The London Corresponding Society and the Ascension of Popular Politics" (2015)

Total Page:16

File Type:pdf, Size:1020Kb

The London Corresponding Society and the Ascension of Popular Politics Wayne State University Wayne State University Dissertations 1-1-2015 London Calling: The London orC responding Society And The Ascension Of Popular Politics Frank L. Petersmark Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Recommended Citation Petersmark, Frank L., "London Calling: The London Corresponding Society And The Ascension Of Popular Politics" (2015). Wayne State University Dissertations. Paper 1161. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. LONDON CALLING: THE LONDON CORRESPONDING SOCIETY AND THE ASCENSION OF POPULAR POLITICS by FRANK L. PETERSMARK III DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2015 MAJOR: HISTORY Approved By: ______________________________________ Advisor Date _______________________________________ _______________________________________ _______________________________________ © COPYRIGHT BY FRANK L. PETERSMARK III 2015 All Rights Reserved DEDICATION This paper was a labor of love for the author, and could not have been completed without an equal affection for the love of labor, particularly for those in my life who toiled so that I might someday do something like this. For that I thank my parents, Pat and Frank, and my other parents, Bob and Kay. For everything else – inspiration, patience, encouragement, persistence, and even proofreading – I thank my kids Caitlin and Chris, and most especially my wife Jerilyn. She above all others helped to keep me on the track that would become this paper, even as she willingly participated in research trips and tolerated piles upon piles of notes and books in one particular corner of our house. For this, along with countless other things, she has my everlasting gratitude and love. ii ACKNOWLEDGEMENTS I would very much like to acknowledge several people without whom this project would never have been completed. I have had several classes and professors in and from the Wayne State History Department that provided the intellectual inspiration and academic guidance for this dissertation. Chief among them are those that agreed to serve on both my Masters and PhD committees: Professor Philip Abbott, Professor Eric Ash, Professor Denver Brunsman, Professor Janine Lanza, Professor Aaron Retish, and Professor Brad Roth. Professors Ash, Brunsman, and Lanza were kind enough to shepherd me through my early graduate career and Wayne State and for that they have my sincere gratitude and thanks. In particular, Professor Ash has been a steady hand on the tiller for me, playing both good and bad cop as needed, but always encouraging me to carry on. For that, and all of the countless hours at Traffic Jam, he has my eternal thanks. Finally, I’d like to thank the too numerous to thank colleagues of mine along the way – fellow students, section leaders, graduate assistants, and all the rest, who each in their own way has provided inspiration by example. In particular, I’d like to thank our small but powerful PhD writing group – John Moore, Sue Ward, David Hopkins, and Dave Collins – for their support, encouragement, and for occasionally picking up the tab. Godspeed to you all. iii TABLE OF CONTENTS Dedication…………………………………………………………………………............ii Acknowledgements………………………………………………………………………iii List of Figures……………………………………………………………………………..v Introduction………………………………………………………………………………..1 Chapter One - Fertile Ground……………………………………………………………16 Chapter Two – The French Connection ……………………………………………….62 Chapter Three - The LCS Introduces Itself……………………………………………...96 Chapter Four - Membership & Decorum……………………………………………….135 Chapter Five - The “Order of the Day”………………………………………………...163 Chapter Six - Accusations & Recriminations…………………………………………..215 Chapter Seven - Trial by Fire…………………………………………………………..247 Chapter Eight – The LCS After the State Trials: Philosophies & Finances……………293 Chapter Nine – The LCS in Decline: Radicalizations, Recriminations, and Reputations………………………………………………………..338 Conclusion – The LCS in History: Lessons Learned, Lasting Legacies, and the Ascension of Popular Politics………..............…………………376 Epilogue………………………………………………………………………………...405 Appendix A: Chronology of the London Corresponding Society……………………..411 Historiography & Research Comments………………………………………………...413 Bibliography……………………………………………………………………………423 Abstract…………………………………………………………………………………435 Autobiographical Statement……………………………………………………………438 iv LIST OF FIGURES Figure 1. Thomas Hardy. A print of LCS Secretary Thomas Hardy at his trial for treason in 1794. Image from the British Library, London……………………..