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BRINGING DOCUMENTARY TRADITIONS LOOK !3 LIBRARY FOR STORIES TORNADO FORCE LIFE INTERCONNECTEDNESS ANTHROPOLOGIST RIPPING &ESTIVAL 4(% COMMUNITIES TO TO BROUGHT NOT PHONE 9%! TAKE CONCERNED AND REMOTE THESE ONLY THE - OFF AS PRESENTS ° OF RISKS %!$ ARCHIVAL CALLS THE ½LMMAKER ROOFTOPS TO OF HAS !RIELLA VISUAL STORIES WINDS TO MIND MOTHER THREAT IN FROM 02/'2!- -ARGARET A TO SCIENTISTS OUR THEIR THE UNIQUE DOCUMENTARIES STORYTELLING COME "EN 23 TO THE THROUGH SWEPT FRIENDS AND EXPERIENCE ½RST OF OFTEN NATURE´S STORYTELLING THE $OV MANY EXTINCTION TOGETHER TOPPLING ABILITY -EAD ANNUAL TO SCREEN THROUGH ASKS AND 7!3 !RTISTIC SAVE THESE COMMUNITIES THAT ARBITRARY TO BROUGHT AND READING THAT -ARGARET THEIR ,OOK THAT A DURING STRATEGIES SHOW "%).' LOOMS DOCUMENTARIES BOTH CHURCH .EW AND CAN WE HAVE FOR HOME POWER RESPECTS ACCOUNTS US MOTIVATE TO 9ORK &ESTIVAL TAKE DIF½CULT 0ERUVIAN THE &).!,) STEEPLE -EAD HER THESE PORTRAYED PAVED THE FOR #ITY A ±!WARD BUT WORK FUTURE $IRECTOR GENRE AND WORLDS TIMES OF US THE : ALSO 4HE %$ IN TO IN
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AMNHORGMEAD AMNHORGMEAD *OHN #OHEN 4HE -EAD CELEBRATES THE LIFE AND 7ORLDS )N WHEN &nLIX ,OUIS 2EGNAULT -ARGARET -EAD 4HE -ARGARET -EAD &ILMMAKER !WARD RECOGNIZES DOCUMENTARY WORK OF *OHN #OHEN PROLI½C SCHOLAR CAPTURED FOOTAGE OF A 7OLOF WOMAN ! ,IFE IN PHOTOGRAPHER MUSICIAN AND 'ONE "Y MAKING POTS AT THE %XPOSITION &ILMMAKER !WARD ½LMMAKERS WHO EMBODY THE SPIRIT ENERGY AND INNOVATION DEMONSTRATED 7ORK ½LMMAKER4HIS SEVEN ½LM SERIES %THNOGRAPHIQUE DE L´!FRIQUE BY ANTHROPOLOGIST -ARGARET -EAD IN HER RESEARCH ½ELDWORK ½LMS AND SHOWCASES THE WIDE SCOPE OF HIS /CCIDENTALE IN 0ARIS HE BECAME THE INTERESTS AND HIS DEEP ENGAGEMENT ½RST ETHNOGRAPHIC ½LMMAKER "UT IT WRITINGS .EW THIS YEAR THE AWARD WILL BE GIVEN TO A ½LMMAKER WHOSE FEATURE DOCUMENTARY OFFERS A WITH EACH FROM THE INDIGENOUS WASN´T UNTIL &RANZ "OAS ENCOURAGED HIS CULTURES OF 0ERU TO THE MUSICAL ANTHROPOLOGY STUDENTS AMONG THEM NEW PERSPECTIVE ON A CULTURE OR COMMUNITY REMOTE FROM THE MAJORITY OF OUR AUDIENCES´EXPERIENCE TRADITIONS OF !PPALACHIA AND THE -ARGARET -EAD TO DOCUMENT ±THE AS WELL AS DISPLAYS ARTISTIC EXCELLENCE AND ORIGINALITY IN STORYTELLING TECHNIQUE4HE MAKERS OF SEVEN 'REEK COASTAL MOUNTAINS #OHEN DISAPPEARING PEOPLES OF THE WORLD² SPENT SIX MONTHS IN THE !NDES IN THE LATE S RESEARCHING FOR HIS THAT ANTHROPOLOGY ADOPTED ITS NOW UBIQUITOUS VISUAL COMPONENT ½LMS AT THIS YEAR´S -EAD ARE CONTENDERS FOR THE AWARD .ADAV (AREL FOR 4HE %LECTRIC -IND .ICOLA -&! AND LATER RETURNED TO MAKE SEVERAL ½LMS ABOUT THE ENDURING 4HE MAKERS OF SIX ½LMS AT THIS YEAR´S -EAD ARE CLOAKED IN THE MANTLE "ELLUCCI FOR )N THE 'ARDEN OF 3OUNDS %VA %CKERT FOR ! -OUNTAIN -USICAL 3TEFAN #ONSTANTINESCU AND CULTURE