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Canadian Guiding Badges and Insignia Brownie Six/Circle Emblems
Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems Following the introduction of the Brownie program to provide Guiding for younger girls, and after the decision to base the new program on The Brownie Story, a further decision was made in 1919 to subdivide a Brownie Pack into smaller groups consisting of six girls. These smaller groups within the Pack were known as Sixes and were identified by a Six emblem bearing the name of some mythical fairy- like person from folklore. [Reference: POR (British, 1919)] The original Six emblems were brown felt; later versions were brown cotton with the edges bound in brown. In 1995, the term “Sixes” was replaced by the term “Circles”, and the shape of the emblems was changed as well. In 1972, three of the original twelve Six emblems were retired and in 1995 four new ones were added. Page 1 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0001 SC0002 Bwbachod Badge Discontinued 1919- 19? 19? - 1972 SC0003 SC0004 Djinn Introduced 1994 1995-2004 1994 SC0005 SC0006 Dryad Introduced 1994 1995- 1994 Page 2 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0007 SC0008 SC0009 Elf 1919-19? 19? - 1995 1995- SC0010 SC0011 SC0012 Fairy 1919-19? 19? - 1995 1995- SC0013 SC0014 Ghillie Dhu Badge Discontinued 1919-19? 19? - 1972 Page 3 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0015 SC0016 SC0017 Gnome 1995- 1919-19? 19? - 1995 SC0018 SC0019 Imp Badge Discontinued 1919-19? 19? - 1995 SC0020 SC0021 SC0022 Kelpie (formerly called Scottish -
'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world. -
Camelot -.: Carton Collector
Mitos y Leyendas - Camelot (236) cartoncollector.cl 001 UR Draig Goch 081 R Levantar Muerto 161 V Paiste 002 UR Clídna 082 R Vampiro de Almas 162 V Dragón del Monte 003 UR Morgause 083 R Alas del Murciélago 163 V Blue Ben 004 UR Arthur Pendragón 084 R Regresar la Espada 164 V Serpopardo 005 UR Duelo de Dragón 085 R Coronación 165 V Glatisant 006 UR Seducción 086 R Excalibur Liberada 166 V Gwiber 007 UR Invocar Corrupción 087 R Torneo 167 V Rhydderch 008 UR Garra de Cristal 088 R Letanía del Rayo 168 V Tlachtga 009 MR Dragón Blanco 089 R Aura Bendita 169 V Ceasg 010 MR Gwyn ap Nudd 090 R Llamar a los Antiguos 170 V Lady Blanchefleur 011 MR Fuath 091 R Licántropos Rampantes 171 V Bugul Noz 012 MR Balin dos Espadas 092 R Yelmo Montadragón 172 V Gancanagh 013 MR Bridei I 093 R Hacha de los Bosques 173 V Guinevak 014 MR Incinerar 094 R Clarent 174 V John de la Costa 015 MR Relámpago Faérico 095 R Primera Excalibur 175 V Korrigan 016 MR Bendición de Armas 096 R Cementerio Dragón 176 V Addanc 017 MR Cortamundos 097 R Isla de Avalón 177 V Wight 018 MR Nido de Uolot 098 R Cementerio Impuro 178 V Cu Sith 019 M Dragón Inferno 099 R Guardia Gozosa 179 V Palamades 020 M Merlín Ambrosius 100 C Cockatriz 180 V Agravain 021 M Sir Perceval 101 C Wyvern Negro 181 V Gaheris 022 M Auberón 102 C Ave Boobrie 182 V Lucán 023 M Oilliphéist 103 C Stollenwurm 183 V Sir Héctor 024 M Lancelot del Lago 104 C Vouivre 184 V Mark de Cornwall 025 M Morgana de la Sombra 105 C Dragón de Dalry 185 V Olwen 026 M Claíomh Solais 106 C Roba Almas 186 V Pellinore 027 M Dullahan -
Nove Noites E Um Sonho De Outono / Lesley Livingston ; Tradução Angela Cristina Tesheiner E Cláudia Santana Martins
