Australian Research Council Centre of Excellence HISTORY OF EMOTIONS ANNUAL REPORT 2017 CONTENTS

DIRECTOR’S VIEW 4 EDUCATION AND OUTREACH 68 Spotlight: The Vault 73 OVERVIEW 6 About Us 7 INTERNATIONAL VISITORS 74 The Centre at a Glance 8 Spotlight: Entangled Histories of Emotions in the Mediterranean World 77 Governance 10 Meet the Advisory Board 12 ARTS INDUSTRY PARTNERSHIPS 78 Feature Focus: The Shaping of a Feature Focus: The ‘Love: Art of Emotion, Society and a Journal 16 1400–1800’ Exhibition 81 Chief Investigators’ Reflections 18 ACADEMIC TRAINING AND DEVELOPMENT 84 Meet the Researchers 24 Selected Academic Training and Update on Postdoctoral Research Fellows Development Events 86 and Postgraduate Students 36 International Partnerships RESEARCH OUTREACH and Collaborations 38 AND PUBLIC ENGAGEMENT 88 Meet the Associate Investigators 40 Feature Focus: ‘Ecstasy: Baroque and Beyond’ Exhibition 92 Spotlight: Powerful Emotions/ Emotions and Power 43 IN THE MEDIA 94

RESEARCH 44 Spotlight: Shipwrecks, Theatre and the Devil Documentaries 97 Meanings Program 44 EVENTS AND PUBLICATIONS 98 Program Report 45 Selected Centre Events 99 Spotlight: Art and Affect 47 Detailed Activity Plan for 2018 102 List of Research Projects 48 Selected Publications 104 Change Program 50 Awards and Research Grants 110 Program Report 51 Spotlight: Project-to-Publication Fellowships 111 Spotlight: News Reporting and Emotions 53 Selected Talks and Presentations 112 List of Research Projects 54 Feature Focus: Behind the Scenes: Producing The Tale of Orpheus and Performance Program 56 Passion, Lament, Glory 118 Program Report 57 PERSONNEL 120 Spotlight: Peace, Empathy and Conciliation Through Music: A Collaboratory 59 KEY PERFORMANCE INDICATORS 126 List of Research Projects 60

Shaping the Modern Program 62 Program Report 63 Spotlight: Wild Emotions: Affect and the Natural World 65 Front Cover Image: Collage of Leonardo da Vinci, Head of Leda, c.1504–1506. Courtesy of Wikimedia Commons, and List of Research Projects 66 ‘Artificial Intelligence’ © Chinnawat Ngamsom iStock.

Inside cover: Ancient Script. ©ThinkStock. DIRECTOR’S VIEW

in environmental studies to host CHE’s education program continued UWA in December. Seminars will be ‘Hacking the Anthropocene II: strongly in 2017, with professional held in Florence, Budapest and at Weathering’ at The University of development sessions for teachers, UQ in 2018. The general aim of the Sydney in May. ‘News Reporting and the creation of education packs (soon series is to ‘advance research on the Emotions, 1100–2017’, the Change to be released), and an extraordinary interconnected histories of people, Program collaboratory held at UAdel, number of school incursions. We ran places and things in circulation in gave important historical and critical 91 outreach events and, in Western the Mediterranean world over a attention to a controversial subject. Australia alone, 5,500 students long historical timeframe’. It also In Perth, a public symposium on attended CHE school workshops. functions as a means of bringing ‘Fanny Balbuk Yooreel: Life, Legacy At the Adelaide node, development European-based scholarship into and Emotions’ helped participants to continued on the online emotions dialogue with other Mediterranean CHE Director Andrew Lynch. © Jean-Paul Horré look at the city streets in a new way, game The Vault, in partnership regions and voices. The series has guided by the reflections of seven with the firm Monkeystack and the been a most welcome development female Noongar elders on the life Wellcome Institute-funded ‘Living for CHE and the Society for the of a remarkable figure of resistance With Feeling’ project at Queen History of Emotions (SHE) as they and cultural pride. Related events Mary University of London (QMUL), look to the future. and outputs included a guided headed by our Partner Investigator The Society, led by CI Jacqueline walk of Fanny’s Perth, a booklet, Thomas Dixon. public outreach and community Andrea’s comment nicely captures Van Gent (UWA), held its first In the report that follows, a walking trail brochure and four building. It offered in one a the relation of the arts to other QMUL was also our partner for conference at UWA in December readers will find facts, education packs. CHE partnered conspectus of CHE’s many different emotions. In a different key, but the ‘Fears and Angers: Historical on the theme ‘Emotions of Cultures/ figures and analyses of with the City of Perth, the National research outcomes, as my following equally powerful, Deputy Director and Contemporary Perspectives’ Cultures of Emotions: Comparative Trust of Western Australia and the CHE’s many activities and look at our 2017 calendar illustrates. Jane Davidson (UMelb) staged conference, which was held in Perspectives’. The meeting Department of Aboriginal Affairs achievements in 2017. Passion, Lament, Glory in St London in June. The conference certainly lived up to its name, with A landmark in the year was the for this project. At The University of Paul’s Cathedral, Melbourne, a brought together psychologists, participants from 15 countries. SHE My intention here is only ‘Love: Art of Emotion, 1400–1800’ Western Australia (UWA), ‘Human performance that featured aerial a neuroscientist and humanities increased its membership to 240 to provide an overview, exhibition at the National Gallery of Rights’ was the focus of the CHE artist Tim Rutty, musicians, singers scholars working on periods over the year. Its biannual refereed and I invite you to explore Victoria (NGV). This long-planned public event to open the Australian and dancers. The centrepiece was ranging from the medieval to the journal, Emotions: History, Culture, event, overseen by Chief Investigator Academy of the Humanities the rest in more depth. Pergolesi’s Stabat Mater (1736). modern to explore its central Society, was launched at the York (CI) Charles Zika (The University of conference in November. Packed audiences witnessed a themes. Then, on 28 and 29 June, conference in June. It has since A special highlight for me in 2017 Melbourne [UMelb]) and curated Passion tradition that spanned CHE’s investment in the area of we partnered with three research secured a seven-year publishing was to learn that a CHE team by Postdoctoral Research Fellow the centuries from the Middle emotions and Indigenous history centres at the University of York contract with the distinguished had won the 2017 Council for Angela Hesson (UMelb), ran Ages through the late Baroque to was highlighted in 2017 by CI to convene ‘Powerful Emotions/ academic press Brill NV (Leiden), the Humanities, Arts and Social from April to June and attracted the present. A modern version of Shino Konishi’s ‘Feeling the Past: Emotions and Power, c.400–1850’, an extraordinary achievement in Sciences (CHASS) Australia Prize for considerable public interest. It was Monteverdi’s The Tale of Orpheus, Indigenous Emotions and History’ a large event featuring keynote such a short period of time. ‘Distinctive Work’, from a pool of 84 accompanied by a symposium, a watershed in musical emotional symposium at UWA. Indigenous lectures by Rita Copeland nominations. I think ‘distinctive’ is a lectures, concerts, floor talks and It has been most pleasing in 2017 expression, was staged in academics and artists from around (University of Pennsylvania) and very appropriate word for the work an outstanding illustrated catalogue to see more and more of CHE’s September. These CHE projects, Australia came together, in Shino’s CI David Lemmings (UAdel). Both of our Centre generally, because with chapters by CHE members former postdoctoral research fellows like several others last year, showed words, ‘to explore how emotional of these events were stimulating our core research on emotions is that unpack the emotional riches and postgraduates securing new the great difference it makes when histories may be motivated by the meetings which engaged us with translated into an unusually wide of the NGV collection. Later in academic positions and research artworks and performances are desire to heal and reconcile with leading scholars in many fields and range of cultural forms, and has 2017, the ‘Ecstasy: Baroque and opportunities. We can state truthfully moved out of storage (actual or the past, or to restore a sense of produced valuable suggestions for impact far beyond the academy. Beyond’ exhibition opened at The that the next generation of emotions metaphorical) and made newly community pride and dignity to future research. University of Queensland (UQ) Art history researchers has been deeply The Zest Festival in Kalbarri (WA), available as emotional experiences. our ancestors, or to express anger Museum – another long-term CHE June 2017 also saw the launch of the enriched by CHE’s programs and the case study for which CHASS and rage over past injustices and industry partner. As at the NGV, CHE also engaged the public by ‘Entangled Histories of Emotions in mentoring. Beyond that, CHE’s work awarded the prize, is an excellent their legacies’. The symposium this event was accompanied by an giving a context in history and the Mediterranean World’ seminar has made the History of Emotions example of this distinctiveness. Zest was recognised as a transformative extensive program of lectures, public humane studies to the emotions series, devised by CHE’s Research both a vital interdisciplinary field and came out of the interdisciplinary event; many of the speakers forums, companion installations, bound up in contemporary life and Development Officer Giovanni an important analytical approach in interests of academics working on remarked on its special atmosphere. film screenings and a dance event. situations. ‘Fire Stories’, a public Tarantino (UWA) and supported by international humanities studies. the emotions of Indian Ocean trade Looking to the future, one participant Interviewed in Art Guide Australia, the workshop at South Australia’s many international partners. The In that, the vision of our founding and the cross-cultural contacts that remarked that they were unaware curator, Associate Investigator (AI) History Festival, featured a dynamic first meeting in Naples Director, the late Philippa Maddern, resulted from these encounters. of any other instance in which so Andrea Bubenik (UQ), commented presentation by Education and was followed by a second in Split in has been realised. Traditional publications have been many excellent speakers had met to ‘I think that’s where the visual arts Outreach Officer Carly Osborn (The September, hosted by former CHE one output – a multi-authored book talk about Indigenous emotions in play such an important role – music University of Adelaide [UAdel]) based visitor Mirko Sardelic´’s Centre for is under contract – but Zest also research. A volume of essays based does too – in encapsulating and on the research of Senior Research the Study of Emotions in Cross- involved major research-based on the symposium is in preparation, enabling ecstasy’. Fellow Grace Moore (UMelb). Cultural Exchange, and a third at investments in music and theatre and another symposium is planned. performance, art, school education, CHE partnered with researchers

4 2017 ANNUAL REPORT | 5 OVERVIEW ABOUT US OVERVIEW

Vision Provide leadership in humanities research worldwide into how individuals and societies experienced, expressed and understood emotions in Europe, 1100–1800, and how this long history has helped to form present-day Australian life.

Fundamental Research Questions Aims • How have communal emotions shaped our • To understand long-term changes in individual and social lives, and our very emotional concepts, expressions and conception of what it is to be human? regulation in Europe, 1100–1800 • How do we best understand the roles of • To investigate the history of mass emotions nature and culture in the formation of and their social, political and economic emotions, both individual and communal? influences • How do understandings, expressions and • To analyse and demonstrate how emotions performances of individual and mass were expressed and performed in literature, emotions change over time? music, art and drama • How does the legacy of past emotional • To show how this history underpins modern understandings and practices continue to Australia’s emotional culture and heritage influence politics, society and culture in • To invigorate contemporary Australian Australia today? performance practices through collaborative research findings • To understand and communicate modern audience reactions to these performances • To raise public awareness of the role and importance of emotions in Australia’s social and cultural wellbeing • To translate emotions research into community-based projects that contribute to Australia’s social and cultural wellbeing • To work towards establishing the history of emotions as a widely used framework for understanding past societies and cultures.

The Canoe Table from ‘The Canoe Project - Stories from the Collection. © Peter Bennett, Koorie Heritage Trust.

2017 ANNUAL REPORT | 7 THE CENTRE AT A GLANCE

OVERVIEW Established in 2011, the ARC In addition to supporting the cross-cultural contacts within Centre of Excellence for the History research projects of its Chief Australia. CHE shares its research of Emotions, Europe 1100–1800 Investigators (CI) and Associate with the wider Australian public to (CHE) has its national office at The Investigators (AI), CHE hosts senior, enrich personal experience, deepen University of Western Australia postdoctoral and honorary research cultural awareness and inform (UWA), with nodes across the country fellows and postgraduate students political and social decision-making at the universities of Adelaide across four research programs, for the future. (UAdel), Melbourne (UMelb), and welcomes international The Centre works to: Queensland (UQ) and Sydney (USyd). visitors as collaborators each year through Distinguished International • Create and foster links between Since its inception, CHE has Visitor and Mid- and Early Career a team of pre-eminent Australian developed an extensive range of Researcher fellowship schemes. humanities researchers, a collaborative links with international The Centre also maintains a nation- network of international experts institutions in Continental Europe, wide program of performances, and institutions, and a set of arts the United Kingdom and North community events and educational industry partners and community America. In 2017 these links were outreach activities. groups; further strengthened through the co-sponsorship of several Australia’s long-term European • Develop innovative procedures international academic events. CHE heritage remains one of its strongest and collaborative opportunities has also continued to enhance its cultural influences, and continues to for scholars with different association with arts industry and shape its individual, community and research methods, and maximise community groups in 2017, working national identities. A main aim of the the benefits of research across with both existing and new partners Centre is to improve understanding different disciplines and including the National Gallery of of the emotional histories of methodologies. Victoria (NGV), the National Trust of Indigenous and settler Australians Western Australia, The University – including emotional attachments of Queensland Art Museum, to land, culture and community Monkeystack and Full STEAM. memory – and the emotions of

Our Locations The Centre for the History of Emotions is a national entity hosted at AUSTRALIA The University of Western Australia, with nodes at the universities of Adelaide, Queensland, Melbourne and Sydney. It has collaborative partners worldwide: • Université du Québec à Montréal (Canada) • Western University (Canada) CANADA • Freie Universität Berlin (Germany) • Umeå University (Sweden) • University of Fribourg (Switzerland) UNITED • Durham University (UK) STATES • Queen Mary University of London EUROPE (UK) • University of Bristol (UK) • University of Southampton (UK) • University of York (UK) • Arizona State University (USA)

Leah Lui Chivizhe admiring Natalie Harkin’s ‘I Weave Back to You’ basket at the ‘Feeling the Past: Indigenous History and Emotions’ symposium.

8 GOVERNANCE

OVERVIEW The Centre’s administering Partner Investigators and the NGV featuring over 200 works organisation is UWA. The CIs International Linkages from the gallery’s collection, are located at UWA and at the opened in March and ran until four other nodes: UAdel, UMelb, The Centre has Partner Investigators June. Postdoctoral Research Fellow UQ and USyd. Decision-making (PI) at seven European universities Angela Hesson (UMelb) was the processes are highly consultative, and two Canadian universities curator. ‘Ecstasy: Baroque and enabling all nodes to take part. At (see p. 38). Beyond’ was the second major UWA, the Centre Director (Andrew International linkages in 2017 were exhibition partnership between Lynch) reports to the Deputy Vice- developed through collaborative the Queensland node of CHE Chancellor (Research) and liaises research agreements and jointly and the UQ Art Museum. It was with the Pro Vice-Chancellor/ convened conferences. The curated by AI Andrea Bubenik (UQ). Executive Dean of the Faculty of ‘Fears and Angers: Historical Passion, Lament, Glory was held at Arts, Business, Law and Education. and Contemporary Perspectives’ Melbourne’s St Paul’s Cathedral in Executive direction of the Centre conference, 19–20 June 2017, April, drawing links between the is undertaken by the Director in was organised by the Queen Mary global refugee crisis and the Easter conjunction with the Deputy Director University of London (QMUL) Centre message; and The Tale of Orpheus (Jane Davidson, UMelb) and the for the History of the Emotions and was performed in Melbourne Centre Manager (Tanya Tuffrey, UWA). CHE. PI Thomas Dixon was on the in September. Financial and day-to-day operations organising committee and CHE Two documentaries were produced are largely the responsibility of the Advisory Board member W. Gerrod as outcomes of CHE’s public Centre Manager, in consultation CI Bob White and Postdoctoral Research Parrott was invited to present a outreach projects – Emotions and with the Centre Director, the Deputy Fellow Kirk Essary at the ‘Hamlet and paper. A conference on ‘Powerful the Zest Festival and Old Emotions Emotions: Then and Now’ symposium. Director and administrative officers. Emotions/Emotions and Power on the New Fortune Stage. These are At the four node universities, day-to- c.400–1850’ was jointly organised available on vimeo.com/206531899 day operations are managed by the by CHE and the centres for Medieval and vimeo.com/233430160. The node directors in conjunction with Studies, Renaissance and Early ‘Multicultural Harmony Through CHE Organisational Structure their administrative officers, who Modern Studies, and Eighteenth- Lullabies’ project with VICSEG report to the Centre Manager. Century Studies at the University (Victorian Cooperative on Children’s Research-related activity of York. Members of the ‘Objects As the organisational chart shows Services for Ethnic Groups) New Administrative activity (see p. 11), CHE’s research is and Emotions: Rituals, Routines, Futures, which supports and trains overseen by the leaders of four Collections and Communities’ newly arrived and recently settled project, which is funded through a research programs: Bob White migrant communities, enacted Director Advisory Board (UWA, Meanings Program), Manchester-Melbourne Humanities two Lullaby Train performances in David Lemmings (UAdel, Change Consortium Fund Research Grant, November. CHE continued work with Program), Jane Davidson (UMelb, met at The University of Manchester school outreach programs through Program Chief Research Deputy Director Centre Performance Program) and in July 2017. Three events were held the year, with workshops presented Leaders Investigators Development Officer Manager Stephanie Trigg (UMelb, Shaping in the Mediterranean Seminar series to over 5,500 students in Western • Distinguished the Modern Program). The Centre ‘Entangled Histories of Emotions in Australia. Professional Development International the Mediterranean World’, in Naples, Visitors Director has general oversight of days and workshops for teachers Associate Project-to-Publication Partner • Early Career Split and Perth (see p. 77). Investigators Fellows Investigators Research research. The CIs and the Director were held in Brisbane, Melbourne Visitors meet regularly to discuss decisions and Perth, and educational packs • Mid-Career As shown in the organisational Research relating to research and research chart (see p. 11), it is the Director’s on CHE research projects have been Visitors direction. All CIs, AIs, postdoctoral responsibility to maintain and made available to teachers. research fellows and postgraduate develop international research Advisory Board students report biannually on the National Postdoctoral Postgraduate National Arts Industry • National • Administrative connections, with the assistance of Mentor Research Students Mentor Partners Communications Officers outcomes of their research projects. the Research Development Officer The Centre’s Advisory Board (see Fellows Officer • Finance Supervision of the postdoctoral • Education Officer (Giovanni Tarantino, UWA). p. 12) – which includes renowned and Outreach research fellows is undertaken scholars in the history of emotions Officers • Research Officers locally by CIs; the Director takes Arts Industry Partnerships and cognate fields, representatives • Web Officers national responsibility for their and School and Community of our arts industry partners and mentoring. Postgraduate students Outreach experienced public policy experts are mentored by local supervisors. – meets annually with the Director, Meanings Change Performance Shaping the CI Stephanie Trigg (UMelb) acts as Principal creative arts partners Deputy Director, CIs, Research Modern a national mentor. in 2017 included the NGV and the Development Officer and Centre UQ Art Museum. The exhibition Manager to review the Centre’s ‘Love: Art of Emotion, 1400–1800’, progress and provide academic a collaboration between CHE and and strategic advice.

10 2017 ANNUAL REPORT | 11 OVERVIEW Reflection by Ian Donaldson, Vice-Chair, CHE Advisory Board Meetings of the CHE Advisory The history of emotions is an area Board have a character all of their of study that scarcely existed until own. The starting procedures are a few years ago in the academic a bit like those of the Melbourne world, and was wholly unknown Cup, but rather more complex. The to a wider public. Its recognition horses – some flighty, some frisky, over recent years as a powerful some not yet ready to come to the lens through which events of the gate – need first to be coaxed by past can be viewed, and those of Ian Donaldson (Vice-Chair) is the handlers to enter their various the present more fully understood, an Honorary Professorial Fellow stalls. But with this event not all is due in large measure to the in the School of Culture and participants share the same stretch international leadership of CHE, Communication at UMelb and of turf or inhabit the same time zone. working in creative partnership with an Emeritus Professor at the Advisory Board member Carmen Lawrence Some enter the meeting through allied institutions in other parts of Australian National University. and CHE Director Andrew Lynch. an actual door, others materialise the world. No member on the Board He was founding Director of on an overhead screen via the was initially trained in the field that ANU’s Humanities Research magic of Zoom video-conferencing the Centre now promotes. We come Centre and the University of software. It is mid-afternoon in instead from adjacent disciplines Cambridge’s Centre for Research Perth, tea-time in Adelaide, nearing and practices: from medicine and in the Arts, Social Sciences and the cocktail hour in Melbourne, psychology, from federal and state Humanities. He is a Fellow and MEET THE ADVISORY BOARD Sydney and Brisbane, and alarmingly politics, from film and broadcasting, Past President of the Australian early in the morning in Berlin and from Indigenous scholarship, from Academy of the Humanities, and Oxford where Board members various branches of literary, classical Fellow of the British Academy and emerge heroically one by one on- and historical studies. The majority the Royal Society of Edinburgh. screen, bleary-eyed but ready for of us, therefore, are not strictly action, coffee in hand. Connections speaking experts in the field upon with Boston, Washington DC, which we set out to advise. Meeting The Advisory Board is composed of individuals and Spain were not needed this as we do each year, however, in the year, for other Board members instructive company of the Centre’s selected for their breadth of knowledge of either have come to Australia in Director, its Deputy Director, its person or are busy elsewhere. An Chief Investigators, its Manager government, research and business-related Acknowledgement of Country opens and National Administrative Officer, the meeting, but the land on which we’re superlatively briefed on aspects of the Centre’s activities, both in we meet, whose ownership by its the activities of the Centre and traditional occupants we gratefully its future plans, and the traffic of Australia and worldwide. acknowledge, is not easy to define. ideas, arguments and suggestions Plaintive far-off bird calls start to invariably flows in two directions. penetrate the meeting: peacocks What we as Board members learn Advisory Board members provide Perspectives’ conference, co- chaired a CHE research showcase, screeching from some Oxford helps us to act throughout the year the Centre with strategic counsel convened by CHE and QMUL Centre ‘Discover the History of Emotions’, at garden? Ibis or black cockatoos in our various corners of the country in conducting top-level research for the History of the Emotions, UWA on 24 November; Lyndal Roper wailing from Perth’s Kings Park? and of the world as the advocates, in the humanities and in making at QMUL on 19–20 June; Jakelin delivered a public lecture on ‘Luther It’s hard to be sure. But birds – even promoters and friends of this bold the results accessible to the wider Troy, Fiona Stanley and Carmen and Dreams’, co-hosted by CHE, at fish! as recent research has shown and innovative Centre. community. In 2017 CIs were invited Lawrence participated in the ‘Feeling UMelb on 4 December; Jakelin Troy – have their own individual feelings, to attend the Advisory Board meeting the Past: Indigenous Emotions and gave a public keynote lecture at the just as humans do, and these distant in Perth. Members and CIs joined History’ CHE symposium at UWA on inaugural conference of the Society cries may alert a thoughtful listener by video-conference from Adelaide, 9–10 November; Anna Haebich and for the History of Emotions, ‘Emotions to a potential corner of the huge and Brisbane, Melbourne, Berlin and David Konstan gave public keynote of Cultures/Cultures of Emotions: endlessly intriguing field of enquiry Oxford. lectures at a CHE-sponsored event, Comparative Perspectives’, at UWA that this ARC Centre of Excellence ‘Emotions, Human Rights and on 12 December; and Iain McCalman Board members were active sets out both to explore and (in Humanitarianism’, to open the 48th presented a plenary session at the participants in CHE events during another sense) to create. Annual Symposium of the Australian ‘Wild Emotions: Affect and the Natural 2017: W. Gerrod Parrott presented Academy of the Humanities at UWA World’, at UMelb on 14–15 December. a plenary paper at the ‘Fears and on 15 November; Carmen Lawrence Angers: Historical and Contemporary

12 2017 ANNUAL REPORT | 13 OVERVIEW

Iain McCalman AO (Chair) German E. Berrios is Emeritus Amanda Duthie is Director and CEO W. Gerrod Parrott is Professor Lyndal Roper is Regius Professor Fiona Stanley AC FAA FASSA is a Fellow of four learned Professor of Psychiatry, University of the Adelaide Film Festival, and of Psychology at Georgetown of History at the University of FAFPHM FRACP FRANZCOG is academies and former President of Cambridge, and Life Fellow in she curates and manages the AFF University. His central research Oxford, the first woman and the Patron and Founding Director of of the Australian Academy of the Medicine at Robinson College, Investment Fund, delivering award- interest is the nature of human first Australian to hold the post. the Telethon Kids Institute, and is a Humanities. He is a research Cambridge, UK. He has published winning and critically acclaimed emotion, on which he has published She is a leading researcher in Distinguished Research Professor professor in history at USyd and 14 books and over 450 papers fiction, documentary, interactive and over 75 scholarly chapters and early modern German history, at UWA’s Medical School. In addition Co-Director of the Sydney on neurological and psychiatric moving image projects. She serves articles and four books, including Luther and the Reformation, and a to her patronage of societies Environment Institute. His latest disorders, psychopathology, and on the Festivals Adelaide Board, The Positive Side of Negative Emotions pioneer of gender history. She is a supporting women, families and book is The Reef: A Passionate the history and epistemology of the Ukaria Board and the South (Guilford Press, 2014). He was Editor Fellow of the Australian Academy children, she is a UNICEF Australia History (Penguin and Scientific psychiatry. His awards include six Australian Museum Board. Amanda of Cognition and Emotion (1995–1999) of the Humanities and the British Ambassador for Early Childhood American, 2014). He has been a doctorates honoris causa, the Order was previously Head of Arts and and President of the International Academy for the Humanities and Development and a Governor of historical consultant and narrator of the Sun (Peruvian Government) Entertainment at ABC TV, delivering Society for Research on Emotions Social Sciences, and of the Berlin- the Ian Potter Foundation. She was for the BBC and ABC, as well and the Ramón y Cajal Award popular and award-winning content (2008–2013). He is a Fellow of Brandenburg Academy of Sciences named Australian of the Year in as for other television and film (International Neuropsychiatric across all platforms, and was the Association for Psychological and Humanities. She holds an 2003 for her research on behalf of documentaries. He is an Officer of Association). He is a Fellow of the instrumental in setting up the Science, co-editor of the journal Honorary Doctorate from UMelb. Australia’s children and Aboriginal the Order of Australia for services to Academy of Medical Sciences, Centre’s Arts Industry Partnership Emotion Review, and serves on the social justice. history and the humanities. UK, and of 19 international with the ABC. Advisory Board of EHCS. psychiatric associations.