….205 Figure 2. Citizen Maurice Margarot. Officer of the London Corresponding Society, and delegate to the British Convention at Edinburgh. Margarot was convicted in the Scottish sedition trial following the convention. Image from the British Museum, London…………………………………………….….206 Figure 3. Copper half-penny. A token issued in the name of the London Corresponding Society depicting the fable of the bundle of sticks, 1795. Such coinage was another form of propaganda for the LCS and other reform societies, and served to quickly identify fellow members. Image from the Fitzwilliam Museum, Cambridge………………………………………………………………...…207 Figure 4. John Thelwall. From a portrait attributed to William Hazlitt. Thelwall was a leading spokesman for the LCS, and an LCS member for a time. He was one of the defendants acquitted in the state treason trials of 1794. Image from the National Portrait Gallery, London………………………………………..…208 Figure 5. Copenhagen House. A 1795 caricature by James Gillray of the meeting held by the LCS at Copenhagen Fields on November 12, 1795, to protest the Twin Acts legislation. Gillray has portrayed the three platforms used by the LCS at this meeting, with John Thelwall speaking in the right near foreground, John Gale Jones to the left, and William Hodgson on the center platform in the center background of the caricature. Image from the British Museum, London…………………………………………………………………..….208 Figure 6. Petition. A cover sheet from an LCS sponsored petition to the King arguing For parliamentary reform in April of 1793. The LCS created, sponsored, and delivered many such petitions during the 1790s, however there is no evidence that any of them ever reached the King. Image from the University of California Davis……………………………………………………………209 Figure 7. The Cobbler Turned Preacher, A satirical caricature depiction of Thomas Hardy upon the founding of the LCS by Isaac Cruikshank, 1792. The image depicts Hardy using his cobbler’s bench as his pulpit, and his tools and materials for oratorical emphasis. Image from the British Museum, London…………………………………………………………………….210 v Figure 8. Copenhagen House. An alternate depiction of one of the Society’s large outdoor meetings from the artist James Gillray, 1795. This is part of the same depiction as Figure 5, but was cropped to fit into the many newspapers covering the event. It also provided a more detailed view of the sorts of citizens in attendance. Image from the British Museum…………………..211 Figure 9. The Reformers Dinner, 1809, by Samuel de Wilde. This is a depiction of the interior of the Crown and Anchor Tavern, where many of the early LCS meetings were held, particularly in 1793 and 1794. The Tavern was actually quite large compared to the smaller pubs the LCS initially met in, and was used for general membership meetings as the Society grew in London. Image from the Newberry Library, Chicago………………………………………212 Figure 10. Le Coup De Maitre by James Gillray, 1797. This is a print drawn by Gillray from the original that ran in several French newspapers. It depicts Charles James Fox, a reformist Whig who supported the LCS, dressed as a French revolutionary sans-culotte, taking aim at the constitutional target of the Crown, Lords, and Commons. This image, along with many others, was used by opponents of the reform movement to connect the LCS and other reform societies and politicians to the French Revolution. Image from the British Museum……………………………………………………………………212 Figure 11. Debating Society (Substitute for Hair Powder), Isaac Cruikshank, published by Laurie & Whittle, May 5, 1795, etching and engraving. In yet another satirical stab at the LCS and the kinds of men who were members, this etching depicts the scene at a generic debating society meeting whose members are vigorously debating the proper finishing touches for a man’s wig. The members are portrayed as unruly and undisciplined, and the triviality of the topic is meant to suggest the lack of political seriousness and consequence such men were capable of. Image from Yale University.….213 Figure 12. London Corresponding Society alarm’d, -Vide Guilty Consciences. James Gillray, hand-colored etching and aquatint, 1798. In this satirical caricature Gillray portrays LCS members as brutal and coarse, as they listen intently to the newspaper’s account of the arrest of several of their colleagues at Margate in 1798 and plot their next moves. The figures are almost non-human, and on the wall behind them hang portraits of John Horne-Tooke and Thomas Paine. Image from British Museum………………………………………………213 vi Figure 13. The Hopes of the Party, prior to July 14th. – “From such wicked Crown & Anchor dreams, good Lord deliver us.”
