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A Unique Type of Archaic Oral Poetry
Oral Tradition, 6/2 3 (1991): 200-224 Bugaršćice: A Unique Type of Archaic Oral Poetry Josip Kekez Historical and Geographical Defi nition In the context of oral literature, bugaršćice1 represent an important and unique genre in many respects. They are, among other things, striking proof that oral literature is not simply a discovery of the nineteenth century—as was long maintained in South Slavic regions—and that two literatures, oral and written, were in contact from the earliest times in a number of ways, including the manner of their recording and study. On the other hand, we would know nothing of the genre in question and its aesthetic values if interest in oral literature had not existed from the beginning; many passages in the early literature of Croatia would have forever remained obscure, while Croatian poetry of the present day would have assumed a different profi le. Scholars have not so far taken suffi cient account of the fact that the poetic system of the bugaršćica is distinctly indigenous and in many of its features remote from other verse forms of oral literature; nor is there evidence that it existed at any time or in any national community or setting other than those discussed below. Apart from one or two examples, all bugaršćice have been recorded on the eastern Adriatic strip from Istria in the north to the Gulf of Kotor in the south, so that they are geographically strictly defi ned. One poem was recorded on the western side of the Adriatic, in southern Italy, but it was sung in their own language by settlers from the eastern side of the Adriatic. -
The Book Art in Croatia Exhibition Catalogue
Book Art in Croatia BOOK ART IN CROATIA National and University Library in Zagreb, Zagreb, 2018 Contents Foreword / 4 Centuries of Book Art in Croatia / 5 Catalogue / 21 Foreword The National and University Library in Croatia, with the aim to present and promote the Croatian cultural heritage has prepared the exhibition Book Art in Croatia. The exhibition gives a historical view of book preparation and design in Croatia from the Middle Ages to the present day. It includes manuscript and printed books on different topics and themes, from mediaeval evangelistaries and missals to contemporary illustrated editions, print portfolios and artists’ books. Featured are the items that represent the best samples of artistic book design in Croatia with regard to their graphic design and harmonious relationship between the visual and graphic layout and content. The author of the exhibition is art historian Milan Pelc, who selected 60 items for presentation on panels. In addition to the introductory essay, the publication contains the catalogue of items with short descriptions. 4 Milan Pelc CENTURIES OF BOOK ART IN CROATIA Introduction Book art, a constituent part of written culture and Croatian cultural heritage as a whole, is ex- ceptionally rich and diverse. This essay does not pretend to describe it in its entirety. Its goal is to shed light on some (key) moments in its complex historical development and point to its most important specificities. The essay does not pertain to entire Croatian literary heritage, but only to the part created on the historical Croatian territory and created by the Croats. Namely, with regard to its origins, the Croatian literary heritage can be divided into three big groups. -
Pjesme Ane Katarine Zrinski ∑ Poetika I Kontekst*
CROATICA • Zagreb, XLI (2017) 61 PregledniIzvorni znanstveni rad DOI: 10.17234/Croatica.41.5UDK 811.163.42:004 UDK: 821.163.42-1.09Zrinski,821.163.42-112 A.K. 003.349.1808.263.42-112 PJESME ANE KATARINE ZRINSKI ∑ POETIKA I KONTEKST* Davor DukiÊ Filozofski fakultet SveuËiliπta u Zagrebu [email protected] Jasmina Lukec Leksikografski zavod Miroslav Krleæa [email protected] Sredinom 1980-ih otkrivena je pjesmarica za koju se pretpostavlja da je bila vlasniπtvo Ane Katarine Zrinski (o. 1625‡1673) te da se u njoj nalaze pjesme koje je ona napisala. Pjesmarica je nedavno napokon objavljena (Pjesmarica Ane Katarine Zrinske, prir. J. BratuliÊ, Zagreb: Matica hrvatska, 2014), Ëime je omoguÊeno njezino svestrano istraæi- vanje koje je i prije