Reducing Ambiguity in Tagging Systems with Folksonomy Search Expansion

Total Page:16

File Type:pdf, Size:1020Kb

Reducing Ambiguity in Tagging Systems with Folksonomy Search Expansion Reducing Ambiguity in Tagging Systems with Folksonomy Search Expansion Jeff Z. Pan, Stuart Taylor, and Edward Thomas Dept. of Computing Science Univ. of Aberdeen Aberdeen, UK Abstract. Search facilities are vital for folksonomy (or social tagging mecha- nism) based systems. Although these systems allow great malleability and adapt- ability, they also surfer from problems, such as ambiguity in the meaning of tags, flat organisation of tags and some degree of unstabilising factor on consensus about which tags best describe some certain Web resources. It has been argued that folksonomy structure can be enhanced by ontologies; however, as suggested by Hotho et al., a key question remains open: how to exploit the benefits of on- tologies without bothering untrained users with its rigidity. In this paper, we pro- pose an approach to address the problem of ambiguity in tagging systems by expanding folksonomy search with ontologies, which are completely transparent to users. Preliminary implementations and evaluations on the efficiency and the usefulness of such expansions are very promising. 1 Introduction Web 2.0 applications are emerging providers of a new type of Web resources. On the one hand, more and more Web resources become available in popular folksonomy (or social tagging mechanism) based systems, such as Flickr1, YouTube2 and del.icio.us3. For example, in April 2008 alone, there are about 2.5 million photos geotagged4 in Flickr. On the other hand, mashup applications combine Web resources from more than one folksonomy based system into various integrated experience [11]. These two ob- servations indicate that search facilities are vital both within folksonomy based systems and across folksonomy based systems. There are advantages and disadvantages of the tagging approach [9]. The folksonomy based systems allow great malleability and adaptability, and the simplicity of adding and using tags allows them to be more accessible to users than well defined (more com- plex) classification systems. However, these systems also surfer from problems [17], such as ambiguity in the meaning of tags and flat organisation of tags (see Section 3.1). For example, in the results from a search on YouTube for “Focus” (the Dutch pro- gressive rock band), only 3 of the top 20 items in the list are relevant to that band. The 1 http://www.flickr.com/ 2 http://www.youtube.com/ 3 http://del.icio.us/ 4 Geotagging is the art of adding location information to things like a photo, according to Flickr. L. Aroyo et al. (Eds.): ESWC 2009, LNCS 5554, pp. 669–683, 2009. c Springer-Verlag Berlin Heidelberg 2009 670 J.Z. Pan, S. Taylor, and E. Thomas remaining 17 search results relate to alternative meanings of the word “focus”. This simple example illustrates that ambiguity in the meaning of tags is a significant prob- lem for domain specific folksonomy searches. Furthermore, for each of the 3 relevant results, the tags list for each result contained few other relevant tags than “Focus” and the name of the song in the video. In every case, information on at least of: the type of music, the album, the band members and other relevant information was omitted from the tag list. Halpin et al. expressed a major concern of the folksonomy approach, i.e., whether or not in the folksonomy based system consensus about which tags best describing some certain Web resources can be stabilised, so that such best tags are used most often with the folksonomy based systems [9]. There could be a serious problem if no coherent categorisation scheme can emerge at all from coolaborative tagging. This is a crucial point because ranking techniques employed by major Web search engines today are, to a large extent, influenced by people’s opinion of Web resources [10]. Although Halpin et al. concluded that tagging distributions tend to stabilise into power law distributions, the process of stabilisation (w.r.t. certain contexts) depends on the number of active users and to some extent on the temporal duration of the tagging process, according to their empirical study. Concrete predictions are not (yet) available on the number of active users and duration of time needed to complete the stabilisation process. The situation of searching across multiple folksonomy based system could be even worse, since different styles and environments provided by different systems could make it harder to reach stabilised consensus. Some might even argue that it is impossible to reach such Web scale stabilised consensus, as consensus from different systems might be conflicting with each other. There has been significant interests on combining Semantic Web and Web 2.0 [3,6,12]. It has been suggested [10,17,1,4] that Semantic Web technologies could help improve the internal structure of folksonomies. Passant proposed to encourage users to link