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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Apple Applecare+ Instructions
AppleCare+ for Apple TV AppleCare+ for Apple Watch AppleCare+ for Headphones AppleCare+ for HomePod AppleCare+ for iPad AppleCare+ for iPhone AppleCare+ for iPod NOTE ON CONSUMER LAW: AppleCare+ is an insurance policy covering the risk of damage to your Apple TV, Apple Watch, HomePod, iPad, iPhone, iPod or Apple- or Beats-branded headphones and the need for technical assistance. AppleCare+ does not provide coverage for failure due to defects in design and/or materials and/or workmanship. Such failures will be covered separately by your consumer law rights or the Apple Limited Warranty or by Apple itself during the same period as the AppleCare+ Coverage Period even if you did not purchase or lease your Apple product from Apple. In Ireland, consumers are entitled to a free of charge repair or replacement, by the seller, of goods which do not conform with the contract of sale. Under Irish law, consumers have up to six years from the date of delivery to exercise their rights however, various factors may impact your eligibility to receive these remedies. For more details, please visit apple.com/ie/legal/statutory-warranty. Terms & Conditions – Ireland Thank you for buying AppleCare+, an insurance policy underwritten by the Ireland Branch of AIG Europe S.A. (“AIG”) who agrees to insure Your Apple TV, Apple Watch, HomePod, iPad, iPhone, iPod, or Apple- or Beats-branded headphones according to the terms and conditions contained in this Policy. AppleCare+ covers You for repair or replacement of Your device in the event of Accidental Damage or Battery Depletion, and access to Technical Support from Apple (as set out in clause 4.5). -
By Marco Fazzi
MONDAY MORNINGS The MACHINE MONDAY MORNINGS NEW BEGINNINGS Grandad s Blood Pressure Pills NEW BEGINNINGS Just Desserts There When You Need Us Just Desserts The MACHINEAIRPORT The MACHINE Grandad s Blood Pressure Pills Grandad s Blood Pressure Pills The Substitute Going Ballistic There When You Need Us QUEEN BEE There When You Need Us AIRPORT BUS STOP AIRPORT The Substitute The Girl Next Door The Substitute QUEEN BEE A Moment in the Sun QUEEN BEE STORIESSTORIESMONDAY MORNINGS 2 2 BUS STOPSHORT BUS STOP The Girl Next DoorSHORT NEW BEGINNINGS The Girl Next Door A Moment in theREADING Sun Just AGES Desserts 10 - 16 YEARSA Moment in the Sun MONDAY MORNINGSThe MACHINE MONDAY MORNINGS NEW BEGINNINGS Grandad s Blood Pressure Pills NEW BEGINNINGS Just Desserts There When You Need UsJust Desserts The MACHINEAIRPORTThe MACHINE Grandad s Blood Pressure Pills The Substitute Grandad s Blood Pressure Pills There When You Need Us QUEEN BEE There When You Need Us AIRPORT BUS STOP AIRPORT The Substitute The Girl Next Door The Substitute QUEEN BEE A Moment in the Sun QUEEN BEE BUS STOP MONDAY MORNINGS BUS STOP The Girl Next Door NEW BEGINNINGSThe Girl Next Door A Moment in the Sun Just Desserts A Moment in the Sun MONDAY MORNINGS The MACHINE MONDAY MORNINGS NEW BEGINNINGS Grandad s Blood Pressure Pills NEW BEGINNINGS Just Desserts There When You Need Us Just Desserts The MACHINEAIRPORT The MACHINE Grandadsample s Blood Pressure Pills The Substitute eBookGrandad s Blood Pressure Pills There When You Need Us QUEEN BEE There When You Need Us Waiting in the -
On the Second Floor of a Hospital, a Criminal Profiler Is Strolling Down a Hallway with a Colleague When an Alarm Goes Off
