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National Collecting Scheme Scotland National
National Collecting Scheme Scotland National Collecting Scheme Scotland is an initiative that supports public collections across Scotland to acquire and present challenging contemporary visual art. The initiative also seeks to enable curators within those organisations to extend their knowledge and understanding of contemporary visual arts, and to develop their engagement with the visual arts sector in Scotland. Scotland is home to some very fine public collections, which are of local, national and international significance. It is the aim of the NCSS that those public collections are able to reflect the range and vibrancy of contemporary art created here and abroad, that they can help build new audiences for the contemporary visual arts, as well as engage and work with artists and visual arts organisations. Some facts : • NCSS is an initiative of the Scottish Arts Council. • Currently NCSS has seven museum partners. These are Aberdeen Art Gallery, McManus Galleries, Dundee, Edinburgh City Art Centre, Gallery of Modern Art, Glasgow, Hunterian Art Gallery, Paisley Museum and Art Gallery, and the Pier Arts Centre, Orkney. • In its first phase - 2003-2006 - NCSS enabled a total of 122 acquisitions by six public collections (including craft in its first phase). In 2007-2008 a further 18 works of visual art have been acquired. The Scottish Arts Council will support further acquisitions in 2008-2009. • NCSS member were also involved in an innovative joint commissioning project – the first of its kind in the UK. They collaborated to commission Joanne Tatham & Tom O’Sullivan to create a substantial and ambitious new work of art for Scotland • Aberdeen Art Gallery hosted the Scotland & Venice exhibition December 2007- January 2008. -
Graeme Todd the View from Now Here
GRAEME TODD The View from Now Here 1 GRAEME TODD The View from Now Here EAGLE GALLERY EMH ARTS ‘But what enhanced for Kublai every event or piece of news reported by his inarticulate informer was the space that remained around it, a void not filled by words. The descriptions of cities Marco Polo visited had this virtue: you could wander through them in thought, become lost, stop and enjoy the cool air, or run off.’ 1 I enjoy paintings that you can wander through in thought. At home I have a small panel by Graeme Todd that resembles a Chinese lacquer box. In the distance of the image is the faint tracery of a fallen city, caught within a surface of deep, fiery red. The drawing shows only as an undercurrent, overlaid by thinned- down acrylic and layers of varnish that have been polished to a silky patina. Criss-crossing the topmost surface are a few horizontal streaks: white tinged with purple, and bright, lime green. I imagine they have been applied by pouring the paint from one side to the other – the flow controlled by the way that the panel is tipped – this way and that. I think of the artist in his studio, holding the painting in his hands, taking this act of risk. Graeme Todd’s images have the virtue that, while at one glance they appear concrete, at another, they are perpetually fluid. This is what draws you back to look again at them – what keeps them present. It is a pleasure to be able to host The View from Now Here at the Eagle Gallery, and to work in collaboration with Andrew Mummery, who is a curator and gallerist for whom I have a great deal of respect. -
List of Scottish Museums and Libraries with Strong Victorian Collections