objavljivanja zapoËeo Ivan Zvonar (2006). Naπa se analiza nastavlja na njegova istraæivanja. U radu se donosi kratak opis sadræaja i kompozicije Pjesmarice, zatim se utvruje kojim bi pjesmama autorica mogla biti Ana Katarina Zrinski, i to na temelju sadræajne analize, tj. pronalaæenja motiva koji korespondiraju sa sudbinom pret- postavljene autorice, te se naposljetku istiËu metriËke, stilske i motivske sliËnosti pretpo- stavljenih Katarininih pjesama s pjesniËkim opusima njezina supruga Petra Zrinskog i brata Frana Krste Frankopana. Dolazi se do zakljuËka da se Katarini moæe pripisati 31 * Davor DukiÊ, jedan od suautora ovog priloga, objavio je u “Vijencu” (br. 548, 5. oæujka 2015) kraÊi, popularno pisani tekst “Stihovi iz krletke u pjesmarici Katarine Zrinske”. Neki uvidi, postavke i formulacije iz tog prikaza nuæno se ponavljaju i u ovom tekstu. 273 D. DukiÊ, J. Lukec • PJESME ANE KATARINE ZRINSKI ∑ POETIKA I KONTEKST • 273∑294 pjesma te se dodatno potkrepljuje pretpostavka Ivana Zvonara o utjecaju njezina pjes- niπtva na stvaralaπtvo mlaeg brata. -
Poetika "Katarinskih Pjesama" U Pjesmarici Ane Katarine Zrinske
Poetika "Katarinskih pjesama" u pjesmarici Ane Katarine Zrinske Pitlović, Iva Marija Undergraduate thesis / Završni rad 2019 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Rijeka, Faculty of Humanities and Social Sciences / Sveučilište u Rijeci, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:186:462019 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-02 Repository / Repozitorij: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences - FHSSRI Repository SVEU ČILIŠTE U RIJECI FILOZOFSKI FAKULTET Iva Marija Pitlovi ć Poetika katarinskih pjesama u Pjesmarici Ane Katarine Zrinske (ZAVRŠNI RAD) Rijeka, 2019. SVEU ČILIŠTE U RIJECI FILOZOFSKI FAKULTET Odsjek za kroatistiku Iva Marija Pitlovi ć Mati čni broj: 0009076565 Poetika katarinskih pjesama u Pjesmarici Ane Katarine Zrinske ZAVRŠNI RAD Preddiplomski studij: Hrvatski jezik i književnost Mentor: doc. dr. sc. Saša Poto čnjak Rijeka, 17. rujna 2019. IZJAVA Kojom izjavljujem da sam završni rad naslova Poetika katarinskih pjesama u Pjesmarici Ane Katarine Zrinske izradila samostalno pod mentorstvom doc. dr. sc. Saše Poto čnjak. U radu sam primijenila metodologiju znanstvenoistraživa čkoga rada i koristila literaturu koja je navedena na kraju završnoga rada. Tu đe spoznaje, stavove, zaklju čke, teorije i zakonitosti koje sam izravno ili parafraziraju ći navela u završnom radu na uobi čajen na čin citirala sam i povezala s korištenim bibliografskim jedinicama. Studentica -
Personal Narrative of Prof. Reuben Eldar, Laureate of Croatian National Decoration for Humanitarian Work
Cover Page > Croat Med J. 2006;47:801-4 Personal Narrative of Prof. Reuben Eldar, Laureate of Croatian National Decoration for Humanitarian Work I would like to use this opportunity to express tia, mainly in the areas of rehabilitation medicine my gratitude to His Excellency, President of the and quality of care. Republic of Croatia, Mr. Stipe Mesić, for award- The specialty of Physical and Rehabilitation ing me the Katarina Zrinska medal for humani- Medicine (PRM) was introduced in Croatia in tarian services rendered to his country. In this es- the early 1950s, when the first physicians com- say, I do not intend to merely review my activities pleted their specialization and obtained the ti- leading to the award. Rather, it is my intention to tle of physiatrists. Having acquired the tools of put in writing several personal statements which physical therapy, physiatrists focused on patients I can leave behind as an affirmation of whatever with diseases of the musculoskeletal system for it is that I stand for. whom these tools proved useful. This initiated I was born in Osijek, the capital city of Slavo- the strong tie between PRM and rheumatolo- nia, the northeastern part of Croatia. My moth- gy, and gave the priority to physical therapy and er tongue is Croatian and I remember, with af- musculoskeletal conditions within the specialty, fection, always conversing and corresponding almost totally ignoring the need of rehabilitation, with my parents in that language, wherever we except in the field of developmental disorders in were. At the end of 1948, I immigrated to Israel children, particularly that for complex impair- shortly after the proclamation of state, still fight- ments – stroke, traumatic brain injury, ampu- ing its war of independence. -
