery at the Squamish Public Library 37907 2nd Ave ¥604-892-3110 604-815-3629 www.squamish.bclibrary.ca/ser - vices-programs/foyer-gallery mon-thurs 12-8pm fri-sun 10am- 4pm. Thru Feb 4 WALLS Sandrine Pelissier , “Mixing It Up!”, mixed- media paintings; CASES Shelby Miller , “Natural Elements”, ethical and sustainable jewellery – ster - ling silver, copper and semi-pre - cious stones; Feb 5-Mar 4 WALLS & CASES The Cutting Edge , “Read as Red”, group show of contempo - rary textile, mixed media artwork, weavings and jewellery; Mar 5-Apr 1 WALLS Toby Jaxon , “Hot ‘n Cold”, mystical woodland paintings in oil, acrylic and watercolour; CASES Jennifer Blair , “Fused Glass”, jew - ellery; ENTRANCE WALL Cedar Valley Waldorf School , “The Cycle of Gratitude”, mixed media.

SuNSHINe COAST Goldmoss Gallery ble sculpture; June Bloye , soap - Clive Powsey, Karen Rieger, 2840 Lower Rd, Roberts Creek stone carving; Marilyn Hurst , Cindy Rudolph, Peter Shostak, ¥604-886-1968 www.goldmoss.com acrylic; Illona Fekete , folk art; Don Anita Skinner, Peter Stuhlmann, sat & sun 12-4pm or by appt. Feb- Portelance , watercolour and Tere - Jocelyne Tremblay, Chrissandra Mar GALLERY ONE Donna Balma , sa Wegrzyn , acrylic. Unger and Henry Xu . new large-scale oil paintings, influ - enced by fellow musicians and Jenkins Showler Gallery Kwantlen Art Gallery & artists; GALLERY TWO 12-4 PM Both 101-15735 Croydon Dr Arbutus Gallery at commercial and fine artists con - The Shops @ Morgan Crossing Coast Capital Savings verge to collaborate on various ¥604-535-7445 Kwantlen Polytechnic University sculptural, film, painting and www.jenkinsshowlergallery.com D126-12666 72nd Ave installation projects for the tues-sat 10am-6pm sun 11am- ¥604-599-2219 RobertsCreekArtsFestival.com. 6pm. Gallery artists: Jane Arm - www.kwantlen.ca/fine-arts strong, Arnt Arntzen, Kathi Bond, Check the website for hours. ARBU - Rick Bond, Merv Brandel, Ben TUS GALLERY Feb 7-27 Annie Ross , Burnett, Rod Charlesworth, Denis “Forest One”; KWANTLEN ART GALLERY SuRReY Chiasson, Toller Cranston, George ROOM D126 Feb-Mar Rotating stu - Arnold Mikelson Culley, Robert Davidson, George dent exhibitions . Mind & Matter Art Gallery Demmer, Chantal De Serres, 13743 16th Ave ¥604-536-6460 Allan Dunfield, Marc Eliuk, # Surrey Art Gallery www.mindandmatterart.com Colette Falardeau, Curtis Golomb, 13750 88 Ave (at King George Hwy) daily 12-6pm. Feb Eileen Fong , Tiffany Hastie, Ron Hedrick, ¥604-501-5566 acrylic; Kevin Healy , soapstone Amanda Jones, Paul Jorgensen, www.surrey.ca/arts carving; Christopher Potter , water - Ken Kirkby, H.E. Kuckein (re- tues-thurs 9am-9pm fri 9am-5pm colour; Jack Olive , pottery; Magda sales), David Ladmore, Louise sat 10am-5pm sun 12-5pm, closed Varnai , watercolur; Julie Bourne , Lauzon, Richard Long, Dennis mon & holidays. Thru Feb 17 raku; Donna Stark , silk; Val Eibner , Magnusson, Sharon Mark, Anita Heather Aston, Jocelyn Barrable- fused glass; Mar Arnold Mikelson , McComas, Andrew McDermott, Segal, Milos Jones Campbell, wood sculpture; Shirley Thomas , Greg Metz, Debbie Milner, Pieter Anne Gaze, Hannamari Jalovaara, acrylic; Suzanne Amendelagine , Molenaar, Norval Morrisseau (re- Julie McIntyre, Wendy Morosoff ceramic; Valeri Sokolovski , mar - sales), Bruce Muir, Toni Onley, Smith, Rina Pita, Brigitte Potter

# OPEN LATE ON FIRST THURSDAYS PREVIEW 33 Mael and Elisabeth Sommerville , Janice Wong , sumi ink on paper; “Intersections: Full Circle Art Collec - June Yun , oil on canvas; Yuichi tive”, recent prints and other 2-D Takasaka , photography and video works; Feb 23-Apr 28 Artwork by and Shyh-Charng Lo , oil on canvas. Surrey Elementary School Stu - dents ; Thru Mar 24 The future is The Art Emporium already here: Alex McLeod and 2928 Granville St ¥604-738-3510 Brendan Tang , ceramics, photogra - www.theartemporium.ca phy and projected video combine to mon-sat 10am-6pm. Exceptional create mesmerizing fantasy worlds; inventory of paintings by major Ornamentalism: Clint Neufeld and Canadian, American and French Dirk Staschke , ceramic sculptors masters of the 20th century, fea - transform everyday objects into rich turing Emily Carr and all members visual allegories that bridge desire, of the Group of Seven and several labour and leisure; John Chalke, Tam of their contemporaries, including Hold Them Up in Good Light Irving, Ian Johnston, Sally Michener, Cornelius Krieghoff, David Milne, Access Gallery's Annual Auction Alwyn O’Brien, Linda Stanbridge and J.W. Morrice and Tom Thomson ; Diana Lynn Thompson , “Beyond the Paintings by Karel Appel, Alexan - Friday, February 22, 8pm-12am Vessel’s Edge: Ceramics from the der Calder, E. Cortez, Montague A silent and live auction of works Permanent Collection”; Feb 1-Apr 21 Dawson, Jean and Raoul Dufy, A. Ian Skedd , “Open Sound 2013: Hambourg, J. Hervé, Picasso, by over 30 artists Sound/Tract”, new sound installation Utrillo, Volti, Andrew Wyeth , and Auction Preview: Friday February in an elevator that responds to gen - Canadians Max Bates, Donald 15, 8-11pm, 222 East Georgia St. res of background music and sound - Flather, H.G. Glyde, E.J. Hughes, $15 tracks of public announcements; F. Lansdowne, John Little, Henri SURREY URBAN SCREEN (EXTERIOR OF Masson, Rudolph Messner, Hugh Access Gallery CHUCK BAILEY RECREATION CENTRE Monahan, Riopelle, Goodridge 222 E. Georgia St, Vancouver, BC 13458-107A A VE ) Thru Apr 28 Paul Roberts, Jack Shadbolt and 604-689-2907 Wong: Year of GIF , artist’s smart - Andrew Wong . accessgallery.ca phone GIFs used to create a mosaic of virtual flipbooks. Art Works Gallery 225 Smithe St ¥604-688-3301 www.artworksbc.com mon-fri 9am-6pm sat 10am-6pm TSAWWASSeN sun 12-5pm. Thru Feb 19 “Signa - Tsawwassen Longhouse ture Artists”, new works by artists Gallery who have developed and grown 1710-56th St ¥604-943-3313 with the gallery since the begin - www.southdeltaartistsguild.com ning: Bragg, West, Leidenfrost, thurs-sun 11am-4pm. Thru Feb 24 Prescott, Graff, Houston, Simp - Fresh Eyes: Learning to See son, Devenyi, Wolcoski, Quirke, Through the Eyes of an Artist ; Feb Leonard and Florian , Feb 22-Mar 28-Mar 31 Imagine This: From 25 “Interpretations”, assimilation Reality to Abstraction . of abstract pieces featuring the dif - ferent perceptions of this group of artists: Hashim, Adamo, Wlo - darczak, Sokol-Hohne, Duguy, VANCOuVeR Leonard, McClatchie-Andrews Access Gallery and others. 222 E Georgia St ¥604-689-2907 www.accessgallery.ca Arts Off Main tues-sat 12-5pm. Feb-Mar Check 216 E 28th Ave ¥604-876-2785 the website for upcoming exhibi - www.artsoffmain.ca tion information. wed-sun 11:30am-5:30pm. An artist-run gallery with work by BC Art Beatus (Vancouver) artists offering original and afford - Consultancy Ltd. able paintings, prints, sculpture, 108-808 Nelson St photographs, jewellery and pot - ¥604-688-2633 tery. Stop in and see work by our www.artbeatus.com new artists – Claire Shuai, mon-fri 10am-6pm. Thru Mar 15 Camille Sleeman, Jeff Gibson “Melt”, winter group show featur - and Ceci Lam , paintings; Laura ing Li Zhong Xiang , woodcuts; Vlieg , pottery .

34 PREVIEW I FEBRUARY/MARCH 20 13 Artspeak 233 Carrall St ¥604-688-0051 www.artspeak.ca tues-sat 12-5pm. Thru Mar 2 Paul Mpagi Sepuya , “Studio Work”, David Neel Gallery photographs and installation com - posed of materials accumulated in the studio, tracing the artist’s occu - pation and photo-making from the beginning to the end of a residency at the Studio Museum in Harlem. ArtStarts Gallery 808 Richards St ¥604-336-2606 Ext. 105 www.artstarts.com/gallery tues-fri 9am-5pm. Thru Mar Sense of Place , showcases the artwork of BC young people as they explore their heritage and connection to the place they call home. Audain Gallery 149 W Hastings St, SFU Woodward’s ¥778-782-9102 www.audaingallery.ca tues-sat 12-6pm. Thru Feb 23 Antoni Muntadas , the exhibition “Muntadas: About Academia”, mul - tiscreen video installation explores the relationship between the pro - duction of knowledge and economic power – he will collaborate with the gallery to produce a new publication derived from his residency and exhi - bition. Spanish American artist Muntadas is the second Audain Artist in Residence for 2012-13. 104 West Esplanade Bau-Xi Gallery North Vancouver, BC V7M 1A2 3045 Granville St ¥604-733-7011 Phone: 604-988-9215 www.bau-xi.com mon-sat 10am-5:30pm sun 11am- Toll Free: 1-800-554-7074 5:30pm. Feb 2-14 Gallery Artists; www.davidneel.com Feb 16-28 Tamara Bond , new paintings and drawings; Mar 2-14 Tom Burrows , new polymer resin and porcelain works. Bill Reid Gallery gardless”: Humour in Contempo - of Northwest Art rary Northwest Coast Art , 60 Beaty Biodiversity Museum 639 Hornby St ¥604-682-3455 works ranging from sculptures to University of British Columbia www.billreidgallery.ca video installations by 28 artists 2212 Main Mall ¥604-827-4955 wed-sun 11am-5pm. Admission: explore Aboriginal humour that www.beatymuseum.ubc.ca adults $10, seniors/students $7, flows through Northwest Coast art tue-sun 10am-5pm closed on Mon - youth/child 5-17 $5, kids 4 and and life. days. Feb 7-May 5 Catherine Stew - under free, family (2 adults + 2 art , “Invoking Venus: Feathers and children) $25. Group rates and Britannia Art Gallery Fashion”, photo-based images and guided tours available when Britannia Library, 1661 Napier St accessories from the clothing col - booked in advance. Admission ¥604-718-5800 lections of Ivan Sayers and Claus subject to tax. Showcasing the www.britanniacentre.org Jahnke , using bird specimens from permanent collection of Bill Reid mon, thurs, fri 8:30am-5pm tues, the museum, Stewart explores the and changing exhibitions of con - wed 8:30am-9pm sat 9:30am-5pm role colour and adornment play in temporary Northwest Coast art. sun 1-5pm. Feb 6-Mar 1 The Pot - courtship and attraction. Thru Mar 17 Carrying on “Irre - tery Works Studio , ceramics and

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m r e r b t S e i o i o c t b e b i a a www.preview-art.com PREVIEW 37 works on paper and canvas; Mar LERIES Ciprian Mure an , “Recycled 6-30 Shirley Wiebe , “The Borrow - Playground”, artistşic and literary ers”, sculptural works; Thompson works appropriated in a project Brennan , “Wax Poetic”, encaustic that intersects with the recent his - paintings. tory of Romania and other Eastern European countries and ponders Catriona Jeffries Gallery the realities of the contemporary 274 E 1st Ave ¥604-736-1554 world – installation with compan - www.catrionajeffries.com ion video and other significant tues-sat 11am-5pm. Feb 28-Apr 6 works highlight the structures and Raymond Boisjoly . processes of all forms of power; WINDOW SPACES AND OFFSITE AT YALE - # Chali-Rosso Art Gallery TOWN -R OUNDHOUSE STATION , C ANADA 2250 Granville St ¥604-733-3594 LINE AND FIELDHOUSE STUDIO RESIDEN - www.chalirosso.com CY PROGRAM Raymond Boisjoly , tues-sun 11am-6pm or by appt. “As It Comes”, for six months he Masters collection of Pablo Picas - will occupy the Burrard Marina so, Marc Chagall, Robert Mother - Field House, using it as a studio well, Joan Miró, Wassily Kandin - and a place for community engage - sky, Salvador Dali, Henri Matisse, ment, coinciding with the launch of Pierre-Auguste Renoir and Rem - two new interrelated public works. brandt van Rijn . entation of recent and older figura - Craft Council of BC Gallery Charles H. Scott Gallery tive abstract paintings by local 1386 Cartwright St, Granville Island Emily Carr University of Art + Design artist Don Choboter . ¥604-687-7270 888-687-6511 1399 Johnston St, Granville Island www.craftcouncilbc.ca ¥604-844-3809 chscott.ecuad.ca Circle Craft Gallery Gallery: daily 10.30am-5.30pm, mon-fri 12-5pm sat-sun 10am- 1-1666 Johnston St, Granville Office: tues-thurs 10am-5pm. Feb 5pm. Thru Feb 24 Neil Wedman , Island ¥604-669-8021 7-Mar 21 Amy Li-Chuan Chang , “Selected Monochromatic Paint - www.circlecraft.net “Industrial Organs”, ceramics and ings and Works on Paper, Part Two daily 10am-7pm. Mar 1-Apr 9 Judith porcelain; Mar 28-May 9 Kelly of Two”, recent monochromatic Burke, Mary Fox, Laurie Rolland, Austin , “Compositions”, ceramics. paintings and drawings; Mar 13- Gordon Hutchens, Rachelle Chin - Apr 21 Zineb Sedir , “The Voyage, nery, Tanis Saxby and Jeremy The Cultch Gallery or Three Years at Sea – Part V”, Hatch , “Circle Craft’s 40th Anniver - 1895 Venables St video and photographic work sary Inaugural Show”, ceramics. ¥604-251-1363 www.vecc.bc.ca about colonialism, migration, dis - mon-fri 10am-6pm and before placement and the sea by London- Coastal Peoples evening performances, call for based artist. Fine Arts Gallery weekend hours. Thru Feb 17 Hinda 1024 Mainland St. Yaletown Avery , "Scenes From a Resistanze", Chinese Cultural Centre 2nd location: 312 Water St, Gastown unsettling look into feminism and Museum and Archives ¥604-685-9298 604-684-9222 revenge fantasies; Harold Coego , 555 Columbia St ¥604-658-8880 www.coastalpeoples.com "Sound Memories and Transaction www.cccvan.com mon-sat 10am-6pm. YALETOWN AND of the Eye", artistic examination of tue-sun 11am-5pm. Thru Feb 17 GASTOWN GALLERIES Feb-Mar North politics and a reinterpretation of Jing (Jane) Feng , “My China - by Northwest: an exploration music. town”, photographs; Thru Feb 24 from the Arctic to the Pacific , Inuit Where East Meets West , exhibi - and First Nations artists share an Doctor Vigari Gallery tion of mid-20th century Can - artistic commonality in depicting 1816 Commercial Dr tonese musical instruments in mythological figures and lifestyle. ¥604-255-9513 Vancouver, curated by Alan Lau; www.doctorvigarigallery.com Mar 23-29 “Wu School Art Associ - Contemporary Art Gallery mon-sat 11am-6pm sun 12am- ation Painting Exhibition”, group 555 Nelson St ¥604-681-2700 5pm. More artists, going back to show with artists including John - www.contemporaryartgallery.ca roots of signature designer furni - son Chow ; Permanent exhibition tues-sun 12-6pm. Thru Feb 3 B.C. ture, home accessories, jewellery, Generation to Generation – Histo - BINNING GALLERY Louise Hervé and glass, pottery and fine art. ry of Chinese Immigrants in BC . Chloé Maillet , “Scholar’s Rock”, brings together history, popular Douglas Reynolds Gallery Choboter Fine Art culture, literature and various facts 2335 Granville St ¥604-731-9292 23 Alexander St in the style of a guided tour and a www.douglasreynoldsgallery.com ¥604-688-0145 604-779-7050 series of short lectures delivered to mon-sat 10am-6pm sun 12-5pm. www.choboter.com visitors to the gallery; Feb 8-Apr 7 Specializing in historic and contem - mon-sat 12-6pm. Ongoing pres - B.C. B INNING AND ALVIN BALKIND GAL - porary Northwest Coast Native art

38 PREVIEW I FEBRUARY/MARCH 20 13 # OPEN LATE ON FIRST THURSDAYS Victoria Art Walk • Thursday, Nov 29, 3-8pm • continues Friday, 11am-5pm Danuta K. Frydrych Murano Glass Artists March 1-14, 2013 March 15-28, 2013