Anna Haebich is a John Curtin David Konstan is Professor of Carmen Lawrence is a former Jakelin Troy is a Ngarigu woman Claudia Ulbrich is Professor Distinguished Professor at Curtin Classics at New York University Western Australian Premier, from the Snowy Mountains of Emerita of Early Modern History University, researching Aboriginal and Professor Emeritus at Brown Treasurer and Minister for Education New South Wales and Director of and Gender History at Freie performing arts in Western Australia, University. His research focuses on and Aboriginal Affairs, and former Aboriginal and Torres Strait Islander Universität Berlin. She is the author past and present. A multi-award- Greek and Roman comedy and the Federal Minister for Health and Research at USyd. Jakelin’s research of Shulamit and Margarete: Power, winning Australian author and novel, Greek philosophy, and the Human Services and Minister and academic expertise are in Gender and Religion in a Rural historian, Anna is recognised history of emotions and values. Assisting the Prime Minister on the the fields of Australian languages Society in Eighteenth-Century Europe, for her research and work with He is a Fellow of the American Status of Women. She brings her and linguistics, anthropology, translated by Thomas Dunlap (Brill, Aboriginal communities, in particular Academy of Arts and Sciences and extensive political and academic visual arts and education. She has 2004) and co-edited Mapping the the Noongar people. Her career Honorary Fellow of the Australian experience to the Board. She was extensive experience developing ‘I’: Research on Self-Narratives in combines academia, curatorship, Academy of the Humanities. Chair of the Australian Heritage curricula for Australian schools, Germany and Switzerland (Brill, creative writing and the arts. She is He serves on the editorial boards Council until June 2016, and is focusing on Australian language 2014). She serves on the advisory a Fellow and former Vice-President of numerous journals around Professor and Director of the Centre programs. She is Editor in Chief of board of Egodocuments and History and Council member of the Australian the world, including Emotions: for the Study of Social Change in the ab-Original: Journal of Indigenous Series (Brill) and the editorial boards Academy of Humanities and the History, Culture, Society (EHCS), and School of Psychology at UWA. Studies and First Nations and First of L’HOMME: European Journal of Australian Academy of Social Sciences. co-edits the series ‘Emotions of the Peoples’ Cultures. Feminist History and Selbstzeugnisse Image: Sam Proctor Past’ (Oxford University Press). der Neuzeit (Böhlau).

14 2017 ANNUAL REPORT | 15 OVERVIEW CI Charles Zika and Research Development Officer Giovanni Tarantino.

First holes in the wall (series). © CrazyD / iStock.

FEATURE FOCUS Robyn and Sadie Heckenberg at the CI Stephanie Trigg, CI Jacqueline Van Gent ‘Emotions of Cultures/Cultures of Emotions: The Shaping of a Society and a Journal and Advisory Board member Jakelin Troy. Comparative Perspectives’ conference.

reflective scholarship that explores ‘Ecstatic Melancholic: Ambivalence, diverse cultures and historical time The Society for the History of Emotions (SHE) was how scholars access, uncover, Electronic Music and Social Change periods as ancient Mesopotamia, construct and engage with emotions Around the Fall of the Berlin Wall’ early modern Rome, eighteenth- created to ensure the continuation of history of emotions in their own scholarly practice. (EHCS 1.2). century China, nineteenth-century Cuba and contemporary India. EHCS 1.1 was launched in June research into the future, and to expand the scope of SHE International Papers were delivered by delegates 2017 at the University of York. It Reading Group from Denmark, Finland, Germany, includes articles by leading scholars research to different temporal and cultural settings, Italy, Switzerland, UK, Canada, USA, writing on subjects as diverse as the Following the ‘Powerful Emotions/ China, India, Pakistan, South Korea, representation of criminal justice Emotions and Power, c.400–1850’ from antiquity to the present and across the globe. Australia and New Zealand. in eighteenth-century news reports conference at the University of York and novels, the influence of memory in June 2017, CHE CI Stephanie Trigg The Society and CHE, in conjunction and mourning in the formation established a Society for the History with European partners, convenes of post-colonial African national of Emotions International Reading an international seminar series titled SHE’s aims are to: Emotions: History, Culture, in multidisciplinary approaches identities, and methodologies Group, using the online platform ‘Entangled Histories of Emotions in (qualitative and quantitative) from for understanding emotional Loomio. This initiative has been the Mediterranean World’. Seminars • Organise conferences, symposia Society history, art, literature, languages, experiences of musical performance very successful, with 200 members were held in Naples, Split and Perth and postgraduate training events EHCS is a peer-reviewed, music, politics, sociology, cognitive over time. EHCS 1.2, a special issue participating in the group by the end in 2017, with events planned in to further knowledge in the history interdisciplinary journal dedicated sciences, cultural studies, on ‘Emotions and Change’, was of 2017. It now includes a specialist Florence, Brisbane and Budapest in of emotions; to understanding emotions as environmental humanities, religious launched in December 2017 during section for participants interested in 2018, and possibly others to follow • Provide global information, historically and culturally situated studies, linguistics, philosophy, the inaugural SHE conference at emotions and Asia. (see p. 77). networking and collaborative phenomena and exploring the psychology and all other related UWA. This thematic issue considers Events opportunities for scholars of role of emotion in shaping human disciplines. the ways that emotions have emotions; experience, societies, cultures and influenced and produced social, The inaugural SHE conference, environments. Its advisory board Papers that interrogate the cultural and political change. ‘Cultures of Emotions/Emotions of • Produce a biannual journal, draws on the expertise of scholars methodological and critical problems Cultures: Comparative Perspectives’, A prize for the best EHCS article Emotions: History, Culture, Society from 22 institutions around the globe of exploring emotions in historical, was held at UWA from 11 to 13 in each year has been established (EHCS), in print and online. and from a wide range of disciplines. cultural and social contexts, and the December 2017. It was a truly relation between past and present in memory of CHE’s inaugural Membership has grown steadily global event with exciting and EHCS accepts submissions on in the study of feelings, passions, director, Philippa C. Maddern. In since the launch of the Society in intellectually stimulating papers theoretically informed work from sentiments, emotions and affects, 2017 the Philippa Maddern Prize September 2016, with more than presented by scholars working on a range of historical, cultural and are especially encouraged. EHCS was awarded to Ben Gook (Humboldt 200 members by the end of 2017. the history of emotions in such social domains. It is interested also seeks to provide a forum for University of Berlin) for his article

16 2017 ANNUAL REPORT | 17 CHIEF INVESTIGATORS’ REFLECTIONS OVERVIEW

Andrew Lynch Jane W. Davidson David Lemmings Stephanie Trigg Director Deputy Director and Performance Program Leader Change Program Leader Shaping the Modern Program Leader The University of Western Australia The University of Melbourne The University of Adelaide The University of Melbourne Written and other cultural texts – cinema, artworks, My research transcends disciplinary boundaries. As a historian who sometimes dabbles in social science The CHE node at UMelb has run a monthly reading group ceremonies – do not literally ‘capture’ or ‘recreate’ the Over the past seven years, I have been able to embed a theory, I have become aware that the history of emotions on the history of emotions, more or less continuously intense emotions and affects of war experience, but history of emotions methodology within psychological is somewhat under-theorised, at least as far as historical since 2011. We began with many of the key emotions they are principal mediators and mobilisers of emotions and performance approaches. This has not only allowed change is concerned. Collaboration with CHE associates theorists as we worked our way into the field and in and about war. They offer models of feeling, help to for deep reflection on the ways that emotions operate and visitors has proved fruitful in this area, however. particularly enjoyed reading interviews with leading distribute emotional attention among events and agents, and change over time and in relation to context, but it For example, the work of Emma Hutchison and Roland scholars. Such interviews can be a great way to navigate and mark out special places for attachments of love, pity, has also enabled me to investigate what emotions had Bleiker from UQ (‘Theorizing Emotions in World Politics’, complex material and subtle methodological differences grief, fear and pride. the power to do in the past and how emotions function International Theory 6.3 [2014]: 490–594) has proved in a conversational form. Our group members range today, particularly through music. My engagements illuminating. Hutchison and Bleiker have considered in expertise from medieval to early modern and later My research on medieval literature has led me to have embraced people from all sectors of society, how individual emotions become collective and therefore periods, and we have often found it mutually enlightening reconsider how cultural texts treat the ‘violence’ of war. ranging from elite performers to the general public. contribute to politics. They argue that, as far as observers to be reading from a range of disciplinary perspectives. ‘Violence’ in later medieval English meant a particularly In my research, I have been able to work with people are concerned, bodily emotions are always inter- We allow an hour and a half, but there is no pressure to abusive, tyrannical or excessive use of physical force; encountering significant social and often deeply personal subjective and performative and they therefore act as keep discussion going that long, especially if the group only later did the word come to mean the use of strong emotional changes and challenges: recent refugees, instruments that constitute societies and states. Indeed, is small in number for any reason. When our meetings physical force more generally. Whether a medieval act Indigenous Australians, elderly people and people living emotions come into play as a social force in response to coincided with visits by international scholars, they of force was ‘violent’ or not partly depended on how with disability. I have consolidated my own understanding aspects of society that people care about. And emotions would sometimes participate and occasionally lead people read the emotions behind it. To avoid the stigma of emotion as a driver of life and change, and I have been exist in a dialectical relationship with the communities discussion, but the real strength of the group is its stable of ‘violence’, medieval writers used highly emotional able to realise, through performance and practice, the that inform their expression: individual people strive to core of local researchers, postdoctoral fellows and narrative and poetic strategies to distinguish between power of music in the emotional regulation of individuals perform emotions according to discursive ‘feeling rules’, postgraduate students. right and wrong uses of force in war. Fierce emotions and collectives. Working in and through musical which cause them to identify with each other. At the of pity and grief for fallen comrades, followed by anger At times the various CHE nodes can get very busy with performance and with interests in psychological states macroscopic level, communities tell stories about their against enemies, signalled a right course of action and visitors and events, and individuals are often juggling – whether re-imagining a Baroque opera or exploring values and identities. Thus the individual experience of were understood both to motivate and to justify revenge. writing and teaching commitments. I find the reading the reminiscence-power of song with old people – has trauma in revolution, as remembered and represented in Contrary to the ideas of those who regard such scenes as group a great way of staying in touch with scholarship demonstrated the vital nature of music, in social life and contemporary histories, shapes polities that are designed symptomatic of ‘uncivilised’ medieval emotions, graphic in this rapidly growing field. It also reminds me of individual wellbeing, for emotional expression, self- to avoid past calamities. And no stories are ever entirely descriptions of slaughter in medieval battle are often the intellectual community – both nationally and regulation and social sharing. ‘authentic’: the clash of competing narratives and their designed to indicate that an action is not ‘violent’ but internationally – of which we are a part. emotional expression is the essence of power politics. appropriately executed. In 2017, following discussions at the ‘Powerful Emotions/ Some of these ideas will help to inform another Commemorations of modern wars, such as the Great Emotions and Power, c.400–1850’ conference in collaboration: a discussion forum on constitutional War, are also emotionally managed through select York, I developed an online presence for our reading patriotism intended for the third issue of Emotions: narratives, verbal formulae and rituals, but with a group, using the Loomio platform and linking it to History, Culture, Society, which I will co-edit with Kathryn difference. Emotions of anger and revenge, powerful at the new Society for the History of Emotions. There Temple of Georgetown University (CHE Distinguished the time, are played down in memorials, while pity for the are currently over 200 members in this group, from International Visiting Fellow in 2016, returned visitor horrific sufferings of soldiers becomes transformed into a range of countries and from scholarly disciplines in 2017). Among other things, this collection aims to praise for their ‘sacrifice’ and even into an endorsement beyond those represented by CHE. The group is still discuss the particular emotions that constitute loyalty to of the disastrous war as just and necessary. In this developing its protocols, but it has been delightful to frameworks of government, rather than race or ethnicity. respect, the study of medieval writing can still tell us find an enthusiastic global audience for the kinds of much about how war emotions are textually negotiated interdisciplinary dialogues and discussions that have in the present day. been such a feature of CHE’s work.

18 2017 ANNUAL REPORT | 19 OVERVIEW

Bob White Paul Gibbard Peter Holbrook Shino Konishi Meanings Program Leader The University of Western Australia The University of Queensland The University of Western Australia The University of Western Australia My research on the relations between sensibility and A big part of CHE’s success has derived from its public Since becoming involved with CHE, my notion of what the My research projects in 2017 have brought me into empiricism in French scientific exploration in the late education and outreach program. At UQ we have run history of emotions entails has significantly expanded fruitful collaborations with others. CHE National eighteenth and early nineteenth centuries has led a number of workshops to bring together high-school beyond thinking about how particular emotions were Communications Officer Erika von Kaschke organised me to work more closely with the museum sector in teachers and some of the very best scholars in the conceived and expressed at different moments in time, to the filming of a public video, Old Emotions on the Australia and has allowed me to share my work with a humanities, both local and international. My experience recognising that emotions can also provide a framework New Fortune Stage, which has now been internationally broader public. I was involved in compiling the exhibition of running these events tells me that schoolteachers for why we investigate the past and how we investigate it. released. This video drew on the knowledge and catalogue for ‘The Art of Science: Baudin’s Voyagers, want to stay in touch with the latest scholarship in From an Indigenous history point of view, emotions are expertise of a range of different skills from scholars, 1800–1804’, which has been touring Australia for a literature, history, art history, drama, musicology and particularly illuminating for how we can gain new insights theatre historians, film-makers and technicians. year and will come to Perth in late 2018. This exhibition the like. They want, and rightly expect, expert training from Indigenous oral histories by better understanding The result should enhance the reputation of the presents the artwork of the French expedition to in the disciplines they profess. the cognitive relationship between emotions and New Fortune Theatre, the unique resource of the Australia, which originally fulfilled a scientific function memory, for example, and for also understanding the I have a particular interest in working with English reconstructed Elizabethan playhouse at UWA, and its but is now as much appreciated for its artistic qualities. continuities between the past and present. Emotions teachers, because advanced literacy does not just capacity to awaken emotions that amount to ‘audience I wrote in particular about a portrait of Théodore shape how Indigenous scholars identify with, and ‘feel’ happen. If we want a sophisticated literary culture contagion’. On the same subject, I worked with Ciara Leschenault de la Tour in a piece titled ‘The Affable with, our ancestors and what they experienced, as a way – or even just citizens able fully and meaningfully to Rawnsley (UWA) to compile a book of essays, The New Botanist’, in which I linked evidence of Leschenault’s of understanding the past. participate in political deliberation – we must ensure Fortune Theatre: That Vast Open Stage (UWA Publishing, sensibility with his career as a scientist. In this period, our schools are stocked with teachers who have been Involvement with CHE events has introduced me to forthcoming May 2018). This was a very rewarding the notion of the detached and impartial scientific properly educated in the disciplines they teach. people in the local education and heritage sectors. project, bringing back to life the words of original observer had not yet been fully embraced and in other I was able to participate in a professional development pioneers of the theatre (built in 1964) together with writings I have traced the way in which the emotional But if such expert training of teachers is to take place, we day for schoolteachers and discuss with them the users of the stage during its 52 years, and drawing reactions of the scientist were considered a valid form must ensure our university faculties, of humanities and challenges they faced in teaching Indigenous history in into collaboration theatre historians and practitioners of empirical knowledge. social and natural sciences, are peopled with high-quality the classroom, as well as how we might make Indigenous who called on a range of different, performative academics. There is no other route to a first-class high- history more relatable to students from a wide range experiences. Meanwhile, my own monograph, Ambivalent school system. Likewise, if we want young people able to of backgrounds. Similarly, encountering heritage Macbeth (Sydney University Press, forthcoming May use language with precision, grace and clarity, we need experts made me more aware of the public utility of 2018) draws heavily on my recent involvement with to ensure they are taught those writers pre-eminent in history and how it can be better communicated to a history of emotions. The research allowed me to place eloquence and imaginative and intellectual power. It is general audience. Shakespeare’s play in its contemporary affective imperative then that high schools introduce students environment (including anecdotal reports that ‘real to major authors. At UQ our seminars for teachers Through organising a symposium for CHE, I have been devils’ were stirred to watch Marlowe’s Doctor Faustus in have focused on such authors, Shakespeare, Austen, able to strengthen my existing networks with other the early 1600s, so ‘infectious’ was the atmosphere of evil Wordsworth, Coleridge, T. S. Eliot and Plath among them. Indigenous scholars by bringing together researchers, in these plays!). I also generated a theory which promises writers and artists from across Australia. The So that has been one of the principal aims of the to lead to new interpretations of all Shakespeare’s plays: opportunity to work face to face was highly valuable but, education and outreach program at UQ: to bring teachers the notion that characters respond to each other in more particularly, the common focus on emotions was a into contact with recent scholarship in the humanities. ways that suggest each personage carries an individual significant touchstone for us to examine the intersections CHE has justified itself in many ways but, to my mind, its ‘emotional world’ interacting in vital fashion with between our research: research that spans different work with schoolteachers is one of its key contributions others. This idea will feed into one of my next projects, disciplines, approaches, periods and genres. The burning to modern Australian life. a commissioned chapter in a book titled Shakespeare question for me is: how might emotions, including and Emotions (Cambridge University Press, forthcoming observations about how they were expressed, contribute 2019) on ‘Characterisation and Emotions’. to reconstructing pre-colonial Indigenous worlds?

20 2017 ANNUAL REPORT | 21 OVERVIEW

Juanita Feros Ruys Jacqueline Van Gent Charles Zika “Objects pick up, The University of Sydney The University of Western Australia The University of Melbourne When I began my research for CHE, I was a medievalist. The attachment of emotions to material things is an Through my time in CHE studying the religious carry and embed I was also interested in the classical inheritance and intriguing phenomenon that has attracted my interest, devotions that shaped communities in the sixteenth longue durée of medieval traditions, but my work was arising from my participation in an international research and seventeenth centuries, I have become much more emotions and thereby solidly Eurocentric. project involving Lund University, Lund Historical finely attuned to the critical role played by emotions and Museum and CHE. This is the first comprehensive religious objects. Objects were certainly given some accrue the power to The history of emotions has expanded my vision, study of the collection of Kilian Stobaeus (1690–1742), attention in the emergence of micro-historical and revealing the interconnectedness of research fields a Swedish medical scholar and teacher of Carl Linnaeus cultural history approaches in late twentieth-century arouse others, and to across broader disciplines, periods and geographic whose collection influenced Linnaeus deeply. We hope historiography. Objects were explored in order to unlock areas. From asking questions about how the medieval that this project will begin an ongoing collaboration and display society’s webs of meaning, within which link users and observers European demonic influenced the perceptions of colonial between Australian and Scandinavian research individuals and communities were located. Objects settlers and explorers in Australia, my research has institutions and museums. marked out the patchwork of ritual spaces within which to channel and mediate grown to encompass the emotions of Australian place, the life, meaning and identity of religious communities their intersection with colonial and Indigenous history, Our workshop, ‘Stobaeus’s Cabinet of Curiosity: were practised and fashioned. Objects were also their emotions.” and how Australian wildlife is experienced and imagined. Emotions, “Curiosa” and Collecting in Early Modern instruments used in rituals, together with gestures, Sweden and Beyond’, at Lund University in October, Focusing on a large open cavern called the Devil’s Coach prayer and song, to communicate meaning. Religious addressed the role of emotions in early modern scientific CI Charles Zika House in the Jenolan Caves west of Sydney, I have objects were clearly central to religious meaning collections. My case study compared the very different considered how the European demonic was used to systems, joining the material, the everyday and the emotional dynamics associated with the acquisition of efface the massacres of Indigenous peoples in the area present to the broader world and cosmos, to realities three objects in the Stobaeus collection: a Chinese set at the same time as the European ‘discovery’ of the beyond time and space. of scales acquired through the activities of the Swedish caves. This research has resulted in a journal article in East India Company in Canton; a Dutch hand-drawn While the study of sacred objects helped to open up the Preternature (2016), a presentation at the Sydney Writers’ map of Buddhist sacred sites in Sri Lanka, which symbolic meanings that religious societies construct, Festival (2017), two conference presentations on ‘dark reinterpreted them as graves of Adam and Eve; and how those meanings became significant to devotees tourism’ at the Jenolan Caves (2017) and a documentary a woman’s skirt worn by South American Indians in was left obscure. Objects as symbols of larger meaning titled The Devil’s Country (directed by Cassie Charlton) Dutch Guinea (modern Suriname), most likely acquired systems had to be shown to matter. A history of emotions which will be shown at a conference in the USA in 2018. through Moravian missionaries. All three raise important approach has allowed us to explore in much greater The highlight of filming was travelling to Bathurst to questions about how to present material things and detail how emotions stick to objects (as Sara Ahmed has interview local Wiradyuri Elder Dinawan Djirribang, who the emotional interactions they represent, particularly theorised). Objects pick up, carry and embed emotions speaks movingly of the Indigenous history of the area considering the affective meanings objects held (and and thereby accrue the power to arouse others, and to both before and after European colonisation. We were often still hold) for their original owners or makers link users and observers to channel and mediate their especially honoured that Dinawan took us to a place outside of Europe. emotions. Objects play a key role in human relationships, outside Bathurst important to the Wiradyuri people and as they do with the divine. But it is not only humans My next contribution will be an affective object biography allowed us to film him there. I feel that the history of who shape these emotional relationships; so too do of a Kaurna shield from the Adelaide Plains in South emotions has allowed me to grow from being ‘just’ a the material qualities of the objects – their shape, size Australia, gifted to the museum by Carl Esaias Nilsson medievalist to being a medievalist who is also engaged and luminescence, their tactile and visual features. (1829–1909). The story of the shield’s journey from with my own time, my own country and the troubling So religious objects become encased in emotional layers, southern Australia to Lund will direct attention to the consequences of its colonial past. which help to link devotees in different ways to the complex emotional dynamics of encounters between symbolic meaning systems they create. Indigenous Australians and European whalers, when the object will be displayed in the historically reconstructed Stobaeus Wunderkammer in 2020.

22 2017 ANNUAL REPORT | 23 MEET THE RESEARCHERS

OVERVIEW CHE strives to facilitate research and assist existing and emerging scholars. In 2017 we supported two senior research fellows and 22 postdoctoral research fellows, each based at one of the Centre’s node universities. These scholars contribute valuable research to the Centre, while developing their own expertise and networks. To read more about their research projects, please see the project lists accompanying each program report.

