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The Great Organ of Fulda Cathedral Pedalwerk: 120-110 WS C-g’ Stimmtonhöhe DDD 57. Untersatz 32’ neu C-H Fichte 439 Hz bei 140 C Hauptwerk: II. Manual - 95 WS C-a’’’ Oberwerk: IV. Manual - 95 WS C-a’’’ ab c0 aus 59 Setzeranlage/Remocard The Organ Encyclopedia 8.570313 0 1 1. Praestant 16’ neu C-G Eiche/Fichte 27. Gedackt 8’ c -f’’’aus HW 58. Praestant 16’ neu 75% Zinn 32 x 12 Kombinationen, Sequenzer 0 1 Rest 75% Zinn 28. Gemshorn 8’ c -f’’’aus HW 59. Subbaß 16’ neu Eiche/Fichte Walze 0 1 Joseph Gabriel 2. Principal 8’ c -f’’’aus HW 29. Praestant 4’ neu 75% Zinn 60. Violin 16’ neu 60% Zinn A, B, C frei programmierbar 1 3. Rohrgedackt 8’ neu 25% Zinn 30. Fern Flöte 4’ C-f’’aus HW 61. Octave 8’ neu 75% Zinn Prospekt und vorderes Gehäuse 1 1 4. Flûte harmonique 8’ c -f’’’aus HW 31. Piccolo 2’ neu 60% Zinn 62. Flûte 8’ neu 60% Zinn Adam Öhninger (1713) RHEINBERGER 1 5. Octave 4’ C-f’’’aus HW 32. Sifflöte 1’ 60% Zinn 63. Cello 8’ 60% Zinn Technischer Neubau 46 (48) Register, 6. Spitzflöte 4’ neu 25% Zinn 33. Mixtur III 2’ neu 75% Zinn 64. Octavbaß 4’ C-d’ aus Ped.1 Gehäuseergänzung 2 1 0 0 1 Organ Works • 6 7. Rauschquinte II 2 /3’ C-f’’’aus HW 34. Kornett IV 4’ ab g , gis -f’’’aus HW 65. Flûte 4’ neu 60% Zinn Reiger Orgelbau, Schwarzach 1.2 8. Superoctave 2’ neu 75% Zinn 35. Clarinett 8’ C-f’’’aus HW 66. Fl. traver 2’ C-d’ aus Ped.1 Gehäuserestaurierung/Farbfassung Sonatas Nos. 14-16 2 9. Mixtur major V 2’ neu 75% Zinn 36. Trompete 8’ neu 75% Zinn 67. Hintersatz IV 2 /3’ neu 75% Zinn Firma Jean Kramer, Fulda 2 10. Mixtur minor III /3’ neu 75% Zinn 37. Clairon 4’ neu 75% Zinn 68. Kontraposaune 32’ neu C-H Fichte Disposition 0 Wolfgang Rübsam 11. Cornett 8’ ab g /neu 25% Zinn Tremulant ab c0 aus 69 Christoph Glatter-Götz, Oswald Wagner, 12. Trompete 16’ neu 60% Zinn 69. Posaune 16’ neu Fichte Gero Kaleschke, Reinhardt Menger, Hans-Jurgen 13. Trompete 8’ neu 60% Zinn Schwellwerk: III. Manual - 110 WS C-a’’’ 70. Fagott 16’ neu 60% Zinn Kaiser 1 Tremulant 38. Bordun 16’ c’-f’’’aus HW 71. Trompete 8’ neu 60% Zinn 1Pfeifenbestand wie angegeben aus der Sauerogel von 1877 0 1 39. Principal 8’ c -f’’’aus HW 72. Clairon 4’ C-d’aus Ped.1 mit Angabe der Werkszuordnung von 1994, 0 1 Rückpositiv: I. Manual - 85 WS C-a’’’ 40. Rohrflöte 8’ c -f’’’aus BW HW = Hauptwerk, NW = Nebenwerk, 0 1 14. Praestant 8’ neu 75% Zinn 41. Salicional 8’ c -f’’’aus HW Koppeln BW = Bombardwerk, SW = Schwellwerk, Ped. = Pedal 1 15. Holzgedackt 8’ neu Birne 42. Gamba 8’ C-f’’’aus SW Ow-Ped, Sw-Ped, Hw-Ped, Rp-Ped, Ow-Rp, 2Ergänzung im Diskant (fis’’’-a’’’) von Späth übernommen 1 16. Quintatön 8’ C-g’’aus NW 43. Vox coelestis 8’ neu, ab G 60% Zinn Sw-Rp, Ow-Hw, Sw-Hw, Rp-Hw, Ow-Sw 1 17. Octave 4’ C-f’’’aus NW 44. Octave 4’ neu 75% Zinn Koppeln elektrisch 1 1 18. Rohrflöte 4’ C-f’’’aus HW 45. Fl. travers 4’ C-f’’’aus NW Sw-Hw16’, Sw-Ped4’, Rp-Ped4’, Sw-Hw, Ow-Hw 2 19. Quinte 2 /3’ neu 60% Zinn 46. Viola 4’ neu 75% Zinn 2 1 20. Superoctave 2’ neu 75% Zinn 47. Nassard 2 /3’ C-f’’’aus NW 3 21. Terz 1 /5’ neu 60% Zinn 48. Doublette 2’ neu 60% Zinn 1 3 22. Larigot 1 /3’ neu 60% Zinn 49. Tierce 1 /5’ neu 60% Zinn 23. Scharff IV 1’ neu 75% Zinn 50. Plein jeu V 2’ neu 75% Zinn 2 1 24. Dulcian 16’ neu 25% Zinn 51. Progressio IV-VI 2 /3’ C-f’’’aus NW 25. Krummhorn 8’ neu 25% Zinn 52. Bombarde 16’ c-f’’’aus HW1 26. Trompete 8’ neu 60% Zinn 53. Trompette Tremulant harmonique 8’ neu 60% Zinn 54. Hautbois 8’ neu 60% Zinn 55. Clairon harmonique 4’ neu 60% Zinn 56. Voix humaine 8 neu 25% Zinn Tremulant
