The Fantastic in Old Norse/Icelandic Literature / Edited by John Mckinnell, David Ashurst and Donata Kick ;

Total Page:16

File Type:pdf, Size:1020Kb

The Fantastic in Old Norse/Icelandic Literature / Edited by John Mckinnell, David Ashurst and Donata Kick ; CONTENTS Volume 1 Sirpa Aalto (University of Joensuu, Finland): 'Categorizing "Otherness" in Heimskringla' 15 Christopher Abrant (University College London): 'Snonri's Invention of Hermodr's helreid' 22 Lesley Abrams (Balliol College, Oxford): 'Viking Northumbria - the Non-Saga Evidence' (Abstract) 32 Adalheidur Gudmundsddttir (Stofnun Arna Magnussonar, Haskoli Islands): 'On Supernatural Motifs in the FornaldarsQgur' 33 Carolyn B. Anderson (University of Wyoming): 'Fantasy in Njal's Saga: History as Spectral Past' (Abstract) 42 ty be T.M. Andersson (Indiana University, Emeritus): bljc 'The Earliest Islendinga saga: Another Candidate' 43 by any Emily Archer (University of East Anglia / Inst. of Hist, Research, London): '"It is generally thought that you are rather too poor": Saga Iceland, a Marriage Proposal, Rejection and the Reasons Why' (Abstract) 52 Armann Jakobsson (Haskoli Islands, Reykjavik): 'The Good, the Bad and the Ugly: Bardar saga and Its Giants' 54 Asdfs Egilsdottir (Haskoli Islands, Reykjavik): 'The Fantastic Reality: Hagiography, Miracles and Fantasy' (Plenary) 63 )00- one David Ashurst (University of Durham): eworld. 'Imagining Paradise' 71 Audur Ingvarsdottir: '"HafSi eg pad or hvorri er framar greindi". I?r6un i ritun Landndmabokar' 81 Massimiliano Bampi (Universita Ca' Foscari di Venezia): 'Between Tradition and Innovation: the Story of Starkadr in Gautreks saga' 88 Bjern Bandlien (Universitetet i Oslo): 'Political and Cultural Relations between Norway and England after the Conquest' 97 Geraldine Barnes (University of Sydney): 'Margin vs. Centre: Geopolitics in Nitida saga (a Cosmographical Comedy?)' 104 Simonetta Battista (Ordbog over det norrane prosasprog, Kjabenhavns Universitet): 'Bldmenn, djgftar and Other Representations of Evil in Old Norse Translation Literature' 113 Karen Bek-Pedersen (University of Edinburgh): 'Are the Spinning Nornir just a Yarn? A Closer Look at Helgakvida Hundingsbana 12-4' 123 Chiara Benati (Universita degli Studi di Genova): 'The Fantastic and the Supernatural in the Saga Osvalds konungs hins helga: Patterns and Functions' 130 Yvonne S. Bonnetain (Schulmeistrat): 'Riding the Tree' 140 Ingvil Briigger Budal (Universitetet i Bergen): 'A Translation of the Fantastic' 149 Trine Buhl (Arhus Universitet): 'Illusions of Mimesis' (Abstract) 159 Jesse Byock (University of California, Los Angeles): 'Recent Excavations in Mosfellsdalur: The Mosfell Archaeological Project' (Abstract) 160 H.C. Carron (Emmanuel College Cambridge): ' History and Pordar saga kakala' 161 Marlene Ciklamini (Rutgers University - The State Univ. of New Jersey): 'Folklore and Hagiography in Arngrimr's Gudmundar saga Arasonaf 171 Margaret Clunies Ross (University of Sydney): 'Poetry and FornaldarsQguf 180 Jamie Cochrane: 'Land-Spirits and Iceland's Fantastic Pre-Conversion Landscape' 188 Amy C. Eichhorn-Mulligan (University of Memphis): 'Contextualizing Old Norse - Icelandic Bodies' 198 Elm Bara Magnusd6ttir (Universitetet i Bergen): 'An Ideological Struggle: An Interpretation of Eyrbyggja saga' 208 Alexey Eremenko (State University of Humanities, Moscow): 'The Dual World of the Fomaldarspguf 217 Ther Ewing : ''/ litklcedum': Coloured Clothes in Medieval Scandinavian Literature and Archaeology' 223 Or en Faik (Cornell University): 'Fragments of Fourteenth-century Icelandic Folklore' 231 Fulvio Ferrari (Universita degli Studi di Trento): 'Gods, Warlocks and Monsters in the Qrvar-Odds saga' 241 Alison Finlay (Birkbeck College, University of London): 'History and Fantasy in Jomsvikinga saga' 248 Frog (University College London): 