DOCSLIB.ORG

Bibliography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bibliography BIBLIOGRAPHY BOOKS & EXHIBITION CATALOGUES 2019 Crown, Paula, Art at the Limelight Snowmass, PAHC/studio·lab, 2019 Crown, Paula, Kinematics, PAHC/studio·lab, 2019 2018 Crown, Paula, I am FOR, exh. cat., For Freedoms Headquarters at Fort Gansevoort, 2018 Crown, Paula and Peter Doroshenko, Paula Crown: The Architecture of Memory, exh. cat., Dallas Contemporary in partnership with the American Pavilion, organized by School of the Art Institute of Chicago and University of Chicago, at the 16th International Architecture Exhibition – La Biennale di Venezia, 2018 Russo, John, “Paula Crown”100 Making a Difference, Quinton Van Der Burgh, 2018 2017 Grabner, Michelle and Marie Shurkus, American Genre: Contemporary Painting, exh. cat., Institute of Contemporary Art at MECA, 2017 Crown, Paula, Art at the Limelight Hotel, Limelight Hotel, 2017 Crown, Paula, Paula Crown: SOLO TOGETHER, exh. cat., 10 Hanover, 2017 Crown, Paula, Recent Works, Vol. 1, PAHC/studio·lab, 2017 2016 Art in Unexpected Places II, interviews by Paula Crown, Mike Kaplan, Heidi Zuckerman, Aspen Art Press, 2016 Crown, Paula and Tina Kukielski, Paula Crown: Freezing Rain, exh. cat., Marlborough Gallery, 2016 2015 Crown, Paula and Michelle Grabner, The Sublime and the Center: Dimensions of Landscape, exh. cat., Marlborough Gallery, 2015 2014 Bloemink, Barbara, ELEMENT 47: The Art Collection, Marquand Books, 2014 2012 Art in Unexpected Places: The Aspen Art Museum and Aspen Skiing Company Collaboration, foreword by Paula Crown and Jim Crown, text by Heidi Zuckerman, Mike Kaplan, Michael Miracle, Terry R. Myers, et al., Aspen Art Press, 2012 Walter Niedermayr: The Aspen Series, interview by Paula Crown, Hatje Cantz, 2012 PRESS 2021 ”Snap Selfie with Red Solo Cup, Help Clean plastics from Milwaukee Waterways,” WISN, April 23, 2021 Kirby, Hannah, “Here Are 23 Things We Love About Milwaukee in Honor of its 175th Year as a City,” Milwaukee Journal Sentinel, April 14, 2021 Bloj, Annie, “Paula Crown Is Expanding On The Big Vision For Aspen With The Little Nell,” Cherry Creek Fashion, April 1, 2021 Carmack Bross, Judy, “Paula Crown in Palm Desert,” Classic Chicago Magazine, March 14, 2021 Logan, Liz, “Artist and Philanthropist Paula Crown on How Art and Activism Intersect,” SPACES, February 22, 2021 Suhrawardi, Rebecca, “Paula Crown Reveals How She Straddles Art and Business at The Little Nell,” Forbes, February 22, 2021 “Paula Crown Seeks Public Input on Her El Paseo Art Installation,” Palm Springs Gay, February 16, 2021 Powers, Jim, “Paula Crown Seeks Public Input on Her El Paseo Intersect 21 Art Installation,” Palm Springs Life, February 15, 2021 O’Grady, Janet, “Aspen’s Bustling Arts and Culture Scene Thrives Amid the Pandemic,” Architectural Digest, February 2, 2021 2020 Salas, Rafael Francisco, “Civics Lesson: A Review of Sculpture Milwaukee,” New City Art, November 9, 2020 Kourias, Gia, “Could Dance Be a Weapon All Over Again?,” The New York Times, October 28, 2020 Bobb, Brooke, “The Wide Awakes Are the Civil War-Era Activist Group Making a Comeback in Bold Joyful Style, Vogue, October 2, 2020 McAdams, Shane, “Sculpture Milwaukee Adds to the Downtown Landscape,” Shepherd Express, September 1, 2020 Ryan, Sean, “See Sculpture Milwaukee's 2020 Artworks Downtown,” Milwaukee Business Journal, August 21, 2020 Rietbrick, Rick, “Sculpture Milwaukee's Downtown Exhibition Focuses on Cultural Issues,” WTMJ-TV Milwaukee, August 20, 2020 Higgins, Jim, “A ‘Blob,’ a Crushed Cup and a Woman Who Never Stops Walking: Sculpture Milwaukee 2020 Works Now on Display,” Milwaukee Journal Sentinel, August 17, 2020 “Intersect