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Joseph Gabriel Rheinberger (1839-1901) return of the opening of the movement in a coda. The heart of the movement is an Intermezzo, based on an Wolfgang Rübsam Organ Works, Volume 6 F major second movement, Idyll, in a gentle 6/8, has a inversion of the fugal subject. Polyphonic writing Wolfgang Rübsam was born in Germany and received his musical training in Europe from Erich Ackermann, While for many his name may now have little were withheld from publication. His first published contrasting central section in which the first theme is returns in the final Ricercare, with its playful Helmut Walcha and Marie-Claire Alain, and in the United States from Robert T. Anderson. He served as Professor resonance, Joseph Gabriel Rheinberger remains composition was a set of piano pieces, issued in 1859, variously inverted. The sonata ends with a busy countersubject, and the sonata ends with a reminiscence of Church Music and Organ at Northwestern University, Evanston, Illinois, after winning the 1973 Grand Prix de familiar enough to organists, to whose repertoire he the year in which he was appointed to the staff of the Toccata which leads to a grandiose chordal Maestoso, of the first movement, now marked Maestoso. Chartres for Interpretation. During this 23-year teaching engagement he was also University Organist at made such an extensive contribution, in particular his Munich Conservatory as a piano teacher and the whole ending in a dramatic climax. Rheinberger’s Sonata No. 16 in G sharp minor, Rockefeller Memorial Chapel of the University of Chicago from 1981. Wolfgang Rübsam is internationally known twenty sonatas for the instrument. Among his subsequently as a teacher of theory. In the following Sonata No. 15 in D major, Op. 168, dating from Op. 175, written in 1893, the year after his wife’s death, through over a hundred highly acclaimed recordings of organ repertoire from the baroque and romantic periods for contemporaries he was held in considerable esteem as a years he was appointed organist at the Church of 1891, opens with a Fantasia, marked Andante amabile opens with an Allegro moderato, its first theme a variety of labels. He gives frequent recitals and master-classes in the United States and Europe and has served on teacher, preserving classical standards in a changing St Michael, conducted the Oratorio Society, served and in 9/8. An Agitato section has two contrasting developed before the introduction of a second, material the juries for the most prestigious competitions. He is currently Professor at the Hochschule des Saarlandes für world, and some of his Catholic liturgical music may briefly as repetiteur at the Court Opera, and from 1867 melodies, the first in D minor and the second, first that returns in recapitulation. The second movement, Musik und Theater in Saarbrücken. still occasionally be heard. held the position of professor of organ and composition heard in the tenor register, in F major. The second Skandinavisch, makes use of two contrasting Rheinberger was born in Vaduz, the capital of the at the Conservatory, retaining this until his death in movement, a B flat major Adagio, opens with sixteen Scandinavian folk-themes, and the last movement, with principality of Liechtenstein, in 1839, the son of the 1901. Among other distinctions he was in 1877 offered bars of relative tranquillity before the intrusion of more its E major Introduction, returns to the principal key of Treasurer to the Prince. He had his first organ lessons at the position of director of the new Hoch Conservatory forceful material. Both elements return in the final the whole work, G sharp minor, with its 6/8 fugal the age of five and two years later was able to serve as in Frankfurt, which he refused, but was appointed Court section of the movement. As its title indicates, the third subject, in a movement that has its final enharmonic organist at Vaduz, making his first attempts at Kapellmeister, directing the music at the Court Church movement starts with an Introduction. The following A flat major apotheosis in a Maestoso final section. composition. From 1848 he was able to have more of All Saints in Munich. Various public and academic fugal section opens with a statement of the subject, formal instruction in the nearby town of Feldkirch from honours were bestowed on him, in Munich and abroad, already suggested in the