'Recognizing Mythic Images in Fantastic Literature: Reading Baldrs draumar 12-14' 258 Kari Ellen Gade (Indiana University): "'Ho6r ... sonr Qdins" - but did Snorri know that?' 268 GisSS Sigtirdsson (Stofnun Arna Magnussonar a Islandi, Reykjavik): 'Mynd Islendingasagna af Bretlandseyjum' 278 Galina Glazyrina (Russian Academy of Sciences, Moscow): 'Dragon Motifs in Yngvars saga vidfprla' 288 Slan Granite (St Anne's College, Oxford): 'Miracles, Magic and Missionaries: The Supernatural in the Conversion poettir' 294 Gudrun Nordal (Haskoli islands, Reykjavik): 'To Dream or Not to Dream: A Question of Method' 304 GudvarSur M&r Gunnlaugsson (Stofnun Arna Magnussonar a islandi, Reykjavik): 'The Origin of Icelandic Script: Some Remarks' 314 Fernando Guerrero (University of York): 'Supernatural Drinking Horns' (Abstract) 320 Terry Gunnell (Haskoli Islands, Reykjavik): 'How Elvish were the AlfarV 321 Natalya Gvozdetskaya (University of Bydgoszcz-Ivanovo): 'The "Myth of Valkyries" and the Female Characters of the Heroic Lays of the Elder Edda' (Abstract) 329 Jan Ragnar Hagiand (Norwegian University of Science and Technology, NTNU Trondheim): 'As you like it? Narrative units recycled: Nordimbraland m sequences of saga writing' 331 Odd Einar Haugen (University of Bergen): 'On the diplomatic turn in editorial philology' 340 Eldar Heide (Universitetet i Bergen): 'Spirits Through Respiratory Passages' 350 Helgi Skuli Kjartansson (Kennarahaskoli Islands, Reykjavik): 'English Models for King Harald Fairhair?' 359 Helgi torlaksson (Haskoli islands, Reykjavik): 'The Fantastic Fourteenth Century' 365 Pernille Hermann (University of Aarhus): 'The Icelandic Sagas and the Real: Realism in Porldks saga' 372 Kate Heslop (Universitat Zurich): 'Assembling the Olaf-archive? Verses in Oldfs saga Tryggvasonar en mestd' 381 Ann-D6rte Heynoldt (University of Kiel): '"Draumar minir villa oss": On the Use of the First Person Plural in Contexts of Individuals in Skaldic Stanzas' 390 Bengt Holmstrom: '"Ego Cnuto" - a Winchester Document with Scandinavian Implications' 399 Lise Hvarregaard (Institut for Nordiske studiet og Sprogvidenskab, Kjabenhavns Universitet): 'Sagataek i Einar Mar Gudmundssons Universets engle1 407 Ingunn Asdisardottir (Reykjavik Academy): 'Frigg and Freyja: One Great Goddess or Two?' 417 Tatjana N. Jackson (Russian Academy of Sciences, Moscow; Professor II, University of Tromso, Norway): 'The Fantastic in the Kings' Sagas' 426 Judith Jesch (University of Nottingham): 'Norse Myth in Medieval Orkney' 435 Karl G, Johansson (Universitetet i Oslo): iHervarar saga's Stanzas and the Manuscript that Met the Reader' (Abstract) 445 Vera Johanterwage (Westfalische Wilhelms-Universitat Minister): 'The Use of Magic Spells and Objects in the Icelandic Riddarasogur: Remundar saga keisarasonar and Viktors saga ok Bldvus" 446 Jon Gunnar JargeHsen (Universitetet i Oslo): 'Tormod Torfasus og det fantastiske i sagalitteraturen' 454 Marianne Kalinke (University of Illinois at Urbana-Champaign): 'The Genesis of Fiction in the North' (Plenary) 464 Merrill Kaplan (The Ohio State University): 'Out-Thoring Thor in Olafs saga Tryggvasonar en mesta' 479 Kari Gislason (Menntaskolinn i Kopavogi / Haskoli Islands): 'The Fantastic in the Family Sagas: Implications for Saga Authorship' 486 John Kennedy (Charles Sturt University, Wagga Wagga): 'The Islendingasggur and Ireland' 495 Donata Kick (University of Durham): 'Old Norse Translations of ./Elfric's Defalsis diis and De auguriis in Hauksbok' (Summary) 504 Jana Kriiger (Universitat Kiel): "Fara i vestrviking: Wikingfahrten mit dem Ziel Britische Inseln in den altnordischen Konungaspguf 508 Annette Kruheffer: 'Thorkell the Tall- a Key Figure in the Story of King Cnut' 514 Hans Kuhn (Australian National University): ']?6r3ur hre6a in Saga and Rimuf 524 Henning Kure: 'Drinking from Odin's