Scottish museums and libraries with strong Victorian collections National Institutions National Library of Scotland National Gallery of Scotland National Museums Scotland National War Museum of Scotland National Museum of Costume Scottish Poetry Library Central Libraries The Mitchell Library, Glasgow Edinburgh Central Library Aberdeen Central Library Carnegie Library, Ayr Dick Institute, Kilmarnock Central Library, Dundee Paisley Central Library Ewart Library, Dumfries Inverness Library University Libraries Glasgow University Library University of Strathclyde Library Edinburgh University Library Sir Duncan Rice Library, Aberdeen University of Dundee Library University of St Andrews Library Municipal Art Galleries and Museums Kelvingrove Art Gallery, Glasgow Burrell Collection, Glasgow Aberdeen Art Gallery McManus Galleries, Dundee Perth Museum and Art Gallery Paisley Museum & Art Galleries Stirling Smith Art Gallery & Museum Stewartry Museum, Kirkcudbright V & A Dundee Shetland Museum Clydebank Museum Mclean Museum and Art Gallery, Greenock Hunterian Art Gallery & Museum Piers Art Centre, Orkney City Art Centre, Edinburgh Campbeltown Heritage Centre Montrose Museum Inverness Museum and Art Gallery Kirkcaldy Galleries Literary Institutions Moat Brae: National Centre for Children’s Literature Writers’ Museum, Edinburgh J. M. Barrie Birthplace Museum Industrial Heritage Summerlee: Museum of Scottish Industrial Life, North Lanarkshire Riverside Museum, Glasgow Scottish Maritime Museum Prestongrange Industrial Heritage Museum, Prestonpans Scottish -
Michael Craik
MICHAEL CRAIK EDUCATION 1999 - 2000 MA European Fine Art, Winchester School of Art, Barcelona / Winchester 1992 - 1996 BA (Hons) Fine Art, Gray’s School of Art, Aberdeen SOLO AND JOINT EXHIBITIONS 2020 Solo exhibition, Echo, &Gallery, Edinburgh 2018 Continuum, (with Gisela Hoffmann), Galerie Schmidt & Schütte, Cologne Solo exhibition at Zembla, Hawick Percezione, (with Sonia Costantini), THECA Gallery, Milan Two person exhibition (with Jeffrey Cortland Jones), &Gallery, Edinburgh 2017 The Relative Medium (with Eric Cruikshank), Galleri Konstepidemin, Gothenburg 2016 Intime, Galerie Weissraum, Kyoto 2015 Ways of Seeing (with Eric Cruikshank), Howden Park Centre, Livingston 2013 Build (with Merja Herzog-Hellsten), Galerie Salon 13, BOK, Offenbach Im Spiegel des anderen (with Eric Cruikshank), Galerie Albrecht, Berlin 2007 Razed To The Ground, Amber Roome Contemporary Art, Edinburgh 2006 Plate Tectonics, Galería Alonso Vidal, Barcelona Solo exhibition, An Tuireann Arts Centre, Portree, Isle of Skye 2005 Solo exhibition, The Hallion Club, Edinburgh Solo exhibition, Amber Roome Contemporary Art, Edinburgh 2004 Solo exhibition, Gracefield Arts Centre, Dumfries 2003 Members Lounge, Collective Gallery, Edinburgh Solo exhibition, Friction Gallery, Edinburgh 2002 Solo exhibition, Habitat, Edinburgh Solo exhibition, Deutsche Bank, Edinburgh 2000 Gap, Panorama Gallery, Barcelona ELECTED GROUP EXHIBITIONS & FAIRS 2021 Tiny yet Mighty, &Gallery, Edinburgh 2020 Art Matters, online exhibition at Galerie Biesenbach, Cologne Winter Exhibition, &Gallery, -
CALLUM INNES Bibliography Selected Publications 2018 De
CALLUM INNES Bibliography Selected Publications 2018 de Chassey, Eric. Callum Innes: In Position. Aix-en-Provence, France: Château la Coste, 2018. 2016 Callum Innes: I’ll Close my Eyes, Hatje Cantz, in association with Frith Street Gallery London and Sean Kelly, New YorK, 2016. Callum Innes: Edges,. Madrid, Spain: Ivorypress, 2016. 2014 Deblonde, Gautier. Atelier. Göttingen, Germany: Steidl Verlag, 2014. 2013 Callum Innes: History. Whitworth Art Gallery, Manchester, UK: The University of Manchester, 2013. 2012 The Arts Journal: Scotland’s Cultural Landscape–The State of the Nation. Glasgow: The Arts Journal, 2012. 2010 water | colour, Callum Innes and Colm Tóibín. New YorK: Sean Kelly, 2010. 2009 Callum Innes: I look to you. Edinburgh: Ingleby Gallery, 2009. 2006 Callum Innes: From Memory. Ostfildern, Germany: Hatje Cantz, and Edinburgh: The FruitmarKet Gallery, 2006. VAC: Coleccion Valencia Arte Contemporaneo. Valencia: Institut Valencia d’Art Modern, 2006. 2005 Callum Innes: Resonance. St. Ives: Tate St. Ives, 2005. Richer, Francesca and Matthew Rosenzweig. No. 1: First Works by 362 Artists. New YorK: Thames & Hudson, 2005. 2004 Callum Innes. Edinburgh: Ingleby Gallery, 2004. 2001 Callum Innes Exposed Paintings. Edinburgh: Ingleby Gallery, 2001. Invisible London. London: Invisible Museum, 2001. 2000 Blue: borrowed and new. Walsall, United Kingdom: The New Art Gallery, 2000. Moving Targets 2: A User’s Guide to British Art Now. London: Tate Publishing, 2000. 1999 Callum Innes. Dublin: Irish Museum of Modern Art, 1999. 1998 Callum Innes: Watercolors. Ikon Gallery, Kunsthalle Bern, Switzerland, 1998. 1997 Abstract Painting, Once Removed. Houston: Contemporary Arts Museum, 1997. Abstraction/Abstraction Géométries Provisoires. Saint-Etienne, France: Musée d’Art Moderne, 1997. -
