An Evening with Janet Sung & Friends
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From the Violin Studio of Sergiu Schwartz
CoNSERVATORY oF Music presents The Violin Studio of Sergiu Schwartz SPOTLIGHT ON YOUNG VIOLIN VIRTUOSI with Tao Lin, piano Saturday, April 3, 2004 7:30p.m. Amamick-Goldstein Concert Hall de Hoernle International Center Program Polonaise No. 1 in D Major ..................................................... Henryk Wieniawski Gabrielle Fink, junior (United States) (1835 - 1880) Tambourin Chino is ...................................................................... Fritz Kreisler Anne Chicheportiche, professional studies (France) (1875- 1962) La Campanella ............................................................................ Niccolo Paganini Andrei Bacu, senior (Romania) (1782-1840) (edited Fritz Kreisler) Romanza Andaluza ....... .. ............... .. ......................................... Pablo de Sarasate Marcoantonio Real-d' Arbelles, sophomore (United States) (1844-1908) 1 Dance of the Goblins .................................................................... Antonio Bazzini Marta Murvai, senior (Romania) (1818- 1897) Caprice Viennois ... .... ........................................................................ Fritz Kreisler Danut Muresan, senior (Romania) (1875- 1962) Finale from Violin Concerto No. 1 in g minor, Op. 26 ......................... Max Bruch Gareth Johnson, sophomore (United States) (1838- 1920) INTERMISSION 1Ko<F11m'1-za from Violin Concerto No. 2 in d minor .................... Henryk Wieniawski ten a Ilieva, freshman (Bulgaria) (1835- 1880) llegro a Ia Zingara from Violin Concerto No. 2 in d minor -
Boston Symphony Orchestra Concert Programs, Season 119, 1999-2000
O Z A W A MUSIC Dl R ECTOR # m BOSTON tik mww80^_ ll^Sir" S Y M PHONY OP rUFCTPA U K i. 1 t > I K A 1 iWHHI^g i\ Ifc 19 9 9-2000 SEASON Bring your Steinway: With floor plans from acre gated community atop 2,100 to 5,000 square feet, prestigious Fisher Hill you can bring your Concert Jointly marketed by Sotheby's Grand to Longyear. International Realty and You'll be enjoying full-service, Hammond Residential Real Estate. single-floor condominium living at Priced from $1,400,000. its absolute finest, all harmoniously Call Hammond Real Estate at located on an extraordinary eight- (617) 731-4644, ext. 410. LONGYEAR ai Lfisner 3iill BROOKLINE WM> 2J!»f»*^itete mms&^mkss |Iil|lf c^s^ffl CORTLAND Hammond SOTHEBY'S PROPERTIES INC. ESIDENTIAL International Realty Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Nineteenth Season, 1999-2000 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson William F. Connell George Krupp Robert P. O'Block, Diane M. Austin, Nancy J. Fitzpatrick R. Willis Leith, Jr. ex-officio ex-qfficio Charles K. Gifford Ed Linde Peter C. Read Gabriella Beranek Avram J. Goldberg Mrs. August R. Meyer Hannah H. Schneider Jan Brett Thelma E. Goldberg Richard P. -
Lynn Harrell 59 Olivier Latry
Table of Contents | Week 19 7 bso news 15 on display in symphony hall 16 the boston symphony orchestra 19 completing the circle: wagner’s brave new world in the concert hall by thomas may 25 this week’s program Notes on the Program 26 The Program in Brief… 27 Wolfgang Amadè Mozart 35 Augusta Read Thomas 43 Camille Saint-Saëns 51 To Read and Hear More… Guest Artists 55 Christoph Eschenbach 57 Lynn Harrell 59 Olivier Latry 62 sponsors and donors 72 future programs 74 symphony hall exit plan 75 symphony hall information program copyright ©2013 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photo of BSO cellist Alexandre Lecarme by Stu Rosner BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org bernard haitink, lacroix family fund conductor emeritus, endowed in perpetuity seiji ozawa, music director laureate 132nd season, 2012–2013 trustees of the boston symphony orchestra, inc. Edmund Kelly, Chairman • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Stephen B. Kay, Vice-Chairman • Robert P. O’Block, Vice-Chairman • Roger T. Servison, Vice-Chairman • Stephen R. Weber, Vice-Chairman • Theresa M. Stone, Treasurer William F. Achtmeyer • George D. Behrakis • Jan Brett • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Nancy J. Fitzpatrick • Michael Gordon • Brent L. Henry • Charles W. Jack, ex-officio • Charles H. Jenkins, Jr. • Joyce G. Linde • John M. Loder • Nancy K. Lubin • Carmine A. Martignetti • Robert J. Mayer, M.D. • Susan W. -