PACIFIC HOME AND ART CENTRE 1560 West 6th Ave, Vancouver 604.566.9889 www.pacifichome.ca Mon and Sat 10-5, Tue-Fri 10-6

and offering a wide selection of art - daily 11am-5pm or by appt. Spe - Lindsay Delaronde, Mel Dunn, works by leading First Nations cializing in Northwest Coast and Carey Newman, Luke Parnell, artists including Bill Reid, Robert Inuit First Nations art and featur - Dionne Paul, Nicola Sampson, Davidson, Don Yeomans and Beau ing museum-quality handcarved Debra Sparrow, Cathi Charles- Dick , artwork includes carved wood masks, panels, bentwood boxes, Wherry and Christine Riemer , masks, cedar bentwood boxes, totem poles, argillite, button blan - “Vancouver Opera’s Magic Flute totem poles, bronze and glass edi - kets, glass sculpture and Inuit Exhibition: First Nations Magic tions, baskets, prints, and hand - stone works. Flute Creators & Messangers”, crafted gold and silver jewellery. reflected in each work is the per - Elissa Cristall Gallery sonal voice of the artist and the - Douglas Udell Gallery 2239 Granville St ¥604-730-9611 matic elements of the production; 1566 W 6th Ave, 2nd Flr www.cristallgallery.com Mar 25-May 27 Sean Mills , ¥604-736-8900 tues-sat 11am-6pm. Feb 2-23 Ele - “Telling Time at the Speed of www.douglasudellgallery.com na Evanoff, Gavin Lynch and Ran - Light”, new works by Vancouver- tues-sat 10am-6pm. Opens Feb 23 dall Steeves ; Mar 2-30 Camrose based artist. Erik Olson , “Architecture of The Ducote ,”New Work”. Face”, oil on canvas/panel. English Bay Gallery Emily Carr Alumni Gallery, 107-1551 Johnston St, Dundarave Print Workshop Queen Elizabeth Theatre Granville Island ¥604-688-3006 and Gallery 630 Hamilton St ¥604-630-4562 www.EnglishBayGallery.com 1640 Johnston St, Granville Island www.ecuaa.ca daily 10am-6pm. Ongoing Exhibi - ¥604-689-1650 Open during theatre performanc - tions of Yoshi Yamamoto , photo - www.dundaraveprintworkshop.com es or by appt. Feb 18-Mar 25 graphs and Bill Frampton , painting wed-sun 11am-5pm. Thru Feb 3 Brenda Crabtree, Rande Cook, and photo collage. Non-Toxic Printmaking , group show features a selection of the Equinox Gallery evolving process-based art made 525 Great Northern Way with traditional and newer non- ¥604-736-2405 toxic methods; Feb 6-Mar 3 The www.equinoxgallery.com Red Show , group show with vari - tues-sat 10am-5pm. Feb 21-Mar ous types of prints that all have a 16 Philippe Raphanel: Waters ; dominant element of ‘red’ in them; Opens Mar 23 Marianne Nicolson . Mar 6-31 Denise Tonner , “Whither So High?”, recent etchings of chil - Federation Gallery dren’s stories and other flights of Reinhard Skoracki, I did not know if I 1241 Cartwright St, Granville Island fancy. should sit, although a chair with pillows was ¥604-681-8534 www.artists.ca provided; but on my first visit I thought I tues-sun 10am-4pm. Feb 7-17 Eagle Spirit Gallery should not sit. Thus, I told the fairytale of Works on Paper , artworks in all 1803 Maritime Mews, Granville the Princess and the Pea while standing media by members; Feb 19-Mar 8 Island ¥604-801-5205 (2012), bronze and marble [Kurbatoff Landscape Exhibition , works in all www.eaglespiritgallery.com Gallery, Vancouver BC, Feb 21-Mar 7] mediums by members.

www.preview-art.com PREVIEW 39 www.marionscottgallery.com Jutai Toonoo: Nice Day MARION SCOTT GALLERY/KARDOSH PROJECTS, VANCOUVER, BC – Mar 16-Apr 20, 2013 Nice Day is the first West Coast exhibit since 2005 of the unique artwork of Cape Dorset artist Jutai Toonoo. Toonoo comes from a prestigious artistic fam - ily that includes his father, Toonoo Toonoo, and his sister, Oviloo Tunnillie, a well-known sculptor, but he favours a more contemporary approach to style and subject matter. Jutai Toonoo may be best known for his stone por - traits, many of which feature passages of text with political commentary on contemporary issues and expressionistic self-portrait draw - ings. Recent work has explored abstracted fragments of bodies and body parts. The current exhibit features 20 drawings and sculptures from the past five years, including a series of large-format oil pastels Jutai Toonoo, Horizon (2012), graphite and oil pastel on paper [Marion that document the changing seasons on the Scott Gallery/Kardosh Projects, Vancouver BC, Mar 16-Apr 20] Arctic landscape. A number of brightly coloured drawings with an almost Pop sensibility focus on single objects like tools and utensils. Jutai Toonoo was born on Baffin Island in 1959 and learned to carve as a child. He began making art professionally in the late 1990s after completing a course at Nunavut Arctic College in 1995. In recent years he has been an active participant in Cape Dorset Co-op’s drawing and printmaking program. Mia Johnson

Firehall Arts Centre Gallery of carvers and painters in Mas, allies – this project is a thematic 280 E Cordova St ¥604-689-0691 Bali. Also showing I.B. Oka , Bali - series of programming examining www.firehallartscentre.ca nese ceremony masks and Ida and illuminating the state of con - wed-sat 1-5pm and before evening Bagus Anom Suryawan , Topeng temporary arts culture in Vancou - performances. Thru Mar 2 Sonja opera dance masks. ver, using our building as artifact Kobrehel , “How Art You”, mixed- and as a case-study; Mar 8-31 media paintings engage a sense of Framagraphic Framing Gallery Drawuary , drawings by studio play with the symbols and figures 1116 W Broadway ¥604-738-0017 artists made every day for the that make up her lyrical personal www.framagraphic.com month of Feb, an exercise in limita - iconography; Mar 6-Apr 20 “New mon-fri 9:30am-6pm sat 10am- tions and abundance, hopes, Works”, Katie Dey , new series of 5pm. Showing regular exhibitions ambitions, successes and failures. prints inspired by her collections of recent work from Place des Arts from the natural world – found local and emerging artists, an inter - Gallery Jones objects and studies of forms of national print collection and Cana - 1725 W 3rd Ave ¥604-714-2216 plants and animals; Kitty Blandy , dian paintings, featuring works by www.galleryjones.com explores anthropomorphism and Kwakwaka’wakw artist Andy Ever - tues-fri 11am-6pm sat 12-5pm and the human/animal hybrid. son , Quebec artist Marie-Claude by appt. Feb 7-Mar 23 Michael Boucher and Ontario artists Mark Abraham, Peter Aspell, Tricia Fragrant Wood Gallery Berens and Bob Arrigo . Cline, Marcus Schaller, Anselmo 2233 Granville St ¥604-558-2889 Swan and Chris Woods , "Go Fig - www.fragrantwood.com Gallery Gachet ure", the artists capture the human tues-sun 10am-6pm. A unique and 88 E Cordova St form through varied styles and enriching experience, with muse - ¥604-687-2468 www.gachet.org mediums. um-quality carvings that speak to wed-sun 12-6pm. Thru Feb 17 Art- the rich cultural background of i-Fact: 88 East Cordova, Collec - Gallery of BC Ceramics Indonesia and the South Pacific. tive Habitat 1997-2012 , works by 1359 Cartwright St, Granville Island Ongoing A.A.AG. Suta Wijaya , Gachet Collective members, recent ¥604-669-3606 “Rama and Sita”, wood carving and present, with contemporary www.bcpotters.com sculptures and paintings by his disability/mental health diversity daily 10:30am-5:30pm. Feb 7-Mar 4 son, Ciptawan , from 4 generations /politicized art practice, artists and Debbie Cheung, Diane Espiritu,

40 PREVIEW I FEBRUARY/MARCH 20 13 G ranSOUTHVille Gallery Row 1. Uno Langmann 604-736-8825 | www.langmann.com 5TH AVE 1 2. Douglas Udell T E E

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10TH AVE 9. Marion Scott 604-685-1934 | marionscottgallery.com 10. Kurbatoff 11TH AVE 604-736-5444 | www.kurbatoffgallery.com 11. Granville Fine Art 604-266-6010 | www.granvillefineart.com

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15TH AVE www.deluge.ws Drama of Perception: Stephanie Aitken, Katie Lyle and Shelley Penfold DELUGE CONTEMPORARY ART GALLERY, VICTORIA BC – Mar 15-Apr 13, 2013 Drama of Perception is a three-woman show of recent paintings by Stephanie Aitken, Katie Lyle and Shelley Penfold, all Vancouver- based artists. This show is curated by Sandra Meigs, a highly regarded Canadian painter and Associate Professor of Painting at UVic since 1993 where Aitken (1994), Lyle (2010) and Penfold (2009) completed their graduate studies. Meigs explains that, “Each of the three artists has unique processes for constructing her work; painting and repainting over images of women, rubbing pigment into canvas underwater, turning paper around and around while drawing, then painting from the drawing.” Shelley Penfold paints “most of the time in response to an inner dialogue.” Katie Lyle, awarded an Honourable Mention in the 2012 RBC Painting Competition, paints the female face, allowing “various references and influ - ences to come to the surface,” while Stephanie Aitken, the best known of the three, paints inspired “landscape ele - ments...that entice yet forbid entry.” Meigs writes, “My mind constructs and reconstructs Katie Lyle, Untitle d (2012), oil on canva s [Deluge what I think I see in the paintings. What appears before Contemporary Art Gallery, Victoria BC, Mar 15-Apr 13] me is not really what it appears to be. I feel like the paint - ings need me. They breathe into me, not oxygen, but other physical elements of the world…strange and unusual colours, slippery fields, boundaries and shapes I have not known in the world now enter into me through my perceptions.” Christine Clark

Darcy Grenier, Leon Popik, David mon-fri 10am-5pm sat hours vary. Havana Gallery Robinson and Clive Tucker, "Evoca - Vibrant colours of the woodland 1212 Commercial Dr tiva Curiosa", erotica in contempo - style of Ojibway art are displayed ¥604-253-9119 rary ceramics; Mar 7-Apr 1 Potters against a lush background of fresh www.havanarestaurant.ca Guild Members , "Dish it Up"", func - flowers and orchid plants, featur - mon-thurs 11am-11pm fri 11am- tional pottery for serving with flair. ing original works by Mark Antho - midnight sat 10am-midnight sun ny Jacobson and Jim Oski - 10am-11pm. Thru Feb 13 Lara Granville Fine Art neegish . West , "In Dreams and In Love ...", 2447 Granville St ¥604-266-6010 acrylic on canvas and wood; Feb www.granvillefineart.com grunt gallery 14-27 Gerhard Lietz , "Surge", tues-fri 10am-6pm, sat & mon Unit 116-350 E 2nd Ave acrylic on canvas; Feb 28-Mar 13 10am-5pm. Feb 16-Mar 8 The Red ¥604-875-9516 www.grunt.ca Cristina Peori and guests, "Deni - Show , interpretations on the tues-sat 12-5pm. Thru Feb 9 Adri - zons and Environs, Objects and theme 'Red' with partial proceeds an Stimson , "Holding Our Breath", Inrangibles", oils, acrylics, collage, to benefit Callanish Society; Ongo - image projection, audio, installa - multi media and mosaics; Mar 14- ing Also showing museum-quality tion, drawing and painting address 27 Robert Mennie , "West Coast paintings by historical Canadian the complexities of war within the Ways", Giclée on canvas; Mar 28- artists and groups ( Group of Sev - context of present experiences and Apr 10 Alexandra Kevyn . en, Painters 11, Automatistes , past histories; Feb 15-Mar 23 Cal etc), now selling original works by Lane , "Gutter Snipes I", aluminum- Heffel Fine Art Auction House Picasso, Renoir, Modigliani, coated steel sewer pipe that is 2247 Granville St Monet , and more. carved away into an ornate collage ¥604-732-6505 800-528-9608 of figures and organic designs, www.heffel.com Greenery Native Art Gallery this positive relief sculpture mon-sat 10am-6pm. Feb 7-28 3735 W 10th Ave ¥604-688-2832 reveals a collision between the Online Auction of Important www.greenerynativeartgallery.com damned and the divine. Canadian Prints/Works by Impor -

42 PREVIEW I FEBRUARY/MARCH 20 13 P E R C F a a O T n m CHARLE S CAMPBELL

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AVIS RASMUSSEN BLU SMITH www.vanartgallery.bc.ca Ian Wallace: At the Intersection of Painting and Photography VANCOUVER ART GALLERY, VANCOUVER BC – Oct 27, 2012-Feb 24 , 2013 At the Intersection of Painting and Photography is a major survey exhibition of the work of Ian Wallace, a significant contem - porary Canadian artist. As an art historian, critic and Emily Carr instructor, Wallace has been influen - tial in the development of contemporary art practice in Canada since the 1960s. Wallace was among the first in Vancouver to use large-format photography during the 1970s. He equated photography with cinema, advertising and history painting, thereby helping to elevate Y R E L L A

G it to its present status. Other Vancouver

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A Stan Douglas, Rodney Graham and Jeff Wall. V

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O produced several monumental staged works. C Ian Wallace, detail of Lookout (1979), 12 hand-coloured silver Throughout, he has been interested in how gelatin prints [Vancouver Art Gallery, Vancouver BC, Oct 27-Feb 24] concepts are transmitted via the pictorial, and how photography superceded painting and illustration during the 20th century for the mass distribution of concepts. A fully-illustrated, 352-page catalogue accompanying the exhibit has been organized in sections that mirror the motifs present throughout Wallace’s work. Mia Johnson tant Canadian Women Artists ; tations and interpretations of the McLean, Laura Wasylyshen and Mar 7-28 Online Auction of Cana - F-word. Ella Charette , with more on the way dian Post-War and Contemporary and by existing artists Neil Patter - Art/Post-War and Contemporary Howe Street Gallery of son, Evguenia Ioganov, Edgardo Photography . Fine Art & The Soul of Africa Lantin, Isao Ito, Stephen Manfai Collection Cheng, Wilson Chu, Tanya Bone , hfa contemporary 555 Howe St ¥604-681-5777 and others, also showing works by 320-1000 Parker St www.howestreetgallery.com acclaimed international bronze ¥604-876-7606 604-349-7606 daily 10am-6pm. Newly-expanded sculptors. www.hodnettfineart.com gallery (now 5,000 sq ft). Showing by appt. Feb 7-28 Noel Hodnett , work by new gallery artists Masoud Ian Tan Gallery "Seeking Nothing", new works on Habibyan, Miguel Freitas, Janice 2202 Granville St ¥604-738-1077 paper; Julie Pongrac , "Tephra", www.iantangallery.com fibre works relating to traces of vol - mon-sat 10am-6pm sun 12-5pm. canic activity; Mar 14-29 Noel Feb 1-28 Gallery Artists , "Winter Hodnett , "Cardboard and Paint", Group Show"; Mar 2-28 Patty sculptural and mixed-media works; Ampleford , "New Works". Julie Pongrac , "Corolla", felted and knitted sculpture and garments. Inuit Gallery of Vancouver 206 Cambie St, Gastown Hot Art Wet City ¥604-688-7323 888-615-8399 Pop-Up Gallery www.inuit.com 752 E Broadway ¥604-764-2266 mon-sat 10am-6pm sun 12-5pm. www.hotartwetcity.com Thru Feb 15 10th Annual Small 12-6pm. Feb 16-17 Fuck , post- SCaption:oo Yeon SooLim ,Yeon Cari bLim,ou G Caribourove (2 0Grove12), Treasures Exhibition , small-scale, Valentine’s Day tribute to your K(2012),orean p aKoreaninting apaintingnd pape andr ma paperking t emakingchnique powerful Inuit sculptures; Feb 14- favourite four-letter word, featur - [techniqueCAFCA: Ca [CAFCA:fé for Co Caféntem forpor Contemporaryary Art, North Mar 7 Kenojuak Ashevak (1927- ing typographic, visual represen - VArt,anc oNorthuver BVancouverC] BC] 2013), "A Colourful Vision", over 20