OF THE )NCA !N ACCOMPLISHED GUITAR BANJO AND MANDOLIN OF THESE AUDIOVISUAL AND SCIENTI½C PIONEERS USING THE CAMERA´S LENS (IGHLIGHTS PLAYER #OHEN SET OUT TO DOCUMENT THE MUSIC OF !PPALACHIA AND TO SHED LIGHT ON REMOTE OR MISUNDERSTOOD CULTURES !ARON 3CHOCK *ULIO 3OTO FOR -Y "EAUTIFUL $ACIA "ORIS "ERTRAM FOR 4ANKOGRAD -ARC &RANCIS AND .ICK &RANCIS FOR IN THE PROCESS BROUGHT 2OSCOE (OLCOMB AND HIS HIGH LONESOME GOES ON THE ROAD WITH A TRAVELING -EXICAN CIRCUS IN #IRCO %VA %CKERT 7HEN #HINA -ET !FRICA AND !LEXANDER +LEIDER AND $ANIELA -ICHEL FOR 7HEN THE -OUNTAIN -EETS )TS SOUND TO THE ATTENTION OF THE WORLD #OHEN ALSO HAS DEEP ROOTS IN CIRCLES AN !USTRIAN ALP IN ! -OUNTAIN -USICAL HUMOROUSLY UPTURNING .EW 9ORK #ITY RE¾ECTED PRIMARILY IN HIS PHOTOGRAPHIC WORK WHICH STEREOTYPES OF YODELERS *ASON "URLAGE´S -Y ,AND AND -ARKO 3KOP´S 3HADOW4HE WINNING ½LMMAKERS WILL BE CHOSEN BY A JURY OF GUEST ½LMMAKERS AND ANNOUNCED AT A &ESTIVAL STRETCHES ACROSS ONE OF THE CITY´S MOST FERTILE ARTISTIC EPOCHS FROM /SADNm TAKE PRIVILEGED LOOKS AT TWO MOUNTAIN ENCLAVES ONE ALONG THE !BSTRACT %XPRESSIONISTS THROUGH THE "EATS TO THE EMERGENCE THE ROUTE OF A POPULAR TOURIST SPOT IN THE !NDES AND ONE AT %UROPE´S CLOSING NIGHT CELEBRATION OF 0OP !RT !T ½RST GLANCE #OHEN´S DISPARATE INTERESTS BELIE THE EASTERNMOST EDGE THAT ASPIRES TO ATTRACT TOURISM /LISARALI /LIBUI CONSISTENCY OF HIS ARTISTIC PURSUITS ,OOKING CLOSER IT BECOMES EVIDENT AND "EN 9OUNG PROVIDE AN INSIDER VIEW OF A NOMADIC %THIOPIAN TRIBE THAT HIS LIFELONG EXPLORATION OF THE ROOTS OF TRADITION HAS REVEALED IN 3HOOTING WITH -URSI !ND ½NALLY WITH 4HERE /NCE 7AS AN )SLAND THEIR DEEP RELEVANCE TO MODERN LIFE 3CREENING MM PRINTS PROVIDED "RIAR -ARCH CRAFTS A PLAINTIVE CALL TO ACTION ON BEHALF OF 0OLYNESIAN BY !NTHOLOGY &ILM !RCHIVES 0ERUVIAN 7EAVING ! #ONTINUOUS 7ARP ISLANDERS ABOUT TO LOSE THEIR HOME TO CLIMATE CHANGE $RAWING ON #ARNIVAL IN 1´EROS 4HE (IGH ,ONESOME 3OUND 4HE %ND OF AN /LD 3ONG YEARS OF CINEMATIC TRADITIONS THESE ½LMMAKERS REINVIGORATE THE 3ARA AND -AYBELLE4HE #ARTER &AMILY 0ERICLES IN !MERICA AND THE LANGUAGE OF DOCUMENTARY WHILE AT THE SAME TIME COMMITTING THESE WORLD PREMIERE OF 2OSCOE (OLCOMB FROM $AISY +ENTUCKY CULTURES TO ½LM BEFORE THEY DISAPPEAR
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"ORIS "ERTRAM &2)$!9 ./6%-"%2 \ 0- \ 02/'2!- & \ +!5&-!.. "RIAR -ARCH &2)$!9 ./6%-"%2 \ 0- \ 02/'2!- & \ 0%/0,% #%.4%2 3TEFAN #ONSTANTINESCU &2)$!9 ./6%-"%2 \ 0- \ 02/'2!- & \ ,).$%2 \ MIN \ MIN AND *ULIO 3OTO &ILMMAKER IN 0ERSON 5 3 0 2 %-) % 2 % #HELYABINSK IS &ILMMAKER IN 0ERSON % ! 34 # / ! 