Department Of Music ,University of Rajasthan ,Jaipur Session 2020 – 21 Class :‐ B.P.A. ( VOCAL /SITAR ) ,M.P.A. ( VOCAL /SITAR ) ,M.A. ( VOCAL /SITAR ) S.No. Paper code Name of Paper Period per Topic Details / Recorded Name of Faculty & Week Designation 1 B.P.A. Part – II Raag Miyan 4 Days vyadkj ]fe;ka eYgkj dk ifjp; ]Lo#i vyadkj ] Loj foLrkj ] vkjksg ] vojksg ] Dr. Anjalika Sharma Practical Paper M.T.F.S. idM ] elhr [kkuh xr LFkkbZ varjk vkyki LFkkbZ ] vkyki rku Nan 16 ek=k dh Head rku ] frgkbZ dh rku jtk[kkuh ]xr ]LFkkbZ varjk Nzn ] rkusa ] vkyki ] rku >kyk Asso. Prof. Uni. of Raj bR;kfn lqxe laxhr ] Hktu xhr bR;kfn dh ljxe 2 M.P.A. – III General Idea of 2 Days oSfnd laxhr ls rkRi;Z ] lkeosn ] lke izf’k{k.k ] ;Kksa esa lke dh egRrk bR;kfn SEM Vedic Music F.S. Evolution and Ancient Bharat Development of Indian Music 3 B.P.A. – IV 2 Days jkx vghj HkSjo & ifjp; ] Loj ] foLrkj ] jkx dk Lo#i ] vkjksg ] vojksg idM Practical Paper ] crxr LFkkbZ ( Uncovered Period ) 1 M.A. – III SEM. Presentation of 04 Days 1. Rag Aheer Dr. Madhu Bhatt Practical Paper , Analytical M.T.W.Th. 2. Theoretical Knowledge of Tailang study of Ragas , 3. Compasion with other similar Ragas ,like Sudha Bhairabv Asso. Prof. Uni. of Raj Stage ,Nat Bhairav , mukhari , Chasukeshi , Shivmat etc . Performance 4. Swar Exercise for Practing ( Alankar , Masakhand ) 5. Badakhyal , Chota khayal & Mukhdabandi 6. Tasana 7. Tal Abhyai on Hand 2 M.A. – III SEM. Psychology of 02 days 1. Definition & scop of Psychology Theory Paper Music 2. Relation of Psychology with other field 3. Mind & music 4. Sensation – Hearing 5.Applicating music in Educational Psychology 6. Abnosmal Psychology 7. Social Psychology 8. Industrial Psychology 3 M.P.A. – III Rare Raga 06 Days Raga – 1 Hauskinkini – Swar Exercise ,Swar vistar , Chota ,( SEM Composition ) , Bol bant , Laybant , Alap & Tan Bhed . Tal Abhyas Practical Paper 2. Kausi Kanlara Swar Exercise ,Swar vistar , Chota khyal ,( Composition ) , Bol bant , Laybant , Alap & Tan Varietess . Tal Abhyas3. 1. Swar Vistar & Practice Excereises ( Merukhand ) Bol bant , Laybant , Chota khyal , Exercise or Bandish Mukhda Varieties Alap & Tan Varities 4 M.P.A. – III Stage 02 Days Raga Aeer Bhairav 1. ( Theoretical Knowledge ) 2. Comparison SEM Performance 2. with other similar rag and ragas like , Bairagi , Shudh Bhairav , Nat Practical Paper Presentation of Bhairav & Shivmat Kalinga ,Darukeshi ,Anand Bhairav etc . Ragas 3. 3.Raga Alankar Exerciseses 4. Swar vistar 5. Bada khyal 6. Chota Presentation of khyal & Mukhdabandi 7. 8 Tal Abhjas on Hand various forms & Analaytical Study 1 M.A. – III Sitar 04 Days Rag – Bahr :‐ Rag swaroop , Drut gat , Taan etc Miyan Malhar :‐ Dr. Vandana Kalla SEM. MTWTh Introduction Rag – Swar swaroop , sthai & antra Vilamrit gat and Asso. Prof. Uni. of Raj Practical Paper taan etc . Jayant malhar – Rag swaroop drut gat and Taan etc. Jayant malhar ‐ Rag swaroop start Drut gat and vilambit gat 2 M. P.A. – III Sitar 2 Days F.S. Rag Malkouns – Swaroop , vilambit ,gat SEM. Practical Paper 3 B.P.A. Part – II History of Music 2 Days 1.Origin of music 2. Vedic music 3. Contribution of Bharat in Theory Paper W.Th. Hindustani music 4. Evalution of veena ,Pakhawaj and flute 1 M.A. – III SEM Philosophy of 2 Days Unit :‐ Elementry Theory or sound its production and prepation Dr. O.N.vyas music M.T. on Asso. Prof. Uni. of Raj Vocal & ( b) Anatomy and physiology or human theory ) Instrument Unit:‐ II anatomy and physiology or human voice and its ( Sitar ) techniques voice culture Unit :‐ III Art appreciation and music history Unit :‐ IV Pictorial aspect of music and religion Unit :‐ V Function of music 2 M.P.A. – III 4 Days Raag Malkaran Malwanti Bandish , Swar vistar Alap – Tan Ext. SEM T.W.F.S . Practical Paper Vocal