44 PREVIEW I FEBRUARY/MARCH 20 13 # OPEN LATE ON FIRST THURSDAYS original drawings, limited edition prints, a limited edition glass panel and one woven tapestry, a collabo - ration between the artist and the Pangnirtung Tapestry Studio , also showing a new and exclusive stone cut and stencil print; Mar 13-Apr 3 Merged Realities: The Drawings of Shuvinai Ashoona , over 30 intense and otherworldly drawings date from 1992 to 2004 by this Cape Dorset artist. # Jennifer Kostuik Gallery 1070 Homer St ¥604-737-3969 www.kostuikgallery.com tues-sat 10am-6pm sun 1-5pm. Thru Feb 20 "Group Show 2013", featuring William Betts, David Burdeny, Brent Comber, Alex Couwenberg, Curtis Cutshaw, Steven Goring, Marianne Lovink, Sasha Rogers and Jennifer Stead ; Feb 27-Mar 31 Stephen Hutchings , "Ouest", recent paintings explore the area between the ongoing dual - ities of light and dark, warm and cool, hidden and revealed. # Jeunesse Gallery of Fine Arts 2668 W 4th Ave ¥604-737-2438 www.jeunessegallery.com daily 10am-6pm. Feb Iv Kiura , "Morning Stroll in Paris", oils; Mar Tancheto , "Studies of Horses". Katherine McLean Studio 1-1359 Cartwright St (Rear), Granville Island, in Railspur Alley opposite Agro Cafe ¥604-684-8452 604-377-6689 www.katherinemclean.com thurs-sun 11am-4:30pm or by chance. Thru Feb-Mar Katherine McLean , "Playing with Fire", encaustic paintings and ceramic still-life sculpture. Andy Wooldridge, Jane Bronsch, Marion Scott Gallery Gerda Marschall, Joel Masewich, 2423 Granville St ¥604-685-1934 Kurbatoff Gallery Katherine Jeans, Marleen Ver - www.marionscottgallery.com 2435 Granville St ¥604-736-5444 meulen and Chris Langstroth . tues-sat 10am-6pm. Mar 16-Apr www.kurbatoffgallery.com 20 Jutai Toonoo: Nice Day , new tue-sat 10:30am-5:30pm sun 12- Lattimer Gallery and recent works feature up to 20 5pm. Feb 21-Mar 7 "Stories" told 1590 W 2nd Ave ¥604-732-4556 drawings and sculptures produced by Reinhard Skoracki , bronze www.lattimergallery.com over the last five years, included sculptures with brilliant use of mon-sat 10am-5pm sun 11am- are large format oil pastel draw - satire affecting critical conscious - 5pm holidays 12-5pm. Original ings documenting the changing ness in unique storytelling pieces; contemporary works of art by First seasons of the treeless Arctic land - Mar 8-31 "Group Show of New Nations artists including gold and scape and drawings of objects, Works by Gallery Artists", welcom - sterling silver jewellery, masks, portraits, sculptural self-portraits, ing new artists Blu Smith and panels, bentwood boxes, totem abstractions and texts; special Nicholas Pearce and works by poles, argillite, sculptures, paint - release of a new etching produced Donna Baspaly, Chris Charlebois, ings and limited edition prints. in an edition of 15.

www.preview-art.com PREVIEW 45 www.inuit.com A Colourful Vision: Kenojuak Ashevak INUIT GALLERY, VANCOUVER BC – Feb 14-Mar 7 , 2013 Kenojuak Ashevak (1927-2013), a prominent pioneer of Inuit art, was born on Baffin Island in 1927. Her father was an Inuit hunter and fur trad - er. She lived a traditional nomadic lifestyle with her family before settling in Cape Dorset, where she remained for most of her life. In the early 1950s, during a stay in a Quebec tuberculosis sanitar - ium, her artwork attracted the attention of James A. Houston. At the age of 35, she became inter - nationally renowned as a result of the National Film Board of Canada film Kenojuak (1962). As her reputation grew, the Inuit studio on Baffin Island evolved into one of Canada’s most important artistic communities. Kenojuak was one of the first Inuit women in Cape Dorset to begin draw - ing. She eventually worked in graphite, coloured pencils, felt pens and water - colours. She also carved soapstone and was a prolific printmaker who explored copperplate, stone print, aquatint and etching lithography. Almost all of her work features an enthusiastic use of colour. More than 20 drawings, prints and other collaborative works on exhibit show her skill with colour in numerous fine pieces, including a woven tapestry created in collaboration with the Pang - Kenojuak Ashevak, Sun’s Awakening (2010), sugar lift, etching, aqua tint, nirtung Tapestry Studio, Nunavut. edition of 25 [Inuit Gallery, Vancouver BC, Feb 14-Mar 7] Kenojuak was the recipient of many prestigious awards. In 1967, she received the Order of Canada. She was elected to the Royal Cana - dian Academy of Arts in 1974. She was promoted to Companion of the Order of Canada in 1982, and in 2008 received the Governor General's Award for Visual Arts. Mia Johnson

Masters Gallery New Gallery opens Feb 21 : tues- tues 10am-9pm wed-sun 10am- 2245 Granville St ¥604-558-4244 sat 10am-6pm. Feb 21-Mar 30 5pm. Admission: adults $16.75, www .vancouver-mastersgalleryltd.com Paul Housley , paintings. students & seniors 65+ $14.50, tues-sat 10am-5pm. Feb 2-14 UBC staff, students & faculty free W.J. Phillips in the West: Water - Morris and Helen Belkin with ID, family $40, children 6 and colours and Woodblocks , impor - Art Gallery under free, tues 5-9pm $9, groups tant works of the Rocky Mountains University of British Columbia included. Thru Mar 24 Pleased to and Coastal BC by Lake of the 1825 Main Mall ¥604-822-2759 Meet You: Introductions by Gwyn Woods, Manitoba artist. www.belkin.ubc.ca Hanssen Pigott ; TwoRow II – Video tue-fri 10am-5pm, sat & sun 12- Installation by Alan Michelson . Monny's Art Gallery 5pm, closed holidays. Thru Apr 14 2675 W 4th Ave ¥604-733-2082 Esther Shalev-Gerz , installation and Museum of Vancouver www.envisionoptical.ca photographic work by Lithuanian- 1100 Chestnut St, Vanier Park mon-sat 11am-6pm. Permanent born, Israel-raised artist addresses ¥604-736-4431 collection of Monny of artwork as new ways to approach questions of www.museumofvancouver.ca well as rotating exhibitions of local collective and personal memory, of tues-sun 10am-5pm, thurs 10am- artists: Andrea Gower, Kerensa portraiture's possibilities, the poli - 8pm. Admission: adults $12, sen - Haynes, Ted Hesketh, Sonia tics of representation, history, place iors & students $10, youth 5-17 Kobrahel and Stanimir Stoylov . and citizenship; more works at Wal - $8, children 4 and under free, fam - Opens Mar 21 David Bong , "Faces ter C. Koerner Library, 1958 Main ily (2 adults & 2 youth) $35. Feb of Humanity", photographs. Mall, UBC. 14-Sep 2 Sex Talk in the City , a look at Vancouver's sexual history Monte Clark Gallery Museum of Anthropology through various lenses, addressing NEW LOCATION: 105-525 Great University of British Columbia the issues of sexual expression, Northern Way ¥604-730-5000 6393 NW Marine Dr diversity, politics and education; www.monteclarkgallery.com ¥604-822-5087 www.moa.ubc.ca Thru Feb 24 Object(ing): The

46 PREVIEW I FEBRUARY/MARCH 20 13 # OPEN LATE ON FIRST THURSDAYS Art/Design of Tobias Wong , dis - # Or Gallery mon-wed 9am-5pm thur-fri 9am- cover first hand why this Vancou - 555 Hamilton St ¥604-683-7395 9pm sat 9am-5pm. Feb 25-Mar 16 ver-born artist was considered a www.orgallery.org "Citylife", Mark Illing , dense and forerunner in conceptual design; tues-sat 12-5pm. Feb 22-Apr 6 fantastical drawings present the Thru Jun 9 Joe Average – Photo - Neil Campbell, Hanne Darboven, city as machine-like and intercon - graphic Exhibition , 13 photo - Nicole Ondre and Cheyney Thomp - nected; Jon Shaw , paintings take graphs of new encounters with son , from signs and systems to overlooked but essential 'functional familiar Vancouver scenes; Ongo - pure sensations, the exhibition sculptures' such as mailboxes and ing Neon Vancouver/Ugly Vancou - outlines the extreme limits of traffic lights and infuse them with ver , Vancouver’s love/hate relation - painting, while being composed expressionist colour and move - ship with neon signs – look at the like a painting itself. ment; Sean Karemaker , uses a colour, light and dazzle of the 50s, graphic comic format to tell the sto - 60s and 70s, and the visual purity Pacific Home and Art Centre ries of people who make up the city; crusade that virtually banished 1560 W 6th Ave ¥604-566-9889 Mar 25-Apr 6 Canstruction , a non- neon signs; Vancouver History www.pacifichome.ca profit organization that holds annu - Galleries , stories from the early mon & sat 10am-5pm, tues-fri al design and build competitions 1900s to the late 1970s. 10am-6pm. Featuring handmade across North America, featuring glass from local and international fantastic, giant-sized sculptures ON MAIN artists, and original paintings from made entirely out of canned food – 1-200 E 20th Ave, ¥604-872-7713 local artists. Mar 1-14 Danuta K. the gallery is Vancouver's main www.onmaingallery.com Frydrych , "Past and Present", oil, venue and information centre for Presenting projects in and out of acrylic and mixed-media paint - the event, at the close of the show, conventional art spaces regionally, ings; Mar 15-28 "Murano Glass all of the canned food will be donat - nationally and internationally, Artists", works by Italian Masters ed to the Vancouver Food Bank. including by vaporetto, airplane, Mario Gambaro, Luca Vidal and bus and train, within the hotel, Andrea Tagliapietra . Petley Jones Gallery geodesic dome, classical garden, 1554 W 6th Ave ¥604-732-5353 cemetery and other temporal and # Pendulum Gallery www.petleyjones.com site-specific locations. Artistic 885 W Georgia St (HSBC Building) mon-sat 10am-6pm. Showing Director: Paul Wong . Check the ¥604-250-9682 works by gallery artists and recent website for information. www.pendulumgallery.bc.ca historical acquisitions. www.preview-art.com PREVIEW 47 www.portlandartmuseum.org Carrie Mae Weems: Three Decades of Photography and Video PORTLAND ART MUSEUM, PORTLAND OR – Feb 2-May 19, 2013 This museum retrospective traces the photography- based artwork of Carrie Mae Weems, a seminal artist who is recognized internationally for voicing a cultural dialogue around subjects of race, gender and identity. Weems was born and raised in Portland, Oregon in 1953. In the 1970s she moved to San Francisco to study dance and also received her first camera as a gift. Photography became a natural way for Weems to position herself as both spectator and subject as she moved through the world as an African- American woman exposing personal observations, hidden histories and marginalized cultures. The artist often poses in her own works as a stand-in symbolizing a larger dynamic about the minority experience within the mainstream con - texts of history, politics and class structure. Weems’ style is both documentary and constructed, pushing the boundaries of a photographic image to tell sto - ries and put forth a poignant message. A stellar example is her Kitchen Table Series (1990) where Weems positions herself as a central figure in a seemingly simple setting. With a straightforward perspective, these vignettes expose a truthful narrative surrounding domesticity, women’s roles and the multifaceted relationships inherent in family life. Carrie Mae Weems, Not Manet's Type [detail] (1997), five pigment ink prints [Portland Art In some instances Weems also combines text and image Museum, Portland OR, Feb 2-May 19] to further manipulate meaning with wit and complexity. Not Manet’s Type (1997) is a series of voyeuristic images shot looking into a mirror; in one frame we see an intimate bedroom scene of a woman who ironically reflects upon the life of artist’s models, “…Imag - ine my fate had De Kooning gotten hold of me.” This comprehensive exhibit also includes some of Weems’ most groundbreaking work like Ain’t Jokin (1987-88) where portraits of different African-American people are cast with racial slurs and stereotypes as a means to raise awareness and redirect power. Allyn Cantor

Rennie Collection Robinson Studio Gallery pers from 1880s on, focusing on 51 E Pender St ¥604-682-2088 440-1000 Parker St the pre-digital era of image-making, www.renniecollection.org ¥604-254-8744 this timely exhibition offers insights Reservation is required. Bookings www.robinsonstudio.com into the consumption of news and should be made through the form 10am-4pm and by appt. Local venue developments in mass media. on the website. No charge for where consultants, art dealers and admission. Thru Feb 9 Andrew individual collectors may view the # Sidney and Gertrude Grassie: Collected Works ; Mar 2- work of Canadian sculptor David Zack Gallery Jun 8 Robert Beck/Robert Buck: Robinson . The gallery is also avail - Jewish Community Centre Collected Works . able for artwork and location rental. 950 W 41st Ave ¥604-638-7277 604-257-5111 Republic Gallery Satellite Gallery www.jccgv.com/content/jcc-cultural-arts 732 Richards St, 3rd Flr 560 Seymour St, 2nd Flr mon-thurs 9am-10:30pm fri 9am- ¥604-632-1590 ¥604-681-8425 Shabbat Closing (varies throughout www.republicgallery.com www.satellitegallery.ca the year) sat closed sun 9:30am- wed-sat 10am-5pm and by appt. wed-sat 12-6pm. Feb 15-Mar 30 9pm. Feb 6-Mar 3 “Elements of Feb 1-Mar 2 Antonia Hirsch , News , in-depth look at the news Influence: A Visual Response to the installation; Mar 22-Apr 20 Oliver photography archives of the Van - Natural World”, Carolyn Kramer , Husain , video/installation. couver Sun and Province newspa - new paintings are a visual medita -

48 PREVIEW I FEBRUARY/MARCH 20 13 # OPEN LATE ON FIRST THURSDAYS tion on environmental beauty; Melanie Thompson , sculptures woven with materials from the nat - ural environment; Mar 7-Apr 7 Claudine Pommier , "Glimpses of Africa", photographs feature facets of women’s life. SMASH Gallery of Modern Art 580 Clark Dr ¥604-251-3262 604-353-4064 www.smashmodernart.com mon-fri 10am-5pm and by appt. Feb 1-Mar 2 Kellie Talbot , "Ameri - can Landscape", new paintings; Mar 8-15 6th Annual Ladies’ First Art Show , International Woman's Day group show; Mar 22-Apr 20 Maria Tratt , "Echo", new works. Spirit Wrestler Gallery 47 Water St, Gastown ¥604-669-8813 www.spiritwrestler.com mon-sat 10am-6pm sun & holi - days 12-5pm. Thru Feb Showing gallery artists; Mar 16-Apr 6 Mini Masterworks V , highlighting con - temporary directions in aboriginal art by Northwest Coast, Inuit and Maori artists, captures the unique cultural interplay and spans the wide spectrum of innovation, tech - niques and materials. Teck Gallery 515 W Hastings St ¥778-782-4266 www.sfu.ca/gallery open daily during campus hours. Thru Apr 13 Wild New Territories , 2-D works include international and local artists who explore the inter - play between the urban and the wild in contemporary art, also showing at SIMON FRASER UNIVERSITY GALLERY AND VARIOUS LOCATIONS ALONG COAL HARBOUR AND IN STANLEY PARK , series of exhibitions, outdoor works, per - Jan 31 “Stenten: The Resilience of UNIT/PITT Projects formances and workshops. Line, Locale, Intuition and the 15 E Pender St Heart", Stenten is a Middle English ¥604-681-6740 www.unitpitt.ca Toni Onley Estate word meaning to stretch, stretch wed-sat: 12-5pm, daily: video ¥604-777-9943 604-454-1928 out or elongate – paintings, draw - screenings 8-11pm, daily: radio 24 www.tonionley.com ings, photography and sculpture hrs. Thru May What Future , four by appt. Representing the Estate: feature three emerging artists, projects commissioned from in Victoria, Winchester Modern; in Evan Broens , wall sculptures; Ed emerging artists; Thru Mar 9 PJS Vancouver, Granville Fine Art and Spence , hand-cut digitization of Collective (John Walkus-Greene, Art Beatus; in Calgary, Wallace reorganized places and Gabriel Skylar Stock and Paul Lang): Galleries. Dubois , rich and colourful paint - Before I'm Done , interactive con - ings, also showing works by mid- versation through carving and Trench Contemporary Art career and established artists Ron drawing, photography and video; 102-148 Alexander St ¥604-681- Stonier, Michael Morris, Vincent Feb 22-Mar 30 Susanna Browne: A 2577 www.trenchgallery.com Trasov, Glenn Lewis, Carrie Perfect Day ; Opens Mar 8 Kelly fri & sat 12-5pm or by appt. Opens Walker and others. Roulette ; Opens Mar 22 Kevin

www.preview-art.com PREVIEW 49 www.billreidgallery.ca Carrying on “Irregardless”: Humour in Contemporary Northwest Coast Art BILL REID GALLERY OF NORTHWEST COAST ART, VANCOUVER BC – Sep 12, 2012-Mar 17, 2013 The premise of Carrying on “Irregardless”: Humour in Contemporary Northwest Coast Art at the Bill Reid Gallery is that humour can be a powerful tool in the “survival kit” of First Nations people. The artworks in the exhibit, as well as a series of public programs complementing the exhibit, offer an invitation to re-imagine our relationships to both indigenous art and indigenous art practices. The list of participating artists is prestigious: Sonny Assu, Dempsey Bob, Joe David, Reg Davidson, Beau Dick, Gwaai Edenshaw, Helen Elliot, Nicholas Galanin, Shawn Hunt, Tony Hunt Jr., Edward Joe, Ellen Neel, Michael Nicoll Yahgu - lanaas, Skeena Reece, Bill Reid, Arthur Renwick, Norman Tait, Lisa Telford, Tania Willard, Art Wil - N O I T C E

L son, Lyle Wilson, Jessica Wood, Don Yeomans, L O C

E T

A Lawrence Paul Yuxweluptun, three ancestors V I R P artists and Haidawood Media Project. Bill Reid, Raven Skiing (c. 1988), watercolour on paper [Bill Reid Co-curated by Peter Morin and Dr. Mar - Gallery of Northwest Coast Art, Vancouver BC, Sep 12-Mar 17] tine Reid, the exhibition includes numerous talks and presentations by prestigious members of the art community in BC as well as invited guests. A catalogue accompanies the exhibition. Mia Johnson