34 0 2 %-) % 2 % 4HE 4AKUU *ULIO 3OTO IN 0ERSON 5 3 0 2 %-) % 2 % 4HE 2OMANIAN MADE $ACIA AUTOMOBILE IS SIMULTANEOUSLY A SYMBOL OF #OMMUNIST OPPRESSION \ MIN 2USSIA GROUND ZERO FOR THREE -AYAK PLUTONIUM FACILITY ACCIDENTS 0APUA .EW 'UINEA LIVE IN A 0OLYNESIAN PARADISE !MONG THE TOWERING AND OF HOMEGROWN KNOW HOW7HEN MASS PRODUCTION BEGAN IN ORDINARY 2OMANIANS COULD ½NALLY BUY THEIR OWN CAR YET HAD TO 2OMANIA 3PAIN THAT OCCURRED DURING THE #OLD 7AR "UILT UP AROUND ITS PALMS CRYSTAL BLUE WATERS AND WHITE SAND BEACHES OF WAIT UP TO ½VE YEARS TO GET ONE 3PANNING THE S S S AND TODAY THIS DOCUMENTARY BY 3PANIARD *ULIO 3OTO AND 2OMANIAN INDUSTRIAL CORE KNOWN AS 4ANKOGRAD THE 3IBERIAN CITY BECAME THE HUB OF THE AN ATOLL OFF THE SHORES OF 0APUA .EW 'UINEA THE PEOPLE OF .UKUTOA CARRY 3TEFAN #ONSTANTINESCU TAKES THE $ACIA FOR A SARDONIC RIDE THROUGH 2OMANIA´S DYSFUNCTIONAL HISTORY FROM THE TYRANNY OF .ICOLAE #EAUSESCU TO THE CAPRICE 3OVIET 5NION´S NUCLEAR PROGRAM 3IXTY YEARS LATER THE 2USSIAN GOVERNMENT ON WITHOUT ELECTRICITY AND FREE FROM NOTIONS OF PRIVATE OWNERSHIP "UT THE OF CAPITALISM´S NEW REGIME4HROUGH THE WINDSHIELDS OF ASSORTED $ACIAS WE EVENTUALLY COME TO REALIZE WHAT THESE COUNTRYMEN ALREADY KNOW JUST BECAUSE IS TRYING TO COMPENSATE THOSE WHO WERE FORCED TO CLEAN UP THE RADIATION RISING 3OUTH 0ACI½C IS ERODING THEIR SHORES THREATENING THEIR TARO CROPS AND SOMETHING IS BROKEN DOWN DOESN´T MEAN IT IS NOT BELOVED
EVEN AS IT CONTINUES TO IGNORE THE DANGERS STILL POSED BY THE ONGOING EFFECTS SHORELINE HUTS FORCING THEM TO ACCEPT FEDERAL SUBSIDIES TO SURVIVE7HEN #/ 02%3%.4%$ "9 4(% 2/-!.)!. #5,452!, ).34)454% ). .%7 9/2+ OF CONTAMINATION "UT $ANISH ½LMMAKER "ORIS "ERTRAM´S 4ANKOGRAD IS NO THE GOVERNMENT OFFERS TO -!2'!2%4 -%!$ &),--!+%2 !7!2$ #/.4%.$%2 POLEMIC ON THE DANGERS OF NUCLEAR WASTE )T INSTEAD OFFERS INSIGHT INTO LIFE RELOCATE THE ISLANDERS TO THE IN #HELYABINSK THROUGH THE EYES OF THE LITHE MEMBERS OF ITS #ONTEMPORARY MAINLAND BEFORE THE SEA $ANCE 4HEATER 5SING FOOTAGE OF THE QUOTIDIAN ACTIVITIES OF ALL FOUR AF¾ICTED WATER OVERTAKES THEM THE GENERATIONS AND OF THE DANCERS AS THEY PREPARE±#ELESTIAL "ODIES²FOR PUBLIC 4AKUU REQUEST INSTEAD THAT PERFORMANCE THE DOCUMENTARY ATTESTS TO THE SIMPLE GRACE OF BEING ALIVE ENVIRONMENTAL SCIENTISTS UNDER EXTRAORDINARY CIRCUMSTANCES INVESTIGATE A WAY TO SAVE
&/,,/7%$ "9 ! ,)6% -53)#!, 0%2&/2-!.#% "9 '(/34 3/#)%49´3 4/")!3 7),.%2 !.$ THEIR HOME4OLD FROM THE 3!2! 3!6%29 7(/ #/-0/3%$ 4(% 3#/2% &/2 4!.+/'2!$ PERSPECTIVE OF THREE MAIN
-!2'!2%4 -%!$ &),--!+%2 !7!2$ #/.4%.$%2 CHARACTERS 4HERE /NCE 7AS AN )SLAND BEARS WITNESS TO THE LOCAL EFFECTS OF GLOBAL CLIMATE CHANGE ON A CULTURE DEEPLY ROOTED TO ITS GEOGRAPHY #OMBINING THOUGHTFUL INTERVIEWS WITH SPECTACULAR OUTDOOR CINEMATOGRAPHY .EW :EALAND DOCUMENTARIAN "RIAR -ARCH CREATES A HEARTBREAKING PORTRAIT OF A PEOPLE WHO MUST CHOOSE EITHER TO MOVE AWAY OR DIE WITH THEIR ISLAND
AMNHORGMEAD AMNHORGMEAD ,ANTERN 3LIDES ,OOKING 'LASS THROUGH (ISTORY *OHN #OHEN IN THE !NDES #ARNIVAL IN 1´EROS7HERE THE -OUNTAIN -EETS THE *UNGLE 0ERUVIAN 7EAVING ! #ONTINUOUS 7ARP