Diana G. Barnes Lisa M. Beaven Postdoctoral Research Fellow Postdoctoral Research Fellow The University of Queensland The University of Melbourne I have been involved with CHE from its inception, first My CHE research project has centred on the role of as an Associate Investigator in 2012 (and again in 2015 emotion and the senses in relation to religious images and 2017), then as a Research Associate in 2013 and and objects in seventeenth-century Rome. It began lately as a UQ postdoctoral research fellow partially by focusing on pilgrimage but evolved into a study of Merridee L. Bailey Michael D. Barbezat sponsored by the Centre. My interest in emotions the rosary, from the point of view of the senses and predates CHE. Indeed, it began with my doctoral research the emotional impact of each of the mysteries: ‘joyful’, Senior Research Fellow Postdoctoral Research Fellow into print letters, 1580–1660. By studying sixteenth- and ‘sorrowful’ and ‘glorious’. I became interested in the The University of Adelaide The University of Western Australia seventeenth-century letter writing manuals, I came to extent to which praying the rosary involved the senses view letter writing as a versatile affective technology. of touch, sight and sound, and also the ways in which Before starting at CHE, I thought of myself as a social What makes otherwise decent people do terrible things? I built upon Kenneth Burke’s idea of literature as ‘Madonna of the Rosary’ paintings acknowledged the and cultural historian of late medieval and early modern This is an especially important and vital question for equipment for living, noting that different subspecies physical nature of the beads, and primed the viewer’s England. I had previously worked on the history of childhood modern policymakers and global citizens to confront. of the letter were defined by sociable relationships, emotional state by colour-coding each of the mysteries. and patterns of courtesy and virtue in socialising children, The arts and humanities provide essential tools for between lovers, friends, master and servant, father and This interest has evolved into an ongoing project on the so I had been conscious of emotions in the records, but I this necessary confrontation through the analysis of son, and so on. The early moderns define letter writing nature of rosary devotions after the Battle of Lepanto did not have a framework with which to understand them. examples from the past, and give a better understanding according to ‘seemliness’ or ‘fit’, and by this term they in 1571. As practically every church in Italy contains a When I began my fellowship with CHE, I realised that the of what it means to be human. My time with CHE has pointed to the particular emotional range appropriate Madonna of the Rosary painting, the vast majority of field of emotions history had developed at a remarkable enabled me to pursue different potential answers to this to each different kind of relationship. As a dialogical which were painted after the Battle of Lepanto and very pace and that there was a Pandora’s box of approaches question in my work on persecution in the Middle Ages. form of writing, a key function of the letter is to create or few of which have been published, this project could and theories out there. I have come to believe that the In particular, I have focused on an honest understanding imagine an emotional community. While these interests take a while. proposition ‘both/and’ is generally preferable to ‘either/ of the ideologies that have been used historically to justify were implicit in my doctoral research, I did not yet or’, and to think about emotions in this way (both personal the persecution of religious minorities. My work takes Being a part of the Centre has been an invaluable have a critical vocabulary with which to describe them, and relational, cultural/biological, passive/active, negative/ the shape of a direct confrontation with these logical experience. To be part of such a constructive and or a critical method with which to historicise them. positive), rather than looking for ‘either/or’ propositions. systems of thought, whose consequences have been creative environment, where ideas are shared and My involvement with CHE has facilitated collaborations, My new research returns to my previous interests in the disastrous for the world and its peoples. Persecution is projects can be initiated and relevant literature conversations and shared readings and publications history of virtue through a focused study of meekness not an irrational aberration but the rational outgrowth discussed, has not just been valuable, it has changed which have helped me to identify and more sharply from the Middle Ages to the present. How meekness was of historically particular convictions regarding the ideal me. I leave CHE with far more diverse interests, a more define the traces of emotional history in early modern apprehended at an emotional level is a question no one order of the world, and the potential harm that might be interdisciplinary focus and with colleagues who are done by those people and those things that either have no literature. Over the past year, this research has come has yet looked into. The reading and research I have done equally passionate about early modern Europe as I am. place within that order, or whose exclusion itself helps to to fruition in a book chapter on emotional traces in on the history of emotions will invariably feed its way into shape and maintain that order. manuscript letters, a journal article on the gendering this new project. The book I write now will be different to of Puritan affect, and another book chapter on war, the book I would have written five years ago. The same While the examples I draw upon to understand persecution emotion and gender in print drama from the 1660s. holds true for all my future research, which will always be come from one particular period and culture, CHE has conscious of, and interested in, how historical periods have connected me to scholars in many disciplines and periods understood emotions, how emotions were put into practice, who are approaching this question, and others linked and how these emotional practices have influenced that to it, in different ways. The support I have received from same discourse. CHE has been essential in allowing me to join important conversations in different formats, including popular blogs aimed at modern social issues, international seminars and conferences, and traditional academic publishing. Through these means, my work, and that of other scholars at CHE, seeks to provide the necessary tools to those who wish to avoid creating new catastrophes and injustices that will rival those of the past.

24 2017 ANNUAL REPORT | 25 OVERVIEW

Tom Bristow Joseph Browning Kenneth Chong Samantha Dieckmann Postdoctoral Research Fellow Postdoctoral Research Fellow Postdoctoral Research Fellow Postdoctoral Research Fellow The University of Melbourne The University of Melbourne The University of Queensland The University of Melbourne I am researching the vexed relationship between After finishing my CHE postdoctoral fellowship and As someone who works at the intersection of medieval Through my CHE project I have been able to work with ecology and elegy as part of a project that unpacks starting a new job in the UK, I’m continually reminded literature, theology and philosophy – with a particular several organisations that use creative and performing the relationship between literature and the physical of my experiences in the Centre, many of which have interest in late scholastic thought – I have found CHE arts to facilitate intercommunity engagement and environment within the pastoral literary genre. Working shaped my ongoing work. My time at CHE brought to be an energetic and receptive community where conciliation, including Multicultural Arts Victoria with colleagues who are familiar with this genre in the opportunities for collaboration with colleagues in other I can test out new ideas, refine my arguments and and the international peace-building organisation medieval and early modern periods has helped frame subfields of music studies, including music psychology, think about the larger implications of my research. Musicians without Borders. I have also been involved my research questions to enable me to track changes in historical musicology and music education, as well As part of the UQ Forum in Literature and the Arts, in the development and implementation of an applied emotional practices and to emphasise any new or unique as cross-disciplinary exchanges with those in areas I had the opportunity to convene a seminar series on research project with such an aim, using ‘empathy’ emotions and concordant practices as reflected by, or such as history and literature. If such opportunities are ‘Belief’, inviting local and international speakers to and ‘emotional community’ to explore and enhance embodied in, contemporary poetry. The study of pastoral unusual in academic life, rarer still was the chance to be present papers on aspects of belief as it related to intercultural experiences in a community choir. Through elegy today asks: whether ecological poetry should part of CHE’s education and outreach work and to draw self-awareness, neo-scholasticism and the role of the these endeavours, I have gained further insight into the transcend the elegiac mode; whether today’s sense of on the Centre’s links with external partner organisations will, especially in the later Middle Ages. The series political and sociological dimensions of music-making species loss and habitat loss can work within pastoral (in my case, in the Australian classical music scene). finished with a talk and masterclass by Kellie Robertson that aims to instigate social change, and the ways that conventions; and while contemporary elegy writes These professional and personal relationships have (University of Maryland), who explored the uncanny individuals’ subjective experiences are shaped by broader against consolation, what value the ongoing intention stayed with me, stretched across the distance between interface between nature and physics in both medieval societal norms in this space. For example, I have been to console has. These questions have a bearing upon Melbourne and Oxford. And, of course, their pull mirrors and contemporary worlds. I also helped to organise struck by the ways in which highly expressive, aggressive contemporary practices of grieving. It is exciting for me on a tiny scale one of the broad historical and cultural ‘Art and Affect’, the 2017 CHE Meanings Program and potentially destructive ‘anger’ and ‘fear’ are variably to think about elegy within a new ecological order, which processes that CHE aims to examine, namely, the collaboratory at UQ, and presented a paper on Margery transformed by embodied performances of protest, places new pressures on literary criticism. Elegy exhibits ongoing legacy of European histories in contemporary Kempe. This presentation is the seed of a longer article, testimony or celebration. For me, this raises questions a mixed-up temporality where inversions of the future Australia. After only a few months back, I’m repeatedly and possibly a book. The ‘Art and Affect’ collaboratory about the potentially metamorphic role of musically and the past are animated by its anticipations of lastness. struck by the many close ties between the UK and proved to be a stimulating and rewarding environment performed emotion in social justice contexts. At the same Moreover, the sustained literary critical position that Australia both in the academic and arts worlds, as well for the reception of my work, and gave me a chance to time, my attention has been drawn to the limitations seeks to disclose the elision between the idea of pastoral as the many differences and disconnections. Where some engage with a variety of ideas and disciplines. of music performance as a quasi-legal social justice as an artificial construct and pastoral ideology as a form artists, ideas, musical styles and political issues circulate mechanism, since expressions of protest, celebration of environmentalism might appear archaic when we between the two countries, others remain distinctively and subjective truth telling do not easily account for the turn to our emotions. The scale of the loss we witness local. But one shared scholarly concern is a desire to complex power dynamics underlying systemic injustices. in the twenty-first century suggests local extinctions are move towards the kind of cross-disciplinary, socially In managing the industry and community partnerships synechdoches for a millennial loss of nature itself, which engaged scholarship that CHE exemplifies, and I hope central to my applied research project, my thinking mourns in advance. How might emotions theory and I can carry that ethos into my future work. around how to evaluate the operationalisation of literary criticism address these complicated issues while emotions continues to develop. CHE challenges advancing our understanding of grief, mourning and reductionist conceptualisations of ‘emotions’, but meditations on loss? many arts organisations request easy-to-understand and pragmatic research findings on their approaches to, for example, developing empathy. I will continue to grapple with how I can most effectively generate and translate useful findings about emotions for collaborating organisations, without losing the rigour and nuance exemplified by CHE research.

26 2017 ANNUAL REPORT | 27 OVERVIEW

Stephanie Downes Kirk Essary Umberto Grassi Angela Hesson Postdoctoral Research Fellow Postdoctoral Research Fellow Postdoctoral Research Fellow Postdoctoral Research Fellow The University of Melbourne The University of Western Australia The University of Sydney The University of Melbourne As a discipline, literary criticism has long attended to the The resources provided by CHE to develop scholarly My research focuses on heretical reinterpretations My research into the history of emotions was both narrative shape of emotion, as well as to the affective relationships locally, nationally and internationally have of the dogma of Original Sin in early modern Italy. expansive – attempting to provide a cohesive examination responses literature is capable of eliciting. In my work been incredibly useful. By attending numerous research These reinterpretations questioned both the narrow- of love in European art and material culture over 400 on late medieval manuscript and print cultures in meetings held at the various CHE node universities in mindedness of the Church in the matter of sexual years – and extremely focused – researching the histories England and France, I have tried to move beyond textual Australia, I was able to expand my academic networks morality and the idea that the eternal salvation was of individual objects in the National Gallery of Victoria’s forms by exploring how the physical forms in which substantially, resulting in opportunities to co-organise possible only within Catholicism. In particular, the collection. This research highlighted how profoundly a reader encountered a narrative helped to frame its symposia, participate in panels at international ‘heretics’ I am working on questioned the narrative of our understanding of love has shifted over time, and emotional content. As well as being interested in how conferences with other CHE researchers, and collaborate the Fall from Grace as it was established by Augustine how many works ostensibly about love relate closely to the materiality of literary texts might produce affect, I on a co-edited volume of essays on the language of in his theological works. Re-reading Augustine and the other emotions. have looked for signs of readers’ emotional engagement emotion – as well as the many opportunities I was legacy of his teachings through the lens of the history My role curating a major exhibition and associated events in the form of annotations, dedications and marginalia. afforded for gaining valuable feedback that helped of emotions has revealed powerful insights about the on love and art, in collaboration with the NGV, brought What such marks and inscriptions reveal about a to develop new ideas in my research. The impressive history of sexuality in Western Christianity. Augustine me into contact with numerous groups in the community reader’s emotional state or purpose is often – I learnt – array of international scholars that CHE sponsors recognised the psychological relevance of passions and sector. The NGV’s diverse education programs engage frustratingly indistinct and difficult to discern; but taken for visits on a regular basis has allowed early career affects and valorised their role in the spiritual journey of with educational institutions at primary, secondary and collectively, they reveal something of the presence of researchers like myself to engage with experts in the believers. In this frame, sexual attraction constituted an tertiary level; and public programs associated with the books in certain people’s lives, whether in the course of field whom we might otherwise never have met, and I anomaly. Its unruliness, being interpreted as the main exhibition are designed to attract a broad audience. private study, leisure and domesticity, or in courtship, continue to communicate with many of these scholars consequence of the Fall, became the sign of a decayed The process of editing the exhibition publication, in politics and diplomacy. in other countries today. Moreover, with the generous humanity. I am now interpreting heretical narratives as collaboration with CI Charles Zika (UMelb) and Matthew research funds provided to postdoctoral fellows I was an attempt to fix this anomaly, by reintegrating sexual My conviction that form ‘matters’ in historical Martin at the NGV, enabled me to make connections with able to attend conferences around the world (in London, desire among the feelings that could be controlled by interpretations of emotion has further developed local and international researchers, and provided me with York, Bruges, Copenhagen, Florence, New Orleans and reason. A consequence of the belief in Original Sin was through my teaching over the past six years. I have the opportunity to co-write a chapter with fellow CHE Wellington, for example), and to conduct research in that eternal salvation could be achieved only through the always attempted to instil in students of medieval Postdoctoral Research Fellow Lisa Beaven (UMelb). libraries across northern Europe. This support allowed sacrament of baptism. By denouncing the inconsistency English literature an appreciation of material contexts, me not only to finish my first book, Erasmus and Calvin on of the teaching of the Church about the Fall from Grace, By working so closely with a particular collection, I have but teaching the history of emotions to students from the Foolishness of God: Reason and Emotion in the Christian the reinterpretations at the heart of my study opened become increasingly interested in the ways that an art diverse disciplinary backgrounds has convinced me of Philosophy (Toronto University Press, 2017), but, again, to the door to salvation, not only to people belonging to any institution’s acquisition policies and pedagogical style the pervasiveness of affect in relation to so many of the expand my academic networks and make contacts that religious tradition (including Muslims and Jews) but also can shape subsequent understandings of art history. objects that construct our emotional lives. Handling and continue to bear scholarly fruit. The series of conferences to atheists and non-believers. Collecting and curating are pursuits frequently governed discussing various historical objects – including books in Australia, the collegial scholarly atmosphere and the by emotion, and my recent CHE research identified – students reflected on what might be different about opportunities to travel for research are certainly what I’ll this as an area for further investigation that I am the embodied nature of emotional experience today. miss most when my fellowship comes to an end. keen to pursue. While historical experiences of reading remain extremely difficult to reconstruct in general, the reflections of these students changed my own thinking about how to approach such methodological complexity in my work, reassuring me of the potential of the present to broaden our understanding of materially oriented affect in the past.

28 2017 ANNUAL REPORT | 29 OVERVIEW

Spencer Jackson Kimberley-Joy Knight Amanda E. Krause Nick Luke Postdoctoral Research Fellow Postdoctoral Research Fellow Postdoctoral Research Fellow Postdoctoral Research Fellow The University of Queensland The University of Sydney The University of Melbourne The University of Queensland My fellowship with CHE has been spent researching and CHE has enabled me to share my research with Since joining CHE in February 2017, my work has During my first six months with the Centre, I have writing about the role of religious feeling in the novels members of the community who might not ordinarily focused on conducting research on audience response. become aware of the multiple connections between my and politics of eighteenth-century Britain and Ireland, come into contact with university scholars or research. In particular, I collaboratively developed a program of work on Shakespeare and the broader field of the history from the trans-Atlantic evangelical revival of the 1730s With the assistance of CHE’s Sydney-based Education research to consider how people responded to the ‘Love: of emotions. An early highlight was the ‘Art and Affect’ and 1740s to the revolutionary Christianity of Catholic and Outreach Officer, I was able to develop an outreach Art of Emotion’ exhibition at the NGV and Jane Davidson’s collaboratory at UQ, which facilitated some fascinating and Protestant rebels in the 1798 Irish Rebellion. Literary program for disadvantaged and isolated senior citizens in Passion, Lament, Glory production. Having previously discussions among an incredibly wide range of scholars, critics of almost every persuasion have long contended regional New South Wales that harnessed my research focused my research on how people experience music in and gave me the chance to test out my ideas about that the novel brought a new secular world into being, into the history of emotions for community benefit. contemporary, everyday life, joining CHE has developed criticism and aesthetics with historians, philosophers, one characterised by cities, commerce and sovereign The project encouraged its participants to reflect on my research focus in two ways. Through CHE, my medievalists, art historians and literary scholars. The individuals. By looking at the role of political religion in treasured objects from their own lives as a way of research has expanded to consider performing and the result has been a broadening and enrichment of my the novels of this period, I hope to illuminate what this connecting with the past and with others. Sharing my creative arts more broadly and also to consider how research. Although my focus remains distinctly literary, critical consensus obscures, namely, that the secular research on medieval material culture and emotions modern-day audiences respond to historical artworks. the connections I have made in CHE with historians, in the Anglophone world is Judeo-Christianity in a new enabled participants to think about the past in new The potential tension between the modern day and philosophers and medieval scholars have made me nationalised form. The British Empire is defined from ways and with ‘things’. Learning how emotions shape the past was a key question with regard to my ‘Love’ think more seriously about how early modern drama its very beginning by a political theology of Britain as history encouraged the participants to expand their exhibition research on audience response, and it also interconnects with other spheres, and particularly how God’s chosen vehicle for global salvation. In novels, emotional literacy and explore the capacity of objects to came to influence my project’s methodology. While we it interrogates, renovates and activates religious and one finds both confirmation of this fact and a glimmer take on affective significance. Working with seniors was had expected to engage gallery visitors with an online cultural practices. I am now looking to make deeper of anti-imperial hope. In Samuel Richardson’s Clarissa hugely rewarding. Not only were they incredibly keen to survey, I ended up collecting almost all of the response links between my work on Shakespeare’s character and Maria Edgeworth’s The Absentee, I find instances of learn about the history of emotions and to ask questions data using the older method of paper surveys on and dramatic technique and the religious movements individuals returning to the sovereignty of God to oppose about the research that the Centre has undertaken, but clipboards. Being present in the gallery space provided of the period. that of the State, and in doing so they challenge the they also came with their own fascinating insights into an opportunity to engage with visitors. Indeed, by My primary research project, ‘Resurrection Events in British Empire not merely from some external vantage the role of material culture in understanding the past. conducting short interviews, I was able to reflect on how Shakespeare’s Late Plays’, re-examines Shakespeare’s point but at its foundation, at the point where it claims a The resulting exhibition and accompanying book remind people view historical works of art – and, of course, the striking use of quasi-resurrection scenes in light of monopoly over a sovereignty that will never be its own. us that seniors are an extremely valuable source of emotions portrayed in and by them – through a modern the concept of resurrection in early modern religious knowledge and have much to offer scholarship and the lens. These conversations not only provided rich insights From conceptions of Britain as God’s new Israel in the culture. It asks what these resurrection scenes mean communities in which they live. for the research project but also provoked me to consider eighteenth century to representations of the West’s in Shakespeare’s late plays and also how the concept, my own interactions with artworks and productions supposedly universal human values in the twenty-first and emotion, of resurrection impacts early modern I have seen as a result of joining CHE. This work spurs century, modern Anglophone politics depends upon the thinking about history and personhood. I hope to assess me to further consider how historical analysis and politicisation of the Judeo-Christian faith. This research the significance of religious culture and emotion for modern psychological tools can be combined to uncover develops our understanding of how our political leaders our understanding of Shakespeare’s late plays – and emotional continuities and discontinuities across time act on religious feeling. of literature and subjectivity more generally. What in my future research. imaginative energies does the idea of resurrection tap into and also open up? What sense of personhood or character does it imply? What type of social relation does it deliver? And what type of audience involvement does it call for? But I also seek to show how Shakespeare’s drama makes its own novel, and affecting, contribution to early modern religious culture.

30 2017 ANNUAL REPORT | 31 OVERVIEW

Robin Macdonald Paul Megna Amy Milka Grace Moore Postdoctoral Research Fellow Postdoctoral Research Fellow Postdoctoral Research Fellow Senior Research Fellow The University of Western Australia The University of Western Australia The University of Adelaide The University of Melbourne Being a postdoctoral research fellow with CHE has really Working on emotion and ethics in medieval and Since joining CHE, I have realised that my research was My time with CHE has been transformative, in terms enabled me to broaden the scope of my research, in medievalist drama has led me to develop an interest in always circling the topic of emotions. Methodologies of the methods I apply to my research and also because terms of methodological approach and temporal range. modern Australian Passion performances – depicting drawn from emotions history have invigorated much of the time it has offered for me to spend reading, Daily conversations with colleagues specialising in the torment of Christ’s final hours on earth. Last April, of my work – not only my postdoctoral research on thinking and writing. It has allowed me to see the history and literature (along with visiting scholars from a I travelled to see four such performances: the Iona emotions in the criminal courtroom, but also my inextricable connections between emotions and the variety of disciplines) have been incredibly beneficial, and Passion Play, the Melbourne Passion Play, the Moogerah ongoing research into political radicalism during the environment, and over the past five years with the Centre have helped me to think about my own research in new Passion Play and Jane Davidson’s Passion, Lament, eighteenth century. Emotions were the missing link I have been able to examine a range of environmental and innovative ways. As my work on colonial encounters Glory. Not only did I witness these performances, but that helped me to explain how radicals in France and issues in addition to my central project, ‘Arcady in in early modern North America develops, I am becoming I also engaged in enlightening conversations with England bonded during the French Revolution, in spite Flames’, a study of nineteenth-century settlers in increasingly interested in materiality, object exchange their creators, cast members and audiences. These of an ongoing war and the period of violence known as Australia and their responses to bushfires. and emotions. Engaging with CHE scholars in medievalist experiences brought me into contact with members of the Terror. By committing themselves to a variety of My additional projects have ranged from Anthony studies and heritage studies has encouraged me to a variety of ‘emotional communities’ bonded by their emotionally motivated principles such as fellowship, Trollope’s representations of dingo hunting to the think more about the ways in which materiality shapes shared faith and belief that dramatising Biblical history virtue and civic responsibility, radical groups were able to emotional politics of the nineteenth-century meat trade, emotional meanings, both in the past and in present can solicit devout emotion. In fact, one cast member in maintain common ground in a turbulent political climate. which have all been underpinned by emotions or affect scholarly and heritage contexts. the Moogerah Passion Play told me that although the Their correspondence also shows the importance of theory. I have been involved in the organisation of a cast belonged to different local churches, they proudly ‘emotives’ in maintaining relationships and constructing My participation in CHE conferences and collaboratories conference, collaboratory or symposium for each of conceived of the play itself as a sort of congregation. radical identities. Addressing each other as ‘brothers provided me with the opportunity to meet international my five years, and have greatly appreciated the resources At two of the performances – the Moogerah Passion Play and friends’, repeatedly declaring their devotion and scholars working on various aspects of the history of that enabled me to focus on each event’s intellectual and Passion, Lament, Glory – I distributed survey forms solidifying the bonds of reciprocal emotional attachment emotions, and to share my own research on a global content, not to mention the array of inspiring speakers (co-written with Amanda Krause, CHE Postdoctoral helped nascent radical groups to grow in confidence and stage. As a member of the organising committees for we have been able to bring to Australia. Research Fellow and social psychologist at UMelb) to establish a sense of shared purpose. Their values and two international conferences – the ‘Powerful Emotions/ that were designed to gauge the emotional reactions emotional style were reiterated through correspondence One of the many pleasures associated with my research Emotions and Power, c.400–1850’ conference at the of audience members to the performance in question. and the dissemination of pamphlet literature, poems, fellowship has been the opportunity to work with University of York and the inaugural Society for the In collaboration with Amanda and Jane Davidson, I am plays and novels. It now seems almost impossible to audiences beyond academia. I have found working History of Emotions conference, ‘Emotions of Cultures/ currently developing a scholarly article that analyses imagine this interdisciplinary work without the lens with bushfire survivors to be especially rewarding. Cultures of Emotions: Comparative Perspectives’, at UWA the data gleaned from these surveys. My time with CHE of emotions. It was wonderful to be part of Penelope Lee and – I have gained experience collaborating internationally has given me the opportunity to learn from a variety Juliette Hanson’s ‘From the Fire’ exhibition of art by and organising large-scale events. As a historian of early of religious emotional communities in Australia and bushfire survivors at the Dax Centre in Melbourne in modern North America, I have also been able – thanks to to collaborate with scholars from other disciplines to 2015. It was also extraordinary to be able (with Jessie CHE research funding – to travel to events in Canada and produce what I hope will be exciting new research. Scott’s help) to push the boundaries of what an academic to carry out archival research in far-flung archives. This conference might look like with our ‘Fire Stories’ event in support has provided me with invaluable experience, both 2013, which included creative practitioners, firefighters for my current project and for my future research. and bushfire survivors.

