NATIONAL GALLERY STAFF PUBLICATIONS

April 2019 – March 2020

PAUL ACKROYD RACHEL BILLINGE JILL DUNKERTON Restorer Research Associate, Conservation Senior Restorer ‘Bermejo’s Saint Michael Triumphant’, in L. Treves ‘Rediscovering Reni: The Technical Investigation, ‘Modes of Painting: ’s Technique in the (ed.), Bartolomé Bermejo: Master of the Spanish Treatment and Reattribution of The Toilet of Poesie’, in M. Wivel (ed.), Titian: Love, Desire, , exh. cat., The , Venus’, National Gallery Technical Bulletin, vol. 40 Death, exh. cat., The National Gallery, London 2019, pp. 99–113 (with R. Billinge, (2019), pp. 18–41 (with K. Mandy, F. Whitlum- 2020, pp. 61–89 (with A. González Mozo, G. G. Macaro, D. Peggie and M. Spring) Cooper, H. Howard, G. Macaro and D. Peggie) Pocobene and M. Spring) ‘A Note on an Occurrence of Egyptian Blue in ‘La perfezione attraverso lo studio: la tecnica NELLY VON ADERKAS Garofalo’s The Holy Family with Saints Elizabeth, pittorica del polittico Griffoni’, in La Riscoperta Specialist Scientist for Paintings Examination Zacharias, John the Baptist (and Francis?)’, di un Capolavoro. Il Polittico Griffoni, exh. cat., ‘Methods and Materials of the Barbizon Artists’, National Gallery Technical Bulletin, vol. 40 (2019), Palazzo Fava, Bologna 2020, pp. 239–49 in S. Herring, National Gallery Catalogues: pp. 74–85 (with M. Spring and G. Verri) The Nineteenth Century French Paintings. Volume ‘Bermejo’s Saint Michael Triumphant’, in L. Treves GABRIELE FINALDI 1: The Barbizon School, London 2019, pp. 25–37 (ed.), Bartolomé Bermejo: Master of the Spanish Director (with H. Tomlinson, G. Macaro and D. Peggie) Renaissance, exh. cat., The National Gallery, The National Gallery: Masterpieces of Painting, ‘Scipione Pulzone’s Portrait of a Cardinal: London 2019, pp. 99–113 (with P. Ackroyd, London 2019 New Insights into the Materials and G. Macaro, D. Peggie and M. Spring) Technique of a Painting on Tinned Copper’, SUSAN FOISTER National Gallery Technical Bulletin, vol. 40 (2019), CAROLINE CAMPBELL Deputy Director, Director of Public pp. 42–57 (with C. Shepherd and M. Melchiorre Director of Collections and Research Engagement and Curator of Early Netherlandish, Di Crescenzo) ‘“Mantegna and Bellini” in London and Berlin’, German and British Paintings The Burlington Magazine, vol. 161, no. 1397 ‘Acquisitions: Lucas Cranach the Elder, Venus and SUSANNA AVERY-QUASH (August 2019), pp. 653–7 Cupid, 1529’, The National Gallery Review of the Senior Research Curator (History of Collecting) ‘Italian Renaissance Painting’ and catalogue Year: April 2018 – March 2019, pp. 10–11 London and the Emergence of a European Art Market, entries, in Masterpieces from the National Gallery, ‘Acquisitions: , 1780–1820, Los Angeles 2019 (co-edited with London, exh. cat., The National Museum On the Seine – Morning, about 1825’, C. Huemer) of Western Art, Tokyo 2020, pp. 251–9 The National Gallery Review of the Year: ‘The Dispersal of the Orléans Collection and April 2018 – March 2019, pp. 14–15 the British Art Market’, in S. Avery-Quash BART CORNELIS ‘Van Dyck and British Portraiture’ and catalogue and C. Huemer (eds), London and the Emergence Curator of Dutch and Flemish Paintings 1600–1800 entries, in Masterpieces from the National Gallery, of a European Art Market, 1780–1820, Los Angeles Catalogue entries, in A. van Suchtelen, B. London, exh. cat., The National Museum of 2019, pp. 145–58 (with N. Penny) Cornelis, M. Schapelhouman and N. Cahill, Western Art, Tokyo, and The National Museum Leonardo in Britain: Collections and Historical , Dutch Master of the Golden Age, of Art, Osaka 2020, pp. 267–75 Reception, Florence 2019 (co-edited with exh. cat., Mauritshuis, The Hague, and J. Barone) The National Gallery, London 2019 LYNNE HARRISON ‘The National Gallery in Search of Leonardo: ‘’s “A Woman bathing in a Stream” Conservator Acquisitions of and Contributions to Knowledge at The National Gallery in London’, Art UK Editor: The Picture Restorer, vol. 54 (Spring 2019), about