Concert Programme Autumn 2020

bsolive.com Welcome

Hello from Vienna. I cannot express how sad A careful listener will be able to tell some I am to not be able to be with you tonight - typical Mendelssohn family traits in the rapid back in Poole with the brilliant BSO and a Allegro. beautiful that I had planned, which I hope you will enjoy. To finish, we will go a little back in time to my favourite classical - Joseph Haydn. When I was planning the concert, the Pole His 88th is light and full of wit, but won over the conductor in me - I was so always keeping within a perfectly balanced looking forward to accompanying the great structure. You may notice how Haydn is Benjamin Grosvenor in the Chopin Piano elegantly stretching the boundaries of the Concerto No.1. It’s a piece that has a deep conventional instrumentation of his time, meaning for me since I emigrated from my giving the main melody of the slow home country. It not only carries Chopin’s movement to the cello and how the trio of never ending inspiration with folk tunes, but his Menuetto wanders off to some Austrian much more importantly - the Polish soul that village to borrow the rustic sound of an open is constantly longing for something and its 5th in the violas. smiles have always a grain of nostalgia for happy times that have been swept away by I am very much hoping to see you in person storms and torments. in March.

We will set the stage for the concerto with Marta Gardolińska the lovely Overture in C Major by Fanny Hensel-Mendelssohn, written most likely in the same year. Still a rarity in the concert hall, this only purely instrumental piece by Fanny was discovered and published in 1994. It displays the composer’s great ability to shape form, a skillful instrumentation and a very nice sense of melody. Concert Season Autumn 2020 3

Grosvenor plays Chopin

Lighthouse, Poole Fanny Mendelssohn Gergely Madaras Wednesday 9 December Overture in C Conductor 10’ Supported by Benjamin Grosvenor Terence & Annette O’Rourke Chopin Piano Piano Concerto No.1 39’ Amyn Merchant Leader Haydn Symphony No.88 20’

All information is correct at the time of going to print. All timings are guidelines only and may differ slightly from actual lengths. Overture in C Major Fanny Mendelssohn Born 14 November 1805 Hamburg Died 5 December 1847 Berlin

Fanny Mendelssohn’s Overture in C was The overture starts with a slow introduction probably composed around 1830, for which has a call and answer character performance at her family’s weekly salon between winds and strings. This leads concert. According to research by the straight into the fast, main body of the American musicologist Mary Purpura, it overture, and its first light and vivacious seems that it was played on two occasions, theme on strings, which shows an influence and after the deaths of Fanny and her of Felix on his sister’s music at this time. brother Felix, the score became part of the Mendelssohn Archive in Berlin where A contrasting lyrical second theme is passed it lay for more than a century. It came to between the strings and winds. Fanny’s the attention of the Women’s Philharmonic compositional skills come into their own , based in San Francisco, a during the development of these ideas as far-sighted organisation dedicated to the she moulds and varies them with flair and performance of music by women . craft. Also impressive, is the manner in The orchestra managed to persuade the which she heightens the preparation for Archive to loan the original score so that the return of the original ideas by use of it could be edited for performance and the horns and trumpets, and her varying recording. In the composer’s own hand, the recapitulation by continuing to develop with many corrections, smudges and other the principal ideas. Finally, she caps the ambiguous markings, the score required Overture with a splendidly grandiose and extensive reconstruction which was effective coda. undertaken by Ann Krinitsky, ready for its first performance in over 160 years on 9 Andrew Burn May, 1992, by the Women’s Philharmonic, conducted by Jo-Ann Faletta. Repertoire 5

Piano Concerto No.1 Frédéric Chopin Born 1 March 1810 Żelazowa Wola, Poland Died 17 October 1849 Paris

1. Allegro maestoso All six of Chopin’s orchestral compositions 2. Romanze: Larghetto date from around 1830, forming a veritable 3. Rondo: Vivace creative outpouring, but only the two concertos are performed regularly today. They are held in high esteem by the world’s great pianists for the simple reason that they represent the ‘real’ Chopin. They should not be regarded as apprentice works, despite the composer’s youthfulness when he wrote them.

Chopin completed his E minor piano concerto during the weeks prior to his departure from Poland, performing it at his ‘farewell’ concert in Warsaw on 22 September 1830. He dedicated it to the virtuoso pianist Friedrich Kalkbrenner and the style and construction of the work reflect the established priorities of the older generation of pianists whom the young composer admired.