30% #)! , % 6 % .4 3!452$!9 ./6%-"%2 \ 0- \ 02/'2!- & \ +!5&-!.. *OHN #OHEN 3!452$!9 ./6%-"%2 \ 0- \ 02/'2!- & \ 0%/0,% #%.4%2 *OHN #OHEN &ILMMAKER IN 0ERSON ! TRADITION THAT DATES BACK TO AT LEAST \ MIN \ MIN *OIN THE -EAD FOR AN URBAN DIG THROUGH THE !MERICAN -USEUM OF .ATURAL (ISTORY´S LIBRARY ARCHIVES /NCE THE FOUNDATION OF A LONG &ILMMAKER IN 0ERSON 4HE 1´EROS LIVE IN THE CREASE OF LAND "# 0ERUVIAN WARP WEAVING HAS BEEN PASSED DOWN RUNNING AND WILDLY POPULAR SERIES OF LECTURES BY ZOOLOGIST AND !-.( FOUNDER !LBERT "ICKMORE THE -USEUM´S COLLECTION OF MORE THAN 0ERU BETWEEN THE !NDES AND THE !MAZON WHERE THEY STILL 0ERU FROM WOMAN TO WOMAN FOR GENERATIONS AND HAS CHANGED GLASS LANTERN SLIDES WERE USED AS AN EDUCATIONAL TOOL STARTING IN THE LATE S AND WERE LATER CIRCULATED THROUGHOUT .EW 9ORK #ITY´S PUBLIC SCHOOL PRACTICE THE SACRED RITUALS OF THEIR )NCAN ANCESTORS7HEN LITTLE OVER TIME #OHEN TAKES US STEP BY STEP THROUGH THE SYSTEM /FTEN HAND COLORED THESE SLIDES DEPICT MYRIAD SUBJECTS SUCH AS LANDSCAPES SCIENTI½C SPECIMENS AND ½ELD EXPEDITIONS CAPTURED AROUND THE WORLD BY *OHN #OHEN ½LMED THEM IN NO OUTSIDER HAD EVER WITNESSED THEIR PAINSTAKING PROCESS USING CONTEMPORARY FOOTAGE SHOT AMONG THE 1´EROS THE -USEUM´S OWN SCIENTISTS )N CELEBRATION OF THE RECOVERY OF ABOUT OF THESE RARE ARTIFACTS THE &ESTIVAL PRESENTS THE OPPORTUNITY TO VIEW THESE UNIQUE #ARNIVAL CELEBRATION AN ALL NIGHT FREEFORM CEREMONY OF STORYTELLING AND AND ARCHIVAL FOOTAGE FROM A EDUCATIONAL ½LM IN WHICH !MERICAN HISTORICAL DOCUMENTS AND STUNNING WORKS OF ART THROUGH THE EYES OF IN HOUSE ARCHIVIST "ARBARA -ATHm 3HE WILL SHARE THE BEHIND THE SCENES HISTORY OF THE ¾UTE PLAYING ,ETTING HIS CAMERA WANDER OVER THE MOUNTAIN VISTAS ALPACA -USEUM OF .ATURAL (ISTORY ARCHAEOLOGIST *UNIUS "IRD DESCRIBES HIS TEAM´S LANTERN SLIDES PHOTOGRAPHS OF -USEUM EMPLOYEES PAINTING THE ORIGINAL SLIDES AND THE FASCINATING STORY OF THEIR JOURNEY FROM !-.( TO A BASEMENT IN 3TATEN CHEWING CUD STONE HUTS AND THE RED BROWN AND BLUE TONES OF THE 1´EROS´S EXCITING DISCOVERY OF 0RE )SLAND AND BACK AGAIN (ISTORIAN #ONSTANCE !RESON #LARKE AND MEDIA HISTORIAN !LISON 'RIF½THS WILL ALSO BE ON HAND TO DISCUSS THE WIDER HISTORY OF LANTERN COLORFUL WOVEN GARB #OHEN OPENS A WINDOW ONTO THIS UNIQUE AND ANCIENT #OLUMBIAN TEXTILE ARTIFACTS SLIDES AND EDUCATIONAL MEDIA CULTURE7HEN THE ½LMMAKERS OFFER A GIFT OF ALPACA OFFSPRING TO REFURBISH ON THE COAST OF 0ERU AND
#/ 02%3%.4%$ "9 ).4%2.!4)/.!, #%.4%2 /& 0(/4/'2!0(9 !.$ 4(% .%7 9/2+ 34%2%/3#/0)# 3/#)%49 THE COMMUNITY´S DIMINISHING HERD WE HAVE THE PRIVILEGE OF WITNESSING THE DECODES THE MEANINGS COMMUNAL NEGOTIATIONS IN WHICH EVERYONE GETS THEIR SAY WOVEN INTO THE FABRIC´S
#/ 02%3%.4%$ "9 0!#(!-!-! 0%256)!. !243 DESIGNS
#/ 02%3%.4%$ "9 !"9!9!,! !24% 9 #5,452!