3 B.P.A. – IV 3Days M.T. Rag darbari Ahe Bharan ,Bandish ,Swar vistar ,Alap – Tan Practical Paper W. Vocal 1 M.P.A. –III Historical and 2 Days F.S. Vocal – General Idea of the differentiate karnatak music and Dr. Arti Bhatt Tailang SEM ‐Theory theortical study Hindustani music along with the forms of music Asso. Prof. Uni. of Raj paper of Indian music Vocal 2‐ General Idea of Giti and Vani & Instrument – 1. (a) General Idea of the fectors that differentiate Instrument karnatak music and Hindustani music ( b) Comparative study of karnatak and Hindustani musical Instruments 2. General Idea of Giti and Vani . 2 M.A. –III SEM . 4 Days 1- jkx e/kqoarh & foLr`r Loj foLrkj ,oa jkx o.kZu foLr`r ?kjkusnkj vkykipkjh ] Practical Paper W.Th.F.S. ?kjkusnkj NksVk [;ky & foLr`r vkyki ] rkusa 2-jkx & eqYrkuh & foLr`r Loj foLrkj ,oa jkx o.kZu foLr`r Loj yxko ] Vocal vkykipkjh ] ?kjkusnkj NksVk [;ky ,oa foLr`r vkykipkjh -

3 B.P.A. Part – II 2 Days 1-jkx & ckxsJh & foLr`r jkx ,oa Loj foLrkj foyafcr [;ky & foLr`r Practical Paper W.Th. vkykipkjh ,oa rkusa NksVk [;ky & foLr`r vkyki ] cksy vkyki ]rkusa Vocal

4. B.P.A. Part – IV 2 Days F.S. 1- jkx e/kqoarh & foLr`r jkx o.kZu ,oa foLr`r Loj foLrkj foyafcr [;ky Practical Paper foyafcr ,oa foyafcr [;ky esa rkuksa dk [kqyk foLrkj Vocal NksVk [;ky & foLr`r vkyki ] ,oa cksy rkusa ] cgykosa vkfn A

1 B.P.A. Part – IV Applied & 2 Days Rag Darbari kanhna , Rag , Darbari adana dh rqyuk Rag Ahir Dr. Prabha Bhardwaj Theory Paper General Study of M.T. Bhairvi , Rag – Punia , Rag –Mawa , Rag sohni Asso. Prof. Uni. of Raj Music 2 B.P.A. Part – III 3 Days Th. Rag –Jai Jaiwanti ( Practical ) ] vkjksg & vojksg ] vyadkj ] vkyki ] LFkkbZ ] Practical Paper F.S. vUrjk ] LFkkbZ ds vkyki ] vUrjs ds vkyki ] LFkkbZ dh rkusa ] vUrjsa dh rkusa A 1 B.P.A. Part – IV 02 Days 1.Development of Indian Music in the Morden period 2. Detailed Dr. Neelam Sain M.T. study of the works of the following Pt. v.d. paluskar , V.N. Asst . Prof. Uni. of Raj Bhatkande , Pt. Omkarnath thakur 3. Concept of in Indian classical music 4. Development of music after independence 1. Government ( Radio door darshan , Academics . iccr. and department of culture and various awards 2 Private Oragnizations ( Music – conference etc.) 3. Popular music 4 Life sketches and contribution of famous india musicians 1. kishori omankar 2. Pt. bhimsen joshi 3. Kumar Gandharva 4 . Abdul karimkhan