Aspen Curatorial Selections: Nir Hood,” Artsy, August 10, 2020 “Paula Crown: Wielding Art in the Fight for Justice,” Art She Says, August 6, 2020 “Intersect Aspen Offers Contemporary Art in Online Fair,” Art & Object, July 23, 2020 Mist, Augustina, “Guest Commentary: Intersect Aspen Art Fair Revamped, Lands Virtually,” Aspen Daily News, July 22, 2020 Travers, Andrew, “Pop-Up Sculpture Garden: Anderson Ranch Installs 17 Artworks on Snowmass Campus,” The Aspen Times, July 8, 2020 Montes, Bianca R., “First Look: Katten Muchin Rosenman Moves into Park District Office,” D Magazine, June 3, 2020 Bowling, Suzanna, “Times Square News,” Times Square Chronicles, May 23, 2020 Gannon, Devin, “Public Art Campaign Lights Up Times Square in Support of Essential Workers,” 6SQFT, May 19, 2020 Kane, Ashleigh, “Jenny Holzer Debuts Public Video Installation Honouring NYC’s Key Workers,” Dazed, May 18, 2020 Cascone, Sarah, “More Than 30 Artists and Designers Are Creating Billboards for Times Square and Beyond to Honor Essential Workers Across the US,” Artnet News, May 15, 2020 “Mel Chin, Jenny Holzer, Pedro Reyes & Carrie Mae Weems Join Digital PSA Campaign,” Broadway World, May 15, 2020 Hollis, Phyllis, “Paula Crown,” Cerebral Women Art Talks Podcast, Episode 14, May 3, 2020 “Paula Crown in Conversation with Executive Director Peter Doroshenko,” Dallas Contemporary, April 15, 2020 2019 “FACT: ‘Everyone is Taking Photos in Paula Crown’s Jokester #atMDD’-Craig Robins,” Miami Informer, February 12, 2019 2018 Wooldridge, Jane, “Here's Some of the Coolest Stuff We Have Seen So Far During Miami Art Week 2018,” Miami.com, December 7, 2018 Petrillo, Lisa, “Ready, Art, Go! Art Is Everywhere in South Florida This Week,” CBS Miami, December 7, 2018 Pike, Steve, “Paula Crown’s Solo Cup for Art Basel Highlights Rise Above Plastic Campaign,” Spike’s Peeks: The Art of Travel, December 6, 2018 “Miami Fête: Raúl de Nieves’ Carousel, LOEWE’s “Chance Encounters IV,” and More,” Whitewall, December 5, 2018 Kelbaugh, Casey, “Scenes from Miami Art Week 2018: Day 1,” Artnews, December 5, 2018 “Cultured Hosts JOKESTER Unveiling by Artist Paula Crown at Miami Design District,” World Red Eye, December 4, 2018 “Paula Crown’s Solo Cup Sculpture Brings Miami Together for the Beaches,” Cultured Magazine, December 4, 2018 Lilly, Christian, “Don’t Miss These Photo-worthy Art Basel Week Installations,” Miami Herald, December 1, 2018 Milioto, Misty, “Artistic Apex: Paula Crown is in Her Zone,” Gio Journal No. 3, November 10, 2018 Sayej, Nadja, “‘All Art is Political’: Behind America’s Most Ambitious Public Art Project Ever,” The Guardian, October 15, 2018 Christie, Caroline, “For Freedoms Launches Billboard Campaign Set to Be ‘Largest Creative Collaboration in US History’,” Document Journal, October 15, 2018 Neuendorf, Henri, “Here Are the 300 Artists Making Billboards for Every US State as Part of Hank Willis Thomas’s Midterm Election Project,” Artnet, October 9, 2018 Herriman, Kat, “Artist Paula Crown Walks the Walk,” Cultured Magazine, September 23, 2018 Cascone, Sarah, “Editor's Picks: 16 Things Not to Miss in New York's Art World This Week,” Artnet News, July 24, 2018 Cascone, Sarah, “From Frida Kahlo in London to Casanova...Shows Worth Traveling for This Summer,” Artnet, July 10, 2018 Annie Armstrong, “Signs of the Times: Aiming to Install 50 Politically Incisive Billboards in 50 States, For Freedoms Group Sets Up Shop in New York,” Artnews, July 2, 2018 Travers, Andrew, “Aspen Ideas: Nationwide Public Art Display Not About Protests,” The Aspen Times, June 28, 2018 Miracle, Michael, “SOLO TOGETHER: Art in Unexpected Places,” Aspen Snowmass Blog, June 23, 2018 Hass, Nancy, “Are Fabricators the