Introduction. Unusually, at the Keith Anderson the choirmaster Philipp Schmutzer, who had been with a papal knighthood after his dedication of his trained in Prague, and gain some familiarity with the Cantus Missae to Pope Leo XIII. He enjoyed the music of Bach, Mozart and Beethoven. It was on the highest reputation as a teacher, with pupils including advice of the composer Matthäus Nagiller that his Humperdinck, Wolf-Ferrari and Furtwängler, father was persuaded to allow him in 1851 to study at inculcating in them a respect for sound classical the Munich Conservatory. His teachers there included, principles. His marriage in 1867 to a widowed former for theory of music, Julius Joseph Maier, a pupil of pupil, the writer Franziska von Hoffnaass, led to the Moritz Hauptmann, himself a pupil of Spohr and setting of many of her verses, part of a wide range of founder of the Bach Gesellschaft. His organ teacher works of all kinds. His organ compositions, while was the virtuoso Johann Georg Herzog, who had joined keeping some place in current performance repertoire, the staff of the Conservatory in 1850, and he studied the have for long also proved a valuable element in the piano with Julius Emil Leonhard. He was also to take training of new generations of players. private lessons from Franz Lachner, who, as a young Rheinberger’s Sonata No. 14 in C major, Op. 165, man, had been a member of Schubert’s circle in Vienna. written in 1890, starts with a Praeludium in which the During his three years of formal study he already opening rhythmic figure retains importance. The showed very considerable ability both as an organist movement leads to a fugue, its subject derived in part and as a master of counterpoint and fugue. In the 1850s from the opening figure of the Praeludium. The fugue he continued to write a varied series of compositions, contains a secondary theme, material that is repeated in including three operas and three symphonies, but these the equivalent of a sonata recapitulation before the
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Joseph Gabriel Rheinberger (1839-1901) return of the opening of the movement in a coda. The heart of the movement is an Intermezzo, based on an Wolfgang Rübsam Organ Works, Volume 6 F major second movement, Idyll, in a gentle 6/8, has a inversion of the fugal subject. Polyphonic writing Wolfgang Rübsam was born in Germany and received his musical training in Europe from Erich Ackermann, While for many his name may now have little were withheld from publication. His first published contrasting central section in which the first theme is returns in the final Ricercare, with its playful Helmut Walcha and Marie-Claire Alain, and in the United States from Robert T. Anderson. He served as Professor resonance, Joseph Gabriel Rheinberger remains composition was a set of piano pieces, issued in 1859, variously inverted. The sonata ends with a busy countersubject, and the sonata ends with a reminiscence of Church Music and Organ at Northwestern University, Evanston, Illinois, after winning the 1973 Grand Prix de familiar enough to organists, to whose repertoire he the year in which he was appointed to the staff of the Toccata which leads to a grandiose chordal Maestoso, of the first movement, now marked Maestoso. Chartres for Interpretation. During this 23-year teaching engagement he was also University Organist at made such an extensive contribution, in particular his Munich Conservatory as a piano teacher and the whole ending in a dramatic climax. Rheinberger’s Sonata No. 16 in G sharp minor, Rockefeller Memorial Chapel of the University of Chicago from 1981. Wolfgang Rübsam is internationally known twenty sonatas for the instrument. Among his subsequently as a teacher of theory. In the following Sonata No. 15 in D major, Op. 168, dating from Op. 175, written in 1893, the year after his wife’s death, through over a hundred highly acclaimed recordings of organ repertoire from the baroque and romantic