Pledge: On an Encounter with the Fantastic in Vgluspa 28-29' 533 Carolyne Larrington (St. John's College, Oxford): 'Loki's Children' 541 Annette Lassen (Haskoli Islands): 'Hrafnagaldur Odins I Forspjallsljod: Et antikvarisk digt?' 551 Philip Lavender (Jesus College, Oxford): 'The Translation of Prophetic Imagery in Merlinusspd" (Abstract) 561 Christina Lee (University of Nottingham): '"Cast a cold eye on life, on death": Disease in the Sagas' (Abstract) 562 Volume 2 Emily Lethbridge (Emmanuel College, Cambridge): 'Curses! Swords, Spears and the Supernatural in the Versions of Gisla saga Surssonar' 565 Shannon Lewis-Simpson (Memorial University of Newfoundland): 'The Role of Material Culture in the Literary Presentation of Greenland' 575 Fredrik Charpentier Ljungqvist (Stockholms universitet): 'Kungaideologin i Sverris saga' 583 Maria Cristina Lombardi (University of Naples 'L'Orientale'): 'The travel of a text in space and time: the Old Norse Translation of iElfric's Homily Defalsis das'1 593 Lars L6nnroth (Goteborgs Universitet): 'Sverrir's Dreams' 603 Emily Lyle (University of Edinburgh): 'A Temporal Triad in Three Sagas' 613 Rikke Malmros (Aarhus Universitet): 'Kristne fyrsteskjaldes syn pa samfundet' 621 Teodoro Manrique Ant6n (Universidad de Salamanca): '"Vinr em ek vinar mins": Gudrun Gjukadottir in Gisla saga and Islendinga saga' 628 Tommaso Marani (Universita di Roma, 'La Sapienza'): 'The Roman Itinerary of Nikulas of Munkabvera: Between Reality and Imagination' 638 Edith Marold (Christian-Albrechts-Universitat zu Kiel): 'Tannhauser im Norden' 649 Marteinn H. Sigurdsson (Haskoli islands): 'The Fantastic Feats of Master Penis of Arabia' (Abstract) 659 Inna Matyusfaina (Russian State University for the Humanities, Moscow): 'Magic Mirrors, Monsters, Maiden-kings (the Fantastic in Riddarasogury 660 Beraadlne McCreesh (Universite de Quebec a Chicoutimi): 'Elements of the Pagan Supernatural in the Bishops' Sagas' 671 Rory McTurk (University of Leeds): 'Kings and Kingship in Viking Northumbria' 681 John Megaard (Universitetet i Oslo): 'Hva skrev Snorri?' 689 Stephen A, Mitchell (Harvard University):
Recommended publications
  • Icelandic Folklore
    i ICELANDIC FOLKLORE AND THE CULTURAL MEMORY OF RELIGIOUS CHANGE ii BORDERLINES approaches,Borderlines methodologies,welcomes monographs or theories and from edited the socialcollections sciences, that, health while studies, firmly androoted the in late antique, medieval, and early modern periods, are “edgy” and may introduce sciences. Typically, volumes are theoretically aware whilst introducing novel approaches to topics of key interest to scholars of the pre-modern past. FOR PRIVATE AND NON-COMMERCIAL USE ONLY iii ICELANDIC FOLKLORE AND THE CULTURAL MEMORY OF RELIGIOUS CHANGE by ERIC SHANE BRYAN iv We have all forgotten our names. — G. K. Chesterton British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. © 2021, Arc Humanities Press, Leeds The author asserts their moral right to be identified as the author of this work. Permission to use brief excerpts from this work in scholarly and educational works is hereby granted provided that the source is acknowledged. Any use of material in this work that is an exception or limitation covered by Article 5 of the European Union’s Copyright Directive (2001/29/ EC) or would be determined to be “fair use” under Section 107 of the U.S. Copyright Act September 2010 Page 2 or that satisfies the conditions specified in Section 108 of the U.S. Copyright Act (17 USC §108, as revised by P.L. 94– 553) does not require the Publisher’s permission. FOR PRIVATE AND ISBN (HB): 9781641893756 ISBN (PB): 9781641894654 NON-COMMERCIAL eISBN (PDF): 9781641893763 USE ONLY www.arc- humanities.org Printed and bound in the UK (by CPI Group [UK] Ltd), USA (by Bookmasters), and elsewhere using print-on-demand technology.
