DOCSLIB.ORG

07 Amit Ganguly.Pmd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
07 Amit Ganguly.Pmd ARTICLE MADE FOR EACH OTHER AMIT GANGULY* ur country is blessed with a colourful blend of am not going further back in time since I have rather communities that we boast of. A visitor from any limited exposure to them. That is precisely one of the Oother part of the globe is easily and invariably reasons that in ‘shuddha’ Bengali, Marathi, Gujarati, Hindi, taken aback at the variety of cultures, languages, food- Oriya, Assamese etc., we find many common words. But habits, physical features, history and geography of such a the style underwent gradual change with Tagore and Sarat huge conglomerate of communities tied under one national babu , reflecting a kind of tilt towards modernity , thus constitution for decades. Enthralling and glorious! banking itself more on the easily intelligible versions and common dialogues. This was carried forward for decades, But is that all ? Are we concerned about the extent by a large number of litterateures , who were novelists of interactions and exchanges between them ? Or are we and poets of repute in their own might, thus raising the relieved enough that each one of these communities live popularity bar amidst the common readers. Finally, today happily by themselves, without interfering into each other the language has almost been transformed into a kind of ? I have a feeling that the latter is true. Unfortunately , we commonplace mix of vocabularies, that conspicuously but may not have analysed in-depth, what could be gained cleverly rests on the sublime form of the good Bangla as by making in-roads to each other, not to exploit or ridicule well as a part of the raw street language, may be to provide but to enrich and flourish. a ubiquitous touch of ‘realism’. .Nevertheless, the fact Incidentally and interestingly today, the spate of inter- remains that any good form of literature, for it’s intrinsic state marriages in every city or even in small towns and value, has always demanded attention, nationally and villages( whether they go punished or rewarded!) , besides sometimes even internationally, whether it is Tagore’s the inter-caste and inter-religion and inter-national, have Gitanjali, Sunil Gangopadhyay’s Shei Shomoi, Saratbabu’s unmistakably opened our eyes wide enough to the Devdas or Mahashweta Devi’s Hazaar Churashir Maa. undeniable realization that such inter-relationships have Whether people flocked to theatre or cinema halls to watch come to stay, community ‘divides’ may soon be history. the film-version of Tagore’s Kabuliwalla through the eyes In such a situation, should’nt we do our best, as the so- of Bimal Roy or Bankim’s Anandamath through the called intellectual class, to harness the power of Language stirring patriotism ignited by Hemant-Lata’s Vande Mataram in our literatures, study the impacts if any in the past , is immaterial; the point of discussion is how a work of and subsequently recommend how can that influence be art(in the present context :literature) can draw hordes of enhanced and gainfully utilized for the common masses ? admirers, provided the masses can relate to it. The medium The Bengali language , like many other major of language then becomes irrelevant, people can always languages in India, having largely been derived from dive for the translated versions. Sanskrit, has been found to be relying more on the use of We have also witnessed the local influence on Bengali Sanskrit –oriented terms in early literatures, starting with literature : for example in the writings of Subodh Ghosh, Bankimchandra, in most of the novels and short stories.I Bonoful, Satinath Bhaduri, Bimal Kar and such others, the local terms, scenes and societies of small towns in Bengal- Bihar border like Purnea, Hazaribagh, Koderma, Palamou, * Ministry of Steel Chair Professor NIT, Durgapur, e-mail : Chaibasa, Maithon, Giridih, etc., are obvious. Influence of [email protected] VOL. 81, NOS. 5–6 131 Jhargram, Ghatsila on Bibhuti Bhushan’s immortal novels Bengali babu got a touch of Marathi folk tune, even if or the jungles of MP-Rajasthan belt on Buddhadeb Guha’s subconsciously. Many of us here are well aware of Tagore’s award-winning novel are distinct, even if discrete. Thus a romantic melodies like Shedin Dujone sung in Hindi film Mumbai-based Bengali novelist today may reflect his by Suraiya as Naina Diwaane in early fifties, to Hey Bombaiya DNA in his writings. But unfortunately, these Khhoniker Atithi by Talat for Dev Anand’s Taxi Driver as trends remain restricted to those who read Bengali, not the Jaayen Toh Jaayen Kahaan, down upto Tomaar Holo Shuru neighbouring communities, till the product is universally in the seventies sung by Kishore for Bollywood as Chhukar