the Lombard School’, in J. Barone and website (https://artuk.org/discover/stories/ The Lavenham Press, Suffolk S. Avery-Quash (eds), Leonardo in Britain: -a-woman-bathing-in-a-stream- ‘The Conservation of Two Water Sensitive Collections and Historical Reception, Florence 2019, at-the-national-gallery-in-london; posted 2 Fourteenth-Century Italian Fresco Fragments pp. 141–63 (with S. Davoli) October 2019) by Spinello Aretino, Previously Treated and ‘Old Masters, Modern Women’, 19 – Interdisciplinary ‘A New Art for a New Nation’ and catalogue Displayed as Easel Paintings in the Nineteenth Studies in the Long Nineteenth Century, vol. 28 entries, in Masterpieces from the National Gallery, Century’, in R. Clarricoates, H. Dowding (Spring 2019) (co-edited with M. Alambritis London, exh. cat., The National Museum of and A. Wright (eds), Interactions of Water and H. Fraser) Western Art, Tokyo, and The National Museum with Paintings, Proceedings of the 2019 ICON ‘Illuminating the Old Masters and Enlightening of Art, Osaka 2020, pp. 259–67 Edinburgh Conference, London 2019, pp. 19–31 the British Public: Anna Jameson and the (with E. Miller and H. Howard) Contribution of British Women to Empirical ALAN CROOKHAM ‘Ruled Out: The Use of Cyclododecane as a Art History in the 1840s’, in M. Alambritis, Research Centre Manager Temporary Facing during the Removal of a S. Avery-Quash and H. Fraser (eds), ‘Old ‘Transatlantic Transactions and the Domestic Canvas Lining from a Fresco of a Kneeling Masters, Modern Women’, 19 – Interdisciplinary Market: Agnew’s Stock Books in 1894–1895’, Agellant and Saints Michael and Stephen by Studies in the Long Nineteenth Century, vol. 28 British Art Studies, issue 12 (31 May 2019), DOI: Spinello Aretino’, in C. Rozeik, S. Rowe, F. (Spring 2019), DOI: 10.16995/ntn.832 https://doi.org/10.17658/issn.2058-5462/ Tissier, L. Skinner, H. Kariye, K. Piotrowski, ‘Sir Charles Eastlake Encounters Jan van Eyck issue-12/pezzini-crookham (with B. Pezzini) K. Soppa, et al. (eds), Subliming Surfaces: Volatile (1828–1865): Contextualising his Research into ‘A London Landmark: The National Gallery Binding Media in Heritage Conservation, Cambridge Early Netherlandish Materials and Techniques’, Building’, in Masterpieces from the National Gallery, 2019 pp. 155–7, DOI: https://doi.org/10.17863/ National Gallery Technical Bulletin, vol. 40 (2019), London, exh. cat., The National Museum of CAM.49280 (with E. Miller and H. Howard) pp. 86–111 (with M. Spring) Western Art, Tokyo, and The National Museum of Art, Osaka 2020, pp. 248–50 AKEMI LUISA HERRÁEZ VOSSBRINK Book review: M. O’Neill, Hugh Lane: The Art Spanish Painting Curatorial Fellow Market and the Art Museum, 1893–1915 (Yale ‘Painting in Spain at the Time of Bartolomé University Press, New Haven and London 2018), THOMAS DALLA COSTA Harry M. Weinrebe Curatorial Fellow Bermjo’, in L. Treves (ed.), Bartolomé Bermejo: The Burlington Magazine, vol. 161, no. 1395 ‘Venere e Adone’ di Tiziano. Arte, cultura e società Master of the Spanish Renaissance, exh. cat., (June 2019), pp. 525–6 tra Venezia e l’Europa, Venice 2019 The National Gallery, London, 2019, pp. 33–9 ‘Collecting Historical Western European Painting Book review: ‘B. van Beneden and N. Jennings in the National Gallery, London’, in Masterpieces (eds), David Bowie’s Tintoretto. Angel Foretelling SARAH HERRING from the National Gallery, London, exh. cat., the Martyrdom of Saint Catherine of Alexandria’ Isaiah Berlin Associate Curator of Post-1800 Paintings The National Museum of Western Art, Tokyo, (Colnaghi Foundation, London 2017), National Gallery Catalogues: The Nineteenth Century and The National Museum of Art, Osaka 2020, Renaissance Quarterly, vol. 72/3 (2019), French Paintings. Volume 1: The Barbizon School, pp. 242–7 pp. 1028–9 London 2019 ‘Titian in Correspondence’, in M. Wivel (ed.), ‘Acquisitions: A Gift from John Lishawa and Titian: Love, Desire, Death, exh. cat., The Family’, The National Gallery Review of the Year: National Gallery, London 2020, pp. 192–201 April 2018 – March 2019, pp. 16–20

