The Redemptive Mystery Agony in Gethsemane
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“The Problem with the Disciples”
“The Problem with the Disciples” a sermon by Dr. William P. Wood First Presbyterian Church Charlotte, North Carolina Holy Week April 16, 2003 Text: “All of them deserted him and fled” (Mark 14:50). There is a riddle in Mark’s gospel, which has to do with the role of Jesus’ disciples. On the one hand, the disciples play a very positive role. The ministry of Jesus begins with the call of the disciples. He goes by the Sea of Galilee where Simon and Andrew are fishing with their nets. Jesus says, “Follow me, and I will make you fishers of men.” The same is true with James and John. They left and followed. Moreover, the disciples stay with Jesus from Galilee, to Caesarea Philippi, to Jerusalem. Peter reminded Jesus of this when he said, “We have left everything and followed you.” And they had. I. But in spite of this more positive picture of the disciples, there is yet another one, which is negative in outlook. As Paul Achtemeier puts it in his little book, Mark, “If there is any progression in the picture Mark paints of the disciples, it appears to be from bad to worse.” This shift in Mark’s gospel is a shift from the misunderstanding of Jesus to a rejection of him. In the early chapters of Mark’s gospel, the disciples don’t seem to understand what this is about. Granted, the demons recognize him as the Son of God (Mark 1:24, 34). Moreover, the crowd that surrounds him recognizes him as one with authority and responds to him in a positive way. -
Agony in the Garden Drama Script
Agony in the Garden Drama art to come Script The children will dramatize the events leading up the arrest of Jesus. Volunteers will be needed to play the roles of Jesus, Judas, Malchus, Narrator, and other apostles and soldiers (numbers may vary). Use the following script to guide your dramatic reading. Speaker Words Actions Narrator After supper on Thursday evening, Jesus and The apostles and Jesus his apostles went to the Mount of Olives. They enter. stopped in the Garden of Gethsemane. Jesus My dear friends, sit here while I go into the Jesus, Peter, James, and garden to pray. Peter, James and John, please John walk. The other come with me. apostles sit. I am sorrowful and would appreciate your The three apostles sit; company. Remain here and keep watch with me. Jesus kneels. Heavenly Father, if it is possible, protect me from The three apostles nod my enemies. Help me in this time of sorrow. Yet to sleep. Jesus prays and it is your will, not mine, that must be done. then returns to the three apostles. Peter, what happened? You fell asleep! Couldn’t The three apostles wake. you stay awake even this little while? I wanted you to keep watch for me and pray. Peter, the Jesus leaves once more to spirit is willing, but the flesh is weak. pray. My Father, please let this suffering pass me by. Yet it is your will, not mine, that must be done. Copyright © Loyola Press Oh no! They’re asleep again. Jesus returns to the three apostles. Dear Father, please hear me. -
The Path of Your Life Lessons from Jesus' Agony in the Garden a Season of Hope Your Faith Is More Than You Realize
St. Thomas More Catholic Parish Newsletter February 2019 more INFORMED The Path of Your Life interaction with holy people Lessons from Jesus’ Agony in the Garden inspiration from His example A Season of Hope enrich your Lenten journey Your Faith is More Than You Realize living as missionary disciples How Do We Go Out? 10 Things To Do in 2019 Gifts of Life ideas for sharing your faith guide loved ones back home a family’s pro-life journey with others to the Church filled with love and joy info content St. Thomas More Catholic Parish 8035 South Quebec Street Centennial, CO 80112 303.770.1155 stthomasmore.org editor: Carly McGillick contributing editors: Jerry Nix 19 24 director of communications: 3 The Path of Your Life 18 Praying Prodigal Hearts Irene Lindemer By Msgr. Tom Fryar Home photographers: Dave Rich 4 Parish Photo Album 19 Gifts of Life Nicole Turner By Jeff & Sonia McGarrity 5 A Season of Hope pastor: By Pope Francis (Lenten homily) Msgr. Thomas Fryar 21 Parish Staff Changes & Updates parochial vicars: 5 Enrich Your Lenten Rev. John Ludanha Journey 23 A Vital Role in the Faith Rev. Rohan Miranda, O.C.D. By Dominika Cicha By STM Religious Education Staff Rev. Ivan Monteiro, O.C.D. deacons: 7 Worship With Us This 24 News From Around Lent & Easter Deacon George Brown the School Deacon Bob Cropp By STM School’s Faculty & Staff Deacon Tim Kenny Deacon George Morin 8 Lessons From Jesus’ Deacon Alan Rastrelli, M.D. Agony in the Garden 25 Meet Our New Deacon Steve Stemper By Fr. -