appealing, urging translation. It reminds me of the flavor Mere Manko and the list goes on. Only sad part is that of Shimla hills in Ruskin Bond’s English novels that most the all-India audience could enjoy the flavor of his tune Indians miss because of non-translation! but missed out on the priceless verse or lyrics. That is what I indicated earlier that language learning is a little Thus , if the power of the mighty pen could help different ball game, even if one gets the touch. entry of a Bengali novel into the Marathi or Telugu Nevertheless, Bengal’s influence kept penetrating unabated drawing room, because of its sheer popularity and human into the post-independence Indian music scene, with oldies appeal, the concerned family members might even pick like Juthika Roy, Kamala Jharia coming out poignantly with up a few additional poetry books in Bengali desperate Hindi Sugam Sangeets, to Pankaj, Kananbala, Pahari Sanyal though they might be for the sought-after translation. In inflaming the New Theatres’ Hindi Productions with the the process, when their daughter gets married to the son effervescent Saigal in the lead, what with the likes of of a Bengali family, it may not sound too obscure. Similarly K.C.DEY, R. C Boral around. Relatively modern times saw the other way round. The exchange of greetings or gaalis Hemant, Talat, Lata, Asha, Geeta joining the series of may not sound too Greek, after all ! There may be those exchanging or giving new shape to their Bangla-Hindi common echoes of “…ohh, Bengali is so sweet ..,!” The versions, with Kamal Dasgupta in the scene. Thus a cultural doors of interactive living on the principles of “Love Thy paradigm shift through audio-visual exercise ? Yes, and Neighbour” can then open up. Come to think of how at through an immensely popular route, even for the illiterate one point of time (as I was discussing with Sri Amol masses, who can’t digest literature. Would you deny this? Palekar in a kirana shop in Juhu, both of us buying sugar) No ! As my Gujarati friends lament : those days in the Bengali version of the intrusive and audaciously intense Mumbai’s smaller cinema halls, no film would start without Marathi play “ Shantata, Court Chalu Ahe” was the centre playing on the gramophone record at least a couple of point of Adda, in most drawing rooms of Kolkata or the popular Hindi non-film geets of Jagmohan(i.e. Bengal’s Mararhi version of Badal Sircar’s “Ebong Indrajit”? The Jogonmoy Mitra) ! While Hemant’s Gujarati and Marathi powerful scripts of a Shambhu Mitra there or a Vijay songs gained popularity , Sandhya Mukherjee and Shyamal Tendulkar here could impact the cross-cultural genre Mitra’s Oriya songs sold like hot cakes in Cuttack, immensely in a society hungry for quality. Translation or somewhat akin to the Bangla records of the legendary conversion of one to the other may not satisfy the reader Assamese folk singer Bhupen Hazarika, to the express with the truest form of the original (that way even Tagore displeasure of some of Kolkata’s veterans in the music was’nt totally happy with the Gitanjali in English) but world. Salil, Sachin Dev, Hemant and later R.D. Burman one gets a passport into that world in question and thus kept up the tempo of dishing out lilting Bengali musical familiarize with the pattern of living and thinking of that fare to the all-India audience through our only irrefutable community, even if the language learning can be rather national medium , that is Hindi films(with which even limited. Ironically, you may not be fortunate to find a Hollywood is infected today !) and the interaction teary-eyed Gujarati housewife, overwhelmed with continued. Saratbabu’s Mejdidi or Srikanto, unless it is a translated version! But is that the modus operandi ? Can only Salil Choudhuri’s “O Sajna” from its Bengali version “Naa If I am allowed to take an excursion here and bring Jeona” or Burmandada’s “Hum Bekhudi Mein” in Dev up the issue of communities coming closer through music, saab’s Kalapaani from it’s Bengali original “Ghoom it opens up another vista. If Hrudayanath Mangeshkar Bhulechhi” or for that matter Salil’s experiment with the composed the ever popular folksong Dolkara, Dolkara for Konkanese folk song Chio-Chio-Chi into Kishore’s Munna his Marathi bhai, Salil Choudhuri was quick to put Bengali Bada Pyara for Bimal Roy’s Naukri bring the communities words to that and finally Lata-Hemant brought up the closer or enhance interaction, even if they are a kind of hugely popular number of the sixties ( De do-dol-dol), musical landmarks ? played out in every Puja pandal of Kolkata. Thus the 132 SCIENCE AND CULTURE, MAY-JUNE, 2015 We wanted an exchange that would run much deeper, This is vital. Obviously , initially there would only be a into the psyche of the other communities.
