Some Enchanted Evening
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Clark Spring Semester 2020 Homeschoole MT
Clark Spring Semester 2020 Homeschoole MT JENNA: In the early 1940s, Richard Rodgers and Oscar Hammerstein III’s ‘Oklahoma!,’ adapted from a play written by Claremore playwright Lynn Riggs, opened on Broadway. It was the first musical they wrote together.. KYLE: Each had already found success on Broadway: Rodgers, having written a series of popular musicals with lyricist Lorenz Hart, and Hammerstein, having written the monumental classic, ‘Show Boat.’ But together with ‘Oklahoma!', they would change musical theatre forever. “Oh! What a Beautiful Mornin’” There's a bright golden haze on the meadow There's a bright golden haze on the meadow The corn is as high as an elephant's eye And it looks like it's climbing clear up to the sky Oh, what a beautiful mornin' Oh, what a beautiful day I've got a beautiful feeling Everything's going my way All the cattle are standing like statues All the cattle are standing like statues They don't turn their heads as they see me ride by But a little brown maverick is winking her eye Oh, what a beautiful mornin' I've got a beautiful feeling Everything's going my way All the sounds of the earth are like music All the sounds of the earth are like music The breeze is so busy, it don't miss a tree And an old weeping willow is laughing at me Oh, what a beautiful mornin' Oh, what a beautiful day I've got a beautiful feeling Everything's going my way Oh, what a beautiful day ALEXA I: With its character-driven songs and innovative use of dance, ‘Oklahoma’ elevated how musicals were written. -
Classical Voice Grade 3
Classical Voice Grade 3 Length of examination: 20 minutes Examination Fee: Please consult our website for the schedule of fees: www.conservatorycanada.ca Corequisite: There is no written examination corequisite for the completion of Grade 3. Note: The Grade 3 examination is designed for younger singers. It is recommended that mature beginners enter the examination program at the Grade 4 level. REQUIREMENTS & MARKING Requirements Total Marks List A 15 Repertoire List B 15 4 pieces of contrasting styles List B or C 15 Own Choice Piece 12 Technique Listed exercises 15 Sight Reading Rhythm (3) Singing (7) 10 Aural Tests Clap Back (3) Triads (2) Scales (2) Chord Tones (3) 10 Background Information 8 Total Possible Marks 100 *One bonus mark will be awarded for including a repertoire piece by a Canadian composer CONSERVATORY CANADA ™ GRADE 3 AUGUST 2018 1 REPERTOIRE ● Candidates must be prepared to sing four pieces varying in key, tempo, mood, and subject, with at least three different composers being represented to receive full marks: ● One List A piece ● One List B piece ● One List B o r List C piece ● One Own Choice piece: ● This piece may be chosen from the repertoire list (Classical or Contemporary Idioms) or may be a free choice (not chosen from the repertoire list). ● Free choice pieces do not require approval. ● Must be at or above the Grade 3 level (can be more than one level above). ● This piece must be suitable for the candidate’s voice and age. ● Vocal duets are acceptable, provided the candidate’s part is equivalent in difficulty to Grade 3, and a second vocalist covers the second part. -
Carmel Quinn I Enjoy Being a Girl Mp3, Flac, Wma