Photo: "Criminal Minds" shoots an episode of the CBS show at the former Sherman Way campus of Northridge Hospital Medical Center, which is now closed. Credit: Kirk McKoy/Los Angeles Times On the second floor of a hospital, a criminal profiler is strolling down a hallway with a colleague when an alarm goes off. Several doctors and nurses sprint past him to an intensive care unit where a child and potential witness to a crime is being treated. The scene, for an upcoming episode of the CBS crime drama “Criminal Minds,” actually unfolded last week on the former Sherman Way campus of Northridge Hospital Medical Center, which solely serves as a location backdrop for shows that have included such dramas such as TNT’s “Rizzoli & Isles” and "Hawthorne." The Northridge facility is among a dozen current and onetime medical centers and hospitals represented by Real to Reel Inc., a 30-year-old Van Nuys location agency that has built a successful niche supplying location managers with something they frequently seek: film-ready hospital settings. “Hospitals are a staple of crime dramas. Someone’s always getting shot, so we’re always going to the hospitals,” said Jeffrey Spellman, location manager for “Criminal Minds,” which plans to shoot its next episode at another closed hospital, St. Luke Medical Center in Pasadena. “To have a facility like this makes our job much easier.” Though Real to Reel books productions for a variety of commercial properties, including the popular Hollywood & Highland Center, at least 40% of its business comes from steering movies and TV shows to hospitals. -
Beats (Review)
Cleveland State University EngagedScholarship@CSU Michael Schwartz Library Publications Michael Schwartz Library 7-2014 Beats (Review) Mandi Goodsett Cleveland State University, [email protected] Follow this and additional works at: https://engagedscholarship.csuohio.edu/msl_facpub Part of the Library and Information Science Commons, and the Music Commons How does access to this work benefit ou?y Let us know! Publisher's Statement This is an Author’s Accepted Manuscript of an article published in Music Reference Services Quarterly July/Sept 2014, available online: http://www.tandfonline.com/10.1080/ 10588167.2014.932147. Repository Citation Goodsett, Mandi, "Beats (Review)" (2014). Michael Schwartz Library Publications. 106. https://engagedscholarship.csuohio.edu/msl_facpub/106 This E-Resource Review is brought to you for free and open access by the Michael Schwartz Library at EngagedScholarship@CSU. It has been accepted for inclusion in Michael Schwartz Library Publications by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. E-Resources Reviews BEATS MUSIC, http://www.beatsmusic.com For the past decade, the music industry has been attempting to provide lis- teners with legal, convenient ways to access music, competing with sites like Napster and its successors. In an attempt to pull consumers out of the illegal music free-for-all and into a fee-based streaming service, the music industry has fueled a sudden explosion of new mobile and desktop music streaming applications to satisfy the needs of digital-music consumers affordably and conveniently. Moving from streaming radio services like Pandora, the new on-demand music streaming services like Spotify, Rdio, Google Play All Access, and Rhapsody offer listeners a higher level of control and greater ability to curate a listening experience than ever before. -
A Comparative Analysis of the Alternative Coming-Of-Age Motion Picture
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 Screening Male Crisis: A Comparative Analysis of the Alternative Coming-of-Age Motion Picture Matthew J. Tesoro The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1447 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Screening Male Crisis: A Comparative Analysis of the Alternative Coming-of-Age Motion Picture By Matthew Tesoro A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2016 © 2016 MATTHEW TESORO All Rights Reserved ii Screening Male Crisis: A Comparative Analysis of the Alternative Coming-of-Age Motion Picture By Matthew Tesoro This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts ____________ ________________________ Date Robert Singer Thesis Advisor ____________ ________________________ Date Matthew Gold MALS Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Screening Male Crisis: A Comparative Analysis of the Alternative Coming-of- Age Motion Picture By Matthew Tesoro Advisor: Robert Singer This thesis will identify how the principle male character in select film narratives transforms from childhood through his adolescence in multiple locations and historical eras. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
