Art and Cartooning." Humor Scholarship: a Research Bibliography
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ART, CARTOONING, AND HUMOR: by Don L. F. Nilsen English Department Arizona State University Tempe, AZ 85287-0302 ( [email protected] ) Abad, Ernesto J., and Gabriel E. Abad. "Cels Piñol: The Comics Fan and the Author." International Journal of Comic Art 5.2 (2003): 119-137. Abe, Goh, and James McLeod. "The Mythologies of Animation and Imagination: Cartoons as Worldview and Folklore in Post Modern Culture." Ohkawagun, Kagawa, Japan: Tokushima Bunri University's Research Institute for Comparative Culture, 1995. Abed, F. "Visual Puns as Interactive Illustrations: Their Effects on Recognition Memory." Metaphor and Symbolic Activity 9 (1994): 45-60. Abramson, Glenda. "Mightier than the Sword: Jewish Cartoons and Cartoonists in South Africa." Humor: International Journal of Humor Research 4.2 (1991): 149-64. Adams, Patch. "My Life as a Cartoon Character." International Journal of Comic Art 6.2 (2004): 1-29. Alaniz, José. “Caricature and Incarceration: The Case of Slava Sysoev.” International Journal of Comic Art. 8.1 (2006): 145-162. Alaniz, José. “Death and the Superhero: The Silver Age and Beyond.” International Journal of Comic Art. 8.1 (2006): 234-248. Alaniz, José. "Introduction or, Why I call Them Komiks." International Journal of Comic Art 7.1 (2005): 5-22. Alaniz, José. "Supercrip: Disability and the Marvel Silver Age Superhero." International Journal of Comic Art 6.2 (2004): 304-324. Alaniz, José. “Towards a History of a Stalled’ Medium: Comics in Russia.” The International Journal of Comic Art. 1.2 (1999): 4-29. Alary, Viviane. "Briefness in Spanish Comics: A Few Landmarks." International Journal of Comic Art 5.2 (2003): 5-27. Alejo, Miguel. "Chumy Chúmez: The Work of José María González Castrillo." International Journal of Comic Art 5.2 (2003): 110-118. Alley, Patricia Williams. "Hokinson and Hollander: Female Cartoonists and American Culture." Women's Comic Visions. Ed. June Sochen. Detroit, MI: Wayne State University Press, 1991, 115-140. Anderberg, Mary. "Charles Dana Gibson and The Eternal Comedy." Thalia 2.1-2 (1979): 55-72. Anderson, Ian. "The Far Side of Science." New Scientist 109 (1986): 59. Annis, A. D. "The Relative Effectiveness of Cartoons and Editorials as Propaganda Media." Psychological Reports 36 (1939): 638. Aronoff, Mark, Irit Meir, and Wendy Sandler. "The Paradox of Sign Language Morphology." Language 81.2 (2005): 301-344. Armitage, Shelley. John Held, Jr.: Illustrator of the Jazz Age. Syracuse, NY: Syracuse Univ Press, 1987. Armitage, Shelley. Kewpies and Beyond: The World of Rose O'Neill. Jackson, MI: University Press of Mississippi, 1994. Asher, R., and S. Sargent. "Shifts in Attitude Caused by Cartoon Caricatures." Journal of General Psychology 24 (1941): 451-455. Askin, Walter. Another Art Book. Pasadena, CA: Nose Press, 1984. Atherton, Herbert M. Political Prints in the Age of Hogarth: A Study of the Ideographic Representation of Politics. NY: Clarendon, 1974. Ault, Donald. "In the Trenches, Taking the Heat: Confessions of a Comics Professor." International Journal of Comic Art 5.2 (2003): 241-260. ART, CARTOONING, AND HUMOR, PAGE 1 Aycock, D. Alan. "Play without Players, Players without Play: The World Computer Chess Championship." Play and Culture 3.2 (May, 1990): 133-45. Babcock, Barbara A., ed. The Reversible