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2017Seasonpressrelea
Crowded Fire Theater FOR IMMEDIATE RELEASE: Contact: Tiffany Cothran (415) 523-0034 [email protected] CROWDED FIRE THEATER’S 2017 SEASON WITH PLAYS BY MIA CHUNG AND PLAYWRIGHT-IN-RESIDENCE CHRISTOPHER CHEN YOU FOR ME FOR YOU by Mia Chung, March 9-April 1 A TALE OF AUTUMN by Christopher Chen, September 14-October 7 Translated by Rachel Willson-Broyles Presented at the Thick House 1695 18th St, San Francisco San Francisco - Crowded Fire Theater (CFT) Crowded Fire’s Artistic Director Mina Morita unveiled the 2017 mainstage season lineup including two contemporary plays that continue to uphold the company’s long tradition of producing boundary - pushing, thought-provoking theater. At a season-announcement party on Saturday, November th 19 Morita addressed Crowded Fire donors, patrons, and artists saying “We are a divided country in the midst of a divisive time. It is more important now, more than ever to use our creative and critical thought to mine our cultural memory and to interrogate our existence. I am thrilled to present selections next season that do just that.” Crowded Fire‘s 2016 season begins with the Bay Area premiere of Mia Chung’s YOU FOR ME FOR YOU (3/9-4/1), a heart-wrenching and magical tale of two North Korean sisters divided in their patriotism and separated in their attempt to leave North Korea for the United States. YOU FOR ME FOR YOU will be directed by M. Graham Smith. The mainstage season concludes with local favorite Christopher Chen’s world premiere of A TALE OF AUTUMN (9/14-10/7), a Crowded Fire commissioned piece born from a deep mutual concern over the ever-increasing power of corporate personhood in present day capitalism. -
Current Season Poster
2019-2020 PERFORMANCE SEASON MainstageMainstage SeriesSeries TheThe HouseHouse ofof BlueBlue LeavesLeaves by John Guare It’s 1965, the day Pope Paul VI came to New York City. For Artie Shaughnessy of Sun- nyside, Queens, this historic moment is an omen for change. Artie dreams of leaving his zookeeper job to pursue a life as a songwriter in Hollywood with his new girlfriend, Bunny. However, a few things stand in his way, such as his wife, Bananas; a GI son drafted into Vietnam gone AWOL; a grieving movie producer; and a group of over-ex- cited nuns. When these worlds collide, hilarity ensues. This dark comedy explores the theme of the American Dream at a moment in U.S. history ripe with change. November 1- 2 @7PM and November 2-3 @2PM . $10 General Admission, $8 Seniors, Faculty, & Staff, $5 Students CelebratingCelebrating thethe Green:Green: ChristmasChristmas BellesBelles Jewell Theatre Company and Jazz Band collaborate to present a classic holiday story combining reader’s theatre with live music. The performance is part of Jewell’s annual winter holiday events for the entire campus and community. Free performance. November 22, Following the Lighting of the Quad Free Admission or Donation November 23 @ 2PMZ A Pay What You Wish Event AA Gentleman’sGentleman’s GuideGuide toto LoveLove andand MurderMurder book and lyrics by Robert L. Freedman & the music and lyrics by Steven Lutvak When the humble Monty Navarro learns that he is eighth in line for an earldom in the D’Ysquith family fortune, he plans to knock off his unsuspecting relatives to become the ninth Earl of Highhurst. -
Putting It Together
46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager ............................................................. -
Dead Man's Cell Phone Media Release