THE NATIONAL GALLERY REVIEW OF THE YEAR 2019–2020 1 NATIONAL GALLERY STAFF PUBLICATIONS

DANIEL F. HERRMANN LARRY KEITH BRITTA NEW Curator of Modern and Contemporary Projects Head of Conservation and Keeper Conservator Sea Star: Sean Scully at the National Gallery, exh. ‘Shifting Taste and Conservation Choices: ‘Pieced Together: The Structural Panel Treatment cat., The National Gallery, London 2019 Portrait of Titian’s Sweetheart Milia and of Giovanni Martini da Udine’s The Virgin (editor, with C. Wiggins) their Daughter Emilia’, in Titian’s Hidden Double and Child with Saints’, National Gallery Technical ‘Homecomings’, in Sea Star: Sean Scully at the Portrait: Unveiled after 500 Years, Bruges 2019, Bulletin, vol. 40 (2019), pp. 58–73 National Gallery, The National Gallery, London pp. 54–65 2019, pp. 8–11 ‘Artemisia Gentileschi’s Self Portrait as Saint JOSEPH PADFIELD Catherine of Alexandria’, National Gallery Technical Conservation Scientist CATHERINE HIGGITT Bulletin, vol. 40 (2019), pp. 4–17 (with L. Treves, ‘Assessing how filtering or changing lights Principal Scientific Officer M. Melchiorre Di Crescenzo and J. Russell) affects the relative colours seen in works of art: ‘Garnets’, in C. Fern, T. Dickinson and L. Webster Utilising TM-30-15 calculations’, Conference: (eds), ‘Workshop practice’ in The Staffordshire JOSEPH KENDRA ICOM-CC 18th Triennial Conference (with Hoard: An Anglo-Saxon Treasure, London 2019 Adult Events Programmer N. Luxford) (with J. Ambers) ‘Foreword’, in Looking at Art (With your Eyes ‘On How Technology-Powered Storytelling ‘Artificial Intelligence for Art Investigation: Closed). Micahel Atavar’s Creative Courses from Can Contribute to Cultural Heritage Meeting the Challenge of Separating X-ray : Experiments in Everyday Seeing, Kiosk Sustainability across Multiple Venues— Images of the Ghent Altarpiece’, Science Advances, Publishing 2019 Evidence from the CrossCult H2020 Project’, vol. 5, no. 8, eaaw7416 (August 2019), DOI: Sustainability 12(4):1666, https://doi. 10.1126/sciadv.aaw7416 (with Z. Sabetsarvestani, LAURA LLEWELLYN org/10.3390/su12041666 (with K. Kontiza B. Sober, I. Daubechies and M.R.D. Rodrigues) Associate Curator of Renaissance Paintings + 9 other authors) ‘Methods, Materials and Condition of the London ‘Mapping Gold Leaf in Gentile da Fabriano’s ‘Two digital research resources available for open Sunflowers’, in E. Hendriks and M. Vellekoop Paintings: a case study’, The Burlington Magazine, access on the web and one working Resource’, (eds), Van Gogh’s Sunflowers Illuminated: vol. 161, no. 1401 (December 2019), pp. 988–95 D8.6 IPERION-CH Public project deliverable Art Meets Science, Amsterdam 2019, pp. 49–83 (with D. MacLennan) (with M. Spring + 16 other authors) (with G. Macaro and M. Spring) ‘Completed example of prototype designs for ‘Characterization and Removal of a Disfiguring GABRIELLA MACARO integration of various types of documentation Scientific Officer – Paintings Analyst Oxalate Crust on a Large Altarpiece by Hans and analytical data generated for a single object’, ‘Rediscovering Reni: The Technical Investigation, Memling’, in Metal Soaps in Art – Conservation D8.5 IPERION-CH Public project deliverable Treatment and Reattribution of The Toilet of & Research, Springer 2019, pp. 263–82 (with ‘Linked Conservation Data Example’, Linked open Venus’, National Gallery Technical Bulletin, vol. 40 L. Klaassen, G. Van der Snickt, S. Legrand, data example with an open SPARQL end-point (2019), pp. 18–41 (with K. Mandy, F. Whitlum- M. Spring, F. Vanmeert, F. Rosi, B.G. Brunetti, (13 September 2019), https://rdf.ng-london.org. Cooper, R. Billinge, H. Howard and D. Peggie) M. Postec and K. Janssens) uk/workshops/lcd/ ‘Bermejo’s Saint Michael Triumphant’, in L. Treves GitHub Repository for the ‘Linked Conservation (ed.), Bartolomé Bermejo: Master of the Spanish HELEN HOWARD Data Example’ website (3 January 2020), Renaissance, exh. cat., The National