32 2017 ANNUAL REPORT | 33 OVERVIEW

Carly Osborn Gordon Raeburn Eleonora Rai Abaigéal Warfield Postdoctoral Research Fellow Postdoctoral Research Fellow Postdoctoral Research Fellow Postdoctoral Research Fellow The University of Adelaide The University of Melbourne The University of Western Australia The University of Adelaide CHE has changed my thinking because of its global and In my research I predominantly engage with ‘negative’ During my postdoctoral fellowship with CHE, I explored One of the things I value most about working in CHE is cross-disciplinary nature. I am constantly encountering emotions – fear, grief and anger – as reactions to various aspects of the history of the Society of Jesus, with the way in which it has enabled me to share my research new methods and ideas, and thinking about my research disastrous events such as plagues or massacres in early particular attention to the emotional dimensions of the in innovative ways. For example, I was invited to help from new perspectives. It is the opposite of working in a modern Scotland. By studying these emotions, I have Suppression of the Ignatian Order and the strategic use design a workshop for Year 8 students based on my thematic or disciplinary bubble. I have realised that the developed a better understanding of community growth of emotions in internal missions. In recent years, Jesuit research on witchcraft and fear in early modern Europe. history of emotions thrives when we collaborate with and the spread of information in Scotland over the course history has been addressed with interest by historians Working with our Education and Outreach Officer at archaeologists, neuroscientists, dancers, philosophers of approximately three hundred years, and I am in the as a result of its relevance in global history and to UAdel, Wendy Norman, I helped to develop a lesson and others. One of the most rewarding things about process of expanding my research into early modern histories of the Catholic Church. Working with Yasmin plan titled ‘Aha! You’re a Witch! History’. This lesson is working within CHE is the immediacy of impact – you England. I largely work with communal or collective Haskell on her ‘Jesuit Emotions’ project and focusing now freely available to teachers in Australia, along with can see your research affecting people right in front of emotional reactions to events. This is not to say, however, on the Society of Jesus as an ingenious early modern a resource pack. It is incredible to think that, even after you. We are supported to get out into the community: we that I am suggesting a group of people would have religious order from an emotional point of view, I started my fellowship has finished, this research will still be have funding to do so, and for Education and Outreach reacted to the same event in exactly the same way – the to look at Jesuit history through this innovative lens to making an impact in classrooms. Officers to find opportunities and facilitate them. I once grief of one individual may have been completely different investigate the extent to which, and how, the Jesuits used During my time with the Centre, I have also become lectured to a group of senior citizens and it turned into to that of another – but rather that collective emotional emotions consciously and strategically in conducting increasingly interested in how my research can an hour-long group discussion of the changing value of reactions to the same event can shed valuable light on missions, composing devotional books and preaching. interconnect with other disciplines. As an early romantic love in their lifetime. I have also helped to work the effect of that event upon the wider community. Significant questions for my research included: What modern historian working on fear in sixteenth-century on resource packs for schools, to teach children about was the emotional response of Catholics to the pastoral, Being a research fellow in CHE has afforded me the news, I thought it would be interesting to hold an the history of emotions. It is terrific to see it happening missionary and preaching activities of the Jesuits? How opportunity to meet with scholars from around the world interdisciplinary conference on the role of emotions now, rather than just hoping your research helps the can historians understand such emotional reactions who share similar interests, and with whom I might not in news reporting, past and present. We decided to community in the long term. without also consulting Jesuit sources? And, finally, how otherwise have had the chance to interact and develop host a Change Program collaboratory on the topic in did Jesuit emotional strategies and Catholics’ reactions CHE enables us to make new connections in two networks that I hopefully will draw on in years to come. 2017. The resulting two-day event brought together to them change in the passage between, firstly, the ways. First, there is a calendar of world-class events, These networks, and this interaction with scholars practising journalists, psychologists and historians, beginning of the baroque period and the end of the Age which attracts researchers from all over the country working both in my field and in other areas of study, as well as literature and media scholars. It highlighted of Enlightenment and, secondly, after the Restoration and the world. The calibre of research presented at have helped me to see my own work with fresh eyes and how emotions in the news are understood differently of the Order in 1814? Addressing such questions is of our conferences and seminars has brought me into this has strengthened my work over the past few years. across time and space. By looking at journalism practice the utmost importance for a better understanding of contact with the best scholars in my field. Secondly, the I look forward to research opportunities that are yet to through such a historical lens, modern-day journalists European religious and social history, and the history culture of CHE is highly relational. There is a genuine be developed. can be reminded that emotional and professional of emotions, and can provide insights into little-known friendliness and collegiality throughout the Centre, and standards are always shifting, and that change aspects of people’s lives in Catholic societies between that culture results in real, substantial connections is possible. the early modern and the modern age. between researchers that last many years after these Overall, my time at the Centre has made me realise that events are over. I think refining our methodology is the historical studies, especially the history of emotions, next big issue. Can we really access authentic emotions can affect society today in very tangible ways. From the in sources from the past? How do we do it? How do we classroom to the newsroom, the history of emotions can test and refine our methods? Interdisciplinarity will be help us understand our emotional practices and perhaps key to this, and I look forward to it. even challenge them.

34 2017 ANNUAL REPORT | 35 UPDATE ON POSTDOCTORAL RESEARCH FELLOWS AND POSTGRADUATE STUDENTS

OVERVIEW CHE has endeavoured to nurture the academic careers of postdoctoral research fellows and postgraduates through mentoring in their core research and professional development, and by supporting them in a wide range of experiences and activities.

A moved reading on the New Fortune Theatre stage at UWA.

Various funding schemes enabled A number of our research fellows Curator of Australian Art at the NGV. Our former and current postdoctoral a John Emmerson Research dissertation, ‘An Emotional History early career researchers to take secured positions in 2017, some She will continue to participate in the research fellows have also been Fellowship at the State Library of of Plague in Early Modern England, advantage of opportunities which starting in 2018. Una McIlvenna Manchester-Melbourne Consortium awarded fellowships. Thomas Victoria, starting in January 2018. 1631–38’, in July 2017; and Bríd have proved beneficial for both our (formerly USyd) moved from the project ‘Objects and Emotions: Bristow (formerly UMelb) was Eleonora Rai (UWA) will commence Phillips was awarded a PhD by UWA researchers and the Centre. These University of Kent to UMelb in Rituals, Routines and Collections’ appointed Junior Research Fellow a postdoctoral fellowship at the for her thesis, ‘Colour in (E)motion: opportunities include organisation February 2017 to take up a Hansen in this capacity. Rebecca McNamara in the IAS/Department of English University of Turin, Department Emotion, Affect and Colour in the of conferences, participation Lectureship. Brandon Chua (formerly USyd) was appointed Studies at Durham University from of Philosophy and Educational Drama of William Shakespeare’, in Centre and external events, (formerly UQ) was appointed to a Assistant Professor in English at September 2017. Katie Barclay Sciences, in March 2018. in December 2017. Five other meetings with international visitors, continuing lectureship in the School Westmont College, Santa Barbara, (formerly UAdel) was awarded a postgraduate students had their Successes were not limited to our honours and postgraduate teaching of English at The University of Hong California. François Soyer (formerly EURIAS Marie Curie Fellowship at PhD theses passed and will graduate research fellows, with many of our and supervision, and publication Kong from July 2017. Following the UAdel and then CHE PI at the Aarhus University, from October in 2018: Keagan Brewer (USyd), postgraduate students completing of monographs, articles and success of the CHE/NGV ‘Love: Art University of Southampton) will take 2017 to July 2018. Joseph Browning ‘Wonder and Scepticism in the Long their studies in 2017. There were edited collections. of Emotion, 1400–1800’ exhibition, up a Senior Lectureship in History at (formerly UMelb) will commence Twelfth Century’; Mark Neuendorf five graduations: Michael Ovens Angela Hesson (formerly UMelb) the University of New England. Diana as a British Academy Postdoctoral (UAdel), ‘Madness in England in the was awarded a PhD by UWA for his accepted an ongoing position as Barnes (formerly UQ) was appointed Fellow with the Faculty of Music at “Age of Sensibility”’; Mick Warren thesis, ‘Discourse in Steel: Aspects to a continuing lectureship in English the University of Oxford in January (USyd), ‘Unsettled Settlers: Fear and of Interpersonal Violence, Anxiety, Literary Studies at the University 2018. Umberto Grassi (USyd) has White Victimhood, New South Wales and the Negotiation of Masculine of New England. On completing his been awarded an EU Marie Curie and Van Diemen’s Land, 1788–1838’; Identity in Western European postdoctoral research fellowship in Fellowship to study at the University Jennifer Wright (UWA), ‘Out of Place: Literature, 1100–1600’, in March February 2018, Kirk Essary (UWA) of Maryland for two years, and at Solitude and Social Isolation in 2017; Makoto Harris Takao was will remain at UWA as a Lecturer the University of Verona for the third Travel Writings (1639–1791)’; Colin awarded a PhD by UWA for his in Medieval and Early Modern year, commencing on the completion Yeo (UWA), ‘Poetic Antecedents of thesis, ‘The Glocal Mirror: The Role History. Lisa Beaven (UMelb) has of his CHE postdoctoral fellowship. the Gothic Mode’. of the Performing Arts in Japan’s been invited to return to La Trobe Giovanni Tarantino (formerly UMelb) Christian Century and Its Reflection We encourage our completed University in 2018 as a lecturer in will take up a three-month Senior in Early Modern Europe, 1549–1783’, postgraduate students and Art History. Grace Moore (UMelb) will Research Fellowship in Germany at in April 2017; Bronwyn Reddan postdoctoral research fellows to return to her substantive position the Käte Hamburger Kolleg, Ruhr was awarded a PhD by UMelb for retain their affiliation with CHE as Senior Lecturer in English at University Bochum, in January her thesis, ‘The Problem of Love through honorary fellowships and UMelb. Raphaële Garrod will take 2018, and will return to his position in Early Modern Contes de Fées’, by participating in CHE projects, up a position as Associate Professor as Research Development Officer in May 2017; Olivia Formby was outreach activities, publications of French and Fellow of Magdalen with CHE in April. Gordon Raeburn Katie Barclay and Amalya Ashman at the ‘Emotions of Cultures/Cultures awarded an MPhil by UQ for her and events. of Emotions: Comparative Perspectives’ conference. College Oxford in 2018. (formerly UMelb) was awarded

36 2017 ANNUAL REPORT | 37 International Partner Selected International Investigators (2017): Collaborations Louis C. Charland In addition to our PI scheme, Professor in the Department CHE continues to build on other OVERVIEW of Philosophy, the Department international collaborations and to of Psychiatry and the Faculty develop opportunities to forge new of Health Sciences at Western associations. University (Canada) The international conference Thomas Dixon ‘Powerful Emotions/Emotions Director of the Centre for the History and Power, c.400–1850’, held at of the Emotions at Queen Mary the University of York in June, was University of London (UK) co-convened through CHE’s existing Partner Investigator Andrea Noble. collaborative research agreement Indira Ghose Partner Investigator Thomas Dixon. with the centres for Medieval Chair of English Literature at the Studies, Renaissance and Early University of Fribourg (Switzerland) Modern Studies, and Eighteenth- partners to convene the international Yasmin Haskell Century Studies at the University seminar series ‘Entangled Histories Chair of Latin at the University of York. This event, along with the of Emotion in the Mediterranean INTERNATIONAL PARTNERSHIPS AND COLLABORATIONS of Bristol (UK) ‘Fears and Angers’ conference noted World’. The third meeting in the earlier, provided an opportunity series, ‘Entangled Histories of Claudia Jarzebowski to highlight the research of many Things in the Mediterranean World’, Professor of History in the CHE members and visitors at was hosted by CHE at UWA in Department of History and Cultural international conferences. December (see p. 77). Studies at the Freie Universität Berlin (Germany) The collaborative research CI Jacqueline Van Gent is a co- agreement between CHE and the recipient of a grant from the Royal Jonas Liliequist CHE’s reputation as a world-class humanities Center for Medieval and Renaissance Swedish Academy of Letters, Professor in the Department Studies at Arizona State University History and Antiquities, for a of Historical, Philosophical and research centre has continued to grow over supports international travel for project on ‘Beyond Curiosity and Religious Studies at Umeå University members. In 2017 the agreement Wonder – Understanding the (Sweden) the years. Part of this wide recognition results provided funding for Bradley Irish Museum Stobaeanum’, led by Lund Piroska Nagy (Arizona State University) to present University. As part of this project from our mutually beneficial partnerships and Professor in the Department of a paper at the ‘Powerful Emotions’ CHE contributed to the organisation History at the Université du Québec conference at York. of a workshop, ‘Stobaeus’s Cabinet collaborations with major international à Montréal (Canada) of Curiosity: Emotions, “Curiosa” Researchers at the CHE node at and Collecting in Early Modern institutions and organisations. †Andrea Noble UMelb and the ‘Embodied Emotions’ Sweden and Beyond’, held in Lund Professor in the School of Modern research cluster at The University in October (see p. 64). The workshop Languages and Cultures at Durham of Manchester have established an was co-sponsored by the Swedish In 2017 CHE had formal Partner engagement activities. In 2017, and the Affective Turn’, the annual University (UK) ongoing collaboration around the Research Institute in Istanbul (SRII). theme of ‘Objects and Emotions: Investigator (PI) agreements PI Thomas Dixon and his team at the conference of the International François Soyer Other events are planned for 2018 Rituals, Routines, Collections with eminent scholars at nine Centre for the History of Emotions at Society for Cultural History, held at Associate Professor of Late Medieval and 2019. and Communities’. In July 2017 international institutions. Members QMUL joined with CHE to co-convene Umeå University. and Early Modern History at the of the Centre were pleased to the ‘Fears and Angers: Historical scholars from both centres came These examples of international The Society for the History of University of Southampton (UK) welcome former CI Yasmin Haskell and Contemporary Perspectives’ together for an intensive two-day collaborations are indicative of Emotions, launched in 2016 by the as a PI based at the University of international conference at QMUL workshop, convened in Manchester, CHE’s increasing participation Centre, benefits from the advice and Bristol, where she now holds the in June. In addition, QMUL, through to explore the collections of The and influence in research on the expertise of PIs. The international position of Chair of Latin. News Thomas, and UWA, on behalf of CHE, Whitworth art gallery and The John history of emotions across the Advisory Board of the Society’s of the sudden passing of CHE’s are in the process of formalising an Rylands Library. globe. It is envisaged that there will journal, Emotions: History, Culture, esteemed PI Andrea Noble (Durham agreement with Monkeystack, an be opportunities to continue these Society (EHCS), includes PIs Louis CHE has an ongoing partnership University), on 10 May 2017, was animation and visual effects studio associations, and to form others Charland, Thomas Dixon, Yasmin with the Centre for the Study of received with great sadness. Andrea based in Adelaide, to further develop in the future, through the activities Haskell, Piroska Nagy and François Emotion in Cross-Cultural Exchange had been a PI since January 2015 CHE’s innovative online game of SHE and the continuation of Soyer. Piroska also serves as an in Croatia. In 2017 the two centres, and made a major contribution as a The Vault (see p. 73). research clusters currently hosted Ordinary Member of the Council along with the Society for the History researcher working on visual culture by CHE. In June PI Piroska Nagy delivered of the Society. of Emotions, joined with European studies. Her loss is keenly felt in the a paper at the ‘Powerful Emotions/ academic community and beyond. CHE is very appreciative of the varied Emotions and Power c.400–1850’ contributions made by our PIs, and PIs not only play a significant role conference at the University of York. welcomes their ongoing involvement in CHE’s core research, they are Also in June, PI Jonas Liliequist with the Society and EHCS into active in academic events and public co-convened ‘Senses, Emotions the future.

38 2017 ANNUAL REPORT | 39 “I am writing to let you know that my DECRA proposal for my project ‘Emotions and the Future of International Humanitarianism’ was successful in the latest round of ARC funding. I am really thrilled, but most of all wanted to thank you and everyone at CHE for their support – both with my application and my research more generally over the past few years. I think

OVERVIEW I have said it before, but it is difficult to sum up how much being a part of CHE and involved with CHE researchers has influenced my thinking and work. The historicity of emotions is intrinsic within all my emotions research now, and in a large part of my new work on emotions and humanitarianism.” Emma Hutchison, Associate Investigator

Associate Investigator Louise D’Arcens.

MEET THE ASSOCIATE INVESTIGATORS

Helen English (AI 2017, The Visual Memory in Australia, 1788– McEwan (UWA), Neil Ramsey University of Newcastle, Australia) 1935’. This project incorporates both (University of New South Wales) used her AI funds to attend the creative and traditional research and Nicole Starbuck (UAdel). 11th ‘Music in Nineteenth-Century methods to investigate the aesthetic CHE’s Associate Investigator (AI) scheme has been CHE also congratulates Emma Britain’ conference at the University dimensions of settler colonial Hutchison (AI, UQ) on her 2018 ARC of Birmingham, June 2017, where culture. Thea also used her AI funds instrumental in significantly expanding the scope Discovery Early Career Research she presented a paper titled ‘Black- to meet a range of art-production Award. Her project, ‘Emotions Faced Work and Play: The Rise of costs associated with visual artworks and depth of history of emotions research and the Future of International Minstrelsy in the Hunter Valley, created as part of her project, and Humanitarianism’, builds on her 1840–1880’. Helen described the exhibited these works at the Turner undertaken by Australian scholars. CHE AI project, ‘Disaster Imagery conference as ‘the highlight of Galleries in Perth in November– and the History of Humanitarian her research project’. It afforded December (see turnergalleries.com. Emotions’ (see historyofemotions. Since its inception in 2011, the of which 20 were approved by the The funds provided to AIs were used her the opportunity to present her au/exhibitions/17_trespasses.php). org.au/about-the-centre/ AI scheme has enabled over selection committee. Seventeen in diverse ways to support their research to, and receive feedback In addition to welcoming new AIs in researchers/emma-hutchison/). 120 scholars to benefit from an of the successful projects were research. For example: from, an international audience 2017, it has been rewarding to have association with CHE. In addition conducted by first-time AIs with that included leading scholars in CHE looks forward to strengthening Andrea Bubenik (AI 2011–2017, AIs from previous years engage to receiving funding to support a CHE; nine of these researchers the field. As a result, she has been our associations with AIs through UQ) used her AI funding to attend with the Centre in various ways. specific research project, AIs are were affiliated with non-CHE node invited as a visiting scholar to the SHE, EHCS and our ongoing research the CHE co-sponsored ‘Love: Art For example, Elizabeth Stephens encouraged to participate in Centre institutions, and one project was University of Leeds in 2018, to work clusters, where the AIs have been of Emotion, 1400–1800’ exhibition (AI 2016, UQ) submitted a successful events and to actively network with approved under the Aboriginal and with Professor of Critical Musicology prominent and will continue to play at the National Gallery of Victoria application under CHE’s ‘Group other CHE members and visitors. Torres Island Strait category. The Derek Scott. Helen has also recently an important role. (see p. 81), to meet with the curator, Funding to Develop External Grants’ AIs are provided with a research Centre continued to work with 15 AIs completed a book proposal that Angela Hesson, and to conduct scheme. Elizabeth and Karin presence on the Centre’s website, who had previously been awarded includes a chapter on blackface in research in the NGV print room. Sellberg (AI 2017) have prepared an invited to contribute material to longer-term funding. the Hunter region, ‘The Minstrel The visit provided Andrea with ARC Discovery Project application on our newsletter, podcast series and Mask: Blackface at Work and Play’, New AI projects in 2017 spanned opportunities to gather information, historical research on the emotions, research blog, and encouraged to and is working with CI Jane Davidson CHE’s four research programs, study specific artworks and with a focus on science and join our research clusters. (UMelb) on a CHE project, ‘Music addressing topics such as the techniques, and meet with other medicine. CHE also congratulates and World Building: From Past to The annual call for AI applications translation of vocabularies of art researchers, all of which were Elizabeth on the award of her ARC Present’, which will form the basis requires scholars to submit a emotion from Latin to Old English relevant to the ‘Ecstasy: Baroque and Future Fellowship in 2017, and Paul of a future ARC Linkage Grant research project proposal that (Meanings), politics, emotion and Beyond’ exhibition (September 2017– Gibbard (AI 2015, UWA) who became application. correlates with CHE’s research Jesuit sainthood (Change), the February 2018) she curated at the a CI in 2017. goals. Successful applicants are circulation and balancing of the UQ Art Museum (see p. 92). Andrea Thea Costantino (AI 2017, Curtin In 2017 the following former AIs awarded a small grant to assist with blood and sanguine passions in also contributed an article for CHE’s University) used part of her funds to were successful in CHE’s Project- meeting approved costs associated Shakespearean drama (Performance Histories of Emotion blog, ‘Feeling the travel to Sydney to access primary to-Publication funding scheme with the project. and Meanings), and emotions and Baroque Fold’: historiesofemotion. sources in museums, libraries and memories associated with the com/2017/10/13/feeling-the- (see p. 111): Helen Dell (UMelb), Forty-seven AI applications were galleries, in order to further her bombing of Darwin in 1942 (Shaping baroque-fold/. Alicia Marchant (UWA), Joanne received in the 2017 funding round, research on ‘Colonial Grotesque: the Modern).

40 2017 ANNUAL REPORT | 41 OVERVIEW NEW AI PROJECTS FUNDED Paul James (Western Sydney IN 2017 University) ‘Circles of Emotion: Faces of History’ Diana G. Barnes (UQ) SPOTLIGHT ‘Gender, Stoicism and the Archive’ Jayne Knight (University of Tasmania) Jacqueline Clarke (UAdel) ‘The Renaissance of Roman Powerful Emotions/ ‘Family Passions: Correr’s Early- Emotions in Machiavelli’s Humanist Reception of Seneca Political Theory’ Emotions and Power and Ovid’ Jodi McAlister (University of Len Collard (UWA) Tasmania) ‘A Sense of Place: Nyungar Cultural ‘How Do We Love in the Land Down Mapping of UWA and Surrounds’ Under? Romantic Love in Australian Paulus Potter, The ‘Piebald’ Horse, c.1650–1654. Courtesy of The J. Paul Getty Museum. Thea Costantino (Curtin University) Popular Fiction in the Long ‘Colonial Grotesque: Visual Memory Nineteenth Century’ in Australia, 1788–1935’ Daniel Midena (UQ) Kate Darian-Smith (UMelb) ‘Sincerity, Modernity and Christian ‘Commemoration, Emotion and the Feelings in Far North Queensland, Bombing of Darwin, 1942–2017’ 1886–1942’ Clare Davidson (UWA) Karen O’Brien (USyd) ‘The Birds and the Bees: Reading ‘First Indigenous Petitioning’ Jacobello del Fiore, Justice Between the Archangels Michael and Gabriel, 1421. Courtesy of Ministero dei beni e delle attività culturali e del turismo - Museo Nazionale Gallerie dell’Accademia di Venezia. Middle English Arousal in the Eleonora Rai (UMelb) Natural World’ ‘Politics and Emotions: The Two Helen English (The University Faces of the Jesuit Sainthood of Newcastle, Australia) (Seventeenth–Nineteenth Century)’ ‘Blackface at Work and Play: Karin Sellberg (UQ) Amateur Minstrel Troupes in ‘Bloody Business: Circularity and Colonial Newcastle, NSW’ Sanguinity in Early Modern Medicine A highlight of CHE’s 2017 program of events was the More than 60 speakers, representing universities Andrea Gaynor (UWA) and Shakespearean Drama’ (see ‘Powerful Emotions/Emotions and Power, c.400–1850’ in the UK, Europe, the USA, Canada and Australia, ‘Frog Cities: Emotion and CHE podcast: https://soundcloud. conference in June at the University of York. The result presented papers during the conference. Their topics Conservation in Urban Australia, com/emotions_make_history/karin- of international connections forged by the Centre, this were as diverse as: meekness as a medieval political 1900–2010’ sellberg-fruitful-circularities) interdisciplinary conference was jointly organised with strategy (Merridee Bailey, UAdel), how colonial (see CHE blog: https:// Matthew Sharpe (Deakin University) the centres for Medieval Studies, Renaissance and Early interpretations of Indigenous emotions informed Modern Studies, and Eighteenth-Century Studies at the historiesofemotion.com/2017/06/16/ ‘Francis Bacon on the Emotions, governance (Jillian Beard, Griffith University), early University of York. environmental-history-and-the- Rhetoric and Imagination: Between modern notions of ‘fellow-feeling’ as civic responsibility and duty (Laura Beattie, The University of Edinburgh), history-of-emotions/) Civic and Natural Philosophy’ The conference theme focused on the dynamic the power of baroque music to move past and relationship between emotions and power in the past. Antonina Harbus (Macquarie Anik Waldow (USyd) present audiences (Jane Davidson, UMelb), public Papers were invited to explore how historical forms University) ‘The Experimental Self’ orchestrations of emotions to defuse ethnic tensions in of power have shaped the expression, performance ‘The Cultural and Linguistic early modern Denmark (Jette Linaa, Aarhus University A full list of AIs (2011–2017) is and regulation of emotions, and also how emotional Translation of the Vocabulary of /Moesgaard Museum), literary representations of available on the CHE website: cultures and practices produced, sustained or resisted Emotion from Latin to Old English’ divine disgust in medieval princely education (Sarah particular structures of power. Plenary speakers were www.historyofemotions.org.au/ McNamer, Georgetown University), and how early Chris Hay (USyd) Rita Copeland (University of Pennsylvania) and David about-the-centre/researchers/ modern discourses about digestion helped to elevate ‘“As Nimble Jugglers That Deceive Lemmings (UAdel). Rita examined how Aristotelian rational thought over ‘gut feelings’ (Michael Walkden, the Eye”: Comic Catharsis in and concepts of emotions contributed to late medieval and University of York). The Comedy of Errors’ early modern political thought, while David analysed www.historyofemotions.org.au/ the development of English ‘popular jurisprudence’ Siobhan Hodge (Murdoch University) about-the-centre/research-roles/ In all, the conference showcased the wide variety of – emotionally engaged, public discourses about ‘Equine Emotions and Boundaries of associate-investigators/ current scholarly approaches to the field, and sessions the Sublime: Equestrian Poetry and criminal justice and the law – in the seventeenth were characterised by lively interdisciplinary discussion. Art, 1600–1800’ and eighteenth centuries. The diversity of approaches to the theme of ‘powerful emotions’ demonstrates the strength of this dynamic field, which continues to develop in interesting new ways.

42 2017 ANNUAL REPORT | 43 RESEARCH MEANINGS PROGRAM REPORT MEANINGS

This program carries out fundamental research into understanding what emotions were thought to be, and how they were understood, expressed and enacted in Europe, 1100–1800.