periods for contemporaries he was held in considerable esteem as a years he was appointed organist at the Church of 1891, opens with a Fantasia, marked Andante amabile opens with an Allegro moderato, its first theme a variety of labels. He gives frequent recitals and master-classes in the United States and Europe and has served on teacher, preserving classical standards in a changing St Michael, conducted the Oratorio Society, served and in 9/8. An Agitato section has two contrasting developed before the introduction of a second, material the juries for the most prestigious competitions. He is currently Professor at the Hochschule des Saarlandes für world, and some of his Catholic liturgical music may briefly as repetiteur at the Court Opera, and from 1867 melodies, the first in D minor and the second, first that returns in recapitulation. The second movement, Musik und Theater in Saarbrücken. still occasionally be heard. held the position of professor of organ and composition heard in the tenor register, in F major. The second Skandinavisch, makes use of two contrasting Rheinberger was born in Vaduz, the capital of the at the Conservatory, retaining this until his death in movement, a B flat major Adagio, opens with sixteen Scandinavian folk-themes, and the last movement, with principality of Liechtenstein, in 1839, the son of the 1901. Among other distinctions he was in 1877 offered bars of relative tranquillity before the intrusion of more its E major Introduction, returns to the principal key of Treasurer to the Prince. He had his first organ lessons at the position of director of the new Hoch Conservatory forceful material. Both elements return in the final the whole work, G sharp minor, with its 6/8 fugal the age of five and two years later was able to serve as in Frankfurt, which he refused, but was appointed Court section of the movement. As its title indicates, the third subject, in a movement that has its final enharmonic organist at Vaduz, making his first attempts at Kapellmeister, directing the music at the Court Church movement starts with an Introduction. The following A flat major apotheosis in a Maestoso final section. composition. From 1848 he was able to have more of All Saints in Munich. Various public and academic fugal section opens with a statement of the subject, formal instruction in the nearby town of Feldkirch from honours were bestowed on him, in Munich and abroad, already suggested in the Introduction. Unusually, at the Keith Anderson the choirmaster Philipp Schmutzer, who had been with a papal knighthood after his dedication of his trained in Prague, and gain some familiarity with the Cantus Missae to Pope Leo XIII. He enjoyed the music of Bach, Mozart and Beethoven. It was on the highest reputation as a teacher, with pupils including advice of the composer Matthäus Nagiller that his Humperdinck, Wolf-Ferrari and Furtwängler, father was persuaded to allow him in 1851 to study at inculcating in them a respect for sound classical the Munich Conservatory. His teachers there included, principles. His marriage in 1867 to a widowed former for theory of music, Julius Joseph Maier, a pupil of pupil, the writer Franziska von Hoffnaass, led to the Moritz Hauptmann, himself a pupil of Spohr and setting of many of her verses, part of a wide range of founder of the Bach Gesellschaft. His organ teacher works of all kinds. His organ compositions, while was the virtuoso Johann Georg Herzog, who had joined keeping some place in current performance repertoire, the staff of the Conservatory in 1850, and he studied the have for long also proved a valuable element in the piano with Julius Emil Leonhard. He was also to take training of new generations of players. private lessons from Franz Lachner, who, as a young Rheinberger’s Sonata No. 14 in C major, Op. 165, man, had been a member of Schubert’s circle in Vienna. written in 1890, starts with a Praeludium in which the During his three years of formal study he already opening rhythmic figure retains importance. The showed very considerable ability both as an organist movement leads to a fugue, its subject derived in part and as a master of counterpoint and fugue. In the 1850s from the opening figure of the Praeludium. The fugue he continued to write a varied series of compositions, contains a secondary theme, material that is repeated in including three operas and three symphonies, but these the equivalent of a sonata recapitulation before the
