FORTHCOMING EVENTS

TOMORROW: Noise Summit Art Assassins Fri 28 - Sun 30 Nov, Clore Studio, Free Every Wed, 5-7pm, Until 14 Jan 2015, A video installation exploring children First Floor Galleries, Free BENEFIT AUCTION IN SUPPORT OF THE SLG'S and young people’s right to make noise Art Assassins and invited artists produce YOUNG ARTS PROJECT and be heard in public. The installation new branded merchandise for the features footage and objects from Barby exhibition Invisible Hours. Asante’s Noise Summit project on Pelican EXHIBITION GUIDE and Wyndham & Comber estates from Exhibition Tours 2013-2014. On Sun 30 Nov Asante hosts a Daily, 1pm & Last Fridays, 7pm, Free brunch and discussion followed by a Noise Join the SLG's gallery assistants for 27 NOV - 12 DEC 2014 Summit takeover of The Sunday Spot, the informal drop in tours of the exhibitions. SLG’s free, weekly family workshop. MAIN GALLERY

The Sixth Housing Estate: Every Wall Has Two Sides Sat 6 Dec, 2-5pm, Clore Studio, From £3 A seminar led by artist and writer Brandon LaBelle, looking at questions of housing and shared space, with a focus on neighbours and strangers. It is the second in a series of public events and interactions developed by LaBelle in collaboration with the SLG.

Shana Moulton: See me, feel me, touch me, heal me Wed 10 Dec, 7pm, Clore Studio, From £3 Shana Moulton presents a new performance embedded in a selection of recent and past moving image works.

South London Gallery 65–67 Peckham Road, London SE5 8UH 020 7703 6120 [email protected] www.southlondongallery.org Twitter: @SLG_artupdates Instagram: @southlondongallery TOMORROW: LONDON

27 NOV - 12 DEC 2014

The group exhibition includes works by: vibrating painting, Feeling It, 2014, and Emanuel Röhss (Swedish, b.1985) Jesse Wine (British, b.1983) Michael Armitage / Nicolas Deshayes / Samara Scott’s Slag, 2014, constructed creates works that focus on transferring is a London-based sculptor who works Rodrigo Garcia Dutra / Raphael Hefti / from a mesh of everyday materials elements from a particular space or form mainly with ceramics. Kneading clay into Celia Hempton / Haroon Mirza / including nylon tights, nail varnish and of architecture to another, often by casting vessels, forms and anthropomorphic male Philomene Pirecki / Hannah Perry / spray paint. In a starkly contrasting objects that he sees as “excessive for a figures, Wine then mixes his glazes and Emanuel Röhss / Samara Scott / aesthetic, Haroon Mirza’s Solar Powered building” but that have a “more aesthetic oxides together, firing them at different Jesse Wine LED circuit composition 14, 2014, and application." Taking into consideration the temperatures to encourage dynamic Solar_Corb C (solidarity for Eileen Grey), connotative potentials of art production, reactions of colours as they melt and blend Tomorrow: London celebrates the range 2014, test the interplay and friction Röhss moves between different contexts as on the surface of the sculptures. Wine and inventiveness of creative practice in between sound and light waves, and their he modifies his mediums, either by taking never records his methods and prefers London today through a presentation of impact on the environment within which elements from one and adding to another, to embrace the Dada-esque mentality works by eleven artists who live and work in they are displayed. or by de-contextualising the objects. of chance and unpredictability. In 2010, the capital, selected by Hikari Yokoyama, a Through the latter, he removes his works Wine received his MA in Sculpture from founding member of online auction Proceeds from Tomorrow: London will from the visual excess of their origin, and the Royal College of Arts, London, three Paddle8. Tomorrow: London launches a support the SLG’s Young Arts Project, allows them to stand with autonomy for years later he was the recipient of the new series of Paddle8 auctions showcasing an initiative which encourages 14-25 greater aesthetic value. Röhss received his Ceramics Fellowship from the Camden the work of young artists in cultural cities year olds to become more actively MA from the Royal College of Art, London Arts Centre. His work has been featured in around the world to raise funds to benefit involved in through in 2013, and his BA from the National group exhibitions at the Moving Museum, public institutions. artist-led activities and events, providing College of Art and Design, Dublin in 2011. London, NOMAS Foundation, Rome, Mary guidance and support, and transforming Mary Gallery, Glasgow, among others. Tomorrow: London presents a vibrant mix perspectives on the benefits of creative of sculpture, painting and installation, thinking. indicative of the eclectic artistic activity in the capital today. Figurative paintings by Samara Scott (British, b.1984) Michael Armitage and Celia Hempton are PADDLE8 AUCTION is a mixed media artist whose practice shown alongside a new figurative sculpture To bid on an artwork, register at the main utilises multitudes of cheap, everyday by Emanuel Röhss, whereas sculptures entrance of the gallery, visit paddle8.com functional objects (polystyrene, tights, by Nicholas Deshayes and Raphael or download the Paddle8 iphone app. pens, toothpaste, rolls of tape etc), Hefti’s photogram explore the abstracting Tomorrow: London is open for bidding until repurposing them as formal materials to potential of industrial processes. Rodrigo Fri 12 Dec, 5pm (GMT). create relief sculptures and wall works. Garcia Dutra’s painting Abstract Ground paddle8.com/tomorrowlondon Inspired by pop art and cultural motifs XI, 2014, partnered with a new video of the 1950s and 1960s, and through a work, establishes an engaging dialogue process of compiling, painting, drawing with Philomene Pirecki’s mixed media and assembling everyday objects, Scott’s installation exploring the influence of INVISIBLE HOURS work sheds light on the fleeting material context on perception, while Jesse Wine’s To complement Tomorrow: London, some of identity of detritus produced by modern sculptures boldly defy expectations of the participants in the Young Arts Project culture. She graduated in 2011 from the ceramic as a medium. have curated the exhibition in the first Royal Art College, London with a MA in floor galleries. Their take-over features an Communication Art & Design, past solo Introducing notes of sensory and formal alternative archive space and a workshop and group exhibitions have been shown at wit into the show are Hannah Perry’s where they’ll be experimenting with the Zabludowicz Gallery, Rowing Project collaged work on aluminium, Smile When creating their own branded merchandise and Seventeen Gallery. You Say That (Shiny), 2014, shown with her throughout the course of the show. LIST OF WORKS