Symposia, Collaboratories, The ‘Ecstasy: Baroque and Beyond’ held in Perth in April. It featured Exhibitions exhibition at the UQ Art Museum, presentations by Jane Rickard curated by AI Andrea Bubenik (University of Leeds), Mid-Career The 2017 Meanings Program (UQ), brought historical depictions Visiting Fellows Kevin Curran collaboratory was held in July at of ecstatic experiences together (University of Lausanne) and the picturesque Toowong Rowing with modern and contemporary Richard Meek (University of Hull), Club in Brisbane. The theme works that feature transcendence Early Career Visiting Fellow Naya was ‘Art and Affect’, and most of of normal consciousness, trance Tsentourou (University of Exeter) the papers touched on the visual or trancelike states, expanded and Early Career Visiting Fellow arts and emotions, including spiritual awareness and visionary 2015 Kathryn Prince (University of contributions from art, literary and experiences (see p. 92). Events Ottawa). A book collection based music historians, anthropologists that were run in conjunction with on papers from the symposium is and philosophers. Plenary lectures the exhibition included the ‘Art and currently under consideration with were delivered by Joshua Scodel Affect’ collaboratory; a professional a major publisher. At the ‘Feeling (The University of Chicago), who gave development seminar/public forum the Past: Indigenous Emotions and a thorough analysis of the poetics on ‘Ecstasy: Art, Literature, Religion, History’ symposium in November, of care in seventeenth-century History’; a series of film screenings CHE Advisory Board member Jakelin English (the podcast of this lecture and a panel at the Queensland Film Troy’s (USyd) paper, ‘Vocabularies is available on https://soundcloud. Festival; a public lecture, ‘Ecstasy, of Emotion: What Do the Earliest com/emotions_make_history/ Agony’, by Andrew Leach (USyd); Studies of Australian Languages joshua-scodel-the-poetics-of-care- ‘Reasonable Doubt: Scenes From Tell Us About Human Relationships in-seventeenth-century-england); Two Lives’ (2016), a multiple-screen and Emotions’, made an important Helen Deutsch (University of video installation by Mieke Bal contribution to the Meanings California, Los Angeles), who spoke (University of Amsterdam); and Program. Distinguished International on Swift’s ‘savage indignation’; a concert titled ‘Ayre, Cappricio, Visitor Simon Palfrey (University of and D. Vance Smith (Princeton Fantasia’ by the Badenerie Players. Oxford) ran a masterclass on ‘The University), who examined courtly Truth of Anachronism’ at USyd and, A symposium on ‘Hamlet and love and the mysterious medieval with Ewan Fernie (University of Emotions’, organised by Postdoctoral mystic Marguerite Porete. Birmingham), delivered a reading Research Fellow Paul Megna (UWA) from their book Macbeth, Macbeth and CI Bob White (UWA), was at UQ.

Peter Wilkins running a workshop at the ‘Hamlet and Emotions: Then and Now’ symposium, with Stephen Chinna and Jane Rickard as eager volunteers.

2017 ANNUAL REPORT | 45 “Thanks to the ARC CHE fellowship, I was able to clarify my thinking on the place of emotion in my book’s larger argument and make a number of valuable professional contacts that will, I’m sure, continue to enrich my professional and intellectual life. I wish to thank the ARC Centre of Excellence for the History of Emotions for their generous sponsorship of my work.” Kevin Curran, University of Lausanne RESEARCH SPOTLIGHT Art and Affect

Publications Two monographs by researchers in (Routledge, 2017); Peter Holbrook, the Meanings Program appeared in ‘Shakespeare and Philosophy’, in There have been publications aplenty print in 2017: Kirk Essary’s Erasmus The Shakespearean World, edited by by researchers attached to CHE. and Calvin on the Foolishness of God: Jill Levenson and Robert Ormsby One book that stands out in the Reason and Emotion in the Christian (Routledge, 2017); and Robert Meanings Program as very much a Philosophy (University of Toronto Phiddian, ‘Spectacular Opposition: joint effort by many hands is Early Press, 2017) and Juanita Ruys’s Suppression, Deflection, and the Modern Emotions: An Introduction Demons in the Middle Ages (Arc Performance of Contempt in John (Routledge, 2017), devised and edited Humanities Press, 2017). Among Gay’s Beggar’s Opera and Polly’, in by AI Susan Broomhall (UWA). This edited collections, CHE scholars The Power of Laughter and Satire in D. Vance Smith at the ‘Art and Affect’ collaboratory at UQ. comprehensive encyclopedia is contributed essays to Emotion, Ritual Early Modern Britain: Political and much more than ‘an introduction’; and Power in Europe, 1200–1920: Religious Culture, 1500–1820, edited it is destined to become an essential Family, State and Church, edited by by Mark Knights and Adam Morton reference work for researchers in Merridee Bailey and Katie Barclay (Boydell Press, 2017). the history of emotions. Offering (Palgrave Macmillan, 2017). Another Ranging from laughter through God’s substantial, expertly written entries highlight for 2017 was Helen Dell folly to bastardry, love and mourning on virtually every conceivable and Helen Hickey’s edited collection, in music, CHE’s contributions to subject relating to emotions in Singing Death: Reflections on Music scholarship continue to break The 2017 CHE Meanings Program collaboratory at UQ, of Chicago) traced a ‘poetics of care’ in seventeenth- the early modern period, it is a and Mortality (Routledge, 2017). new ground in conceptualising the ‘Art and Affect’, explored the complex history of the century England through different genres deployed in major collaborative achievement in The focus of chapters ranges from meanings of emotions in earlier relation between aesthetic production and ‘the passions’. works by Thomas Dekker, Ben Jonson, Robert Herrick emotions scholarship. Separately, medieval to contemporary music, times and across disciplines, and the The focus of topics ranged in time from the medieval and John Milton, while D. Vance Smith (Princeton an important article on a contested with a special focus on music’s output grows exponentially each year to the modern period, and across the disciplines of University) argued that French mystic Marguerite subject was published by relationship to memory, affectivity in range and influence. literature, visual art, film, philosophy, music and Porete imagined love as a kind of thought without an Postdoctoral Research Fellow Kirk and mortality. Important essays intellectual history. object. Examining the ‘savage indignation’ motivating Essary (UWA), ‘Passions, Affections, touching on ‘Meanings’ include: Bob White Jonathan Swift’s satire, Helen Deutsch (University of or Emotions? On the Ambiguity of Aleksondra Hultquist, ‘From Meanings Program Leader The collaboratory began from an understanding that from California, Los Angeles) argued that ‘angry affinities’ 16th-Century Terminology’ (Emotion Pleasure to Power: The Passion antiquity to the present day, literature and the arts have shared by intellectuals created an ethical community Review, 2017). AI Anik Waldow (USyd) of Love in The Fair Hypocrite’, in been associated with the solicitation of the passions. It that still resonates with scholars today. Other papers at also published her research on the New Perspectives on Delarivier focused on aesthetic production because a preoccupation the collaboratory investigated passions in early modern history of empathy and, in particular, Manley and Eighteenth-Century with the emotional life of human beings has been central portraiture, the aesthetics of Christian belief, emotions in the philosophers Herder and Literature, edited by Aleksondra to thinking about literature, art and music – and we eighteenth- and nineteenth-century music, philosophical Descartes considered in the context Hultquist and Elizabeth J. Mathews should include here the art of rhetoric as well – since theories of affect and feminist philosophies of love, of the history of emotions. antiquity. Indeed, concerns about the ‘passions’, or among others. affect more generally, is virtually contemporary with the historical emergence of these art forms. In their cross-disciplinary approaches, the papers at this collaboratory illuminated how aesthetic Three keynote papers explored how past literary forms practices rouse, qualify or otherwise condition and practices generated passions ranging from love emotional experiences. and care to animosity. Joshua Scodel (The University

46 2017 ANNUAL REPORT | 47 Siobhan Hodge Lisa O’Connell Bronwyn Reddan Associate of UWA node 2017, Duration AI, UQ PhD candidate, UMelb Murdoch University ‘Love and Cruelty: The Personae, ‘The Problem of Love in Early ‘Equine Emotions and Boundaries Styles and Affects of Libertinism’; Modern Contes de Fées’ of the Sublime: Equestrian Poetry ‘Post-Revolutionary Loss, Malaise Christopher Rudge and Art, 1600–1800’ and Redemption: The Colonial Project-to-Publication Fellow, USyd Projections of Therese Huber’ Peter Holbrook ‘Pain, Nervousness and the CI, UQ Katrina O’Loughlin Neurology of Emotion, 1650–1900’ ‘A Literary and Intellectual History DECRA, AI 2015–2017, UWA Juanita Feros Ruys of Self-Government’ ‘The Republic of Feeling: Literary CI, USyd RESEARCH Friendship Between Women, 1750–1830’ Spencer Jackson ‘The Secret Life of Demons’ Postdoctoral Research Fellow, UQ Michael Ovens Alison Scott ‘God Made the Novel: Political PhD candidate, UWA Duration AI, Independent Scholar Theology in Eighteenth-Century ‘Discourse in Steel: Aspects of ‘Passionate Readers: Literary Britain’ Interpersonal Violence, Anxiety and Responses to Stoicism and the the Negotiation of Masculine Identity Jennifer Jorm Development of an Emotional Ethics in Western European Literature, PhD candidate, UQ of Reading, 1600–1700’ 1100–1600’ ‘Emotions and Animals in Matthew Sharpe Eighteenth-Century England’ Bríd Phillips AI 2017, Deakin University PhD candidate, UWA Danijela Kambaskovic-Schwartz ‘Francis Bacon on the Emotions, ‘Stirring the Emotions With Colour: Duration AI, UWA Rhetoric and Imagination: Between An Examination of the Affective ‘The New Life: Love Written in the Civic and Natural Philosophy’ Role of Colour Use in the Drama First Person and the European of William Shakespeare’ Lana Starkey Renaissance’ Julian Polain PhD candidate, UQ Illuminated Psalter, late 1100s. Courtesy of The Metropolitan Museum of Art. Heather Kerr PhD candidate, UMelb ‘Scepticism and the Evolution The Jaharis Family Foundation Inc. Gift, 2001. International Investigator, ‘Dreaming of the Devil: A History of of English Style in the Essay, Independent Scholar Nightmare in Australian Culture’ 1600–1700’ ‘Varieties of Melancholy’ Emily Poore Makoto Harris Takao LIST OF RESEARCH PROJECTS Hannah Kilpatrick PhD candidate, UQ PhD candidate, UWA PhD candidate, UMelb ‘Cutting Emotions: Skin Wounds and ‘Glocal Emotion: Performative ‘Angers, Indignities and Furies: Affect in the Visual Art of Northern Practices of Jesuit Conversion in Constructing an Emotion in Late Europe (1100–1550)’ Early Modern Japan’ The Meanings Program incorporates the following research projects funded in 2017: Medieval English Historical Writing’ Eleonora Rai Sarah Tiboni Kimberley-Joy Knight Postdoctoral Research Fellow, UWA Honorary Associate of UWA node, Michael D. Barbezat Kenneth Chong Paul Gibbard Postdoctoral Research Fellow, USyd ‘Emotions and Visual Techniques in Independent Scholar Postdoctoral Research Fellow, UWA Postdoctoral Research Fellow, UQ CI, UWA ‘Love in a Cold Climate: the Conduct of Jesuit Missions in Early ‘Emotions in an Italian Eighteenth- ‘Burning Bodies: Community, ‘Literary Theologies: The Medieval ‘Epistolary Sensibility and The Relationship Between Love, Modern Italy: Paolo Segneri Senior’s Century Notarial Source’ Desire, Sexuality and Marriage Eschatology and Identity in the Poetics of Scholasticism’ Exploration: Australian Letters of the Religio Carnalis and Theatrical Method Anik Waldow in Medieval Norway and Iceland (Seventeenth Century)’ Middle Ages’ Jacqueline Clarke French Naturalists’; ‘Empiricism and AI 2013, 2014, 2016, 2017, USyd Sensibility: The Scientific Journals of (c.1100–1500)’; ‘Emotions in the Diana G. Barnes AI 2017, UAdel Neil Ramsey ‘The Experimental Self’ the Baudin Expedition’ Courtroom’ AI 2015, 2017, UQ ‘Family Passions: Correr’s Early- Project-to-Publication Fellow, Robert S. White Humanist Reception of Seneca Nicholas Luke University of New South Wales ‘Gender, Stoicism and the Archive’ Umberto Grassi CI, UWA and Ovid’ Postdoctoral Research Fellow, UQ ‘Embodied Affect in the Romantic Postdoctoral Research Fellow, USyd ‘Shakespeare in Our World’; Marina Bollinger ‘A Lawful Magic: A New World Era War Novel’ Deirdre Coleman ‘Ambiguous Boundaries: Sex Crimes ‘Victims of War’ Duration AI, Independent Scholar of Precedent in Mabo and Duration AI, UMelb and Cross-Cultural Encounters in Ciara Rawnsley ‘The Sex of Adam in Early Shakespeare’s Late Plays’; Cassandra Whittem ‘The Family Diaries of Katherine the Early Modern Iberian World’ Project Officer UWA Modern Europe’ ‘“Resurrection Events” in MA candidate, UMelb Plymley (1758–1829)’ ‘The New Fortune Theatre: Antonina Harbus Shakespeare’s Late Plays’ ‘Haunting Fear: A Literary History of Keagan Brewer That Vast Open Stage’ Clare Davidson AI 2017, Macquarie University the Ghost from the Medieval to the PhD candidate, USyd Andrew Lynch Associate of UWA node 2017, UWA ‘The Cultural and Linguistic Richard Read Gothic Era’ ‘The Emotion of Amazement in the CI, UWA ‘The Birds and the Bees: Reading Translation of the Vocabulary of Duration AI, UWA Middle Ages’ ‘The Emotions in Medieval War Jennifer Wright Middle English Arousal in the Emotion from Latin to Old English’ ‘Disencumbrance and Desuetude: Andrea Bubenik Natural World’ Literature’ PhD candidate, UWA Adam Hembree The Forgetting of the Past in Duration AI, UQ Contemporary Art’; ‘Extra-Intra- ‘Out of Place: Solitude and Stephanie Downes PhD candidate, UMelb Paul Megna ‘Ecstasy: Baroque and Beyond’ Recto-Verso: The Reversed Painting Social Isolation in Travel Writings Postdoctoral Research Fellow, UMelb ‘Reading Strange Matters: The Magic Postdoctoral Research Fellow, UWA in Western Art’; ‘Colonization (1639–1791)’ Jill Burton ‘The Emotions in Medieval War Word in Early Modern Drama’ ‘Emotion and Ethics in Middle and Wilderness in Nineteenth- Honorary Associate (Adelaide node) Literature’ English and Medievalist Drama’ Colin Yeo Century American and Australian PhD candidate, UWA 2016-2017, UAdel Kirk Essary Andrew Mellas Landscape Paintings’ ‘Poetic Antecedents ‘The Notion of Estate: Women Postdoctoral Research Fellow, UWA PhD candidate (P/T), USyd of the Gothic Mode’ and Their Sense of Entitlement to ‘“More of the Heart Than the ‘Tears of Compunction in Byzantine Property and Status (1590–1962)’ Brain”: Impassioned Knowledge Hymnography’ and the Christian Philosophy in the Renaissance and Reformation’; ‘Passions for Learning’

48 2017 ANNUAL REPORT | 49 RESEARCH

CHANGE PROGRAM REPORT CHANGE

This program examines mass or communal emotions relating particularly to public and collective events which were emotionally driven but had lasting political and social implications and consequences.

Research Directions witchcraft imagery and English Events witchcraft pamphlets attempted and Discoveries to stir up emotional responses in The representation of love was One of the abiding interests of the observers, including fears about a prominent theme for events Change Program is the central moral and social order. Postdoctoral organised by members of the role of collective emotions in Research Fellow Abaigéal Warfield Change Program in 2017. The the formation of communities. (UAdel) studies the ways in which exhibition ‘Love: Art of Emotion, But how are individual emotions sixteenth-century German news 1400–1800’ at the National Gallery transformed into collective feelings pamphlets depicted witches as of Victoria (NGV) (see p. 81) was that are able to shape societies agents of the Devil in fomenting accompanied by a lavishly illustrated and states? It has been argued crime and natural disasters. catalogue edited by Postdoctoral that representation is key here. A significant aim of the dramatic Research Fellow Angela Hesson Representations can take various texts and illustrations analysed by (UMelb), Matthew Martin (NGV) forms – images, narratives, news these researchers was to conjure and CI Charles Zika (UMelb). stories and conversations – but they collective fear and justify the Postdoctoral Research Fellow constitute the processes by which exclusion of deviants. Lisa Beaven (UMelb) delivered the individual emotions solidify into opening night lecture, ‘Amor Vincit Change Program researchers Omnia: A Celebration of Art and collective opinions and identities. study love and social inclusion They become socially contagious if Love’. There were several associated as well as the role of negative masterclasses, and an international they refer to social phenomena that emotions in sustaining communities. people are attached to, for example, symposium on ‘The Emotions of International Investigator Ann Love in the Art of Late Medieval and religious creeds, ideologies, Brooks (Bournemouth University), property, institutions and ‘ways of Early Modern Europe’ was convened for example, researches the role of by Charles and Angela. life’ more generally. And they can sexual intimacy in several different be positive or negative, engendering historical periods and effectively Power and emotion was the focus love, fear, resentment, anger and employed different theoretical of a joint CHE/University of York pity. Above all, representations are approaches to consider intimacy conference held in York in June, about power: they depict life from as a cause of historical change. which involved nine members of particular perspectives. Similarly, in her project on love, the Change Program. CI David The projects undertaken in the power and gender in early modern Lemmings (UAdel) and Rita Change Program illustrate the role French fairy tales, Project-to Copeland (University of Pennsylvania) of representation in the formation Publication Fellow Bronwyn Reddan were plenary speakers. of collective emotions very well. (UMelb) examines the ‘dark side’ Change Program researchers For example, several CHE scholars of love in constituting a literary at UMelb have established a are studying witchcraft. CI Charles community critical of patriarchy in significant collaboration with Zika (UMelb) and AI Charlotte-Rose courtship and marriage. The University of Manchester, Millar (UQ) look at the way European which bore fruit in several events.

‘Love: Art of Emotion, 1400–1800’ exhibition at the National Gallery of Victoria.

2017 ANNUAL REPORT | 51 “During my fellowship I was also able to attend the final CHE Change Program collaboratory, ‘News Reporting and Emotions, 1100–2017’. This was a truly wonderful conference – expertly organised by Abaigéal Warfield and Amy Milka – that demonstrated the Centre’s commitment to interdisciplinarity. Though I would never have identified ‘news’ as a particular research interest of my own, I found the proceedings extremely thought provoking. Questions about

RESEARCH ‘reporting’ in particular resonated with my own research interests in early modern drama, where information is constantly being reported.” Toria Johnson, University of Birmingham SPOTLIGHT News Reporting and Emotions

Eight CHE researchers presented Change Program researchers Visitors papers (together with Manchester organised a Continuing Professional collaborators under the leadership Development seminar, ‘Emotions In May CHE Distinguished Visitor of Dr Sasha Handley) at a workshop in History: Witchcraft and Plague’, 2016 Kathryn Temple (Georgetown Early Career Visiting Fellow Toria Johnson University) delivered a paper at the ‘News Reporting and Emotions, at The Whitworth art gallery and The convened by AI Charlotte Rose- 1100–2017’ collaboratory in Adelaide. John Rylands Library, Manchester, Millar and Olivia Formby (MPhil titled ‘“What’s Love Got to Do in July. The workshop, titled ‘Objects candidate, UQ), at UQ in May, and With It?” Desire, Disgust and the and Emotions: Rituals, Routines, an exhibition to commemorate Ends of Marriage in Blackstone’s Collections and Communities’, the 500th anniversary of Martin Commentaries’ in UAdel’s History was part of a project funded Luther’s 95 Theses, ‘Word, Image, of Emotions seminar series. CHE by the Manchester-Melbourne Song: Celebrating 500 Years of Early Career Visiting Fellow Toria Humanities Consortium Fund. Luther’s Reformation’, convened by Johnson (University of Birmingham) Abaigéal Warfield and staff members spent a month at UAdel in August/ In Adelaide, two events were from UAdel’s Barr-Smith Library, September and gave a seminar on Media scholars have long known that emotions heighten Charlie Beckett (London School of Economics) brought organised in May as part of 16 October–30 November. Luther the representation of compassion the impact of journalism, yet they still face pressure to the discussion up to the present day by considering South Australia’s History Festival. was also the subject of a public in two plays, Everyman (c.1508) remain ‘objective’. The role of emotions in news reporting developments in technology and how they have affected Postdoctoral Research Fellow Amy lecture by CHE Advisory Board and Shakespeare’s King Lear was the focus of the Change Program collaboratory public expectations about news reporting. Other papers Milka (UAdel) convened a seminar member Lyndal Roper (University (1606). CHE Early Career Visiting in 2017. covered a wide range of topics, from how the media on the history of winegrowing and of Oxford) at UMelb in December. Fellow Daniel Barbu (University has traded on culturally specific fears and reported on community identities built around Convened by CI David Lemmings and Postdoctoral of Bern and Le Centre national de emotionally charged events to the impact of particular the emotional experience of making Research Fellows Abaigéal Warfield and Amy Milka at la recherche scientifique, (CERN)) reporting techniques, to a harrowing account of the and drinking wine. Adelaide also Research Clusters the UAdel node, this two-day event in Adelaide brought visited UWA and UMelb in December emotional toll that reporting on Rwandan genocide hosted the Change collaboratory, together historians, journalism scholars and practising The Change Program is associated and presented seminars on had on a news team. which was organised by Abaigéal reporters to consider the relationship between news and with several research clusters ‘Emotions and the Jewish-Christian Warfield, Amy Milka and David emotions and how it has changed over time. A pressing issue identified by the collaboratory was the organised around particular aspects Controversy: Toledot Yeshu and Its Lemmings on the topic ‘News challenge posed by new online media forms, especially of the history of emotions. In 2017 Readers’. CHE Early Career Visiting A keynote paper by Una McIlvenna (UMelb) compared Reporting and Emotions, 1100–2017’. how they affect emotional and ethical boundaries. cluster events included: ‘Mapping Fellow Louise Nyholm Kallestrup the ways in which news reporters have drawn on ideas It featured keynote lectures by However, the importance of looking at journalistic the Emotional Cityscape: Spaces, (University of Southern Denmark) of trust and authenticity across the early modern and Cait McMahon (Dart Centre Asia practice through a historical lens and considering how Performances and Emotions in spent a month at UMelb and modern periods. Karin Wahl-Jorgensen (University of Pacific, Melbourne), Charlie Beckett it has changed over time was also clearly articulated, Urban Life’, convened by Katie delivered a paper on ‘Constructing Cardiff) examined how journalists seek to ‘outsource’ (London School of Economics), Karin reminding journalists that emotional and professional Barclay (UAdel/Aarhus University) the Witch in Early Modern Denmark: emotions onto interviewees and employ anecdotes Wahl-Jorgensen (Cardiff University) standards are always shifting, and that change is both and Jade Riddle (PhD candidate, Emotions, Gender and Crime’. to make objective reporting seem more personal. and Una McIlvenna (UMelb), and possible and sometimes necessary. UAdel) in Adelaide in September; Cait McMahon (Dart Centre Asia Pacific, Melbourne) addressed the theme of changing David Lemmings and ‘Emotions and Law’, which addressed the importance of self-care for journalists Amy Milka and Abaigéal Warfield relations between news and Change Program Leader featured presentations by Senior reporting on disasters and traumatic events, while Postdoctoral Research Fellows emotions across time and space. Research Fellow Merridee Bailey (UAdel) and Postdoctoral Research Fellow Kimberley-Joy Knight (USyd), at UWA in March.