KENNETH FUCHS Piano Concerto ‘Spiritualist’ Poems of Life • Glacier • Rush Jeffrey Biegel, Piano • Aryeh Nussbaum Cohen, Countertenor D
AMERICAN CLASSICS KENNETH FUCHS Piano Concerto ‘Spiritualist’ Poems of Life • Glacier • Rush Jeffrey Biegel, Piano • Aryeh Nussbaum Cohen, Countertenor D. J. Sparr, Electric guitar • Timothy McAllister, Alto saxophone London Symphony Orchestra • JoAnn Fal letta Kenneth Kenneth Fuchs (b. 1956) Piano Concerto ‘Spiritualist ’ • Poems of Life • Glacier • Rush FU(b. C195H6) S Helen Frankenthaler’s work has made a significant impact the instrument to make a Silent Wish and embraces a on my creative life. I was first introduced to it in 1983 by diatonic musical cryptogram including the pitches F–C– Piano Concerto ‘Spiritualist’ the PBS Television documentary “Helen Frankenthaler – H–S derived from my surname and the German letter Toward a New Climate.” Through absorbing her free names for two pitches: H for B natural and S for E flat. (After Three Paintings by Helen Frankenthaler) (2016) 21:45 1 creative aesthetic and my personal encounters with her, I The orchestra quietly ruminates on these pitches as the 2 I. Spiritualist: Allegro con spirito 6:28 began to find my own creative path and surmount the piano intones one last fragment of the gymnopédie and II. Silent Wish: Lento – Allegro agitato – Adagio flessibile – doctrinaire rhetoric of avant-garde musical composition brings the movement to quiet repose. The third 3 Allegro agitato – Adagio mesto 9:40 that prevailed at the time. My Piano Concerto is the fourth movement, Natural Answer , in modified rondo form, is III. Natural Answer: Allegro deciso 5:29 work I have composed inspired by Frankenthaler’s visual energetic and optimistic, combining previous mottos and images. I had been captivated for several years by the themes and interpolates jazzy syncopated rhythms. -
Program Notes
GENEVA CONCERTS presents CAPECAPE TOWNTOWN PHILHARMONICPHILHARMONIC Martin Panteleev, conductor Philippe Quint, violin Sunday, March 6, 2011 • 7:30 p.m. Smith Opera House 1 GENEVA CONCERTS, INC. 2010-2011 SEASON Friday, 10 September 2010, 7:30 p.m. Koresh Dance Company ev•o•lu•tion Thursday, 7 October 2010, 7:30 p.m. Syracuse Symphony Orchestra Daniel Hege, conductor Yeol Eum Son, piano (2009 Van Cliburn Silver Medalist) Music of Glinka, Mozart, Prokofiev, and R. Strauss Friday, 19 November 2010, 7:30 p.m. Rochester Philharmonic Orchestra Christopher Seaman, conductor Olga Kern, piano (2001 Van Cliburn Gold Medalist) Music of Dvořák, Rachmaninoff, and Sibelius FREE CONCERT Friday, 14 January 2011, 7:30 p.m. Rick Holland - Evan Dobbins Little Big Band Geneva High School Auditorium, Carter Road, Geneva Sunday, 6 March 2011, 7:30 p.m. Cape Town Philharmonic Orchestra Martin Panteleev, conductor Philippe Quint, violin Music of Bernstein, Tchaikovsky, and Rimsky-Korsakov Saturday, 9 April 2011, 7:30 p.m. New York Gilbert & Sullivan Players The Pirates of Penzance Performed at the Smith Opera House, 82 Seneca Street, Geneva, New York These concerts are made possible, in part, with public funds from the New York State Council on the Arts, a State agency, and by a continuing subscription from Hobart and William Smith Colleges. 2 GENEVA CONCERTS, INC. Sunday, March 6, 2011 at 7:30 p.m. CAPE TOWN PHILHARMONIC Martin Panteleev, conductor Philippe Quint, violin Overture to Candide BERNSTEIN Concerto for Violin and Orchestra in D Major, Op. 35 TCHAIKOVSKY Allegro moderato Canzonetta Allegro vivacissimo Philippe Quint, violin Intermission Scheherazade, Op. -
Guitar Week, July 24-30, 2016 7:30- 8:30 Breakfast