(Heads Tails Xfiles).Pdf
jHeads & tails M.M. FaeFae GlasgowGlasgow Bene Dictum IV An X-Files Slash Zine Bene Dictum IV: Heads & Tails Bene Dictum IV: Heads & Tails an anthology of X-Files slash fiction is available from: 71,500 words OBLIQUE PUBLICATIONS editing and design by Caroline K. Carbis P.O. BOX 43784 TUCSON, AZ USA 85733-3784 email: [email protected] An age statement is required with all orders. Also available from Oblique Publications (Note: All publications are slash and require an age statement with each and every order.) Journey West WARNING: A Professionals slash novel THIS ANTHOLOGY CONTAINS SAME-SEX, By Maiden Wyoming ADULT-ORIENTED MATERIAL. IT WILL NOT BE SOLD TO ANYONE UNDER THE AGE OF the OBLAQUE series (Blake’s 7 slash) EIGHTEEN. Oblaque Oblaquer Oblaquest Oblaque IV: to be taken intravenously Oblaque V: in venery veritas Beginning 1999 Oblaque Sextus Oblique Publications’ library of zines will be available the BENT COPPERS series (Professionals slash) for free download in PDF format from its website. …As a £3 Note www.oblique-publications.net …As Two £3 Notes …As Three £3 Notes the PÆAN TO PRIAPUS series (multi-media and literary slash) Pæan to Priapus, volumes I, II, III, IV, V, VI the BENE DICTUM series (well put, well said, well dicked) Bene Dictum I: A Dickensian Christmas by M. FAE GLASGOW (Christmas themed Professionals stories) Bene Dictum II: Half ’n’ Half (Half Professionals/Half Blake’s 7) Bene Dictum III: Naughts & Crosses (Three Professionals novellas by Sebastian, Helen Raven, & M. Fae Glasgow) Bene Dictum IV: Heads & Tails is an amateur publication, copyright © February 1999 by Oblique Publications. -
13) in Chapter 4, We've Been Looking at What the Book of James Has to Say About Temptation
How was Jesus tempted in the Garden of Gethsemane? What does Jesus' example show us about heart disturbances, temptation and self-image thoughts? (Spiral page 62; PB page 113) In Chapter 4, we've been looking at what the Book of James has to say about temptation. We know that Jesus was tempted three times in the desert (Matthew 4:1-11). What the Bible has to say about temptation applied to Jesus as well. Jesus is our model for overcoming temptation. Understanding how Jesus was successful in overcoming temptation helps us to better appreciate the spiritual dynamics involved in trials, and the temptation and deceptions within them. By failing to recognize Satan's deception, Adam and Eve did not transform their hearts during their trial. As a result, they were not able to discern how Satan was influencing their self- image thoughts, and they sinned. Later, Cain too faced a trial. While God spelled out to him that he had to change (transform his heart), Cain did not follow the Lord's guidance, and he sinned. Jesus discerned Satan's attacks. But, unlike Cain, Jesus discerned how Satan sought to use His desires to lead Him into sin. Jesus purified the Satan-influenced self-image thought by interacting with God's Holy Spirit, and Jesus did not sin. But the Bible describes other situations involving Jesus and trials. Let's look at the heart and mind dynamics in Jesus' experiences first in the upper room (John 13, 14), after leaving the upper room (John 15-17), in the Garden of Gethsemane, and then at His arrest. -
Fundamental Rule 14 – Suffering and Joy in Persecution Introduction St
Fundamental Rule 14 – Suffering and Joy in Persecution Introduction St. Vincent Pallotti meditating on the life of the Child Jesus, wrote in the Fundamental Rule: “Our Lord Jesus Christ persecuted by Herod, submitted himself to the suffering of the flight into Egypt and of his stay in that country. We must, therefore, for love of our Lord Jesus Christ, accept every suffering with love and with a holy joy through it all, always and in every circumstance, whatever the circumstances of the persecution are". (OOCC III, p. 46) Pallotti contemplated the sufferings of Jesus right from the time of his birth in a meditation which we find in the book God, the Infinite Love: “... Our Lord Jesus, in order to give us the grace to imitate Him, humiliated Himself infinitely in the mystery of the incarnation and by being born in the pain and humiliation of the manger, and by living a life which was humble, poor, suffering, persecuted, laborious, beneficent and scorned. This is the reason why He condescended to have Herod seek Him with the intention of killing Him at birth. In order to drink the bitter chalice of the mystery of the Cross to the last drop, Jesus subjected Himself to the hardships of the flight, to residence in Egypt and to His return to Nazareth. Here He lived in … obedience to His heavenly Father, and in perfect subjection to Mary, His Virgin Mother and to St. Joseph, his foster father.” (God, the Infinite Love,, med. XXIII) Reflection Suffering, in itself, is to experience evil, but Christ has made it into the greatest definite good, it is a good that leads to eternal health. -
