Medieval Christian Dualist Perceptions and Conceptions of Biblical Paradise
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The Gnostic Myth of Sophia in Dark City (1998) Fryderyk Kwiatkowski Jagiellonian University in Kraków, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Nebraska, Omaha Journal of Religion & Film Volume 21 Article 34 Issue 1 April 2017 4-1-2017 How To Attain Liberation From a False World? The Gnostic Myth of Sophia in Dark City (1998) Fryderyk Kwiatkowski Jagiellonian University in Kraków, [email protected] Recommended Citation Kwiatkowski, Fryderyk (2017) "How To Attain Liberation From a False World? The Gnostic Myth of Sophia in Dark City (1998)," Journal of Religion & Film: Vol. 21 : Iss. 1 , Article 34. Available at: https://digitalcommons.unomaha.edu/jrf/vol21/iss1/34 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. How To Attain Liberation From a False World? The Gnostic Myth of Sophia in Dark City (1998) Abstract In the second half of the 20th century, a fascinating revival of ancient Gnostic ideas in American popular culture could be observed. One of the major streams through which Gnostic ideas are transmitted is Hollywood cinema. Many works that emerged at the end of 1990s can be viewed through the ideas of ancient Gnostic systems: The Truman Show (1998), The Thirteenth Floor (1999), The Others (2001), Vanilla Sky (2001) or The Matrix trilogy (1999-2003). In this article, the author analyses Dark City (1998) and demonstrates that the story depicted in the film is heavily indebted to the Gnostic myth of Sophia. -
Iconoclasm and the Enlightenment Museum1
Iconoclasm and the Enlightenment Museum1 James Simpson English Department, Harvard University KEY WORDS Iconoclasm; art gallery; museums; iconoclastic aesthetics; Kant; Calvin. ABSTRACT The Enlightenment would seem to prize and protect images. On the contrary, the Enlightenment attitude to art is intimately responsive to, and shaped by, iconoclasm. Not only that, but, more interestingly, the Enlightenment is itself an iconoclastic movement. After 150 years or so of failed iconoclasm, Northern Europeans were exhausted. They invented three alternatives to literal iconoclasm: the scientific Enlightenment exercised a philosophical iconoclasm by describing ideology as an idol that enthralls the naive and that must be broken; the sentimental Enlightenment neutralized the image by placing it in the museum and by calling it Art; and thirdly, Enlightenment taste commodified the image under the market’s hammer. This essay focuses on the second of these alternatives to iconoclasm, the formation of the gallery. 1 Iconoclasm and the Enlightenment Museum On the face of it, the Enlightenment museum is the place where images are protected from the iconoclast’s hammer. That persuasion is part of a larger narrative: the Enlightenment protects us against religious violence. In this short essay I argue that the deeper history of the image’s passage from church to museum is more complex. The Enlightenment attitude to art is intimately responsive to, and shaped by, iconoclasm. Not only that, but, more interestingly, the Enlightenment is itself an iconoclastic movement in three profound ways. After 150 years or so of failed iconoclasm, Northern Europeans were exhausted. They invented three alternatives to literal iconoclasm. In the first place, the scientific Enlightenment exercised a philosophical iconoclasm by describing ideology as false consciousness, an idol that enthralls the naive and that must be broken. -
The Dark Age Church Period of Barbarian Invasions
Scholars Crossing History of Global Missions Center for Global Ministries 2009 The Dark Age Church Period of Barbarian Invasions Don Fanning Liberty University, [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/cgm_hist Recommended Citation Fanning, Don, "The Dark Age Church Period of Barbarian Invasions" (2009). History of Global Missions. 3. https://digitalcommons.liberty.edu/cgm_hist/3 This Article is brought to you for free and open access by the Center for Global Ministries at Scholars Crossing. It has been accepted for inclusion in History of Global Missions by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. Middle Ages 500-1000 1 3 The Dark Age Church Period of Barbarian Invasions AD 500—1000 Introduction With the endorsement of the Emperor and obligatory church membership for all Roman citizens across the empire, Roman Christianity continued to change the nature of the Church, in stead of visa versa. The humble beginnings were soon forgotten in the luxurious halls and civil power of the highest courts and assemblies of the known world. Who needs spiritual power when you can have civil power? The transition from being the persecuted to the persecutor, from the powerless to the powerful with Imperial and divine authority brought with it the inevitable seeds of corruption. Some say that Christianity won the known world in the first five centuries, but a closer look may reveal that the world had won Christianity as well, and that, in much less time. The year 476 usually marks the end of the Christian Roman Empire in the West. -