    [Show full text]
  • Old Norse Mythology — Comparative Perspectives Old Norse Mythology— Comparative Perspectives
    Publications of the Milman Parry Collection of Oral Literature No. 3 OLd NOrse MythOLOgy — COMParative PersPeCtives OLd NOrse MythOLOgy— COMParative PersPeCtives edited by Pernille hermann, stephen a. Mitchell, and Jens Peter schjødt with amber J. rose Published by THE MILMAN PARRY COLLECTION OF ORAL LITERATURE Harvard University Distributed by HARVARD UNIVERSITY PRESS Cambridge, Massachusetts & London, England 2017 Old Norse Mythology—Comparative Perspectives Published by The Milman Parry Collection of Oral Literature, Harvard University Distributed by Harvard University Press, Cambridge, Massachusetts & London, England Copyright © 2017 The Milman Parry Collection of Oral Literature All rights reserved The Ilex Foundation (ilexfoundation.org) and the Center for Hellenic Studies (chs.harvard.edu) provided generous fnancial and production support for the publication of this book. Editorial Team of the Milman Parry Collection Managing Editors: Stephen Mitchell and Gregory Nagy Executive Editors: Casey Dué and David Elmer Production Team of the Center for Hellenic Studies Production Manager for Publications: Jill Curry Robbins Web Producer: Noel Spencer Cover Design: Joni Godlove Production: Kristin Murphy Romano Library of Congress Cataloging-in-Publication Data Names: Hermann, Pernille, editor. Title: Old Norse mythology--comparative perspectives / edited by Pernille Hermann, Stephen A. Mitchell, Jens Peter Schjødt, with Amber J. Rose. Description: Cambridge, MA : Milman Parry Collection of Oral Literature, 2017. | Series: Publications of the Milman Parry collection of oral literature ; no. 3 | Includes bibliographical references and index. Identifers: LCCN 2017030125 | ISBN 9780674975699 (alk. paper) Subjects: LCSH: Mythology, Norse. | Scandinavia--Religion--History. Classifcation: LCC BL860 .O55 2017 | DDC 293/.13--dc23 LC record available at https://lccn.loc.gov/2017030125 Table of Contents Series Foreword ...................................................
    [Show full text]
  • FOLKTALE and PARABLE: the Unity O/Gautreks Saga
    ELIZABETH ASHMAN ROWE FOLKTALE AND PARABLE: The Unity o/Gautreks Saga As SEVERAL SCHOLARS have pointed out, Gautreks saga has no single pro- tagonist, no chronological plot, and a haphazard assortment of characters and settings.' It is currently considered a single text, but the heterogenous nature of its parts is so great that it has led in the past to the perception of these parts 2 as constituting relatively independent/?œrf/7. Despite such „deviations" from the techniques of classical composition, I would like to propose that a single 3 theme does inform the saga. In it, the traditional characteristics of the suc- 1 E.g., Boyer (1979) and Kathryn Hume (1973). Joseph Harris (1975, 1986:210 ff.) has drawn attention to a number of texts which do not display „biographical unity", such as Qg- mundar þáttr dytts ok Gunnars helmings, and Gautreks saga can be added to the list. Although Gautreks saga is preserved in two versions, one shorter and earlier, and the other longer and later, it is with the longer one, believed written towards the end of the thirteenth century, that I am concemed. See Ranisch (1900:i—xviii). The shorter version, whose lack of detail makes the action seem illogical and unmotivated, also does not include the story of Starkaðr. Henceforth, references to Gautreks saga indicate the longer version unless specified otherwise. 2 So Schier (1970:76, 78, 89). Hermann Pálsson and Edwards (1985:10-3) give no hint in the introduction to their translation that Gautreks saga might be „separable", and the assumption of the unity of Gautreks saga is essential to the argument of Régis Boyer (1979).