tags with concepts and individuals in ontologies [17]. However, as suggested by Hotho et al. [10], a key question remains open: how to exploit the benefits of ontology without bothering untrained users with its rigidity. In this paper, we propose a novel approach to using ontology entailments to expand folksonomy search, without bothering untrained users to use ontologies directly. More precisely, the paper makes the following major contributions: 1. Our approach allows Web application developers to exploit the benefits of ontol- ogy without bothering untrained users with its rigidity. Ontology transparency is achieved by (i) automatic associating keywords with classes, properties and indi- viduals in domain ontologies (Section 4.1) and (ii) relating the search keyword(s) with keywords based on the structure of domain ontologies (Section 4.2). 2. We propose a general framework of ontology-based folksonomy search expansion methods for reducing ambiguity (Section 4), based on some use cases and observa- tions on search expansions (Section 3). For example, a search for “focus” could be expanded to include (some) album titles, songs titles, live performance venues, as well as keywords related to the domain in general. Hence, more meaningful results are returned to users than making use of the tagging systems directly. An interest- ing feature of the proposed methods is that all the required ontology entailments Reducing Ambiguity in Tagging Systems with Folksonomy Search Expansion 671 are included in OWL2 QL semantic approximations [15] of given domain ontolo- gies (Section 2). This suggests that theoretically the proposed methods can be very efficient. 3. We report the implementations in our ontology infrastructure of the proposed auto- matic keyword-ontology association and the proposed ontology-based folksonomy search expansion methods (Section 5). Preliminary evaluations indicate that these expansion methods are efficient even for some very large ontologies (Section 6). 4. We present a semantic mashup application, called MusicMash2, to demonstrate how the above ontology infrastructure could enhance current Web 2.0 application and experience (Section 5.2). MusicMash2 provides music domain-specific search features to retrieve data from folksonomy based systems, offering search by genre, artist, release and song, etc. We show the usefulness of our proposed methods by comparing MusicMash2 against using some folksonomy based system directly. To the best of our knowledge, this is the first published application which shows both (i) that expressive ontology languages like OWL DL can be useful for Web applica- tions and (ii) that querying service for OWL DL can be scalable enough to support such applications. 2 Preliminary 2.1 Folksonomies Informally speaking, a folksonomy describes users, resources and tags in such a way that users assign tags to resources [10]. Here we follow Mika’s [13] and Hotho et al.’s [10] formal model of folksonomies. Formally, a folksonomy is a tuple F = U, T , R,A,Θ,whereU, T , R are finite sets of users, tags and Web resources, resp., A ⊆ U×T ×R is called tag assignments, Θ is a set of tag relations; i.e., for each member ≺ of Θ, ≺⊆ U ×T ×T is a tag relation. As Mika [13] indicated, tag relations are often thesaurus relations, such as those specified in 5 the SKOS specification . In this paper, we consider tag relations such as ‘narrower’ ≺n, ‘broader’ ≺b and ‘related’ ≺r. For example, the following assignment u1, “cat”,r1 u1 says user u1 uses “cat” to tag the Web resource r1; the following tag relation “cat” ≺n “animal” says that the tag “cat” is narrower than the tag “animal” for user u1. There are some properties of the above three tag relations: u u 1. If tag1 ≺n tag2,thentag2 ≺b tag1, and vice versa. u u 2. If tag1 ≺r tag2,thentag2 ≺r tag1. It should also be noted that here we simply present a formal model of tag relations. How to extract such relations from folksonomy systems goes beyond the scope of the paper. 2.2 Ontologies and Their Semantic Approximations As a ‘representation of a shared conceptualisation’ of a specific domain [7,21], ontology is regarded as a key component of the Semantic Web. Practically, ontologies are used to 5 http://www.w3.org/TR/swbp-skos-core-spec/ 672 J.Z. Pan, S. Taylor, and E. Thomas capture the intended meaning of a set of shared and common vocabulary of a specific domain, including important concepts (such as Artist, Album and Song), properties (such as hasAlbum and hasSong) and individuals (objects). Recently, W3C standardised the OWL Web Ontology Language [2] in its Semantic Web Activity. It has been argued that the Web needs lightweight ontologies [13]. Recently, Cal- vanese et al proposed the OWL2 QL (also called DL-Lite) [5] ontology language which can express most features in UML class diagrams but still has a low reasoning overhead (worst case polynomial time, compared to worst case exponential time in the case of most widely used Description Logics-based ontology languages).