Gallery, Senior Scientist https://github.com/jpadfield/bg-lcd-example London 2019, pp. 99–113 (with P. Ackroyd, R. ‘Rediscovering Reni: The Technical Investigation, ‘National Gallery – CIDOC CRM Modelling Billinge, D. Peggie and M. Spring) Treatment and Reattribution of The Toilet of Examples’, interactive CIDOC CRM modelling ‘Methods, Materials and Condition of the London Venus’, National Gallery Technical Bulletin, vol. 40 examples based on National Gallery data Sunflowers’, in E. Hendriks and M. Vellekoop (2019), pp. 18–41 (with K. Mandy, F. Whitlum- (5 March 2020), https://jpadfield.github.io/ (eds), Van Gogh’s Sunflowers Illuminated: Art Meets Cooper, R. Billinge, G. Macaro and D. Peggie) cidoc-crm.examples/ ‘The Conservation of Two Water Sensitive Science, Amsterdam 2019, pp. 49–83 (with C. Fourteenth-Century Italian Fresco Fragments Higgitt and M. Spring) DAVID PEGGIE by Spinello Aretino, Previously Treated and ‘Methods and Materials of the Barbizon Artists’, Senior Scientist Displayed as Easel Paintings in the Nineteenth in S. Herring, National Gallery Catalogues: ‘Bermejo’s Saint Michael Triumphant’, in L. Treves Century’, in R. Clarricoates, H. Dowding The Nineteenth Century French Paintings. (ed.), Bartolomé Bermejo: Master of the Spanish and A. Wright (eds), Interactions of Water with Volume 1: The Barbizon School, London 2019, Renaissance, exh. cat., The National Gallery, Paintings, Proceedings of the 2019 ICON pp. 25–37 (with H. Tomlinson, D. Peggie and London 2019, pp. 99–113 (with P. Ackroyd, Edinburgh Conference, London 2019, pp. 19–31 N. von Aderkas) R. Billinge, G. Macaro and M. Spring) (with E. Miller and L. Harrison) ‘Methods and Materials of the Barbizon Artists’, ‘Glimpses of Intention: Investigations into the KRISTINA MANDY in S. Herring, National Gallery Catalogues: Assistant Conservator Making of the Byward Tower Wall Painting’, The Nineteenth Century French Paintings. ‘Rediscovering Reni: The Technical Investigation, Traditional Paint News, vol. 4, no. 2 (November Volume 1: The Barbizon School, London 2019, Treatment and Reattribution of The Toilet of 2019), pp. 4–13 (with J. Spooner) pp. 25–37 (with H. Tomlinson, G. Macaro Venus’, National Gallery Technical Bulletin, vol. 40 ‘Ruled Out: The Use of Cyclododecane as a and N. von Aderkas) (2019), pp. 18–41 (with F. Whitlum-Cooper, R. Temporary Facing during the Removal of a ‘Rediscovering Reni: The Technical Investigation, Billinge, H. Howard, G. Macaro and D. Peggie) Canvas Lining from a Fresco of a Kneeling Treatment and Reattribution of The Toilet of Agellant and Saints Michael and Stephen by MARTA MELCHIORRE DI CRESCENZO Venus’, National Gallery Technical Bulletin, vol. 40 Spinello Aretino’, in C. Rozeik, S. Rowe, F. Scientist (2019), pp. 18–41 (with K. Mandy, F. Whitlum- Tissier, L. Skinner, H. Kariye, K. Piotrowski, ‘Artemisia Gentileschi’s Self Portrait as Saint Cooper, R. Billinge, H. Howard and G. Macaro) K. Soppa, et al. (eds), Subliming Surfaces: Volatile Catherine of Alexandria’, National Gallery Technical Binding Media in Heritage Conservation, Cambridge MARGAUX PORTRON Bulletin, vol. 40 (2019), pp. 4–17 (with L. Treves Young People’s Programmer 2019 pp. 155–7, https://doi.org/10.17863/ and J. Russell) CAM.49280 (with E. Miller and L. Harrison) English to French translation: bell hooks, ‘Scipione Pulzone’s Portrait of a Cardinal: New Apprendre à transgresser: L’éducation comme Insights into the Materials and Technique of a pratique de la liberté, Paris 2019 Painting on Tinned Copper’, National Gallery Technical Bulletin, vol. 40 (2019), pp. 42–57 (with C. Shepherd and N. von Aderkas)

THE NATIONAL GALLERY REVIEW OF THE YEAR 2019–2020 2 NATIONAL GALLERY STAFF PUBLICATIONS