Most Important People in the Art World?,” The New York Times, June 22, 2018 Curry, Colleen, “Artists to Create Political Billboards Nationwide for Public Art Campaign,” Galerie Magazine, June 18, 2018 Rees, Lucy, “With Paula Crown’s Venice Show, Dallas Contemporary Launches New Global Series,” Galerie Magazine, June 5, 2018 Gayduk, Jane, “Shine a Light: At the Venice Architectural Biennale, U.S. Entries Tackle Citizenship, Visibility,” Artnews, June 1, 2018 Gempel, Natalie, “Vaunted Texas Museum is Headed to Venice,” Paper City, May 2, 2018 Tarmy, James, “Step Inside the Factory Where Superstars Make Their Art,” Bloomberg Businessweek, March 29, 2018 Waxman, Lori, “Artwork That Says Home,” Chicago Tribune, February 15, 2018 (Print) “Elmhurst Art Museum presents In This House,” Elmhurst Independent, January 18, 2018 (Print) “In This House at Elmhurst Art Museum,” Modern Luxury | CS, January 2018 (Print) 2017 Donoghue, Katy, “Reviews: Limelight Shines in Ketchum,” Whitewall, December 2017 (Print) Masello, David, “Aspen: Multimedia Artist Paula Crown,” PURIST, December 2017 (Print) Waterfield, Ryan, “Iteration & Transformation: In the Studio with Paula Crown,” Big Life, Winter 2017 (Print) Crown, Paula, “Thinking Like an Artist: Translating Ideas into Form,” MEDIUM - MoMA Blog, October 10, 2017 Lopez, Natalina, “Aspen’s Lift Tickets This Year Will Be Actual Works of Art: Artist Paula Crown Wants to Inspire Awareness Through Her Work,” Town & Country, October 6, 2017 Donoghue, Katy, “Works in Conversation: Limelight Ketchum and PAHC Studio Host Arts Education Panel,” Whitewall, August 9, 2017 Lesser, Casey, “How to Live a More Creative Life,” Artsy, July 31, 2017 Donoghue, Katy “Last Night’s Party: Paula Crown’s ‘Solo Together’,” Whitewall, July 11, 2017 Ainley, Nathaniel, “150 Ceramic Red Solo Cups Look Just Like the Real Thing,” Vice | The Creators Project, May 22, 2017 Idarraga, Jessica, “Q&A: SOLO TOGETHER,” Cultured Magazine, June 2017 2016 Umaña, Kevin, “Editors’ Picks: 9 Art Events to See in New York This Week,” Artnet, October 3, 2016 Meier, Allison, “Stilling the Wind and Rain as Suspended Metal,” Hyperallergic, October 3, 2016 “Exhibition of New Works by American Artist, Paula Crown, Opens at Marlborough Gallery,” Artdaily.org,
Load more

Recommended publications
  • Sean Landers
    SEAN LANDERS 1962 Born in Palmer, MA, USA 1984 BFA, Philadelphia College of Art, Philadelphia, PA, USA 1986 MFA, Yale University School of Art, New Haven, CT, USA Lives and works in New York, NY, USA SOLO EXHIBITIONS 2020 2020 Vision, Petzel Gallery, New York, NY, USA (online presentation) Northeaster, greengrassi, London, UK Consortium Museum, Dijon, France (curated by Eric Troncy) 2019 Ben Brown Fine Arts, Hong Kong Galerie Rodolphe Janssen, Brussels, Belgium [Cat.] Curated by . Featuring Sean Landers, Petzel Bookstore, New York, NY, USA Sean Landers: Studio Films 90/95, Freehouse, London, UK (curated by Daren Flook) 2018 Petzel Gallery, New York, NY, USA [Cat.] 2016 Sean Landers: Small Brass Raffle Drum, Capitain Petzel, Berlin, Germany 2015 Taka Ishii Gallery, Tokyo, Japan Galerie Rodolphe Janssen, Brussels, Belgium [Cat.] China Art Objects, Los Angeles, CA, USA 2014 Sean Landers: North American Mammals, Petzel Gallery, New York, NY, USA [Cat.] 2012 Galerie Rodolphe Janssen, Brussels, Belgium [Cat.] Longmore, Sorry We’re Closed, Brussels, Belgium greengrassi, London, UK 2011 Sean Landers: Around the World Alone, Friedrich Petzel Gallery, New York, NY, USA Sean Landers: A Midnight Modern Conversation, Marianne Boesky Gallery, New York, NY [CAT.] 2010 Sean Landers: 1991-1994, Improbable History, Contemporary Art Museum St. Louis, St. Louis, MO, USA (curated by Laura Fried and Paul Ha) [Cat.] 2009 Sean Landers: Art, Life and God, Glenn Horowitz Bookseller, East Hampton, NY, USA (curated by Jeremy Sanders) greengrassi, London, UK Sean