Raphael Hefti (Swiss, b.1978) creates Philomene Pirecki (British) work rooted in an alchemical narrative, makes photographs, installations and as his swirling images are made from paintings centred around how influential (often explosive) industrial processes that context is on perception. Her works take render anything from plant spores burnt the everyday as the basis for investigations onto paper to manipulated museum glass into the impossibility of maintaining and into astral-like images of shifting matter reproducing a particular experience. and colour. Hefti came to art via industrial Her approach is methodical and highly design, beginning as an apprentice in considered, thus relieving her work of any electronics and later studying industrial overbearing nostalgia. Pirecki’s work has design. During his studies, he became been internationally exhibited and was increasingly fascinated by the faults and shortlisted for the 2013-2015 Max Mara imperfections in industrial and chemical Art Prize for Women. processes. He received his MA from the Slade School of Fine Art, University College London and studied at the Ecole Cantonale 1. Nicolas Deshayes 6. Raphael Hefti d’art de Lausanne. Hefti has had solo Le Chant du Styrene, 2013 From the series 'Lycopodium', 2012 * exhibitions at Ancient & Modern, Camden Cast aluminium, powder coated steel and Photogram on photographic colour paper Arts Centre and Gallery in fixings 160 x 106cm London as well as CAPC, Bordeaux and 273 x 90 cm (variable) Gallery Art: Concept, Paris, among others. 7. Hannah Perry 2. Nicolas Deshayes Feeling It, 2014 Haroon Mirza (British, b.1977) Hannah Perry (British, b.1984) Le Chant du Styrene, 2013 * Steel, car wrap, sub woofers, rope metal, works across immersive installations, is an installation, print and video artist Cast aluminium, powder coated steel and clamps, amp, speakers performances and kinetic sculptures and living and working in London. Through fixings 463 x 230 x 30cm environments. He collaborates with artists generating and manipulating materials 273 x 90 cm (variable) and musicians to create works which play (footage, audio clips, images and objects), 8. Hannah Perry with, and react to, both the visitor and the Perry develops a sprawling network of 3. Celia Hempton Smile When You Say That (Shiny), 2014 * environment. In addition, Mirza delves into references, carefully exploring personal United Arab Emirates, 6th July 2014, 2014 Silkscreen on vinyl, aluminium gallery archives to ‘collaborate’ with artists memory in today’s hyper-technological Oil on canvas 127 x 91cm via documents, artworks and papers. He society, whilst challenging systems of 25 x 30 cm studied painting at the Winchester School representation via hyperactive distribution. 9. Philomene Pirecki of Art, and painting and drawing on an She received her MFA from the Royal 4. Celia Hempton Grey Painting: Text Version 54 (Framed by exchange programme at the School of Academy of Arts in London in 2014 and Unknown Location, 5th October 2014, 2014 Grey Painting: Text Version 10, 2008), 2014 * the Art Institute of Chicago. In 2006, he has been featured in exhibitions at the Oil and acrylic on canvas, wood Oil on canvas received his MA in Design Critical Practice Zabludowicz Gallery, the , 65 x 60cm 25 x 30 cm and Theory from Goldsmiths College and Fotomuseum Winterthur, MOMA Warsaw, in 2007, completed his MA in Fine Art at and the Stedejlik Museum, Amsterdam. 10. Philomene Pirecki 5. Celia Hempton the Chelsea College of Art & Design. Past She recently performed at the Serpentine White Wall, Unosunove (Daylight, 11:10, Tom, Norway, 18th June 2014, 2014 * awards include the Northern Art Prize, Gallery as part of Park Nights, and later 11:10, 8-10-14), Version 2, 2014 Oil on canvas 2010, the Silver Lion Award 54th Venice this year will present an installation as the Photographic vinyl 25 x 30cm Biennale Illuminations, 2011, the DAIWA culmination of a residency at the Moving 250 x 300 cm Art Prize, 2012 and Zurich Art Prize, 2014. Museum in Istanbul. BIOGRAPHIES