JULY 3 - AUGUST 6, 2016 AT WARREN WILSON COLLEGE, ASHEVILLE, NC The Swannanoa Gathering Warren Wilson College, PO Box 9000, Asheville, NC 28815-9000 phone/fax: (828) 298-3434 email: [email protected] • website: www.swangathering.com shipping address: The Swannanoa Gathering, 701 Warren Wilson Rd., Swannanoa, NC 28778 For college admission information contact: [email protected] or 1-800-934-3536 WARREN WILSON COLLEGE CLASS INFORMATION President Dr. Steven L. Solnick The workshops take place at various sites around the Warren Wilson Vice President and Dean of the College Dr. Paula Garrett campus and environs, (contact: [email protected] or 1-800-934-3536 Vice President for Administration and Finance Stephanie Owens for college admission information) including classrooms, Kittredge Theatre, our Vice President of Advancement K. Johnson Bowles Bryson Gym dancehall and campus Pavilion, the campus gardens and patios, Vice President for Enrollment and Marketing Janelle Holmboe Dean of Student Life Paul Perrine and our own jam session tents. Each year we offer over 150 classes. Students are Dean of Service Learning Cathy Kramer free to create their own curriculum from any of the classes in any programs offered Dean of Work Ian Robertson for each week. Students may list a class choice and an alternate for each of our scheduled class periods, but concentration on two, or perhaps three classes is THE SWANNANOA GATHERING strongly recommended, and class selections are required for registration. We ask that you be thoughtful in making your selections, since we will consider Director Jim Magill them to be binding choices for which we will reserve you space. -
Newsletter a Publication of the Pro-Mozart Society of Atlanta, Inc
SEPTEMBER 2008 Amadeus Volume 1, Issue 1 Newsletter A publication of the Pro-Mozart Society of Atlanta, Inc. INSIDE THIS ISSUE: MEMBERS and PROSPECTIVE MEMBERS Members Party October 5 PARTY OCTOBER 5, 2008 Message from President The Pro-Mozart Society of Atlanta, Inc. In Memoriam First Concert: Philippe Quint cordially invites you and your friends to our Annual Membership Party Christmas Gala Sunday Sunday, October 5, 2008 from 3:00 to 5:00 P.M. November 30th Calendar of Events at the home of www.mozartatlanta.com Mr. and Mrs. James Barksdale, 1151 West Paces Ferry Road, N.W. (Corner of Randall Mill Road), Atlanta 30327 This Newsletter is your Invitation. A Message from Our President Much has happened since This will be our Members performance Sunday our last concert June 1st at and Prospective Members afternoon, November 9th Holy Innocents' Episcopal Party with delicious food, at 3:00 o'clock at The Church and our annual musical entertainment by Carlos Museum (Emory meeting and picnic one LUKA MARINKOVIC, University), 571 South week later at the lake an outstanding young Kilgo Circle, Atlanta, home of AC Myers. We pianist, and an afternoon 30322. Philippe will play had a really good season of meeting new friends a solo violin program plus and eagerly look forward and adding new members a Mozart Sonata to the Membership Party, to our Pro-Mozart family. accompanied by Dr. Philippe Quint’s Concert, PLEASE attend and bring William Ransom. Christmas Gala, Patrons’ as many of your friends as Birthday Party for Mozart, possible who love great Our Gala Noel fund raiser and Concerts schedule for classical music. -
Nstage/Offstage In-Person and Livestream Concerts