52 2017 ANNUAL REPORT | 53 LIST OF RESEARCH PROJECTS

RESEARCH The Change Program incorporates the following research projects funded in 2017:

Tara Auty Olivia Formby Mark Neuendorf Andrea Rizzi PhD candidate, UWA MPhil candidate, UQ PhD candidate, UAdel AI 2015–2017, UMelb ‘The Fall of Constantinople ‘An Emotional History of ‘Madness in England in ‘Violent Language in in Quattrocento Literary Plague in Early Modern the “Age of Sensibility”’ Renaissance Italy’ Culture: Community England, 1631–1638’ Carly Osborn Jennifer Spinks Emotions and the Genre Lisa Hill Postdoctoral Research Duration AI, UMelb ‘ of Neo-Latin Epic in Duration AI, UAdel Fellow, UAdel Violent Emotions and Fifteenth-Century Italy’ ‘Emotions in the Social ‘Sacrificial Stages: Religious Polemic: Merridee L. Bailey Thought and Political Public Executions in Southern Indian Religious Senior Research Fellow, Economy of the Scottish Early Modern Britain’ Cultures in the Sixteenth- AI 2012, UAdel Enlightenment’ Century Northern Jasmin Parasiers ‘Moral Emotions in European Imagination’ Jayne Knight PhD candidate (P/T), UAdel Mercantilism in Late AI 2017, University ‘Miscreant Youth in Early Nicole Starbuck Medieval and Early Modern of Tasmania Modern England’ Project-to-Publication England, c.1450–1650’ ‘The Renaissance of Roman Fellow, UAdel Gordon Raeburn Katie Barclay Emotions in Machiavelli’s ‘French Navigations of Postdoctoral Research DECRA, AI 2016–2017, Political Theory’ Aboriginal Family, Culture Fellow, UMelb UAdel and Bodies, 1793–1803’ David Lemmings ‘Disaster and Identity: ‘A History of Intimate CI, UAdel Fear, Grief, Anger and the Claire Walker Relationships in Scotland: ‘Governing Emotions: The Development of Scottish Duration AI, UAdel Emotion and Family Affective Family, the Press Communal Identities’ ‘Governing Emotion: Among the Lower Orders, and the Law in Eighteenth- The Affective Family, 1661–1830’ Eleonora Rai Century Britain’ the Press and the Law in AI 2017, UMelb Diana G. Barnes Early Modern Britain’ Jessica McCandless ‘Politics and Emotions: Postdoctoral Research PhD candidate, UAdel The Two Faces of Abaigéal Warfield Fellow, UQ ‘Seventeenth-Century the Jesuit Sainthood Postdoctoral Research ‘Bellicose Passions in English Nuns in Exile: (Seventeenth to Fellow, UAdel Margaret Cavendish’s Mysticism and Emotion’ Nineteenth Century)’ ‘Framing Fear: Playes (1662)’ Constructing Fear of God, Joanne McEwan Sarah Randles Lisa Beaven the Devil and Witches Project-to-Publication Project-to-Publication Postdoctoral Research in Early Modern News Fellow, UWA Fellow, University of Fellow, UMelb Pamphlets and Broadsides’ ‘Women’s Crime and Tasmania ‘Pilgrimage to the Eternal the Changing Role of ‘Materiality and Emotions Charles Zika City: Art, Relics and Sympathy and Support in Medieval Chartres’ CI, UMelb Catholic Reform in Rome, in Eighteenth-Century ‘Emotions and Exclusion: 1570–1640’ Bronwyn Reddan London’ Witchcraft Imagery of the Project-to-Publication Ann Brooks Seventeenth and Early Amy Milka Fellow, UMelb International Investigator, Eighteenth Century’; Postdoctoral Research ‘Love, Power and Gender Bournemouth University ‘Emotions, Sacred Place Fellow, UAdel in Early Modern French ‘Genealogies of Emotion, and Community: The ‘Professors of Feeling: Fairy Tales’ Intimacy and Desire: Shrine of Mariazell’; Emotion and the English Theories of Changes Jade Riddle ‘Natural Disasters and Criminal Courts, in Emotional Regimes PhD candidate, UAdel Apocalyptic Anxiety: 1700–1830’ from Medieval Society ‘Emotions in Place: The The Wick Collection’ to Late Modernity’; Charlotte-Rose Millar Creation of the Suburban ‘“Bluestocking Societies”: AI 2016–2017, UQ “Other” in Early Modern Gender, Emotions and the ‘Everyday Voices: London’ Bad weather over Ghent and Mechelen on 15 August 1586; Public Sphere’ Constructions of Love, depicted are flying devils that cause mischief. From the Sex and Desire in Early collection of Johann Jakob Wick (extracted from Ms F 35, 151). Modern England’ Courtesy of the Central Library Zürich, Graphische Sammlung.

54 2017 ANNUAL REPORT | 55 RESEARCH PERFORMANCE PROGRAM REPORT PERFORMANCE

This program carries out research into how emotions were understood, expressed and constructed through performing and visual arts – music, opera, drama and art.

On a damp and chilly platform, waiting New Futures in Coburg – a suburb Staged performances of works from for a North Melbourne train from in which approximately 40 per cent the early modern period provided Jewell to Coburg, a choir dressed in of residents were born outside more opportunities to uncover vibrant fabrics swayed to the lilt of the Australia. The organisation’s how early modern emotions are lullabies they sang. A waiting shelter leadership encouraged CHE experienced and reinterpreted by was occupied by several women with researchers to develop the Lullaby modern-day audiences. Working babies in pushchairs, the rain gently Choir in 2016, in part to counteract in collaboration with St Paul’s patting its empathic rhythms onto the the anti-immigration sentiments Cathedral in Melbourne, CHE staged tin roof overhead. The curious infants championed by protest group Reclaim an enactment of the Passion of were rocked in time to the performance Australia, which had recently staged Christ titled Passion, Lament, Glory before them. Trains came and went, insurgences in Coburg. (see p.118) just before Easter. In alighting passengers smiling at the early September, a production Another Performance Program colourful and sonorous spectacle. of Claudio Monteverdi’s early project involving the emotional impact After a while, the choir of twenty-plus opera Orfeo was developed along of music is AI Helen English’s (The entered a carriage of a stationary train, with UMelb’s Early Music Studio University of Newcastle, Australia) and as music and train moved off, and conducted by CHE Associate research into understanding the harmonies in English, Hindi, Arabic and Artist Erin Helyard (Melbourne role of amateur minstrel groups Filipino were heard. The passengers Conservatorium of Music). The in the Newcastle and Hunter listened and asked who these people production explored the complex Valley (1850s–1870s) and the role were, filling their otherwise grey emotions of love and loss depicted in of ‘blackface’ in the work and morning with musical delights. this incredible work (see p. 118). entertainment of the miners of the This vignette, describing a musical region. As a result of Helen’s project, In addition to operatic and choral performance that resulted from one a study of the emotions experienced engagements, the Performance of the research projects within the through community music activities, Program supported workshops Performance Program, captures comparing past and present to investigate comic catharsis as something of the emotional impact experiences, was undertaken in a a theatrical tool in Shakespeare’s the arts can make. The Lullaby Choir, collaboration between Helen, CI The Comedy of Errors, led by AI developed to cultivate intercultural Jane Davidson and Sarah Monk Chris Hays (National Institute harmony, has been a significant (The University of Newcastle, of Dramatic Art, Sydney). These contributor to the Performance Australia). In November the six sessions engaged academics, Program in 2017. A talk on this modern music communities in the professional actors and students in project was presented at the ’Peace, study joined together in Newcastle experimentation and discussion. Empathy and Conciliation Through for a presentation of research At UWA, PhD candidate Bríd Phillips Music’ collaboratory (see p.59). findings and a public concert. established a series of moved Dinner – with music associated readings on the New Fortune with the collaboratory – was held at Theatre stage, beginning in May with the choir’s headquarters, VICSEG ‘Bad Hamlet’. The play was based Aerial artist Tim Rutty suspended from the ceiling of St Paul’s Cathedral, Melbourne, during Passion, Lament, Glory. © Joe Armano / Fairfax Syndication.

2017 ANNUAL REPORT | 57 RESEARCH on the ‘bad’ quarto of 1603 and Grants and Awards Sydney, and holiday art workshops directed by former CHE Early Career on ‘colourful emotions’ were held Visiting Fellow Kathryn Prince UMelb Postdoctoral Research for children in Adelaide. The Canoe (University of Ottawa). Postdoctoral Fellows Samantha Dieckmann Project (in association with the SPOTLIGHT Research Fellow Paul Megna (UWA) and Amanda Krause, along with Koorie Heritage Trust) resulted in also continued his research into CI Jane Davidson and Honorary an exhibition in Melbourne. This Peace, Empathy and contemporary Australian Passion Researcher Joy Damousi, were project saw six Victorian Aboriginal play performances. awarded funding from the Australian artists and activists share the Conciliation Through Music: Communities Foundation and the historical, cultural, social and As part of the ‘Ecstasy: Art and Victorian Women’s Trust to further emotional significance of objects Beyond’ exhibition at the UQ Art their lullaby work. As a result, they of personal importance to them. A Collaboratory Museum, the Badinerie Players will establish a Lullaby Playgroup The featured objects included presented ‘War of the Buffoons’, in a multicultural school in inner echidna quill and kangaroo tooth a performance that contrasted the Melbourne. jewellery, stone tools, axe heads French and Italian musical styles and feather ‘flowers’. of the mid-eighteenth century, Outreach Jane Davidson supported by critical commentary The Performance Program organised from polemical pamphlets of several outreach activities in 2017. Performance Program Leader the time. These included a photographic In 2017 the work of AI Denis Collins workshop for a showing titled ‘My (UQ) came to fruition. His research Melbourne’, part of the ‘Screening into the importance of emotion Melbourne’ international conference in Counter-Reformation music at Deakin Edge in Federation Amadou Suso, kora player. © Rebecca Newman Photography. demonstrated how liturgical genres Square in February. A series of served as vehicles for the most public workshops and lectures emotionally driven explorations of were delivered in conjunction with late Renaissance religious feeling. the National Gallery of Victoria’s Employing an innovative analytical exhibition, ‘Love: Art of Emotion, methodology that draws on 1400–1800’, including ‘Stories of neglected music theory sources and Love’, ‘Sounds of Love’ and the CHE marked the 2017 United Nations’ International Day Keynote speakers included Kathryn Marsh (USyd), who various perspectives from emotions ‘Objects of Love’. Workshops on of Peace with a two-day interdisciplinary collaboratory spoke about the development of empathy through music research, Denis explored how bel canto and emotion were run by at UMelb in September. Held in conjunction with among newly arrived forced and voluntary migrant compositional tools and processes CHE Distinguished International the university’s Faculty of Fine Arts and Music, the children and young people in Australia, and Brydie-Leigh could go beyond serving structural Visitor Robert Toft (Western collaboratory brought together over 60 researchers Bartleet (Griffith University), who explored concepts of or rhetorical purposes. Specifically, University) in Melbourne and and practitioners to share ideas about the ways that music compassionate love in relation to her collaborations he showed how certain contrapuntal can be used to develop peace, empathy and conciliation. with Waramungu and Warlpiri musicians in Central techniques are employed to convey Australia (the podcast of this lecture is available on Academic papers and panels, fieldwork reports and emotional attributes not only https://soundcloud.com/emotions_make_history/brydie- hands-on workshops produced thought-provoking of chosen texts but also of the leigh-bartleet-how-can-the-concept-of-love-inform- discussions between scholars, music teachers, communities of elite musicians who peacebuilding). The final keynote speaker, Laura Hassler, community musicians, music therapists and community cross-referenced each other’s works as founder and director of Musicians without Borders development and peacebuilding workers, seeding new for expressive purposes. (MwB), represented the cross-sectoral nature of the collaborative projects and partnerships. collaboratory. In addition to her address outlining MwB’s The theme attracted contributions from interstate work in Northern Ireland, the Balkans and Rwanda, and overseas, with topics including the role of public Laura led participants in a workshop of training exercises radio music in shaping the official narrative of how that demonstrated the principles of MwB’s programs. the nation should mourn for Thailand’s King Bhumibol Through workshops such as these, delegates experienced Adulyadej; the importance of intergroup music- music-in-action as well as discussing and giving making in promoting peace among Christian and presentations about it. This enthusiasm for the practical Muslim Ambonese following interreligious conflict; was also evident at the collaboratory dinner where, and composing music to memorialise tragic events, after a night of networking over a multicultural buffet, as in Benjamin Britten’s War Requiem, Schoenberg’s delegates took to the dance floor and moved spiritedly A Survivor From Warsaw and Krzysztof Penderecki’s to live music by the Senegambian Jazz Trio. Threnody for the Victims of Hiroshima.

58 2017 ANNUAL REPORT | 59 RESEARCH LIST OF RESEARCH PROJECTS

The Performance Program incorporates the following research projects funded in 2017:

Patricia Alessi Samantha Dieckmann Amanda Krause Kathryn Parker PhD candidate, UWA Postdoctoral Research Postdoctoral Research PhD candidate, USyd ‘Expressing the Emotions Fellow, UMelb Fellow, UMelb ‘Words and Music: of Opera’s First “Bitches, ‘Music, Emotion ‘NGV Audience Survey on A Study of the Cultural Witches and Women in and Conciliation’ the Exhibition “Love: Art Significance of Songs Britches”’ of Emotion, 1400–1800”’ in Elizabethan and Helen English Jacobean Comedy’ Joseph Browning AI 2017, The University Cheyenne Langan Postdoctoral Research of Newcastle, Australia MPhil candidate, UQ Ciara Rawnsley Fellow (P/T), UMelb ‘Blackface at Work and ‘Bloodied Bodies and Project Officer, UWA ‘Voyage to the Moon’; Play: Amateur Minstrel Broken Boundaries: ‘The New Fortune Theatre: ‘Creativity, Collaboration Troupes in Colonial Violent Love on the That Vast Open Stage’ and Emotion in Music’ Newcastle, NSW’ Early Modern Stage’ Karin Sellberg Denis Collins Samuel Harvey Samantha Owens AI 2017, UQ AI 2013, 2014, PhD candidate, UMelb Duration AI, International ‘Bloody Business: 2015–2017, UQ ‘Rococo Film Aesthetics Investigator, Victoria Circularity and Sanguinity ‘Emotion and Music in the and the Sinuous Cinema University of Wellington in Early Modern Medicine Counter-Reformation’ of Sofia Coppola’ ‘The Use of and Shakespearean Instrumentation to Drama’ Jane W. Davidson Chris Hay Represent Emotions CI, UMelb AI 2017, USyd Jason Stoessel in Theatrical Music of ‘Voyage to the Moon’; ‘“As nimble jugglers that AI 2014, 2015–2017, the German Baroque ‘Music, Emotion and deceive the eye”: Comic University of New England (1600–1750)’ Conciliation’; ‘Objects Catharsis in The Comedy ‘The Emotional and Emotions’ of Errors’ Community of Early Humanists at Padua: Rhetoric and Music’

The Lullaby Choir singing to passengers at Jewell station, Melbourne.

60 RESEARCH RESEARCH SHAPING THE MODERN PROGRAM REPORT SHAPING THE MODERN

This research program extends the Centre’s inquiry into the modern era, with a particular focus on the emotions surrounding Indigenous experience, colonial settlement, the environment and heritage culture, especially in Australia.

Major Events and Themes This event was also symbolically CI Shino Konishi (UWA) convened important for two reasons: first, it the ‘Feeling the Past: Indigenous The Shaping the Modern featured Jeffrey Cohen, who spoke Emotions and History’ symposium collaboratory for 2017, ‘Wild Things: at the program’s first collaboratory in Perth in November. This Affect and the Natural World’, on ‘Hearts and Stones’ in Melbourne symposium provided an opportunity was convened by Senior Research in 2011. It was fascinating to see for Indigenous scholars to explore Fellow Grace Moore (UMelb) and how Jeffrey’s work on environmental emotions as a means of investigating CI Stephanie Trigg (UMelb) in theory and the emotions has and narrating the past, as well as to Melbourne in December. This was developed over the life of the Centre. reflect on, and further develop, the a small and focused event that Second, this was the last event role emotions play in maintaining included papers from CHE Advisory convened for the Centre by Grace and expressing the immanence of Board member Iain McCalman Moore, who has now concluded her their past in the present. (USyd), CI Juanita Feros Ruys (USyd), five-year fellowship with CHE. Over AI Susan Broomhall (UWA) was one Alexa Weik von Mossner (University these years, Grace has brought new of the convenors of the Australian of Klagenfurt), John Plotz (Brandeis research directions and exemplary Academy of the Humanities University), Philip Armstrong passion to the work of the Centre. symposium on ‘Humanitarianism (University of Canterbury), AI Linda In addition to her chief project on and Human Rights’ in Perth in Williams (RMIT University) and settlers and bushfires, Grace has November. The symposium opened Jeffrey Jerome Cohen (The George developed a broader interest in with a special session at UWA Washington University), as well as Antipodean ecology and has started – ‘Emotions, Human Rights and four speakers from UMelb. The publishing on Anthony Trollope’s Humanitarianism’ – featuring two presentations ranged widely in environmental and ecological CHE Advisory Board members, Anna their coverage, from the history of writings, especially in relation to his Haebich (Curtin University) and David Noah’s ark and its implications for Australian travels. contemporary environmental politics Konstan (New York University), with to eighteenth-century ballooning A symposium, ‘Hacking the responses by UWA CIs Jacqueline and its new visions of the earth Anthropocene II: Weathering’, Van Gent, Paul Gibbard and and the horizon, to the complex and workshop, ‘Weathering the Andrew Lynch. This opening event emotions surrounding ‘dark tourism’ Apocalypse’, were convened by AI showcased the long reach of the in contemporary New South Wales. Jennifer Hamilton (USyd) in May, Centre’s work on emotions and the The collaboratory drew strong followed by a public lecture on human condition. The symposium as connections between pre-modern ‘Climate Change and the Quest for a whole demonstrated the centrality and modern affective understandings Transformative Fictions’ by Stephanie of our research on the emotions Le Meneger (University of Oregon). for a wide range of work in the Marie Taylor, Whadjuk Ballardong Elder, leading a group of the natural environment. on the Fanny Balbuk Yooreel walk through the city of Perth. contemporary humanities. © Matthew Poon / the National Trust of Western Australia

2017 ANNUAL REPORT | 63 RESEARCH SPOTLIGHT Wild Emotions: Affect and

Publications and the Melbourne Historical Journal In May AI Susan Broomhall, CI the Natural World Collaborations in 2017. This essay outlines her Andrew Lynch and Artistic Associate ongoing project on the affective Gina Pickering, with the National In an article published in the first history of bluestone in Melbourne, Trust of Western Australia, the issue of the new journal Emotions: and uncovers a story of poetic irony City of Perth, the Department History, Culture, Society, Stephanie in which John Price, a notoriously of Aboriginal Affairs (WA) and Trigg explored a pattern of affective cruel Inspector of Prisons, was killed Lotterywest, convened the ‘Fanny reading histories that links George by a piece of bluestone thrown by a Balbuk Yooreel: Life, Legacy and Eliot, A. S. Byatt and twenty-first- prisoner in Williamstown in 1857. Emotions’ symposium in Perth. This century women readers. This essay public event focused on Indigenous Juanita Ruys and Cassie Charlton’s also explored the emotional life of histories, emotions, voices and documentary, The Devil’s Country, material and domestic objects. It legacies and how the powerful, explores traces of medieval and draws on the work of CHE’s research emotional story of Fanny Balbuk pre-modern demonic associations in cluster on objects and emotions, as Yooreel can encourage modern colonial responses to the Australian well as the collaboration between residents of Perth to see the history ‘Cupid Inspiring Plants with Love, in a Tropical Landscape. Coloured Stipple Engraving landscape, and sets them in dialogue by T. Burke, c.1805, after P. Reinagle’, 1805. Courtesy of the Wellcome Collection. researchers at the universities of their region in different ways. with Indigenous culture. It will be of Melbourne and Manchester, Education resource packs are screened at a conference held by which grew out of CHE. Much of available on: www.historyofemotions. the Arizona Center for Medieval and this research on objects intersects org.au/education-outreach/ Renaissance Studies in Phoenix with the Shaping the Modern educational-resources/fanny- early 2018, and will be made publicly Program’s interests in heritage and balbuk-yooreel/. museum culture. available from April. A professional development seminar The ‘Wild Emotions’ collaboratory, held at UMelb in Iain McCalman’s (USyd) research into hunting on the CI Jacqueline Van Gent (UWA) Outreach on ‘Making Modernism in Art and December, brought together an impressive range of African continent in the same colonial era provided a contributed to the organisation of a Education and Outreach Officer Poetry’ was organised by CHE’s UQ international scholars, many of whom are active in the similar perspective. The horror of atrocities conducted workshop on ‘Stobaeus’s Cabinet of Penelope Lee (UMelb), with the node, and held at the Queensland Art environmental humanities. in the name of natural science was given human- Curiosity: Emotions, “Curiosa” and assistance of Finn Morgan and Gallery in May. specific emphasis in Deirdre Coleman’s (UMelb) call Collecting in Early Modern Sweden The first session began with a warm welcome from advice from Postdoctoral Research for long-overdue reparations regarding the pillaged and Beyond’. This was the first of a Stephanie Trigg Uncle Perry Wandin, a Wurundjeri ngurungaeta. Uncle Fellow Tom Bristow (UMelb), has bodies of Australia’s First Peoples. Other papers covered series of three thematic workshops Shaping the Modern Program Leader Perry’s stories showed how material objects, such as the been working with the Koorie topics such as trans-species empathy, Darwinian that form part of a collaborative stone tools used by his ancestors, offer important stories Heritage Trust on an important emotions in fiction, dark tourism and emotions and project on ‘Beyond Curiosity and of place. His reminder provided a powerful backdrop to environmental and community enlightenment theory. Wonder – Understanding the project, ‘Trails of Feeling’. This the day’s proceedings and rang through CI Stephanie Museum Stobaeanum’ led by project revives the older walking Trigg’s (UMelb) reflections on the changing affectivity of Concluding discussions highlighted how affective stories Lund University. trail, ‘Another View Walking Trail’ Victorian bluestone in her introductory address. have for a very long time revealed unruly and influential resistances to human modes of oppressing the earth’s Australian heritage was the focus (1995), and offers an inspiring story Philip Armstrong’s (University of Canterbury) description most vulnerable inhabitants. of Stephanie Trigg’s ‘Bluestone of Aboriginal resilience, cultural of a millennium-long shift, from early fears of forests to and the City: Writing an Emotional practice and regeneration. contemporary conservationist fears for forests, oriented Sincere thanks were extended by all participants to History’, which was published in the discussion towards habitat. His overview was Senior Research Fellow Grace Moore (UMelb) for her complemented by Jeffrey Jerome Cohen’s (The George gathering of intellect that so thoughtfully dealt with Washington University) consideration of the social affect and the ‘natural’ world. justice issues imbricated with the destruction of habitat. Susan Mary Pike Such concerns, Jeffrey argued, give life to foundational School of Culture and Communication narratives like that of Noah’s Ark. The University of Melbourne Rachel Weaver and Ken Gelder’s (both UMelb) discussion of colonial kangaroo hunts showed how such concerns have been given voice in Australia through counter- narratives that refuse to venerate the hunt as heroic.