Carmel Quinn I Enjoy Being A Girl mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: I Enjoy Being A Girl Country: US Released: 1962 Style: Vocal MP3 version RAR size: 1383 mb FLAC version RAR size: 1984 mb WMA version RAR size: 1725 mb Rating: 4.6 Votes: 297 Other Formats: MP2 AUD AU FLAC DTS AC3 AAC Tracklist Hide Credits I Enjoy Being A Girl A1 2:25 Written-By – Hammerstein, Rogers* The Last Time I Saw Paris A2 2:50 Written-By – Kern*, Hammerstein* People Will Say We Are In Love A3 2:43 Written-By – Hammerstein, Rogers* Some Enchanted Evening A4 2:48 Written-By – Hammerstein, Rogers* I'm In Love With A Wonderful Guy A5 2:20 Written-By – Hammerstein, Rogers* We Kiss In A Shadow A6 2:47 Written-By – Hammerstein, Rogers* Whistle A Happy Tune B1 2:35 Written-By – Hammerstein, Rogers* It Might As Well Be Spring B2 3:17 Written-By – Hammerstein, Rogers* Hello Young Lovers B3 2:33 Written-By – Hammerstein, Rogers* If I Loved You B4 2:01 Written-By – Hammerstein, Rogers* Climb Every Mountain B5 2:17 Written-By – Hammerstein, Rogers* I'm Gonna Wash That Man Right Out Of My Hair B6 2:10 Written-By – Hammerstein, Rogers* Credits Arranged By, Orchestrated By, Directed By – Frank Barber Producer – Bill Fuller Notes Recorded In London (England) Songs Of Rodgers, Hammerstein, Kern Other versions Category Artist Title (Format) Label Category Country Year RLP-649, RLP Carmel I Enjoy Being A Girl RLP-649, RLP Reo, Reo Canada 1962 649 Quinn (LP, Album) 649 Related Music albums to I Enjoy Being A Girl by Carmel Quinn Kenny Rogers - The Kenny Rogers -
South-Pacific-Script.Pdf
RODGERS AND HAMMERSTEIN'S SOUTH PACIFIC First Perfol'mance at the 1vlajestic Theatre, New York, A pril 7th, 1949 First Performance in London, Theatre Royal, Drury Lane, November 1st, 1951 THE CHARACTERS (in order of appearance) NGANA JEROME HENRY ENSIGN NELLIE FORBUSH EMILE de BECQUE BLOODY MARY BLOODY MARY'S ASSISTANT ABNER STEWPOT LUTHER BILLIS PROFESSOR LT. JOSEPH CABLE, U.S.M.C. CAPT. GEORGE BRACKETT, U.S.N. COMMDR. WILLIAM HARBISON, U.S.N. YEOMAN HERBERT QUALE SGT. KENNETH JOHNSON SEABEE RICHARD WEST SEABEE MORTON WISE SEAMAN TOM O'BRIEN RADIO OPERATOR, BOB McCAFFREY MARINE CPL. HAMILTON STEEVES STAFF-SGT. THOMAS HASSINGER PTE. VICTOR JEROME PTE. SVEN LARSEN SGT. JACK WATERS LT. GENEVIEVE MARSHALL ENSIGN LISA MANELLI ENSIGN CONNIE WALEWSKA ENSIGN JANET McGREGOR ENSIGN BESSIE NOONAN ENSIGN PAMELA WHITMORE ENSIGN RITA ADAMS ENSIGN SUE YAEGER ENSIGN BETTY PITT ENSIGN CORA MacRAE ENSIGN DINAH MURPHY LIAT MARCEL (Henry's Assistant) LT. BUZZ ADAMS Islanders, Sailors, Marines, Officers The action of the play takes place on two islands in the South Pacific durin~ the recent war. There is a week's lapse of time between the two Acts. " SCENE I SOUTH PACIFIC ACT I To op~n.o House Tabs down. No.1 Tabs closed. Blackout Cloth down. Ring 1st Bar Bell, and ring orchestra in five minutes before rise. B~ll Ring 2nd Bar three minutes before rise. HENRY. A Ring 3rd Bar Bell and MUSICAL DIRECTOR to go down om minute before rise. NGANA. N Cue (A) Verbal: At start of overt14re, Music No.1: House Lights check to half. -
South Pacific
THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods. -
Wedding Ceremony Jazz and Blues
Wedding Ceremony The Prayer Ave Maria Erik Satie -Gymnopedie Canon in D- Pachabel Jesu Joy of Mans Desire- Bach Bridal Chorus from Lohengrin= (Here Mendelssohn Wedding March Comes the Bride) Bach- Prelude in C “Spring”-Vivaldi Four Seasons Chopin- Prelude in e minor Debussy- Reverie The Look of Love Can’t Help Falling in Love-Elvis At Last-Etta James Unforgettable Sunrise Sunset How Sweet It Is to Be Loved by You Longer Than-Dan Fogelberg The First Time Ever I Saw Your Face Wonderful World When You Say Nothing at All-Allison Krauss You Raise Me Up- Josh Groban Kiss From a Rose- Seal Secret Garden- Springsteen With or Without You- U2 Jazz and Blues Alice in Wonderland Waltz for Debbie God Bless the Child After Midnight Ain’t Misbehaving Beginning to See the Light Ellington Black and Blue Blue Monk Blue Skies I. Berlin Birth of the Blues Blue and Sentimental Body and Soul But beautiful Breezin Brubeck