Load more

Recommended publications
  • Classical Music Conference Culture of North India with Special Reference to Kolkata
    https://doi.org/10.37948/ensemble-2020-0201-a016 CLASSICAL MUSIC CONFERENCE CULTURE OF NORTH INDIA WITH SPECIAL REFERENCE TO KOLKATA Samarpita Chatterjee 1 , Sabyasachi Sarkhel 2 Article Ref. No.: Abstract: 20010236N2CASE The music of any country has its own historical and cultural background. Social changes, political changes, and patronage changes may influence the development of music. This may affect the practices in the field of music. This present study does the scrutiny of the broad sociocultural settings in context to the music conferences of India. The study then mainly probes and explores the prime music conferences of India, with special reference Article History: to Kolkata, from a century ago till the present time. It shows the role of Submitted on 02 Jan 2020 music conferences in disseminating interest and appreciation of Classical Accepted on 07 May 2020 music among the common public. The cultural climate shaped under the Published online on 09 May 2020 domination of British rule included the shift of patronage from aristocratic courts to wealthy persons and a mercantile class of urban Kolkata. This allowed the musicians to earn a livelihood, and at the same time, provided them with a new range of opportunities in the form of an increasing number of music conferences. This happened at a time when a new class of Keywords: Western-educated elites was formed in Kolkata. Analyzing the present patronage, british, stage scenario, made it clear that Kolkata still leads in the number of music performances, north indian, musical festivals / Classical music conferences. The present study also points out genre, hindustani music, shastriya the contemporary complexities that conference organizers face, and to sangeet, british, post independence conclude, incorporates suggestions to sustain the culture of the conference.
    [Show full text]
  • Acrs-GDMO-NFSG
    ACR Monitoring Sub Cadre: GDMO-NFSG(Regular) S.No. Name of the Officer DOB Emp.No.Grade Name of the Institution Years for which where working 2002-03 2003-04 2004-05 2005-06 2006-07 2007-08 2008-09 2009-10 2010-11 2011-122012-13 2013-14 ACR awaited 1 Dr. Dal Chand 1.8.54 472 NFSG SJH Yes* Yes No No No No Vol. ret.w.e.f. 30.10.2004 2 Dr. V.Lakshmi Rajyam 6.11.48 548 NFSG CGHS, Hyderabad yes yes No Yes Yes Yes 3 Dr. V.Saraswathy 1.7.48 661 NFSG CGHS, Mumbai Yes Yes Yes Yes Yes No 4 Dr. Usha Sapra 8.7.48 663 NFSG CGHS, Delhi yes yes C Yes Yes Yes 5 Dr. Gurjeet SinghSoin 19.12.48 664 NFSG NCT, Delhi yes yes incom Yes No No 6 Dr. D.N.Das 1.1.48 746 NFSG CGHS, Guwahati 7 Dr. M.M. Poddar 23.9.50 4049 NFSG RLTRI, Raipur Yes Yes Yes* Yes Yes Yes Yes Yes *1.4.04 to 15.10.04 reqd. 8 Dr. (S) Santosh Jain 10.12.47 4115 NFSG P&T Rajasthan yes yes Yes Yes Yes No 9 Dr. G.D. Phukan 4.11.48 727 NFSG P&T Guwahati Yes No No No Yes No 10 Dr. Gandharv Pradhan 9.2.49 737 NFSG NCT, Delhi No No No No No No 11 Dr. B.P.Vithal Kumar 27.02.51 741 NFSG RLTRI, Gouripur yes Yes Yes Yes Yes Yes Yes 12 Dr S.K.