Murphy: Atlantean Timepiece ; Feb on, Emmanuel Villanis, G. Deih - defying work, and recent illustra - 15-Mar 30 Luminous Books , curat - le , and others; Mar Charles John tions and comic art; Thru Feb 24 ed selection of books by London- Collings , watercolours and sketch - Ian Wallace: At the Intersection of based bookshop; Ongoing Video es by one of the major watercolour Painting and Photography , major screenings in front window every artists working in BC in the first half survey of one of Canada's most day from after sunset until 11pm; of the 20th century; Ongoing a significant contemporary artists, Ongoing 24 hours within one block selection of fine antiques and among the first to use large-format of the gallery UNIT/PITT Radio objets d’art. photography in the 1970s; Mar 9- 89.7 FM , projects and music by Jun 2 Patrick Faigenbaum , more artists, and audio documentation. Vancouver Art Gallery than 75 photographs dating from 750 Hornby St ¥604-662-4719 the 1970s to the present, curated Unitarian Church of Vancouver (24-hr info line) www.vanart - by VAG director Kathleen Bartels 949 W 49th Ave ¥604-261-7204 gallery.bc.ca and Jeff Wall; Thru May 26 Hope at www.vancouverunitarians.ca daily 10am-5pm, tues 10am-9pm. Dawn: Watercolours by Emily sun 10am-1:30pm or phone for Special admission (incl tax): adults Carr and Charles John Collings , hours. Thru Feb 28 North Shore $22.50, seniors (65+) $17, stu - paintings in the first half of the 20th Unitarian Church Group Show , dents $16, children 5-12 $7, chil - century demonstrate the impor - mixed media; Feb 28-Mar 31 dren 4 and under free, family (max - tance of the medium in depicting Developmental Disabilities Asso - imum 2 adults, 2 children) $54, the landscape of BC; OFFSITE (W ciation , mixed media. members free. Reference Library GEORGIA BETWEEN THURLOW & B UTE wed-fri 1-5pm. Feb 16-Jun 9 Art STREETS ) Thru Apr 1 Damian Mop - Uno Langmann Limited Spiegelman CO-MIX: A Retro - pett , a reproduction of the artist's 2117 Granville St ¥604-736-8825 spective of Comics, Graphics and studio into a sculptural artwork. 800-730-8825 www.langmann.com Scraps , 40-year retrospective fea - tues-sat 10am-5pm or by appt. Feb tures more than 400 preparatory Vancouver Maritime Museum "Au But!" (To The Goal), sculptures drawings, sketches, studies and 1905 Ogden Ave (in Vanier Park) that emphasize striving for suc - panels relating to his early under - ¥604-257-8300 cess, includes works by Alfred ground "comix" from the 1970s, www.vancouvermaritimemuseum.com Boucher, Claude Michael Clodi - Maus his best-known and genre- tues-sat 10am-5pm sun 12-5pm,

50 PREVIEW I FEBRUARY/MARCH 20 13 thurs: 5-8pm, by donation. Admis - focus on domesticated landscapes space and structure, becoming sion: $11 adults, $8.50 students, as forked spaces between hospital - the physical manifestation of the seniors, youth, $30 family, + HST, 5 ity and hostility. artist's meditation on a distinct per - and under free. *Discounts available spective during St. Roch closure. Thr Mar 24 Winsor Gallery TK G ALLERY Going to Sea , Students NEW LOCATION: 258 E 1st Ave from Emily Carr University of Art & ¥604-681-4870 Design researched, examined and www.winsorgallery.com VeRNON interacted with some of the many tues-sat 10am-6pm, sun & mon by Ashpa Naira Gallery & Studio objects in the museum's collections appt. Thru Feb 23 Attila Richard 9492 Houghton Rd ¥250-549-4249 to create this unique exhibit; Opens Lukacs , new paintings and sculp - www.ashpanairagallery.com Mar 14 Tattoos & Scrimshaw: The tures; Feb 28-Apr 7 Brian Howell , open May 1-Oct 15 fri-sun 10am- Art of the Sailor , contemporary large-scale photographs of news - 6pm or by appt. Located on the photographs used in conversation paper printing plant interiors, a bold west side of Okanagan Lake, this with historical scrimshaw, the exhi - look inside the factories that sup - contemporary art gallery and studio bition discusses notions of “art” port the journalism industry; Charles owned by artist Carolina Sanchez around two practices born out of the Rea , "Parataxis", explo ration of de Bustamante features original art need to capture a moment by those in a home and garden setting. Dis - who spent their life at sea. cover a diverse group of emerging and established Okanagan and Western Front Canadian artists in painting, tex - 303 E 8th Ave ¥604-876-9343 tiles, sculptures, ceramics and www.front.bc.ca functional art. tues-sat 12-5pm. Thru Feb 23 Feiko Beckers, Tamara Hender - Vernon Public Art Gallery son, Eun Kyung Kim and Ieva Mis - 3228 31st Ave ¥250-545-3173 eviciute , "Edible Glasses", people www.vernonpublicartgallery.com and objects are employed as active mon-fri 10am-5pm sat 11am-4pm. performers through video, film and Thru Mar 14 The 70s – The Big sculpture; Mar 8-Apr 20 Abbas Turnaround of the Seventies, from Akhavan , new works by Tehran- the Collection of the Musée du born Toronto artist range from site- Gigi Hoeller, Orange Calla Lilies [Sunshine Coast, BC Bas-Saint-Laurent , works by vari - specific ephemeral installations to [email protected], www.gigibutterfly.com, ous artists working in Quebec pro - drawing, video and performance, 604-885-6650] duced between 1962-1982; Katie

www.preview-art.com PREVIEW 51 BY JIM FINLA Y Practical Art History or FINLAY FINE ART Confessions of a Fine Art Appraiser www.FinlayFineArt.com Chapter 35. The Case of Jasper Johns’ Figure 1 I recently purchased a 16 x 12½ inch framed photo-mechanical reproduction of Figure 1 at a local thrift store for $4.99. My reproduction of Figure 1 is from Johns’ celebrated colour lithograph series 0 through 9 . He also did the same series as lithographs using black ink only. Johns’ image has some striking resemblances to a photograph of the January 1968 crash site of a United States Air Force B-52 Stratofortress. The crash occurred 7.5 miles west of Thule Air Base, Greenland while the B-52 bomber aircraft was on a Cold War alert mission over Baffin Bay. Alert missions were a Cold War deterrent against Soviet attack and involved B-52 bombers with nuclear payloads in the air for 24 hours a day. Johns may have seen a photograph of the crash site and used it as a basis for his image. In Figure 1 , part of a sheet of newspaper from the Washington Post circa 1968 has been incorporated into the lithograph. Most of the page from the newspaper has been overinked; however, the full text of an article entitled The Recall to Reality by Joseph Alsop (reprinted in The Watertown Daily Times, Friday August 2, 1968) is visible, just to the left of the figure. Alsop’s arti - cle suggests that the mili - tary might of America

3 needed to be vigorously Jasper Johns, Figure 1 (1969), lithograph, 3 7 ⁄4 x 31 in. maintained to serve as a bulwark against the spread of the Soviet empire. He vilifies the aggressive stance taken by the Soviet-controlled Eastern Bloc and warns of the potential for nuclear catastrophe. The visual references to a rocket launch and inter-continental bal - listic missile are clearly suggested by Figure 1 . The imagery symbol - izes the Cold War reality of military aggression, the space race and the S N O

fear of communism by overtly framing Cold War anxiety in terms of a M M O C

A I D E

nuclear catastrophe. M I K I W

: E C As for Johns’ legacy, in 2009, some forty years after the creation of R U O Figure 1 , a signed and numbered lithograph from this edition sold for S Aerial photograph of blackened $18,750 at a Sotheby’s New York sale, including buyer’s premium. area of ice where a B-52 carrying Since 1987 only six images from the 1969 edition have came up 4 nuclear weapons crashed near for auction and prices have remained relatively constant at around Thule Air Base in January 1968 $18,000. The first online recorded sale on the secondary market occurred at Sotheby’s New York in 1990, just a few months after the Berlin Wall came down, soon after Ronald Reagan’s admonition to the Soviet Union to "tear down this wall"; thus in a very real sense proclaiming the official end to the Cold War. It is interesting to note that continued and robust sales of this artwork may serve as a testament to the “triumph of capitalism” both in political terms and consumer economy. Next Issue. The Case of Fritz Stehwein

52 PREVIEW I FEBRUARY/MARCH 20 13 Brennan , "Clouds and Other Sky # Art Gallery of Avenue Gallery Phenomena", series of paintings Greater Victoria 2184 Oak Bay Ave ¥250-598-2184 relating to the optical ambiguity of 1040 Moss St www.theavenuegallery.com the sky; Lorena Krause , "GoPoPs", ¥250-384-4171 www.aggv.ca mon-sat 10am-5:30pm sun 12- approximately 200 small-scale tues-sat 10am-5pm thurs 10am- 4pm, open most holidays 12-4pm. mixed-media works devoid of any 9pm sun 12-5pm. Feb 15-Jun 9 Feb 22-Mar 7 Blu Smith , "Evolu - representational reference; Break - Koshashin: The Hall Collection of tion", new paintings. away Pottery Studio , "20+Hands", 19th century Photographs of both functional and non-functional Japan , photographs reflect the Dales Gallery ceramics; Mar 21-Apr 18 School transitional period from 1860 to 537 Fisgard St ¥250-383-1552 District #22 Elementary Student 1899, when feudal Japan was open - www.dalesgallery.ca Exhibition , "Art From the Heart", ing to the outside world and yielding mon-fri 10am-5pm sat 11am- annual exhibition from the art edu - to modern influences; Thru Mar 31 4pm. Feb 4-mid-Mar Stephanie cation curriculum; Mar 21-May 23 Virtuous Vendetta: The Story of the Harding , 5 x 9 foot painting and Richard Suarez , "Quantumplaces", Forty-seven Ronin in Prints , true other works; Mar Assorted artists, mixed-media drawings of geomet - story that took place between 1701 contact the gallery for information. ric elements with architectural and and 1703 illustrates the finest qual - anthropomorphic structures. ities in the samurai code of honour, Deluge Contemporary Art woodblock prints by various well 636 Yates St ¥250-385-3327 known artists, enhanced by video www.deluge.ws footage of movies and TV films; wed-sat 12-5pm. Thru Mar 2 Blue VICTORIA Thru Apr 21 Daniel Barrow, Alison Republic (Anna Passakas and Alcheringa Gallery Norlen and Ed Pien , "Traces: Fanta - Radoslaw Kudlinski) , "Crystal 665 Fort St ¥250-383-8224 sy Worlds and Tales of Truth", con - Palace", from Peter Sloterdijk’s Im www.alcheringa-gallery.com temporary drawings of imagined Weltinennenraum des Kapitals , mon-sat 9:30am-5:30pm sun 12- worlds informed by eerily familiar signifies an ideal of life after the 5pm. Feb 2-21 Rande Cook – New narratives; Ongoing Emily Carr: On end of history, where the last living Works , sculptural and graphic the Edge of Nowhere , historical inhabitants of the Western world works; Thru Feb 6 Pacific Patterns survey in all mediums and styles are preoccupied solely by varied & Dreamings II , works by gallery with a focus on her influences and consumerist pleasures; Mar 15- artists. inspirations. Apr 13 Stephanie Aitken, Katie

# OPEN LATE ON FIRST THURSDAYS PREVIEW 53 www.tacomaartmuseum.org Memories and Meditations: A Retrospective of Michael Kenna’s Photography TACOMA ART MUSEUM, TACOMA WA – Oct 6, 2012-Mar 24 , 2013 Michael Kenna is one of the most well-known photographers in Seattle. The British-born artist has travelled extensively throughout the world to capture his sensitive imagery. This first US retrospective in close to 20 years chronicles Kenna’s internationally recognized projects from places like China, Japan and Easter Island, while also presenting a small selection of earlier works from the 1970s and ‘80s. Kenna’s classic images infuse a poetic stillness into various landscapes and architectural subjects. His refined style of rich contrast and smooth grey tones is achieved with traditional, non-digital handcrafted printing. Light and dark are often distilled into essential elements, caus -

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Kenna’s images seem stark or sombre, it is this quietude N O S B I G

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over many years to further his spiritual connection to H T

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the landscape, capturing the essence of slow subtle E T R U O change that is an undeniable part of life. Close to 100 C black and white photographs will be shown in this two- Michael Kenna, Quixote’s Giants, Study 1,Campo de part exhibition. Part one mostly encompasses Kenna’s Criptana, Spain (1996), sepia-toned gelatin silver print work from Asia, as well as some architectural scenes [Tacoma Art Museum, Tacoma WA, Oct 6-Mar 24] from Europe. Part two, beginning in mid-January, 2013, features other European scenes, including a series documenting the concentration camps of World War II. Allyn Cantor

Lyle and Shelley Penfold , "Drama Johnson, David Ladmo re, Ernest laborative works; Mar 9-23 Nancy of Perception", curated by Sandra Marza, Joane Moran, Allan Myn - Ruhl . Meigs. dzak, Paul Paquette, Nicholas Pearce, Natasha Perks, Marke Maltwood Prints and Gallery at the Mac Simmons, Sandu Singh and Lin - Drawings Gallery at the 3 Centennial Sq, McPherson ny D. Vine . McPherson Library Playhouse Lobby ¥250-361-0800 University of Victoria www.rmts.bc.ca Legacy Art Gallery 3800 Finnerty Rd ¥250-381-7645 View during performances or by 630 Yates St ¥250-721-6562 www.uvac.uvic.ca appt. Feb 18-Mar 11 UPPER & L OW - www.legacygallery.ca Adjacent to Special Collections on ER SPACE Students of St. Michaels wed–sat 10am–4pm. Thru Mar 9 the ground level – for library hours University School , "Visions of MAIN AND SMALL GALLERIES Honoris call 250-721-6673. Feb 1-Mar 13 Community", variety of mediums. Causa: Artist Honorary Degree Harmonious Interest: A Celebra - Recipients , the University of Victo - tion of Victoria's Chinese Her - Gallery in the Oak Bay Village ria has granted honorary degrees itage , history of Chinese people 2223A Oak Bay Ave ¥250-598-9890 to numerous artists who have not who came to Victoria in the late [email protected] only contributed to the field of visu - 19th and early 20th centuries, from mon-fri 10am-5pm sat 10am- al arts but also to the community at the holdings of the University of 3pm. Featuring original artwork by large, often having a broad social Victoria's Archives and works from leading local artists Kathryn Amis - impact. the University Art Collections, son, Joan Baron, Jessie Barron, includes photographs of the build - Sid Barron, Andres Bohaker, Jef - Madrona Gallery ings and occupants by Robert fery Boron, Wendy Bradley, Jan - 606 View St ¥250-380-4660 Amos , and a range of archives ice Bridgman, Eileen Fong, Robert www.madronagallery.com from the Consolidated Chinese Genn, Caren Heine, Harry Heine, tues-sat 10am-5:30pm sun & mon Benevolent Association , a central Jennifer Heine, Keith Hiscock, 11am-5pm. Feb 8-22 Luke Ram - organization to the Chinese com - Shawn A. Jackson, Brian R. sey and Qavavau Manumie , col - munity in this city.

