TONY JOE WHITE the SHINE (Munich Records / Module)

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TONY JOE WHITE the SHINE (Munich Records / Module) TONY JOE WHITE THE SHINE (Munich Records / Module) LIVE IN AMSTERDAN (Munich Records / Module) REVUE DE PRESSE Promo : KAT SPIRIT - NADIA 01 42 51 22 03 / 06 63 49 07 58 - [email protected] www.katspirit.com www.myspace.com/katspiritpromo Musique-blues-country-USA Disque lumineux et tournée pour le Louisianais Tony Joe White (PRESENTATION) Par Christophe CHEYNIER PARIS, 8 fév 2011 (AFP) - A 67 ans, le chanteur-guitariste louisianais Tony Joe White, dont les chansons ont été interprétées par Elvis Presley, Brook Benton, Dusty Springfield ou Joe Dassin, publie «The Shine», un album lumineux hanté par le sud, une épure de son style entre blues, country music et rhythm’n blues. Tony Joe White, le visage enfoui sous un stetson et derrière des lunettes noires, avec uniquement un bat- teur derrière lui, donnera une série de concerts cette semaine dans le Sud, à Nice le 11 février, Hyères le 12, Arles le 13, puis sera en mars à Paris (New Morning) le 1er et à Ris-Orangis (Le Plan) en banlieue parisien- ne le 5. Enregistré dans sa maison de Nashville, «The Shine» (Munich Records/Module) est le disque le plus ins- piré et le plus recueilli de ce «southerner» depuis longtemps. Né en 1943 en Louisiane, Tony Joe White trouve sa vocation à la fin des années 50 en écoutant le blues- man Lightnin’ Hopkins. Après avoir écumé dans les années 60 les clubs du Texas, il obtient son premier hit en 1968 avec «Soul Francisco». Ce sont les années fastes, un passage au festival de l’île de Wight en 1970 et la reprise la même année par le «King», Elvis Presley, de sa chanson «Polk Salad Annie». Signé par une major, Warner Bros, il publie au début des années 70 deux albums, dont «Homemade Icecream» pourtant considéré comme son chef-d’oeuvre, qui ne rencontrent pas le succès espéré. Tony Joe White retombe alors dans l’anonymat. En 1979, Joe Dassin, qui possède le même timbre de voix et le même amour de la country, publiera «Blue Country», un album de reprises en français de ses chansons. Tina Turner relancera sa carrière en 1989 en faisant appel à ses talents de compositeur pour son album «Foreign Affair». Tony Joe White a forgé un style musical, le «swamp blues», caractérisé par une certaine nonchalance et un balancement propre aux gens du sud. Sur une base blues, il puise dans d’autres musiques populaires du «deep south», du boogie à la country music en passant par le rhythm’n blues, voire le rock’n roll et le funk. Ce chanteur, dont le style de guitare évoque John Lee Hooker, joue aussi parfois de l’harmonica à la ma- nière des vieux bluesmen. Sa voix caverneuse et moite s’exprime pleinement sur les ballades. Son nouvel album en recèle au moins une, «Something to soften the blow», qui vaut celles des grandes années, «Rainy Night in Georgia», dont le chanteur de soul Brook Benton fit un classique de son répertoire, ou «Willie and Laura Mae Jones», inter- prétée par Dusty Springfield. chc/ach/bfa 20 DEF écouter Fergessen Sorties CD Julia Stone Après Stone sans Charden, voici douce, presque enfantine par- Julia Stone sans Angus. Ce qui fois… La tonalité générale de l’al- n’a strictement rien à voir puis- bum est acoustique, avec un don que nous sommes dans deux affirmé pour les ballades folk, où mondes que tout oppose. se marient mélodies et mélanco- lie. Avouons un faible pour Win- Seuls les amateurs de pop-songs ter On The Week-end, véritable « made in Australie » n’ignorent petit bijou d’écriture où le génie pas tout le talent du couple formé de Julia ne laisse plus le moindre par les frère et sœur que sont doute. Ainsi, chaque chanson Il y a eu les Rita Mitsouko, Niagara ou Angus&JuliaStone.L’andernier, agit doucement mais sûrement encore Élie & Jacno. Et voici Fergessen. ils ont créé l’événement avec l’al- À croire que les couples sont une pour mieux révéler ses charmes bum Down The Way certifié dis- au fil des écoutes. spécialité bien française dans l’univers que d’or. L’album vient d’être de la chanson qui rocke et qui roule. Les admirateurs seront d’autant Au sein de Fergessen dont le premier réédité chez Discograph en ver- sion double CD « deluxe », aug- plus comblés que Discograph album (Les Accords Tacites) sort ces sur son propre projet : The Memo- vient également de rééditer les jours-ci, Michaëla Chariau partage le menté de onze titres inédits ry Machine. Le disque, d’une rare micro avec David Mignonneau, musi- également disponibles en digital deuxpremiersalbumsd’Angus& cien issu du hard-rock. À l’arrivée, onze beauté, se cache derrière une po- Julia Stone : A Book Like This et sous le titre Red Berries. De quoi chette digne des romans de Série titres acoustiques contaminent douce- rassasier les amateurs