1 B.P.A. Part – III 02 Days Introduction of following Raags ,Shayam , Dr. Anshu Verma F.S. ,Chandrakouns , kalyan ,Jaijaiwanti , 1. Varities of Gamak Asst . Prof. Uni. of Raj ,and Taan 2. 40 Principals of Hindustani music 3. Musical terms , Nayak gayak , Kalawant , Vaggeykaar , Adat , Jigar , Hisab 2 B.P.A. Part – II 02 Days Introduction of Raag Practical Paper F.S. 1 B.P.A. Part – III 2 Days History of Indian Music ( Medieval period ) Shaarangdev to Shri Mohan lal Theory Paper M.T. vayankat Mukhi ) ( a) Evoulation and Development of Indian Asst . Prof. Uni. of Raj Music during Medieval period 1.Development of Music during Mughal Period 2. Bhakti Movement (b) Contribution of the following musicologist to Indian music : Pt. Sharang dev , Pt. Ramamatya ,Pt. Ahobal ,Pt. Bhaav bhatt , Pt. Vyankat makhi . ( c) Elementory knowledge of Karnatak music Practical Paper 2 Days Raag – – Raag Prichay , Swar Vistar , Chhota Khayal W.Th. ,Alap , Ragshree Critical study Comparative Study 1 M.A. –III SEM. 4 Days 1.jkx fdjokuh & lEiw.kZ Loj foLrkj ,oa jkx ifjp; ] jtk[kkuh xr ] rkusa Dr. Harshit Vayar Practical Paper M.T.F.S. 2- jkx dkQh & lEiw.kZ Loj foLrkj ,oa jkx ifjp; ] jtk[kkuh xr ] rkusa Asst . Prof. Uni. of Raj Instrument 3- jkx & fcgkx & lEiw.kZ Loj foLrkj ,oa jkx ifjp; ] rky ,d rky esa cafn’k ] ( Sitar ) rkusa elhr [kkuh xr ]rkusa jtk[kkuh xr ] rkusa A 2 B.P.A. Part – III 4 Days 1.jkx & jkxsJh & lEiw.kZ Loj foLrkj ,oa jkx ifjp; ] jtk[kkuh xr ] rkusa Practical Paper M.T.F.S. 1.jkx fdjokuh & lEiw.kZ Loj foLrkj ,oa jkx ifjp; ] jtk[kkuh xr ] rkusa ( Uncovered Instrument 1.t;t;oarh & lEiw.kZ Loj foLrkj ,oa jkx ifjp; ] jtk[kkuh xr ] rkusa Period ) ( Sitar ) 3 B.P.A. Part – II Applied & 2 Days Comparative study of the following Ragas and Talas : Malkans Theory Paper General Study of M.T. ,ChandraKans , Miyan Malhar ,Jaumpari , ,Kamod ,Chhayant Music Vocal & , ,Shuddha Kalyan ,Deshkar , , . Instrument Talas : Japtaal , Teevra ,Dhamar ,Rupak ,Sool Taal ( Sitar ) Brief Study of –Shruti and swar

DEPARTMENT OF MUSIC UNIVERSITY OF RAJASTHAN, JAIPUR Time- Table Session 2020-21

Teacher’s Name 10 -11 11-12 12-1 1-2 2-3 3-4 Instrument( Sitar) Dr. Anjalika Sharma B.P.A. Part- I M.A- I Sem. M.P.A. – III SEM (Head) Associate Professor Pract. – 04 02 WTh Th.- 02 MTWTh B.P.A. Part- II Rag Study Pract.– 04 MTFS

Dr. Vandana Kalla B.P.A Part- II M.A. - III Sem M.P.A. III Sem Associate Professor Th.- 02 WTh Pract. 04-WThFS Pract. - 02 FS History of Indian Music

Dr. Harshit Vayar M.A. - III Sem M.A. - I Sem B.P.A Part- II Assistant Professor Pract. 04- MTFS Pract. 04- MTFS Th. - 02 MT Applied General

VOCAL Dr.Madhu Bhatt Tailang M.A III Sem M.P.A. IV Sem. M.PA III SEM. Pract- 04 MTWTh Pract - 06 Pract. 02 Rare Raga Associate Professor M.A III SEM Th.paper 02 Paper –psychology

B.P.A part-. I B.P.A part-. IV M.P.A.- III Sem. Dr. O.N.Vyas Pract.- 02 FS Pract.- 03 MTW Pract-02 TW M.A. III Sem M.P.A.- III Sem. Associate Professor Th- 02 MT Pract-02 FS Philosophy of Music

Dr.Arti Bhatt Tailang B.P.A. Part-II M.A. III Sem. M.PA III SEM. Pract-04 WTh Pract. 04- WThFS Th.paper 02 FS Associate Professor B.P.A. Part-IV Histrorical and Pract-04 F S Theortical Study of Indian Music

Dr. Prabha Bhardwaj B.P.A Part- III B.P.A. – Part – IV M.A. – I SEM Associate Professor Pract-.03 ThFS Th- 02 FS Pract - 04 MTFS Applied & General M.P.A. – I Sem. Pract.- 04 MTFS

Dr. Neelam Sain M.P.A- I Sem. B.P.A. Part -I B.P.A. Part -IV Assistant Professor Pract- 03 MTW 02 MT Th.-.02 MT History of Indian Music

Dr. Anshu verma B.P.A.Part-III B.P.A .Part- II M.P.A.- I Sem. Assistant Professor Pract. 01S Pract. 02 FS Pract. -02 FS B.P.A .Part- III Th. – 02 FS Applied General

Shri .Mohan Lal B.P.A Part- I B.P.A. Part- III M.A. –I Sem Pract. 04 Pract. 02 MT Pract. - 02 WTh Assistant Professor MTWTh B.P.A. Part- III Th.‐02WTh History of Indian Music

Head Convener