FOR IMMEDIATE RELEASE PROFILE THEATRE PRESS CONTACT: Natalie Genter-Gilmore, Marketing and Communications Manager PH: 503.242.0080 [email protected] DEAD MAN’S CELL PHONE By Sarah Ruhl January 29 – February 15, 2015 PORTLAND, Ore., January 8, 2015 – PROFILE THEATRE (Adriana Baer, Artistic Director) proudly presents Dead Man’s Cell Phone by Sarah Ruhl. Performances run January 29 – February 15, 2015 on the Morrison Stage at Artists Repertory Theatre. Tickets are currently on sale at Profiletheatre.org. Dead Man’s Cell Phone is the first production in Profile Theatre’s 2015 Season dedicated to the works of playwright Sarah Ruhl. “Sarah Ruhl is interested in exploring a reciprocity with the audience. How can we invite you to be in relationship with the stage instead of just observing it from afar?” says Adriana Baer, Profile Artistic Director and director of Dead Man’s Cell Phone. “Perhaps it is by casting a light onto something we all recognize - an object as basic as a cell phone - and using that to show something greater, something magnificent about the human condition.” In Dead Man’s Cell Phone, as Jean takes possession of the cell phone of a dead man, she is thrown into a mysterious journey of self-discovery and awakening. Through this small modern device, she finds adventure, purpose and even love – but at what cost? This hilarious and paradoxical treatise on the digital world probes at the thin line between reality and fantasy, privacy and openness, and even life and death. Cast The cast for Dead Man’s Cell Phone features Dana Millican (Last seen at Profile in 2012’s Fifth of July), Don Kenneth Mason (Last seen at Profile in 2013’s Blood Knot), Patricia Hunter and Dana Green. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences and the Community at Large
NOVEMBER 2012 November 17 - December 29 Dr. Seuss Properties TM & (c) 1957 and 2012 Dr. Seuss Enterprises, L.P. All Rights Reserved. Welcome to Welcome to Whoville! We are pleased to be addressing you jointly for the very first time as we launch a new chapter in the history of The Old Globe. We look forward to honoring and building upon this theatre’s cherished traditions by creating extraordinary theatre for you. DOUG GATES No Globe tradition is more beloved than our annual Managing Director Michael G. Murphy with recently appointed production of Dr. Seuss’ How the Grinch Stole Artistic Director Barry Edelstein. Christmas! We celebrate its 15th Anniversary this year, a milestone that would not have been possible without the support of one very special person. For more than three decades, Audrey Geisel has been close to the heart of The Old Globe, providing support through her kindness, warm smile, charming wit and great generosity. She is a champion of the arts in this community, serving as philanthropist, advocate and leader for many institutions. The production that you see today is on our stage thanks to Theodor Geisel’s creativity and Audrey’s vision and most sincere friendship. Tens of thousands of children have come to know live theatre through the Grinch, and we are grateful to Audrey that each year we are able to mount this production and introduce more young people to this magical art form. We are so proud that for the last 15 years, our audiences have made The Old Globe part of their holiday celebrations. -
Sarah Ruhl’S Singular Voice
SHOW GUIDE April 24 to May 15, 2020 Hilberry Theatre Inside Dear Educators THE PLAY Synopsis, Characters, Setting 2 Wayne State University is proud to produce plays for young people’s The Play 3 enjoyment and to actively explore the beauty, diversity, complexity and challenges of the world around them through the dramatic THE CREATORS arts. We wish to support the development of their creative voice, The Playwright 4 imagination, and understanding of drama and its role in our global society. CURRICULUM SUPPORT Activities presented assist in achieving the Michigan Common Core State Standards (MI-CCSS) This play guide is designed to be a tool in helping you prepare Speaking and Listening 5/6 your students for our performance as well as extend the production Writing 6/7 experience back into the classroom. History/Social Studies 7 Differentiated Learning Activities 8/9 Activities presented assist in achieving the Michigan Common Core State Standards (MI-CCSS). THE THEATRE Location and Seating 10 Your comments and suggestions about this guide, presentation First Time Visitor’s Guide 11 and/or programming are welcome. Email [email protected]. MORE TO SEE 12 Your Students’ Role You may wish to have a discussion with your students before attending the play. Remind your students that they have an important role to play at the performance being the audience. It is because of the audience that the theatre exists. It will be their energy and response that will directly affect the actors onstage. Young audiences should be reminded that live theatre is not like watching TV, a movie or DVD; the actors cannot pause or be rewound, there are no commercial breaks for running to the bathroom, the volume cannot be turned up to hear better if someone other than the actors are talking. -