de friandi- Memories Of An Old Friend. ment les neurones de l’auditeur. Le Noire. Curieusement, si Julia su- Textes : Thierry Boillot duo s’exprime dans le registre délicat ses millésimées. Et ce n’est pas surre des histoires souvent cau- d’une poésie onirique, succombant à tout… chemardesques, elle conserve FÉCOUTER Julia Stone « The Memo- la tentation de piétiner gentiment ry Machine » (Discograph). Sortie le mais sûrement les plates-bandes Car de son côté, Julia a travaillé cette voix toujours extrêmement 31 janvier 2011. soignées avant eux par Thiéfaine, Bashung, Gamine, Les Innocents ou King Crimson encore Noir Désir. Difficile en fait de Le sorcier Robert Fripp dépoussière ses cibler avec exactitude les influences de archives et l’on va de bonnes surprises Fergessen dont l’originalité repose sur en trésors éblouissants. Le catalogue le mariage parfait des deux voix. Une de King Crimson regorge de purs chefs- magie décrite dès le premier titre In d’œuvre dont In The Wake Of Excelsis avec ces quelques mots Poseidon, sorti en 1969. Cette révélateurs : « Dix ans ou presque que réédition présente trois remixages l’on s’entend, que l’on s’écrit et se différents, l’inédit Groon et ravive le répond. Accordons nos violons. Je serai souvenir d’un groupe majeur de le mot, tu seras le ton. Sois le tempo, l’école du rock progressif. 40 ans plus je serai le son ». tard, cette musique reste parmi les Notons cette étonnante version plus audacieuses qui soient. « reggae cabaret » du Loves By You de Marilyn Monroe. Si l’eau ne vous vient Tony Joe White ÉCOUTER « In The Wake Of Deep Purple Si l’on apprécie les rondeurs et la F Avec David Coverdale au chant et pas à la bouche avec un tel cocktail… nonchalance du blues rock pratiqué Poseidon » (KCSP) Tommy Bolin à la guitare, Deep Purple par JJ Cale, Clapton, le Dire Straits des n’était plus que l’ombre de lui-même débuts ou -personne n’étant parfait- lorsque sort ce 10e album en 1975. FÉCOUTER « Les Accords Tacites » Chris Rea, il est urgent de se souvenir Aux cavalcades héroïques antérieures, (MVS) Sortie fin janvier. de Tony Joe White. Le maître du succédait un jeu resserré. De quoi swamp est de retour avec cette voix désorienter les fans de la première grave et inimitable, ses guitares heure. Mais après tout, cette coupe de caressées dans le sens du poil et ce hard rock lourd n’a pas si mal vieilli et son digne des veillées les plus cool, en le dévoreur de décibels y trouvera à plein cœur du bayou. L’Amérique boire et à manger. Pour couronner le profonde n’a fini ni de nous étonner, ni tout, cette réédition comprend deux de nous séduire. inédits et un CD entièrement remixé. FÉCOUTER « The Shine » (Munich FÉCOUTER Deep Purple « Come Records) Taste The Band » (Emi) Suzanne Vega Avec ses albums Close-Up 1 & 2, Jazz Pierre Bertrand Suzanne Vega revisite son répertoire en acoustique. Curieuse idée car la Flûtiste et saxophoniste de re- flamenco et percussions africai- charmante chanteuse a toujours nom, Pierre Bertrand présente nes. Riche en harmonies, avec de évolué dans le registre folk-pop et n’a une impressionnante carte de vi- fortes dominantes espagnoles, ce jamais sonné rock metal. Et pourtant, le résultat est fascinant. Chaque site où figurent ses collaborations jazz coloré fusionne à merveille chanson, dépouillée d’artifices, s’en avec Aznavour,Nougaro, Obispo, les influences venues de tous les retrouve magnifiée dans des versions etc. Il dirige également de grands continents, offrant à Pierre Ber- belles à tomber. Après Love Songs et orchestres pour la télévision, trand de splendides morceaux de People And Place, deux autres mais son truc à lui, ça reste le bravoure. Rien de révolutionnai- volumes sont encore annoncés d’ici fin 2011 : States of Being et Songs of jazz. Il a notamment fondé le re dans tout cela, mais un tel Family. On est impatient ! Paris Jazz Big Band et après une plaisir de jouer ne peut être que longue attente, il sort enfin son communicatif. premier album solo : Caja Negra. FÉCOUTER « Close-Up 2 : People FÉCOUTER «Caja Negra» (Cristal And Places » (Cooking Vinyl) Sonsaxs’ypromèneentreguitare Records). 20 ABC écouter Fergessen Sorties CD Julia Stone Après Stone sans Charden, voici douce, presque enfantine par- Julia Stone sans Angus. Ce qui fois… La tonalité générale de l’al- n’a strictement rien à voir puis- bum est acoustique, avec un don que nous sommes dans deux affirmé pour les ballades folk, où mondes que tout oppose. se marient mélodies et mélanco- lie. Avouons un faible pour Win- Seuls les amateurs de pop-songs ter On The Week-end, véritable « made in Australie » n’ignorent petit bijou d’écriture où le génie pas tout le talent du couple formé de Julia ne laisse plus le moindre par les frère et sœur que sont doute.
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