Recommended publications
  • Veridiction and Leadership in Transnational Populism: the Case of Diem25
    Politics and Governance (ISSN: 2183–2463) 2020, Volume 8, Issue 1, Pages 217–225 DOI: 10.17645/pag.v8i1.2539 Article Veridiction and Leadership in Transnational Populism: The Case of DiEM25 Evangelos Fanoulis 1 and Simona Guerra 2,* 1 Department of International Relations, Xi’an Jiaotong–Liverpool University, 215123 Suzhou, China; E-Mail: [email protected] 2 School of History, Politics and International Relations, University of Leicester, Leicester, LE1 7RH, UK; E-Mail: [email protected] * Corresponding author Submitted: 3 October 2019 | Accepted: 16 January 2020 | Published: 5 March 2020 Abstract While research tends to explore questions of power and leadership at the national level, populism in Europe has moved be- yond national borders, with an increasing number of transnational movements and organizations. This article investigates the Democracy in Europe Movement 2025 (DiEM25) and its leadership’s main speeches. Informed by both discourse theory and Michel Foucault’s work on parrhesia (veridiction), the analysis draws on readings of transnational Euroalternativism and populism, pointing out the conflicting logic of bringing them together at the transnational level. Our findings thus stress the increasing politicization of European integration as an opportunity to mobilize transnational activities, which are based on the populist ‘people vs. the elites’ dichotomy and against Brussels’ unaccountable elites (see FitzGibbon & Guerra, 2019), while indicating the limits of leadership in a populist transnational movement (de Cleen, Moffitt, Panayotu, & Stavrakakis, 2019; Marzolini & Souvlis, 2016). Keywords discourse analysis; Euroalternativism; leadership; parrhesia; power relations; transnational populism Issue This article is part of the issue “Leadership, Populism and Power” edited by Cristine de Clercy (Western University, Canada).
    [Show full text]
  • L-G-0013245003-0036967409.Pdf
    A History of Romantic Literature BLACKWELL HISTORIES OF LITERATURE General editor: Peter Brown, University of Kent, Canterbury The books in this series renew and redefine a familiar form by recognizing that to write literary history involves more than placing texts in chronological sequence. Thus the emphasis within each volume falls both on plotting the significant literary developments of a given period, and on the wider cultural contexts within which they occurred. ‘Cultural history’ is construed in broad terms and authors address such issues as politics, society, the arts, ideologies, varieties of literary production and consumption, and dominant genres and modes. The effect of each volume is to give the reader a sense of possessing a crucial sector of literary terrain, of understanding the forces that give a period its distinctive cast, and of seeing how writing of a given period impacts on, and is shaped by, its cultural circumstances. Published to date Seventeenth‐Century English Literature Thomas N. Corns Victorian Literature James Eli Adams Old English Literature, Second Edition R. D. Fulk and Christopher M. Cain Modernist Literature Andrzej Gąsiorek Eighteenth‐Century British Literature John Richetti Romantic Literature Frederick Burwick A HISTORY OF ROMANTIC LITERATURE Frederick Burwick This edition first published 2019 © 2019 John Wiley & Sons Ltd All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by law. Advice on how to obtain permission to reuse material from this title is available at http://www.wiley.com/go/permissions.
    [Show full text]
  • Out of the Shadows
    Out of the Shadows Out of the Shadows: The Life and Works of Mary De Morgan By Marilyn Pemberton Out of the Shadows: The Life and Works of Mary De Morgan, by Marilyn Pemberton This book first published 2012 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2012 by Marilyn Pemberton All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4195-1, ISBN (13): 978-1-4438-4195-5 This book is dedicated to all women everywhere—past, present, and future—who live in the shadows cast by others, whoever they may be. Come out into the light, so that we may see you and hear you—you too have a story to tell, one that must be told. TABLE OF CONTENTS List of Tables.............................................................................................. ix List of Illustrations ...................................................................................... x Acknowledgements .................................................................................... xi Introduction ................................................................................................. 1 Mary De Morgan: Fairy-tale Writer, Social Worker or “Devil Incarnate”? Chapter One................................................................................................