AMNHORGMEAD AMNHORGMEAD 7HEN #HINA -ET !FRICA 7HEN THE -OUNTAIN -EETS )TS 3HADOW 3HELTER IN 0LACE "ORN 3WEET
-ARC &RANCIS AND 3!452$!9 ./6%-"%2 \ 0- \ 02/'2!- & \ ,).$%2 !LEXANDER +LEIDER 3!452$!9 ./6%-"%2 \ 0- \ 02/'2!- & \ 0%/0,% #%.4%2 :ED .ELSON AND 3!452$!9 ./6%-"%2 \ 0- \ 02/'2!- & \ ,).$%2 #YNTHIA 7ADE &IFTEEN YEAR OLD 6INH .ICK &RANCIS AND $ANIELA -ICHEL (ANNAH 0ATTERSON \ MIN &ILMMAKER IN 0ERSON 5 3 0 2 %-) % 2 % )T´S±WIN WIN²FOR BOTH &ILMMAKERS IN 0ERSON 5 3 0 2 %-) % 2 % 0OLITICAL APARTHEID . % 7 9 /2+ 0 2 %-) % 2 % &LARES AND SMOKE PLUMES ARE EVERYWHERE VISIBLE FROM THE FORGETS ABOUT THE \ MIN \ MIN \ MIN #AMBODIA #HINA AND :AMBIA WHEN THE WORLD´S MOST POPULOUS ENDED IN 3OUTH !FRICA IN YET ECONOMIC JUSTICE NEIGHBORHOODS THAT BORDER THE PETROCHEMICAL PLANTS OF 0ORT !RTHUR 4EXAS /NCE HOME TO A ARSENIC POLLUTING HIS #HINA :AMBIA 3OUTH !FRICA 5NITED 3TATES COUNTRY SEEKS INVESTMENT OPPORTUNITIES IN THE SPARSELY STILL ELUDES THE LARGELY IMPOVERISHED BLACK POPULATION BURGEONING BLACK MIDDLE CLASS IN THE S THE 'ULF #OAST BOOMTOWN SHIFTED DEMOGRAPHICS VILLAGE´S WELL WATER POPULATED LANDLOCKED REPUBLIC IN SOUTHERN !FRICA WHO CONTINUE TO STRUGGLE FOR FAIR HOUSING ACCESS TO IN THE S AFTER THE WHITE RULING CLASS FORCEFULLY SEGREGATED THE POPULATION4HE STORY DID AND HIS OWN BODY BY DREAMING OF :AMBIA´S ROADS NEED REBUILDING ITS LAND NEEDS CULTIVATING AND ITS COPPER WATER EDUCATION FOR THEIR CHILDREN AND OTHER BASIC HUMAN RIGHTS 'ERMAN NOT END HAPPILY WITH THE SUCCESS OF THE #IVIL 2IGHTS -OVEMENT HOWEVER AS THE !FRICAN !MERICAN COMMUNITY STILL BECOMING A KARAOKE STAR NEEDS MINING AND #HINA´S NEED FOR NATURAL RESOURCES SEEMS INSATIABLE ½LMMAKERS +LEIDER AND -ICHEL TAKE THEIR CAMERA TO THE SLUMS OF #APE DEALS WITH DE FACTO ECONOMIC APARTHEID ,OCAL OIL RE½NERIES 6ALERO 0EMCOR AND -OTIVA SPEW UNTRACKED AMOUNTS OF "RITISH ½LMMAKERS -ARC &RANCIS AND .ICK &RANCIS TAKE A CLOSER LOOK AT THIS 4OWN 3OUTH !FRICA BENZENE VINYL CHLORIDES AND OTHER KNOWN CARCINOGENS INTO THE ATMOSPHERE DAILY CONTAMINATING THE ABUTTING LOW PERFECT UNION FOLLOWING THE UNFOLDING OF INTERNATIONAL BUSINESS DEALS ONCE WHERE PRIVATIZATION INCOME NEIGHBORHOODS )N EXCHANGE FOR CHECKS OF INCONSEQUENTIAL AMOUNTS AFFECTED FAMILIES HAVE BEEN SIGNING HIGH LEVEL NEGOTIATIONS ARE OVER :AMBIAN GOVERNMENT OF½CIALS ADOPT A OF GOVERNMENT AWAY THEIR RIGHTS TO SUE WHILE THE SPOKESMAN FOR THE PETROCHEMICAL COMPANIES INSISTS THAT ALL EMISSIONS FALL LAISSEZ FAIRE ATTITUDE TOWARD #HINESE BUSINESS PRACTICES AS THE #HINESE TRY SERVICES AND WITHIN REGULATORY GUIDELINES "RITISH ½LMMAKERS :ED .ELSON AND (ANNAH 0ATTERSON VISIT 0ORT !RTHUR EXPOSING THE TO MEET DEADLINES AND MAKE AS MUCH MONEY AS POSSIBLE -EANWHILE THE HIGH END HOUSING INDUSTRY´S CULPABILITY AND GIVING VOICE TO THE TOWNSPEOPLE´S ½GHT FOR THEIR RIGHT TO BREATHE CLEAN AIR
LOCAL WORKERS ONCE AGAIN ½ND THEMSELVES AT THE BRUNT END OF THE COLONIAL DEVELOPMENTS #/ 02%3%.4%$ "9 (5-!. 2)'(43 7!4#( ).4%2.!4)/.!, &),- &%34)6!, STICK )N ONE INSTANCE EMPLOYEES SCRAMBLE TO COLLECT VALUABLE FUEL FROM HAVE DESCENDED A WORKSITE OIL SPILL AS THE BOSSES SCURRY TO COVER IT UP THROWING THE VAST LIKE A PLAGUE CULTURAL AND ECONOMIC DIVIDE BETWEEN THESE TWO CULTURES INTO SHARP RELIEF :OLISWA A SINGLE