Copyright © 2009 Lesley Livingston Copyright © 2012 HaperTeen, um selo da HaperCollins Publishers. Copyright © 2014 Editora Gutenberg Título original: Wondrous Strange Todos os direitos reservados pela Editora Gutenberg. Nenhuma parte desta publicação poderá ser reproduzida, seja por meios mecânicos, eletrônicos, seja cópia xerográfica, sem autorização prévia da Editora. GERENTE EDITORIAL Alessandra J. Gelman Ruiz EDITOR ASSISTENTE Denis Araki ASSISTENTES EDITORIAIS Carol Christo Felipe Castilho PRODUÇÃO EDITORIAL Ab Aeterno Produção Editorial PREPARAÇÃO Karina Danza REVISÃO Ana Paula Santos Camile Mendrot Malvina Tomáz CAPA Marina Ávila DIAGRAMAÇÃO SGuerra Design PRODUÇÃO DO E-BOOK Schaffer Editorial Dados Internacionais de Catalogação na Publicação (CIP) Câmara Brasileira do Livro, SP, Brasil Livingston, Lesley Nove noites e um sonho de outono / Lesley Livingston ; tradução Angela Cristina Tesheiner e Cláudia Santana Martins. – 1. ed. – Belo Horizonte : Gutenberg Editora, 2014. Título original: Wondrous Strange. ISBN 978-85-8235-023-2 1. Ficção brasileira 2. Amizade I. Título. 14-01148 CDD-813.5 Índices para catálogo sistemático: 1. Ficção : Literatura norte-americana 813.5 EDITORA GUTENBERG LTDA. São Paulo Av. Paulista, 2.073, Conjunto Nacional, Horsa I, 23º andar, Conj. 2.301 Cerqueira César . 01311-940 São Paulo . SP Tel.: (55 11) 3034 4468 Belo Horizonte Rua Aimorés, 981, 8º andar Funcionários . 30140-071 Belo Horizonte . MG Tel.: (55 31) 3214 5700 Televendas: 0800 283 13 22 www.editoragutenberg.com.br Para meu pai Agradecimentos -
The Fairy Godmothers and Other Tales
The Fairy Godmothers and Other Tales Mrs. Alfred Gatty The Project Gutenberg eBook, The Fairy Godmothers and Other Tales, by Mrs. Alfred Gatty, Illustrated by Lucette E. Barker This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Fairy Godmothers and Other Tales Author: Mrs. Alfred Gatty Release Date: February 26, 2004 [eBook #11319] Language: English Character set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK THE FAIRY GODMOTHERS AND OTHER TALES*** E-text prepared by Internet Archive; University of Florida; and Beth Trapaga and the Project Gutenberg Online Distributed Proofreading Team Note: Project Gutenberg also has an HTML version of this file which includes the original illustration. See 11319-h.htm or 11319-h.zip: (http://www.ibiblio.org/gutenberg/1/1/3/1/11319/11319-h/11319-h.htm) or (http://www.ibiblio.org/gutenberg/1/1/3/1/11319/11319-h.zip) Images of the original pages are available through the Florida Board of Education, Division of Colleges and Universities, PALMM Project, 2001. (Preservation and Access for American and British Children's Literature, 1850-1869.) See http://purl.fcla.edu/fcla/dl/UF00001801.jpg or http://purl.fcla.edu/fcla/dl/UF00001801.pdf THE FAIRY GODMOTHERS AND OTHER TALES. BY MRS. ALFRED GATTY. 1851. [Illustration: HERMIONE SKETCHING.] Col miele, e non coll' aceto si piglian le mosche. -
Download Noctua (.Pdf)
Noctua: Medieval and Renaissance Studies at The W Volume 2 Spring, 2017 Editor: Gabrielle Lestrade Faculty Advisor: Dr. Kristi DiClemente CONTENTS Tera Pate Crown and Character: How the Word “Crown” Reveals Character in Richard II and I Henry IV 1 Lauren Harmon “His Most Humble Handmaid”: The Influence of Matilda of Scotland and Eleanor of Aquitaine 15 Morrigan Hollis In Defense of Guinevere 25 James O’Loughlin Capellanus Unmasked 33 Josh Herrick Classical Literary Influence Upon Dante’s Conceptualization of the Christian Hell 43 Dear Reader, I am pleased to present the second volume of Noctua: Journal of Medieval and Renaissance Studies at The W. This journal provides a forum for Mississippi University for Women students to present their original research on the Middle Ages and Renaissance and is sponsored by the Medieval