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DIRECTORY of the Notre Dame Law Alumni in Forwarding Business to a Distant Point Remember Your Fellow Alumni Appearing in This List
NOTRE DAME LAW REPORTER DIRECTORY Of the Notre Dame Law Alumni In Forwarding Business to a Distant Point Remember Your Fellow Alumni Appearing in This List. ARIZONA Budd- Tuscon- Arthur B. Hughes James V. Robins, Campus- 107 Melrose St. Francis T. Walsh ARKANSAS Chicago- Little Rock- Francis O'Shaughenessy, Aristo Brizzqlara, 10 S. LaSalle St. 217 E. Sixth St. Hugh O'Neill, Conway Bldg. CALIFORNIA Charles W. Bachman, Los Angeles- 836 W. Fifty-fourth St. Terence Coegrove, John Jos. Cook, 1131 Title Insurance Bldg. 3171 Hudson Ave. John G. Mott, of James V. Cunningham, Mott & Cross, 1610 Conway Bldg. Citizens National Bank Bldg. Hugh J. Daly, Michael J. McGarry, 614 Woodland Park 530 Higgins Bldg. Leo J. Hassenauer, Leo B. Ward, 1916 Harris Trust Bldg. 4421 Willowbrook Ave. William C. Henry, San Francisco- 7451 Buell Ave. Alphonsus Heer, John S. Hummer, 1601 Sacramento St. 710-69 W. Washington St. Albert M. Kelly, COLORADO 2200 Fullerton Ave. Telluride- Daniel L. Madden, James Hanlon Conway Building Clement C. Mitchell, CONNECTICUT 69 W. Washington St. Bridgeport- William J. McGrath, Donato Lepore, 648 N. Carpenter St. 645 E. Washington Ave. Thos. J. McManus, Raymond W. Murray, 5719 Michigan Ave. 784 Noble Ave. John F. O'Connell, Hartford- 155 N. Clark St. James Curry and Thos. Curry, of Joseph P. O'Hara, Curry & Curry, 1060 The Rookery D'Esops Bldg., 647 Main St. Clifford O'Sullivan, 2500 E. Eeventy-fourth St. DISTRICT OF COLUMBIA Stephen F. Reardon, Washington- 405 Peoples Life Bldg. Timothy Ansberry, Francis X. Rydzewskl, 208-12 Southern Bldg. 8300 Burley Ave. Delbert D. -
PORT ARTHUR, TEXAS: the End of the Line for an Economic Myth
PORT ARTHUR, TEXAS: The End of the Line for an Economic Myth August 2017 ACKNOWLEDGEMENTS This report was researched and written by Mary Greene and Keene Kelderman of the Environmental Integrity Project. THE ENVIRONMENTAL INTEGRITY PROJECT The Environmental Integrity Project (http://www.environmentalintegrity.org) is a nonpartisan, nonprofit organization established in March of 2002 by former EPA enforcement attorneys to advocate for effective enforcement of environmental laws. EIP has three goals: 1) to provide objective analyses of how the failure to enforce or implement environmental laws increases pollution and affects public health; 2) to hold federal and state agencies, as well as individual corporations, accountable for failing to enforce or comply with environmental laws; and 3) to help local communities obtain the protection of environmental laws. For questions about this report, please contact EIP Director of Communications Tom Pelton at (202) 888-2703 or [email protected]. PHOTO CREDITS Cover photo by Garth Lenz of Port Arthur. Executive Summary The Trump Administration’s approval of the Keystone XL Pipeline will lead to a surge in demand for oil refining at the southern end of the line, in Port Arthur, Texas – and a real test for claims that the administration’s promotion of fossil fuel industries will create jobs. The industrial port of 55,000 people on the Gulf of Mexico has been the home of America’s largest concentration of oil refineries for decades, and business has been booming. But history has shown little connection between the profitability of the petrochemical industries that dominate Port Arthur and the employment or health of the local people who live in this city of increasingly abandoned buildings and empty lots. -
Arthur Middleton Supply List Pre-Kindergarten 2021-22 Wish List
Arthur Middleton Supply List Pre-Kindergarten 2021-22 • Large book bag: Large enough for a large folder to fit inside with the zipper closed. • 1 plastic pencil box (with name) • 1 sturdy folder for Parent/School communication • One 3 Prong Folder • 6 large glue sticks • 1 pair scissors • 2 boxes crayons (small pack – they need to fit in the pencil box) • 1 pair headphones • 1 beach towel or small blanket for rest (for all day students only) • Complete change of clothes (pants, shirt, underwear and socks) Please label all clothes and place them into a small plastic bag Wish List Items • 1 box washable markers • 1 package dry erase markers • 1 package baby wipes • 1 package uncoated paper plates (any size – no Styrofoam please) • 1 package forks or spoons • 1 box baggies (any size) • Tissues • Velcro with sticky back • Craft material (stickers, pomp oms, googly eyes, tissue paper, cotton balls, craft sticks, etc…) Arthur Middleton Supply List Kindergarten 2021-22 • 1 plastic pencil box (with name) • 4 composition books • 4 plastic folders with pockets and prongs (solid colors only please) • 12 glue sticks • 1 package of colored pencils • 1 pair of scissors • 1 box of 24 crayons • 2 dry