    [Show full text]
  • Enlightenment and Dissent No.29 Sept
    ENLIGHTENMENT AND DISSENT No.29 CONTENTS Articles 1 Lesser British Jacobin and Anti-Jacobin Writers during the French Revolution H T Dickinson 42 Concepts of modesty and humility: the eighteenth-century British discourses William Stafford 79 The Invention of Female Biography Gina Luria Walker Reviews 137 Scott Mandelbrote and Michael Ledger-Lomas eds., Dissent and the Bible in Britain, c. 1650-1950 David Bebbington 140 W A Speck, A Political Biography of Thomas Paine H T Dickinson 143 H B Nisbet, Gottfried Ephraim Lessing: His Life, Works & Thought J C Lees 147 Lisa Curtis-Wendlandt, Paul Gibbard and Karen Green eds., Political Ideas of Enlightenment Women Emma Macleod 150 Jon Parkin and Timothy Stanton eds., Natural Law and Toleration in the Early Enlightenment Alan P F Sell 155 Alan P F Sell, The Theological Education of the Ministry: Soundings in the British Reformed and Dissenting Traditions Leonard Smith 158 David Sekers, A Lady of Cotton. Hannah Greg, Mistress of Quarry Bank Mill Ruth Watts Short Notice 161 William Godwin. An Enquiry Concerning Political Justice ed. with intro. Mark Philp Martin Fitzpatrick Documents 163 The Diary of Hannah Lightbody: errata and addenda David Sekers Lesser British Jacobin and Anti-Jacobin Writers during the French Revolution H T Dickinson In the late eighteenth century Britain possessed the freest, most wide-ranging and best circulating press in Europe. 1 A high proportion of the products of the press were concerned with domestic and foreign politics and with wars which directly involved Britain and affected her economy. Not surprisingly therefore the French Revolution and the French Revolutionary War, impacting as they did on British domestic politics, had a huge influence on what the British press produced in the years between 1789 and 1802.
    [Show full text]
  • Uva-DARE (Digital Academic Repository)
    UvA-DARE (Digital Academic Repository) Authority and utility: John Millar, James Mill and the politics of history c.1770- 1836 Westerman, I. Publication date 1999 Link to publication Citation for published version (APA): Westerman, I. (1999). Authority and utility: John Millar, James Mill and the politics of history c.1770-1836. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:06 Oct 2021 The History of Authority CHAPTER FOUR 'THE COLD AND THANKLESS CLIMATE OF OPPOSITION' From May 1796 to August of the same year, Millar expressed his anxieties about the state of Britain in the light of the war with France in thirteen letters to the editor of the Scots Chronicle. The Scots Chronicle was an Edinburgh-based periodical that faced the harsh measures government took to dissuade the British populace from following the example set by the French.
    [Show full text]
  • English Radicalism and the Struggle for Reform
    English Radicalism and the Struggle for Reform The Library of Sir Geoffrey Bindman, QC. Part I. BERNARD QUARITCH LTD MMXX BERNARD QUARITCH LTD 36 Bedford Row, London, WC1R 4JH tel.: +44 (0)20 7297 4888 fax: +44 (0)20 7297 4866 email: [email protected] / [email protected] web: www.quaritch.com Bankers: Barclays Bank PLC 1 Churchill Place London E14 5HP Sort code: 20-65-90 Account number: 10511722 Swift code: BUKBGB22 Sterling account: IBAN: GB71 BUKB 2065 9010 5117 22 Euro account: IBAN: GB03 BUKB 2065 9045 4470 11 U.S. Dollar account: IBAN: GB19 BUKB 2065 9063 9924 44 VAT number: GB 322 4543 31 Front cover: from item 106 (Gillray) Rear cover: from item 281 (Peterloo Massacre) Opposite: from item 276 (‘Martial’) List 2020/1 Introduction My father qualified in medicine at Durham University in 1926 and practised in Gateshead on Tyne for the next 43 years – excluding 6 years absence on war service from 1939 to 1945. From his student days he had been an avid book collector. He formed relationships with antiquarian booksellers throughout the north of England. His interests were eclectic but focused on English literature of the 17th and 18th centuries. Several of my father’s books have survived in the present collection. During childhood I paid little attention to his books but in later years I too became a collector. During the war I was evacuated to the Lake District and my school in Keswick incorporated Greta Hall, where Coleridge lived with Robert Southey and his family. So from an early age the Lake Poets were a significant part of my life and a focus of my book collecting.