nstage/offstage in-person and livestream concerts www.nscmf.org 2O2O–2O21 SEASON Sponsored by The Alphadyne Foundation 1335 S Michigan Avenue – Downtown Chicago, IL nstage/offstage in-person and livestream concerts Each concert streams for 48 hours Since its first concerts in 2011, Vadim Gluzman, artistic director / Angela Yoffe, executive director the NORTH SHORE CHAMBER MUSIC FESTIVAL has quickly grown to become one of the Dear friends, our new onstage/offstage series brings the magic of highlights of the Chicago summer the annual summer festival to downtown Chicago during the 2O2O-21 classical music scene, providing the season. Now that guidelines are permitting in-person concerts we are North Shore district with inspiring so pleased to welcome you back inside the concert hall. Each event is musical experiences of the same presented live-in-person in the lovely recital hall at PianoForte Chicago – level of excellence as those found Chicago’s premier downtown piano destination – and will livestream in the great halls of the world, but to homes around the world at the same time, your choice! within an intimate environment that welcomes both connoisseurs Sit back and relax with some of today’s most acclaimed classical artists as of chamber music and concert they perform beautiful music and discuss their fascinating, complex lives goers who are new to classical both on stage and off. Candid and captivating, each installment of the music, and at an affordable price. series unfurls like a conversation between old friends and reveals insight into the life of classical artists living in modern times. -
PHILIPPE QUINT Biography (Updated July 2016)
PHILIPPE QUINT biography (updated July 2016) Lauded by Daily Telegraph (UK) for his “searingly poetic lyricism” violinist Philippe Quint is carving an unconventional path with his impassioned musical desire for reimagining traditional works, rediscovering neglected repertoire to commissioning works by contemporary composers. His dedication to exploring different styles and genres with an award winning discography has solidified him as one of the foremost violinists of today. Receiving several Grammy nominations for his two albums of Korngold and William Schuman Concertos, Mr. Quint is in constant demand worldwide appearing with major orchestras at venues ranging from the Gewandhaus in Leipzig to Carnegie Hall in New York. Philippe Quint plays the magnificent 1708 "Ruby" Antonio Stradivari violin on loan to him through the generous efforts of The Stradivari Society®. Highlights of the 2015/2016 season included performances with Colorado, Seattle & North Carolina Symphonies, Luzern’s Zaubersee Festival with pianist Marc-Andre Hamelin, and a first visit to Verbier Festival performing with Joshua Bell and Tabea Zimmerman among others. At the invitation of Maestro Vladimir Spivakov, Philippe opened the 28th edition of Colmar Festival dedicated to Jascha Heifetz with Tugan Sokhiev conducting the Orchestre National du Capitole de Toulouse in a performance of Korngold Violin Concerto. Earlier this year he was part of the opening of Mary B. Galvin’s new hall in Chicago hosted by Renee Fleming. Winner of the “Ambassador of Arts” award in 2014, presented to Philippe by Brownstone and Gateway Organizations at the United Nations last March, his 2014-2015 season highlights included debuts with Seattle Symphony with Ludovic Morlot, Milwaukee Symphony with Edo de Waart, Kansas Symphony with Michael Stern, Vancouver Symphony with James Gaffigan, and returns to San Diego Symphony with Jahja Ling and Indianapolis Symphony with Krzysztof Urbanski. -
Master Players Concert Series 2018 - 2019 M O D E R N P I O N E E R S
master playersFESTIVAL & SCHOOL 2018 contents from the director 3 about MPF 4 5 reasons to attend MPF 5 divisions 6 little masters division 7 events 8 thursday, july 26 9 friday, july 27 10 saturday, july 28 11 sunday, july 29 12 monday, july 30 13 wednesday, august 1 14 thursday, august 2 15 friday, august 3 16 saturday, august 4 17 special programs 18 paul kantor workshop 18 karen tuttle workshop 18 american musical journey 19 faculty 20 staff 31 ticketing 32 parking 33 directions 34 local restaurants 35 UD hotel 37 master players concerts series 38 partner & sponsors 40 1 from the director Dear Friends of Music, Welcome to the 4th annual Master Players Festival & School (MPF). MPF is a 12-day international festival that offers world-class concerts, competitions, and exceptional interdisciplinary training to musicians ages 14 and up. The festival features many of today’s leading musicians in faculty concerts, master