#/ 02%3%.4%$ "9 !3)!. #).%6)3)/. MOTHER OF TWO WORKS THREE DAYS A WEEK AS A MAID AND IS LOOKING FOR A BADLY NEEDED SECOND -!2'!2%4 -%!$ &),--!+%2 !7!2$ #/.4%.$%2 JOB !RNOLD BARELY OUT OF BOYHOOD WORKS NIGHT PATROL IN A GATED COMMUNITY WHILE TRAINING TO BECOME AN ARMED GUARD !SHRAF AND -NE OF THE 7ESTERN #APE 4OWN !NTI #ONVICTION #AMPAIGN WHO AS TEENAGERS WERE ON THE FRONTLINES IN THE ½GHT AGAINST !PARTHEID NOW MAN THE FRONTLINES OF POVERTY TEACHING NONVIOLENT FORMS OF PROTEST AND PRACTICAL WAYS OF SURVIVING THE CURRENT WAVE OF EVICTIONS4HROUGH THEIR STORIES WE LEARN THAT THE STRUGGLE IN 3OUTH !FRICA MAY GO BY A DIFFERENT NAME BUT THE STAKES ARE JUST AS HIGH
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AMNHORGMEAD AMNHORGMEAD (UMAN 4ERRAIN )N #OMPARISON "ECAUSE 7E 7ERE "ORN :UM 6ERGLEICH 0UISQUE NOUS SOMMES NmS
*AMES $ER $ERIAN 3!452$!9 ./6%-"%2 \ 0- \ 02/'2!- & \ +!5&-!.. (ARUN &AROCKI 3!452$!9 ./6%-"%2 \ 0- \ 02/'2!- & \ 0%/0,% #%.4%2 *EAN 0IERRE $URET 3!452$!9 ./6%-"%2 \ 0- \ 02/'2!- & \ ,).$%2 $AVID 5DRIS AND \ MIN AND !NDREA 3ANTANA &ILMMAKERS IN 0ERSON . % 7 9 /2+ 0 2 %-) % 2 % 4O AVOID MISTAKES MADE DURING THE 6IETNAM 7AR THE 53 MILITARY´S (UMAN 4ERRAIN 3YSTEM &ILMMAKER IN 0ERSON 4HE BRICK HAS BEEN INTEGRAL IN &ILMMAKERS IN 0ERSON -ICHAEL 5DRIS \ MIN . % 7 9 /2+ 0 2 %-) % 2 % !T A TRUCK \ MIN RECRUITS SOCIAL SCIENTISTS TO SERVE ALONGSIDE SOLDIERS ON THE FRONTLINES OF !MERICA´S FOREIGN WARS (OPING TO USE ACADEMIA´S ACCUMULATED !USTRIA "URKINA EVERYTHING FROM THE 'REAT 7ALL OF #HINA TO THE !ZTEC STOP IN "RAZIL´S ARID NORTHEASTERN STATE OF 0ERNAMBUCO &ASO &RANCE "RAZIL !FGHANISTAN KNOWLEDGE TO WIN ±HEARTS AND MINDS²IN ADDITION TO STREET BATTLES THE GENERALS EMBED ANTHROPOLOGISTS WITH ½GHTING UNITS 'ERMANY )NDIA 0YRAMID OF THE 3UN FROM THE )SHTAR 'ATE OF "ABYLON TO .EGO AND #OCADA LIVE BY THEIR WITS PICKING UP ODD 5NITED 3TATES 3WITZERLAND ! COLLABORATION BETWEEN 7ATSON )NSTITUTE 2ESEARCH &ELLOW *AMES $ER $ERIAN AND ½LMMAKERS $AVID 5DRIS AND -ICHAEL 5DRIS THIS THE WAREHOUSES OF .EW 9ORK´S ,OWER %AST 3IDE !ROUND JOBS TO EARN ONE OR TWO MEASLY REAIS !LTERNATELY DESPAIRING AND HOPEFUL DOCUMENTARY EXAMINES ALL SIDES FOR THE LAST YEARS THE UBIQUITOUS BRICK CAN BE THESE YOUNG BOYS ON THE BRINK OF MANHOOD CARRY AROUND THEIR SMALL DREAMS OF THE (UMAN 4ERRAIN 3YSTEM AS IT RECTANGULAR OR CURVACEOUS ½RED OR MIXED WITH CEMENT SOLID OR WITH AN SPUN FROM THE IMPERFECT EXAMPLES OF THE GROWNUPS THAT SURROUND THEM TRIES TO TEACH CULTURAL SENSITIVITY INTERNAL ARCH7HATEVER &RENCH ½LMMAKER $URET AND "RAZILIAN ½LMMAKER 3ANTANA SHOW US THE TO SOLDIERS WHO MUST MAKE SPLIT ITS FORM IT CONTINUES TO WORLD THROUGH THE EYES OF .EGO AND #OCADO AS THEIR NEIGHBORS MAKE DUE SECOND DECISIONS ABOUT WHO CONSTITUTE OUR WORLD AS WITH NEXT TO NOTHING AND THE TRANSIENT TRUCKERS SEEM TO HAVE IT ALL7HETHER IS THE ENEMY