64 2017 ANNUAL REPORT | 65 RESEARCH Francesco De Toni Paul James Elizabeth Reid PhD candidate, UWA AI 2017, Western Sydney University Project Officer, UWA ‘Constructing and Expressing ‘Circles of Emotion: Faces of History’ ‘Zest Festival’ Friendship in the Correspondence of Shino Konishi Elfie Shiosaki Rosendo Salvado and His Epistolary CI, UWA AI 2016–2017, Curtin University Networks: A Corpus-Based ‘Indigenous Australians and ‘Reclaiming the Voices of Our Linguistic Analysis’ Emotional Pasts’ Ancestors: A Study of Early Stephanie Downes Discursive Activism by Noongar Jordan Lavers Postdoctoral Research Fellow, People (1900–1930s)’ PhD candidate, UWA UMelb ‘Gender, Emotion and Kinship in the Hayley Singer ‘Textual Face in Medieval and Letters of Karoline von Günderrode’ AI 2017, UMelb Early Renaissance Literary Culture: ‘The Fleischgeist: A Haunting’ A Pre-History of the Emoticon’ Andrew Lynch CI, UWA Angelique Stastny Alex Edney-Browne ‘Emotion in Modern Medievalism’ PhD candidate, UMelb PhD candidate, UMelb ‘Settler Regimes of Ignorance: ‘The Drone Interface: Locating the Robin Macdonald Teaching Indigenous-Settler “Human” in Digital Warfare’ Postdoctoral Research Fellow, UWA Relationships in Schools in Australia Leanne Brass, the National Trust of Western Australia, ‘Laughter and Affect in Seventeenth- taking part in the Fanny Balbuk Yooreel walk through Andrea Gaynor and Kanaky/New Caledonia’ Century North America’ the city of Perth. © Matthew Poon / the National Trust AI 2017, UWA of Western Australia Stephanie Trigg ‘Frog Cities: Emotion and Alicia Marchant CI, UMelb Conservation in Urban Australia, Project-to-Publication Fellow, ‘Speaking Faces: Describing the 1900–2010’ University of Tasmania Facial Expression of Emotion’; ‘Emotions, Heritage and History’; Chloe Rebecca Green ‘Victorian Bluestone: An Affective ‘Rivers of Emotion’ PhD candidate, UMelb Cultural History’ ‘Catching Feelings: Mental Illness Jodi McAlister Cate Turk and Affective Contagion in Women’s AI 2017, University of Tasmania Project Officer, UWA Autobiographical Writings’ ‘How Do We Love in the Land Down ‘Rivers of Emotion’ Under? Romantic Love in Australian Maria Hach LIST OF RESEARCH PROJECTS Popular Fiction in the Long Jacqueline Van Gent PhD candidate, UMelb Nineteenth Century’ CI, UWA ‘Intergenerational Hauntings: ‘Colonial Encounters Memory, Embodiment and Affectivity Daniel Midena and Cross-Cultural Emotions of Historical Trauma Among AI 2017, UQ in the Early Modern World and Cambodian-Australian Women’ ‘Sincerity, Modernity and Late Colonial Australia’ The Shaping the Modern Program incorporates the following research projects funded in 2017: Christian Feelings in Far North Jennifer Hamilton Queensland, 1886–1942’ Michael Warren Natsuko Akagawa Susan Broomhall Thea Costantino AI 2016, deferred to 2017, USyd PhD candidate, USyd AI 2016, deferred to 2017, UQ AI, formerly CI, UWA AI 2017, Curtin University ‘Weathering the City’ Grace Moore ‘Unsettled Settlers: Fear and White ‘Curiosity, Lust and Love: ‘Cross-Cultural Emotions Between ‘Colonial Grotesque: Visual Memory Senior Research Fellow, UMelb Angela Hesson Victimhood, New South Wales and Dutch Encounters with the Sixteenth- and Seventeenth-Century in Australia, 1788–1935’ ‘Arcady in Flames: Representations Postdoctoral Research Fellow, Van Diemen’s Land, 1816–1838’ East (1650–1800)’ Japan and Korea and Europe, of Bushfires in Nineteenth-Century Kate Darian-Smith UMelb Through Ceramic and Tea Practices’; Settler Culture’ Tom Bristow AI 2017, UMelb ‘Love: The Art of Emotion, ‘Early Modern Encounters, Objects Postdoctoral Research Fellow, ‘Commemoration, Emotion and the 1400–1800’ Karen O’Brien and Emotions, 2011–2014’; ‘Rivers UMelb Bombing of Darwin, 1942–2017’ AI 2017, USyd of Emotion: An Emotional History Emma Hutchison ‘Decolonised Pastoral: ‘First Australian Petitioning’ of Derbarl Yerrigan and Djarlgarro Helen Dell AI 2014 (funds carried over to 2017), UQ A Comparative Study of Emotional Beelier/The Swan and Canning Rivers’ Project-to-Publication Fellow, UMelb ‘Disaster Imagery and the History of Variants in Australian Literature ‘Longing for the Medieval’ Humanitarian Emotions’ (1925–2015)’ Len Collard AI 2017, UWA Tom Bristow ‘A Sense of Place: Nyungar Cultural Postdoctoral Research Fellow, Mapping of UWA and Surrounds’ UMelb ‘Empathy and the More-Than- Human World’

66 2017 ANNUAL REPORT | 67 Our Education and Outreach program broadens and strengthens the Centre’s impact to make our research accessible to non-academic audiences, including EDUCATION school children and the general public. In 2017 the EDUCATION Education and Outreach program continued to build AND OUTREACH on its reputation for high-quality public engagement. AND OUTREACH

Different Avenues, holiday program held in suburban the City of Perth and the Department Different Audiences libraries. As part of South Australia’s of Aboriginal Affairs. History Festival, the ‘Fire Stories’ The UMelb node enriched students’ In 2017 CHE’s Education and workshop was also held at the understanding of the history of Outreach Officers (EOO) took Country Fire Service headquarters, emotions through the ‘Love: Art history of emotions research and incorporated a presentation by of Emotion, 1400–1800’ exhibition into the community in a host a firefighter. of creative ways. The individual at the National Gallery of Victoria strengths, skills and experience In Western Australia in-class (NGV). Princes Hill Secondary EOOs bring to their role are workshops were delivered to more College students interviewed reflected in the outreach programs than 5,500 students at 36 schools curator and CHE Postdoctoral implemented at each node. From across the state, from as far south Research Fellow Angela Hesson interacting with school students to as Manjimup and as far north as Port and discussed how young people interviewing the elderly, and from Hedland. Designed for students from today may have different ideas collaborations with museums and 10 to 17 years old, the workshops about love from those of the period galleries to the sharing of local addressed topics such as the Black 1400–1800; 14 passionate writers oral histories, CHE embraces a Death, Shakespeare, online 3D from Years 9 and 10 undertook a multidisciplinary approach to public museum objects, medieval and three-day creative writing program and educational outreach. early modern trades and witchcraft. at the NGV and produced inspiring The workshops most popular with stories that explored the breadth Schools and Students students were the highly interactive of human experience and types of end-of-year sessions: students love; and a program across western In school classrooms and libraries, employed special effects makeup Victoria (Horsham, Hamilton we got students excited to learn! to recreate Black Death symptoms and Warrnambool) encouraged In South Australia our EOOs focused such as buboes; they learnt about philosophical and critical inquiry on developing national curriculum the work of surgeons and physicians, from Years 4–6 students. They found packs for teachers of students using fake urine and jelly-worms as the many manifestations of love aged 5 to 18, on topics ranging leeches; and they made costumes represented in the exhibition an from witchcraft to Impressionist out of newspaper to examine exciting way to explore this complex art. The packs include lesson how witches have been depicted emotion. plans, materials, assessments and throughout history. In Sydney CHE delivered workshops extension activities, and are mapped The UWA node also created an for Full STEAM, a program for to the national curriculum for use education pack based on the life and children in Years 3 and 4 that across Australia. EOOs in Adelaide interactions of Fanny Balbuk Yooreel, explored concepts of past, present also presented fun workshops on a Wadjuk Noongar woman whose life and future. Students were introduced ‘Art, Colour and Emotion’ and ‘Fire was explored through several events, to the idea that emotional and Stories’ (early colonial experiences including a symposium organised personal histories are embedded of bushfires) for children at festivals by CHE in collaboration with the in material culture by exploring the and events, including the Dream BIG National Trust of Western Australia, value we attribute to personally festival and the Children’s University Education and Outreach Officer Penelope Lee presenting at a workshop at the National Gallery of Victoria.

2017 ANNUAL REPORT | 69 “The continuing professional development (CPD) activities conducted by the UQ node of the ARC Centre of Excellence for the History of Emotions (Europe 1100-1800) make a very valuable contribution to the teaching of English in secondary schools. Their focus on the content of the subject as opposed to pedagogy usefully complements experiences available EDUCATION AND OUTREACH through other avenues such as teacher professional associations. The exposure to cutting- edge scholarship about Shakespeare and related topics and the opportunity to hear leading academic experts, often visiting international ones, have considerable potential to enrich and re-invigorate the work that high school English teachers do with their own students. The ongoing link with academia represented by these CPD events provides significant support to the education of young Queenslanders.” Garry Collins, English Teachers Association of Queensland

Students participating in ‘Full STEAM’ workshops hosted by CHE at The University of Sydney.

meaningful objects. The workshops academics and arts professionals in Public Performances Together with Multicultural were treated to a screening of ‘Ecstasy: Art, Literature, Religion, were based on ‘Treasured association with the ‘Love’ exhibition and Exhibitions Arts Victoria and the Centre for An Embroidery of Voids: A Surreal History’ featuring CHE researchers, Possessions’, a research and at the NGV, and then adapted that Contemporary Photography, Journey Through Alleyways and a public lecture by Andrew Leach outreach project undertaken in 2016 learning for primary school teachers In museums, on trains, upon outdoor among others, CHE took part in Narrow Spaces, by Daniel Crooks, (USyd) titled ‘Ecstasy, Agony’ and by Postdoctoral Research Fellow in regional areas. stages and walking the streets, CHE ‘Screening Melbourne’, a three-day and lulled by the evocative sounds screenings of films by CHE visitors Kimberley-Joy Knight and former filled public spaces with the history symposium charting Melbourne’s of Melbourne quartet Ricochet. Mieke Bal (University of Amsterdam) A PD day for secondary school EOO Gabriel Watts. of emotions. history and relationship with screen and Simon Palfrey (University of teachers was held at UWA in August. The ‘Love: Art of Emotion, 1400– culture. CHE facilitated a number Oxford). The program comprised a series of The Lullaby Choir, a joint initiative 1800’ exhibition, in collaboration Professional Development of photography workshops and a lectures and workshops that were of the Centre and VICSEG New with the NGV, was a major project In Western Australia a series of for Academics and Teachers public call-out for images to create designed to convey knowledge and Futures, sang lullabies for for CHE (See pp. 82). Apart from the moved readings on UWA’s New ‘My Melbourne – Place, Belonging At universities and schools around resources to educators working in passengers on platforms and trains popularity of the exhibition itself, Fortune Theatre stage brought plays and Identity’ at Federation Square Australia, we provided professional the humanities, social sciences and in Melbourne. The choir comprises which was attended by thousands to life, as participants turned up with in February. This large public development (PD) opportunities for performing and visual arts. CHE singers from 10 nations and was of gallery visitors, the Centre ran friends and family, claimed a role projection, made up of nearly 150 education professionals. researchers and other experts were part of the ‘Music, Emotion and a number of community outreach and read aloud. These fun, fast- Conciliation’ project, which aims to photographic works created by more In Queensland an innovative PD invited to present workshops in events, from curator’s floor talks paced readings allowed those with promote personal connection and than 45 people, was enhanced by the series brought teachers to the UQ their areas of specialty. Presenters to masterclasses. Presented over no previous experience to discover community harmony through cross- improvised intercultural music of campus to learn about the history spoke and demonstrated on a range three weeks, the masterclass series early modern drama, its emotions cultural musical exchange. ‘The Yellow Peril’. of emotions in workshops on topics of topics including: ‘Australia’s brought new audiences to the and its meanings. The UWA node as diverse as ‘Making Modernism Great War – An Emotional History’, ‘The Canoe Project – Stories From Another contribution to ‘Screening exhibition as themes of materiality also contributed to the City of in Art and Poetry’, ‘Poetry and ‘Making the Student Prince Speak the Collection’ brought Koorie Melbourne’ was the Laneway Walk. (‘Objects of Love: History’), Fremantle’s ‘Library Lovers Day’, Emotion From the Romantics to to Students’, ‘Emotions3D: Digital Heritage Trust artefacts and artworks Taking delegates to the street, CHE visions (‘Stories of Love: Film and with a presentation about the origins the Twentieth Century’, ‘Witchcraft Modelling From the Museum to the together with new oral history delivered an immersive self-guided Literature’) and music (‘Sounds of of Valentine’s Day and romance in and Plague’, and ‘Ecstasy: Art, Classroom’ and ‘Ancient Models for films recorded with six Victorian walking tour through Melbourne’s Love’) were explored. literature by postgraduate student Emotional Management: Bringing bluestone laneways. As walkers Bríd Phillips (UWA). Literature, Religion and History’. Aboriginal artists and activists, in In Queensland the CHE node Stoicism Into the Twenty-First pounded the worn pavers and These workshops count towards order to share the historical, cultural, collaborated with the UQ Art Century Classroom’. Teachers scrutinised bluestone’s distinct required PD activities for secondary social and emotional significance Museum to present the ‘Ecstasy: provided feedback that the program character and materiality, they learnt school teachers, and equip them of the items. The exhibition was Baroque and Beyond’ exhibition was inspiring and informative, of the social and cultural history and to teach the humanities with a displayed in Federation Square, and (26 September 2017–25 February and that more events of this kind emotional resonances associated deeper understanding of the history reached a broad cross-section of 2018). The program of events are needed. with Victorian bluestone. Music of emotions. The Melbourne node the community. accompanying the exhibition too played a role in this event. On ran a series of masterclasses for included a public forum on completion of the walk, participants

70 2017 ANNUAL REPORT | 71 EDUCATION AND OUTREACH SPOTLIGHT The Vault

Education and Outreach Officer Joanna Tyler creating plague buboes at a ‘Black Death’ school incursion workshop with studentCAPTION Tommy XXXXX Dougiamis.

‘The Vault’ online game © Monkeystack. “The Continuing Professional Development program run by the Centre for the History of Emotions has provided valuable opportunities for myself and many other teaching colleagues over the last few years. The seminars provided through CPD have given secondary teachers access to academic sources which enhance our understanding and refresh our enthusiasm for our subjects by providing more in depth research than teachers would ordinarily be able to undertake themselves. For example, six teachers from my school alone were able Transmedia storytelling is known as one of the best ways By exploring the ‘spill’ scenes and understanding the to attend a variety of lectures on Shakespeare, putting into an historical context his works of sharing information, especially about history. For the lives and events contained therein, players come to find past two years, CHE has been working in collaboration that their companion is mistaken, and to develop an and enabling us to ask questions about textual interpretations, both of which increase our with South Australian game developers Monkeystack and appreciation of the history of emotions. The game play is knowledge and directly impact our teaching of Shakespearian plays in the classroom. the Centre for the History of Emotions at Queen Mary driven by a series of puzzles within each scene that the The lectures also provide a professional hub for English teachers where discussion about University of London to develop a computer game player must solve in order to repair the pod and move on. project, The Vault, that will potentially engage the next The Vault takes audiences through a series of startlingly approaches to teaching literature can be shared which makes an impact on the development generation of historians. of curriculum materials. This is particularly pertinent now as the new Senior English beautiful environments. These vary widely, from science Curriculum in Queensland is being developed and the role of literature in the program is In the game, the player awakens aboard a vast fiction techno-spaces to Escher-like worlds that malfunctioning space vessel careering out of control challenge spatial integrity, and to dreamlike spaces examined. I have also taken pre-service teachers to the lectures, enhancing their confidence through the galaxy. This spaceship contains a vault of inspired by Dali and Tanguy. They are all threaded within in teaching literary topics. These well organised and well advertised seminars have provided precious energy – human emotions, contained within breathtaking, authentic recreations of historical periods. ‘pods’ of memory and history. An accident has caused a valuable resource for professional development, and create a much needed link between Scenes featured in the game include the beach where pods to break and spill their contents, making it academic research and the teaching of literature in the high school classroom.” Percy Bysshe Shelley drowned (where the player necessary for the player to interact with scenes from explores male friendship and weeping), the salon of the Amanda Bell, history. The player is accompanied by an Artificial fairy-tale author the Baroness d’Aulnoy (where the player Intelligence character, who disparages humanity and Senior English Teacher, explores romantic love) and the Festival of Colours in posits repeated fallacies about emotion – emotions are All Hallows’ School, Brisbane India (where the player explores ecstasy). the opposite of reason, emotions are the same across times and places, emotions are useless or destructive, The Vault is scheduled for release in mid-2018. and so on. Carly Osborn Education and Outreach Officer

72 2017 ANNUAL REPORT | 73 Since its inception, the Centre has worked to create international networks of researchers working in the field of emotions history. The ability to bring INTERNATIONAL VISITORS overseas researchers to Australia, where they INTERNATIONAL participate in Centre activities and work on key VISITORS research questions, has been integral to CHE’s success in fostering international relationships and ongoing collaborations.

CHE’s International Visitor schemes culture. Members of the UMelb Two international conferences in provide fellowships for outstanding and UWA nodes were delighted 2017 resulted from plans made international scholars to visit to reconnect with Sally Holloway during visits to CHE by international two or more of the Centre’s node (CHE Early Career Visiting Fellow scholars. ‘Fears and Angers: universities. In 2017 the Centre 2016, Oxford Brooks University) and Historical and Contemporary welcomed its final cohort of visiting Jonathan Adams (Matariki Fellow Perspectives’, held at Queen Mary fellows under these schemes, 2016) at events in Melbourne and University of London in June, was including two Distinguished Perth in 2017. In addition, two born of discussions with PI Thomas International Visitors and six Early former recipients of International Dixon during his visit to various CHE or Mid-Career International Visiting Visiting Fellowships, Kathryn Prince nodes in late 2016, while ‘Powerful Fellows. During their stay, our (CHE Early Career Visiting Fellow Emotions/Emotions and Power, visiting scholars generously shared 2015, University of Ottawa) and c.400–1850’, held at the University of their knowledge and expertise Kathryn Temple (CHE Distinguished York in June, developed as a result of by contributing to seminars, International Visitor 2016, an ongoing York-CHE collaborative workshops, reading groups, study Georgetown University), returned to exchange partnership (see p. 43). days and masterclasses, in addition Australia during periods of research The international seminar series to giving formal presentations at leave to continue collaborations with ‘Entangled Histories of Emotions in conferences and public lectures. the Centre’s researchers. the Mediterranean World’ (see p. 77) is also built on research connections The Centre also attracts externally In 2017, as in previous years, CHE between members of the Centre funded overseas scholars as visitors welcomed many more exceptional and international visitors. Such who make significant contributions international researchers as invited activities testify to the strong links to the intellectual life of CHE. In 2017 speakers at CHE collaboratories, and ongoing collaborations forged CHE hosted Sarah-Maria Schober, symposia and seminars. Invited under the auspices of CHE’s vibrant during her time as a recipient of an speakers also have had opportunities international visitor programs. international research fellowship to engage with junior scholars and from the Swiss National Fund. public audiences during their stint Return visits from former CHE with the Centre and have been visiting fellows also testify to the invariably generous with their time Centre’s collaborative research during short visits.

LtoR: Anne Sophie Voyer and Kathryn Prince.

2017 ANNUAL REPORT | 75 In 2017 CHE hosted visits by the Independent Chris Martin, Associate Professor following scholars: International Fellow of Philosophy, The University of Auckland Distinguished Sarah-Maria Schober, Postdoctoral International Visitors Researcher, University of Basel John Plotz, Professor and Chair INTERNATIONAL VISITORS (Swiss National Fund, Early of English, Brandeis University Simon Palfrey, Professor and Postdoctoral Mobility Scheme) Tutorial Fellow in English, Brasenose Kellie Robertson, Associate Project: ‘Disgust in the Early College, University of Oxford Professor of English, University of SPOTLIGHT Modern Period’ Project: ‘Demon’s Land: A Poem Maryland Come True’ Invited Speakers Lyndal Roper, Regius Professor Entangled Histories of History, Oriel College, Robert Toft, Professor in Music, International scholars who University of Oxford Western University, Ontario were invited to participate in of Emotion in the Project: ‘Rhetorical Persuasion and collaboratories, symposia and Joshua Scodel, Helen A. Prosopopoeic Vocal Performance in seminars in 2017 included: Regenstein Professor of English Mediterranean World Eighteenth-Century Italian Opera’ and Comparative Literature, David S. Aresford, Associate The University of Chicago Mid- and Early Career Professor of Art History, International Visiting Fellows University of Massachusetts Boston Patricia Simons, Professor of History of Art, University of Michigan Daniel Barbu, Senior Researcher, Phillip Armstrong, Associate University of Bern and Le Centre Professor of Humanities and D. Vance Smith, Professor of national de la recherche scientifique Creative Arts, University of English, Princeton University Canterbury (CNRS), Paris James Grantham Turner, Project: ‘“Jewish Emotions”: Mieke Bal, Professor Emeritus Professor and James D. Hart Chair The Ascription of Emotional Types in Literary Theory, University of in English, University of California, to Jews in the Late Medieval and LtoR: Giovanni Tarantino, Katrina O’Loughlin, Mirko Sardelic´ and Amsterdam Berkeley Valentina Zovko at the ‘Portals: Spaces of Encounter, Entanglement Early Modern Periods’ and Exchange’ international seminar in Split, Croatia. Charlie Beckett, Professor of Media Karin Wahl-Jorgensen, Kevin Curran, Professor in English, and Communications and Director of Professor of Journalism, Media and University of Lausanne POLIS, London School of Economics Cultural Studies, Cardiff University Project: ‘Judgment and Emotion in Hamlet’ Jeffrey Jerome Cohen, Professor in Alexa Weik von Mossner, English and Director of the Medieval Associate Professor of American Louise Nyholm Hallestrup, and Early Modern Studies Institute, Studies, University of Klagenfurt Associate Professor in History, The George Washington University The term ‘quantum entanglement’ is used in physics The second seminar, in Split in September, turned University of Southern Denmark to refer to the continuing interaction between groups attention to Mediterranean landscapes to consider Project: ‘Fear of Evil: Emotions Helen Deutsch, Professor of of particles, even across great distances. spaces of encounter and the emotions involved in these and Images in the Construction of English and Director of the Center exchanges. In December scholars met in Perth to Witchcraft in Early Modern Denmark’ for Seventeenth-and Eighteenth- Similarly, apparently different and distant peoples, explore how people, places and things have entangled Century Studies and William places, things and events may be inextricably bound Toria Johnson, Lecturer in Early subjective, affective, emotional and material lives that Andrews Clark Memorial Library, together. Any history of such entanglements must Modern English Literature, are mutually constitutive. Three more seminars are University of California, Los Angeles engage with a wide variety of sources, agencies, University of Birmingham planned for 2018, on encounters (Florence in February), reciprocal influences and intercultural ties. Research Project: ‘She “spake the same Dagmar Eichberger, Professor of Art gender (Brisbane in May) and beliefs (Budapest in June). into these interactions must be sensitive to the wordes in anger”: Emotion and History, Heidelberg University permeability of borders, subtle shifts in the ways power The series is jointly sponsored by CHE, the Society for Defamation in Community and Ewan Fernie, Chair and Fellow of the is negotiated, dynamic intercultural processes and the History of Emotions, the Italian National Research Courtroom’ Shakespeare Institute, University of complex webs of exchange. Council/ISPF, the Chair of Intellectual History at the Richard Meek, Lecturer in English, Birmingham European University Institute, the Institute for Advanced ‘Entangled Histories of Emotions in the Mediterranean University of Hull Study at Central European University, the Italian National Laura Hassler, Director of Musicians World’ is an international seminar series that explores Project: ‘The Relativity of Sorrows: Institute for Higher Mathematics and the Centre for without Borders, Amsterdam cultural transactions in this large geopolitical space Sympathy in Early Modern Literature the Study of Emotions in Cross-Cultural Exchange in from the perspective of emotions history. Three and Culture, c.1580–1640’ Stephanie Le Menager, Moore Zagreb, Croatia. Professor of English and Professor seminars were held in 2017. The first meeting, in Naya Tsentourou, Lecturer of Environmental Studies, University Naples in June, examined reciprocal legacies and Giovanni Tarantino in English, University of Exeter of Oregon historical transfers of knowledge and goods across the Research Development Officer and Convenor Project: ‘Breathing Emotions Mediterranean, establishing a conceptual framework of the Mediterranean Seminar Series in Early Modern England: Sighs Deidre Lynch, Ernest Bernbaum that sees the Mediterranean as a space for contacts and Groans in Shakespeare, Herbert, Professor of English Literature, between disparate cultures rather than as a barrier. and Milton’ Harvard University

76 2017 ANNUAL REPORT | 77 The major partnership of the year was the ‘Love: Art of Emotion, 1400–1800’ exhibition with ARTS INDUSTRY PARTNERSHIPS the National Gallery of Victoria. This successful ARTS INDUSTRY collaboration was seen by approximately 80,000 PARTNERSHIPS people between 31 March and 17 June 2017.

The ‘Love: Art of Emotion, 1400– in the making, the exhibition was Melbourne. The final projection 1800’ exhibition was curated by curated by AI Andrea Bubenik (UQ) was screened in Federation Square Postdoctoral Research Fellow and was a natural bookend to her in February and at Abbotsford Angela Hesson (UMelb) and overseen ‘Five Centuries of Melancholia’ Convent in May.As CHE developed, by CI Charles Zika (UMelb) (see p. exhibition, which was also produced so has our scope and capacity 81). In addition to the exhibition, the in partnership with the museum. to form partnerships that forge accompanying catalogue was an connections between the heritage Well-established musical immensely popular output, and the and influence of European settlers, partnerships were sustained and public engaged with the Centre’s Indigenous Australians and recent bore fruit in 2017. Relationships with core goals at multiple levels in refugees and migrants from the individuals, music organisations and workshops, engagement surveys, Indian subcontinent, the Horn of institutions included Erin Helyard, masterclasses and floor talks. Africa and the Middle East. Several Artistic Director of Pinchgut Opera, partnerships that developed in 2017 The project was envisaged in CHE’s who brought his research into highlighted these new directions. In planning phase, and the concept historical performance practice May CI Andrew Lynch (UWA) and AI was presented at the final ARC to life with David Greco in a Susan Broomhall (UWA), with Artistic interview of the application process wonderful recital titled ‘Schubert Associate Gina Pickering, convened in 2010. In many ways, this exhibition and Songfulness: Love in the Age the ‘Fanny Balbuk Yooreel: Life, represents the capstone output of of Syphilis’. These connections Legacy and Emotions’ symposium our partnerships, in terms of reach were augmented when both artists in partnership with the National and engagement. collaborated with CHE and UMelb in Trust of Western Australia, the The Tale of Orpheus, a reimagining Two major partnerships with art City of Perth and the Department of Claudio Monteverdi’s baroque galleries in Brisbane also led to of Aboriginal Affairs (WA). The masterpiece L’Orfeo. The Peninsula thought-provoking events. In May a symposium brought scholars and Summer Music Festival offered seminar on ‘Making Modernism in heritage industry experts together postgraduate performance practice Art and Poetry’ explored the themes to celebrate and to consider the engagements for young opera of feminism and aesthetics prompted importance of Fanny Balbuk Yooreel, singers in a production of Handel’s by a major Queensland Art Gallery in the context of Indigenous history Acis and Galatea. of Modern Art exhibition, ‘O’Keefe, and heritage in Australia. Other Preston, Cossington Smith’. From Other arts partnerships in 2017 events included a guided walk by September 2017 to February 2018, included ‘My Melbourne’, a Noongar women, a presentation on the ‘Ecstasy: Baroque and Beyond’ collaboration between CHE, Fanny Balbuk Yooreel’s life and an exhibition enthused crowds at the the Centre for Contemporary exhibition of quilts commemorating UQ Art Museum, drawing 450 people Photography and Multicultural Arts the Indigenous activist. to the opening and engaging the Victoria that saw people contribute public with forums, lectures, film over 100 photographs of their screenings and concerts. Two years experiences of emotional life in

The ‘Ecstasy: Baroque and Beyond’ exhibition at the UQ Art Museum.