Medley Blue Rondo- Take Five-The Duke- Strange Meadowlark- Raggy Waltz Cherokee Deed I do Deep Purple Don't Get Around Much Anymore Emily Everything Happens to Me Fly Me to the Moon Georgia Getting Sentimental Over You Green Dolphin Street Green in Blue Greenhouse Blues Harlem Nocturne Here Comes That Rainy Day Honeysuckle Rose I Can't Get Started I Got it Bad I Remember You I Thought About You In My Solitude Jersey Bounce Lullaby of Bird land Lush Life Mercy Mercy Mood Indigo Moonlight Serenade Glen Miller Midnight Sun My Funny Valentine My Foolish Heart My Romance Nature Boy Nearness of You Our Love is Here to Stay On a Clear Day Poinciana Prelude to a Kiss Satin Doll Serenade in Blue Since I Fell for You Skylark So Rare Sophisticated Lady Stardust St. -
Rodgers and Hammerstein╎s Affect on Post
Dees 1 Alison Dees Professor McDouglad English 1102 F13 8 December 2013 From Pants to Pearls: Rodger’s and Hammerstein’s Affect on Post WWII Women During the 1940s, musicals like This is the Army and Strike up the Band dominated the theatre world. These musicals contained plots that focused on patriotism and primarily featured leads held by men. In Strike up the Band, the two male mangers of a cheese factory wage war against Switzerland (“Strike up the band”, 2013). In This is the Army , a cast filled with men sings about the trials that come with being in the Armed Forces (Kenrick). Theatre producers’ primary focus seemed to be on the war raging in Europe and Japan. While actors were singing about the harsh reality of war, men were actually living it. Many men left home to fight for our freedoms overseas during World War II while women became the power that fueled the American home front. From Rosie the Riveter to articles that talked about different ways to wear your hair at work, the nation was trying to bring glamour to the women who traded their home life for a job in a factory. The Sperry Company even created a Miss Victory pageant where “women were encouraged to wear slacks and keep their hair hidden for safety.” These pageants gave working class women a chance to model their work clothes all in hopes to support the company’s campaign that “focused on safety practices that eliminated traditional markers of femininity such as long hair and skirts” (Pantnode 231-2450). -
An Evening of Song: From Schubert to Verdi
An Evening of Song: From Schubert to Verdi Logan Campbell, bass-baritone Deb Watts Elliott, piano UIS Faculty Series Illinois Symphony Orchestra Guild Event February 20, 2021 7:00 pm University of Illinois - Springfield Performing Arts Center Program Order “La Vendetta” from Le Nozze di Figaro M ozart (1756-1791) “Bois épais” from Amadis L ully (1632-1687) “Quia fecit mihi magna” from Magnificat Bach (1785-1750) “Der Doppelgänger” from Schwanengesang S chubert (1797-1828) “Romans” from 3 Songs for Bass Voice Sjögren (1853-1918) INTERMISSION “Some Enchanted Evening” from South Pacific R odgers and Hammerstein (1902-1979) (1895-1960) “Il lacerato spirito” from Simon Boccanegra V erdi (1813-1901) Old American Song Set #1 C opland The Dodger (1900-1990) Long Time Ago Simple Gifts I Bought Me A Cat Performer Biographies Logan Campbell, bass-baritone, is a recent addition to the faculty at The University of Illinois - Springfield as Music Director and Conductor of the UIS Orchestra. Campbell enjoys a budding career as a conductor, equally at home with Symphonic repertoire, Pops, Opera, and Musical Theatre. He is presently in his first season as Assistant Conductor of the Illinois Symphony Orchestra and Conductor of the Illinois Symphony Youth Orchestras.Logan has worked as a guest conductor, rehearsal conductor, or cover conductor with area orchestras like the Knoxville Symphony Orchestra, Scruffy City Orchestra, Morristown Community Orchestra, and Brevard Philharmonic. As a student at UT, he worked with the UT Symphony Orchestra, UT Opera Orchestra, UT Chamber Orchestra, VolOpera, and UT Opera Theatre. Logan performed with the UT Opera Theatre from 2018-2020 in productions of La Finta Giardiniera and Carmen, with the Knoxville Opera in Lucia di Lammermoor, the Furman Lyric Opera in Die Zauberflöte, and the Franco-American Vocal Academy in Le Nozze di Figaro and Bastien und Bastienne in. -