GNOSIS and NAG HAMMADI Anne Mcguire
12 GNOSIS AND NAG HAMMADI Anne McGuire Introduction Introductory remarks on “gnosis” and “Gnosticism” “Gnosticism” is a modern European term that !rst appears in the seventeenth-century writings of Cambridge Platonist Henry More (1614–87). For More, “Gnosticism” designates one of the earliest Christian heresies, connected to controversies addressed in Revelation 2:18–29 and in his own day.1 The term “gnosis,” on the other hand, is one of several ancient Greek nouns for “knowledge,” speci!cally experiential or esoteric knowledge based on direct experience, which can be distinguished from mere perception, understanding, or skill. For Plato and other ancient thinkers, “gnosis” refers to that knowledge which enables perception of the underlying structures of reality, Being itself, or the divine.2 Such gnosis was valued highly in many early Christian communities,3 yet the claims of some early Christians to possess gnosis came under suspicion and critique in the post-Pauline letter of 1 Timothy, which urges its readers to “avoid the profane chatter and contradictions of falsely so-called gnosis.”4 With this began the polemical contrast between “false gnosis” and “true faith.” It is this polemical sense of “false gnosis” that Bishop Irenaeus of Lyons took up in the title of his major anti-heretical work: Refutation and Overthrow of Falsely So-Called Gnosis, or Against Heresies, written c. "# 180.5 Irenaeus used 1 Timothy’s phrase not only to designate his opponents’ gnosis as false, but, even more important, to construct a broad category of -
The Fifth Gospel. the Gospel of Thomas Comes Of
The Fifth Gospel NEWI ED TION The Fifth Gospel The Gospel of Thomas Comes of Age NEWI ED TION Stephen J. Patterson With an essay by James M. Robinson And a New revised translation from Hans-Gebhard Bethge, et al. Published by T&T Clark International A Continuum Imprint The Tower Building, 80 Maiden Lane, 11 York Road, Suite 704, London SE1 7NX New York, NY 10038 www.continuumbooks.com All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage or retrieval system, without permission in writing from the publishers. © Stephen J. Patterson, Hans-Gebhard Bethge, James M. Robinson 2011 Stephen J. Patterson, Hans-Gebhard Bethge and James M. Robinson have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as the Author of this work. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library ISBN: 978-0-567-31084-2 Typeset by Fakenham Prepress Solutions, Fakenham, Norfolk NR21 8NN Contents Introduction Stephen J. Patterson vii CHAPTER 1 Revised English Translation 1 CHAPTER 2 Understanding the Gospel of Thomas Today 26 CHAPTER 3 The Story of the Nag Hammadi Library 67 Further Reading 97 Notes 100 General Index 118 Index of Gospel of Thomas References 126 Index of Biblical References 128 Introduction Stephen J. Patterson The Gospel of Thomas ranks among the most important manuscript discoveries in the last two hundred years. The debate it unleashed in the 1950s, when scholars first got a glimpse of the new gospel, continues unabated today. -
Role of Religion in the Western Balkans╎ Societies
Occasional Papers on Religion in Eastern Europe Volume 39 Issue 5 Article 2 8-2019 Role of Religion in the Western Balkans’ Societies - Full Text Follow this and additional works at: https://digitalcommons.georgefox.edu/ree Part of the Eastern European Studies Commons, and the Religion Commons Recommended Citation (2019) "Role of Religion in the Western Balkans’ Societies - Full Text," Occasional Papers on Religion in Eastern Europe: Vol. 39 : Iss. 5 , Article 2. Available at: https://digitalcommons.georgefox.edu/ree/vol39/iss5/2 This Article, Exploration, or Report is brought to you for free and open access by Digital Commons @ George Fox University. It has been accepted for inclusion in Occasional Papers on Religion in Eastern Europe by an authorized editor of Digital Commons @ George Fox University. For more information, please contact [email protected]. Role of Religion in the Western Balkans’ Societies Conference Volume Country snapshots, elite survey reports and papers delivered to the conference Tirana, June 2019 Disclaimer: This study was conducted in the framework of the Project “Exploring the role of Religion in the Western Balkan societies” with the support of a grant of the Netherlands Ministry of Foreign Affairs awarded in the framework of the Human Rights Fund. The objectives, proper implementation and results of this project constitute responsibility for the implementing organization – Institute for Democracy and Mediation. Any views or opinions presented in this project are solely those of the implementing organisation and do not necessarily represent those of the Dutch Government. Implementing partners: Editing Board Leonie Rakaj – Vrugtman Aleksandar Takovski Tarik Jusić Nenad Zekavica Viktorija Borovska ISBN 978-9928-4385-3-9 Copyright ©IDM 2019. -
EARL 8/2 No. 2