CHRISTOPHER RIOPELLE HAYLEY TOMLINSON MATTHIAS WIVEL The Neil Westreich Curator of Post-1800 Paintings Conservator Curator of 16th-Century Italian Paintings ‘The Sunflowers in Perspective’, in E. Hendriks ‘Methods and Materials of the Barbizon Artists’, ‘Six paintings in search of an audience – on and M. Vellekoop (eds), Van Gogh’s Sunflowers in S. Herring, National Gallery Catalogues: Titian’s poesie at the National Gallery’, Illuminated: Art Meets Science, Amsterdam 2019, The Nineteenth Century French Paintings. Volume Apollo (26 March 2020), https://www.apollo- pp. 21–47 (with N. Bakker) 1: The Barbizon School, London 2019, pp. 25–37 magazine.com/titian-poesie-national-gallery- (with G. Macaro, D. Peggie and N. von Aderkas) london-closed/ MARIKA SPRING Editor and co-author, Titian: Love, Desire, Death, Head of Science LETIZIA TREVES exh. cat., The National Gallery, London 2020 ‘A Note on an Occurrence of Egyptian Blue in The James and Sarah Sassoon Curator ‘Of Dogs and Men: Titian and the Print Garofalo’s The Holy Family with Saints Elizabeth, of Later Italian, Spanish and French Vernacular’, Art in Print, vol. 9, no. 1 (2019), Zacharias, John the Baptist (and Francis?)’, National 17th-Century Paintings pp. 14–19 Gallery Technical Bulletin, vol. 40 (2019), ‘Acquisitions: Artemisia Gentileschi, Self Portrait ‘It’s an enchanting thought – but did Titian pp. 74–85 (with R. Billinge and G. Verri) as Saint Catherine of Alexandria, about 1615–17’, have a hand in the Wellington Orpheus? ’, ‘Sir Charles Eastlake Encounters Jan van Eyck The National Gallery Review of the Year: Apollo (2 August 2019), https://www.apollo- (1828–1865): Contextualising his Research into April 2018 – March 2019, pp. 12–13 magazine.com/titian-workshop-wellington- Early Netherlandish Materials and Techniques’, ‘Artemisia Gentileschi’s Self Portrait as Saint orpheus-astley-house/ National Gallery Technical Bulletin, vol. 40 (2019), Catherine of Alexandria’, National Gallery pp. 86–111 (with S. Avery-Quash) Technical Bulletin, vol. 40 (2019), pp. 4–17 ‘Bermejo’s Saint Michael Triumphant’, in L. Treves (with M. Melchiorre Di Crescenzo (ed.), Bartolomé Bermejo: Master of the Spanish and J. Russell) Renaissance, exh. cat., The National Gallery, Editor: Bartolomé Bermejo: Master of the Spanish London 2019, pp. 99–113 (with P. Ackroyd, Renaissance, exh. cat., The National Gallery, R. Billinge, G. Macaro and D. Peggie) London 2019 ‘Modes of Painting: Titian’s Technique in the ‘[In]Visible: Paintings by Women Artists in the Poesie’, in M. Wivel (ed.), Titian: Love, Desire, National Gallery, London: An Interview with Death, exh. cat., The National Gallery, London Letizia Treves and Francesca Whitlum-Cooper’, 2020, pp. 61–89 (with J. Dunkerton, in M. Alambritis, S. Avery-Quash and H. A. González Mozo and G. Pocobene) Fraser (eds), ‘Old Masters, Modern Women’, ‘Characterization and Removal of a Disfiguring 19 – Interdisciplinary Studies in the Long Nineteenth Oxalate Crust on a Large Altarpiece by Century, vol. 28 (Spring 2019), DOI: ’, in Metal Soaps in Art – http://doi.org/10.16995/ntn.850 Conservation and Research, Springer 2019, Catalogue entries, in F. Scholten, G. Swoboda pp. 263–82 (with L. Klaassen, G. Van der Snickt, and S. Weppelmann (eds), Caravaggio S. Legrand, C. Higgitt, F. Vanmeert, F. Rosi, Bernini. Early Baroque in Rome, exh. cat., B.G. Brunetti, M. Postec and K. Janssens) Kunsthistorisches Museum, Vienna, ‘Methods, Materials and Condition of the London and Rijksmuseum, Amsterdam 2019 Sunflowers’, in E. Hendriks and M. Vellekoop (eds), Van Gogh’s Sunflowers Illuminated: Art Meets FRANCESCA WHITLUM-COOPER Science, Amsterdam 2019, pp. 49–83 The Myojin-Nadar Associate Curator (with C. Higgitt and G. Macaro) of Paintings 1600–1800 ‘[In]Visible: Paintings by Women Artists in the IMOGEN TEDBURY National Gallery, London: An Interview with Curatorial Fellow, Letizia Treves and Francesca Whitlum-Cooper’, Paintings before 1500 in M. Alambritis, S. Avery-Quash and H. ‘Restoration, Revival, Remembrance: Fraser (eds), ‘Old Masters, Modern Women’, The Nineteenth-Century Lives of the Lorenzetti 19 – Interdisciplinary Studies in the Long Nineteenth Chapter House Frescoes from San Francesco, Century, vol. 28 (Spring 2019), DOI: Siena’, in J.M. Feltman and S. Thompson (eds), http://doi.org/10.16995/ntn.850 The Long Lives of Medieval Art and Architecture, Catalogue entry, in F. Scholten, G. Swoboda Abingdon 2019, pp. 189–207 and S. Weppelmann (eds), Caravaggio Bernini: ‘Collaboration and Correction: Re-examining Early Baroque in Rome, exh. cat., the Writings of Lucy Olcott Perkins, “a lady Kunsthistorisches Museum, Vienna, resident in Siena”’, in M. Alambritis, and Rijksmuseum, Amsterdam 2019, S. Avery-Quash and H. Fraser (eds), no. 74, pp. 258–9 ‘Old Masters, Modern Women’, 19 – Catalogue entry, in J. Zukowski and Z. Hundert Interdisciplinary Studies in the Long Nineteenth (eds), Swiat Polskich Wazów: Przestrzen – Century, vol. 28 (Spring 2019), DOI: Ludzie – Sztuka, exh. cat., The Royal Castle http://doi.org/10.16995/ntn.838 Museum, Warsaw 2019, no. VII.1, pp. 259–60 ‘Lucy May Perkins (1877–1922)’, in M. Alambritis, ‘Rediscovering Reni: The Technical Investigation, S. Avery-Quash and H. Fraser (eds), Treatment and Reattribution of The Toilet of ‘Old Masters, Modern Women’, 19 – Venus’, National Gallery Technical Bulletin, vol. 40 Interdisciplinary Studies in the Long Nineteenth (2019), pp. 18–41 (with K. Mandy, R. Billinge, Century, vol. 28 (Spring 2019), DOI: H. Howard, G. Macaro and D. Peggie) http://doi.org/10.16995/ntn.846 ‘The Grand Tour’ and catalogue entries, in ‘Olcott Perkins, Lucy May’, in L. Scholl (ed.), Masterpieces from the National Gallery, London, The Palgrave Encyclopedia of Victorian Women’s exh. cat., The National Museum of Western Art, Writing, Cham 2020, DOI: Tokyo, and The National Museum of Art, Osaka https://doi.org/10.1007/978-3-030-02721-6 2020, pp. 275–82

THE NATIONAL GALLERY REVIEW OF THE YEAR 2019–2020 3 NATIONAL GALLERY STAFF EXTERNAL COMMITMENTS

April 2019 – March 2020

PAUL ACKROYD BART CORNELIS PAUL GRAY Restorer Curator of Dutch and Flemish Paintings 1600–1800 Chief Operating Officer Member of the Steering Committee for the Member of the Editorial Board of Simiolus. St Paul’s Cathedral Council structural conservation of Gainsborough’s Netherlands Quarterly for the Chelsea Physic Garden Board of Trustees Blue Boy, The Huntington Art Museum, Member of the Editorial Board of Los Angeles, and Boucher’s Vertumnus CODARTfeatures LYNNE HARRISON and Pomona in the Museum Member of the Rubens Ceiling Advisory Board, Conservator of San Francisco Banqueting House, Member of the International Advisory Board Member of the Advisory Board of the Vereniging of Studies for the Courtauld Institute of Art SUSANNA AVERY-QUASH Rembrandt, The Netherlands Department of Conservation and Technology Senior Research Curator (History of Collecting) Co-Editor of The Picture Restorer Board Member, TIAMSA (The International ALAN CROOKHAM (Journal of the BAPCR) Art Market Studies Association) Research Centre Manager Board Member, The Society for the History Convenor, Annual Conference, DANIEL F. HERRMANN of Collecting British Records Association Curator of Modern and Contemporary Projects Trustee, Francis Haskell Memorial Fund Member, Peer Review College, Arts Trustee, Griffelkunst-Vereinigung Senior Research Fellow, Humanities Research and Humanities Research Council (AHRC) Member of the Editorial Board, Institute, University of Buckingham Scottish Society for Art History Honorary Research Fellow, Birkbeck, JILL DUNKERTON University of London Senior Restorer CATHERINE HIGGITT Principal Scientific Officer Fellow of the Society of Antiquaries of London Member of the Advisory Committee Member of the Committee, Users’ Group External Examiner for BA (Hons) Art History, for the cleaning of the Ghent Altarpiece, for Mass Spectrometry and Chromatography School of Humanities & Performing Arts, Sint Baafskathedraal, Ghent (MaSC) University of Plymouth Member of the Advisory Committee for the Member of AI&Arts Turing Interest Group Specialist Volunteer, The cleaning of The Death of the Virgin by Member of the Arts and Humanities Research Member of the Working Group for the Hugo van der Goes, Groningen Museum, Bruges Council (AHRC) peer review college National Museums Directors’ Council Member of the Editorial Advisory Board for the Boletín del Museo del Prado established to examine the issues surrounding JOOST JOUSTRA the spoliation of works of art during the The Howard and Roberta Ahmanson Fellow Holocaust and World War II GABRIELE FINALDI Director in Art and Religion Co-supervisor for AHRC Collaborative Doctoral Ex-officio Committee Member, UK Circle, Vereniging Partnership PhD studentships with (i) Birkbeck, Expert Advisor to the DCMS referring cases Rembrandt (The Rembrandt Association), University of London; (ii) Leeds University to the Reviewing Committee on the Export The Netherlands and the Bowes Museum, Co. Durham; (iii) of Works of Art Visiting Lecturer, Department of Theology Leeds University and Harewood House Trust, Member of the Board of Electors to the Slade and Religious Studies, King’s College, London Yorkshire; (iv) University of Aberdeen Professorship of Fine Art, University of Oxford LARRY KEITH CHRISTINA BRADSTREET Member of the Advisory Board Head of Conservation and Keeper Courses and Events Programmer, of the Government Art Collection External Examiner, Conservation of Learning and National Programmes Easel Paintings postgraduate course, Trustee of East Grinstead Museum Trusteeships and Memberships The Courtauld Institute of Art Trustee of Burlington Magazine Foundation (CIO) Conservation Advisor, ANDREW BRUCE Trustee of Burlington Magazine Foundation Heritage Conservation Trust Photographer (Unincorporated, in process of dissolution, Member of the Rubens Ceiling Advisory Board, Chair of Imaging Standards Working Group, June 2015) Banqueting House, Whitehall Association for Historical and Fine Art Chairman and Member of the International Member, Night Watch Advisory Committee, Photography Advisory Board of the State Hermitage Rijksmuseum, Amsterdam Associate Lecturer, University for the Museum (2008) Member, Scientific Committee for the restoration Creative Arts, Fine Art Department Non-Executive Director of National Gallery of the Sala delle Asse, Castello Sforzesco, Milan Company (August 2015) EMILY BURNS Member of the Comitato Scientifico Vivmar Curatorial Fellow KRISTINA MANDY Fondazione De Vito, Florence Assistant Conservator Co-convenor of the Paul Mellon Member of the Courtauld Institute of Art Co-organiser: British Association Centre Early Career Researcher Network Governing Board (July 2016) of Conservator-Restorers’ conference, Member of the Editorial Board of Reales Sitios, CAROLINE CAMPBELL ‘“Tales of the Unexpected” in Conservation’, Director of Collections and Research Madrid (Periodical of Patrimonio Nacional, The Wallace Collection, London, Trustee, Association for Art History Spain) (November 2016) 31 January 2020 Trustee, City and Guilds of London Art School Académico correspondiente of the Trustee, Compton Verney Settlement Trust Real Academía de Bellas Artes de Member, Designation Panel, San Fernando, Madrid (November 2016) Member of the Consultative Committee Member, Advisory Council, Warburg Institute, of the Boletín del Museo del Prado University of London (September 2016) Member of the International Advisory Board, Chairman of the NMDC Spoliation Working Department of Conservation, Courtauld Group (April 2019) Institute of Art, University of London Member of the Artistic Advisory Committee Museo de Bellas Artes de Bilbao (May 2019) Member of the Courtauld Exhibitions and Gallery Committee (May 2019)

THE NATIONAL GALLERY REVIEW OF THE YEAR 2019–2020 4 NATIONAL GALLERY STAFF EXTERNAL COMMITMENTS