Chopin wrote of his apprehensions in performing the concerto in public: “I feel like a novice, just as I felt before knowing anything of the keyboard. This piece is far too original and I shall end up by being unable to learn it myself.” 6 Repertoire

The first of the three movements sets The Rondo finale has a clearly Polish a heroic tone, opening with a resolute character, a vigorous Vivace based upon a theme, Allegro maestoso, which is given national dance, the krakowiak. The piano out by the full orchestra. A secondary idea line sparkles in its virtuosity and dexterity, in the major key, whose cantabile line is while the episodes extend the mood to most characteristic, relates to the style accommodate Chopin’s naturally poetic established by Chopin’s heroes, Kalkbrenner inspiration. In the final stages, of course, the and Johann Hummel. The arrival of the piano priority increasingly turns towards brilliance, brings more individual style, as the range of as the dancing piano triplets sweep the the keyboard is employed with both freedom music on to its close. and imagination. Terry Barfoot Chopin titled the Larghetto slow movement a Romanze. Writing to his friend Tytus Woyciechowski, Chopin commented that “It is not meant to create a powerful effect; it is rather a ‘Romanze’, calm and melancholy, giving the impression of someone looking gently towards a spot that calls to mind a thousand happy memories. It is a kind of reverie in the moonlight on a beautiful spring evening.” The music has the nature of a nocturne, though it pre-dates these famous compositions, unless Chopin’s deliberate model was the Irish composer John Field, who invented the genre. The use of muted strings is particularly effective in combining with the atmospheric piano part. The music develops with an air of improvisation, while the role of the orchestra seldom moves beyond accompaniment. Repertoire 7

Symphony No.88 in G Major Joseph Haydn Born 31 March 1732 Rohrau, Austria Died 31 May 1809 Vienna

1. Adagio - Allegro This symphony is one of Haydn’s most 2. Largo popular apart from the celebrated 3. Menuetto: Allegretto (93 to 104). Its 4. Finale: Allegro con spirito includes a flute, two oboes, two bassoons, two horns, two trumpets and timpani. As H.C. Robbins Landon, the great Haydn scholar, has pointed out, however, the use of trumpets and drums in the slow movement is extremely unusual, especially as these instruments are omitted from the opening movement. This was actually the first time that Haydn had used them in a symphonic slow movement, and whereas we are accustomed to the greatly enlarged orchestra of the 19th and 20th centuries, the audiences of Haydn’s day would have been startled by such an original stroke.

The work as a whole is brilliantly concise, and in no other symphony are the composer’s inventiveness and resourcefulness so gloriously abundant. In the outer movements the themes are terse rather than outstandingly beautiful, but as is often the case with Haydn, their subsequent treatment and development are remarkably powerful. 8 Repertoire

The wonderfully loquent Largo is based on a hymn-like melody first heard on oboe and solo cello. Brahms, a great admirer of Haydn, once remarked, “I want my ninth symphony to sound like this”.

There are few minuets in Haydn which are as rustic and earthy as the one which follows, while the Trio section features a pungent drone-bass in imitation of bagpipes. The amiable theme which opens the Finale on bassoon and first violins may seem as innocently playful as a kitten, but a powerful passage in the development section transforms it into a tiger, as Haydn launches into a full-scale canon, the violins playing one beat behind bassoons and lower strings.

Philip Borg-Wheeler Composer Profile 9

Fanny Mendelssohn

Fanny Mendelssohn was born in Hamburg, By the age of fourteen she could perform the eldest of four talented children of a from memory all twenty-four preludes from cultured family of Jewish ancestry who had Bach’s The Well-Tempered Clavier which she converted to Christianity. She composed did to mark her father’s birthday in 1819. over 250 lieder, some 125 solo piano works, At the same celebration, her first choral pieces, a string quartet and piano trio, composition, a lied, was performed. but only one orchestral work, the Overture Despite her manifest talents, becoming in C Major. During her short life, she was a professional artist was not encouraged overshadowed by her younger brother Felix, by her father who told her when she was despite her success in leading an active fifteen: “Music will perhaps become Felix’s musical life as a pianist, conductor and profession, while for you, it can and must be composer, largely through her own salon only an ornament.” Such views reflected the with its weekly music-making at her home prevailing cultural values of the time that a rather than through public appearances. woman of her social class should not pursue a professional music career. When she was four, the family moved to Berlin. Showing innate musical promise as a She and Felix had a special relationship; child, her first teacher was her mother. Piano as commented by Marcia Citron in the studies continued with Ludwig Berger, and New Grove Dictionary, they “stimulated with Marie Bigot in Paris. Later she studied and challenged each other musically and musical theory and composition with Carl intellectually”. Felix relied on her advice Friedrich Zelter, who sang her praises in and constructive criticisms regarding a letter to Goethe when introducing her his compositions and would revise them father to the poet: “He has adorable children accordingly. He gave her the nickname and his oldest daughter could give you ‘Minerva’ after the Roman goddess of something of Sebastian Bach. This child is wisdom. The correspondence between sister really something special.” and brother were edited by Marcia Citron who commented that her “letters and diaries reveal a witty, perceptive and intelligent woman, fully conversant with intellectual life.” 10 Composer Profile