54 PREVIEW I FEBRUARY/MARCH 20 13 Metchosin Art Gallery 4495 Happy Valley Rd ¥250-478-9223 www.metchosinartgallery.ca thurs-sun 12-5pm. Thru Feb 24 Lyle Schultz, Rachel Wilmshurst, Debbie Jansen, Jennifer McIn - tyre and others, "Next Course", multi-media group show features art inspired by food and food issues, designed to raise ques - tions about what people eat, what drives a passion for food, and where our food comes from. Open Space Arts Society 510 Fort St ¥250-383-8833 www.openspace.ca tues-sat 12-5pm. Thru Feb 18 Charles Campbell , residency, developing a body of work for exhibition; Mar 2-Apr 6 Charles Campbell , "Transporter", 3-D paint - ings – a visual project inhabiting the interstices of artistic and polit - ical concerns. Polychrome Fine Art 977-A Fort St ¥250-382-2787 www.polychromefinearts.com tues-sat 10am-5pm. Feb 14-28 Ken Banner , "Mishmash", strange figurative paintings of anonymous heads, places and things painted on reclaimed plywood and objects; Mar 14-28 PJ Kelly , "Intemperate", optically mesmerizing paintings of textural patterns and composition - al elements utilizing high gloss acrylic colours. Royal BC Museum 675 Belleville St ¥250-356-7226 888-447-7977 www.royalbcmuseum.bc.ca daily 10am-5pm. A place of discov - Barbara Boldt.com ery. Through unique galleries, the “Places of Her Heart” museum and archives showcase The Art and Life of the human and natural history of Barbara Boldt British Columbia and bring in tem - by Barbara Boldt porary exhibitions from around the with K. Jane Watt world. Feb 7-Sep 29 Tradition in Felicities ; Thru Apr 1 Wildlife Pho - tographer of the Year 2012 . Available online from Amazon.com Slide Room Gallery or by phone Vancouver Island School of Art, 2549 Quadra St ¥250-380-3500 604-888-5490 www.slideroomgallery.com mon-fri 9am-5pm or by appt. Thru www .barbaraboldt.com Feb 17 Sarah Gee, Randy Grskovic, [email protected] Dorothy Fields, John Luna and Sébastien Liénard-Boisjoli , "Stuck",

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S t h W S SW hill a Mm Y or ge h W ri id t k S so r r n B 9 on a ris P or SW M 56 PREVIEW I FEBRUARY/MARCH 20 13 W Ta S W ylo S SW r S alm SW on Ma PORTLAND ART MUSEUM N in S W d M r d t y ad 3 n s i a SW so 2 1 J n t PORTLAND w ef W n ge d f d I er S W W o ri n s r B a on S S e F n t o or r S th e W aw B C W H I r l - ay S s 5 W t a S M ar t ke e M t on tgo me ry TO MUSEUM OF CONTEMPORARY CRAFT paintings by Brian Romer, Mena Martini, Lynda Shalagan, Adam Noonan and Tatjana Mirkov- Popovicki ; still life and landscapes by Alessandra Bitelli ; intimate interiors by Larry Bracegirdle ; European market and garden scenes by Wilson Chu ; street scenes and cityscapes by Morgan Dunnet ; still life and streets by Bri - an Harvey ; Tuscan and Sicilian landscapes by Rita Monaco ; land - scapes by Iola Scott ; world scenes by Henry Huai Xu and glimpses of life by Lorena Ziraldo . Ferry Building Gallery West Vancouver Cultural Services 1414 Argyle Ave, Ambleside Land - ing ¥604-925-7290 www.ferrybuildinggallery.com tues-sun 11am-5pm. Thru Feb 10 Monica Gewurz, Shakun Jhang- iani, Michael Jeffery and Sara Morison , "Abstract Narratives", mixed-media works; Feb 12-Mar 3 Katherine Neil, Jeffrey Hallbauer, Ben Lim, Kelly Wharton, Chantal Ryan, Jolayne Devente, Tannis Turner, Saffron Gurney, Bob Leier, Jeanette Wrenshall, Ryan Nick - erson, Jane Dunfield and Jen - nifer Goodwin , "Juror’s Choice", Sun Spirit Gallery Evergreen Cultural Centre Mar 16- mixed media; Mar 5-24 "A Visual 2444 Marine Dr ¥778-279-5052 Apr 27. Language", Jin Hong , linen and silk; www.sunspirit.ca Eric Goldstein , coloured threads, tues-sat 10am-5pm. Offering a acrylic paint and plaster on canvas. superior collection of West Coast Native and Inuit art from renowned WHISTLeR Silk Purse Arts Centre and emerging artists alike. Mountain Galleries at the West Vancouver Community Arts Fairmont Chateau Council, 1570 Argyle Ave West Vancouver Museum 4599 Chateau Blvd ¥604-935-1862 ¥604-925-7292 www.silkpurse.ca 680 17th St ¥604-925-7295 www.mountaingalleries.com tues-sun 12-5pm. Feb 5-17 North www.westvancouvermuseum.ca open 7 days a week. Feb 2 11am- Shore Needle Arts Guild , showcas - tues-sat 11am-5pm. Admission by 4pm Arnie Leon , totem pole carv - ing a wide variety of textile/needle donation. Thru Feb 16 Manabu ing demonstration by Sts'ailes art genres including embroidery, Ikeda , "Meltdown", one meticu - First Nations artist; Feb 3-10 Joan felting, cross-stitch, beadwork, lously detailed drawing, inspired Baron , paintings; Mar 23 11am- crewel, petit point, hardanger and by the Fukushima Daiichi nuclear 4pm John Burrow , plein air paint - canvas work; Feb 19-Mar 10 Greg disaster following the earthquake ing demonstration. Allen , "Looking from the Outside", and tsunami; Thru Feb 23 The painter/printmaker muses on his Edge of a Shadow: The Paintings Squamish Lil'wat inspiration – the vibrant and excit - of Ruth Killam Massey (1924- Cultural Centre ing West Coast landscape; Mar 12- 2011), paintings express the ever- 4584 Blackcomb Way 31 "Imagery in Colour and Ceramic", changing mood of the coastal ¥866-441-7522 www.slcc.ca Roohy Marandi , elegant ceramic landscape, a tribute to the legacy tues-sun 10am-5pm. Feb-Mar Ray sculptures and pottery employing she created over her lifetime; Mar Natraoro, Xwalacktun, Aaron Nel - emotive imagery and unexpected 6-Apr 27 Pierre Coupey: Cutting son-Moody and Jonathan Joe , finishes; Nazanin Sadeghi , detailed out the Tongue – Selected Work "The Carving Project: Four Master watercolour paintings use the 1976-2012 , two-venue retrospec - Carvers – Four Masterpieces", each imagery of love – blind birds court - tive looks at Coupey’s trajectory as carver and his apprentices will be ing potential mates which are, in an abstract painter over the last creating a large totem or welcome reality, sculptures or reflections, to four decades – the second part of figure carving – the largest carving explore human relationships. the exhibition is at Art Gallery at demonstration to date at the SLCC.

www.preview-art.com PREVIEW 57 www.xchangesgallery.org Connie Morey: Ba_ble: inarticulations on human-animal relations XCHANGES GALLERY, VICTORIA BC – Feb 1-24, 2013 Connie Morey, a PhD student in Education in Art (ABD) and sessional instructor of art at University of Victoria, has participated in exhibitions in Canada, Malaysia and Thailand and is cur - rently presenting her subtle but thought- provoking series addressing the relation - ship between humans and animals. As an interdisciplinary artist, Morey draws on philosophy, theory and her own studio explorations to develop delicate works in ceramics, made and found sculpture, pho - tography, collage and drawing. Her studio work serves as a poetic interpretation of her rigorous post-gradu - ate studies, which she describes primarily as an interest in an “ecological sense of imagination.” Ideas of ownership are cen - tral to the theme of Ba_ble : inarticulations Connie Morey, Dysphonia (Mouth Stuffed Full) (2011-12), clay slip, glaze, on human-animal relations , beginning with graphite and fur [Xchanges Gallery, Victoria BC, Feb 1-24] human ownership of other animals. Even more probing are the questions Morey asks about ownership of intelligence and imagination; qualities closely related to and often evaluated on the basis of communication and culture. This show queries assumptions and behaviours that can develop through a lack of understanding. Morey's animals include sheep, birds and humans. The tone of the show ranges from the playful to the horrific; there are sweet pastel sheep with speech bubbles overhead and there are human heads with their mouths stuffed full of fur. The relationship between the works is complex, intriguing and highly evocative. Christine Clark

Robert Genn, Sara Genn, Terry Gilec - MAIN GALLERY 2.Progress , juried ki, Laura Harris, Heather Haynes, group show; UPPER GALLERY Chil - WHITe ROCK Vladan Ignatovic, H.E. Kuckein, dren's Art Exhibit , participants in the Golden Cactus Studio – Dongmin Lai, David Langevin, Ray - gallery's art program; Mar 7-30 MAIN Chris MacClure nald Leclerc, Don Li, Don Li-Leger, GALLERY Caroline Anders , "Chelms - 15177 Russel Ave Ed Loenen, Min Ma, Ingrid Mann- ford", paintings; UPPER GALLERY Kelly ¥604-536-3049 604-385-3049 Willis, Danny McBride, Angela Mor - C. Perry , "Hidden Works". www.chrismacclure.com gan, Renato Muccillo, Jim Nedelak, daily 10am-5pm. Feb-Mar Fernan - Michael O'Toole, Niels Petersen, Bill do Tames, Marilyn Hurst and Saunders, Issa Shojaei, Michael OREGON Chris MacClure , new works. Stockdale, Mike Svob, Linda Thomp - son, Ray Ward, Christopher Walker, White Rock Gallery Alan Wylie, Peter Wyse and Donna 1247 Johnston Rd Zhang , paintings ; Marilyn Armitage, CANNON BeACH ¥604-538-4452 877-974-4278 Michael Hermesh and Nicola Prin - Cannon Beach Gallery www.whiterockgallery.com sen , sculpture ; Bill Boyd, Laurie Rol - 1064 S Hemlock ¥503-436-0744 tues-sat 10am-5:30pm sun 12- land and Geoff Searle , pottery . www.cannonbeacharts.org 5pm, closed holiday long week - thurs-mon 10am-4pm. Feb 1-25 ends. Gallery artists Mickie Acier - Eunice Parsons, Liz Cohn, Grace no, Pietro Adamo, Constance Bach - Sanchez and Rex Amos , "Sacred & mann, Beverley Binfet, Nicholas WILLIAMS LAKe Profane: Oregon Collage Artists"; Bott, Larry Bracegirdle, Phil Buyten - # Station House Gallery Mar 1-Apr 1 "The Greaver Family", dorp, Claudette Castonguay, Steve 1 N MacKenzie Ave ¥250-392-6113 works by one of Cannon Beach’s Coffey, Michael den Hertog, Carol www.stationhousegallery.com long-standing art families who Evans, Susan Flaig, Mark Fletcher, mon-sat 10am-5pm. Feb 8-Mar 2 have been making art for over 30

58 PREVIEW I FEBRUARY/MARCH 20 13 # OPEN LATE ON FIRST THURSDAYS years: Harry and Hanne Greaver , paintings, with son Peter Greaver , paintings, and grandson Connor Greaver , jewellery. Cannon Beach Gallery Group www.cbgallerygroup.com Twelve member galleries offer art - work from contemporary to classi - cal, CBGG hosts three annual art fes - tivals and related events throughout the year. Mar 7-10 Savor Cannon Beach Weekend , special exhibitions celebrate local artists during wine walk and culinary festival, featuring galleries and working artist studios with works including bronze sculp - ture, plein air painting, locally creat - ed glass, photography, jewellery, regional Native American artists, juried and invitational theme shows. See website for information on fea - tured artists, exhibitions and events. # Northwest By Northwest Gallery 232 N Spruce, (downtown across from city park and info centre) ¥503-436-0741 800-494-0741 www.nwbynwgallery.com daily 11am-6pm and by appt. Feb Chessney Sevier , oil paintings and western landscapes by Northern Arapaho artist; Floy Zittin , water - colours on canvas of tufted puffins and oyster catchers; Mar 7-10 Hazel Schlesinger , oil paintings of vineyards, shown in conjunction with the event Savor Cannon Beach 2013; Mar Eric Jacobsen , oil paintings of landscapes; Geor - gia Gerber , bronze sculptures. White Bird Gallery 251 N Hemlock St ¥503-436-2681 www.whitebirdgallery.com thurs-mon 11am-5pm. Feb 1-Mar 10 Winter Group Show , cross-sec - John Gumaelius , functional pottery free. Thru Feb 15 Kelly Rauer: tion of works by gallery artists by Cindy Searles , wall plaques and Weight , video installation; Saman - including oil paintings, glass sculp - vessels by Karl Yost ; Photography: tha Wall: Laid to Rest , drawings. ture, contemporary ceramics, wood new images mounted on Plywerk by vessels, art jewellery and mixed Don Frank , black and white land - media; Mar 15-Apr 29 "Gallery Invi - scapes by Bill Voxman . tational: Printmaking, Ceramics & PORTLAND Photography", Printmaking: new # Blackfish Gallery etchings by Deborah DeWit , wood 420 NW 9th Ave ¥503-224-2634 engravings by Paul Gentry , mono - MARYLHuRST www.blackfish.com types by Bill Schlegel , mixed- The Art Gym at Marylhurst tues-sat 11am-5pm. Feb 5-Mar 2 media prints by Marcy Baker and University Paul Missal , "Recent Work", etchings by Liza Jones ; Ceramics: 17600 Pacific Hwy acrylic paintings and drawings; biomorphic vessels by Eric Boos , ¥503-699-6243 800-634-9982 Steve Tilden , "Soft Machines", earthenware sculpture incorporat - www.marylhurst.edu sculptures – steel frames covered ing wood and metal by Robin & tues-sun 12-4pm. Admission is with stretched fabric, dusted with

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y # t W v e "Selected Pril nts", a complement hill towns of Italy; Mar 7N-M30ASTERSGreg/o - r r Chambers@916 e A r C FRAGRANT WOOD n S F SEATTLE e h e o S HEFFELN a t e T lu ¥ N n e 916 NW Flanders 503-227-9398 to an exhibitiot n of sculptures at the ry Grenon , "New Work"; Michael k ART MUSEUM e 9 tl C m s c vM t N h b W 7th Ave a A a e i B la S r a r a i e h t eo Ja ry www.chambersgallery.com LUMBER ROOM ; T hru Mar 2 Robert Paul Miller , "The Present End", A t S n m a 5 S e Pacific St t t s t FRYE tues-sat 11am-5:30pmc.h FAeveb 7-16 Rauschenberg , "Selected Prints"y , recent paintings. Bea ART MUSEUM S DOUGLAS REYNOLDSN Ceci n'est pas un Vernissage , selection of prints and tapestriest ; # B group show; Feb 19-Mar 16 Blake - Feb 7-Mar 2 G VIDEO WINDOW Daniel Museum of r r W 8th Ave i

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60 PREVIEW I FEBRUARY/MARCH 20 13 # OPEN LATE ON FIRST THURSDAYS Tell Ourselves Stories in Order to paper pop-up diorama; Thru Apr 5 small sculptures, prints and water - Live , works by nine mid-career Folkert de Jong , figurative sculp - colours by Portland sculptor and visual artists, recipients of the Hal - tures combine references to art, teacher; Feb 23-Apr 29 Michael C. lie Ford Fellowship in the Visual world history, current events and Spafford: Hercules and Other Arts from 2010 to 2012. popular culture. Greek Legends , woodcut prints based on the Labors of Hercules Portland Art Museum and other popular Greek legends 1219 SW Park Ave ¥503-226-2811 and myths; Thru Mar 24 Manuel www.portlandartmuseum.org SALeM Izquierdo: Myth, Nature, and tues, wed, sat 10am-5pm, thurs & Hallie Ford Museum of Art Renewal , 60-year retrospective fri 10am-8pm, sun 12-5pm. Admis - 700 State St ¥503-370-6855 exhibition of sculptures. sion: members free, adults $15, www.willamette.edu/museum_of_art/ seniors (55+) and students (18+ tues-sat 10am-5pm sun 1-5pm. with ID) $12, children (17 and Thru Feb 10 Manuel Izquierdo: WASHINGTON under) free. Feb 2-May 10 "In The Maquettes, Small Sculptures, Studio: Reflections on Artistic and Works on Paper , models, Life", intimate views of painters A

L BeLLeVue and models by Pablo Picasso and L O J

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race and gender; Thru Mar 10 A F Feb 22-May 26 Love Me Tender ; O

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True Sense of Things – Maude I. T Feb 22-Aug 4 Maneki Neko: R U O Kerns in Oregon , works by Port - C Japan's Beckoning Cats – From land native Kerns in three genres – Len Jenshel, Narsaq Sound, Greenland, C-print, Talisman to Pop Icon ; Mar 15-Jun landscape, figural and non-objec - from the exhibition Vanishing Ice: Alpine Polar 16 Zoom. Italian Design and the tive; Thru Mar 31 Sang-Ah-Choi , Landscape Art 1755-201 2 [Whatcom Museum, Photography of Also and Marirosa paintings and intricately wrought Bellingham, thru Mar 2] Ballo .

www.preview-art.com PREVIEW 61 www.willamette.edu/museum_of_art Manuel Izquierdo: Myth, Nature, and Renewal HALLIE FORD MUSEUM OF ART, SALEM, OR – Jan 19-Mar 24, 2013 The late Manuel Izquierdo, influ - ential sculptor, printmaker and teacher, had a significant career that spanned six decades. The multi-tal - ented artist was born in Madrid, Spain in 1925, and became a wartime refugee during his teens, fleeing to America with his two siblings in 1942. After a year in New York, they relocated to Portland where Izquierdo studied and taught at the Museum Art School (now Pacific Northwest College of Art). Early on he met well-known artists like Louis Bunce and Frederick Littman, developing his own per - sonal style amidst the regional backdrop of mid-centu - ry modernism. Establishing himself as a prominent figure in Port - land’s art community, Izquierdo was a Northwest pio - S E D A

neer of welded metal sculpture and an accomplished O H R

L L printmaker, producing mainly woodcuts in a somewhat I B

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narrative style. Izquierdo’s sculptures – characterized U O R H T

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by biomorphic forms that shift between semblances of S U R T

human, plant and mythological subjects – have an O D R E I U

underlying quality of surrealism that invites thoughtful Q Z I

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dialogue. His dynamic and lyrical forms are playfully N A M

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include welded steel works from the mid-1960s, like N O I T C E L