and Renaissance Studies Minor in the Department of History, Political Science, and Geography. The articles in this journal arise from the Medieval and Renaissance Studies Research Symposium that took place on April 7, 2017 on the campus of The W. This issue includes five articles, related to both history and literature, examining life, death, power, and love in the Middle Ages and Renaissance. First, Tera Pate, who just graduated with a B.A. in English discusses the use of the word “crown” in Shakespeare’s Richard III and I Henry IV. Second, Lauren Harmon, a rising sophomore in History, compares the power of two queens (Eleanor of Aquitaine and Matilda of Scotland) using letters to and from powerful religious men. Third, Morrigan Hollis, a rising junior in English and History, argues that despite Guinevere’s bad reputation in modern culture, her role in Le Morte d’Arthur showed power and agency. -
Volo's Complete Subrace Handbook V1.0
CONTENTS -S- Dwarf Shroudeye................................. 19 Azerblood.................................. 3 Snatchbeak............................... 19 Dream Dwarf............................ 3 Kobold Urdunnir.................................... 3 Dragonwrought......................... 20 Wild Dwarf................................ 4 Lickspittle.................................. 20 Elf Pitstalker.................................... 21 Avariel (Revised)...................... 5 Orc Celadrin.................................... 5 Gray Orc.................................... 22 Grugach (Revised)................... 5 Mountain Orc............................ 22 Lythari....................................... 5 Orog (Underdark Orc)............. 23 Variant Sea Elf......................... 6 Neo-Orog (Thayan Red Orc)... 23 Genasi Yuan-Ti Air.............................................. 7 Yuan-Ti Malison........................ 24 Earth......................................... 7 Yuan-Ti Pureblood (Revised)... 24 Fire............................................ 7 Storm........................................ 8 -R R- Water......................................... 8 Grung............................................. 25 Gnome Blue Skin................................... 25 Deep Gnome (Revised)........... 9 Gold Skin................................... 25 Forest Gnome (Revised)......... 9 Green Skin................................ 25 Imago (Chaos Gnome)............ 9 Orange Skin.............................. 25 River Gnome........................... -
Representations of Witches and Witchcraft in Children's Literature
CALIFORNIA STATE UNIVERSITY SAN MARCOS THESIS SIGNATURE PAGE THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS IN LITERATURE AND WRITING STUDIES THESIS TITLE: Representations of Witches and Witchcraftin Children's Literature AUTHOR: Kerry Baker DATE OF SUCCESSFUL DEFENSE: November20,2019 THE PROJECT HAS BEEN ACCEPTED BY THE THESIS COMMITTEE IN PARTIAL FULLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LITERATURE AND WRITING STUDIES. Heidi Breuer l{ /10) I� THESIS COMMITTEE CHAIR S GNATURE DATE I \ Lf-Li Rebecca Lush § /,,1j ul&_ -TH_E_S-IS _C_O_M_M-IT- T-EE -M-EM-B-ER___ _:: /A'& 1ft8� Sandra Doller THESIS COMMITTEE MEMBER �'�� Baker 1 Representations of Witches and Witchcraft In Children’s Literature By Kerry Maureen Baker A Thesis Submitted to the Graduate Faculty of California State University San Marcos In Partial Fulfillment of the Requirements for a Degree of Master of Arts in Literature and Writing Studies Fall 2019 Baker 2 Table of Contents Introduction ............................................................................................................................................... 3 Chapter 1 The Problem with Jadis ......................................................................................................... 17 Chapter 2 Murder, Misogyny, and Mayhem in Roald Dahl’s The Witches ........................................... 44 Conclusion ............................................................................................................................................. -