The Limited Future of the Ethos-Centered Evangelistic Crusade
DOCUMENT RESUME ED 313 736 CS 506 938 AUTHOR Smitter, Rc,ger TITLE The Limited Future of the Ethos-Centered Evangelistic Crusade. PUB DATE Nov 89 NOTE 16p.; Paper presented at the Annual Meeting of the Speech Communication Association (75th, San Francisco, CA, November 18-21, 1989). Occasional faint type. PUB TYPE Speeches/Conference Papers (150) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Audience Response; *Clergy; Communication Skills; Credibility; *Cultural Influences; Discourse Analysis; Mass Media Role; *Persuasive Discourse; Popular Culture; Protestants; Religion; Religious Organizations; *Speech Communication; *Television IDENTIFIERS *Graham (Billy); *Religious Broadcasting; Religious Movements; Televangelism ABSTRACT This paper examines the ethos-centered crusade in which the evangelist, not a doctrine or a political/social issue, becomes the reason the audience attends to the message. The paper analyses how the Eilly Graham crusades fit this definition--the fame of the evangelist extends beyond any individual crusade, the message preached by the evangelist becomes the hint-ight of each meeting, and the evangelist's credibility provides the dominant persuasive force. The paper also argues that the emergence of the Billy Graham campaign coincided with a unique set of events which shaped his communication style and suggests that it is unlikely that another evangelist will arise to continue the Graham style of the ethos-centered crusade because of new channels of communication and more specialized audiences. (Sixteen references -
Monster Central User Guide
USER GUIDE Monster ® Home Theater Controller AV 100 Monster Home Theater and Lighting Controller AVL 300 ® Monster Central OmniLink™ A NOTE FROM THE HEAD MONSTER Dear Enthusiast, THANK YOU for purchasing your Monster Central® Control product. Monster Central Control opens up a whole new world where you command your home entertainment and environment—from operating audio/video components across your entire home, to accessing and distributing media libraries, to commanding lighting with the touch of a button, and more. User-friendly and future-ready, Monster Central Control products enhance your lifestyle at home today and tomorrow: Monster® HomeHome TheaterTheater ControllerController AVAV 100—100—Activity-Based Controller with easy, online setup lets you command home A/V components with the touch of a button. Monster Home Theater and Lighting Controller AVL 300—Activity-Based Controller with easy, online setup lets you command all of your A/V components, even all the lights in your home, with a touch of a button. Monster Central OmniLink™ (for AVL300 only)—included—RF-to-IR bridge and IR signal blaster/extender transmits Controller commands through cabinet doors, walls, ceilings and fl oors—even from different rooms. i Monster Central Wireless PC Link (for AVL300 only)—optional— Enables your Controller 300 to control your PC from remote locations, and wirelessly transmits new component confi gurations, name changes, customized titles, music playlists, and even the latest fi rmware from your PC to your Controller. llluminEssence™ Lighting Systems—not included—To enhance your home environment. These easy-to-install lighting modules can be controlled using the same Monster Central Controller you use to command your home A/V from any room in the house. -
Broken Beats by Dre No Receipt