FULL ATTENDEES Individuals
Contemporary Collections and Collecting in Scotland Series Record of Attendence Individuals First name Surname Organisation Position Jennifer Melville Aberdeen Art Gallery Keeper of Fine Art Liesbeth Bik Artist Christine Borland Artist Rose Frain Artist Jos van der Pol Artist Gerrie van Noord Artist Pension Trust, London Co-Director Andrew Brown Arts Council England Senior Strategy Officer - Visual Arts Louise Shelley Centre for Contemporary Art, Glasgow Head of Programmes Kate Gray Collective Gallery, Edinburgh Director Jenny Crowe Consultant Moira Jeffrey Consultant Kirstie Skinner Consultant Elaine Martay Cultural Strategy and Diplomacy Team, Scottish GoveInternationalrnment Policy Mark O'Neill Culture Sport Glasgow Head of Arts and Museums Ben Harman Culture Sport Glasgow / Gallery of Modern Art, GlasgowCurator of Contemporary Art Victoria Hollows Culture Sport Glasgow / Gallery of Modern Art, GlasgowMuseum Manager Sean McGlashan Culture Sport Glasgow / Gallery of Modern Art, GlasgowCurator of Contemporary Art Margaux Achard Culture Sport Glasgow/ Kelvingrove Jenny Brownrigg Duncan of Jordanstone College of Art and Design Exhibitions Curator Edwin Janssen Duncan of Jordanstone College of Art and Design Artist/Academic Leader Laura Simpson Duncan of Jordanstone College of Art and Design Assistant Curator, Exhibitions Graham Domke Dundee Contemporary Arts Curator Clive Gillman Dundee Contemporary Arts Director Judith Winter Dundee Contemporary Arts Deputy Director and Head of Programmes Joanne Brown Edinburgh Art Festival Director Ian -
CALLUM INNES Edinburgh, United Kingdom, 1962 Lives and Works in Edinburgh, United Kingdom
CALLUM INNES Edinburgh, United Kingdom, 1962 Lives and works in Edinburgh, United Kingdom Callum Innes is one of the most prominent abstract painters in the world. He studied drawing and painting at Gray’s School of Art from 1980 to 1984 and went on to complete a post-graduate degree at Edinburgh College of Art in 1985. Innes’s work is included in many major public collections worldwide, including: the Tate Gallery, London, England; the Kunstmuseum, Bern; the National Galleries of Scotland, Edinburgh; the Solomon R. Guggenheim Museum, New York; the Centre Georges Pompidou, Paris; The Irish Museum of Modern Art, Dublin; the Museum of Modern Art, Fort Worth; The San Francisco Museum of Modern Art; The National Gallery of Australia, Canberra; the Albright-Knox Art Gallery, Buffalo; the Art Gallery of Ontario, Toronto, Canada; and the Deutsche Bank Collection, Germany. In 2012 he was commissioned by the Edinburgh Art Festival to transform the capital’s Regent Bridge, which he illuminated with a changing sequence of coloured light. In 2016, Innes was the subject of a major retrospective survey exhibition and accompanying monograph, I’ll Close My Eyes, at the De Pont Museum in Tilburg, Netherlands. SOLO EXHIBITIONS (SELECTION) 2017 In Two, Ivorypress, Madrid, Spain Callum Innes: With Curve, Sean Kelly, New York, USA 2016 Callum Innes: On Ground, Galerie Tschudi, Zuoz, Switzerland Callum Innes: I’ll Close my Eyes, De Pont Museum, Tilburg, The Netherlands Callum Innes, i8 Gallery, Reykjavík, Iceland 2015 Callum Innes, Frith Street Gallery, London, -
Glasgow Museums (£52,145), City of Edinburgh Museums and Galleries (£24,250), the Hunterian (£18,329) and Aberdeen Art Gallery and Museums (£17,027)