    [Show full text]
  • Dallas Contemporary Rubell Made in Texas 8-22-11 Final
    dallas contemporary 161 Glass Street Dallas Texas 75207 United States of America +214 821 2522 dallascontemporary.org Photo: Alex Curington Dallas Contemporary Announces 2011 LEGENDARY Benefit Featuring MADE IN TEXAS, an Interactive Food Performance by JENNIFER RUBELL Annual gala to feature special one-night-only participatory experience envisioned by acclaimed food installation artist Thursday 22 September 19.00 – 22.00 (7.00 – 10.00 pm) Dallas, TEXAS, 23 August 2011—Dallas Contemporary announces Made In Texas, an interactive culinary performance envisioned by acclaimed food installation artist Jennifer Rubell, to premier for one-night-only on the occasion of the museum’s LEGENDARY event. On Thursday 22 September 2011 19.00 - 22.00 (7.00 - 10.00 pm), the participatory artwork will bring behind the scenes elements of domestic production to center stage as local laborers prepare Texas cuisine in a hybrid of performance art, installation, and happening. LEGENDARY is organized by event Chair Patrick Collins and Honorary Chair Robert Hallam Jr. of Ben E. Keith Co., and will take place just days before the opening of a large-scale exhibition of Rubell’s work, Nutcrackers, on view 25 September - 4 December 2011. JENNIFER RUBELL: Made In Texas will follow in the artist’s tradition of large-scale, sensually arresting installations that employ food and drink as media. Past installations have included 2,000 pounds of barbequed ribs drizzled with honey dripping from the ceiling; felled apple trees cut off at the trunk from which people could pick their own fruit; 1,521 doughnuts hanging on a free-standing wall; and a room-sized cell padded with 1,800 cones of pink cotton candy.
    [Show full text]
  • Sean Landers Cv 2021 0223
    SEAN LANDERS Born 1962, Palmer, MA Lives and works in New York, NY EDUCATION 1986 MFA, Yale University School of Art, New Haven, CT 1984 BFA, Philadelphia College of Art, Philadelphia, PA SOLO EXHIBITIONS 2020 Petzel Gallery, New York, NY, 2020 Vision, April 26–ongoing (online presentation) Greengrassi, London, UK, Northeaster, June 16–July 31 Consortium Museum, Dijon, France, March 13– October 18, curated by Eric Troncy 2019 Ben Brown Fine Arts, Hong Kong, China, November 12–January 9, 2020 Galerie Rodolphe Janssen, Brussels, Belgium, November 9–December 20 (catalogue) Petzel Bookstore, New York, NY, Curated by . Featuring Sean Landers, November 7– December 14 Freehouse, London, UK, Sean Landers: Studio Films 90/95, curated by Daren Flook, January 13–February 24 2018 Petzel Gallery, New York, NY, March 1–April 21 (catalogue) 2016 Capitain Petzel, Berlin, Germany, Sean Landers: Small Brass Raffle Drum, September 16– October 29 2015 Taka Ishii Gallery, Tokyo, Japan, December 5–January 16, 2016 Galerie Rodolphe Janssen, Brussels, Belgium, October 29–December 19 (catalogue) China Art Objects, Los Angeles, CA, February 21–April 11 2014 Petzel Gallery, New York, NY, Sean Landers: North American Mammals, November 13– December 20 (catalogue) 2012 Galerie Rodolphe Janssen, Brussels, Belgium, November 8–December 21(catalogue) Sorry We’re Closed, Brussels, Belgium, Longmore, November 8–December 21 greengrassi, London, UK, April 26–June 16 1 2011 Friedrich Petzel Gallery, New York, NY, Sean Landers: Around the World Alone, May 6–June 25 Marianne Boesky Gallery, New York, NY, Sean Landers: A Midnight Modern Conversation, April 21–June 18 (catalogue) 2010 Contemporary Art Museum St.