8.570313 2 3 8.570313 4 8.570313 570313bk USA 14/11/07 9:40 pm Page 2
Joseph Gabriel Rheinberger (1839-1901) return of the opening of the movement in a coda. The heart of the movement is an Intermezzo, based on an Wolfgang Rübsam Organ Works, Volume 6 F major second movement, Idyll, in a gentle 6/8, has a inversion of the fugal subject. Polyphonic writing Wolfgang Rübsam was born in Germany and received his musical training in Europe from Erich Ackermann, While for many his name may now have little were withheld from publication. His first published contrasting central section in which the first theme is returns in the final Ricercare, with its playful Helmut Walcha and Marie-Claire Alain, and in the United States from Robert T. Anderson. He served as Professor resonance, Joseph Gabriel Rheinberger remains composition was a set of piano pieces, issued in 1859, variously inverted. The sonata ends with a busy countersubject, and the sonata ends with a reminiscence of Church Music and Organ at Northwestern University, Evanston, Illinois, after winning the 1973 Grand Prix de familiar enough to organists, to whose repertoire he the year in which he was appointed to the staff of the Toccata which leads to a grandiose chordal Maestoso, of the first movement, now marked Maestoso. Chartres for Interpretation. During this 23-year teaching engagement he was also University Organist at made such an extensive contribution, in particular his Munich Conservatory as a piano teacher and the whole ending in a dramatic climax. Rheinberger’s Sonata No. 16 in G sharp minor, Rockefeller Memorial Chapel of the University of Chicago from 1981. Wolfgang Rübsam is internationally known twenty sonatas for the instrument. Among his subsequently as a teacher of theory. In the following Sonata No. 15 in D major, Op. 168, dating from Op. 175, written in 1893, the year after his wife’s death, through over a hundred highly acclaimed recordings of organ repertoire from the baroque and romantic periods for contemporaries he was held in considerable esteem as a years he was appointed organist at the Church of 1891, opens with a Fantasia, marked Andante amabile opens with an Allegro moderato, its first theme a variety of labels. He gives frequent recitals and master-classes in the United States and Europe and has served on teacher, preserving classical standards in a changing St Michael, conducted the Oratorio Society, served and in 9/8. An Agitato section has two contrasting developed before the introduction of a second, material the juries for the most prestigious competitions. He is currently Professor at the Hochschule des Saarlandes für world, and some of his Catholic liturgical music may briefly as repetiteur at the Court Opera, and from 1867 melodies, the first in D minor and the second, first that returns in recapitulation. The second movement, Musik und Theater in Saarbrücken. still occasionally be heard. held the position of professor of organ and composition heard in the tenor register, in F major. The second Skandinavisch, makes use of two contrasting Rheinberger was born in Vaduz, the capital of the at the Conservatory, retaining this until his death in movement, a B flat major Adagio, opens with sixteen Scandinavian folk-themes, and the last movement, with principality of Liechtenstein, in 1839, the son of the 1901. Among other distinctions he was in 1877 offered bars of relative tranquillity before the intrusion of more its E major Introduction, returns to the principal key of