World: Symbolic Inversion in Art and Society. Symbol, Myth, and Ritual Series. Ithaca, NY: Cornell University Press, 1978. Ball, Derek, Fred Piercy, and Gary Bischof. "Externalizing the Problem through Cartoons: A Case Example." Journal of Systemic Therapies 12.1 (1993): 19-21B. Barcus, F. E. "The World of Sunday Comics." Funnies: An American Idiom. Eds. David Manning White, and Robert H. Abel. London, England: The Free Press of Glencoe, 1963, 190--218. Barker, Martin. "Kicked into the Gutters: or, `My Dad Doesn't Read Comics; He Studies Them.'" International Journal of Comic Art 4.1 (2002): 64-77. Barrier, Michael, and Martin Williams. Smithsonian Book of Comic-Book Comics. New York, NY: Harry N. Abrams, 1981. Barrero, Manuel. "The Evolution of Children's Comics in Spain." International Journal of Comic Art 5.2 (2003): 28-49 Barshay, Robert. "Black Humour in the Modern Cartoon." It's a Funny Thing, Humour. Eds. Antony Chapman and Hugh Foot. NY: Pergamon, 1977, 57-60. Baudin, Henri. "Le Rébus: Un Humour Graphique Dérivé du Ludique." L'Humour Graphique: CORHUM No. 5, Ed. Gérard Vincent Martin. Paris, France: CORHUM, 1997, 13-24. Beaty, Bart. "The Contemporary Field of European Comics: The Example of Lewis Trondheim." International Journal of Comic Art 5.2 (2003): 168-183. Beaty, Bart. "Featuring Stories by the World's Greatest Authors: Classics Illustrated and the `Middlebrow Problem' in the Postwar Era." The International Journal of Comic Art 1.1 (1999): 122-139. Beez, Jigal. "Katuni Za Miujuza: Fantastic Comics from East Africa." International Journal of Comic Art 6.1 (2004): 77-95. Beez, Jigal. "They Are Crazy These Swahili: Komredi Kipepe in the Footsteps of Asterix; Globalization in East African Comics." International Journal of Comic Art. 5.1 (2003): 95-114.. Behrens, Roy R. "Beyond Caricature: On Types of Humor in Art." Journal of Creative Behavior 11.3 (1997): 165-175. Belanger, Heather G., A. Lee Kirkpatrick, and Peter Derks. "The Effects of Humor on Verbal and Imaginal Proble Solving." HUMOR: International Journal of Humor Research 11.1 (1998): 21-32. Bell, Louis Michael, Cathy Makin Orr, and Michael J. Preston. Urban Folklore from Colorado: Photocopy Cartoons. Ann Arbor, MI: Xerox University Microfilms, 1976. Bendazzi, Giannaltergo. Cartoons: One-Hundred Years of Cinema Animation. Bloomingtion, IN: Indiana University Press, 1995. Benton, Mike. Science Fiction Comics: The Illustrated History. Dallas, TX: Taylor Publishing, 1992. Berger, Arthur Asa. "Funnies Are Good for Us: Healthful Benefits of Humorous Comic Strips." The World and I (May, 1992): 659-668. Berger, Arthur Asa. "Is This the Kind of Thing That Serious Academics Do?" International Journal of Comic Art 4.1 (2002): 40-47. Berger, Arthur Asa. Li'l Abner: A Study in American Satire. Jackson, MS: University Press of Mississippi, 1994. Berger, Arthur Asa. "Seeing Laughter: Visual Aspects of Humor." Blind Men and Elephants: Perspectives on Humor. New Brunswick, NJ: Transaction Press, 1995, 139-158. Beronä, David A. "Breaking Taboos: Sexuality in the Work of Will Eisner and the Early Wordless Novels. The International Journal of Comic Art 1.1 (1999): 90-103. Beronä, David A. "Pumping Iron: Male Stereotypes in Delisle's Albert et les Autres." International Journal of Comic Art 6.1 (2004): 299-315. Bistis, Margo. "Bad Art: The Decline of Academic Art in the Caricatural Salon." International Journal