Recommended publications
  • FALLEN MASTERS by MAURIE ALIOFF by Exorcist—Mania, the Wicker Man Tanked at the Box Office
    The Cinar story began with a horror movie. Soon after meeting for the first time in New Orleans in the early 1970s, company founders Micheline Charest and Ron Weinberg happened to see the now legendary British picture, The Wicker Man. Impressed by the film's strange power, the two movie lovers also saw an opportunity in it. Written by Anthony Shaffer (Sleuth, Frenzy), and directed by one—shot wonder Robin Hardy, The Wicker Man cooks up a delirious alternate reality that feels like it was made under the influence of a witch's spell. The story focuses on a police investigator (Edward Woodward), who travels to a remote Scottish island where he discovers that the local people, among them an aris- tocrat played by Christopher Lee, are devo- tees of a neo—pagan cult. The oddly named Sergeant Howie, a strictly orthodox Christian who intends to remain a virgin until his wedding night, is horrified by the island's un—Christian hedonism. Released in England on a double bill with Nicolas Roeg's Don't Look Now, and swamped FALLEN MASTERS BY MAURIE ALIOFF by Exorcist—mania, The Wicker Man tanked at the box office. Charest and Weinberg picked up the rights from Warner Bros., stashed a print in their car trunk and travelled the midnight—movie circuit. The Quebecoise (Charest) and the New Yorker (Weinberg) helped turn a unique film into a cult item and for their efforts netted about $250,000. Ironically, the couple's even- tual rise and fall, from hugely successful producers and distributors of wholesome children's shows to industry outcasts accused of fraud, originated with a story about moral righteousness destroyed by amoral devotion to the material world.
    [Show full text]
  • Folklore in Film, Television and Museum Exhibits
    Folklore in Film, Television and Museum Exhibits RODGERS, Diane <http://orcid.org/0000-0002-3117-4308> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/27614/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version RODGERS, Diane (2020). Folklore in Film, Television and Museum Exhibits. Folklore Museums Network. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Folklore in Film, Television and Museum Exhibits Folklore is a living, evolving part of our everyday lives and is present in the cultural artefacts that surround us. Significant elements of this cultural fabric are film and television, streamed into homes via a number of devices and from across many different countries and decades. My research interest lies in how folklore is communicated onscreen in this way, not only by what is represented on screen, but how and in what contexts. Examination of such texts can suggest to us how customs and rituals change over time and evolutions of belief and attitude, which directly affect how people may experience relevant archive material. For example, consider the representation of Voodoo in Dr. Terror’s House of Horrors (1965) or shrunken heads in numerous cinematic examples, including Tim Burton’s Beetlejuice (1994). Texts like these may be the very first experience many people have with concepts about such physical artefacts, before having come into close contact with them in a museum and, perhaps, even before questions about racism or colonialism are raised for them (the Pitt Rivers museum in Oxford recently removed its famous collection of shrunken heads as part of a decolonisation process).
    [Show full text]
  • Film Reviews
    Page 117 FILM REVIEWS Year of the Remake: The Omen 666 and The Wicker Man Jenny McDonnell The current trend for remakes of 1970s horror movies continued throughout 2006, with the release on 6 June of John Moore’s The Omen 666 (a scene­for­scene reconstruction of Richard Donner’s 1976 The Omen) and the release on 1 September of Neil LaBute’s The Wicker Man (a re­imagining of Robin Hardy’s 1973 film of the same name). In addition, audiences were treated to remakes of The Hills Have Eyes, Black Christmas (due Christmas 2006) and When a Stranger Calls (a film that had previously been ‘remade’ as the opening sequence of Scream). Finally, there was Pulse, a remake of the Japanese film Kairo, and another addition to the body of remakes of non­English language horror films such as The Ring, The Grudge and Dark Water. Unsurprisingly, this slew of remakes has raised eyebrows and questions alike about Hollywood’s apparent inability to produce innovative material. As the remakes have mounted in recent years, from Planet of the Apes to King Kong, the cries have grown ever louder: Hollywood, it would appear, has run out of fresh ideas and has contributed to its ever­growing bank balance by quarrying the classics. Amid these accusations of Hollywood’s imaginative and moral bankruptcy to commercial ends in tampering with the films on which generations of cinephiles have been reared, it can prove difficult to keep a level head when viewing films like The Omen 666 and The Wicker Man.