Treasurer to the Prince. He had his first organ lessons at the position of director of the new Hoch Conservatory forceful material. Both elements return in the final the whole work, G sharp minor, with its 6/8 fugal the age of five and two years later was able to serve as in Frankfurt, which he refused, but was appointed Court section of the movement. As its title indicates, the third subject, in a movement that has its final enharmonic organist at Vaduz, making his first attempts at Kapellmeister, directing the music at the Court Church movement starts with an Introduction. The following A flat major apotheosis in a Maestoso final section. composition. From 1848 he was able to have more of All Saints in Munich. Various public and academic fugal section opens with a statement of the subject, formal instruction in the nearby town of Feldkirch from honours were bestowed on him, in Munich and abroad, already suggested in the Introduction. Unusually, at the Keith Anderson the choirmaster Philipp Schmutzer, who had been with a papal knighthood after his dedication of his trained in Prague, and gain some familiarity with the Cantus Missae to Pope Leo XIII. He enjoyed the music of Bach, Mozart and Beethoven. It was on the highest reputation as a teacher, with pupils including advice of the composer Matthäus Nagiller that his Humperdinck, Wolf-Ferrari and Furtwängler, father was persuaded to allow him in 1851 to study at inculcating in them a respect for sound classical the Munich Conservatory. His teachers there included, principles. His marriage in 1867 to a widowed former for theory of music, Julius Joseph Maier, a pupil of pupil, the writer Franziska von Hoffnaass, led to the Moritz Hauptmann, himself a pupil of Spohr and setting of many of her verses, part of a wide range of founder of the Bach Gesellschaft. His organ teacher works of all kinds. His organ compositions, while was the virtuoso Johann Georg Herzog, who had joined keeping some place in current performance repertoire, the staff of the Conservatory in 1850, and he studied the have for long also proved a valuable element in the piano with Julius Emil Leonhard. He was also to take training of new generations of players. private lessons from Franz Lachner, who, as a young Rheinberger’s Sonata No. 14 in C major, Op. 165, man, had been a member of Schubert’s circle in Vienna. written in 1890, starts with a Praeludium in which the During his three years of formal study he already opening rhythmic figure retains importance. The showed very considerable ability both as an organist movement leads to a fugue, its subject derived in part and as a master of counterpoint and fugue. In the 1850s from the opening figure of the Praeludium. The fugue he continued to write a varied series of compositions, contains a secondary theme, material that is repeated in including three operas and three symphonies, but these the equivalent of a sonata recapitulation before the
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The Great Organ of Fulda Cathedral Pedalwerk: 120-110 WS C-g’ Stimmtonhöhe DDD 57. Untersatz 32’ neu C-H Fichte 439 Hz bei 140 C Hauptwerk: II. Manual - 95 WS C-a’’’ Oberwerk: IV. Manual - 95 WS C-a’’’ ab c0 aus 59 Setzeranlage/Remocard The Organ Encyclopedia 8.570313 0 1 1. Praestant 16’ neu C-G Eiche/Fichte 27. Gedackt 8’ c -f’’’aus HW 58. Praestant 16’ neu 75% Zinn 32 x 12 Kombinationen, Sequenzer 0 1 Rest 75% Zinn 28. Gemshorn 8’ c -f’’’aus HW 59. Subbaß 16’ neu Eiche/Fichte Walze 0 1 Joseph Gabriel 2. Principal 8’ c -f’’’aus HW 29. Praestant 4’ neu 75% Zinn 60. Violin 16’ neu 60% Zinn A, B, C frei programmierbar 1 3. Rohrgedackt 8’ neu 25% Zinn 30. Fern Flöte 4’ C-f’’aus HW 61. Octave 8’ neu 75% Zinn Prospekt und vorderes Gehäuse 1 1 4. Flûte harmonique 8’ c -f’’’aus HW 31. Piccolo 2’ neu 60% Zinn 62. Flûte 8’ neu 60% Zinn Adam Öhninger (1713) RHEINBERGER 1 5. Octave 4’ C-f’’’aus HW 32. Sifflöte 1’ 60% Zinn 63. Cello 8’ 60% Zinn Technischer Neubau 46 (48) Register, 