The Agony in the Garden [Left Panel]
National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Italian Paintings of the Thirteenth and Fourteenth Centuries Andrea Vanni Andrea di Vanni Sienese, c. 1330 - 1413 Scenes from the Passion of Christ: The Agony in the Garden [left panel] 1380s tempera on panel painted surface: 47 × 23.8 cm (18 1/2 × 9 3/8 in.) overall: 56.7 × 29.3 × 3.3 cm (22 5/16 × 11 9/16 × 1 5/16 in.) Corcoran Collection (William A. Clark Collection) 2014.79.711.a ENTRY This highly detailed panel from a triptych by the Sienese painter Andrea di Vanni is a recent addition to the National Gallery of Art collection. One of the most prominent works acquired from the Corcoran Gallery of Art, the altarpiece consists of three panels depicting stories from the Passion of Christ. Attached by modern hinges, the two lateral panels can be folded over the central painting to protect it and facilitate transportation. When opened, the triptych’s panels represent, from left to right, Christ’s Agony in the Garden of Gethsemane, the Crucifixion, and the Descent into Limbo. Placed against a gold ground, each scene is set on a rocky outcropping that extends from one panel to the next, creating a formal coherence among scenes that took place at different times and places. The altarpiece’s left wing contains several episodes presented in a continuous narrative. In the middle ground, Christ kneels in prayer above a well-tended garden on the Mount of Olives. With his arms folded across his chest in a gesture of humility, he gazes heavenward toward a descending angel who holds out a Scenes from the Passion of Christ: The Agony in the Garden [left panel] 1 © National Gallery of Art, Washington National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Italian Paintings of the Thirteenth and Fourteenth Centuries chalice. -
Entering the Passion of Jesus – Chapter 6 Gethsemane: Risking Temptation
Entering the Passion of Jesus – Chapter 6 Gethsemane: Risking Temptation The Gospels again present us with variations on a theme. The name Gethsemane appears only in Matthew and Mark. Luke setts the scene on the Mount of Olives while John places it in a garden across the Kidron valley. When we put these descriptions together we arrive at “the garden of Gethsemane.” In the synoptic Gospels Jesus suffers in these moments before his arrest and prays earnestly that “this cup” would pass from him.” In John’s Gospel, Jesus is not in agony, he is in control. There is no prayer for the cup to pass, for throughout the Gospel Jesus has been anticipating being “lifted up.” “The Gospels give us a choice, which is a blessing. We can choose which depiction speaks most fully tour hearts: the man of sorrows or the triumphant conqueror. Different people will necessarily have different perceptions of Jesus, and of God.” The Risks “Gethsemane is the biggest risk of all. Jesus is about to be arrested. Could he have stopped the arrest? Of course. Could he have run away? Of course. His disciples are armed, so he could have asked them to do something.” The risk is the knowledge that he can save himself and choosing not to do so. There is also divine risk, Jesus will suffer, and God will suffer as well. “The darkening clouds at the cross are divine pathos. The rending of the Temple veil represents not some form of new access to God, since God is everywhere and everyone always has access. -
Volume 23 Number 2 the Windmill Fourth Day Group February 2013
Volume 23 Number 2 The Windmill Fourth Day Group February 2013 Danny The wind blows where it wishes, Don Taylor Dobson and you hear its sound, but you do not know where it comes from or Community Community where it goes. So it is with Spiritual Lay everyone who is born of the Spirit. Director Director John 3:8 To be “a little more like There is an old saying that “Man Plans…God Laughs.” Jesus” Nowhere is this saying more The Emmaus 72 hour apropos than in our everyday lives. walk gives you a lot of time The first talk of all Emmaus walks to reflect and be in the is the “Priorities” talk. It is a talk about the Priorities we set for presence of Jesus learning ourselves in our lives. Back in what you need for the day October of 2012 Kelly Sowell’s when you come “down from priority was to be the Lay Director the mountain” and have to for the 2013 Women’s Walk, but it face the