Felix, in turn, encouraged her composing, Among her handful of known public although, strangely, not the publication of appearances was in 1838 when she played her works. This certainly did not help Fanny’s Felix’s First Piano Concerto. In 1846, she was inferiority complex, and her ambiguous approached by two publishers interested negativity towards her own work. It is as if in her work, and without consulting her she desperately needed Felix’s good opinion brother went ahead with the publication of a of her musical talents before she could collection of songs. He responded by writing accept them herself. In a letter to him of 30 to her: “I send you my professional blessing July 1836, she wrote that she would “cease on becoming a member of the craft … may being a musician tomorrow if you thought I you have much happiness in giving pleasure wasn’t good at that any longer”. Even more to others.” Following this she wrote in her poignantly the following year she wrote: journal, “Felix has written, and given me his “I have composed nothing this winter. I no professional blessing in the kindest manner.” longer know what one feels when one wants to compose a song. What does it matter Fanny’s last work, a lied titled Bergeslust, anyway? Nobody takes any notice in any was composed on 13 May 1847; it was the case and nobody dances to my tune.” day before her sudden death from a stroke; she collapsed whilst rehearsing her brother’s What also seems bizarre to 21st century choral cantata The First Walpuris Night. sensibilities is that Felix did show his faith Felix himself also died of a series of in her compositional abilities by arranging debilitating strokes six months later; during for some of her songs to be published, but this time, he composed his Sixth String under his name! This led to him finding Quartet, dedicating it to her memory. himself in an embarrassing situation when he was received at Buckingham Palace by Andrew Burn Queen Victoria, who announced that she wanted to sing her personal favourite song by him called Italien. One wonders if he blushed, when he had to confess that it was Fanny who was its composer, not himself.

In 1829 Fanny married the artist, Wilhelm Hensell, court painter of the Prussian royal family. He encouraged her talents, supported her salon, which flourished during the 1830s, and most importantly urged her to publish her music. Biography 11

Gergely Madaras Conductor

Gergely Madaras is Music He has performed in some of He then went on to study Director of the Orchestre the world’s most prestigious classical flute, violin and Philharmonique Royal de Liège venues like the Barbican and composition, graduating from and Chief Conductor of the Royal Festival Hall in London, the flute faculty of the Liszt Savaria Symphony Orchestra Teatro alla Scala in Milan, Academy in Budapest, as well in his native Hungary. He was Philharmonie de Paris and as the faculty of previously music Director of Suntory Hall in Tokyo. the University of Music and the Orchestre Dijon Bourgogne Performing Arts in Vienna. between 2013-2019. Equally established in the operatic repertoire, he has Besides his varied musical Gergely regularly appears as appeared at the English activities, Gergely retains a a guest conductor on stage National Opera, Dutch National deep passion for Magyar music, and in the recording studio Opera, Hungarian State Opera and is an ambitious advocate of with leading and Grand Théâtre de Genève. Bartók, Kodály and Dohnányi, such as the BBC Symphony, both at home and abroad, BBC Philharmonic, Hallé, While grounded in the having conducted nearly the Philharmonia, Filarmonica traditional classic and romantic complete orchestral repertoire della Scala, Maggio Musicale repertoire, Gergely is an of these composers. Fiorentino, Orchestra Sinfonica advocate of Bartók, Kodály Nazionale della RAI, Orchestre and Dohnányi, maintaining a Philharmonique de Radio close relationship with new France, Copenhagen and music having conducted more Oslo Philharmonic, Deutsches than 100 works written after Symphonie-Orchester Berlin, 1970, collaborating closely Scottish Chamber Orchestra, with composers Pierre Boulez, Münchener Kammerorchester George Benjamin, György and the Academy of Ancient Kurtág and Péter Eötvös. Music. Further afield, Gergely has worked with the Houston, Born in Budapest in 1984, Melbourne and Queensland Gergely first began studying Symphony orchestras as folk music with the last well as with the Auckland generation of authentic Philharmonia. Hungarian Gipsy and peasant musicians at the age of five. Concert Season Winter/Spring 2021 Lighthouse, Poole bsolive.com

Wednesday 6 January Wednesday 13 January Wednesday 20 January Wednesday 27 January Past Love Lost Heroic Glorious Reflections and Found Beethoven Melody

Ravel R Strauss Fauré Wagner Le tombeau de Couperin Träumerei am Kamin Pelléas et Mélisande Suite Die Meistersinger Suite Couperin Mahler Beethoven Vaughan Williams Suite from L’Apothéose Songs of a Wayfarer Symphony No.3 ‘Eroica’ Symphony No.5 de Lully Brahms Karl-Heinz Steffens R Strauss Symphony No.2 Mark Wigglesworth Le Bourgeois Gentilhomme Suite David Hill Jennifer Johnston Kirill Karabits