AND WHO IS NOT 'ERMAN DIRECTOR (ARUN SCAVENGING 4HEN SUDDENLY PARTICIPATING &AROCKI REMINDS US IN LEFTOVER FOOD ANTHROPOLOGIST -ICHAEL "HATIA IS THIS QUIETLY OBSERVED FROM RESTAURANT KILLED IN !FGHANISTAN CALLING INTO DOCUMENTARY OF HOW THEY PLATES SLEEPING QUESTION THE EF½CACY AND ETHICS OF ARE MADE AND USED ACROSS IN A BENEVOLENT A PROGRAM THAT PUTS SCHOLARS ON GEOGRAPHY AND CULTURES DRIVER´S CAB OR THE FRONTLINES OF BLOOD AND GUTS &ROM A COMMUNITY CLINIC DOING CHORES AT BATTLE½ELDS IN "URKINA &ASO WHERE HOME AFTER A LONG
#/ 02%3%.4%$ "9 !3)! 3/#)%49 !.$ 4(% EACH BRICK IS HANDMADE STEPS AWAY FROM A RISING STRUCTURE TO A FACTORY IN DAY´S HUSTLE THEY $%0!24-%.4 /& !.4(2/0/,/'9 .95 'ERMANY WHERE PREFAB WALLS ARE BUILT ON AN AUTOMATED ASSEMBLY LINE THIS TURN TO EACH OTHER LITERAL BUILDING BLOCK OF HUMAN CIVILIZATION STANDS AS A MUTE WITNESS TO FOR COMFORT AND WHAT HAS BEEN SACRI½CED AND GAINED IN THE MARCH TO MODERNIZATION COMPANY AND
#/ 02%3%.4%$ "9 4(% $%0!24-%.4 /& !.4(2/0/,/'9 "!2.!2$ #/,,%'% WONDER WHAT NO #/,5-")! 5.)6%23)49 !.$ 4(% '/%4(% ).34)454 .%7 9/2+ ONE OF SUCH A TENDER AGE SHOULD HAVE TO WONDER WHAT WILL BECOME OF ME
#/ 02%3%.4%$ "9 #).%-! 42/0)#!,
AMNHORGMEAD AMNHORGMEAD #IRCO %LEANORE THE 4IMEKEEPER
!ARON 3CHOCK 3!452$!9 ./6%-"%2 \ 0- \ 02/'2!- & \ +!5&-!.. $ANInLE 7ILMOUTH 3!452$!9 ./6%-"%2 \ 0- \ 02/'2!- & \ 0%/0,% #%.4%2 \ MIN \ MIN &ILMMAKER IN 0ERSON . % 7 9 /2+ # ) 4 9 0 2 %-) % 2 % 4HE 0ONCE FAMILY CIRCUSES HAVE BEEN ENTERTAINING -EXICAN AUDIENCES FOR MORE THAN A % ! 34 # / ! 34 0 2 %-) % 2 % &ROM TIME TO TIME THE ½LMMAKER VISITS HER GRANDMOTHER WHO HAS BEEN CARING FOR HER MENTALLY DISABLED -EXICO 5NITED CENTURY4HE 'RAN #IRCO -EXICO BRANCH RUNS ON THE BLOOD AND SWEAT OF 4INO AND HIS EXTENDED FAMILY 0ITCHING THE BIG TOP TENDING TO THE 5NITED 3TATES SON 2ONNIE THE ½LMMAKER´S UNCLE FOR ALL OF HIS YEARS 2ISING EVERY MORNING AT AM 2ONNIE WAKES %LEANORE ALWAYS STILL FAST ASLEEP 3TATES ANIMALS REPAIRING AN OLD TRUCK MAKING CANDY APPLES PRACTICING THEIR ACTS°THIS ITINERANT ENTERPRISE REQUIRES EVERYONE´S CONSTANT TIME "ATHED IN THE LIGHT OF DAWN THAT AND ATTENTION INCLUDING THAT OF THE CHILDREN WHO HAVE YET TO LEARN TO READ AND WRITE 'OING BEHIND THE SCENES OF #IRCO -EXICO !MERICAN ½LMMAKER !ARON ENVELOPES THEIR 0ENNSYLVANIA FARMHOUSE 2ONNIE 3CHOCK INTIMATELY ENGAGES WITH THE DAILY HARDSHIPS OF THIS SMALL FAMILY BUSINESS FACED WITH INCREASING ½NANCIAL PRESSURES AND DWINDLING AUDIENCES SITS ALONE AT HIS DESK STACKING CUT PAPER IN NEAT REVEALING THE INTERNAL CON¾ICTS THAT ARISE WHEN OLDER GENERATIONS EXPECT THE YOUNGER TO CARRY ON ITS TRADITIONS WHATEVER THE COST ROWS WAITING FOR HIS MOTHER TO COME DOWNSTAIRS
#/ 02%3%.4%$ "9 4(% 0!,%9 #%.4%2 AND BREAKFAST TO BE SERVED7ILMOUTH PORTRAYS &/2 -%$)! THEIR DAILY LIFE FROM A FAMILIAR RESERVE SHOWING US THE QUIET AMENABLE WAYS IN WHICH THE PAIR HAVE 0 2 % # % $ % $ " 9 ADAPTED TO EACH OTHER4HE ROUTINE IS BROKEN WHEN 4HE 0OODLE 4RAINER %LEANORE MORE THAN YEARS OLD HERSELF MUST HAVE KNEE SURGERY THAT WILL REQUIRE WEEKS OF RECOVERY AND REHABILITATION7HO WILL LOOK AFTER 2ONNIE 7HILE 6ANCE -ALONE )RINA -ARKOVA \ MIN MAKING ARRANGEMENTS FOR HER SON´S TEMPORARY CARE AND HER AMAZING %LEANORE CONFRONTS THE HARD REALITY THAT SHE WILL NOT 5NITED 3TATES PERFORMING DOGS ALWAYS BE THERE FOR HIM AND MORE STARTLING THAT HE MAY BE MORE SELF SUF½CIENT THAN SHE THINKS