demons, the troubles, seems that God had a different and the realities that we do plan in mind. Kelly is now in the not always walk with Jesus. I process of adopting a child who have known people who very much deserves a loving Mom crashed and burned after their and family. Kelly’s new Priority is walk because they left the the future of this beautiful child community that was raising who is a gift from God. I applaud and congratulate Kelly for them. On the walk we choosing to set her Priority on promise to be “a little more taking care of this child and I am like Jesus”, hoping and also very proud to know and be praying that we will not let associated with such a fine, loving GATHERING SCHEDULE him down in that real world. -
Regimes of Truth in the X-Files
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-1999 Aliens, bodies and conspiracies: Regimes of truth in The X-files Leanne McRae Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Film and Media Studies Commons Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies: Regimes of truth in The X-files. https://ro.ecu.edu.au/ theses/1247 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1247 Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1999 Aliens, bodies and conspiracies : regimes of truth in The -fiX les Leanne McRae Edith Cowan University Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies : regimes of truth in The X-files. Retrieved from http://ro.ecu.edu.au/theses/1247 This Thesis is posted at Research Online. http://ro.ecu.edu.au/theses/1247 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). -
The First Joyful Mystery the ANNUNCIATION 1. the Time for the Incarnation Is at Hand. 2. of All Women God Prepared Mary from He
The First Joyful Mystery THE ANNUNCIATION 1. The time for the Incarnation is at hand. 2. Of all women God prepared Mary from her conception to be the Mother of the Incarnate Word. 3. The Angel Gabriel announces: "Hail, full of grace! The Lord is with thee." 4. Mary wonders at this salutation. 5. The Angel assures her: "Fear not . you shall conceive in your womb, and give birth to a Son." 6. Mary is troubled for she has made a vow of virginity. 7. The Angel answers that she will conceive by the power of the Holy Spirit, and her Son will be called the Son of God. 8. The Incarnation awaits Mary's consent. 9. Mary answers: "Behold the handmaid of the Lord. Be it done unto me according to your word." 10. The Word was made flesh and dwelt among us. Spiritual Fruit: Humility The Second Joyful Mystery THE VISITATION 1. Mary's cousin Elizabeth conceived a son in her old age . for nothing is impossible with God. 2. Charity prompts Mary to hasten to visit Elizabeth in the hour of her need. 3. The journey to Elizabeth's home is about eighty miles requiring four or five days. 4. Though long and arduous, the journey is joyous, for Mary bears with her the Incarnate Word. 5. At Mary's salutation, John the Baptist is sanctified in his mother's womb. 6. Elizabeth exclaims: "Blessed are you among women, and blessed is the fruit of your womb." 7. "How have I deserved that the mother of my Lord should come to me?" 8. -
The Movie, the Passion of the Christ, You Remember, Begins with Jesus in the Garden of Gethsemane with Peter, James, and John
The movie, The Passion of the Christ, you remember, begins with Jesus in the Garden of Gethsemane with Peter, James, and John. In the movie, Satan comes to Jesus to tempt Him. The temptation is very subtle. Satan is trying to sew doubt into the mind of Jesus by telling Him that no human can carry the sins of all humanity. In the movie, Satan says to Jesus: “No one man can carry this burden, I tell you. It is far too heavy. Saving their souls is too costly. No one. Ever. No. Never.” On the surface, it is a reasonable argument and that’s why it is so tricky because the real, more sinister temptation behind it is this: “You cannot do what the Father is asking you to do. His will is unreasonable.” That’s what, in the movie, the character of Satan wants to put in Jesus’ mind. In real life, Satan is just as tricky and more so. On this First Sunday of Lent, we see in the Gospel that Jesus is led into the desert and is tempted by Satan. I would like to spend a little time talking with you about Satan’s temptations and how they affect us. First, who is Satan? Where did he come from? Just like God has given us free will in order that we may choose to love Him freely, so God created all the angels with free will and at some point in time allowed them to exercise that free will for or against God so that they could offer their love freely, because love isn’t love unless it is a free gift of oneself.