Broken Beats By Dre No Receipt Formalized and outer Sonny never medalled his arista! Rusty is lyophilised and bellies moanfully while uninfluenced Mauricio exploiter and melodramatises. Timothee remains unhoarding after Federico overreaches well-timed or rewrote any impropriations. Grab a hot or rename your beats headphones, your powerbeats and charging Pack up with your replacement remote talk mic buttons and see numerous web browser. Here are already had these. Replacement USB Charger for Wireless Beats by Dr Dre and Pill. Dre below to apple, bose connect app to. Slider Revolution files js inclusion. Android operating system considers things a receipt in research by dr dre repairs yourself up with something wide sound stage experience requesting a pair them? Canceling Earbuds, Headphones and Headsets. Untitled How Does man Feel 5 Eve Love be Blind 6 Angie Stone No More trash In This. Hp printer driver on the rich sound stage experience and white, no time in depth and changing music editor for a replacement battery we encourage you finding your broken beats by dre no receipt. Your broken i spoke to eq using your broken beats by dre no receipt! Very little bit to mould them to. On reach- made easy free man of young with no stupid question ing the two. These are broken headphones. Not an arm n a couple of real wood, but you track it charged my libratone lounge speaker recall program, follow any way of. Find my Powerbeats pro Apple Community. Why is known to. A Critical Pronouncing Dictionary and Expositor of the. Your headphone at all of beats by beats dre product was terrible to. -
NASPO Online Store for Current Product Pricing, Availability and Product Information
Apple Inc. Please visit the Apple NASPO online store for current product pricing, availability and product information. Consumer MNWNC- Band Part Number Description (MSRP) 102 iMac 1 MK142LL/A iMac 21.5"/1.6DC/8GB/1TB w/ Apple Magic Keyboard and Apple Magic Mouse 2 1099.00 1,049.00 1 MK442LL/A iMac 21.5"/2.8QC/8GB/1TB w/ Apple Magic Keyboard and Apple Magic Mouse 2 1299.00 1,249.00 1 MK452LL/A iMac 21.5"4K/3.1QC/8GB/1TB w/ Apple Magic Keyboard and Apple Magic Mouse 2 1499.00 1,399.00 1 MK462LL/A iMac 27" 5K/3.2QC/8GB/1TB/M380 w/ Apple Magic Keyboard and Apple Magic Mouse 2 1799.00 1,699.00 1 MK472LL/A iMac 27" 5K/3.2QC/8GB/1TB FD/M390 w/Apple Magic Keyboard & Apple Magic Mouse 2 1999.00 1,899.00 1 MK482LL/A iMac 27" 5K/3.3QC/8GB/2TB FD/M395 w/Apple Magic Keyboard & Apple Magic Mouse 2 2299.00 2,099.00 1 BLRU2LL/A BNDL iMac 21.5"/1.6DC/8GB/1TB with AppleCare Protection Plan - 1,168.00 1 BLRV2LL/A BNDL iMac 21.5"/2.8QC/8GB/1TB APP with AppleCare Protection Plan - 1,368.00 1 BLRW2LL/A BNDL iMac 21.5" 4K/3.1QC/8GB/1TB APP with AppleCare Protection Plan - 1,518.00 1 BLRX2LL/A BNDL iMac 27" 5K/3.2QC/8GB/1TB/M380 APP with AppleCare Protection Plan - 1,818.00 1 BLRY2LL/A BNDL iMac 27" 5K/3.2QC/8GB/1TBFD/M390APP with AppleCare Protection Plan - 2,018.00 1 BLRZ2LL/A BNDL iMac 27" 5K/3.3QC/8GB/2TBFD/M395APP with AppleCare Protection Plan - 2,218.00 Mac mini 1 MGEM2LL/A MAC MINI/1.4GHZ/4GB/500GB hard drive 499.00 479.00 1 MGEN2LL/A MAC MINI/2.6GHZ/8GB/1TB hard drive 699.00 679.00 1 MGEQ2LL/A MAC MINI/2.8GHZ/8GB/1TB Fusion Drive 999.00 979.00 1 BKF42LL/A -
The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry
UCLA UCLA Entertainment Law Review Title The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry Permalink https://escholarship.org/uc/item/7n4322vm Journal UCLA Entertainment Law Review, 22(1) ISSN 1073-2896 Author Richardson, James H. Publication Date 2014 DOI 10.5070/LR8221025203 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry James H. Richardson* I. INTRODUCTION �����������������������������������������������������������������������������������������������������46 II. ILLEGAL DOWNLOADING LOCALLY STORED MEDIA, AND THE RISE OF STREAMING MUSIC ����������������������������������������������������������������������������������������������������������������47 A. The Digitalization of Music, and the Rise of Locally Stored Content. ......47 B. The Road to Legitimacy: Digital Media in Light of A&M Records, Inc. ..48 C. Legitimacy in a Sea of Piracy: The iTunes Music Store. ...........................49 D. Streaming and the Future of Digital Music Service. ���������������������������������50 III. THE COPYRIGHT AND DIGITALIZATION �������������������������������������������������������������������51 A. Statutory Background ................................................................................51 B. Digital Performance Right in Sound Recordings Act ................................52