classes, and presentations that are free-of-charge and open to the public. Young orchestral musicians, pianists, vocalists, and conductors will work daily with some of the most prominent professional musicians of our time. They will join you in the audience to watch their master teachers perform and sometimes even share the stage with them. Our MPF students are the driving force of the future music scene, and I invite you to dive into the world of our young musicians to understand how they learn, process ideas, practice, and prepare performances. These dedicated students take years to perfect their craft, and I hope you will enjoy their professionalism in concert. -
Dorothy Delay, Historic Violin Instructor, Neodesha
Dorothy DeLay - Historic Violin Instructor This is Kansas Profile. I'm Ron Wilson, director of the Huck Boyd National Institute for Rural Development at Kansas State University. She taught the masters. She became one of the most famous, sought-after teachers of professional violinists in the world. Her name was Dorothy DeLay, and she came from rural Kansas. It’s today’s Kansas Profile. Dorothy DeLay was born in 1917 in Medicine Lodge. Her parents were musicians and educators. She later described her upbringing as strict and religious. The family moved to Neodesha where her father became school superintendent, and Miss DeLay grew up there. Her musical talents surfaced early. She began studying the violin at age 4 and did a recital at her church at age 5. She was such an advanced student that she graduated from Neodesha High School at age 16 and enrolled at the Oberlin Conservatory in Ohio. Miss DeLay later transferred to Michigan State. Dorothy DeLay was an outstanding violinist. After her graduation in 1937, she moved to New York to continue her violin studies at Juilliard. She also used her musical talents as part of a musical group that she formed called the Stuyvestant Trio. This consisted of a pianist, Dorothy on the violin, and her sister Nellis on the cello. Dorothy toured Latin America as a member of Leopold Stokowski's All- American Youth Orchestra. After that tour, on the cross-country train trip back home, she met a young writer named Edward Newhouse. Apparently it was true love. Four months later they were married. -
573567 Bk Fuchs US
WIND BAND CLASSICS KENNETH FUCHS Point of Tranquility Christina’s World • Rush • Forever Free Greg Case, Alto Saxophone United States Coast Guard Band • Adam Williamson Kenneth F(Ub. C19H56)S Point of Tranquility 1 Discover the Wild (Overture for Band) 4:49 2 Point of Tranquility (Idyll for Band After a Painting by Morris Louis) 10:19 3 From the Field to the Sky 5:05 (Celebration Fanfare for Brass and Percussion) 4 Rush (Concerto for Alto Saxophone and Band) 14:59 5 I. Evening: (Cadenza – Adagietto) 7:28 II. Morning: (Cadenza – Allegro) 7:31 Greg Case, Alto Saxophone Jeffrey Renshaw, Guest Conductor 6 United Artists (Fanfare-Overture for Band) 5:40 7 Christina’s World (Idyll for Band After a Painting by Andrew Wyeth) 13:46 8 Forever Free (Fanfare-Overture for Band) 4:26 Recorded at Leamy Hall, United States Coast Guard Academy, New London, Connecticut, USA, June 2013 to November 2018 Producer and engineer: Ian Dobie Publisher: all compositions copyright © Piedmont Music Company (ASCAP); Edward B. Marks Music Company, sole selling agent; www.ebmarks.com Booklet notes: Kenneth Fuchs Cover: Beyond the Blue Horizon, 2018, acrylic on canvas, 46 in. x 64 in. © 2018 Preston Trombly (private collection) 2 8.573567 Kenneth Fuchs (b. 1956) Discover the Wild • Point of Tranquility • From the Field to the Sky Rush • United Artists • Christina’s World • Forever Free My first exposure to musical composition was through is then intoned by other woodwind and brass instruments. band music, starting when my high school band director, The development section unfolds with a series of episodic Bentley Shellahamer, encouraged me to compose original variations combining the harmonic, melodic, and rhythmic music for band.