Running Man , that recall the cubist efforts of Georges L O Braque in their gentle leanings toward geometric C Manuel Izquierdo, Running Man (c. 1963), welded steel abstraction. [Hallie Ford Museum of Art, Salem OR, Jan 19-Mar 24] The Hallie Ford Museum is also hosting two com - plementary exhibits featuring Izquierdo’s works on paper as well as his maquettes and small sculptures, some of which served as a launching point for his better-known larger works. Allyn Cantor

thur 12-8pm sat 10am-5pm, Old to abstractions to portraits to land - City Hall: thurs-sun 12-5pm. LIGHT - scapes; Ongoing AT THE PARK Vin - BeLLINGHAM CATCHER BUILDING Thru Feb 17 "Cali - tage Views from the Photo Western Gallery fornia Impressionism: Selections Archives , 12 black and white his - Western Washington University, from the Irvine Museum", 50 paint - torical views of Bellingham parks Fine Arts Complex, 333 32nd St, ings feature many of the most include images of Corn wall, AC 114 ¥360-650-3963 important artists of the period Fairhaven, Elizabeth and What - www.westerngallery.wwu.edu including Franz Bischoff, Emil com Falls parks, among others; mon-fri 10am-4pm wed 10am- Kosa, Phil Dike, Edgar Payne, OLD CITY HALL Thru Jul 7 Romanti - 8pm sat 12-4pm. Thru Mar 9 William Wendt, Guy Rose and cally Modern: Pacific Northwest Departments of Art and Design Granville Redmond ; Mar 10-Jun Landscapes , works reflect the Biennial ; Permanent Collection 9 Jim Olson: Art In Architecture , artist's search for a spiritual expe - Do Ho Suh , "Cause and Effect", retrospective of Olson’s first 50 rience called 'the sublime' in 19- new work in the University Public years in architecture, highlighting century romantic art and literature. Art Collection; Ongoing Outdoor his residential legacy and public Sculpture Collection . design work, one of the North - west’s most significant architects, Whatcom Museum designer of the Lightcatcher Build - FRIDAY HARBOR Old City Hall, 121 Prospect St ing; Thru Mar 24 Chicanitas: WaterWorks Gallery Lightcatcher, 250 Flora St Small Paintings from the Cheech 315 Argyle St ¥360-378-3060 ¥360-778-8930 Marin Collection (size doesn't www.waterworksgallery.com www.whatcommuseum.org matter) , 70 paintings 16"x16" and Feb 13-18 wed-mon 10am-5pm. Lightcatcher: wed-sun 12-5-pm smaller range from photo-realism Gallery closed until Feb 13-18

62 PREVIEW I FEBRUARY/MARCH 20 13 VIGNETTES • February/March 2013 Oregon ALLYN CANTOR MICHAEL PAUL MILLER: THE PRESENT END Laura Russo Gallery, Port - land, Mar 7-30 The captivating oil paintings of Michael Paul Miller depict ominous scenes of a post-apocalyptic era. The tableaux-style Michael Paul Miller paintings – riveting in their implied tales of destruction and sur - vival, fear and hope – provoke a range of poignant contemporary issues to surface. Miller’s portrayals of desolate landscapes and fig - ures set in the aftermath of explosive situations bring to mind humanity’s impending environmental impact, articulated with an alarming beauty. KELLY RAUER: WEIGHT & SAMANTHA WALL: LAID TO REST The Art Gym, Marylhurst, Jan 13-Feb 15 Both Kelly Rauer and Samantha Wall focus on a single female figure to explore the emotional underpinnings of gesture in concurrent exhibitions at The Art Gym. Rauer’s multi-channel video piece of herself dancing in a spare setting emphasizes the possibilities and limitations of body mechanics. Wall, who was born in Seoul, South Korea, also uses Samantha Wall video as the source imagery for six provocative drawings that con - sider the complex cultural expectations of biracial children and the struggles of self. JUDY COOKE: SUBTEXT Elizabeth Leach Gallery, Portland, Feb 7-Mar 2 Judy Cooke, a well-known Portland artist, has continually demon - strated a commitment toward abstraction, the expressive quality of a line, and a continued inquisitive approach to painting. This new series is based on the idea of “provisional painting” that allows the artist to explore new possibilities within moments that arise during the creation process. Her pared down compositions employ bold shapes and a punctuated use of colour on her often custom-shaped Judy Cooke panels. DANNY LYON: THE BIKERIDERS Charles A. Hartman Fine Art, Portland, Jan 29-Mar 16 This celebrated series chronicles the Chicago Out - laws motorcycle club from 1963-67. Danny Lyon, who was a mem - ber of the group and shot their daily activities from his motorcycle, is an important photographer and filmmaker who came of age in the 1960s. The nostalgic images from this landmark series were published in a 1968 book, The Bikeriders , which launched Lyon’s career and brought motorcycle counter-culture to mainstream Danny Lyon America. STEVE TILDEN: SOFT MACHINES Blackfish Gallery, Portland, Feb 5-Mar 2 Steve Tilden’s newest sculptures expand upon his ongoing use of various material to create amorphous forms with conceptual lean - ings. Soft Machines was specifically inspired by Lee Bontecou’s innovative early work. Tilden uses steel frames covered with stretched fabric as the basis. The distressed surfaces include char - coal and acrylic, rough stitching and a soaked shellac finish, which obscures the material’s origin. Part mechanistic and part organic, these abstract pieces leave room for imagined uses or suggested identities. Steve Tilden www.preview-art.com PREVIEW 63 www.vanartgallery.bc.ca Art Spiegelman: Co-Mix: A Retrospective of Comics, Graphics and Scraps VANCOUVER ART GALLERY, VANCOUVER BC – Feb 16-Jun 9 , 2013 Following their success with the 2008 hit show KRAZY! The Delirious World of Anime + Comics + Video Games + Art , the Vancouver Art Gallery offers a four-decade retrospective of the work of New York comic artist Art Spiegelman. Spiegelman is internationally acclaimed for his use of underground “comix” as a venue for cultural commentary and for the oversized magazine RAW , which he published from 1980 to 1991. Spiegelman won a Pulitzer Prize in 1992 for his graphic novel Maus: A Survivor's Tale , which reenacts scenes of Nazis, Poles and Jews in World War II. The VAG exhibition features more than 400 preparatory drawings, cover illustrations for The New Yorker , photographs, storyboards, sketches, studies and selections from “comix” created in the 1970s, his 13-year production of Maus , and his Little Lit anthologies for children. Recent work includes N A M L

E illustrations and comic art from a work addressing G E I P S

T 9/11, In the Shadow of No Towers . R A

© The exhibit was curated by Rina Zavagli-Mat - Art Spiegelman, (c. 1981), And Here My Troubles Began, sketch totti and co-produced by the Vancouver Art for the front cover of the first American edition of MAUS 2. Gallery, the Ludwig Museum in Cologne, Ger - [Vancouver Art Gallery, Vancouver BC, Feb 16-Jun 9] many and the Jewish Museum, New York. It was exhibited in Ludwig in 2012, the first major exhibition of his work since the MoMA exhibition of Maus in 1992. Spiegelman is a prolific writer, illustrator and graphic designer who continues to be politically active in international art circles and social media. Mia Johnson

Valentine Break , closed again until McDonald, Kuros Zahedi, Jyoti Apr 25. Duwadi , and more. PORT ANGeLeS Port Angeles Fine Arts Center 1203 E Lauridsen Blvd LA CONNeR ¥360-457-3532 www.pafac.org SeATTLe Museum of Northwest Art wed-sun 10am-4pm, Webster's Billy King Pop-Up 121 S First St ¥360-466-4446 Woods Art Park: open all daylight Gallery + Studio www.museumofnwart.org hours. Admission is free. Thru Feb 1525 1st Ave, Ste 4, (formerly US Galleries and Museum Store: sun- 17 The Open Circle: Paintings by Bank), Pike Place Public Market mon 12-5pm tues-sat 10am-5pm. Marlana Stoddard-Hayes ; Feb 20- ¥206-905-9363 Admission: $8 adults, $5 seniors, May 5 John and Robin Gumaelius , www.billyking.com $3 students, members and youth narrative clay and mixed-media hours vary, best by appt. Feb-Mar under 12 free. Thru Mar 13 Eduar - sculpture; Ongoing "Art Outside", For information on shows, classes do Calderón: Portraits of 20 14th season of enchanting WEB - and valentines go to the website. Northwest Artists , photographic STER ’S WOODS ART PARK , one of the portraits of 20 Northwest artists in most distinctive outdoor art experi - # Burke Museum of Natural their homes, supplemented with ences in the Northwest, more than History and Culture audio and transcribed interviews 100 works on five acres, artists University of Washington, 17th Ave conducted by Calderón and works include Buster Simpson, Sheila NE @ NE 45th ¥206-543-5590 by the artists; Black and White Klein, Carolyn Law, Gloria Lam - www.burkemuseum.org Color Study from the Permanent son, David Nechak, Shirley daily 10am-5pm. Thru May 27 Collection , an atypical look at the Wiebe, Nicole Dextras, Micajah Plastics Unwrapped , explores the Northwest palette from the diversi - Bienvenu, Anna Wiancko-Chas - impact of plastics on people and ty of artworks in the collection. man, Karen Hackenberg, Margie the planet, where plastic comes

64 PREVIEW I FEBRUARY/MARCH 20 13 # OPEN LATE ON FIRST THURSDAYS HAUGHTON FEAR, HOPE, LONGING PAINTINGS OF THE PACIFIC NORTHWEST

WWW.HAUGHTON-ART.CA GALLERY 110 SEATTLE, WASHINGTON APRIL 2013 WWW.GALLERY110.COM

from, and where it goes when we Mirrors", paintings host a range of 19 Nicolai Fechin (1881-1955), 60 throw it away; Ongoing Life and characters, from Morris Graves paintings and drawings by émigré Times of Washington State , pass - and Picasso, to a truck-driving lion Russian-American painter concen - port through the evolution of and a spaceship-flying cowboy; trate on the early Russian period of Washington's geology, biology Mar 7-30 Cameron Anne Mason , the artist’s career and concludes and archaeology; Pacific Voices , "Madrone", vibrant colours and with paintings from Fechin’s time in highlights art, ceremonies and sto - layered depth captured in carefully Taos and California; Feb 9-May 5 ries of 17 different cultures from dyed, stitched and constructed Chamber Music , 36 Seattle artists around the Pacific. textile sculptures of the Madrone create new work in response to trees that line Puget Sound’s musical compositions based on the Canlis Glass Gallery shores; Jamie Evrard , "Il Giardi - first published work by James 3131 Western Ave, Ste 329 no", paintings of floral bouquets Joyce, commissioned by Deputy ¥206-282-4428 push towards abstraction, started Director, Collections and Exhibi - www.canlisglass.com in the fall in Umbria, Italy and com - tions, Scott Lawrimore for his first wed-fri 12-6pm sat 11am-3pm pleted in her studio in BC. exhibition at the Frye; Thru May 5 and by appt. Nestled in the North - 36 Chambers , Frye Art Museum west Work Lofts, this 3,000 sq ft Francine Seders Gallery staff have selected works from the independent gallery and studio is 6701 Greenwood Ave N Founding Collection, provides fresh dedicated to the glass artwork of ¥206-782-0355 perspectives on the Collection, con - Jean-Pierre Canlis . The gallery is www.sedersgallery.com textualizes the founding of the currently exhibiting Canlis' popu - tues-sat 11am-5pm sun 1-5pm Museum, and introduces the new lar Ocean Studies series, comple - and by appt. Feb 1-Mar 3 Pat De curatorial voice of the institution. mented by his large-scale glass Caro , "Parallel Landscape", memo - bamboo installations. ries of childhood experiences ren - # G. Gibson Gallery dered in charcoal. 300 S Washington St # Foster/White Gallery ¥206-587-4033 220 3rd Ave S, Pioneer Square # Frye Art Museum www.ggibsongallery.com ¥206-622-2833 704 Terry Ave ¥206-622-9250 wed-sat 11am-5pm and tues by www.fosterwhite.com www.fryemuseum.org appt. Feb 7-Mar 16 JoAnn Verburg , tues-sat 10am-6pm. Feb 7-28 tues-sun 11am-5pm thurs 11am- "Mid-Career Survey", archival pig - James Martin , "Whole Cloth and 7pm. Admission is free. Feb 9-May ment prints.

www.preview-art.com PREVIEW 65 www.richmondartgallery.org Andante (a walking pace) RICHMOND ART GALLERY, RICHMOND BC – Feb 2-Mar 24, 2013 The artists presented in the Rich - mond Art Gallery’s new exhibit, Andante (a walking pace) , explore the theme of walking through a range of media that includes photography, woven textiles, audio-visual, sculpture, installation and GPS tracks. They include Cheryl L’Hirondelle, Mike Andrew McLean, Haruko Okano, Ruth Scheuing and UWHAH, a collabo - rative entity of Vancouver artists. The exhibit was conceived as a vehicle for showing art that examines our surroundings, both literally and imaginatively, with an emphasis on conceptual works, narratives and reflections on the practice of being attentive to surroundings while walking. Many of the artworks com - ment on the responses to the urban Until We Have a Helicopter (UWHAH): Wes Cameron and Matthew Robertson, Eight and rural landscapes as they are Piece Procession (2011), fiberglass canoe, powder coated aluminum, plywood, walked through, while others neoprene rubber, manila rope, adhesives, hardware, alkyd paint [Richmond Art address new ways of understanding Gallery, Richmond BC, Feb 2-Mar 24] how, where and why we walk. The curators contend, “The history of walking has the capacity for narratives that hold cultural, political, social and spiritual meanings. From aboriginal rituals, religious and political pilgrimages, to intrepid explorers, artists, writers and folk simply moving from one place to another, walking has inspired, challenged and been the subject of artistic investigation.” Visit the Richmond Art Gallery website for information on related programming.

# Gallery 110 # Hanson Scott Gallery the islands of Harris and Lewis, 110 3rd Ave S ¥206-624-9336 121 Prefontaine Pl S ¥858-361-5385 shot in the Outer Hebrides of Scot - www.gallery110.com www.hansonscottgallery.com land; Thru Feb 16 En plein air , wed-sat 12-5pm. Feb 7-Mar 2 3rd wed-sat 11am-5pm and by appt. works from the permanent collec - Annual Juried Exhibition , the theme Feb 6-Mar 30 Barbara De Pirro , tion broadly address how the prac - addresses the long-standing tension "lucid", installations, new paintings tice of en plein air painting influ - between figuration and abstraction and sculptures – submerged in the enced the early years of photogra - that continues today, diverse selec - interplay between light and shad - phy; Feb 25-May 5 Anna Telcs , tion of subject and medium, juried ow, she translates each, intercon - "The Dowsing", explores the liminal by Luis Croquer, Deputy Director of necting her inner world into reality. space between form, fashion, pres - Art and Education, Henry Art Gallery; entation and performance, ques - Mar 7-30 MAIN GALLERY Peter Serko , # Henry Art Gallery tioning the existing perceptions "East Meets West"; SMALL GALLERY University of Washington around manufacturing, worth and Sarah Dillon , "Things May have ¥206-543-2281 www.henryart.org beauty; Mar 2-Jul 7 Out [o] Fashion Shifted in Flight". wed 11am-4pm thurs-fri 11am- Photography: Embracing Beauty , 9pm sat-sun 11am-4pm. Admis - challenges conventional perspec - # Greg Kucera Gallery sion: adults $10, seniors (62 and tives on beauty and reveals that the 212 3rd Ave S ¥206-624-0770 older) $6, members, children under camera remains a powerful device www.gregkucera.com 14, UW students, faculty, staff, high for how we see others and view tues-sat 10:30am-5:30pm. Thru school and college students with ID ourselves; Thru Mar 24 Pipilotti Feb 16 Susan Skilling , paintings; free, thurs 11am-8pm free. Feb 14- Rist: A la belle étoile , installation Jeffrey Simmons , watercolours; Jun 2 Sean Scully: Passages/ transforms the gallery space by Feb 21-Mar 30 Ed Wicklander , Impressions/Surfaces , 12 close- projecting moving images onto the sculptures; William Binnie , draw - ups of the surfaces of worn, hap - floor; Thru May 5 Now Here is also ings and paintings. hazardly-constructed dwellings on Nowhere: Part II , an attempt to

66 PREVIEW I FEBRUARY/MARCH 20 13 # OPEN LATE ON FIRST THURSDAYS VIGNETTES • February/March 2013 Washington ALLYN CANTOR EDUARDO CALDERON: PORTRAITS OF 20 NORTHWEST ARTISTS Museum of Northwest Art, La Conner, Jan 12-Mar 13 Better-known as a street photographer, Eduardo Calderón candidly photographed 20 Northwest artists in their own domestic settings for this series. He also conducted interviews with each artist about their influences, backgrounds and connection to the Northwest as part of the project. Eduardo Calderón Along with Calderón’s straightforward portraiture, the insightful artists’ narratives and inclusion of their own work in the exhibition reveals a telling cross-section of the regional contemporary art scene since roughly the 1960s. CHICANITAS: SMALL PAINTINGS FROM THE CHEECH MARIN COLLEC - TION {SIZE DOESN’T MATTER} Whatcom Museum, Bellingham, Jan 12- Mar 24 The actor Cheech Marin has developed a significant collection representing the Chicano art movement of the 1960s and 70s. Chican - itas focuses on his more recent endeavour of collecting works that res - Ana Teresa Fernandez onate on a personal level – portraits, landscapes, abstract and photo- realistic paintings less than 16 inches in size. Marin’s perspective on small artwork is one of warmth and intimacy, as the accessible scale makes them easy to place in the home and experience on a daily basis. PAT DE CARO: PARALLEL LANDSCAPE Francine Seders Gallery, Seattle, Feb 1-Mar 3 Memories of childhood experiences are a central theme in Pat De Caro’s moody charcoal drawings. Beautifully rendered in an expressive style, the artist utilizes a child’s point of view and metaphor - ical settings to invoke emotions, and although often ambivalent, the honesty present in the innocence of youth can be considered univer - Pat De Caro sal. A lone girl set in a dark forest conjures mixed feelings of child - hood fear and discovery that eventually shape one’s adult self. JOANN VERBURG: MID-CAREER SURVEY G. Gibson Gallery, Seattle, Feb 7-Mar 16 Images from 1991 to 2011 highlight recent work by the highly prolific, nationally recognized photographer JoAnn Verburg. During her career of over 30 years, Verburg has created still lifes, por - traits, landscapes and cityscapes with an engaging vantage point and radiant colour palette that speaks about the perceptual experience. Having explored the many potentials of the photographic medium, her work reveals underlying themes of time, motion and an intimate sense of place. Minneapolis-based Verburg will also give a lecture at the Henry Art Gallery in Seattle on Friday, March 8 at 7 pm. PLASTICS UNWRAPPED Burke Museum of Natural History and Culture, Joann Verburg Seattle, Dec 20, 2012- May 27, 2013 The invention of plastic has had a huge impact on human culture, changing social conditioning with a seeming dependency on the material. This insightful exhibit delves into how life’s needs were met before plastic, exposes environmental impacts and health risks through images from around the world, and shows promising new developments in science that could change the role of plastics for humanity. Through an array of photographs and educational displays, Plastics Unwrapped provokes the rethinking of our relationship to material. Marco Care/Greenpeace www.preview-art.com PREVIEW 67 www.bellevuearts.org BAM Biennial 2012: High Fiber Diet BELLEVUE ARTS MUSEUM, BELLEVUE WA – Oct 25, 2012-Feb 2 4, 2013 This second edition of Belle - vue Arts Museum’s Biennial focuses on the medium of fibre. The 44 artists of High Fiber Diet explore a wide range of methods, materials and meaning. The exhibit runs the gamut from pieces that pay homage to craft traditions – like Polly Adams Sutton’s asymmetrical baskets made of western red cedar bark – to conceptually-based pieces that might only hint at fibre art practices – like Aman - da Manitach’s video of her embroidering a lamb’s tongue in glitzy glass beads over the course of three days. Well-known artists like Margie Livingston, Sherry Markovitz and Lou Cabeen have a pres - E W O R