Bullywug Mucker, Firebeetl
Retooling monster color Elite = two standards, Minion = ¼ standard, Solo = five standard BRUTES One: Bullywug Mucker, Firebeetle, Goblin Cutter (Minion), Giant Rat (Minion), Dire Rat, Thornskin Frog Two: Centipede Swarm, Dretch, Poisonscale Savage, Guard Drake, Zombie, Maw Demon Three: Cave Fisher Spawn (Minion), Bullywug Croaker (Minion), Myconid Rotpriest (Leader), Young White Dragon (Solo), Goblin Skullcleaver, Hobgoblin Grunt (Minion), Ochre Jelly (Elite), Zombie Rotter (Minion), Gravehound, Jackalwere Bravo Four: Barghest Savager, Mudlasher, Kruthik Adult, Magma Claw, Orc Berserker, Crawd Crusher, Rot Grub Swarm Five: Deathpledged Gnoll, Krenshar Blood Slayer, Rage Drake, Boneshard Skeleton, Bugbear Warrior, Gelatinous Cube (Elite), Deathrattle Viper, Vampire Spawn Fleshripper (Minion), Silverback Ape (Leader), Chitine Grunt (Minion), Chitine Warrior, Volcanic Dragon Wyrmling, Firelord Cultist (Minion) Six: Duergar Shock Trooper, Dire Boar, Evistro, Gnoll Marauder, Blackscale Bruiser, Ghast Seven: Grick, Griffon, Hellhound, Cacklefiend Hyena, Bloodweb Spider Swarm, Snaketongue Initiate (Minion), Dread Guardian, Umber Ravager ARTILLERY One: Fell Taint Pulsar, Xivort Darter Two: Poisonscale Magus, Goblin Sharpshooter, Xivort Shadow Caller (Leader) Three: Bullywug Mud Lord, Spitting Drake, Hobgoblin Archer, Cave Fisher Spiker Four: Storm Shard, Arbalester, Magma Hurler, Corruption Corpse, Cave Fisher Line Spiker (Minion), Wilden Ancient (Leader) Five: Beholder Gauth (Elite), Runespiral Demon, Eladrin Arcane Archer, Kenku Wingmage, Gnoll -
Savage Species, Playing Monstrous Characters
SAVAGE SPECIES DAVID ECKELBERRY, RICH REDMAN, JENNIFER CLARKE WILKES ADDITIONAL DESIGN ART DIRECTOR Eric Cagle, Jesse Decker, Jeff Quick, Dawn Murin Sean Reynolds, Skip Williams COVER ART Jeff Easley DEVELOPER Rich Redman INTERIOR ARTISTS Dennis Cramer, Brian Despain, Emily EDITORS Fiegenschuh, Jeremy Jarvis, John and Jennifer Clarke Wilkes, Gwendolyn Laura Lakey, Alan Pollack, Vinod Rams, F.M. Kestrel, Penny Williams Wayne Reynolds, David Roach, Scott Roller, Mark Sasso, MANAGING EDITOR Arnie Swekel, Sam Wood Kim Mohan GRAPHIC DESIGNERS DESIGN MANAGER Sean Glenn, Sherry Floyd, Dawn Murin Ed Stark GRAPHIC PRODUCTION SPECIALIST Angelika Lokotz MANAGING DEVELOPER Richard Baker PROJECT MANAGER Martin Durham CATEGORY MANAGER PRODUCTION MANAGER Anthony Valterra Chas DeLong DIRECTOR OF RPG R&D VICE PRESIDENT OF PUBLISHING Bill Slavicsek Mary Kirchoff Playtesters: Paul Barclay, Randy Buehler, Michael Donais, Andrew Finch, Curt Gould, Robert Kelly, Todd Meyer, Jon Pickens, Monica Shellman, Christine Tromba, Michael S. Webster, Penny Williams Based on the original Dungeons & Dragons® rules created by E. Gary Gygax and Dave Arneson and the new Dungeons & Dragons game designed by Jonathan Tweet, Monte Cook, Skip Williams, Richard Baker, and Peter Adkison. This WIZARDS OF THE COAST® game product contains no Open Game Content. No portion of this work may be reproduced in any form without written permission. To learn more about the Open Gaming License and the d20 System® License, please visit www.wizards.com/d20. ® Sources: Dragon magazine #45, FORGOTTEN REALMS® Campaign Setting, Magic of Faerûn, Sword and Fist, Masters of the Wild, Monster Manual, Monster Manual II, Monsters of Faerûn, Oriental Adventures, and Reverse Dungeon. U.S., CANADA, EUROPEAN HEADQUARTERS ASIA, PACIFIC, & LATIN AMERICA Wizards of the Coast, Belgium Wizards of the Coast, Inc. -