National Fund for Acquisitions Grants Paid 2010–2011 National Fund for Acquisitions Grants Paid 2010–2011 Hazel Williamson National Fund for Acquisitions Manager National Museums Scotland Chambers Street Edinburgh EH1 1JF Tel 0131 247 4106 email [email protected] Cover: Colour woodblock print, Kyōbashi Takegashi from Meisho Edo Hyakkei, 1857, by Utagawa Hiroshige. Acquired by The Hunterian with a grant from the National Fund for Acquisitions. National Fund for Acquisitions The National Fund for Acquisitions (NFA), provided by Scottish Government to the Trustees of National Museums Scotland, contributes towards the acquisition of objects for the collections of Scottish museums, galleries, libraries, archives and other similar institutions open to the public. The Fund can help with acquisitions in most collecting areas including objects relating to the arts, literature, history, natural sciences, technology, industry and medicine. Decisions on grant applications are made in consultation with curatorial staff at National Museums Scotland and the Directors and staff of the National Galleries of Scotland and the National Library of Scotland who provide expert advice to the Fund. While recognising that the financial climate is extremely difficult, National Museums Scotland was particularly dismayed to learn of a 25% cut to the NFA’s already limited funding, reducing the grant to only £150,000 in financial year 2011/12. NFA funding had remained at £200,000 per annum since 1996, a figure which in real terms has declined very considerably in value during the subsequent fifteen years. Clearly the extent of the cut means that the NFA cannot support collecting in Scotland as effectively as we would wish. -
CALLUM INNES Biography 1962 Born in Edinburgh, Scotland Lives And
CALLUM INNES Biography 1962 Born in Edinburgh, Scotland Lives and works in Edinburgh, Scotland EDUCATION 1980-84 Grays School of Art, Aberdeen 1984-85 Edinburgh College of Art, Post Graduate DIP GRANTS/AWARDS 2002 Jerwood Prize 1998 Nat West Art Prize SELECTED SOLO EXHIBITIONS 2021 a pure land, OSL ContemPorary, Oslo, Norway; i8 gallery, Reykjavík, Iceland Andrew Büttner – Triebe CALLUM INNES, Galerie Tschudi, Zuoz, Switzerland Orange & Black, Cairn Gallery, Fife, United Kingdom 2019 Callum Innes, Sean Kelly Asia, TaiPei, Taiwan Keeping Time, Frith Street Gallery, London, United Kingdom 2018 Byzantine Blue, Delft Blue, Paris Blue, Ingleby Gallery, Edinburgh, United Kingdom Callum Innes, Galerie Tschudi, Zuoz, Switzerland Callum Innes: Tape, Loock Galerie, Berlin, Germany Callum Innes, OSL Contemporary, Oslo, Norway In Position, Château La Coste, AiX-en-Provence, France 2017 Callum Innes, Kerlin Gallery, Dublin, Ireland In Two, IvoryPress Gallery, Madrid, SPain With Curve, Sean Kelly Gallery, New York 2016 Callum Innes, i8 Gallery, Reykjavik, Iceland I’ll Close My Eyes, De Pont Museum, Tilburg, Netherlands 2015 Callum Innes, Frith Street Gallery, London, United Kingdom Callum Innes, OSL Contemporary, Oslo, Norway 2014 Callum Innes, Loock Galerie, Berlin, Germany 2013 Callum Innes: Liminal, Sean Kelly Gallery, New York Callum Innes, Whitworth Art Gallery, Manchester, England Callum Innes: Malerei als Prozess, Neues Museum. Staatliches Museum für Kunst, Nuremberg, Germany Callum Innes, i8 Gallery, Reykjavík, Iceland Callum Innes: Watercolours, -
29 July–29 August 2021 Edinburghartfestival.Com #Edartf
Platform: 2021 Art Across the Capital Commissions Programme Art is Back Explore Platform: 2021, our exhibition for early As galleries reopen after many months of closure, Our 2021 programme features new commissions We are so delighted to return this year, to work career artists, with new work from Jessica Higgins, this year, more than any, we are proud to cast a and UK premieres by leading international artists, with partners across the city, to showcase the work Danny Pagarani, Kirsty Russell and Isabella Widger spotlight on the uniquely ambitious, inventive and including new work by Sean Lynch co-commissioned of artists from Scotland, the UK and around the world. presented at our festival home in the Institut français thoughtful programming produced each year by with Edinburgh Sculpture Workshop and by Emeka Some exhibitions are newly made in response to the d’Ecosse. While visiting you can also browse festival Edinburgh’s visual art community. Ogboh with Talbot Rice Gallery; alongside the UK seismic shifts of the past year; others have been many merchandise and find out more about the exhibitions premiere of Isaac Julien’s Lessons of the Hour, presented years in the planning; but all are the unique, authentic, and events taking place across the city at our With over 20 partner galleries across the capital, in partnership with National Galleries of Scotland. and thoughtful products of our city’s extraordinarily Festival Kiosk. we encourage you to explore the programme and We are also proud to collaborate with Associate Artist, rich visual art scene. support the incredible visual art organisations that Tako Taal, on her programme What happens to desire… Festival Kiosk the city has to offer. -