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L Familiar materials comprise some of the O C “warmest” works in this exhibit like Nate Jan Hopkins, Oh Eleanor (2012), grapefruit peel, cantaloupe peel, ginkgo leaves, ostrich shell beads, hydrangea petals, lunaria Steigenga’s allegorical world made of collaged bed seed pods, cedar bark and waxed linen [Bellevue Arts Museum, sheets or Luke Haynes’ photo-inspired quilts Bellevue WA, Oct 25-Feb 24] made from repurposed clothing. Similarly, David Chatt’s sentimental piece, where the belongings from his late father’s bedside table are painstakingly covered in tiny white stitched beads, gives a sense of emotional worth by capturing the objects as timeless and unforgotten. Several large-scale installations like Tamara Wilson’s recreation of her studio environment in life- size felt – complete with the quirky reality of coffee-ring stained paper and a cinder block holding up the table – also invite viewers to experience a very personal space in a familiar way. Allyn Cantor offer a perspective on how artists from the early years of his marriage David Bailin, Sandow Birk, Steve deal with art making when they and travel abroad, yet his themes Costie, Iskra Johnson and Dianne broach intangible concepts and are universal. Kornberg , "Bleak Beauty", artists material (or lack thereof). find beauty in the unpromising; Platform Gallery Mar 16-Apr 20 The Indeterminate # Lisa Harris Gallery 114 Third Ave S ¥206-323-2808 Landscape: Landscape Evoked 1922 Pike Place ¥206-443-3315 www.platformgallery.com Rather Than Described . www.lisaharrisgallery.com wed-fri 11am-5:30pm sat 11am- mon-sat 10:30am-5:30pm sun 5pm. Thru Feb 9 Adam Satushek , # Seattle Art Museum 11am-4pm. Feb 7-Mar 3 Emily "afield", photographs; Feb 14-Mar 1300 First Ave ¥206-654-3100 Wood , "Recent Paintings", land - 23 Adam Ekberg ; Mar 28-May 4 www.seattleartmuseum.org scapes dramatizing the West's var - Matt Sellars . SAM hours: wed-sun 10am-5pm, ied topography feature terrain from thurs & fri 10am-9pm. Suggested both sides of the Cascades, from Prographica/fine works admission: adults $15, seniors (62 Deception Pass to Walla Walla; Mar on paper and over) and military (with ID) $12, 7-31 Royal Nebeker , "Recollections 3419 E Denny Way ¥206-322-3851 students $9, children 12 & under and Dreamscapes", works are auto - www.prographicadrawings.com free, SAM members free. Olympic biographical with images drawn wed-sat 11am-5pm. Feb 2-Mar 9 Sculpture Park (2901 Western Ave)

68 PREVIEW I FEBRUARY/MARCH 20 13 # OPEN LATE ON FIRST THURSDAYS Exhibition Catalogues of Interest ELLES@CENTREPOMPIDOU is a large and significant volume chronicling the major artistic themes by an international roster of women artists of the last cen - tury. Published for the recent Seattle Art Museum presentation of Elles , the book, like the exhibit, is arranged thematically and filled with colour reproduc - tions and scholarly contributions; the catalogue includes many essays reflecting on gender and art, an extensive illustrated timeline, quotes by featured artists and a detailed resource bibliography. Softcover, 384 pages, $45 USD. Available at Seattle Art Museum Shop, 206-654-3120

IAN WALLACE: AT THE INTERSECTION OF PAINTING AND PHOTOGRAPHY accompanies the Vancouver Art Gallery’s retrospective (on view through February 24) of this internationally admired, Vancouver-based artist. It also stands on its own as the definitive volume devoted to Wallace’s long and influential career. Essays by a number of esteemed artists, art historians and curators cover an array of themes and ideas, from Wallace’s cinematic influences and allusions to his use of the street, the museum and the studio as sites for his idea-driven practice. Wal - lace’s own writing is also represented, including his reasoning for his characteristic juxtaposition of abstract painting and photographic imagery. Hardcover, 352 pages, $59.95 CAD. Available at the Vancouver Art Gallery Store, 604-662-4706 or [email protected]

STRIDE GALLERY CATALOGUE 2011-2012 is the third in a series of such publications, each documenting a year of exhibition programming in Stride’s three spaces. This numbered, limited-edition catalogue, with its title hand- screened across its modest brown cover, is rich with colour photographs, criti - cal texts, exhibition statements and artists’ biographies. Lively, inventive and challenging, ranging across all forms and disciplines, Stride’s shows are well served by this collectible little book. Softcover, 98 pages, $15 CAD. Available at Stride Gallery or online through the publications section of the website www.stride.ab.ca

MANUEL IZQUIERDO: MYTH, NATURE, AND RENEWAL chronicles the life and art of the distinguished Portland sculptor and teacher who helped bring a new level of sophistication to Oregon modernism in the second half of the 20th century. Throughout his 60-year career, Izquierdo created evocative sculptures in steel, wood and stone, as well as exquisite prints and works on paper. Written by Roger Hull, senior faculty curator at the Hallie Ford Museum of Art, the book was published for the current retrospective and includes over 100 images illus - trating Izquierdo’s life and work. Hardover, 136 pages, $34.95 USD. Available from Hallie Ford Museum, 503-370-6855

ESTHER SHALEV-GERZ is the bilingual catalogue to a solo exhibition of work by this internationally acclaimed artist, organized by the Kamloops Art Gallery and now on view at the Morris and Helen Belkin Art Gallery in Vancouver (to April 14). The publication focuses on Shalev-Gerz’s two-channel video installation WHITE-OUT: Between Telling and Listening , featuring the Sami performance artist Asa Simma as she reflects on her life, art, family and cultural identity. It also examines other important solo and collaborative works by the peripatetic, Paris-based artist. With essays by Fanny Soderback, Elizabeth Matheson and Ian Wallace, and transcriptions of Simma’s “telling” of her story. Hardcover, 96 pages, $30 CAD. Available at the Morris and Helen Belkin Art Gallery, 604-822-2759 or the Kamloops Art Gallery, 250-377-2400

Please note: Prices may be subject to additional charges for postage, handling and taxes. www.preview-art.com PREVIEW 69 Frye Art Museum presents SEATTLE ART EVENT r. R k D ai ar Thurs. Mar.14, 2013 Out of the Living Room and into the White Cube (and back again ): Growing NlTRENCHw Cl ay 6:30-8 pm Burrard Inlet S from a gallery organized by the Group of Twelve artist collective in the 1930s, Seattle’s art FIREHALLt ARTS r t e S Tickets sold as a 5 part CENTRE N n market took root between the 1940s to 1960s as dealers including Zoë Dusanne, Francine v ai series: $40 members, DOWNTOWN u P M o N o t Seders, Otto Seligman and Gordon Woodside promoted artists of the Northwest School to c A w S seniors, students, VANCOUVER n l e CHOBOTERe l ia a x l b teachers, artists. $70 an international audience. Panel discussion with Francine Seders, gallery owner and Bar - V a S N n t GALLERYm SPIRIT Nt u th d l general public. bara Johns, art historian and curator. r WRESTLER e S GACHETo o t r ll C a N S S r t t r S t NA. RTSPEAKa o Frye Art Museum • 704 Terry Avenue • Seattle WA • 98104 • 206.654.3100 • fryemuseum.org t o C e CANADA s b v u W b ACCESS PLACE B a A INUITt A N a CHINESE e N er d S S G CULTURAL CENTRE r h t A t N N 3 COASTAL PEOPLES#2 ST u h C N O t a UNIT/PITT o na W N RENNIE COLLECTION u da N S J P PROJECTS (by appt. only) l Cordova St C am o W ace o AUDAIN e e ay r N Western Ave. s S d

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a y hours: open daily, opens 30 min pri - TURE PARK Thru Oct 20 PACCAR quer work, ceramics and textiles or to sunrise, closes 30 min after PAVILION Sandra Cinto: Encontro das are telling examples of the rich sunset. Free to the public. Feb 14- Águas , intricate wall drawing that visual portrayals in Japanese art May 19 "Rembrandt, Van Dyck, transforms a single line into a titanic from the 13th to the 21st century; Gainsborough: The Treasures of image of water and seascape; Ongo - Thru Jul 21 Buddha of the West - Kenwood House, London", 50 mas - ing More than 20 sculptures on 9 ern Paradise , Japanese Buddhist terpieces from the collection of Old acres including Bourgeois, Calder, sculpture of the late Heian Period Master paintings by Gainsborough, Di Suvero and Serra . (794–1185 BC), a recent acquisi - Hals, Rembrandt, Reynolds, Rom - tion; Ongoing Artful Reproduc - ney, Turner, Van Dyck and others # Seattle Asian Art Museum tions , pairs and sets of similar art tour American museums for the first 1400 E Prospect St, Volunteer Park objects that represent the Chinese time; "European Masters: The Treas - ¥206-654-3100 'modular' mode of productivity. ures of Seattle", features 34 paintings www.seattleartmuseum.org from local collections, including wed-sun 10am-5pm thurs 10am- # Shift Studio works by Ingres, Delacroix and 9pm. Suggested admission: adults 105-306 S Washington St, Tashiro Hals ; Thru Feb 17 Elles: SAM Singu - $7, seniors (62 and over), stu - Kaplan Bldg [email protected] lar Works by Seminal Women dents and military $5, children 12 www.shiftstudio.org Artists , works by women artists & under free, SAM members free. fri & sat 12-5pm or by appt. Feb 7- drawn from SAM's own collections First Thurs free admission. First Fri Mar 2 Dawn P. Endean , "Observa - and key private collections; Thru seniors free. First Sat families free. tion and Apprehension", works are May 5 The distant relative who calls Thru Jul Legends, Tales, Poetry: inspired by nature and informed by at midnight , works from Aboriginal Visual Narrative in Japanese Art , studies in archaeology and biolo - Australia, India, Canada and the U.S.; works from the collection, scrolls, gy; Mar 7-30 Ed McCarthy and Morality Tales: American Art and screens, prints, photographs, lac - Carmi Weingrod , "Unblocked", Social Protest, 1935-45 , works works in wood, steel sculpture, inspired by the Great Depression, prints and print constructions. fascism in Europe, and America’s entry into WWII; Thru Jul 14 Togeth - SPAC Gallery er Again: Nuxalk Faces of the Sky , Seattle Pacific University the Nuxalk sun mask created around 3 W Cremona ¥206-281-2079 1880, also showing other Nuxalk www.spu.edu/spac gallery ceremonial masks from SAM’s mon-fri 9am-5pm. Thru Feb 15 collection; Thru Nov 17, 2013 Going SPAC Spotlight: Work from the for Gold , French brocades, Imperial Curriculum , student work from Chinese robes, Japanese kesas and Seattle Pacific Art Center courses Persian bedcovers as rich backdrops including illustration, fine art and to 3-D objects; Ongoing Light in the graphic design; Feb 18-Mar 15 Darkness , six paintings make it easy Affliction: Art and Pain , contem - to see how narrowing the light Jamie Evrard, Celebration in Red and White porary artworks informed by the source focuses our attention on a (2013), oil on canvas [Foster/White Gallery, experience of suffering, presented key gesture or action; OLYMPIC SCULP - Seattle WA, Mar 7-30] by the Curatorial Club.

# OPEN LATE ON FIRST THURSDAYS PREVIEW 71 www.preview-art.com

Exhibition listings (and much more) are also available online at www.preview-art.com

# Traver Gallery Tantric abstract painting tradition of 200-110 Union St northern India. ¥206-587-6501 SPOKANe www.travergallery.com Vetri Glass – Seattle Northwest Museum of tues-fri 10am-6pm sat 10am-5pm 1404 1st Ave ¥206-667-9608 Arts & Culture sun 12-5pm Open 1st Thurs Art walk www.vetriglass.com 2316 W First Ave ¥509-456-3931 5-8pm. Mar 7-31 Amie McNeel , mon-sat 10am-6pm sun 12-5pm. www.northwestmuseum.org examines nautical and astronomical A foremost exhibitor of exciting Museum: wed-sun 10am-5pm, first phenomenon through blown glass and innovative new work show - fri 5-8pm by donation. Admission: and hand-formed steel sculpture casing emerging talent in art glass, adults $7, seniors/students $5, kids echoing fishing lures, beacons, as well as production work by 5 and under and MAC members no buoys and other nautical instru - internationally renowned artists charge. Campbell House Tours: ments; Mark Bennion , rusted steel such as Dale Chihuly, Preston included in admission price. Opens sculpture explores the artist's inter - Singletary and Hiroshi Yamano , Mar 2 SPOMA: Spokane Modern est in simple geometric abstraction representing the work of over 100 Architecture 1948-1973 , highlights and collage work inspired by the artists. the 25 years when this region saw

72 PREVIEW I FEBRUARY/MARCH 20 13 # OPEN LATE ON FIRST THURSDAYS an unrivalled burst of architectural Tacoma Art Museum creativity; Thru Aug 24 David Dou - 1701 Pacific Ave ¥253-272-4258 glas: A Naturalist at Work , multi- www.TacomaArtMuseum.org disciplinary experience that links wed-sun 10am-5pm, 3rd thurs geography, science, art and cultural 10am-8pm, free on 3rd thurs from history; Ongoing Two to Tango: 5-8pm. Admission: members free, Artist and Viewer , artworks span - adults $10, students/military/ ning four centuries from 300-year- seniors (65+) $8, family $25 (2 old academic paintings to electronic adults + up to 4 children under 18), assemblages. children 5 and under free. Thru Feb 10 Andy Warhol’s Flowers for Tacoma , floral imagery that nearly Jeffrey Simmons, detail of Palindrome I, topped the Tacoma Dome in 1982 TACOMA (2012), watercolour on paper [Greg Kucera, in all its fragility, vibrancy and Handforth Gallery Seattle WA, thru Feb 16] beauty; Feb 23-May 26 Drawing Tacoma Public Library Line into Form: Works on Paper 1102 Tacoma Ave S by Sculptors from the BNY Mellon ¥360-579-1080 3rd thurs 10am-8pm. Admission: Collection , explore the importance www.tacomapubliclibrary.org free for members, $12 adults, $10 of drawing as a creative tool for tues-wed 11am-8pm thurs-sat seniors (62+), military and stu - sculptors; Thru Mar 17 Best of the 9am-6pm. Mar 15-Apr 26 "North - dents (13+), $10 groups of 10+, Northwest: Selected Paintings west Mosaic Today", contempo - $5 children 6-12 (under 6 are from the Collection , highlights rary mosaic art by artists from free), free every 3rd thurs from 5- from the museum's Northwest Washington and Oregon featuring 8pm. Feb 9-Apr 21 Outgrowth: painting collection; Thru Mar 24 Lynn Adamo, Mark Brody, Carl & Highlights from the Permanent Memories and Meditations: A Sandy Bryant, Todd Campbell, Collection ; Feb 16-Oct 2013 Ben - Retrospective of Michael Kenna’s Richard S. Davis, Gretchen Fuller, jamin Moore: Translucent ; Thru Photography , timeless investiga - Angie Heinrich, Kathleen Jones, May 5 Mosaic Arts International tions of special locations around Joe Kaftan, Kelley Knickerbocker, 2013 ; Thru Oct 2013 Northwest the world; Ongoing Chihuly: Gifts Jennifer Kuhns, Deb McLaughlin, Artists Collect; MAIN PLAZA REFLECT - from the Artist , permanent collec - Sarah Rehfeldt, John Sollinger ING POOL Martin Blank: Fluent tion of Chihuly glass including and Crystal Thomas . Search for Steps , monumental glass sculp - more than 30 sculptures and draw - Northwest Mosaic Today on Face - ture spans the entire length of the ings; Permanent Installation Visi - book. 210 ft-long reflecting pool and ris - tors can access the Ear for Art: es from water level to 15 ft in Chihuly Glass CellPhone Tour any Museum of Glass height; Cappy Thompson , "Gather - time from anywhere by calling 888- 1801 Dock St ¥253-284-4750 ing the Light", installation of 411-4220 – map of audio stops www.museumofglass.org reverse-painted story of MOG on throughout downtown Tacoma is wed-sat 10am-5pm sun 12-5pm glass in the grisaille technique. available online.