Gnomes and Imps: the Mythology of Brownies
Gnomes and Imps: The Mythology of Brownies by Nicola Higgins 1 Co Contents Introduction 3 Brownies 4 Gnomes 5 Imps 6 Elves 7 Pixies 8 Sprites 9 Leprechauns 10 Ghillie Dhu 11 Kelpies 12 Bwbachod 13 Bibliography 14 2 Introduction "What I am going to do?" their mother sighed. "I can't keep the cottage tidy. If only we had a Brownie!" " What's a Brownie?" asked Tommy. "A Brownie is a magical little creature, which slips into houses very early before anyone is awake. It tidies toys, irons clothes, washes dishes and does all sorts of helpful things in secret," replied his mother. From The Brownie Story As many seven, eight and nine year-olds across the country could tell you, Brownies are magical little creatures, which come in the night and do secret good turns. They don’t ask for thanks or praise, they don’t expect payment. They simply come, do some chore that has been left undone, and then vanish to wherever they came from. But what else do we know about them? And what about Imps, Elves and Pixies? Gnomes, Sprites, and Ghillie Dhu? Not to mention Leprechauns, Kelpies and Bwbachod? This book tells stories of the hidden races. Imps at play, and Gnomes at work, Irish Leprechauns with their pots of gold and Scottish Kelpies who live in rivers and lakes. Read on and discover a whole new world! 3 Brownies The Brownie is a household creature. They are generally live in country houses, but have been known to appear in the city. They are friendly towards humans – though adults never see them. -
The Life and Adventures of Santa Claus by Pat
A Special Thank You from the Alban to our Producer-Level Sponsor! The companies of the Bayer CropScience Institute Industrial Park are proud supporters of our local communities, where our neighbors and employees live and play. We salute the Alban Arts & Conference Center The Life and Adventures of Santa Claus By Pat Cook Based on the Book by L. Frank Baum Produced by special arrangement with Dramatic Publishing of Woodstock, Illinois Directed by Adam Bryan Still photography and video recording of this production strictly prohibited by law. For your own enjoyment and those around you, please turn off all mobile devices. Thank you, West Virginia Commission on the Arts and West Virginia Division of Culture and History for supporting the Alban’s 2013-2014 Season! Director’s Notes It’s been four years since I accepted the joyous task of transforming a historic movie house into a flourishing arts center . During this holiday season, I am especially pleased with my decision to move to this beautiful city and make a commitment to share any talent, knowledge or passion for theatre and the performing arts, that lives inside me, with members and supporters of the Alban arts community and the citizens of St. Albans. Before learning about the gift of sharing from L. Frank Baum’s Santa Claus, we must first acknowledge that the world is not always so generous and kind, and people can sometimes be big Awgwas. But just as Santa made the decision to claim and share a joyful attitude, so should we develop inner joy that can explode into something way bigger than any of us.