    [Show full text]
  • Complete Resume Sandy Skoglund
    SANDY SKOGLUND ARTIST RESUME: GROUP EXHIBITIONS BIBLIOGRAPHY LECTURES COLLECTIONS SOLO EXHIBITIONS AND PROJECTS 2015 Paci Contemporary S.r.l, Brescia, Italy. Sandy Skoglund: The Unpublished Works March 7-May 26, 2015. 2014 Ooh Gallery San Fermo Maggiore, Verona, Italy. Sandy Skoglund Unusually Familiar, March 8- June 8, 2014. Curated by Valeria Nicolis. 2013 Fay Gold Gallery at Westside Cultural Arts Center, Atlanta, Georgia. Solo exhibition photographs, June 27, 2013-August 30, 2013. 2012 Rule Gallery, Denver, Colorado. Eyeflakes and The Invented World. Survey of early photographs and works in progress. Sculpture and photography. Reviewed Artforum Magazine April 2012 page 218. Paci Contemporary, Brescia, Italy. Winter: work in progress. March 30, 2012- June 5, 2012. 2011 McNay Museum of Art, San Antonio, Texas. Acquisition and collection installation of The Cocktail Party. Multi-media installation on view November-December 2011. 2010 WNET, American Public television series segment titled Dreams and Visions, interview by Arash Hoda in studio with Sandy Skoglund discussing creative process. Broadcast date to be announced Fall 2010. LDPF: Lucca Digital Photography Festival, November 2010. Lifetime achievement in photography award. The Power of the Imagination: Exhibition of photography and installation. Nov. 26-27, 2010. Fotografiska Museum, Stockholm, Sweden. The Artificial Mirror, survey of work by Sandy Skoglund Sept.- November 2010 Mjellby Museum, Halmstad, Sweden. Sandy Skoglund Survey of photographs. June-September 2010. Lowe Art Museum, Miami, Florida. Permanent acquisition and installation of Breathing Glass. 2009 Palazzo Giovanelli, Venice, Italy. The Artificial Mirror: Sandy Skoglund Survey of work since 1974. Catalogue/book published by Contrasto. June-October 2009. Centro di Ricerca e Archiviazione della Fotografia (CRAF) Center and Archive of Photography, Regione Fruili Venezia Giulia, 22nd festival of Photography, Milan, Italy.
    [Show full text]
  • Yearbook 2005/ Jan Van Eyck Academie, Maas Tricht, Nl
    ...................................................CONTENT .....................................................................................YEARBOOK 2005 ..................................................CONTENT YEARBOOK 2005 / JAN VAN EYCK ACADEMIE, MAASTRICHT, NL (ADVISING) RESEARCHERS REFLECTIONS ON PAST AND JAN VAN EYCK ACADEMIE RESEARCH PROJECTS PROGRAMME FUTURE THINGS INSTITUTE YEARBOOK 2005/ Kasper ANDREASEN [39, 114, 115, 116, 118, 144, 148, 169] Filiep TACQ [39, 120, 167] Institutes like the Jan van Eyck Academie almost have the The Jan van Eyck Academie is an institute for research and AVANT-GARDE [7] Zafer ARACAGÖK [12, 13, 133, 134, 135, 181, 182] Saliou TRAORÉ [144, 164] obligation to look forward, into the future, rather than The Spectre of the Avant-Garde [7] Monika BAKKE [19, 20, 21, 182] Armando Andrade TUDELA [144, 157] production in the fields of fine art, design and theory, based looking back. The opening week of 2005 – from 10 January Avant-garde, film and propaganda [11] Orla BARRY [155] Toni URODA [177] in Maastricht in the south of the Netherlands. The academy Avant-garde, theory and cultural praxis [11, 12] to14 January 2005 – had hardly inaugurated the academic Ralph BAUER [43, 169] Francisco VALDES [165] offers individuals and institutes the opportunity to submit Avant-garde, architecture and responsibility [12] BAVO [11, 12, 13, 39, 41, 42, 94, 97, 182, 183] Robrecht VANDERBEEKEN [12, 189] year, or the application procedure for 2006 was started up. JAN VAN EYCK Avant-garde, popular media and censorship [12, 13] research or production proposals. Besides, the Jan van Eyck Stéphanie BENZAQUEN [57, 143, 183, 184] Daniël van der VELDEN [12, 43, 80, 120, 167, 168] The institute is indeed continuously engaged in recruitment, Koen BRAMS [59, 120, 155] Joël VERMOT / HARRISSON [120, 177] itself also initiates projects for which artists, designers and starting up new projects, welcoming new researchers.