    [Show full text]
  • 1563121524GENERAL CLASS ROLL.Pdf
    College FormNo CandidateName DOB Father Mother ElectiveSubject Roll AG/001 601 JAYA ROY 06-10-2000 LATE JAYANTA ROY CHANDANA ROY Political Science,Bengali,Education AG/002 602 URMILA SARKAR 17-09-1999 SUKUMAR SARKAR REBA SARKAR Political Science,Education,History AG/003 603 BASANTI MAHATO 05-03-1997 SUBODH MAHATO GOURI MAHATO Political Science,Education,History AG/004 604 TAPAN MANDAL 31-07-1998 BIREN MANDAL DEBI MANDAL Political Science,Bengali,History AG/005 605 KARTIK HEMBROM 11-02-2002 GONESH HEMBROM SABINA BESHRA Political Science,Education,History AG/006 606 TANIA ROY 15-01-2001 PARIMAL ROY SHILPI ROY Political Science,Education,History AG/007 607 SHIKHA MANDAL 04-05-2000 JADAB MANDAL SAGARI MANDAL Political Science,Bengali,Education AG/008 608 JYOTI ROY 06-10-2000 LATE JAYANTA ROY CHANDANA ROY Political Science,Bengali,Education AG/009 609 ASHIS OJHA 16-05-1997 MANGAL OJHA KANAKLATA OJHA Political Science,Education,History AG/0010 610 SUPARNA BISWAS 10-05-2001 SUNIL KUMAR BISWAS RATNA BISWAS Political Science,Bengali,History AG/0012 611 SATHI PAL 08-11-2001 TARUN PAL CHHABI PAL Political Science,Education,History AG/0013 612 NABANITA BISWAS 17-11-2001 BINOY KUMAR BISWAS ANITA BISWAS Political Science,Education,History AG/0015 613 URMILA BALA 08-02-2002 MANGAL BALA RAMALA BALA Political Science,Bengali,History AG/0016 614 ALO MONDAL 12-02-2001 DILIP MONDAL MANJU RANI MONDAL Political Science,Education,History AG/0017 615 TOSLIMA NASRIN 25-05-2002 BABLU SK TOHONINA BIBI Political Science,Bengali,Education AG/0019 616 RINKU BISWAS
    [Show full text]
  • Unit Indian Cinema
    Popular Culture .UNIT INDIAN CINEMA Structure Objectives Introduction Introducing Indian Cinema 13.2.1 Era of Silent Films 13.2.2 Pre-Independence Talkies 13.2.3 Post Independence Cinema Indian Cinema as an Industry Indian Cinema : Fantasy or Reality Indian Cinema in Political Perspective Image of Hero Image of Woman Music And Dance in Indian Cinema Achievements of Indian Cinema Let Us Sum Up Answers to Check Your Progress Exercises A 13.0 OBJECTIVES This Unit discusses about Indian cinema. Indian cinema has been a very powerful medium for the popular expression of India's cultural identity. After reading this Unit you will be able to: familiarize yourself with the achievements of about a hundred years of Indian cinema, trace the development of Indian cinema as an industry, spell out the various ways in which social reality has been portrayed in Indian cinema, place Indian cinema in a political perspective, define the specificities of the images of men and women in Indian cinema, . outline the importance of music in cinema, and get an idea of the main achievements of Indian cinema. 13.1 INTRODUCTION .p It is not possible to fully comprehend the various facets of modern Indan culture without understanding Indian cinema. Although primarily a source of entertainment, Indian cinema has nonetheless played an important role in carving out areas of unity between various groups and communities based on caste, religion and language. Indian cinema is almost as old as world cinema. On the one hand it has gdted to the world great film makers like Satyajit Ray, , it has also, on the other hand, evolved melodramatic forms of popular films which have gone beyond the Indian frontiers to create an impact in regions of South west Asia.
    [Show full text]
  • General Studies Series
    IAS General Studies Series Current Affairs (Prelims), 2013 by Abhimanu’s IAS Study Group Chandigarh © 2013 Abhimanu Visions (E) Pvt Ltd. All rights reserved. No part of this document may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or any information storage or retrieval system or otherwise, without prior written permission of the owner/ publishers or in accordance with the provisions of the Copyright Act, 1957. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claim for the damages. 2013 EDITION Disclaimer: Information contained in this work has been obtained by Abhimanu Visions from sources believed to be reliable. However neither Abhimanu's nor their author guarantees the accuracy and completeness of any information published herein. Though every effort has been made to avoid any error or omissions in this booklet, in spite of this error may creep in. Any mistake, error or discrepancy noted may be brought in the notice of the publisher, which shall be taken care in the next edition but neither Abhimanu's nor its authors are responsible for it. The owner/publisher reserves the rights to withdraw or amend this publication at any point of time without any notice. TABLE OF CONTENTS PERSONS IN NEWS .............................................................................................................................. 13 NATIONAL AFFAIRS ..........................................................................................................................