The Croats Under the Rulers of the Croatian National Dynasty
THE CROATS Fourteen Centuries of Perseverance Publisher Croatian World Congress (CWC) Editor: Šimun Šito Ćorić Text and Selection of Illustrations Anđelko Mijatović Ivan Bekavac Cover Illustration The History of the Croats, sculpture by Ivan Meštrović Copyright Croatian World Congress (CWC), 2018 Print ITG d.o.o. Zagreb Zagreb, 2018 This book has been published with the support of the Croatian Ministry of culture Cataloguing-in-Publication data available in the Online Catalogue of the National and University Library in Zagreb under CIP record 001012762 ISBN 978-953-48326-2-2 (print) 1 The Croats under the Rulers of the Croatian National Dynasty The Croats are one of the oldest European peoples. They arrived in an organized manner to the eastern Adriatic coast and the re- gion bordered by the Drina, Drava and Danube rivers in the first half of the seventh century, during the time of major Avar-Byzan- tine Wars and general upheavals in Europe. In the territory where they settled, they organized During the reign of Prince themselves into three political entities, based on the previ Branimir, Pope John VIII, ous Roman administrative organizations: White (western) the universal authority at Croatia, commonly referred to as Dalmatian Croatia, and Red the time, granted (southern) Croatia, both of which were under Byzantine su Croatia international premacy, and Pannonian Croatia, which was under Avar su recognition. premacy. The Croats in Pannonian Croatia became Frankish vassals at the end of the eighth century, while those in Dalmatia came under Frankish rule at the beginning of the ninth century, and those in Red Croatia remained under Byzantine supremacy. -
Timeline / 1500 to 1775 / CROATIA
Timeline / 1500 to 1775 / CROATIA Date Country | Description 1527 A.D. Croatia Croatia forms a state union with Austria. By a decision of the Croatian Assembly, the dynasty of Habsburg comes to the Croatian throne. 1537 A.D. Croatia Defeat of the Klis, the last southern fortress. Ottomans constitute the San#ak of Klis. 1538 A.D. Croatia Founding of the Ottoman governing unit in Middle Slavonia with the centre in Požega. For more than 40 years the governor was Hadži Mehmed-aga who supported Sulayman during the siege of Siget. 1556 A.D. Croatia Nikola Zrinski defeats the Pasha of Budim near Bobocsa. The fall of Kostajnica and the arrival of Ottomans in Turopolje. 1565 A.D. Croatia On the initiative of the Council of Trent the Bishop of Zagreb, Juraj Draškovi#, establishes the Zagreb Seminary (Seminarium Clericorum) to promote theology. 1566 A.D. Croatia The siege of Siget. Nikola Šubi# Zrinski holds out against the army of the Sultan Sulayman I and falls during the last attack. 1599 A.D. Croatia Zagreb and a major part of Croatia are stricken by plague of epidemic proportions. 1606 A.D. Croatia Arrival of Jesuits in Zagreb. In 1607 they established the Classical Gymnasium, the first gymnasium (high school) that still exists today. Arrival of the first pharmacist J. Gasparini in Zagreb. 1609 A.D. Croatia King Matyas II approves the new Statute of the Zagreb Gradec. 1615 A.D. Croatia Venice conquers Karlobag attacking Novi Vinodolski, the city of the Frankopans. This marks the beginning of the Austro-Venetian war, at this stage known as the Uskok war. -
The Zrinski-Frankopan Conspiracy As a National Sacrificial Narrative