    [Show full text]
  • 34 Iceland As an Imaginary Place in a European
    ICELAND AS AN IMAGINARY PLACE IN A EUROPEAN CONTEXT – SOME LITERARY REPRESENTATIONS Sveinn Yngvi Egilsson University of Iceland [email protected] Abstract The article focuses on the image of Iceland and Iceland as an imaginary place in literature from the nineteenth century onwards. It is especially concerned with the aesthetics or discourse of the sublime, claiming that it is the common denominator in many literary images of Iceland. The main proponents of this aesthetics or discourse in nineteenth-century Icelandic literature are discussed before pointing to further developments in later times. Among those studied are the nineteenth-century poets Bjarni Thorarensen (1786-1841), Jónas Hallgrímsson (1807- 1845), Grímur Thomsen (1820-1896) and Steingrímur Thorsteinsson (1831-1913), along with a number of contemporary Icelandic writers. Other literary discourses also come into play, such as representing Iceland as "the Hellas of the North", with the pastoral mode or discourse proving to have a lasting appeal to Icelandic writers and often featuring as the opposite of the sublime in literary descriptions of Iceland. Keywords Icelandic literature, Romantic poetry; the discourse of the sublime, the idea of the North; pastoral literature. This article will focus on the image of Iceland and on Iceland as an imaginary place in literature from the nineteenth century onwards. It will especially be concerned with the aesthetics of the sublime, claiming that it is the common denominator in many literary images of Iceland. The main proponents of this aesthetics in nineteenth-century Icelandic literature are discussed before pointing to further developments in later times. By looking at a number of literary works from the twentieth and twenty-first centuries, it is suggested that this aesthetics can be seen to continue in altered form into the present day.
    [Show full text]
  • Department of Scandinavian Studies
    DEPARTMENT OF Scandinavian Studies Message from the Chair TERJE LEIREN Celebrating the centennial of its founding is a significant milestone for any institution, no less an academic department at a major research university. Since its establishment by an act of the Washington State Legislature in 1909, the Department of Scandinavian Studies has grown and prospered, largely due to the dedication of its faculty and staff and the excellent character and quality of its students. To com- memorate the milestone, several celebratory events, including lectures, dinners, special programs, and conferences are being scheduled between now and the summer of 2010. Please stay in touch with us, check our departmental website, and plan to attend as many events as you can over the next two years. Of course, at the heart of what we do in the Department is teaching and scholarship. Cutting-edge research and innovative teaching enhance and broaden our knowledge about, and appreciation of, the Nordic region. Our comprehensive language programs and wide range of course offerings focusing on the five Nordic countries and the three Baltic countries make the Department unique in the world. The UW is the only North American university that regularly teaches Estonian, Latvian and Lithuanian. In 2009–2010, we will celebrate the 15th anniversary of the Baltic Studies program. By its very nature, the teaching at a research university is informed by the research of its teachers. All of the faculty in the Department of Scandinavian Studies are active scholars who bring their SPRING 2008 research back into the classroom, whether it be for a graduate seminar on literary theory, a discus- sion of Strindberg’s Paris, a broad introductory course on Scandinavian culture, or an advanced undergraduate course on the cinematic expressions of Scandinavian attitudes about sexuality or crime fiction.