    [Show full text]
  • Geotagging: an Innovative Tool to Enhance Transparency and Supervision
    Geotagging: An Innovative Tool To Enhance Transparency and Supervision Transparency through Geotagging Noel Sta. Ines Geotagging Geotagging • Process of assigning a geographical reference, i.e, geographical coordinates (latitude and longitude) + elevation - to an object. • This could be done by taking photos, nodes and tracks with recorded GPS coordinates. • This allows geo-tagged object or SP data to be easily and accurately located on a map. WhatThe is Use Geotagging and Implementation application in of the Geo Philippines?-Tagging • A revolutionary and inexpensive approach of using ICT + GPS applications for accurate visualization of sub-projects • Device required is only a GPS enabled android cellphone, and access to freely available apps • Easily replicable for mainstreaming to Government institutions & CSOs • Will help answer the question: Is the right activity implemented in the right place? – (asset verification tool) Geotagging: An Innovative Tool to Enhance Transparency and Supervision Geotagging Example No. 1: Visualization of a farm-to-market road in a conflict area: showing specific location, ground distance, track / alignment, elevation profile, ground photos (with coordinates, date and time taken) of Farm-to-market Road, i.e. baseline information + Progress photos + 3D visualization Geotagging: An Innovative Tool to Enhance Transparency and Supervision Geotagging Example No. 2: Location and Visualization of rehabilitation of a city road in Earthquake damaged-area in Tagbilaran, Bohol, Philippines by the auditors and the citizen volunteers Geotagging: An Innovative Tool to Enhance Transparency and Supervision Geo-tagging Example No. 3 Visualization of a water supply project showing specific location, elevation profile from the source , distribution lines and faucets, and ground photos of community faucets Geotagging: An Innovative Tool to Enhance Transparency and Supervision Geo-tagging Example No.
    [Show full text]
  • Geotagging Photos to Share Field Trips with the World During the Past Few
    Geotagging photos to share field trips with the world During the past few years, numerous new online tools for collaboration and community building have emerged, providing web-users with a tremendous capability to connect with and share a variety of resources. Coupled with this new technology is the ability to ‘geo-tag’ photos, i.e. give a digital photo a unique spatial location anywhere on the surface of the earth. More precisely geo-tagging is the process of adding geo-spatial identification or ‘metadata’ to various media such as websites, RSS feeds, or images. This data usually consists of latitude and longitude coordinates, though it can also include altitude and place names as well. Therefore adding geo-tags to photographs means adding details as to where as well as when they were taken. Geo-tagging didn’t really used to be an easy thing to do, but now even adding GPS data to Google Earth is fairly straightforward. The basics Creating geo-tagged images is quite straightforward and there are various types of software or websites that will help you ‘tag’ the photos (this is discussed later in the article). In essence, all you need to do is select a photo or group of photos, choose the "Place on map" command (or similar). Most programs will then prompt for an address or postcode. Alternatively a GPS device can be used to store ‘way points’ which represent coordinates of where images were taken. Some of the newest phones (Nokia N96 and i- Phone for instance) have automatic geo-tagging capabilities. These devices automatically add latitude and longitude metadata to the existing EXIF file which is already holds information about the picture such as camera, date, aperture settings etc.