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Open Repository of the University of Zagreb Faculty of... FNS 2018; 4(1): 146–157 Davor Dukić* The Zrinski-Frankopan conspiracy as a national sacrificial narrative https://doi.org/10.1515/fns-2018-0013 The topic of this paper concerns the representations of the Zrinski-Frankopan (Zriny Frangipani) Conspiracy in five Croatian dramas, written and/or performed between 1900 and 2010, in the four different political constellations: in the late Habsburg Monarchy, in the early monarchist Yugoslavia, i. e. in the Kingdom of Serbs, Croats and Slovenes, in the Socialist Yugoslavia and finally in the modern independent Croatian state. The Zrinski-Frankopan Conspiracy is a sacrificial narrative par excellence in the Croatian culture as literary sources often directly refer the Conspiracy’s actors as martyrs. Therefore this constitutes an interesting subject for this thematic section. The basic methodological problem in this analysis is how to interpret a single literary text as a concretization of a historical myth which in itself represents a non-existent, intuitive, fluid construct. A critical reconstruction of a historical myth and/or a meta-narrative is an unrewarding, if not futile task, so it is there- fore more fruitful to focus on its potential ruptures which undermine its semantic coherence. These ruptures can represent traumatic or at least uneasy loci in the historical meta-narratives, which makes them prone to interpretation. The selected text analyzed here can be contextualized in three different frameworks of the national narration: firstly, in the historical myth about the Conspiracy, i. -
Acta 121.Indd
Acta Poloniae Historica 121, 2020 PL ISSN 0001–6829 Maciej Czerwiński https://orcid.org/0000-0002-6602-1299 Institute of Slavonic Studies, Jagiellonian University OLD DUBROVNIK, YOUNG SERBIA AND VAGUE CROATIA. MENTAL MAPS IN THE SERB-CATHOLIC IMAGINATION IN DUBROVNIK Abstract This article describes the experience of the community of Serb-Catholics living in Dubrovnik in the early twentieth century. It is based primarily on an investigation of the literary and cultural periodical Srdj (1902–08). This study focuses, fi rstly, on the conceptual ambivalence resulting from efforts to apply linguistic criteria to determine Serbian identity and, secondly, on the efforts to construct a mental map that would serve projections of Serbian symbolic territory. While the presence of the Serb-Catholic milieu in the city was short-lived (from the mid-nineteenth century to the First World War), it nevertheless left traces on the urban landscape that typifi ed the ambivalent formation of national identity along religious lines, as Croatians were associated with Catholicism and Serbs with Orthodoxy. Keywords: Serb-Catholics, Dubrovnik, Dalmatia, nation-building, Serbia, Habsburg monarchy I INTRODUCTION A glance at the map of the Habsburg Monarchy following the Aus- tro-Hungarian Compromise of 1867 reveals emphatically just how peripheral a place Dalmatia (offi cially the Kingdom of Dalmatia) had in the Empire. Dubrovnik had an even less important position. This once wealthy commune that had competed with Venice in terms of status was now located at the periphery of a periphery, squeezed into a narrow isthmus between the Adriatic and Bosnia and Herzegovina. Owing to its exceptionally rich culture – which is evident both in the cultural landscape (architecture) and in writing (in documents from the past and in literature) – Croatians and Serbians alike, as well as Italians http://dx.doi.org/10.12775/APH.2020.121.07 144 Maciej Czerwiński in some sense, have staked claims to Dubrovnik. -
Count Ivan Anž Frankopan, the Royal Steward of the Estate in Sweden 1426 - 1434
COUNT IVAN ANŽ FRANKOPAN, THE ROYAL STEWARD OF THE ESTATE IN SWEDEN 1426 - 1434 Mladen Ibler Within the framework of medieval history of Europe and its own geostrategic location, Scandinavian royalties and nobility entertained contacts with central and western Europe. Less known however, is the relationship between Eric of Pomerania, the King of the three Scandinavian realms and the Croatian nobility of Frankopans. This paper attempts to provide the short description of the conditions in Croatia and Scandinavia at the beginning of XV century, the relationship between Eric of Pommerania and count Ivan Anž Frankopan, and the role of the Republic of Dubrovnik (Ragusa) during King Eric’s travel on his way to the Holy Land 1424-5. Based on Dubrovnik, Budapest, Vatican, and Scandinavian sources, a special emphasis is beeing given to the events surrounding Ivan Anž Frankopan’s visit to Sweden. In Venetian and Scandinavian sources, he is reffered to under the name of Gian Franchi and Johan Franke. Due to this reason, historians have been unaware of the real identity of King Eric’s steward of the estate (fief) Stegeborg in Sweden 1426-34, count Ivan Anž Frankopan. Key words: Frankopan, Ivan Anž; the King Eric of Pommerania; Stegeborg; Kalmar Union I. The Kingdom of Croatia, Dalmatia and Slavonia has been in personal union with Kingdom of Hungary since 1102. Its main parts, Dalmatia and Croatia were governed by a viceroy (Ban), and Slavonia, as the third part, was governed by its own viceroy. In the beginning of the fifteenth century the Kingdom was the object of fight between King Ladislas of Naples and his rival Sigismund of Luxemburg. -