    [Show full text]
  • Introduction: the Royal Character in the Public Imagination 1
    Notes Introduction: The Royal Character in the Public Imagination 1. I use the words “royal” and “monarch” (and their variants, “royalty,” “monarchy,” “monarchical,” etc.) interchangeably. By the late eigh- teenth century both terms in common usage referred equally to kings and to those who ruled (queens, regents). “Royal” also referred, and still does, to near relatives of the monarch, as in “royal family,” and I use it in this sense also. 2. Austen’s conservatism is famously unstable. Feminist critics espe- cially have suggested that a feminist subtext undercuts or at least tempers the conservative trajectories of her novels. In Equivocal Beings, Claudia Johnson provides a comprehensive discussion of the conservative reading of Emma as well as its implicit feminist critique (192–96). 3. Unlike Pride and Prejudice, in which she was revising an earlier draft, Austen wrote Mansfield Park, Emma, and Persuasion after 1810. She began writing Mansfield Park in February 1811, the same month in which the Regency began (Sturrock 30; see also Tomalin 223–24). 4. Clara Tuite suggests that Mansfield Park can be read as “a provincial deflection of the wider national issues of responsible hereditary gov- ernment” (Romantic Austen 132). 5. The phrase “Queen Caroline affair” historically refers to the events of 1820 and 1821, when the uncrowned King attempted to divorce his wife by Act of Parliament. Although Caroline was technically Queen, supporters of the new King used a variety of means, some political, some rhetorical, to contest her legitimacy. Similarities as well as an evident continuity between this episode and the Prince’s first attempt to obtain a divorce, some fifteen years earlier, have often led scholars to refer to their marital disputes before, during, and after the Regency as the Queen Caroline affair.
    [Show full text]
  • Radical Returns in an Age of Revolutions: Maurice Margarot
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Edinburgh Research Explorer Edinburgh Research Explorer Radical Returns in an Age of Revolutions: Maurice Margarot, Thomas McFarlane and Andrew White Citation for published version: Pentland, G 2010, 'Radical Returns in an Age of Revolutions: Maurice Margarot, Thomas McFarlane and Andrew White' Etudes Ecossaises, vol. 13, pp. 92-101. Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: Etudes Ecossaises Publisher Rights Statement: © Pentland, G. (2010). Radical Returns in an Age of Revolutions: Maurice Margarot, Thomas McFarlane and Andrew White. Etudes Ecossaises, 13, 92-101. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 05. Apr. 2019 Études écossaises 13 (2010) Exil et Retour ...............................................................................................................................................................................................................................................................................................
    [Show full text]
  • Remarks by Professor Richard Perham Following His Installation As Master, 5 January 2004
    Remarks by Professor Richard Perham following his installation as Master, 5 January 2004 President, fellow Johnians, On the 6th of November last year, the Fellows of this College paid me the highest compliment of my academic life by electing me to the Mastership. The declaration I have just made requires me to do all in my power to secure the good government of the College as a place of education, religion, learning and research, and to observe all the statutes. It has not escaped my notice that the declaration made by a Fellow on being admitted to his or her Fellowship requires him or her also to observe the statutes - but the important qualification ‘all’ is omitted. No doubt historians of the College will be able to enlighten me as to the reasons for this difference in the declarations - meanwhile I shall continue to work on the assumption that Fellows are not at liberty to pick and choose among the statutes they observe! What are we to make of this College of ours as we embark on a new calendar year in what is still almost a new century? St John’s is not a grand College, but it is a great one, unique I believe in Cambridge and Oxford. The difference, I put it to you, is an important one that has been with us for almost 500 years. It is not something of which we need be, or should be, embarrassed. We trace our foundation back to the largesse of the Lady Margaret Beaufort, mother of King Henry VII, but we owe much to Bishop (now Saint) John Fisher, her spiritual adviser and companion.