ATTRIDGE/VALENTINIAN AND SETHIAN APOCALYPSES 173 Valentinian and Sethian Apocalyptic Traditions* HAROLD W. ATTRIDGE The paper reexamines the relationship between “apocalyptic” and “gnostic” traditions, on the assumption that global definitions of these phenomena are problematic. Valentinian and Sethian corpora in the Nag Hammadi collection display different appropriations of apocalyptic literary forms and conceptual schemes. Apart from a few late works with traces of Valentinian positions, this tradition largely ignores features characteristic of apocalyptic literature. Valentinian eschatology seems to be founded primarily on philosophical cosmology and psychology. Sethian texts preserve many features of Jewish revelatory literature, and many details associated with various eschatological schemes familiar from apocalyptic sources. The most extensive use of the characteristic “heavenly ascent” topos in Sethian literature, however, seems to be a third-century development, perhaps responding to contemporary forms of religious propaganda. It has been almost forty years since R. M. Grant made his famous, and frequently discussed, suggestion that Gnosticism was born out of disap- pointed apocalyptic hopes.1 While containing an element of truth, the very formulation seems curiously dated. At the end of the millennium we are much more aware of the difficulties of dealing with each term of *A version of this paper was presented to the joint session of the Nag Hammadi and Pseudepigrapha groups at the annual meeting of the Society of Biblical Literature in Orlando, November 22, 1998. The subject of the joint session was the relationship of “apocalyptic” and “Gnosticism.” 1. Robert M. Grant, Gnosticism and Early Christianity (New York: Columbia University Press, 1959; rev. ed. 1966), 27–38. -
Iconoclasm: a Christian Dilemma
ICONOCLASM: A CHRISTIAN DILEMMA - A BYZANTINE CONTROVERSY By STEPHEN CHARLES STEACY •• Bachelor of Arts Oklahoma State University Stillwater, Oklahoma 1969 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS December, 1978 ICONOCLASM: A CHRISTIAN DILEMMA - A BYZANTINE CONTROVERSY Thesis Approved: '. ~- Dean of the Graduate College 1019541 ii P~F~E This thesis is concerned with Iconoclasm, the religious upheaval which troubled the Byzantine conscience for over a century. There have been numerous theories adduced by his torians to account for this phenomenon. It is the purpose of this study to view the varying interpretations, analyze their shortcomings, and to put forth a different view of the controversy, one that more adequately expresses the deeply rooted religious nature of the movement, a movement not only of the eighth and ninth centuries but an idea which was nurtured in fertile soil of the Old Testament and Apostolic Christianity. The author wishes to express heartfelt appreciation to his thesis adviser, Dr. George Jewsbury, whose unflagging solicitude, support, and inspiration were instrumental in the preparation of this work. A note of thanks is given to Mrs. Karen Hoyer, whose typing expertise, in the final analysis, made the difference between success and failure. iii TABLE OF CONTENTS Chapter Page I. INTRODUCTION AND HISTORIOGRAPHICAL ESSAY 1 II. THEOLOGICAL AND PHILOSOPHICAL COURSES OF THE CONTROVERSY. • • . • . • • . • . 13 Genesis of the Cult of Icons .•.• 13 The Scriptures as the Foundation of Iconoclasm. 26 Precursors of ·the Iconoclast Movement . 30 Origen . 31 Eusebius . -
The Gnostic Myth of Sophia in Dark City (1998) Fryderyk Kwiatkowski Jagiellonian University in Kraków, [email protected]
Journal of Religion & Film Volume 21 Article 34 Issue 1 April 2017 4-1-2017 How To Attain Liberation From a False World? The Gnostic Myth of Sophia in Dark City (1998) Fryderyk Kwiatkowski Jagiellonian University in Kraków, [email protected] Recommended Citation Kwiatkowski, Fryderyk (2017) "How To Attain Liberation From a False World? The Gnostic Myth of Sophia in Dark City (1998)," Journal of Religion & Film: Vol. 21 : Iss. 1 , Article 34. Available at: https://digitalcommons.unomaha.edu/jrf/vol21/iss1/34 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. How To Attain Liberation From a False World? The Gnostic Myth of Sophia in Dark City (1998) Abstract In the second half of the 20th century, a fascinating revival of ancient Gnostic ideas in American popular culture could be observed. One of the major streams through which Gnostic ideas are transmitted is Hollywood cinema. Many works that emerged at the end of 1990s can be viewed through the ideas of ancient Gnostic systems: The Truman Show (1998), The Thirteenth Floor (1999), The Others (2001), Vanilla Sky (2001) or The Matrix trilogy (1999-2003). In this article, the author analyses Dark City (1998) and demonstrates that the story depicted in the film is heavily indebted to the Gnostic myth of Sophia. He bases his inquiry on the newest research results in Gnostic Studies in order to highlight the importance of definitional problems within the field and how carefully the concept of “Gnosticism” should be applied to popular culture studies. -
Legacy of Iconoclasm Volume