    [Show full text]
  • DEPARTMENT of ENGLISH Phone: 27666757 UNIVERSITY of DELHI Fax : 27666343 DELHI-110007
    DEPARTMENT OF ENGLISH Phone: 27666757 UNIVERSITY OF DELHI Fax : 27666343 DELHI-110007 Allotment of Courses for the Current Batch of M.Phil Students (August-December 2017) 1. Of Race and Class: The Self-Positioning of the African-American - Tapan Basu Writer in the Civil Rights Era and Beyond 2. The Body in Performance - Rimli Bhattacharya 3. Modern India in Paint and Print - Christel R. Devadawson 4. The ‘Long’ Partition: - Priya Kumar 5. Touchable Tales: Representation Of Dalits In Indian Fiction - Raj Kumar 6. Beyond Ethics: Critical Perspectives on Cosmopolitanism Now - Ira Raja 7. The "idea" of Asia: Sites, Imaginations, Networks - Anjana Sharma 8. Shakespeare Across Media - Shormishtha Panja 9. Speaking Silence: - Haris Qadeer 1. Of Race and Class: The Self-Positioning of the African-American Writer in the Civil Rights Era and Beyond (MAIN CAMPUS) Dr. Tapan Basu In his seminal study of class mobility within the African-American social context, Black Bourgeoisie (1957), E. Franklin Frazier struck a very different note from that of the euphoria of middle-class arrival which had been sounded in the contributions to The New Negro (1925), an anthology of writings by an earlier generation of African-American intelligensia: When the opportunity has been present, the black bourgeoisie has exploited the Negro masses as ruthlessly as have whites. As the intellectual leaders in the Negro community, they have never dared to think beyond a narrow opportunistic philosophy that provided a rationalisation for their own advantages... The masses regard the black bourgeoisie as simply those who have been “lucky in getting money” which enables them to engage in conspicuous consumption..
    [Show full text]
  • THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2011 ------S.I.R.C
    THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2011 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles Music of Mughal-e-Azam. Bai, Begum, Dasi, Devi and Jan’s on gramophone records, Spiritual message of Gandhiji, Lyricist Gandhiji, Parlophon records in Sri Lanka, The First playback singer in Malayalam Films 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US $ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full
    [Show full text]
  • Littératures De L'inde
    revue littéraire mensuelle LITTÉRATURES DE L’INDE avril 2001 Hormis une poignée de romanciers de langue anglaise, les littératures de l’Inde contemporaine restent pour nous une immense terra incognita. C’est à un voyage fascinant, inoubliable, que nous convie ce numéro d’Europe. Par son ampleur et la richesse des découvertes qu’il propose, il n’a pas à ce jour d’équivalent en France. Qu’on en juge : plus de quarante romanciers, nouvellistes et poètes, représentant au total dix-huit langues, de l’ourdou au bengali, du hindi au tamoul, du konkani au malayalam… Comme le rappelle Amitav Ghosh dans un essai publié en ouverture de ce numéro : « On a dit à juste titre que l’Inde n’avait rien donné de plus important au monde que ses légendes. » Il est nécessaire aujourd’hui de faire connaître ce qui a surgi après l’Indépendance, et plus particulièrement au cours des deux ou trois dernières décennies. On aimera s’immerger dans une littérature rétive aux standards occidentaux, mais qui sait métisser son riche héritage écrit et oral avec les apports majeurs de la modernité venue d’Europe, de Russie et d’Amérique. Littératures de l’Inde Anglais Nissim Ezekiel, Jayanta Mahapatra, A.K. Ramanujan, Keki N. Daruwalla, Dom Moraes, A.K. Mehrotra, Amitav Ghosh Assamais Nirmalprabha Bordoloi Bengali Mahasveta Devi, Lokenath Bhattacharya, Sunil Gangopadhyay, Joy Goswami Cachemiri Dina Nath Nadim Dogri Padma Sachdev Gujarati Suresh Joshi, Ravji Patel, Sitanshu Yashashchandra Hindi Nagarjun, Krishna Baldev Vaid, Nirmal Verma, Raghuvir Sahay, Kedarnath Singh, Girdhar Rathi, Dhruv Shukla, Mangalesh Dabral, Gagan Gill Kannada U.