Callum Innes
33 BARONY STREET WWW.INGLEBYGALLERY.COM INGLEBY EDINBURGH EH3 6NX [email protected] SCOTLAND TEL No + 44 (0)131 556 4441 CALLUM INNES Callum Innes is one of the leading abstract artists of his generation. His paintings are made by ‘un-painting’ as well as painting: a language that he has made his own over the past 20 years; the oil paint applied in layers and dissolved away with turpentine, leaving traces of pigment which form something quietly and unexpectedly beautiful. There is an inherent fragility in all of his works, and a tension too – a fine line held between control and chaos. Innes was short–listed for the Turner and Jerwood Prizes in 1995, won the prestigious NatWest Prize for Painting in 1998, and in 2002 was awarded the Jerwood Prize for Painting. He has exhibited widely both nationally and internationally. His work is held in public collections worldwide including the Guggenheim, New York; National Gallery of Australia; the Tate, London; the Scottish National Gallery of Modern Art, Edinburgh; Centre d’Art Pompidou, Paris and the Museum of Modern Art, Forth Worth, USA. In August 2012, Innes was commissioned by the Edinburgh Art Festival to realise his first ever public art project: The Regent Bridge. Innes’ permanent installation has transformed the bridge’s historic arch with changing sequences of coloured light. In June 2015, Innes transformed and regenerated Edinburgh’s High School Yard Steps with an interactive installation. In 2014, a display of Exposed Paintings was shown at the Scottish National Gallery, Edinburgh as part of GENERATION, a nationwide programme of exhibitions to celebrate 25 years of world class contemporary art in Scotland. -
National Fund for Acquisitions Grants Paid 2009–2010 National Fund for Acquisitions Grants Paid 2009–2010
National Fund for Acquisitions Grants Paid 2009–2010 National Fund for Acquisitions Grants Paid 2009–2010 Hazel Williamson National Fund for Acquisitions Manager National Museums Scotland Chambers Street Edinburgh EH1 1JF Tel 0131 247 4106 Fax 0131 247 4312 email [email protected] Cover: Mixed media sculpture, Seven and Seven Is or Sunshine Bathed the Golden Glow, 2008, by Jim Lambie, acquired by Culture and Sport Glasgow with a grant from the National Fund for Acquisitions. Photo © Keith Hunter Photography. National Fund for Acquisitions The National Fund for Acquisitions (NFA), provided by Scottish Government to the Trustees of National Museums Scotland, contributes towards the acquisition of objects for the collections of Scottish museums, galleries, libraries, archives and other similar institutions open to the public. The Fund can help with acquisitions in most collecting areas including objects relating to the arts, literature, history, natural sciences, technology, industry and medicine. Decisions on grant applications are made in consultation with NMS staff and with the Directors and staff of the National Galleries of Scotland and the National Library of Scotland. The allocation for 2009/10 was £200,000. During the year the Fund received 82 applications. NMS aims to give a substantive response to applications within fifteen working days. During the period of this report this was achieved for 74% of applications received. Ten of the applications received were unsuccessful; six were turned down, in one case the applicant was outbid at auction and three further applications arrived too late to be considered prior to auction. During 2009/10, 83 payments totalling £230,783 were made to 32 organisations or collections.