    [Show full text]
  • Geotag Propagation in Social Networks Based on User Trust Model
    1 Geotag Propagation in Social Networks Based on User Trust Model Ivan Ivanov, Peter Vajda, Jong-Seok Lee, Lutz Goldmann, Touradj Ebrahimi Multimedia Signal Processing Group Ecole Polytechnique Federale de Lausanne, Switzerland Multimedia Signal Processing Group Swiss Federal Institute of Technology Motivation 2 We introduce users in our system for geotagging in order to simulate a real social network GPS coordinates to derive geographical annotation, which are not available for the majority of web images and photos A GPS sensor in a camera provides only the location of the photographer instead of that of the captured landmark Sometimes GPS and Wi-Fi geotagging determine wrong location due to noise http: //www.pl acecas t.net Multimedia Signal Processing Group Swiss Federal Institute of Technology Motivation 3 Tag – short textual annotation (free-form keyword)usedto) used to describe photo in order to provide meaningful information about it User-provided tags may sometimes be spam annotations given on purpose or wrong tags given by mistake User can be “an algorithm” http://code.google.com/p/spamcloud http://www.flickr.com/photos/scriptingnews/2229171225 Multimedia Signal Processing Group Swiss Federal Institute of Technology Goal 4 Consider user trust information derived from users’ tagging behavior for the tag propagation Build up an automatic tag propagation system in order to: Decrease the anno ta tion time, and Increase the accuracy of the system http://www.costadevault.com/blog/2010/03/listening-to-strangers Multimedia
    [Show full text]
  • UC Berkeley International Conference on Giscience Short Paper Proceedings
    UC Berkeley International Conference on GIScience Short Paper Proceedings Title Tweet Geolocation Error Estimation Permalink https://escholarship.org/uc/item/0wf6w9p9 Journal International Conference on GIScience Short Paper Proceedings, 1(1) Authors Holbrook, Erik Kaur, Gupreet Bond, Jared et al. Publication Date 2016 DOI 10.21433/B3110wf6w9p9 Peer reviewed eScholarship.org Powered by the California Digital Library University of California GIScience 2016 Short Paper Proceedings Tweet Geolocation Error Estimation E. Holbrook1, G. Kaur1, J. Bond1, J. Imbriani1, C. E. Grant1, and E. O. Nsoesie2 1University of Oklahoma, School of Computer Science Email: {erik; cgrant; gkaur; jared.t.bond-1; joshimbriani}@ou.edu 2University of Washington, Institute for Health Metrics and Evaluation Email: [email protected] Abstract Tweet location is important for researchers who study real-time human activity. However, few studies have examined the reliability of social media user-supplied location and description in- formation, and most who do use highly disparate measurements of accuracy. We examined the accuracy of predicting Tweet origin locations based on these features, and found an average ac- curacy of 1941 km. We created a machine learning regressor to evaluate the predictive accuracy of the textual content of these fields, and obtained an average accuracy of 256 km. In a dataset of 325788 tweets over eight days, we obtained city-level accuracy for approximately 29% of users based only on their location field. We describe a new method of measuring location accuracy. 1. Introduction With the rise of micro-blogging services and publicly available social media posts, the problem of location identification has become increasingly important.
    [Show full text]
  • The Wicker Husband Education Pack
    EDUCATION PACK 1 1 Contents Introduction Introduction ......................................................................................................................................................................... 3 Section 1: The Watermill’s Production of The Wicker Husband ........................................................................ 4 A Brief Synopsis.................................................................................................................................................................. 5 Character Profiles…………………………………………………………………………………………………………………………....…8 Note from the Writer…………………………………………..………………………..…….……………………………..…………….10 Interview with the Director ………………………….……………………………………………………………………..………….. 13 Section 2: Behind the Scenes of The Watermill’s The Wicker Husband …………………………………..… ...... 15 Meet the Cast ................................................................................................................................................................... 16 An Interview with The Musical Director .................................................................................................................. .20 The Design Process ......................................................................................................................................................... 21 The Wicker Husband Costume Design ...................................................................................................................... 23 Be a Costume Designer……………………………………………………………………………………………………………………..25
    [Show full text]
  • The Wicker Man, Grande-Bretagne 1973, 88 Minutes Patrice Doré
    Document généré le 24 sept. 2021 14:11 Séquences La revue de cinéma The Wicker Man, Grande-Bretagne 1973, 88 minutes Patrice Doré James Bond 007 Numéro 246, novembre 2006, janvier 2007 URI : https://id.erudit.org/iderudit/47627ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Doré, P. (2006). Compte rendu de [The Wicker Man, Grande-Bretagne 1973, 88 minutes]. Séquences, (246), 39–39. Tous droits réservés © La revue Séquences Inc., 2006 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ L'ÉCRAN DVD I PANORAMIOUE gj] KOKO, LE GORILLE QUI PARLE THE SCARLET EMPRESS FILM>On savait les singes capables de quelques grimaces bien FILM > À défaut d'accommoder la vrai­ inspirées. Pour sa part, Koko, un gorille femelle de sept ans, passe semblance historique pour donner vie à la quelques heures par jour devant un ordinateur, favorise les Grande Catherine, Josef Von Sternberg chandails rouges aux jaunes, reconnaît les différents animaux dans (L'Ange Bleu, Shanghai Express) a su y les illustrés, ment comme un ministre et possède un vocabulaire mettre les formes.