6. Spitzflöte 4’ neu 25% Zinn 33. Mixtur III 2’ neu 75% Zinn 64. Octavbaß 4’ C-d’ aus Ped.1 Gehäuseergänzung 2 1 0 0 1 Organ Works • 6 7. Rauschquinte II 2 /3’ C-f’’’aus HW 34. Kornett IV 4’ ab g , gis -f’’’aus HW 65. Flûte 4’ neu 60% Zinn Reiger Orgelbau, Schwarzach 1.2 8. Superoctave 2’ neu 75% Zinn 35. Clarinett 8’ C-f’’’aus HW 66. Fl. traver 2’ C-d’ aus Ped.1 Gehäuserestaurierung/Farbfassung Sonatas Nos. 14-16 2 9. Mixtur major V 2’ neu 75% Zinn 36. Trompete 8’ neu 75% Zinn 67. Hintersatz IV 2 /3’ neu 75% Zinn Firma Jean Kramer, Fulda 2 10. Mixtur minor III /3’ neu 75% Zinn 37. Clairon 4’ neu 75% Zinn 68. Kontraposaune 32’ neu C-H Fichte Disposition 0 Wolfgang Rübsam 11. Cornett 8’ ab g /neu 25% Zinn Tremulant ab c0 aus 69 Christoph Glatter-Götz, Oswald Wagner, 12. Trompete 16’ neu 60% Zinn 69. Posaune 16’ neu Fichte Gero Kaleschke, Reinhardt Menger, Hans-Jurgen 13. Trompete 8’ neu 60% Zinn Schwellwerk: III. Manual - 110 WS C-a’’’ 70. Fagott 16’ neu 60% Zinn Kaiser 1 Tremulant 38. Bordun 16’ c’-f’’’aus HW 71. Trompete 8’ neu 60% Zinn 1Pfeifenbestand wie angegeben aus der Sauerogel von 1877 0 1 39. Principal 8’ c -f’’’aus HW 72. Clairon 4’ C-d’aus Ped.1 mit Angabe der Werkszuordnung von 1994, 0 1 Rückpositiv: I. Manual - 85 WS C-a’’’ 40. Rohrflöte 8’ c -f’’’aus BW HW = Hauptwerk, NW = Nebenwerk, 0 1 14. Praestant 8’ neu 75% Zinn 41. Salicional 8’ c -f’’’aus HW Koppeln BW = Bombardwerk, SW = Schwellwerk, Ped. = Pedal 1 15. Holzgedackt 8’ neu Birne 42. Gamba 8’ C-f’’’aus SW Ow-Ped, Sw-Ped, Hw-Ped, Rp-Ped, Ow-Rp, 2Ergänzung im Diskant (fis’’’-a’’’) von Späth übernommen 1 16. Quintatön 8’ C-g’’aus NW 43. Vox coelestis 8’ neu, ab G 60% Zinn Sw-Rp, Ow-Hw, Sw-Hw, Rp-Hw, Ow-Sw 1 17. Octave 4’ C-f’’’aus NW 44. Octave 4’ neu 75% Zinn Koppeln elektrisch 1 1 18. Rohrflöte 4’ C-f’’’aus HW 45. Fl. travers 4’ C-f’’’aus NW Sw-Hw16’, Sw-Ped4’, Rp-Ped4’, Sw-Hw, Ow-Hw 2 19. Quinte 2 /3’ neu 60% Zinn 46. Viola 4’ neu 75% Zinn 2 1 20. Superoctave 2’ neu 75% Zinn 47. Nassard 2 /3’ C-f’’’aus NW 3 21. Terz 1 /5’ neu 60% Zinn 48. Doublette 2’ neu 60% Zinn 1 3 22. Larigot 1 /3’ neu 60% Zinn 49. Tierce 1 /5’ neu 60% Zinn 23. Scharff IV 1’ neu 75% Zinn 50. Plein jeu V 2’ neu 75% Zinn 2 1 24. Dulcian 16’ neu 25% Zinn 51. Progressio IV-VI 2 /3’ C-f’’’aus NW 25. Krummhorn 8’ neu 25% Zinn 52. Bombarde 16’ c-f’’’aus HW1 26. Trompete 8’ neu 60% Zinn 53. Trompette Tremulant harmonique 8’ neu 60% Zinn 54. Hautbois 8’ neu 60% Zinn 55. Clairon harmonique 4’ neu 60% Zinn 56. Voix humaine 8 neu 25% Zinn Tremulant
8.570313 5 6 8.570313 570313bk USA 14/11/07 9:40 pm Page 5
The Great Organ of Fulda Cathedral Pedalwerk: 120-110 WS C-g’ Stimmtonhöhe DDD 57. Untersatz 32’ neu C-H Fichte 439 Hz bei 140 C Hauptwerk: II. Manual - 95 WS C-a’’’ Oberwerk: IV. Manual - 95 WS C-a’’’ ab c0 aus 59 Setzeranlage/Remocard The Organ Encyclopedia 8.570313 0 1 1. Praestant 16’ neu C-G Eiche/Fichte 27. Gedackt 8’ c -f’’’aus HW 58. Praestant 16’ neu 75% Zinn 32 x 12 Kombinationen, Sequenzer 0 1 Rest 75% Zinn 28. Gemshorn 8’ c -f’’’aus HW 59. Subbaß 16’ neu Eiche/Fichte Walze 0 1 Joseph Gabriel 2. Principal 8’ c -f’’’aus HW 29. Praestant 4’ neu 75% Zinn 60. Violin 16’ neu 60% Zinn A, B, C frei programmierbar 1 3. Rohrgedackt 8’ neu 25% Zinn 30. Fern Flöte 4’ C-f’’aus HW 61. Octave 8’ neu 75% Zinn Prospekt und vorderes Gehäuse 1 1 4. Flûte harmonique 8’ c -f’’’aus HW 31. Piccolo 2’ neu 60% Zinn 62. Flûte 8’ neu 60% Zinn Adam Öhninger (1713) RHEINBERGER 1 5. Octave 4’ C-f’’’aus HW 32. Sifflöte 1’ 60% Zinn 63. Cello 8’ 60% Zinn Technischer Neubau 46 (48) Register, 6. Spitzflöte 4’ neu 25% Zinn 33. Mixtur III 2’ neu 75% Zinn 64. Octavbaß 4’ C-d’ aus Ped.1 Gehäuseergänzung 2 1 0 0 1 Organ Works • 6 7. Rauschquinte II 2 /3’ C-f’’’aus HW 34. Kornett IV 4’ ab g , gis -f’’’aus HW 65. Flûte 4’ neu 60% Zinn Reiger Orgelbau, Schwarzach 1.2 8. Superoctave 2’ neu 75% Zinn 35. Clarinett 8’ C-f’’’aus HW 66. Fl. traver 2’ C-d’ aus Ped.1 Gehäuserestaurierung/Farbfassung Sonatas Nos. 14-16 2 9. Mixtur major V 