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Access Gallery 34 Campbell River Art Gallery 22 Esplanade Art Gallery 18 Agnes Bugera Gallery (see Bugera Canlis Glass Gallery 65 Federation Gallery 39 Matheson) 17 Cannon Beach Gallery 58 Ferry Building Gallery 57 Alberta Craft Council Gallery 17 Cannon Beach Gallery Group 59 Firehall Arts Centre Gallery 40 Alberta Printmakers’ Society and Artist Proof Capilano University Studio Art Gallery 27 The Fort Gallery 24 Gallery (A/P) 8 Caroun Art Gallery 27 Foster/White Gallery 65 Alcheringa Gallery 53 Catriona Jeffries Gallery 38 The Foyer Gallery, Squamish Public Alternator Centre for Contemporary Art 24 Chali-Rosso Art Gallery 38 Library 33 Amelia Douglas Gallery, Douglas College 26 Chambers@916 60 Fragrant-Wood Carvings Art Gallery 40 Arnold Mikelson Mind & Matter 33 Charles A. Hartman 60 Framagraphic Framing Gallery 40 Art Beatus 34 Charles H. Scott Gallery 38 Francine Seders Gallery 65 The Art Emporium 34 Chilliwack Visual Artists Association 22 Frye Art Museum 65 Art Gallery at Evergreen Cultural Centre 23 Chinese Cultural Centre Museum and G. Gibson Gallery 65 Art Gallery of Alberta 17 Archives 38 Gallery 2, Grand Forks and District Art Gallery of Calgary 8 Choboter Fine Art 38 Art and Heritage Centre 24 Art Gallery of Greater Victoria 53 Circle Craft Gallery 38 Gallery 110 66 The Art Gym at Marylhurst University 59 CityScape Community Art Space, North Gallery at the Mac 54 Art Works Gallery 34 Vancouver Community Arts Council 27 Gallery Gachet 40 Artists for Kids Gallery (see Gordon Smith CKG / Christine Klassen Gallery 10 Gallery in the Oak Bay Village 54 Gallery) 27 Coastal Peoples Fine Arts Gallery 38 Gallery Jones, Vancouver 40 Arts Council Gallery of New Westminster 26 The Collectors’ Gallery 10 Gallery Odin 31 Arts Off Main 34 Comox Valley Art Gallery 23 Gallery of BC Ceramics 40 Artspeak 35 Contemporary Art Gallery 38 Geert Maas Sculpture Gardens & Gallery 24 ArtStarts Gallery 35 Craft Connection & Gallery 378 25 Glenbow Museum 10 Ashpa Naira Gallery 51 Craft Council of BC 38 Golden Cactus Studio – Chris MacClure 58 Audain Gallery 35 The Cultch Gallery 38 Goldmoss Gallery 33 Avenue Gallery 53 Cultural Centre Gallery 18 Gordon Smith Gallery of Canadian Art 27 Barbara Boldt Original Art Studio 23 Dales Gallery 53 The Graffiti Co. Art Studio/Gallery 27 Bau-Xi Gallery 35 Deer Lake Gallery 19 Granville Fine Art 42 Beaty Biodiversity Museum 35 Deluge Contemporary Art 53 Greenery Native Art Gallery 42 Bellevue Arts Museum 61 Diana Paul Galleries 10 Greg Kucera Gallery 66 Bellevue Gallery 56 Doctor Vigari Gallery 38 grunt gallery 42 Bill Reid Gallery 35 Douglas Reynolds Gallery 38 Hallie Ford Museum of Art 61 Billy King Pop-Up Gallery + Studio 64 Douglas Udell Gallery, Edmonton 18 Handforth Gallery, Tacoma Public Library 73 Blackfish Gallery 59 Douglas Udell Gallery, Vancouver 39 Hanson Scott Gallery 66 Bluerock Gallery 8 Dundarave Print Workshop and Gallery 39 Havana Gallery 42 Britannia Art Gallery 35 DRAW Gallery 29 Heffel Fine Art Auction House 42 Britannia Mine Museum 19 Eagle Spirit Gallery 39 Henry Art Gallery 66 Buckland Southerst Gallery 56 Elissa Cristall Gallery 39 Herringer Kiss Gallery 12 Bugera Matheson Gallery 17 Elizabeth Leach Gallery 60 hfa contemporary 44 Burke Museum 64 Emily Carr Alumni Gallery 39 Hot Art Wet City Pop-Up Gallery 44 Burnaby Art Gallery 19 English Bay Gallery 39 Howe Street Gallery 44 Burnaby Arts Council (see Deer Lake) 19 Equinox Gallery 39 Ian Tan Gallery 44 CAFCA: Café for Contemporary Art 26 Esker Foundation 10 Illingworth Kerr Gallery, Alberta College

76 PREVIEW I FEBRUARY/MARCH 20 13 Alpha listing of galleries in this issue

of Art + Design 12 ON MAIN 47 Station House Gallery 58 Inuit Gallery of Vancouver 44 Open Space 55 Stride Art Gallery Association 16 Jarvis Hall Fine Art 12 Or Gallery 47 Sun Spirit Gallery 57 Jenkins Showler Gallery 33 Osoyoos Art Gallery 28 Surrey Art Gallery 34 Jennifer Kostuik Gallery 45 Pacific Home and Art Centre 47 Tacoma Art Museum 73 Jeunesse Gallery of Fine Arts 45 Paul Kuhn Gallery 16 Teck Gallery 49 Kamloops Art Gallery 24 Pendulum Gallery 47 Toni Onley Estate 49 Katherine McLean Studio 45 Peninsula Gallery 31 Touchstones Nelson: Museum of Art Kelowna Art Gallery 24 Penticton Art Gallery 29 and History 25 Kootenay Gallery 22 Petley Jones Gallery 47 Traver Gallery, Seattle 72 Kurbatoff Art Gallery 45 Place des Arts 23 Trench Contemporary Art 49 Kwantlen Art Gallery 34 Platform Gallery 68 TrépanierBaer 16 Langham Cultural Centre Gallery 24 Polychrome Fine Art 55 Tsawwassen Longhouse Gallery 34 Lattimer Gallery 45 Port Angeles Fine Arts Center 64 Two Rivers Gallery 30 Laura Russo Gallery 60 Port Moody Arts Centre 30 UNIT/PITT Projects 49 Legacy Art Gallery 54 Portland Art Museum 61 Unitarian Church of Vancouver 50 Lisa Harris Gallery 68 Presentation House Gallery 28 University of Lethbridge Art Gallery 18 The Lloyd Gallery 29 Prographica/fine works on paper 68 Uno Langmann 50 Madrona Gallery 54 The Reach Gallery Museum Abbotsford 19 Vancouver Art Gallery 50 Maltwood Prints and Drawings Gallery at Red Deer Museum + Art Gallery 19 Vancouver Maritime Museum 50 the McPherson Library 54 Rennie Collection 48 Vernon Public Art Gallery 51 Maple Ridge Art Gallery 25 Republic Gallery 48 Vetri Glass – Seattle 72 Marion Scott Gallery 45 Richmond Art Gallery 30 Wallace Galleries 16 Masters Gallery 46 Robinson Studio Gallery 48 WaterWorks Gallery 62 Metchosin Art Gallery 55 Royal BC Museum 55 West End Gallery, Edmonton 18 Monny's Art Gallery 46 Rufus Lin Gallery of Japanese Art 30 West End Gallery, Victoria 56 Monte Clark Gallery 46 SAGA Public Art Gallery 31 West Vancouver Museum 57 Morley Myers Studio 31 Satellite Gallery 48 Western Front Gallery 55 Morris and Helen Belkin Art Gallery 46 Seattle Art Museum 68 Western Gallery 62 Mountain Galleries 57 Seattle Asian Art Museum 71 Whatcom Museum of History and Art 62 Museum of Anthropology, UBC 46 Seymour Art Gallery 28 White Bird Gallery 59 Museum of Contemporary Art – Calgary 14 Shift Studio 71 White Rock Gallery 58 Museum of Contemporary Craft 60 Sidney and Gertrude Zack Gallery, Jewish Whyte Museum of the Canadian Rockies 8 Museum of Glass 73 Community Centre 48 Winchester Galleries 56 Museum of Northern BC 30 Silk Purse Arts Centre 57 Winsor Gallery 51 Museum of Northwest Art 64 Simon Fraser University Gallery 22 Xchanges Gallery 56 Museum of Vancouver 46 Slide Room Gallery 55 Nanaimo Art Gallery 25 SMASH Gallery of Modern Art 49 The New Gallery (TNG) 14 South Shore Gallery 31 Newzones 16 Southern Alberta Art Gallery 18 Nikkei National Museum 19 SPAC Gallery 71 Northwest By Northwest Gallery 59 SPACE emmarts 28 Northwest Museum of Arts & Culture 72 Spirit Wrestler Gallery 49 The Old School House Arts Centre 30 Squamish Lil’wat Cultural Centre 57 www.preview-art.com PREVIEW 77 GALLERY OPENINGS + EVENTS

5F-e8bpmru Oarpye n7i nTgh urerscdepaty ion: Michael Abraham, 7F-e1b0prum aOryp e1n5i nFgr idreacy eption: Cal Lane , Gutter Peter Aspell, Tricia Cline, Marcus Schaller, Snipes I , aluminum-coated steel sewer pipe Anselmo Swan and Chris Woods , Go Figure , carved into an ornate collage of figures and paintings and sculptures. GALLERY JONES , 1725 W organic designs. GRUNT GALLERY , Unit 116-350 E 3rd Ave, Vancouver BC . 2nd Ave, Vancouver BC . 7-9pm Opening reception: Soo Yeon Lim , 7-11pm Opening reception: Fuck , a post- Uncharted Village II , paintings and works on rice Valentine’s Day tribute to your favourite 4- paper. CAFCA : C AFÉ FOR CONTEMPORARY ART , 138-140 letter word. HOT ART WET CITY POP -U P GALLERY , 752 E E Esplanade, North Vancouver BC . Broadway, Vancouver BC . 7-9pm Opening reception: Sandrine Pelissier, Elspeth Hart, Sarah Hill David, Mary Shaughnessy 2F-e4bpmruOarpye n1i7n gS urencdeapy tion: Veronica Plewman , and Camille Sleeman , Exquisite Landscape, Suspended and Flowing , recent paintings. THE FORT collaborative panoramic painting. CITY SCAPE GALLERY , 9048 Glover Rd, Fort Langley BC . COMMUNITY ART SPACE , N ORTH VANCOUVER COMMUNITY ARTS COUNCIL , 335 Lonsdale Ave, North Vancouver BC . 2F-e4bpmruOarpye n2i3n gS aretucerdpatiyon: Erik Olson , Architecture 7:30-10pm Opening reception and Fashion of The Face , oil on canvas/panel. DOUGLAS UDELL show: Catherine Stewart , Invoking Venus; Feathers GALLERY , 1566 W 6th Ave, 2nd Flr, Vancouver BC . and Fashion ; Passion for Plumage: A History of Feathers in Fashion , historical clothing and accessories from the collections of Ivan 6M-8aprmchO 1p eFnridnagy reception: Danuta K. Frydrych , Sayers and Claus Jahnke . Info and tickets: Past and Present , oil, acrylic and mixed-media beatyinvokingvenus.eventbrite.com. BEATY paintings. PACIFIC HOME AND ART CENTRE , 1560 W 6th BIODIVERSITY MUSEUM , U NIVERSITY OF BRITISH COLUMBIA , Ave, Vancouver BC . 2212 Main Mall, Vancouver BC . 5M-7aprm chO 2p eSnaintugr dreacy eption: The Greaver Family , 8F-e1b1prum aOryp e8n Finrgid arey ception: Duane Linklater , works by one of Cannon Beach’s long-standing Secondary Explanation , drawings and art families. CANNON BEACH GALLERY , 1064 S Hemlock, photographs. THE NEW GALLERY , (TNG) , Art Central, Cannon Beach OR . 212-100 7th Ave SW, Calgary AB . 5M-8aprmchO 7p eTnhiunrgs dreacy eption: Amie McNeel , blown 2F-e4bpmruOarpye n9i nSga truercdeapy tion: Ron Sangha , Dreams of glass and hand-formed steel sculpture; Mark the Present , vividly coloured digital prints. DEER Bennion , rusted steel sculpture and collage LAKE GALLERY , 6584 Deer Lake Ave, Burnaby BC . works. TRAVER GALLERY , 110 Union St, Ste 200, Seattle WA . 5-8pm Opening reception: 3rd Annual Juried Exhibition , works diverse in subject and medium by 29 artists. GALLERY 110 , 110 3rd Ave 1M-3aprm chO 9p eSnaintugr dreacy eption: Drawing the Line, Shaping S, Seattle WA . the Clay , Ted Driediger , ceramics and Heinz Klassen , ink drawings. CHILLIWACK VISUAL ARTISTS ASSOCIATION , C HILLIWACK ART GALLERY , Chilliwack Cultural Art Walks + Tours Centre, 9201 Corbould St, Chilliwack BC . Portland Pearl District: 1st Thursdays, 6-8pm 1-5pm Opening reception: Avis Rasmussen and Portland Alberta Street: 3rd Thursdays, 6-8pm Doug Fraser . Artists in attendance (except Seattle Pioneer Sq: 1st Thursdays, 6-8pm Antoine Bittar). WINCHESTER GALLERIES , 2260 Oak Tacoma: 3rd Thursdays, 5-8pm Bay Ave, Victoria BC . Microsoft Art Collection Tours – open to the 2-4pm Opening reception: Harold Klunder and public, free admission, request reservation Michael Morris . WINCHESTER MODERN , 758 Humboldt two weeks ahead: [email protected] St, Victoria BC .

78 PREVIEW I FEBRUARY/MARCH 20 13 2M-4aprmchO 9p eSnaintugr draecye (pctoionnt’d: )Debra Sloan, Jinny 6M:3a0r-c8h:3 02p1m TOhpuersndinagy r(ceocenpt’tdio) n: Michelle Carlson , Whitehead and Darcy Greiner , Ceramic Sensibilities: prints and textiles concerned with memory One to Many , explores the relationship of the and decay, presence and absence. DISTRICT FOYER one design to the many produced. DEER LAKE GALLERY , D ISTRICT HALL OF NORTH VANCOUVER , 355 W GALLERY , 6584 Deer Lake Ave, Burnaby BC . Queens Rd, North Vancouver, BC . 5-8pm Opening reception: Peter Serko , East Meets 7-9pm Opening reception: David Bong , Faces of West ; Sarah Dillon , Things May have Shifted in Flight . Humanity , photographs. MONNY ’S ART GALLERY , 2675 GALLERY 110 , 110 3rd Ave S, Seattle WA . W 4th Ave, Vancouver BC .

7M-9aprmchO 1p4e nTihnugr sredcaey ption: Ruminations of Order , 6M-1a0rpcm h O22p eFnriindga y reception: Vanity Fare/Craig four emerging artists working in photography, LeBlanc , large-scale works explore the theme sculpture and drawing. CITY SCAPE COMMUNITY ART of masculinity. THE ART GALLERY OF CALGARY , 117 8th SPACE , N ORTH VANCOUVER COMMUNITY ARTS COUNCIL , 335 Ave SW, Calgary AB . Lonsdale Ave, North Vancouver BC . 7-9pm Group Poetry Reading: Friends of Pierre , Pierre Coupey and his friends read from their 6M-8aprmchO 1p5e nFirnidga ry eception: Murano Glass Artists , favourite works of poetry. ART GALLERY AT EVERGREEN works by Mario Gambaro, Luca Vidal and Andrea CULTURAL CENTRE , 1205 Pinetree Way, Coquitlam BC Tagliapietra . PACIFIC HOME AND ART CENTRE , 1560 W 6th Ave, Vancouver BC . 1M1amrc-h5p 2m 3 OSpaetnuirndga y reception: Johnson Chow , Wu School Art Association Painting Exhibition . CHINESE 3M-6aprmchA 1rt7is St’su ntadlaky (3pm) and Opening CULTURAL CENTRE MUSEUM AND ARCHIVES , 555 Columbia reception (4pm): Pierre Coupey: Cutting Out the St, Vancouver BC . Tongue , retrospective of abstract paintings. ART 2-4pm Opening reception: 45th Annual Spring GALLERY AT EVERGREEN CULTURAL CENTRE , 1205 Pinetree Show . DOUGLAS UDELL GALLERY , 10332 124 St NW, Way, Coquitlam BC . Edmonton AB .

March 21 Thursday 6pm Opening reception: Richard Suarez , 2M-4aprmchO 3p0e nSinagtu rdeacey ption: Judith Frigon , tranquil Quantumplaces , mixed-media drawings of series of acrylic paintings of nymphaea – geometric elements with architectural and aquatic plants. DISTRICT LIBRARY GALLERY , L YNN VALLEY anthropomorphic structures. VERNON PUBLIC ART MAIN LIBRARY , 1277 Lynn Valley Rd, North GALLERY , 3228 31st Ave, Vernon BC . Vancouver, BC .

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