    [Show full text]
  • Reflections of Celtic Influence in Hildinavisen
    Reflections of Celtic Influence in Hildinavisen Rasa Baranauskienė Vilnius University The Orkneys seem to have been of particular importance in transmitting certain Celtic material. Gísli Sigurðsson argues, however, that it is more likely that cultural contacts and exchanges which took place in the Orkneys between Icelandic and Gaelic-speaking people were limited to single motifs, tales or poems. This does not mean that the single features are limited in number, only that they are found as single items in a tradition which had to be built up in Iceland from the cultural elements available in the coun- try itself (Gísli Sigurðsson 1988: 42). Though the Orkneys were an ideal meeting place where Scandinavian and Celtic cultures could exchange traditions, the Gaelic custom in question existed in Iceland as well, having been brought there by the Gaelic settlers. It is another matter that these traditions could be reinforced because of the contacts in the Orkneys (Gísli Sigurðsson 1988: 44). Among the most important elements identified as transmitted through the contacts via the Orkneys are stories including Hjaðningavíg ‘The Battle of Hjadnings’. Einar Ólafur Sveinsson assumes that Celtic tales played an important part in forming Icelandic ideas about the everlasting fight – a motif which becomes extremely common in Iceland, relevant right down to the 19th century, but is rare in the Scandinavian tra- dition (Einar Ólafur Sveinsson 1959: 17–18). Háttalykill, ‘Clavis metrica’ or ‘Key to Metres’ composed in the Orkneys in the 1140 by an Icelander and the Orkney Earl Rognvaldr kali, contains what is believed to be the earliest reference to the ‘Everlasting fight’ motif in Old Norse / Icelandic literature, the motif being taken over from the Irish 9th century tale Cath Maige Tuired ‘The Battle of Mag Tuired’ (Chesnutt 1968: 132).
    [Show full text]
  • Scandinavian 1
    Scandinavian 1 Scandinavian Undergraduate Programs Scandinavian (http://guide.berkeley.edu/undergraduate/degree-programs/ scandinavian/): BA (with concentrations in Danish, Finnish, Norwegian, Overview Old Norse, and Swedish), Minor The languages, literature, and cultures of the Nordic countries (Denmark, Graduate Program Finland, Iceland, Norway, and Sweden) are the focus of teaching and research in the department. The interdisciplinary curriculum ranges Scandinavian Languages and Literatures (http://guide.berkeley.edu/ from topics in Viking and Medieval Scandinavian history and literature graduate/degree-programs/scandinavian/): PhD to the influential cultural contributions of the successful Nordic societies of more contemporary times. Instructors regularly teach beginning and Literature and Culture: intermediate classes in all five modern Nordic languages as well as • Scandinavian (p. 1) reading and grammar classes in Old Norse at both the undergraduate and graduate levels. Students in the undergraduate major choose a Languages: concentration in medieval studies or in one of the modern language areas • Danish (p. 12) while also working in comparative and interdisciplinary ways with other • Finnish (p. 12) cultural materials from the region. Graduate students pursuing the Ph.D. • Icelandic (p. 13) train to become comparative Scandinavianists while also developing depth and expertise in a more specific scholarly field. • Old Norse (p. 13) The faculty in the department pursue research in a variety of fields • Norwegian (p. 13) including literary studies, philology, folklore, media and film studies, • Swedish (p. 13) theater history, art history, archaeology, and architectural history. The interdisciplinary curiosity of the faculty sets the tone for our students, who Scandinavian are encouraged to explore widely and creatively within the intellectual Expand all course descriptions [+]Collapse all course descriptions [-] field of Scandinavian Studies.
    [Show full text]
  • On Gender, Status, and Violence in Old Norse Literature
    AÐALHEIÐUR GUÐMUNDSDÓTTIR “How Do You Know if it is Love or Lust?” On Gender, Status, and Violence in Old Norse Literature Abstract This article examines attitudes towards behaviour relating to women within Old Norse literature, focusing both on chivalric romances (translated and original, the riddarasögur) and the legendary sagas (fornaldarsögur), texts that were mostly written in the thirteenth and fourteenth centuries. The written chivalric romances arrived in Iceland from Norway and southern Europe, and thus they often exhib- it different values from those found in thefornaldarsögur , which tend to reflect in- digenous Nordic and heroic storytelling traditions. The article explores differenc- es between the two traditions regarding male emotions and attitudes towards women, with an emphasis on texts in which women are abused. In particular, the article seeks to investigate the relationship between social status and gender roles in these texts, and whether a woman’s rank affects her role and status according to gender. It focuses particularly on romances (especially those featuring courtly love) and fornaldarsögur in which women are either idealised as goddesses, or mistreated and even sexually abused because of their gender. The article con- cludes by asking how far the contrasts within the texts reflect a Norse ‘emotional community,’ as compared with continental European values, and whether these textual differences reflect actual difference in the social expressions of emotion- al behaviour. Ketils saga hængs is an Icelandic legendary saga which is usually dat- ed to the fourteenth century. In one episode the protagonist, Ketill, comes to a farm and asks for hospitality for the night from the mas- ter of the house, Brúni.