    [Show full text]
  • Press Release
    press kit june 8th to September 24th, 2006 press preview Wednesday June 7th, 4pm to 6pm in the presence of the artists preview Wednesday June 7th, 6pm to 9pm Sound and fury, the work of Henry Darger (1892-1973) Michaël Borremans, The good ingredients recent paintings and drawings Denise A. Aubertin, Cooked books Nicolas Darrot, Passage au noir press relation la maison rouge Claudine Colin Communication fondation antoine de galbert Pauline de Montgolfier 10 bd de la bastille – 75012 Paris 5, rue Barbette – 75003 Paris www.lamaisonrouge.org [email protected] [email protected] t : +33 (0)1 42 72 60 01 t : +33 (0)1 40 01 08 81 f : +33 (0)1 42 72 50 23 f : +33 (0)1 40 01 08 83 introduction La maison rouge is a private non-profit contemporary art foundation whose vocation, since opening in June 2004, has been to promote contemporary creation through temporary exhibitions. It alternates exhibitions of private collections of international calibre with solo or thematic exhibitions. Following "L’intime, behind closed doors", "Central Station - the Harald Falckenberg collection", "Arnulf Rainer and his collection of Art Brut", and "Une vision du monde - video works from the Isabelle and Jean-Conrad Lemaître collection", for the coming months la maison rouge leaves aside its cycle of exhibitions of private collections. This will begin again in October with works from the Sylvio Perlstein collection. From June 8th to September 24th, 2006, the foundation will host four individual exhibitions: Sound and fury, the work of Henry Darger Michaël Borremans, The Good Ingredients Denise A.
    [Show full text]
  • Joseph Havel
    Joseph Havel Born 1954 Minneapolis, Minnesota Director, Glassell School of Art, Museum of Fine Arts Houston, 1991-present Education 1979 M.F.A. Pennsylvania State University, University Park, PA 1976 B.F.A. University of Minnesota, Minneapolis, Minnesota Awards and Grants 2013 The Texas Commission for the Arts and Texas State Legislature, Texas Visual Artist, 3D 2010 Art League Houston, Texas Artist of the Year 2008 Dallas Contemporary Legends Award 2004 Artadia Juried Fellowship 1999 The Cultural Arts Council of Houston Artist’s Award 1998 American Institute of Architects, Houston, Artist of the Year 1995 The Louis Comfort Tiffany Foundation Award 1994 Cultural Arts Council of Houston, Artist’s Award 1991 Dallas Museum of Art, Dozier Travel Grant 1987 National Endowment for the Arts, Artist's Fellowship Selected Solo Exhibitions 2020 Forthcoming, Dallas Contemporary, Dallas, TX 2018 Wrapped in Stars, Hiram Butler Gallery, Houston, TX Mend, Talley Dunn Gallery, Dallas, TX 2016 SPILL, Talley Dunn Gallery, Dallas, TX 2015 Joseph Havel, Anthony Meier Fine Arts, San Francisco, CA How to Draw a Circle, Hiram Butler Gallery, Houston, TX 2014 Sphere, Galerie Gabrielle Maubrie, Paris, France How to Draw a Circle, Hiram Butler Gallery, Houston,TX Stacks, Talley Dunn Gallery, Dallas, TX 2013-2014 Art on the Lawn: Endless, Contemporary Art Museum, Houston, TX 2012-2013 Hope and Desire, Hiram Butler Gallery, Houston, TX 2012 Joseph Havel, Arthur Roger Gallery, New Orleans, LA Plus or Minus, Talley Dunn Gallery, Dallas, TX New Work, Galerie Gabrielle Maubrie, Paris, France 2011 Drawings and Outdoor Sculpture, Hiram Butler Gallery, Houston, TX 2010 Nothing. Yvon Lambert Gallery, New York, NY 2009 The Devil and Daniel Buren.