Kultura Emocija U Poetskom Diskursu Ane Katarine Frankopan Zrinske I Frana Krste Frankopana
Kultura emocija u poetskom diskursu Ane Katarine Frankopan Zrinske i Frana Krste Frankopana Telešman, Marina Master's thesis / Diplomski rad 2019 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zagreb, University of Zagreb, Faculty of Humanities and Social Sciences / Sveučilište u Zagrebu, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:131:289844 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-24 Repository / Repozitorij: ODRAZ - open repository of the University of Zagreb Faculty of Humanities and Social Sciences Sveučilište u Zagrebu Filozofski fakultet Odsjek za povijest DIPLOMSKI RAD Kultura emocija u poetskom diskursu Ane Katarine Frankopan Zrinske i Frana Krste Frankopana Studentica: Marina Telešman Mentorica: prof. dr. sc. Zrinka Blažević Zagreb, rujan 2019. SADRŽAJ: 1. Uvod .......................................................................................................................................................... 3 1.1 Tema istraživanja i istraživački ciljevi ................................................................................................ 3 1.2. Metodologija ...................................................................................................................................... 4 2. Literatura i izvori ................................................................................................................................... 5 2.1. Pregled i evaluacija literature ....................................................................................................... -
Rostra /2014 Motivi Braće Zrinski Za Pristupanje Uroti
rostra /2014 rostra Motivi braće Zrinski za pristupanje uroti Filip Ambruš Filozofski fakultet Sveučilišta u Zagrebu Autor u ovom radu ne bavi se urotom već eventualnim motivima braće Zrinski za pristupanje uroti. Građa za proučavanje urote objavljuje se od 19. stoljeća, no većina radova se oslanja samo na politički aspekt urote. Nikola VII. i Petar IV. Zrinski su bili pripadnici jedne od najmoćnijih obitelji Ugarskoga Kraljevstva, a Kraljevine Hrvatske i Slavonije najmoćniji. Motive urote treba tražiti prije svega u ekonomskom aspektu, budući da su Zrinski sa svojim povezanim imanjima od Međimurja do Jadranskoga mora predstavljali izravnu konkurenciju kralju zbog preusmjeravanja trgovaca na njihova imanja. Snažan ekonomski položaj je temelj za vojno-politički motiv urote. Ključne riječi: braća Zrinski, Habsburgovci, elementi urote. 1. UVODNE NAPOMENE U dosadašnjoj europskoj historiografiji, urota ugarskih i hrvatskih414 magnata (u hrvatskoj historiografiji poznatija kao urota zrinsko–frankopanska) bila je zanimljiva, pa i bitna tema za istraživanje i pisanje radova brojnih povjesničara, političara, pisaca i pjesnika. Prilikom prvih istraživanja je kritičko pristupanje obradi i tumačenju urote bilo otežano, i to zbog nedostatka povijesnih izvora (tek se od 19. stoljeća pa nadalje počinje izdavati obilatija arhivska građa vezana uz urotu zrinsko-frankopansku), a kasnije (od 60-ih godina 19. stoljeća do 1918.) se zatomnjuje zbog političkih okolnosti u kojima je urota prikazivana kao jedan od glavnih simbola otpora protiv strane, habsburške vlasti.415 Glede pisanja na tu temu prvi je obrađuju u 19. stoljeću njemački povjesničari Johann Christian von Engel416 i Johann Mailát417 te hrvatski povjesničar Radoslav Lopašić, koji je zaslužan za izdavanje novovjekovne građe iz arhiva u Beču i Grazu418, a potom se Šime Ljubić u Pregledu hrvatske poviesti419 osvrnuo na urotu i prvi objavio podatke arhiva u 414 Obitelj Zrinski vuče podrijetlo od grane Šubića Bribirskih.