    [Show full text]
  • 1 the Discourse of Colonial Enterprise and Its Representation of the Other Through the Expanded Cultural Critique
    Notes 1 The discourse of colonial enterprise and its representation of the other through the expanded cultural critique 1. I use the term “enterprise” in a delimited manner to specifically denote the colonial enterprise of capitalism and corporate enterprise of multi-nationals under global capitalism. I also examine the subversion of the colonialist capitalist enterprise through the deployment of indigenous enterprise in Chapter 4. It is not within the purview of my project to examine the history of the usage of the term “enterprise” in its medieval and military context. 2. Syed Hussein Alatas in a 1977 study documents and analyses the origins and function of what he calls the myth of the lazy native from the sixteenth to the twentieth century in Malaysia, Philippines, and Indonesia. See his The Myth of the Lazy Native (1977). I pay tribute to this excellent study; however, my own work differs from Alatas in the following respects. Alatas treats colonialist labour practices as an ideology or a patently false “myth” not as discourse. Unlike Alatas my own study of labour practices is oriented towards discourse analysis. This difference in tools leads to a more fundamental theoretical divergence: Alatas foregrounds the myth of the lazy native without investigating the binary half of the industrious European that sustains the former. Contrarily I argue that the colonized native’s unproductive work and play within the expanded cultural critique cannot be discussed without taking into account the normative labour and leisure practices in post-Enlightenment enterprise. 3. My choice of the Defoe text, as well as my locating the colonial capitalist discourses of labour in the English Enlightenment is influenced by Marx’s brief but intriguing interpretation of Defoe’s Crusoe.
    [Show full text]
  • American College Journal of English Language and Literature (Acjell) No
    American College Journal of English Language and Literature (acjell) no. 4 ISSN: 1725 2278 876X 2015 Research Department of English The American College Madurai, Tamilnadu, India American College Journal of English Language and Literature (acjell) no. 4 ISSN: 1725 2278 876X 2015 Research Department of English The American College Madurai, Tamilnadu, India © acjell 2015 the american college journal of english language and literature is published annually. All rights reserved. No part of this publication may be reproduced in any form and by any means without prior permission from: The Editor, ACJELL, Postgraduate and Research Department of English, The American College, Madurai, Tamilnadu, India. Email: [email protected] ISSN: 1725 2278 876X annual subscription— International: US $ 50 | India: Rs.1000 Cheques/ Demand Drafts may be made from any nationalised bank in favour of “The Editor, ACJELL” Research Department of English, The American College, payable at Madurai. Publisher: Research Department of English The American College, Madurai 625 002 Design and Production: +G Publishing, Madurai | Bangalore E-mail: [email protected] | www.plusgpublishing.com 04 Vol. No. 3 | March 2015 Editorial Board Dr. J. John Sekar, Editor-in-chief Head, Research Department of English Dean, Academic Policies & Administration The American College Editors Dr. S. Stanley Mohandoss Stephen Visiting Professor Research Department of English, The American College Dr. G. Dominic Savio Visiting Professor Research Department of English, The American College Dr. Francis Jarman Hildesheim University, Germany Dr. J. Sundarsingh Head, Department of English Karunya University, Coimbatore Dr. J. Rajakumar Associate Professor Research Department of English, The American College Dr. M. Lawrence Assistant Professor Research Department of English, The American College Dr.
    [Show full text]
  • THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’, Mumbai ------ISSN 0971-7942 Volume – Annual: TRN 2009 ------S.I.R.C
    THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’, Mumbai ------------------------------------------------------------------------ ISSN 0971-7942 Volume – Annual: TRN 2009 ------------------------------------------------------------------------ S.I.R.C. Branches: Mumbai, Pune, Solapur, Nanded, Tuljapur, Baroda, Amravati ============================================================= Feature Articles: Gangubai Hangal, Manna Dey 1 ‘The Record News’ - Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1000 Overseas US $ 100 Life Membership Rs. 10000 Overseas US $ 1000 Annual term: July to June Members joining anytime during the year [July-June] pay the full membership fee and get a copy of ‘The Record News’ published in that year. Life members are entitled to receive all the back issues in five bound volumes
    [Show full text]
  • THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’, Mumbai ------ISSN 0971-7942 Volume – Annual: TRN 2008 ------S.I.R.C
    THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’, Mumbai ------------------------------------------------------------------------ ISSN 0971-7942 Volume – Annual: TRN 2008 ------------------------------------------------------------------------ S.I.R.C. Branches: Mumbai, Pune, Solapur, Nanded, Tuljapur, Baroda, Amravati ============================================================= Feature Article: Gramophone Celebrities-III 1 ‘The Record News’ - Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1000 Overseas US $ 100 Life Membership Rs. 10000 Overseas US $ 1000 Annual term: July to June Members joining anytime during the year [July-June] pay the full membership fee and get a copy of ‘The Record News’ published in that year. Life members are entitled to receive all the back issues in five bound volumes
    [Show full text]