of Comic ART, CARTOONING, AND HUMOR, PAGE 2 Art 7.1 (2005): 126-148. Black, Jake. "Flop of Steel: Why `It's a Bird, It's a Plane, It's Superman' Did Not Fly Over Broadway." International Journal of Comic Art7.1 (2005): 546-552. Blackbeard, Bill. "The Four Color Paper Trail: A Look Back." International Journal of Comic Art 5.2 (2003): 205-215. Blackbeard, Bill. "Humorous Book Illustration." Dictionary of Literary Biography, Volume 11: American Humorists, 1800-1950. Ed. Stanley Trachtenberg. Detroit, MI: Gale, 1982, 625-39. Blackbeard, Bill. R. F. Outcault's "The Yellow Kid": A Centennial Celebration of the Kid Who Started the Comics. Northampton, MA: Kitchen Sink Press, 1995. Blackmore, Tim. "300 and Two: Frank Miller and Daniel Ford Interpret Herodotus's Thermopylae Myth." International Journal of Comic Art 6.2 (2004): 325-349. Blanco de la Cruz. “The Engineering of Humor.” The International Journal of Comic Art. 1.2 (1999): 191-194. Blumberg, Arnold T. “`The Night Gwen Stacy Died’: The End of Innocence and the `Last Gasp of the Silver Age.’” International Journal of Comic Art. 8.1 (2006): 197-212. Bollom, Brandon W., and Shawn N. McKinney. "Alphonse Marie Mucha: Posters, Panels...and Comic Books?" International Journal of Comic Art 7.1 (2005): 149-179. Bon Aiuto, P. “Art, Science, and Humor: The Study of Humorous Experience at the Intersection between Psychology and the Art World.” Empirical Studies of the Arts 24.1 (2006): 3-4. Bonaiuto, P. “Art, Science, and Humor: The Study of Humorous Experience at the Intersection between Psychology and the Art World.” Empirical lStudies of the Arts 24.1 (2006): 3-42. Bongco, Mila. Reading Comics: Language, Culture and the Concept of the Superhero in Comic Books. Levittown, PA: Garland, 2001. Bouissac, Paul. “Circus, Clowns and Culture.” The Philosophy of the Visual Arts. Ed. Philip Alperson. Oxford, England: Oxford Universtiy Press, 1992, 582-591. Bower, Kathrin. "Holocaust Avengers: From `The Master Race' to Magneto." International Journal of Comic Art 6.2 (2004): 182-194. Brabant, S., and L. Mooney. "Sex Role Stereotyping in the Sunday Comcs: Ten Years Later." Sex Roles. 14.3-4 (1986): 144-148. Brasch, Walter M. ed. An Autobiography of Eugene Zimmerman. Cranbury, NJ: Susquehanna University Press, 1993. Brasch, Walter M. Cartoon Monickers: An Insight into the Animation Industry. Bowling Green, OH: Bowling Green Univ Popular Press, 1983. Brodzinsky, David M., and J. Rubien. "Humor Production as a Function of Sex of Subject, Creativity, and Cartoon Content." Journal of Consulting and Clinical Psychology 44.4 (1976): 597-600. Brooks, Charles, ed. Best Editorial Cartoons of the Year Twenty Volumes. Gretna, LA: Pelican Publishing Company, 1980-1999. Brown, Ivan. "Perception of Humor in Cartoon Riddles by Adults with Intellectual Disability." Perceptual and Motor Skills 78.3 (1994): 817-818. Brown, Marc. "The Artist at Work: The Importance of Humor." Horn Book Magazine 66.5 (1994): 563-570. Brown, Sarah. “The Arkansas Traveller: Southwestern Humor on Canvas.” Arkansas Historical Quarterly 46 (1987): 348-375. Browne, Chris. "'Hägar the Horrible': God Willing, I will Avoid the Venus Flytrap of Hackdom." Witty World 15 (1993): 30-35. Brummnett, Palmira. "Dogs, Women, Cholera, and Other Menaces in the Streets: Cartoon Satire in the Ottoman Press, 1909-1911." International Journal of Middle Eastern Studies 27 (1995): 433-460.