String Ensembles – Song List
STRING ENSEMBLES – SONG LIST TITLE COMPOSER AIR BACH AIR HANDEL AMAZING GRACE TRAD AM PATRIOTIC SONG MEDLEY` TRAD ANDANTE SCHUBERT AND I LOVE HER LENNON/McCARTNEY ARIA from "XERXES" HANDEL AUTUMN LEAVES KOSMA AVE MARIA SCHUBERT BEAUTIFUL BLUE DANUBE STRAUSS BEAUTIFUL DAY U2 BECAUSE LENNON/McCARTNEY BESAME MUCHO VELAZQUEA BITTER SWEET SYMPHONY JAGGER/RICHARDS BLACKBIRD LENNON/McCARTNEY BLACK ORPHEUS BONFI BLUE BAYOU BLUE TANGO ANDERSON BOOK OF LOVE GABRIEL BRANDENBURG C # 3 BACH BYE BYE BLACKBIRD HENDERSON CANON IN D PACHELBEL CHARADE MANCINI CHOO CHOO CHA' BOOGIE TITLE COMPOSER CLOCKS VSQ COME AWAY WITH ME JONES CRY ME A RIVER HAMILTON CHRISTMAS TIME IS HERE GARALDI DO NOTHIN' TILL YOU HEAR FROM ME DUKE EIGHT DAYS A WEEK LENNON/McCARTNEY EMPEROR WALTZ STRAUSS FINNEGAN'S WAKE IRISH TRAD FLOWER DUET DELIBES GIGUE BACH GIRL LENNON/McCARTNEY GOD OF GREAT AND SMALL SLEETH GREENSLEEVES VAR /SQ TRAD GREEN BOSSA PETERSON HERE COMES THE KING * HORNPIPE HANDEL HORSE AND BUGGY ANDERSON I DO CAILLAT I ENJOY BEING A GIRL RODGERS/HAMMERSTEIN I WANT TO HOLD YOUR HAND LENNON/McCARTNEY I'VE GOT A CRUSH ON YOU GERSHWIN IF I FELL LENNON/McCARTNEY IRISH DANCE IRISH TRAD IRISHWASHER WOMAN IRISH TRAD JALOUSIE GADE JESU, JOY OF MAN'S DESIRING BACH LARGO FROM "WINTER" VIVALDI TITLE COMPOSER LONDENDERRY AIR IRISH TRAD MEMORY WEBBER MISS OTIS REGRETS PORTER MOON RIVER MANCINI MY FAVORITE THINGS RODGERS/HAMMERSTEIN MY FOOLISH HEART YOUNG MY FUNNY VALENTINE RODGERS NO OTHER LOVE RODGERS/HAMMERSTEIN ODE TO JOY BEETHOVEN OH, WHAT A BEAUTIFUL MORNIN' RODGER/HAMMERSTEIN -
Rodney Earl Clarke Christopher Gould
HITS FROM THE GOLDEN AGE OF BROADWAY MUSICALS Rodney Earl Clarke Christopher Gould HITS FROM THE GOLDEN AGE OF BROADWAY MUSICALS Rodney Earl Clarke Christopher Gould 1 Oh, What a Beautiful Mornin’ 3’05 from Oklahoma! music by Richard Rodgers, words by Oscar Hammerstein II 2 If I loved you 2’25 from Carousel music by Richard Rodgers, words by Oscar Hammerstein II 3 Soliloquy 7’25 from Carousel music by Richard Rodgers, words by Oscar Hammerstein II 4 You’ll never walk alone 2’00 from Carousel music by Richard Rodgers, words by Oscar Hammerstein II 5 Love Walked In 3’18 from The Goldwyn Follies music by George Gershwin, words by Ira Gershwin 6 Just Another Rhumba 3’16 from The Goldwyn Follies music by George Gershwin, words by Ira Gershwin 7 Younger Than Springtime 3’17 from South Pacific music by Richard Rodgers, words by Oscar Hammerstein II 8 Some Enchanted Evening 3’27 from South Pacific music by Richard Rodgers, words by Oscar Hammerstein II 9 This Nearly Was Mine 3’28 from South Pacific music by Richard Rodgers, words by Oscar Hammerstein II 10 Joey, Joey, Joey 3’38 from The Most Happy Fella music and words by Frank Loesser 11 Come Home 2’49 from Allegro music by Richard Rodgers, words by Oscar Hammerstein II 12 Ol’ Man River 2’51 from Showboat music by Jerome Kern, words by Oscar Hammerstein II 13 Lonely Town 3’59 from On the Town music by Leonard Bernstein, words by Betty Comden and Adolph Green 14 The Impossible Dream (The Quest) 2’44 from Man of La Mancha music by Mitch Leigh, words by Joe Darion 47’42 Rodney Earl Clarke baritone Christopher Gould piano Rodney Earl Clarke takes us to the golden age of the American musical theatre song focussing on the composers that solidified the modern, story-driven, integrated art genre that we now enjoy. -