2’ neu 75% Zinn 36. Trompete 8’ neu 75% Zinn 67. Hintersatz IV 2 /3’ neu 75% Zinn Firma Jean Kramer, Fulda 2 10. Mixtur minor III /3’ neu 75% Zinn 37. Clairon 4’ neu 75% Zinn 68. Kontraposaune 32’ neu C-H Fichte Disposition 0 Wolfgang Rübsam 11. Cornett 8’ ab g /neu 25% Zinn Tremulant ab c0 aus 69 Christoph Glatter-Götz, Oswald Wagner, 12. Trompete 16’ neu 60% Zinn 69. Posaune 16’ neu Fichte Gero Kaleschke, Reinhardt Menger, Hans-Jurgen 13. Trompete 8’ neu 60% Zinn Schwellwerk: III. Manual - 110 WS C-a’’’ 70. Fagott 16’ neu 60% Zinn Kaiser 1 Tremulant 38. Bordun 16’ c’-f’’’aus HW 71. Trompete 8’ neu 60% Zinn 1Pfeifenbestand wie angegeben aus der Sauerogel von 1877 0 1 39. Principal 8’ c -f’’’aus HW 72. Clairon 4’ C-d’aus Ped.1 mit Angabe der Werkszuordnung von 1994, 0 1 Rückpositiv: I. Manual - 85 WS C-a’’’ 40. Rohrflöte 8’ c -f’’’aus BW HW = Hauptwerk, NW = Nebenwerk, 0 1 14. Praestant 8’ neu 75% Zinn 41. Salicional 8’ c -f’’’aus HW Koppeln BW = Bombardwerk, SW = Schwellwerk, Ped. = Pedal 1 15. Holzgedackt 8’ neu Birne 42. Gamba 8’ C-f’’’aus SW Ow-Ped, Sw-Ped, Hw-Ped, Rp-Ped, Ow-Rp, 2Ergänzung im Diskant (fis’’’-a’’’) von Späth übernommen 1 16. Quintatön 8’ C-g’’aus NW 43. Vox coelestis 8’ neu, ab G 60% Zinn Sw-Rp, Ow-Hw, Sw-Hw, Rp-Hw, Ow-Sw 1 17. Octave 4’ C-f’’’aus NW 44. Octave 4’ neu 75% Zinn Koppeln elektrisch 1 1 18. Rohrflöte 4’ C-f’’’aus HW 45. Fl. travers 4’ C-f’’’aus NW Sw-Hw16’, Sw-Ped4’, Rp-Ped4’, Sw-Hw, Ow-Hw 2 19. Quinte 2 /3’ neu 60% Zinn 46. Viola 4’ neu 75% Zinn 2 1 20. Superoctave 2’ neu 75% Zinn 47. Nassard 2 /3’ C-f’’’aus NW 3 21. Terz 1 /5’ neu 60% Zinn 48. Doublette 2’ neu 60% Zinn 1 3 22. Larigot 1 /3’ neu 60% Zinn 49. Tierce 1 /5’ neu 60% Zinn 23. Scharff IV 1’ neu 75% Zinn 50. Plein jeu V 2’ neu 75% Zinn 2 1 24. Dulcian 16’ neu 25% Zinn 51. Progressio IV-VI 2 /3’ C-f’’’aus NW 25. Krummhorn 8’ neu 25% Zinn 52. Bombarde 16’ c-f’’’aus HW1 26. Trompete 8’ neu 60% Zinn 53. Trompette Tremulant harmonique 8’ neu 60% Zinn 54. Hautbois 8’ neu 60% Zinn 55. Clairon harmonique 4’ neu 60% Zinn 56. Voix humaine 8 neu 25% Zinn Tremulant
8.570313 5 6 8.570313 570313 Inlay USA 14/11/07 9:41 pm Page 1 NAXOS Although Rheinberger was successful during his lifetime in a variety of genres, he is remembered today largely for his demanding organ works, which comprise twenty sonatas and twenty-two trios. The sonatas are composed in a big, bold and virtuosic style and are considered among the major works composed for the instrument in the nineteenth 8.570313 century. DDD “...there are many organ enthusiasts whose concern for stylistic fidelity is less than their 8.570313 enjoyment of the sensuous sounds from organs that are grand and loud. For them this recording is a must-buy. This 72-stop, four-manual organ built by the Rieger firm is Playing Time RHEINBERGER: magnificent.” American Record Guide on Volume 3 (8.554549). 78:31 7 Joseph Gabriel RHEINBERGER 47313 (1839-1901)
Organ Works • 6 03137 Sonata No. 14 in C major, Op. 165 25:59 1 Praeludium: Maestoso – Poco più mosso – Tempo I 9:58 Organ Works • 6 Works Organ Organ Works • 6
2 Idyll: Andantino – Moderato – Tempo I 7:11 5
3 Toccata: (Allegro moderato) – Maestoso – A tempo 8:49 www.naxos.com Printed and assembled in USA Disc made in Canada. Booklet notes in English Naxos Rights International Ltd. h
Sonata No. 15 in D major, Op. 168 29:18 & 4 Fantasia: Andante amabile – Agitato – A tempo 10:11 g 5 Adagio 6:34 2008 6 Introduction and Ricercare: Maestoso – Con moto – Intermezzo – Ricercare – Andante molto 12:33 Sonata No. 16 in G sharp minor, Op. 175 23:13 7 Allegro moderato 8:42 RHEINBERGER: 8 Skandinavisch (Scandinavian): Andantino 5:20 9 Introduction and Fugue: Adagio – Con moto – Maestoso 9:12
Wolfgang Rübsam • Rieger-Sauer Organ of Fulda Cathedral 8.570313
Recorded in Fulda Cathedral, Germany, during April, 2007 Produced and edited by RMC Classical Music Inc., USA • Booklet Notes: Keith Anderson Cover Photo: The Great Organ of Fulda Cathedral (Photo: Erich Gutberlet) NAXOS