Wednesday 3 February Wednesday 10 February Wednesday 17 February Wednesday 24 February Born in the More Voices Bruckner Hough plays USA from the East with Kirill Brahms

Copland Borodin Mozart Schumann Fanfare for the In the Steppes of Central Horn Concerto No.4 Genoveva Overture Common Man Bruckner Brahms Mason Bates Nurymov Symphony No.0 ‘Nullte’ Piano Concerto No.1 Auditorium (UK premiere) Symphony No.2 Kirill Karabits Sir John Eliot Gardiner Gershwin Rimsky-Korsakov Felix Klieser Stephen Hough Catfish Row: Suite from Symphonic Suite ‘Antar’ Porgy and Bess (Symphony No.2) Kirill Karabits Kirill Karabits

Wednesday 3 March Wednesday 10 March Wednesday 17 March Wednesday 24 March Defiant BSO Artist-in- Sunwook plays Easter Shostakovich Residence Recital Beethoven Passion

Schubert Schumann Beethoven Penderecki Symphony No.3 Kreisleriana Piano Concerto No.4 Prelude for Peace Liadov Clara Schumann Schumann Haydn The Enchanted Lake Three Romances Symphony No.4 The Seven Last Words Shostakovich Franck (original version) of Christ on the Cross Sonata in A Major (orchestral version) Symphony No.9 Kirill Karabits Marta Gardolińska Benjamin Grosvenor Sunwook Kim Kirill Karabits Hyeyoon Park Digital tickets are available to purchase online now - visit bsolive.com Concert hall tickets will be available soon to purchase online. If you would like to book a full 12-concert season package please let us know by calling 01202 669925 or emailing [email protected] Bournemouth Symphony Orchestra 13

The Orchestra

Patron First Violins Oboe/Cor Anglais HRH Princess Alexandra Amyn Merchant (Leader) Edward Kay *Y Mark Derudder Holly Randall Chief Conductor Edward Brenton Kirill Karabits Kate Turnbull Y Clarinets Karen Leach Y Barry Deacon * Conductor Laureate Magdalena Gruca-Broadbent Helen Paskins Andrew Litton Kate Hawes Joan Martinez Bassoons Conductor Emeritus Jennifer Curiel Tammy Thorn * Marin Alsop Julie Gillett-Smith Emma Selby

Associate Guest Conductor Second Violins Horns David Hill MBE Carol Paige * Alex Wide Jens Lynen Ruth Spicer Y Vicky Berry Robert Harris Y Lara Carter Y Kevin Pritchard Y Rebecca Burns Agnieszka Gesler Trumpets Janice Thorgilson Y Chris Avison * Tim Fisher Peter Turnbull Y Violas Trombones Tom Beer * Robb Tooley Miguel Rodriguez Jacoba Gale Y Timpani Liam Buckley Geoff Prentice * Eva Malmbom Judith Preston

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One of the UK’s best-loved orchestras, A bold champion of talent the BSO boasts Bournemouth Symphony Orchestra is a an enviable list of principal conductors, professional ensemble known for igniting including Marin Alsop — the first female change both on and off the stage. principal conductor of a major UK orchestra With residencies in Bournemouth, Bristol, — Constantin Silvestri, and Exeter, Poole and Portsmouth it is also the Andrew Litton. It has given memorable largest cultural provider West performances at , the of England serving one of the biggest and Musikverein and Rudolfinum, and gives most diverse regions. regular live broadcasts on BBC Radio 3 and Classic FM. Maintaining the highest artistic ideals the BSO remains committed to new and Empowering lives through music remains lesser-known repertoire whilst remaining at the core of all that the BSO does. relevant to its broad audience’s tastes. Awarded the Royal Philharmonic Society’s Under Chief Conductor Kirill Karabits the Impact Award in 2019, for its work in Orchestra’s Voices from the East series of improving opportunities for disabled talent, former Soviet music continues to receive the BSO continues to explore new territory critical acclaim, and its recent recordings with BSO Resound — the world’s first of Prokofiev and Walton are outstanding professional disabled-led ensemble at the modern performances. The Orchestra is also core of a major orchestra. BSO Participate loved for its performances of film and light works with all ages off the stage and is music, and its discography charts a number internationally recognised as an act to of landmark moments in 20th century music. follow: over 650 community workshops and A commissioner of new music, the Orchestra events take place each year across the will give premiere performances of works by Orchestra’s vast region, empowering Azerbaijani composer Franghiz Ali-Zadeh, thousands of lives every year. Shirley J. Thompson and Magnus Lindberg in its 2020/21 season. In recent years it has Following the longest break in its 127-year worked with Mark-Anthony Turnage, Sally history, the BSO was one of the first Beamish and James MacMillan. ensembles in the UK to launch a series of full symphonic performances in 2020. Bournemouth Symphony Orchestra 15

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