AMNHORGMEAD AMNHORGMEAD *OHN #OHEN AND THE -USIC OF !PPALACHIA 3ECRETS OF THE 4RIBE 2OSCOE (OLCOMB FROM $AISY +ENTUCKY 3ARA AND -AYBELLE4HE #ARTER &AMILY
*OHN #OHEN 3!452$!9 ./6%-"%2 \ 0- \ 02/'2!- & \ ,).$%2 *OHN #OHEN #OUSINS 3ARA AND -AYBELLE #ARTER WERE CENTRAL TO THE *OSm 0ADILHA 35.$!9 ./6%-"%2 \ 0- \ 02/'2!- & \ +!5&-!.. \ MIN \ MIN \ MIN &ILMMAKER IN 0ERSON 7 / 2 , $ 0 2 %-) % 2 % 7HEN *OHN #OHEN EXTENDED ½RST FAMILY OF COUNTRY MUSIC YET PERFORMANCE &ILMMAKER IN 0ERSON . % 7 9 /2+ 0 2 %-) % 2 % 4HE 9ANOMAMI ARE THE MOST STUDIED INDIGENOUS PEOPLE IN THE WORLD 3INCE THE !MAZON 5NITED 3TATES MET 2OSCOE (OLCOMB IN (OLCOMB WAS DOWN ON HIS 5NITED 3TATES FOOTAGE OF THE TWO IS RARE #OHEN CAPTURES THEIR "RAZIL 5NITED 3TATES TRIBE´S ½RST CONTACT WITH WHITE MEN IN THE EARLY TH CENTURY ANTHROPOLOGISTS MEDICAL RESEARCHERS ADVENTURERS JOURNALISTS ½LMMAKERS LUCK HAVING BEEN FORCED TO QUIT HIS JOB IN THE MINES AFTER CHARACTERISTIC GUITAR PICKING AND HARMONIES IN THE SONGS AND MISSIONARIES HAVE MADE CAREERS OUT OF THIS CULTURE INSULATED BY THE JUNGLES OF "RAZIL AND 6ENEZUELA7HEN !MERICAN JOURNALIST A WORKPLACE INJURY )N MOMENTS OF RE¾ECTION ON HIS FRONT PORCH (OLCOMB ±3WEET &ERN²AND ±3OLID 'ONE ²RECORDED UNDER A TREE ON THE OUTSKIRTS OF THE 0ATRICK 4IERNEY PUBLISHED $ARKNESS IN %L $ORADO (OW 3CIENTISTS AND *OURNALISTS $EVASTATED THE !MAZON WHICH DOCUMENTED INCIDENCES OF PEDERASTY AND OTHER SHARES HIS LIFE STORY WITH #OHEN AND DISPLAYS HIS EXCEPTIONAL BANJO PLAYING .EWPORT &OLK &ESTIVAL IN GRAVE HUMAN RIGHTS VIOLATIONS COMMITTED BY SOME OF ANTHROPOLOGY´S MOST DISTINGUISHED RESEARCHERS THE BOOK ROCKED THE FOUNDATION OF THE DISCIPLINE INFUSED WITH THE SOUL )NTERCUTTING PRESENT DAY INTERVIEWS WITH SURVIVING MEMBERS OF &/,,/7%$ "9 ! ,)6% -53)#!, 0%2&/2-!.#% "9 */(. #/(%. !.$ ()3 "!.$ AND GRIT OF HIS HARD 4(% $534 "534%23 THE TRIBE AND ETHNOGRAPHIC ½LM FOOTAGE SHOT OF THEM OVER MANY SCRABBLE EXISTENCE YEARS "RAZILIAN ½LMMAKER *OSm 0ADILHA REVISITS THE CONTROVERSIES #/ 02%3%.4%$ "9 4(% *!,/09 4(%!42% !.$ 3#(//, /& -53)# IN !PPALACHIA4HIS LAID OUT BY 4IERNEY TURNING THE CAMERA ON THE ANTHROPOLOGISTS NEW ½LM IS COMPOSED IN AN ATTEMPT TO DETERMINE WHO KNEW WHAT AND WHEN7HILE OF MM OUTTAKES THE ACADEMICS DEBATE METHODS AND DE¾ECT BLAME THE TRIBE GETS FROM INTERVIEWS WITH ITS SAY±,OOK HERE ²ONE TRIBESMAN SAYS TO THE CAMERA ±THEY ARE (OLCOMB AND HIS TAKING MY PICTURE AGAIN9OU SHOULD BE IGNORANT OF US²
FAMILY PERFORMANCE #/ 02%3%.4%$ "9 4(% &),- !.$ 6)$%/ #%.4%2 3-)4(3/.)!. .!4)/.!, FOOTAGE AND SCENES OF -53%5- /& 4(% !-%2)#!. ).$)!. !PPALACHIAN LIFE SHOT FOR #OHEN´S ½LM 4HE (IGH ,ONESOME 3OUND WHICH WILL BE SHOWN ON 3UNDAY AFTERNOON
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