    [Show full text]
  • Geotagging with Local Lexicons to Build Indexes for Textually-Specified Spatial Data
    Geotagging with Local Lexicons to Build Indexes for Textually-Specified Spatial Data Michael D. Lieberman, Hanan Samet, Jagan Sankaranarayanan Center for Automation Research, Institute for Advanced Computer Studies, Department of Computer Science, University of Maryland College Park, MD 20742, USA {codepoet, hjs, jagan}@cs.umd.edu Abstract— The successful execution of location-based and feature-based queries on spatial databases requires the construc- tion of spatial indexes on the spatial attributes. This is not simple when the data is unstructured as is the case when the data is a collection of documents such as news articles, which is the domain of discourse, where the spatial attribute consists of text that can be (but is not required to be) interpreted as the names of locations. In other words, spatial data is specified using text (known as a toponym) instead of geometry, which means that there is some ambiguity involved. The process of identifying and disambiguating references to geographic locations is known as geotagging and involves using a combination of internal document structure and external knowledge, including a document-independent model of the audience’s vocabulary of geographic locations, termed its Fig. 1. Locations mentioned in news articles about the May 2009 swine flu pandemic, obtained by geotagging related news articles. Large red circles spatial lexicon. In contrast to previous work, a new spatial lexicon indicate high frequency, and small circles are color coded according to recency, model is presented that distinguishes between a global lexicon of with lighter colors indicating the newest mentions. locations known to all audiences, and an audience-specific local lexicon.
    [Show full text]
  • Geotagging Tweets Using Their Content
    Proceedings of the Twenty-Fourth International Florida Artificial Intelligence Research Society Conference Geotagging Tweets Using Their Content Sharon Paradesi Computer Science and Artificial Intelligence Laboratory Massachusetts Institute of Technology [email protected] Abstract Harnessing rich, but unstructured information on social networks in real-time and showing it to relevant audi- ence based on its geographic location is a major chal- lenge. The system developed, TwitterTagger, geotags tweets and shows them to users based on their current physical location. Experimental validation shows a per- formance improvement of three orders by TwitterTag- ger compared to that of the baseline model. Introduction People use popular social networking websites such as Face- book and Twitter to share their interests and opinions with their friends and the online community. Harnessing this in- formation in real-time and showing it to the relevant audi- ence based on its geographic location is a major challenge. Figure 1: Architecture of TwitterTagger The microblogging social medium, Twitter, is used because of its relevance to users in real-time. The goal of this research is to identify the locations refer- Pipe POS tagger1. The noun phrases are then compared with enced in a tweet and show relevant tweets to a user based on the USGS database2 of locations. Common noun phrases, that user’s location. For example, a user traveling to a new such as ‘Love’ and ‘Need’, are also place names and would place would would not necessarily know all the events hap- be geotagged. To avoid this, the system uses a greedy ap- pening in that place unless they appear in the mainstream proach of phrase chunking.
    [Show full text]
  • Set in Scotland a Film Fan's Odyssey
    Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor.
    [Show full text]