Ahmanson Theatre
AHMANSON THEATRE 1967-68 PREMIERE SEASON 1968-69 SEASON “More Stately Mansions” “Captain Brassbound’s Conversion” by Eugene O’Neill; by George Bernard Shaw; Starring Ingrid Bergman, Arthur Hill Starring Greer Garson, and Colleen Dewhurst; Darren McGavin, Jim Backus, Paul Directed by José Quintero. Ford, John Williams, George Rose (American Premiere). and Tony Tanner; September 12 - October 21, 1967. Directed by Joseph Anthony. “The Happy Time” September 24 - November 9, 1968. Book by N. Richard Nash; “Love Match” Based on the play by Samuel A. Book by Christian Hamilton; Taylor and the book by Robert L. Music by David Shire; Fontaine; Music by John Kander; Lyrics by Richard Maltby Jr.; Lyrics by Fred Ebb; Starring Patricia Routledge, Starring Robert Goulet and Michael Allinson and Hal Linden; David Wayne; Directed and choreographed by Directed and choreographed by Danny Daniels. Gower Champion. (World Premiere). (World Premiere). November 19, 1968 - January 4, 1969. November 13 - December 23, 1967. The Royal Shakespeare Company in The Royal Shakespeare Company in “Dr. Faustus” “As You Like It” by Christopher Marlowe; by William Shakespeare; Directed by Clifford Williams. Directed by David Jones. “Much Ado About Nothing” “The Taming of the Shrew” by William Shakespeare; by William Shakespeare; Directed by Trevor Nunn. Directed by Trevor Nunn. January 14 - March 1, 1969. January 2 - February 10, 1968. “Rosencrantz and Guildenstern Are Dead” “Catch My Soul” by Tom Stoppard; Words by William Shakespeare; Starring Brian Murray and Music by Ray Pohlman; George Backman; Starring William Marshall, Jerry Lee Directed by Derek Goldby. Lewis and Julienne Marie; March 11 - April 26, 1969. -
New Books FALL + WINTER 2020 PAGE Contents 11 African American Studies
New Books FALL + WINTER 2020 PAGE contents 11 African American Studies ..... 2, 13 Civil Rights ...............1, 4, 9 Folklore ......................11 Literary Studies ..............15–18 Memoir ......................4 Music ........................5 Rhetoric ..................19–20 South Carolina ...1–3, 5–7, 9–10, 12 Southern History ...........8, 10 PAGE World History ..............13–14 4 FALL + WINTER 2020 New in Ebook .............. 21–24 HIGHLIGHTS Cover Image: Leaders of the 1969 Mother’s Day March, a hospital workers' strike, in Charleston (by Cecil J. Williams.), from Stories of Struggle. Above: S. H. Kress and Co. in Orangeburg removed the seats of its counter stools to thwart student sit-ins (by Cecil J. Williams), from Stories of Struggle. SOUTH CAROLINA / CIVIL RIGHTS In this pioneering study of the long and arduous struggle for civil rights in South Carolina, journalist Claudia Smith Brinson details the lynchings, beatings, cross burn- ings, and venomous hatred that black South Carolinians endured—as well as the astonishing courage, dignity, and com- passion of those who risked their lives for equality. Through extensive research and interviews with more than 150 civil rights activists, Brinson chronicles twenty pivotal years of petitioning, picketing, boycotting, marching, and holding sit-ins. These intimate stories of courage, both heartbreaking and inspiring, shine a light on the progress achieved by nonviolent civil rights activists while also revealing white South Carolinians’ often violent resistance to change. Although significant racial dis- parities remain, the sacrifices of these brave Stories of men and women produced real progress— and hope for the future. Struggle CLAUDIA SMITH BRINSON, a South Car- The Clash over Civil Rights in olina journalist for more than thirty years, South Carolina has won more than thirty awards, including Knight Ridder’s Award of Excellence and an CLAUDIA SMITH BRINSON O. -