South Pacific
Broadway Buzz: Buzz Extra- South Pacific SOME ENCHANTED EVENING An enchanted evening awaits you at PlayhouseSquare: SOUTH PACIFIC by Rodgers and Hammerstein arrives as part of the KeyBank Broadway Series February 1- 13. 31 AWARDS SOUTH PACIFIC originally opened in New York in 1949. It was a smash hit, winning nine Tony Awards including Best Musical, Best Original Score and Best Libretto. The show went on to win not only the New York Drama Critics Circle Award for Best Musical, but also the 1950 Pulitzer Prize for Drama. It played 1,925 performances before it closed in 1954. The revival that this National Tour http://www.playhousesquare.org/buzzextra/south-pacific/ (1 of 3) [1/25/2011 10:12:18 AM] Broadway Buzz: Buzz Extra- South Pacific presents opened at Lincoln Center in Read More... Photo Credit: Tim Gulan and the Seabees Photo by Matt Polk Have you ever seen a live Buzz Extra is a publication of the production of SOUTH Community Engagement & Education PACIFIC (not the movie)? Department at PlayhouseSquare Yes Vice President of Theatricals: No Gina Vernaci Director of Community Engagement & Education: Colleen Porter Director of Ticket Sales & Marketing: Share This Micropoll.com Autumn Kiser Editors: Linda Jackson, Cindi Szymanski http://www.playhousesquare.org/buzzextra/south-pacific/ (2 of 3) [1/25/2011 10:12:18 AM] Broadway Buzz: Buzz Extra- South Pacific Official South Pacific Tour Website Writer: "Like" South Pacific on Facebook Robin Pease Visit the South Pacific Video Gallery Photos: Peter Coombs, Joan Marcus, Matt Polk, Craig Schwartz Home Some Enchanted Evening Download and read the printable version of the Dear Oscar Buzz (535Kb in PDF format) here You've Got to Be Taught Archives: Blue Man Group Talking with Conductor Lawrence Goldberg Billy Elliot The Musical Tales of the South Pacific We welcome your feedback and suggestions for the Enrich Your Experience: Buzz Extra. -
SINGER's MUSICAL THEATRE ANTHOLOGY Master Index, All Volumes
THE SINGER’S MUSICAL THEATRE ANTHOLOGY SERIES GUIDE AND INDEXES FOR ALL VOLUMES • Alphabetical Song Index • Alphabetical Show Index Updated September 2016 Key Accompaniment Book Only CDs Book/Audio S1 = Soprano, Volume 1 00361071 00740227 00000483 S2 = Soprano, Volume 2 00747066 00740228 00000488 S3 = Soprano, Volume 3 00740122 00740229 00000493 S4 = Soprano, Volume 4 00000393 00000397 00000497 S5 = Soprano, Volume 5 00001151 00001157 00001162 S6 = Soprano, Volume 6 00145258 00151246 00145264 ST = Soprano, Teen's Edition 00230043 00230051 00230047 S16 = Soprano, 16-Bar Audition 00230039 NA NA M1 = Mezzo-Soprano/Belter, Volume 1 00361072 00740230 00000484 M2 = Mezzo-Soprano/Belter, Volume 2 00747031 00740231 00000489 M3 = Mezzo-Soprano/Belter, Volume 3 00740123 00740232 00000494 M4 = Mezzo-Soprano/Belter, Volume 4 00000394 00000398 00000498 M5 = Mezzo-Soprano/Belter, Volume 5 00001152 00001158 00001163 M6 = Mezzo-Soprano/Belter, Volume 6 00145259 00151247 00145265 MT = Mezzo-Soprano/Belter, Teen's Edition 00230044 00230052 00230048 M16 = Mezzo-Soprano/Belter, 16-Bar Audition 00230040 NA NA T1 = Tenor, Volume 1 00361073 00740236 00000485 T2 = Tenor, Volume 2 00747032 00740237 00000490 T3 = Tenor, Volume 3 00740124 00740238 00000495 T4 = Tenor, Volume 4 00000395 00000401 00000499 T5 = Tenor, Volume 5 00001153 00001160 00001164 T6 = Tenor, Volume 6 00145260 00151248 00145266 TT = Tenor, Teen's Edition 00230045 00230053 00230049 T16 = Tenor, 16-Bar Audition 00230041 NA NA B1 = Baritone/Bass, Volume 1 00361074 00740236 00000486 B2 = Baritone/Bass,