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Andrews Research Repository The Legacy of Iconoclasm: Religious War and the Relic Landscape of Tours, Blois and Vendôme, 1550-1750 Eric Nelson St Andrews Studies in French History and Culture ST ANDREWS STUDIES IN FRENCH HISTORY AND CULTURE The history and historical culture of the French-speaking world is a major field of interest among English-speaking scholars. The purpose of this series is to publish a range of shorter monographs and studies, between 25,000 and 50,000 words long, which illuminate the history of this community of peoples between the later Middle Ages and the late twentieth century. The series covers the full span of historical themes relating to France: from political history, through military/naval, diplomatic, religious, social, financial, gender, cultural and intellectual history, art and architectural history, to historical literary culture. Titles in the series are rigorously peer-reviewed through the editorial board and external assessors, and are published as both e-books and paperbacks. Editorial Board Dr Guy Rowlands, University of St Andrews (Editor-in-Chief) Professor Andrew Pettegree, University of St Andrews Professor Andrew Williams, University of St Andrews Dr David Culpin, University of St Andrews Dr Sarah Easterby-Smith, University of St Andrews Dr David Evans, University of St Andrews Dr Justine Firnhaber-Baker, University of St Andrews Dr Linda Goddard, University of St Andrews Dr Bernhard Struck, University -
Trinitarian/Christological Heresies Heresy Description Origin Official
Trinitarian/Christological Heresies Official Heresy Description Origin Other Condemnation Adoptionism Belief that Jesus Propounded Theodotus was Alternative was born as a by Theodotus of excommunicated names: Psilanthro mere (non-divine) Byzantium , a by Pope Victor and pism and Dynamic man, was leather merchant, Paul was Monarchianism. [9] supremely in Rome c.190, condemned by the Later criticized as virtuous and that later revived Synod of Antioch presupposing he was adopted by Paul of in 268 Nestorianism (see later as "Son of Samosata below) God" by the descent of the Spirit on him. Apollinarism Belief proposed Declared to be . that Jesus had by Apollinaris of a heresy in 381 by a human body Laodicea (died the First Council of and lower soul 390) Constantinople (the seat of the emotions) but a divine mind. Apollinaris further taught that the souls of men were propagated by other souls, as well as their bodies. Arianism Denial of the true The doctrine is Arius was first All forms denied divinity of Jesus associated pronounced that Jesus Christ Christ taking with Arius (ca. AD a heretic at is "consubstantial various specific 250––336) who the First Council of with the Father" forms, but all lived and taught Nicea , he was but proposed agreed that Jesus in Alexandria, later exonerated either "similar in Christ was Egypt . as a result of substance", or created by the imperial pressure "similar", or Father, that he and finally "dissimilar" as the had a beginning declared a heretic correct alternative. in time, and that after his death. the title "Son of The heresy was God" was a finally resolved in courtesy one. -
Iconoclasm in Visual Music
EMMANOUIL KANELLOS Iconoclasm in Visual Music Abstract From the earliest experimental film works to today’s contemporary and diverse use of moving image platforms, the notion of visual music is considered synonymous with abstract animation, because in part, abstract imagery is employed across the vast majority of musical visualisation. The purpose of this paper is to explore how the absence of figuration and representation in visual music can now reengage with the problematic debate of representation versus abstraction - a debate that has taken place in other art forms and movements in the past. Introduction Visual music is a type of audio-visual art, which employs the use of moving abstract images that are synchronised with music/sound. This approach to moving image works started prior to Modernism. However, it was during this period that it developed significantly and continues to expand the field in a variety of expressive ways in our current digital era. Although the subject area of this paper is visual music it will start with an outline of several known abstraction-representation dialectics in art and more specifically, the rejection of representation caused by different ideologies, political dogmas, and spiritual beliefs. In doing so, it will demonstrate the lack of representation in the creation of artworks throughout history and focus on the past and current situation in visual music. The abstraction-representation debate in visual arts is deep-rooted and has triggered some of the greatest conflicts in the history of art. Such examples include: two iconoclasms in Byzantine Empire in the eighth and ninth centuries; the label ‘Degenerate Art’ to describe Modern art during the Nazi regime; and the violent reactions in Syria, Jordan, Lebanon and Pakistan in 2006 over the cartoons that depict Muhammad.