June 2018 Welcome Mike Hausberg
JUNE 2018 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of The Tempest. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
DAVID CAPARELLIOTIS Caparelliotis Casting /212-575-1987 [email protected]
DAVID CAPARELLIOTIS Caparelliotis Casting /212-575-1987 [email protected] CASTING DIRECTOR (selected) Holler If Ya Hear Me (Todd Kreidler) Palace Theatre/Broadway dir. Kenny Leon (upcoming) Casa Valentina (Harvey Fierstein) Freidman Theatre/ Broadway dir. Joe Mantello (upcoming) Commons of Pensacola (Amanda Peet) Manhattan Theater Club dir. Lynne Meadow The Snow Geese (Sharr White) Freidman Theatre/ Broadway dir. Daniel Sullivan All New People (Zach Braff) Second Stage Theatre dir. Peter DuBois Water By The Spoonful (Quiara Hudes) Second Stage Theatre dir. Davis McCallum My Name Is Rachel Corrie Minetta Lane/Off-Broadway dir. Alan Rickman Complicit (Joe Sutton) Old Vic/London dir. Kevin Spacey Orphans (Lyle Kessler) Schoenfeld Theatre/ Broadway dir. Daniel Sullivan Lonely I’m Not (Paul Weitz) Second Stage Theatre dir. Trip Cullman Tales of the City: the musical American Conservatory Theatre dir: Jason Moore Romantic Poetry (John P. Shanley) MTC/Off-Broadway dir: John P. Shanley Trip to Bountiful (Horton Foote) Sondheim Theatre/ Broadway dir. Michael Wilson Dead Accounts (Theresa Rebeck) Music Box Theatre/ Broadway dir. Jack O’Brien Fences (August Wilson) Cort Theatre/Broadway dir. Kenny Leon Sweet Bird of Youth (T. Williams) Goodman Theatre/ Chicago dir. David Cromer The Other Place (Sharr White) Freidman Theatre/ Broadway dir. Joe Mantello Seminar (Theresa Rebeck) Golden Theatre/ Broadway dir. Sam Gold Grace (Craig Wright) Court Theatre/ Broadway dir. Dexter Bullard Bengal Tiger … (Rajiv Josef) Richard Rodgers/ Broadway dir. Moises Kaufman Stick Fly (Lydia Diamond) Cort Theatre/ Broadway dir. Kenny Leon The Columnist (David Auburn) Freidman Theatre/Broadway dir. Daniel Sullivan The Royal Family (Ferber) Freidman Theatre/ Broadway dir. -
От Эпохи Идеологической Конфронтации (1946-1991) До Современного Этапа (1992-2010)
Александр Федоров Трансформации образа России на западном экране : от эпохи идеологической конфронтации (1946-1991) до современного этапа (1992-2010) Москва , 2013 2 Федоров А.В. Трансформации образа России на западном экране : от эпохи идеологической конфронтации (1946-1991) до современного этапа (1992-2010). М.: Изд -во МОО « Информация для всех », 2013. 230 c. (2-е издание , расширенное и дополненное ) Кинематограф остается эффективным средством влияния ( в том числе и политического , идеологического ) на аудиторию . Следовательно , изучение трансформации образа России на западном экране сегодня по -прежнему актуально . Среди задач , поставленных в монографии , - определение места и роли темы трансформации образа России в западном кинематографе с 1946 ( старт послевоенной идеологической конфронтации ) по 1991 ( распад Советского Союза ) годы в сравнении с тенденциями современной эпохи (1992-2010); изучение политического , идеологического , социального , культурного контекста , основных этапов развития , направлений , целей , задач , авторских концепций трактовки данной темы на западном экране ; классификация и сравнительный анализ идеологии , моделей содержания , модификаций жанра , стереотипов западного кинематографа , связанного с трактовками образа России . Во второе расширенное и дополненное издание 2013 года вошли новые материалы по заявленной тематике . Для исследователей в области политологии , культурологии , киноведения , медиакультуры , социологии , преподавателей , аспирантов и студентов вузов гуманитарных специальностей . Данная монография написана при финансовой поддержке гранта Российского гуманитарного научного фонда ( РГНФ , проект № 09-03-00032 а/р « Сравнительный анализ трансформации образа России на западном экране : от эпохи идеологической конфронтации (1946-1991) до современного этапа (1992-2008)». Научный руководитель проекта – д.п.н., профессор А.В.Федоров . ISBN 978-5-98517-104-4 Fedorov, Alexander. Russian Image Transformation on the Western Screen: From Epoch of Ideological Confrontation (1946-1991) to Modern Time (1992-2010).