    [Show full text]
  • Nodes of Contemporary Finnish Literature
    Nodes of Contemporary Finnish Literature Edited by Leena Kirstinä Studia Fennica Litteraria The Finnish Literature Society (SKS) was founded in 1831 and has, from the very beginning, engaged in publishing operations. It nowadays publishes literature in the fields of ethnology and folkloristics, linguistics, literary research and cultural history. The first volume of the Studia Fennica series appeared in 1933. Since 1992, the series has been divided into three thematic subseries: Ethnologica, Folkloristica and Linguistica. Two additional subseries were formed in 2002, Historica and Litteraria. The subseries Anthropologica was formed in 2007. In addition to its publishing activities, the Finnish Literature Society maintains research activities and infrastructures, an archive containing folklore and literary collections, a research library and promotes Finnish literature abroad. Studia fennica editorial board Markku Haakana, professor, University of Helsinki, Finland Timo Kaartinen, professor, University of Helsinki, Finland Kimmo Rentola, professor, University of Turku, Finland Riikka Rossi, docent, University of Helsinki, Finland Hanna Snellman, professor, University of Jyväskylä, Finland Lotte Tarkka, professor, University of Helsinki, Finland Tuomas M. S. Lehtonen, Secretary General, Dr. Phil., Finnish Literature Society, Finland Pauliina Rihto, secretary of the board, M. A., Finnish Literary Society, Finland Editorial Office SKS P.O. Box 259 FI-00171 Helsinki www.finlit.fi Nodes of Contemporary Finnish Literature Edited by Leena Kirstinä Finnish Literature Society • Helsinki Studia Fennica Litteraria 6 The publication has undergone a peer review. The open access publication of this volume has received part funding via a Jane and Aatos Erkko Foundation grant. © 2012 Leena Kirstinä and SKS License CC-BY-NC-ND 4.0 International A digital edition of a printed book first published in 2012 by the Finnish Literature Society.
    [Show full text]
  • John Lindow Professor Emeritus Department of Scandinavian University of California Berkeley CA 94720-2690 USA [email protected]
    John Lindow Professor Emeritus Department of Scandinavian University of California Berkeley CA 94720-2690 USA [email protected] Curriculum Vitae Education: Harvard University, A.B. magna cum laude 1968, Ph.D. (Germanic Languages and Literatures), 1972 Research Focus: Old Scandinavian myth and religion Old Norse-Icelandic literature and culture Nordic folklore (Scandinavian, Finnish, Sámi, Greenlandic) Elections and Honors: Knights Cross of the Order of the Falcon, Republic of Iceland, 2018 Honorary Doctorate in Folkloristics, University of Iceland, 2018 Annual lecture, Viking Society for Northern Research, 2018 Elected to Society of Fellows, American Folklore Society, 2014 Fellow, Swedish Collegium for Advanced Study, Uppsala, 2013 Archer Taylor lecture, Western States Folklore Society, 2007 UC Berkeley Graduate Assembly Distinguished Faculty Mentoring Award, 2006 Richard Beck lecture, University of Victoria, 2004. Fulbright lecturer, University of Iceland, 2000 Sigurður Nordal lecture, Reykjavík, Iceland, 2000 UC Berkeley Humanities Faculty Fellowship, 2000-2001 Triebel lecture, The Australian Academy of the Humanities, 1993 President's Fellowship in the Humanities, University of California, 1989-90 Regents Faculty Fellowship, University of California, 1977-78 Memberships American Folklore Society International Society for Folk Narrative Research Gustav Adolfs Akademi för Folklivsforskning Society for the Advancement of Scandinavian Study Western States Folklore Society (President 2015-19) Bibliography of Academic Publications 2018 Article “The Challenge of Folklore to Medieval Studies.” In The Challenge of Folklore to the Humanities, ed. Dan Ben-Amos. special issue , Humanities 7 (1), 15; doi:10.3390/h7010015. http://www.mdpi.com/2076-0787/7/1/15 Article “Nordic Legends of the Churchyard.” In Storied and Supernatural Places: Studies in Spatial and Social Dimensions of Folklore and Sagas, ed.