CHRIS MICHAELS JON SHELDON MATTHIAS WIVEL Director of Digital, Communications and Technology Audio Visual Production Manager Curator of 16th-Century Italian Paintings Visiting Senior Research Fellow, King’s College Member of the Committee, Expert Advisor to the DCMS referring cases to London (from August 2019) Audio Visual Cultural Forum the Reviewing Committee on the Export of Member, External Reference Board, Arts Works of Art Council England (until December 2019) RUPERT SHEPHERD External peer reviewer for Statens Museum for Advisor, The Humboldt Forum, Berlin Collection Information Manager Kunst’s journal Perspective (Copenhagen) (until December 2019) Member of the Steering Committee, Member, Editorial Committee, Colnaghi Studies Industry Champion, The Creative Industries Art UK sculpture project Journal (London) Evidence and Policy Centre, NESTA Fellow of the Society of Antiquaries of London Co-Supervisor, University of Warwick / The Trustee, The Collections Trust Chair of the Users’ Group for the Collection National Gallery, AHRC Collaborative Trustee, The Audience Agency (from April 2019) Information Integration Middleware Doctoral Partnership Member, Department of Digital Humanities (CIIM) software Co-Supervisor, Warburg Institute / The National Industry Advisory Board, Provided advice on documentation and Gallery, Collaborative Doctoral Award University College London collections management matters to Burton Lecturer, Advisor and Examiner, Warburg Mentor, Creative XR, Digital Catapult/Arts at Bideford, the National Museum in Krakow Institute / The National Gallery, Curating Council England (until September 2019) and the Wellcome Trust Renaissance Art Judge, The Charity of the Year Awards, Working with the CIDOC Documentation Civil Society Media Standards Working Group on an Exhibition Lecturer, Christie’s Education Object Data Exchange Mechanism (EODEM) Gave a class on museum documentation for the ANNA MURRAY King’s College London MA module ‘Collecting Communities and Access Programmer Cultures: Managing Collections in Museums Council Member and London Area and other Collecting Organisations’ Representative for Engage Workshop presentation on ‘Collections In Flux: Documentation’, for Soldiers’ Tales: JOSEPH PADFIELD Collecting and Sharing Military and Musical Conservation Scientist Heritage, a symposium organised by the Musical Interim Co-Coordinator, E-RIHS Instruments Resource Network and Army (European Research Infrastructure Museums Ogilby Trust, Faculty of Music, for Heritage Science) DIGILAB University of Oxford, 22 August 2019 Steering Committee Member, Hescida (Heritage Science Data Archive) MARIKA SPRING Member of the National Gallery X (NGX) Head of Science Advisory Board Member of the International Advisory Board Workpackage Leader, ‘JRA3 – Developing of Studies for the Courtauld Institute of Art of digital documentation and data’, Department of Conservation and Technology IPERION-CH (H2020) Member of the Advisory Committee for the Task Leader, ‘Issues in providing Open Data in cleaning of the Ghent Altarpiece, Heritage Science and Archaeology – Heritage Sint Baafskathedraal, Ghent Science’, SSHOC (H2020) National Gallery Radiation Protection Supervisor IMOGEN TEDBURY Simon Sainsbury Curatorial Fellow, DAVID PEGGIE Paintings before 1500 Senior Scientist Board Member, The Society for the History Member of the Committee, Users’ Group of Collecting for Mass Spectrometry and Chromatography Fellow, Understanding British Portraits Network (MaSC) Chemistry Tutor, City and Guilds of London HAYLEY TOMLINSON Art School Conservator Member of the Arts and Humanities Research Chairperson of the British Association of Council Peer Review College; Reviewer Paintings Conservator-Restorers (BAPCR) in the Academic and Non-HEI Colleges (2017–20) LETIZIA TREVES The James and Sarah Sassoon Curator of Later Associate Member of the Royal Society Italian, Spanish and French 17th-Century Paintings of Chemistry Member of ARTES MARGAUX PORTRON Young People’s Programmer Special Lecturer, Central Saint Martins, University of the Arts, London

CHRISTOPHER RIOPELLE The Neil Westreich Curator of Post-1800 Paintings Fellow of the Nordic Institute of Art, Oslo Member of the Exhibition Proposals Review Committee, Terra Foundation for American Art Cheltenham Literary Festival 2019, ‘Masters of Light: Impressionism’, round-table discussion

THE NATIONAL GALLERY REVIEW OF THE YEAR 2019–2020 5