erase markers • 1 highlighter marker • 1 bottle liquid glue (such as Elmer’s) • Headphones (labeled with your child’s name) • 1 beach towel for rest (no blankets please) • 1 bag of extra clothes labeled with your child’s name. Please include pants, socks, shirt and underwear Optional Items to donate for class projects: • 1 box of washable markers • 1 package of uncoated paper plates (no styrofoam please) • Craft materials (stickers, pom-poms, googly eyes, glitter, tissue paper, cotton balls, craft sticks etc.) • Tissues • Sandwich bags or gallon bags (able to be zipped shut) • White paper lunch bags • Plastic spoons *Your child will need pencils, markers, crayons, glue and scissors at home in order to complete homework assignments. -
Power Consumption Variation Over Activation Functions
POWER CONSUMPTION VARIATION OVER ACTIVATION FUNCTIONS Leon Derczynski Department of Computer Science IT University of Copenhagen 2300 Denmark [email protected] ABSTRACT The power machine learning models consume when making predictions can be affected by a model’s architecture. This paper presents various estimates of power consumption for a range of different activation functions, a core factor in neural network model architecture design. Substantial differences in hardware perfor- mance exist between activation functions. This difference informs how power consumption in machine learning models can be reduced. 1 INTRODUCTION The field of deep neural networks has reported strong progress in many problem areas, including natural language processing (NLP), image recognition, and game playing. Many of the advances in these areas have been the fruit of using larger and thus more computationally demanding neural networks. Amodei & Hernandez (2018) find that the cost of training doubled every few months be- tween the releases of AlexNet (Krizhevsky et al., 2012) and AlphaZero Silver et al. (2018). In NLP, power consumption has also risen: Strubell et al. (2019) determine the carbon footprint of a con- temporary machine translation architecure search to be in the order of hundreds of intercontinental flights, for models that offer only marginal performance improvement. This paper examines activation functions, a core part of neural networks. The activation function is the non-linearity at the core of each network node. It is applied over the input and bias parameters at a given node for each inference that a model makes. This makes for a potentially large num- ber of computation being required to make predictions, predicated on network structure and size. -
An Incredible August Meeting
et fun me dge and knowle Volume 1, Issue 7 Where Sept 23, 2007 Massachusetts Accordion Association Monthly meetings are www.MAaccordion.com the 4th Sunday of every month……. 1:00—3:30 pm An Incredible August Meeting The Dolphin Seafood The August meeting was an accordion workshop lead by Arthur Restaurant Welch and his wife Sue, owners of Accordion Connection. Covered 12 Washington St. topics included: a Midi System, demonstrated and defined by Natick Ma. Accordion Connection’s own John Leeman on an AccTone electronic (508) 655-0669 accordion with Limex system; Accordion Repair Demo (Professional Upcoming Meetings: work and self-repair items that can be done in an emergency); and Quality levels Sept 23 of accordions, amp options. Arthur also had a state of the art tuning system and October 28 not only demonstrated how an accordion is tuned, but also assisted members in Nov\Dec TBD evaluating their accordions and making some spot-tuning adjustments, if necessary. Due to time constraints, Arthur could not cover all subjects but the handout booklet provided was an excellent supplemental reference for those that attended. The Limex (pronounced Lee-mex, not Li-mex) Midi demonstration given by John Leeman (Accordion Connection technician, Midi and microphone specialist) was done using the Accordion Connection's new line of Acctone accordions. Arthur took the time and defined the treble and bass reeds of an accordion and the importance of their tuning in producing the sounds of the accordion. He also explained the concept of why accordions use wood as an amplifier\resonator for the reeds in producing sound (demonstration example of a music box playing while held and the magnification of the sounds when placed on a wooden surface). -
The Dramatization of the Diary of Anne Frank and Its Influence on American Cultural Perceptions