11. Philomene Pirecki 18. Nicolas Deshayes Michael Armitage (half British, half Rodrigo Garcia Dutra (Brazilian, b.1981) Image Persistence (Reflecting 1, Shimmering Horizons in Tantalizing Tans, Kenyan, b.1984) is known for his graphic explores moments in time that he believes Generation 4), 2014 2013 * landscape and figurative paintings which have influenced the aesthetics of the world Colour c-type photograph Vacuum formed plastic, spray paint draw on imagery of Africa. Armitage often today – particularly, a perceived shift from 70 x 56 cm 12 x 150 x 105cm uses bark cloth as a canvas - a material localised religious or traditional motifs and 12. Philomene Pirecki which has both traditional importance patterns to internationally touted ideals Image Persistence (Grey Text Painting 31), 19. Emanuel Röhss in its use for burial shrouds, as well as of modernism. Garcia Dutra graduated 2013 * Hikari Yokoyama, London, 2014 * being recognisable for its reappropriation from the Royal College of Art, London, Colour c-type photograph, DuraClear Polyurethane and resin on the tourist market. Armitage’s works with an MA in Sculpture in 2014 and he 70 x 82cm 62.3 x 180 x 134cm raise questions about identity and cultural also holds a BA in Fine Art from Central development, the relationship between Saint Martins College of Art and Design, 13. Samara Scott Slag, 2014 * Kenya and the West, the idea of Other London. His work was included in the São Styrofoam, watercolour, spray paint, nail 20. Haroon Mirza and the romanticism, ideals and hopes of Paolo Biennial in 2008 and 2014, and his varnish, nylon tights Solar Powered LED Circuit Composition 14, a New Africa. He received a BA from the work was selected for the “Open Cube” 120 x 240 x 12cm 2014 * Slade School of Art, London, in 2007 and exhibition at the White Cube in London Flexible photovoltaic panel, wire, LEDs an MA from the Royal Academy Schools, as well as being featured in exhibitions 14. Rodrigo Garcia Dutra 246 x 49 x 122cm London, in 2010. His work has been at Rotwand Gallery, Zurich and the Royal Abstract Ground XI, 2014 * featured in a number of group exhibitions, College of Art, London. Oil and charcoal on canvas 100 x 100cm 21. Jesse Wine including those at the Drawing Room and I Really Care II, 2014 * Royal Academy, London. 15. Rodrigo Garcia Dutra Glazed ceramics Abstract Eruption III, 2014 * 8 x 53 x 54cm Video Nicolas Deshayes (French, b.1983) Celia Hempton (British, b.1981) 8 minutes 22. Jesse Wine utilises industrial material processes explores sexuality, vulnerability, exposure Edition of 5 Aladdin Pink, 2014 * to transform the grotesque, banal or and exhibitionism in her work. Many of her Glazed ceramics forgotten forms of modern existence into paintings expose voyeuristic glimpses of 16. Michael Armitage 70 x 52 x 46cm sublime abstract paintings and sculptures, the body in a singular moment and whilst Clearing Out The Museum (New Histories), operating in what he calls “the threshold some of Hempton’s sitters are her friends, 2014 * 23. Haroon Mirza between liquid and solid”. In 2009, others are people she met online in video Oil on Lubugo Bark cloth Solar_Corbs C (Solidarity for Eileen Gray), Deshayes earned his MA of Sculpture chat rooms. Hempton completed her BA 154.9 x 213.4cm 2014 from the Royal College of Art in London, in Fine Art at the Glasgow School of Art Solar panels, speakers, LEDs, electronics and he continues to live and work in the and graduated from the Royal College of 17. Nicolas Deshayes (dimensions variable) city. He has been featured in exhibitions Art with an MA in Painting in 2007. She Shimmering Horizons in Tantalizing Tans, at Artspace, Sheffield, Cul De Sac, London has been awarded the Civitella Ranieri 2013 and E:vent Gallery, London, among others. Foundation Fellowship, based in Umbria, Vacuum formed plastic, spray paint Italy (2013) and the Sainsbury Scholarship 12 x 150 x 105cm in Painting for the British School at Rome (2008-10). She has presented solo exhibitions at Galeria Lorcan O’Neill, Rome, Neue Aachener Kunstverein, and Cell Project Space, London, among others. *To bid on this art work visit paddle8.com/tomorrowlondon