    [Show full text]
  • Bio // Elisabeth S. Clark
    BIO // ELISABETH S. CLARK 73-75 rue Quincampoix, 75003 Paris. Tel: +33 (0)1 42 77 05 97 Tuesday to Saturday : 11am.1 pm - 2pm. 7pm www.galeriedohyanglee.com [email protected] ELISABETH S. CLARK Born in 1983. Lives and works between London and Paris. EDUCATION 2006-2008 MA Fine Arts (Media), distinction, Slade School of Fine Art, London 2002-2005 BA (Hons) Fine Art & History of Art, First Class, Goldsmiths College, University of London, London SOLO SHOWS (selected) 2014 Newcastle, UK A Portrait of the passing of time, Galerie Dohyang Lee, Paris, France 2013 Let’s think of a title when we meet, Globe gallery, Newcastle, UK 2012 N’EITHER N’OR, Marie Cini Gallery, Paris, France En un clin d’oeil (01h 59m 60s), Bad Ems, Germany 2011 A travers, Atelier Hermès, Maroquinerie de Sayat, Auvergne, France 2010 Book Concerto, Penguin Book’s Offices, The Strand, London, UK 2009 Galerie HO, Marseille, France 2008 En un clin d’oeil (23h 59m 60s), L’Observatoire de Paris and le 14e, Paris, France GROUP SHOWS (selected) 2014 The Sounds of Silence, curated by Marc Bembekoff, Centre d’art contemporain La Halle des bouchers, Vienne, France Condensation, curated by Gaël Charbau, Fondation d’Entreprise Hermès, Tokyo, Japan and Seoul, Korea ARCO Madrid 2014 International Contemporary Art Fair, Madrid, Spain 2.141 The picture is a fact, Omphalos & LALD galeries, Italy Sweet Thames Run Softly (part II), The Waste Land Project, London, England 2013 ART Verona - Project Art Fair, Verona, Italy Condensation, NOUVELLES VAGUES, curated by Gaël Charbeau, Palais
    [Show full text]
  • Brown Foundation Fellows Summer and Fall 2012 Rachel Tzvia Back
    Brown Foundation Fellows Summer and Fall 2012 Rachel Tzvia Back, October. Rachel Tzvia Back is a poet, translator, and professor of literature. She teaches English Literature at Oranim College in Kiryat Tivon, Israel. She has lectured widely in the US and has been the scholar-in-residence at numerous universities including Dartmouth, Wesleyan, Barnard, Princeton, Cabrini, and more. She has published several books of poetry, including the recently published collection A Messenger Comes: Elegies, as well as translations of significant Hebrew poets, including the most extensive selection of the poetry of Lea Goldberg in English to date. It was awarded a PEN Grant in 2005. Back's family has lived for seven generations in Jerusalem and the Galilee, where Back currently resides. While at the Dora Maar House she worked on a representative collection of works from preeminent Hebrew poet Tuvia Ruebner. Nancy Bowen, July & August. Nancy Bowen is a mixed media artist known for her eclectic mixtures of imagery and materials in both two and three dimensions. Like an artistic archeologist in this age of globalization and post-industrialization, she salvages (often disappearing) ornament and craft traditions and incorporates them into sculpture and drawings. Bowen has had solo exhibitions throughout the United States and Europe including the Lesley Heller Gallery and Annina Nosei Gallery in NYC; Galerie Farideh Cadot in Paris; the Betsy Rosenfield Gallery in Chicago; and the James Gallery in Houston. She has won awards from the National Endowment for the Arts, the New York Foundation for the Arts, The MacDowell Colony, Yaddo, The Jentel Foundation and the European Ceramic Work Center among others.