GOOD AT HEART: THE DRAMATIZATION OF THE DIARY OF ANNE FRANK AND ITS INFLUENCE ON AMERICAN CULTURAL PERCEPTIONS A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Whitney Lewis Stalnaker May, 2016 © Copyright All rights reserved Except for previously published materials Thesis written by Whitney Lewis Stalnaker B.S., Glenville State College, 2011 M.A., Kent State University, 2016 Approved by Dr. Richard Steigmann-Gall , Advisor Dr. Kenneth Bindas , Chair, Department of History Dr. James Blank , Dean, College of Arts and Sciences TABLE OF CONTENTS TABLE OF CONTENTS ............................................................................................................... iii PREFACE ........................................................................................................................................v ACKNOWLEDGMENTS ............................................................................................................. ix INTRODUCTION ...........................................................................................................................1 Historiography ...............................................................................................................5 Methodology ..................................................................................................................9 Why This Play? ............................................................................................................12 CHAPTERS -
Kansas City Repertory Theatre Announces Acclaimed Cast for the Diary of Anne Frank Jan
FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 or 816.213.4355 [email protected] FOR TICKETS: Box Office at 816.235.2700 or www.KCRep.org. Kansas City Repertory Theatre Announces Acclaimed Cast for The Diary of Anne Frank Jan. 29 through Feb. 21, 2016 at newly renovated Spencer Theatre Kansas City, MO (Jan. 5, 2016) – Kansas City Repertory Theatre’s Artistic Director Eric Rosen is pleased to announce the cast of The Diary of Anne Frank, directed by Marissa Wolf, KC Rep’s Director of New Works. The play, based upon Anne Frank: The Diary of a Young Girl, was originally written for the stage by Frances Goodrich and Albert Hackett. In 1997, Wendy Kesselman published a revised version of Goodrich and Hackett’s Pulitzer Prize winning script, which integrated some of the more personal aspects of Anne Frank’s story that remained untold in the original script. Peer into the world of a family in hiding and a gifted young writer who came of age during the horrors of the Holocaust. Through Anne’s eyes, we see the prevailing hopes of a girl who – despite everything – inspired generations with her unwavering faith in humanity. This production begins Friday, Jan. 29 and runs through Sunday, Feb. 21 at KC Rep’s newly renovated Spencer Theatre. Kansas City Repertory Theatre Announces Cast for The Diary of Anne Frank Jan. 29 through Feb. 21 at Spencer Theatre Page 1 “This work by Wendy Kessleman is stunningly lyrical and poetic,” stated Wolf. “My hope is that KC Rep audiences will connect intimately with Anne as a budding young woman and all that goes with a young and emerging heart, in spite of the world looming outside.” The ensemble cast, drawn locally as well as from across the country, includes: Daniel Beeman as Peter Van Daan, Martin Buchanan as Mr. -
Understanding Screenwriting'
Course Materials for 'Understanding Screenwriting' FA/FILM 4501 12.0 Fall and Winter Terms 2002-2003 Evan Wm. Cameron Professor Emeritus Senior Scholar in Screenwriting Graduate Programmes, Film & Video and Philosophy York University [Overview, Outline, Readings and Guidelines (for students) with the Schedule of Lectures and Screenings (for private use of EWC) for an extraordinary double-weighted full- year course for advanced students of screenwriting, meeting for six hours weekly with each term of work constituting a full six-credit course, that the author was permitted to teach with the Graduate Programme of the Department of Film and Video, York University during the academic years 2001-2002 and 2002-2003 – the most enlightening experience with respect to designing movies that he was ever permitted to share with students.] Overview for Graduate Students [Preliminary Announcement of Course] Understanding Screenwriting FA/FILM 4501 12.0 Fall and Winter Terms 2002-2003 FA/FILM 4501 A 6.0 & FA/FILM 4501 B 6.0 Understanding Screenwriting: the Studio and Post-Studio Eras Fall/Winter, 2002-2003 Tuesdays & Thursdays, Room 108 9:30 a.m. – 1:30 p.m. Evan William Cameron We shall retrace within these courses the historical 'devolution' of screenwriting, as Robert Towne described it, providing advanced students of writing with the uncommon opportunity to deepen their understanding of the prior achievement of other writers, and to ponder without illusion the nature of the extraordinary task that lies before them should they decide to devote a part of their life to pursuing it. During the fall term we shall examine how a dozen or so writers wrote within the studio system before it collapsed in the late 1950s, including a sustained look at the work of Preston Sturges. -
Arthurs Eyes Free