    [Show full text]
  • Caricature in the Novel, 1740-1840 a Dissertation Submitted in Part
    UNIVERSITY OF CALIFORNIA Los Angeles Sentiment and Laughter: Caricature in the Novel, 1740-1840 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Leigh-Michil George 2016 © Copyright by Leigh-Michil George 2016 ABSTRACT OF THE DISSERTATION Sentiment and Laughter: Caricature in the Novel, 1740-1840 by Leigh-Michil George Doctor of Philosophy in English University of California, Los Angeles, 2016 Professor Jonathan Hamilton Grossman, Co-Chair Professor Felicity A. Nussbaum, Co-Chair This dissertation examines how late eighteenth- and early nineteenth-century British novelists—major authors, Laurence Sterne and Jane Austen, and lesser-known writers, Pierce Egan, Charles Jenner, and Alexander Bicknell—challenged Henry Fielding’s mid-eighteenth-century critique of caricature as unrealistic and un-novelistic. In this study, I argue that Sterne, Austen, Egan, and others translated visual tropes of caricature into literary form in order to make their comic writings appear more “realistic.” In doing so, these authors not only bridged the character-caricature divide, but a visual- verbal divide as well. As I demonstrate, the desire to connect caricature with character, and the visual with the verbal, grew out of larger ethical and aesthetic concerns regarding the relationship between laughter, sensibility, and novelistic form. ii This study begins with Fielding’s Joseph Andrews (1742) and its antagonistic stance towards caricature and the laughter it evokes, a laughter that both Fielding and William Hogarth portray as detrimental to the knowledge of character and sensibility. My second chapter looks at how, increasingly, in the late eighteenth century tears and laughter were integrated into the sentimental experience.
    [Show full text]
  • James Perry and the Morning Chronicle 179O—I821
    I JAMES PERRY AND THE MORNING CHRONICLE- 179O—I821 By l yon Asquith Thesis submitted for the Degree of Doctor of Philosophy in the University of London 1973 2 TABLE OF CONTENTS Abstract 3 Preface 5 1. 1790-1794 6 2. 1795-1 805 75 3. 1806-1812 (i) ThB Ministry of the Talents 184 (ii) Reform, Radicalism and the War 1808-12 210 (iii) The Whigs arid the Morning Chronicle 269 4. Perry's Advertising Policy 314 Appendix A: Costs of Production 363 Appendix B: Advertising Profits 365 Appendix C: Government Advertisements 367 5. 1813-1821 368 Conclusion 459 Bibliography 467 3 A BSTRACT This thesis is a study of the career of James Perry, editor and proprietor of the Morning Chronicle, from 1790-1821. Based on an examination of the correspondence of whig and radical polit- icians, and of the files of the morning Chronicle, it illustrates the impact which Perry made on the world of politics and journalism. The main questions discussed are how Perry responded, as a Foxite journalist, to the chief political issues of the day; the extent to which the whigs attempted to influence his editorial policy and the degree to which he reconciled his independence with obedience to their wishes4 the difficulties he encountered as the spokesman of an often divided party; his considerable involvement, which was remarkable for a journalist, in party activity and in the social life of whig politicians; and his success as a newspaper proprietor concerned not only with political propaganda, but with conducting a paper which was distinguished for the quality of its miscellaneous features and for its profitability as a business enterprise.
    [Show full text]
  • The King Falls Into the Hands Ofcaricature
    Originalveröffentlichung in: Kremers, Anorthe ; Reich, Elisabeth (Hrsgg.): Loyal subversion? Caricatures from the Personal Union between England and Hanover (1714-1837), Göttingen 2014, S. 11-34 Werner Busch The King Falls into the Hands of Caricature. Hanoverians in England Durch die Hinrichtung Karls I. auf Veranlassung Cromwells im Jahr 1649 wurde das Gottesgnadentum des Konigs ein erstes Mai in Frage gestellt. Als nach dem Tod von Queen Anne 1714 die Hannoveraner auf den englischen Thron kamen, galten diese den Englandern als Fremdlinge. 1760 wurde mit Georg III. zudem ein psychisch labiler, spater geisteskranker Konig Regent. Als 1792 der franzdsische Konig Ludwig XVI. inhaftiert und spater hingerichtet wurde, musste das Konigtum generell um seinen Fortbestand fiirchten. In dieser Situation bemdchtigte sich die englische Karikatur endgilltig auch der koniglichen Person. Wie es schrittweise dazu kam und welche Rolle diesfilr das konig- liche Portrat gespielt hat, wird in diesem Beitragzu zeigen sein. If I were to ask you how you would define the genre of caricature, then you would perhaps answer, after brief reflection that Caricature is basically a drawing reproduced in newspapers or magazines that comments ironically on political or social events in narrative form and both satirises the protagonists shown there by exaggerating their features and body shapes on the one hand and by reducing them at the same time to a few typical characteristics on the other hand characterising them unmistakably. Perhaps you would then add that the few typical characteristics of well-known peo­ ple become binding stereotypes in the course of time and as such are sufficient to let the person become instantly recognisable.
    [Show full text]