    [Show full text]
  • March-April 1990 CAA News
    N E 5 NEA/NEH Controversy he National Foundation for the Arts and Humanities Act, T which empowers both the National Endowment for the Arts and the National Endowment for the Hu­ manities, is up for reauthorization in Congress. If the act is not renewed, the endowments will loose the funding and Hunter College hosted the New York authority to carry out their programs. Area MFA exhibition, which was curated The issue is not only reauthorization, by Susan Edwards, curator of Hunter but also whether reauthorization will College Galleries, to coincide with the CAA 1990 78th CAA annual conference in New include amendments that hamper York. Over 2,000 people attended the freedom of expression. There is opening on February 15. The exhibition Conference justified concern among supporters of brought together almost 200 works in a wide range of media. the NEA and NEH that the crusade by Senator Jesse Helms, Congressman Dana Rohrabacher, and others to put support of the NEA and NEH. Letter he 78th annual conference of the endowments in handcuffs will writers should cite specific projects, the College Art Association was succeed. A primary argument focuses supported by either or both endow­ T held in New York, February on whether the endowments engender ments, that benefited scholars, stu­ 14-17, at the New York Hilton. Atten­ creativity and scholarship. The debate dents, and others in their states. Please dance was at a record high of some over content, and the efficacy of the urge other leaders-college presidents, 5,500 people. Art history and studio art peer-review process, are central in the trustees, influential constituents-to sessions were filled to capacity, and reauthorization process.
    [Show full text]
  • HOWARD SINGERMAN Phyllis and Joseph Caroff Chair Department Of
    HOWARD SINGERMAN Phyllis and Joseph Caroff Chair Department of Art and Art History Hunter College of the City University of New York (212) 772-5051 [email protected] EDUCATION Doctoral Program in Art History and Visual and Cultural Studies University of Rochester, New York Ph.D. 1996: “The Discourse of the Artist in the University” Claremont Graduate School, Claremont, California, M.F.A. 1978 Antioch College, Yellow Springs, Ohio, B.A. 1975 TEACHING and PROFESSIONAL POSITIONS Professor of Art History Phyllis and Joseph Chair of the Department of Art and Art History Hunter College of the City University of New York August 2013 to the present Professor and Department Chair McIntire Department of Art University of Virginia, Charlottesville August 2011 to August 2013 (Associate Professor, August 2001 to August 2011) (Assistant Professor, September 1996 to August 2001) BOOKS Sharon Lockhart: Pine Flat. London: Afterall Books, One Work Series, 2019 OCTOBER Files: Sherrie Levine (editor). Cambridge: MIT Press, 2018 Art History, After Sherrie Levine. Berkeley: University of California Press, 2012 Art Subjects: Making Artists in the American University. Berkeley: University of California Press, 1999 BOOK CHAPTERS “Old Divisions and the New Art History,” in Art History and Emergencies: Crises in Visual Arts and the Humanities, ed. David Breslin and Darby English. Williamstown, Mass.: Clark Art Institute and Yale University Press, 2016 “Janet Wolff’s Artists,” in Porous Boundaries: Art and Essays, ed. Cyril Reade and David Peters Corbett. Manchester: Manchester University Press, 2015 “I [Like] Wade Guyton,” in The Happy Fainting of Painting: Ein reader zur zeitgenössischen malerei, ed.
    [Show full text]
  • JAMES L. MAI Office: School of Art Illinois State University Center For
    Abbreviated Curriculum Vitae - James Mai - Page 1 JAMES L. MAI Office: School of Art Illinois State University Center for the Visual Arts 211B Campus Box 5620 Normal, IL 61790-5620 (309) 438-3531 [email protected] ______________________________________________________________ TEACHING – Academic Positions and Related Experience Academic Positions and Courses Taught 2000 – date Professor (2009 – ) (sabbatical 2013 – 14) Associate Professor (2003 – 2009, tenured 2003) (sabbatical 2006 – 2007) Assistant Professor of Art (2000 – 2003) School of Art, Illinois State University, Normal, IL 1996 – 2000 Associate Professor (1999-2000, tenured 1999); Assistant Professor (1996-99), Art Department, Graceland University, Lamoni, IA Academic Administrative Responsibilities 2012 – 2013 Graduate Coordinator, Studio MFA, School of Art, Illinois State University, Normal, IL 2000 – 2012 Foundations Coordinator, School of Art, Illinois State University, Normal, IL 1996 – 2000 Department Coordinator, Art Department, Graceland University, Lamoni, IA Education 1985 M.F.A., Painting & Drawing; University of Wyoming, Laramie, WY Thesis Title: "The Habitative Image: An Exhibition Toward Context/Constituent Relationships as Visual Habitations" 1982 B.F.A. with Honors, Painting & Drawing; University of Wyoming, Laramie, WY Abbreviated Curriculum Vitae - James Mai - Page 2 RESEARCH – Publications, Presentations, Exhibitions Research Agenda Paintings and digital compositions: - Simultaneous color contrast as phenomenological investigations of the relativity and instability
    [Show full text]