FREE ARTHURS EYES PDF Marc Brown | 32 pages | 03 Apr 2008 | Little, Brown & Company | 9780316110693 | English | New York, United States Arthurs Eyes | Elwood City Wiki | Fandom The episode begins with four LeVars looking at seeing riddles in different ways. With one picture, the first one sees it as spots on a giraffe. The second one sees it as eyes and a nose when you turn it around at 90 degrees. The third one sees it as a close-up of Swiss cheese. The fourth one sees it as two balloons playing catch. It all depends on how you look at it. The four LeVars look at a couple more eye riddles. Many people see many things in different ways. Besides having a unique way of seeing things, people's other senses are unique too. LeVar loves coming Arthurs Eyes the farmer's bazaar because he gets surrounded by all kinds of sights, smells, and textures. He challenges the viewers' eyes at seeing Arthurs Eyes of certain fruits and vegetables. The things the viewers see are viewed through a special camera lens. Some people use special lenses to see things, especially when they can't see well. LeVar explains, "I wear glasses, and sometimes I wear contact lenses. A different color blindness, unlike with your eyes, has something to do with your mind. It has nothing to do with what you see, but how you see it. LeVar has a flipbook he made himself. The picture changes each time you turn a page. Flipping the pages faster looks like a moving film. -
Tv Guide Boston Ma
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RUSS 385: Russian Drama Lyudmila Parts 1 Fall 2021
RUSS 385: Russian Drama Lyudmila Parts 1 Fall 2021 RUSS 385 Prof. Lyudmila Parts 688 Sherbrooke, #332 email: [email protected] T/TH 1:05-2:25. Notice different classrooms: Tuesday SH 688, # 491 Thursday SH 688, # 391 Office hours: Tuesday 2:30-3:30 and by appointment on Zoom Russian Drama from Pushkin to Chekhov. Major topics: • The development of Russian Drama in the 19th century. Formation of dramatic canon. • Theories of drama and theater. Dramatic conventions and radical experiments with the form. • European influence and Russian context. Texts on MyCourses to be printed out by you: 1. Alexander Griboedov, The Trouble with Reason 2-5. Alexander Pushkin, Boris Godunov; Little Tragedies (3): Miserly Knight, Mozart and Salieri, The Stone Guest 6. Mikhail Lermontov, Masquerade 7. Nikolai Gogol, The Inspector General 8. Ivan Turgenev, A Month in the Country 9-10. Alexander Ostrovsky, The Storm; The Dowerless Girl 11. Maxim Gorky, The Lower Depth 12. Leo Tolstoy, The Fruits of Enlightenment 13-14. Anton Chekhov, The Seagull; Three Sisters 15. Mikhail Bulgakov, The Days of the Turbins. Requirements: Short paper (3-4 pages) - a close reading of a passage or an exploration of a theme. Topics will be posted in advance on MyCourses. Final paper (5-6 pages) - on the topic dealing with a period, author, work, theme, cultural problem, and/or theoretical issue discussed in the course. Group projects (two): I will divide the class into small groups and assign the topics for presentation and plays for performance. See MyCourses for details. For both projects, each student submits individual report and receives an individual grade. -
History and Drama: the Pan-European Tradition Abstract Booklet
History and Drama: The Pan-European Tradition Abstract Booklet International Conference, October 26-27, 2016 organised by Tatiana Korneeva, Jaša Drnovšek and Joachim Küpper DramaNet – Early Modern European Drama and the Cultural Net Freie Universität Berlin The DramaNet project is funded by the European Research Council Grant agreement no. 246603 Thursday, October 27, 2016 10.15-12.10 Panel III: Theoretical Perspectives on History and Drama History and Drama: The Pan-European Tradition Chair: Gaia Gubbini 10.15-10.50 DS Mayfield, “The Economy of Rhetorical Ventriloquism” Conference Programme 10.50-11.25 Gautam Chakrabarti, “The Cultural Dynamics of Difference: Towards a Histoire Croisée of Asian Literary Theory” 11.25-12.00 Elena Penskaya, “Farce Comedies by Henry Fielding (The Tragedy of Tragedies; or, the Life and Death of Tom Thumb the Great) and Wednesday, October 26, 2016 Ludwig Tieck (Puss in Boots, etc.) as Historical Travesty” 12.00-13.45 Lunch 14:00-14:30 Registration 14.30-14.45 Welcome and Opening Remarks 13.45-15.55 Panel IV: Mapping Dramatic Histories Chair: Jan Mosch 14.45-16.30 Panel I: Historiography and Drama 13.45-14.20 Natalia Sarana, “The Drama of ‘Bildung’: Approaches to the Study Chair: DS Mayfield of Alexander Ostrovsky’s Plays” 14.45-15.20 Joachim Küpper, “Literature and Historiography in Aristotle” 14.20-15.55 Olga Kouptsova, “Ostrovsky's Experience of the Creation of the 15.20-15.55 Gaia Gubbini, “King Arthur: History or Fiction? Investigations in European Theatrical Canon and Russian Stage Practice: Personal French Medieval Literature” Preferences and General Trends” 15.55-16.30 Pavel Sokolov and Julia Ivanova “The Tacitist Background of Pieter Corneliszoon Hooft’s Drama” 15.