    [Show full text]
  • Mitchell Short CV
    STEPHEN A. MITCHELL Warren House, Barker Center, Harvard University 12 Quincy Street Cambridge, MA 02138 USA. e-mail: [email protected] websites: http://scholar.harvard.edu/smitchell/ https://harvard.academia.edu/StephenMitchell ABBREVIATED CV (OCTOBER 2019) PROFESSIONAL EMPLOYMENT: Robert S. and Ilse Friend Professor of Scandinavian and Folklore, Harvard University. Member, Medieval Studies Committee; Standing Committee on Archaeology; and Committee on Degrees in Folklore and Mythology. Curator of the Milman Parry Collection of Oral Literature. EDUCATION: 1980 Ph.D. in Scandinavian; minor in Germanic Philology, Univ. of Minnesota. 1977 M.A. in Scandinavian; minor in Anthropology, Univ. of Minnesota. 1974 A.B. in Anthropology and Scandinavian, with Highest Honors in Scandinavian, Univ. of California, Berkeley. 1972-73, Student at Lunds universitet (studies at Etnologiska institutionen and Institutionen för nordiska språk; no 1979 degrees taken) SELECTED RECENT AWARDS & HONORS: 2019 Jarl Gallén Prize, Helsinki, “for his important and inspirational research on the mediaeval period in Northern Europe” 2015 Honorary Doctorate (Doctor philosophiae honoris causa), Aarhus University. 2013 Fellow, Swedish Collegium for Advanced Studies, Uppsala University (in progress; Nordic Charm Magic: Word Power and Tradition in Medieval and Early Modern Scandinavia [working title]) 2012 The Ambiguities of Memory Construction in Medieval Texts: The Nordic Case, research seminar, funded by Radcliffe Institute for Advanced Study, Harvard University. 2012 Keynote address, 15th International Saga Conference. “Representing the Past in the Sagas: Relique or Blank Slate?” 2011 Walter Channing Cabot Fellowship for distinction in scholarly publication (Witchcraft and Magic in the Nordic Middle Ages). 2009 Visiting Fellow, Aarhus University, Denmark (completed; see Witchcraft and Magic in the Nordic Middle Ages).
    [Show full text]
  • Ucla Department of Comparative Literature Literature Area Master Course List
    UCLA DEPARTMENT OF COMPARATIVE LITERATURE LITERATURE AREA MASTER COURSE LIST Highlighted courses are approved Literature in Translation courses ASIAN LANGUAGES & CULTURES Subject Area & Course Course Title Catalog Description Number Requisite: Chinese 6 or 6A or 6C or Japanese 6 or Korean 6 or 6A. Enforced corequisite: course 120. Additional work in major East ASIAN 120FL Readings in East Asian Languages Asian languages to enrich and augment work assigned in course 120, including reading, writing, and other exercises in Chinese, Japanese, and Korean. P/NP or letter grading. Recommended preparation: prior course on Buddhism or traditional Asian religions. Knowledge of Asian languages not required. Readings from variety of Buddhist literature of Indic and non-Indic ASIAN 151 Buddhist Literature in Translation origin, with emphasis on key Buddhist themes and critical issues in cross-cultural interpretations of Asian religious texts. Letter grading. Lecture, three hours. Requisite: Chinese placement test. Designed for students who have completed secondary education or equivalent in Chinese. Focus on developing sophisticated Chinese rhetoric strategies in speaking and writing and critical thinking skills through CHIN 105A-105B Advanced Chinese Rhetoric and Critical Thinking use of Chinese language. Chinese texts and multimedia materials used as basis for in-depth analysis and understanding of contemporary topics in Chinese language, culture, and society. Each course may be taken independently for credit. Letter grading. Enforced requisite: course 3 or Chinese placement test. Course 110A is enforced requisite to 110B, which is enforced requisite to 110C. CHIN 110A-110C Introduction to Classical Chinese Grammar and readings in selected premodern texts. P/NP or letter grading.
    [Show full text]