2017 ANNUAL REPORT | 79 ARTS INDUSTRY PARTNERSHIPS

FEATURE FOCUS The ‘Love: Art of Emotion, L-R: Koorie Heritage Trust Senior Collections and Exhibitions Manager Charlotte Christie and Assistant Curator Zenzi Clark, with CHE Education and Outreach Officer Penelope Lee and Deputy Director Jane Davidson. 1400–1800’ Exhibition

Melbourne’s Koorie Heritage Trust address and workshop by Laura “It was an intense (KHT) partnered with Education Hassler, the founder of international experience, making me The ‘Love: Art of Emotion, 1400–1800’ exhibition was and Outreach Officer Penelope aid organisation Musicians without think about love in its many Lee (UMelb) to develop a new Borders, who shared ideas and opened at the National Gallery of Victoria on 30 March exhibition, ‘The Canoe Project – practices for using music to forge manifestations. The works Stories From the Collection’. The empathy and understanding in on devotion were just 2017 by Tony Ellwood, Director of the NGV. The opening exhibition features short films of six conflict zones around the world. incredible: moving and Indigenous artists and activists who program included a learned, witty and entertaining lecture The Centre’s ongoing partnership scary to imagine what these shared stories about artefacts and with VICSEG New Futures, a images must have meant artworks from the KHT collection by Postdoctoral Research Fellow Lisa Beaven (UMelb), community organisation that in their historical contexts. which were also on display. The provides support and training to project explored interests shared by It is an amazing testament ‘Amor Vincit Omnia: A Celebration of Art and Love’. newly arrived migrants, asylum KHT and the Centre, including how to our capacity to think, seekers and refugees, saw the objects symbolise relationships, CHE-founded Lullaby Choir take to feel and create rituals and make tangible links to community, the streets to engage the community. remembrances of them.” reinforce cultural traditions and During November’s ‘Lullaby connections to country, embody Audience Participant This exhibition has been a key event memorandum of understanding, and – and make sure that these objects Train’ event, the 20-strong choir memories and shape identities past in the Centre’s program from the in 2015 they appointed Postdoctoral communicated the exhibition’s sang lullabies for commuters on and present. outset, with the aim of exploring Research Fellow Angela Hesson concept and aims. Melbourne’s rail network, as part of and making available to the general (UMelb) as the exhibition’s curator. Angela constructed the exhibition In September CHE partnered with Moreland Council’s MoreArt Public public the intersection of art and Angela’s initial task was to comb around three themes: the Multicultural Arts Victoria to host Art Show, an annual event which emotion in early modern European through hundreds of objects and anticipation of love, its realisation ‘Peace, Empathy and Conciliation presents art in public spaces. culture and how this relationship images in the gallery’s different and its remembrance. Each Through Music’, a collaboratory that changed over time. departments, some of which had Jane Davidson section would include objects brought together researchers, music never been exhibited and others Deputy Director Detailed planning began in 2014, that demonstrated different practitioners and policymakers (see which had not for many years. She when it was decided that the manifestations of love across the p. 59). It also featured a keynote had to narrow down the number exhibition would focus on the realms of human experience and of artworks to those that would fit emotion of love. A substantial exchange in the early modern period comfortably in the exhibition space, catalogue was to be produced, – such as in familial relationships, establish an appropriate balance of and related literary, historical and religious devotion, friendship and media – including textiles, jewellery musical events were planned. CHE, erotic intimacy. The project team and porcelain, for instance, as well UMelb and the NGV drew up a helped to make decisions about as prints, paintings and sculpture

80 2017 ANNUAL REPORT | 81 ARTS INDUSTRY PARTNERSHIPS

Lisa Beaven delivering the opening public lecture of the ‘Love: Art of Emotion, 1400–1800’ Exhibition.

which objects from the NGV’s vast The exhibition was accompanied “By working so closely collections would be included, by numerous lectures and floor with a particular collection, and when the design concept was talks for the general public, as well I have become increasingly agreed on, the objects were further as a set of three masterclasses winnowed down to the 220 that were on objects, sounds and stories of interested in the ways featured in the exhibition. love organised by the Faculty of that an art institution’s Arts at UMelb. Two international The substantial illustrated catalogue acquisition policies and symposia were held, which included was edited by Angela, Matthew pedagogical style can shape 32 speakers from Germany, the Martin (NGV) and CI Charles Zika subsequent understandings Netherlands, the UK and the USA, (UMelb). In addition to documenting as well as from the NGV and various of art history. Collecting the works in the exhibition, the Australian universities. Workshops and curating are pursuits catalogue aimed to open up research were delivered to tertiary, secondary frequently governed by on the relationship between love and and primary students, and an other emotions – desire, ecstasy, joy, emotion, and my recent audience survey project is being fidelity, envy, melancholy and grief CHE research identified compiled by CI Jane Davidson – in the art of early modern Europe; this as an area for further (UMelb) and Postdoctoral Research to carry out specific research on Fellow Amanda Krause (UMelb). investigation that I am particular objects in the gallery’s keen to pursue.” collection; and to communicate such The exhibition ran for almost 12 findings to both scholars and the weeks and received excellent reviews Angela Hesson general public in an attractive and and publicity in the press and on accessible form. It includes seven radio and television. Its popularity substantial essays written by local was clearly demonstrated by the and international scholars on topics large number of people from the such as ‘Myths of Love’, ‘Bodies of general public who visited it. Love’, ‘Rituals of Love’ and ‘Spaces Charles Zika of Love’; extended entries on 15 of Chief Investigator the objects exhibited; a technical list of all of the objects exhibited; and reproductions (mostly in colour).

82 2017 ANNUAL REPORT | 83 The Centre regularly provides advanced training for postdoctoral research fellows and postgraduate ACADEMIC TRAINING AND DEVELOPMENT students in techniques, methodologies and ACADEMIC TRAINING theories relating to emotions history. AND DEVELOPMENT

In 2017 CHE researchers and these included: ‘Fears and Angers: Conciliation Through Music’ at international visitors offered a range Historical and Contemporary UMelb, Amy Milka and Abaigéal of events, including workshops, Perspectives’, at Queen Mary Warfield organising ‘News Reporting masterclasses and study days University of London; ‘Powerful and Emotions, 1100–2017’ in (see p.86). Emotions/Emotions and Power, Adelaide, Paul Megna convening c.400–1850’, at the University of ‘Hamlet and Emotions: Then and There were opportunities for York; the 14th Annual Symposium Now’ at UWA, Kenneth Chong postdoctoral research fellows and of the International Medieval coordinating a seminar series PhD candidates to teach graduate Society of Paris; the Renaissance on medieval belief at UQ, Robin students in 2017. At UMelb, Lisa Society of America Annual Meeting Macdonald serving on the organising Beaven and Bronwyn Reddan in Chicago; the 52nd International committee for the inaugural convened an Honours course on Congress on Medieval Studies at Society for the History of Emotions ‘Sourcing Emotions: Texts, Concepts, Western Michigan University; the conference in Perth and ‘Powerful Histories’, with a guest lecture by International Medieval Congress at Emotions/Emotions and Power, Angela Hesson, among others. the University of Leeds; the Annual c.400–1850’ in York, Jade Riddle At UWA Michael Barbezat, Paul Conference of the International convening a symposium on ‘Mapping Megna, Elizabeth Reid and Bríd Society for Cultural History at Umeå the Emotional Cityscape: Spaces, Phillips taught an Honours course University; the 25th Anniversary Performances and Emotion in Urban on ‘Feeling the Past: Emotions in Conference of the European Society Life’ at UAdel and Angela Hesson History, 1100–1800’. Meanwhile, for the Cognitive Sciences of Music curating the ‘Love: Art of Emotion, Katie Barclay coordinated a new at Ghent University; the British 1400–1800’ exhibition and associated undergraduate unit at UAdel, Society for Eighteenth-Century public masterclasses at the National ‘Thinking About Emotion in Historical Studies conference in Oxford; and the Gallery of Victoria in Melbourne. Perspective’, in which Amy Milka, 27th Conference of the International Abaigéal Warfield, Carly Osborn, In 2017 CHE postdoctoral research Association for Media and History Jade Riddle and Mark Neuendorf fellows and postgraduate students, at the University of Paris 2. delivered guest lectures. along with education and outreach CHE’s postdoctoral research fellows officers, also gave presentations By providing travel funding and and postgraduate students have about their research at professional academic mentoring, CHE has also continued to gain invaluable development seminars for school enabled postdoctoral research experience organising events in teachers, developing skills in fellows and postgraduate students 2017, with Samantha Dieckmann adapting and presenting their to present their work at major convening ‘Peace, Empathy and research to different audiences. international conferences. In 2017

CI Shino Konishi.

2017 ANNUAL REPORT | 85 Selected Academic Training and Development Events

Date Title 9–13 January 2017 Academy: Week-long workshop on Handel’s Acis and Galatea, Peninsula Summer Music Festival, Mornington Peninsula, Victoria ACADEMIC TRAINING AND DEVELOPMENT 20–24 February 2017 Workshop: ‘Stabat Mater’, by J. W. Davidson (UMelb), at UMelb. 2 March–1 June 2017 Level Two Undergraduate Unit (HIST2091): ‘Thinking About Emotion in Historical Perspective’, coordinated by K. Barclay (UAdel), at UAdel. 14 March 2017 Pre-service Teacher Workshop: ‘Shakespeare and Emotions’, delivered by J. Tyler (UWA), at the Graduate School of Education, UWA. 24 March 2017 Cross-Disciplinary Workshop: ‘Emotions and Law’, convened by A. Lynch (UWA), K.-J. Knight (USyd), M. Bailey (UAdel), R. Carroll* (UWA) and J. McCutcheon* (UWA), at UWA. 27 and 30 March 2017 Pre-Service Teacher Workshop: ‘History and Emotions – WW1’, delivered by J. Tyler, at the Graduate School of Education, UWA. 12 April 2017 Masterclass: ‘Objects of Love: History’, at the NGV, Melbourne. Presentations by A. Hesson Delegates to the ‘Entangled Histories of Things in the Mediterranean World’ seminar. (UMelb) and C. Zika (UMelb). 19 April 2017 Masterclass: ‘Stories of Love: Film and Literature’, at the NGV, Melbourne. Presentations by A. Hesson and S. Trigg (UMelb). 26 April 2017 Masterclass: ‘Sounds of Love: Music’, at the NGV, Melbourne. Presentation by A. Hesson. 4 May 2017 Workshop: ‘Rhetorical Persuasion and Prosopopoeic Vocal Performance in Eighteenth- 16 September 2017 Cross-Disciplinary CPD Seminar: ‘Ecstasy: Art, Literature, Religion, History’, in conjunction Century Italian Opera’, with R. Toft***(Western University), at USyd. with the ‘Ecstasy: Baroque and Beyond’ exhibition at the UQ Art Museum. Presentations 8 May 2017 Continuing Professional Development (CPD) Seminar: ‘Feeling as Thinking: Poetry and by K. Chong (UQ), A. Bubenik (UQ) and E. Fernie* (Shakespeare Institute, University of Emotion from the Romantics to the Twentieth Century’, presented by X. Ashburner (UQ) Birmingham). and M. Hasted (UQ), at UQ. 22 September 2017 Study Day: ‘Emotions and Childhood’, convened by M. Raine (UMelb) and S. Trigg, at UMelb. 12 May 2017 Masterclass: ‘Bel Canto Vocal Delivery’, facilitated by R. Toft***, at USyd. 22 September 2017 Study Day: ‘Possibilities of Criticism’, with S. Palfrey***, at UQ. 17 May 2017 Workshop: ‘Historical Performance’, with R. Toft***, at USyd. 4 October 2017 Masterclass: ‘Mannerism and Modern Architecture, Again’, facilitated by A. Leach* (USyd), 20 May 2017 CPD seminar: ‘Making Modernism in Art and Poetry’, in conjunction with ‘O’Keeffe, Preston, at the UQ Art Museum. Cossington Smith: Making Modernism’ exhibition, Queensland Art Gallery and Gallery of 4–6 October 2017 Workshop: ‘Stobaeus’s Cabinet of Curiosity: Emotions, “Curiosa” and Collecting in Modern Art. Presentations by S. Best* (Griffith University), C. Moore* (USyd), T. Bristow Eighteenth-Century Sweden and Beyond’, convened by J. Van Gent (UWA) and M. Naum* (UMelb), X. Ashburner and S. Griffin (UQ). (Lund University), at Lund University. 22 May 2017 CPD seminar: ‘Emotions in History: Witchcraft and Plague’, at UQ. Presentations by C.-R. 24 November 2017 Masterclass: ‘Medieval Natural Philosophy and Belief’, facilitated by K. Robertson* Millar (UQ) and O. Formby (UQ). (University of Maryland), at the UQ Art Museum. 25 May 2017 Pre-Service Teacher Workshop: ‘Black Death’, delivered by J. Tyler, at the Graduate School 30 November– Workshop: ‘History of Emotions Methodology Workshop’, convened by S. Trigg and C. Zika, of Education, UWA. 1 December 2017 at UMelb. 29 May 2017 Workshop: ‘Weathering the Apocalypse’, convened by J. M. Hamilton (USyd) and A. Neimanis* (USyd), at USyd. * CHE Invited Speaker *** CHE Distinguished International Visiting Fellow 31 May, 1 and 2 June NGV Philosothon: Primary School Teachers Professional Learning, at Horsham Regional Art 2017 Gallery (31 May); Hamilton Art Gallery (1 June); and Warrnambool Art Gallery (2 June). 9 June 2017 Workshop: NGV Philosothon (Years 4–6), delivered by S. May (NGV) and P. Lee (UMelb), at NGV, Melbourne. 24 July–16 October Honours Course (History 4A): ‘Sourcing Emotions: Texts, Concepts, Histories’, coordinated 2017 by L. Beaven (UMelb) and B. Reddan (UMelb), at UMelb. 31 July–30 October Honours Course (HUMA4001): ‘Feeling the Past: Emotions in History, 1100–1800’, taught 2017 by M. Barbezat (UWA), P. Megna (UWA), E. Reid (UWA) and B. Phillips (UWA), at UWA. 19 August 2017 Professional Development Day for Teachers and Student Teachers, convened by A. Lynch and J. Tyler, at UWA. Presentations by T. Auty (UWA), S. Broomhall (UWA), A. Fraser* (Stage Combat Perth), L. Kilpatrick* (UWA), S., Konishi (UWA), A. Lynch, J.-H. Nancarrow, B. Phillips (UWA), A. Stevens* (Kalamunda Senior High School) and C. Yeo (UWA). 14 September 2017 Masterclass: ‘The Truth of Anachronism’, facilitated by S. Palfrey*** (University of Oxford), at USyd.

86 2017 ANNUAL REPORT | 87 Dieckmann, Samantha Public Panel Presentation: ‘My Melbourne: Place, Belonging and Identity’, at ‘Screening RESEARCH OUTREACH AND PUBLIC ENGAGEMENT and Jane W. Davidson Melbourne’ public symposium, Deakin Edge Federation Square, 23 February 2017. Public Performance: ‘The Lullaby Train’, performed by The Lullaby Choir at Jewell Station and on Melbourne trains, 3 and 24 November 2017. Downes, Stephanie Public Panel Presentation: ‘Future Directions of the History of the Book’, St Mary’s (UMelb) College, UMelb, 8 February 2017. Dunlop, Anne* (UMelb) Public Lecture: ‘Italian Art, Mongol Asia and Cangrande’s Silk Suit’, Art Gallery of Western Australia, Perth, 23 August 2017. Edney-Browne, Alex Public Presentation: ‘Living Under Drone Attack and Drone Surveillance’, Bargoonga RESEARCH OUTREACH AND PUBLIC ENGAGEMENT Selected Research Outreach and Public Engagement (UMelb) Nganjin North Fitzroy Library, Melbourne, 6 September 2017. In addition to our extensive schools outreach program, the Centre has provided a cross-disciplinary array of events Essary, Kirk (UWA) Public Lecture: ‘Luther’s 95 Theses: Myth, Memory and the Making of History’, ‘Luther’s for the wider community, including public lectures, symposia and seminars; exhibitions and installations; Reformation at 500’ lecture series, Institute of Advanced Studies/Centre for Medieval and performances of music and theatre; and film and documentary screenings. Events are open to the public and Early Modern Studies, UWA, 31 October 2017. advertised on the Centre’s website www.historyofemotions.org.au/events. Fernie, Ewan* (University Public Reading: ‘Macbeth, Macbeth’, Bloodhound Corner Bar, Brisbane, of Birmingham) and 17 September 2017. Ashburner, Xanthe Film Screenings and Panel Discussion: Series of film screenings to accompany the Simon Palfrey*** (UQ) and John Edmond* ‘Ecstasy: Baroque and Beyond’ exhibition at the UQ Art Museum. The Ornithologist (University of Oxford) (Queensland Film (Joâo Pedro Rodrigues, 2016); UZU (Gaspard Kuentz, 2015); Natpwe, Feast of the Spirits Gibbard, Paul (UWA) Public Response: ‘Human Rights and Emotions During the Enlightenment’, response Festival) (Tiane Doan na Champassak and Jean Dubrel, 2012); Brimstone & Glory (Viktor Jakovleski, to keynote speaker David Konstan at ‘Emotions, Human Rights and Humanitarianism’ 2017); Nocturama (Bertrand Bonello, 2016), Queensland Film Festival, New Farm event to open the 48th Symposium of the Australian Academy of the Humanities, UWA, Cinemas, Brisbane, 13–23 July 2017. 15 November 2017. Ashburner, Xanthe Film Screening: The Passion of Joan of Arc (1928), with live score by Primitive Motion, Institute Grassi, Umberto (USyd) Public Talk: ‘Are Italians Divided on the Meaning of Liberation Day’, part of Federation of Modern Art, Judith Wright Centre of Contemporary Arts, Brisbane, 26 October 2017. of Italian Migrant Workers and Families (FILEF) celebration of Italian Liberation from Bal, Mieke (University Video Installation: Reasonable Doubt (2016), in conjunction with ‘Ecstasy: Baroque and Nazi Fascism, Italian Forum Cultural Centre, Sydney, 28 April 2017. of Amsterdam)* Beyond’ exhibition, UQ Art Museum, Brisbane, 10 November 2017–25 February 2018. Haebich, Anna Public Lecture: ‘How Have Nyungar People Survived the Catastrophe of Settler Barbezat, Michael, Public Presentation: ‘A Smorgasbord of Emotions’, UWA Research Week, UWA, (Curtin University) Colonisation?’, at ‘Emotions, Human Rights and Humanitarianism’ event to open the Robin Macdonald, 7 September 2017. 48th Symposium of the Australian Academy of the Humanities, UWA, 15 November 2017. Joanne McEwan, Haskell, Yasmin Public Lecture: ‘Lucretius and the Jesuits: Science, Superstition and the Suppression’, Paul Megna (UWA) (University of Bristol) University of Bologna, 8 November 2017. Barbu, Daniel** Public Seminar: ‘Emotions and the Jewish-Christian Controversy: Toledot Yeshu and Its Helyard, Erin* (UMelb) Public Presentation: ‘Philidor, Sensibilite and Fielding’s Tom Jones’, UMelb, 25 September 2017. (CRASSH Cambridge/ Readers’, UMelb, 29 November 2017. CNRS Paris) Hesson, Angela Public Curator Talks: ‘Love: Art of Emotion, 1400–1800’, National Gallery of Victoria, Melbourne, 1 April and 17 June 2017. Beaven, Lisa (UMelb) Public Lecture: ‘Claude Lorrain and the Roman Campagna’, ‘Art Appreciation’ lecture series, Art Gallery of New South Wales, Sydney, 15 and 16 February 2017. Holbrook, Peter (UQ) Public Lecture: ‘Shakespeare and “The Natural”’, Alice Griffin Shakespeare Lecture, The University of Auckland, 17 October 2017. Public Lecture: ‘Amor vincit omnia: A Celebration of Art and Love’, to open ‘Love: Art of Emotion, 1400–1800’ exhibition, National Gallery of Victoria, Melbourne, 30 March 2017. Public Lecture: ‘Shakespeare’s Women’, The Moreton Club, Brisbane, 26 October 2017. Broomhall, Susan (UWA) Public Symposium: ‘Fanny Balbuk Yooreel: Life, Legacy and Emotions’, City of Perth Jackson, Spencer (UQ) Public Lecture: ‘Austen in the Age of Trump’, UQ Art Museum, Brisbane, 27 July 2017. and Gina Pickering Library, 17 May 2017. Konishi, Shino (UWA) Symposium Presentation: ‘Encounters and Emotions: Early European Explorers (National Trust of to Noongar Country’, at ‘Fanny Balbuk Yooreel: Life, Legacy and Emotions’ public Western Australia) symposium, City of Perth Library, 17 May 2017. Bubenik, Andrea (UQ) Curator’s Talk: ‘Ecstasy, Baroque and Beyond’, in conjunction with the ‘Ecstasy: Baroque Public lecture: ‘”After the Referendum ... the emotional things changed”: Indigenous and Beyond’ exhibition, UQ Art Museum, Brisbane, 16 September 2017. Memories of the 1967 Referendum’, History Council of Western Australia Lecture, Chinna, Steve* and Moved Reading: Dr Faustus, New Fortune Theatre, UWA, 10 August 2017. State Library of Western Australia, 21 September 2017. Bríd Phillips (UWA) Moved Reading: Antony and Cleopatra, New Fortune Theatre, UWA, 12 October 2017. Konstan, David Public Lecture: ‘Emotions and Human Rights’, at ‘Emotions, Human Rights and (New York University) Humanitarianism’ event to open the 48th Annual Symposium of the Australian Academy Moved Reading: Titus Andronicus, New Fortune Theatre, UWA, 26 October 2017. of the Humanities, UWA, 15 November 2017. Curran, Kevin** Public Lecture: ‘Hamlet’s Unreasonable Judgements’, USyd, 18 April 2017. Leach, Andrew* (USyd) Public Lecture: ‘Ecstasy, Agony’, Annual UQ History of Emotions Public Lecture, (University of Lausanne) UQ Art Museum, Brisbane, 5 October 2017. Damousi, Joy (UMelb) Public Lecture: ‘“Dear Aunty Eleanor”: Eleanor Roosevelt, Anna Freud and the Emotional LeMenager, Stephanie* Public Lecture: ‘Climate Change and the Quest for Transformative Fictions’, Lives of Refugee Children and Their Sponsors, 1938–1945’, in association with ‘The (University of Oregon) USyd, 30 May 2017. Emotional Worlds of Children and Young People’ symposium, UAdel, 14 December 2017. Lynch, Andrew (UWA) Concluding Remarks: ‘Fanny Balbuk Yooreel: Life, Legacy and Emotions’ public Davidson, Jane W. Public Lecture (with Jody Evans): ‘Audience Wellbeing – How Are You Going?’, ‘Music on symposium, City of Perth Library, 17 May 2017. (UMelb) the Mind’ lecture series, Melbourne Recital Centre, 16 October 2017. UWA Extension Course: ‘The Insider’s Guide to King Arthur’, University Club of Western Performance: Passion, Lament, Glory, St Paul’s Cathedral, Melbourne, 31 March–1 April 2017. Australia, UWA, 27 May 2017. Dieckmann, Samantha Public Panel Presentation (with Felicity Baker and James Richmond): ‘Music and Trauma Opening Remarks: ‘Discover the History of Emotions’, at CHE Public Research Showcase, (UMelb) Recovery’, ‘Music on the Mind’ lecture series, Melbourne Recital Centre, 12 April 2017. UWA, 24 November 2017. Lynch, Deirdre* Public Lecture: ‘Paper Mosaics and Paper Sentiments: Mary Delany’s Love of the Plants’, (Harvard University) in association with the David Nichol Smith Seminar in Eighteenth-Century Studies XVI, UQ, 13 December 2017.

88 2017 ANNUAL REPORT | 89 McMahon, Cait* Public Lecture: ‘Journalists Impacted by Trauma – That’s News. Why Should We Care?’, Robertson, Kellie* Public Seminar: ‘Thinking the Unthinkable: Belief, Climate Change and Premodern (Dart Center Asia in association with ‘News Reporting and Emotions, 1100–2017’ CHE Change Program (University of Maryland) Weather’, UQ, 23 November 2017. Pacific, Melbourne) collaboratory, UAdel, 4 September 2017. Roper, Lyndal* Public Lecture: ‘Luther and Dreams’, UMelb, 4 December 2017. Martin, Chris* Public Forum: ‘The Immoveable Centre of Truth: Some Late Thirteenth-Century (University of Oxford) RESEARCH OUTREACH AND PUBLIC ENGAGEMENT (The University Discussions of the Nature of Self-Awareness’, UQ, 2 June 2017. Ruys, Juanita F. (USyd) Author Talk: ‘The Devil’s Coach House’, Sydney Writers’ Festival, Walsh Bay (NSW), of Auckland) 27 May 2017. Milka, Amy, Barbara Public Panel Presentation: ‘Drinking to Remember: History, Memory and the Story of Saville, Chantelle* Public Seminar: ‘The Will to Believe: Freedom of Thought in Late Medieval Philosophy Santich*, William South Australian Wine’, part of South Australia’s History Festival, UAdel, 2 May 2017. (The University and Literature’, UQ, 1 September 2017. Skinner*, Steven of Auckland) Goodman* (UAdel) Shiosaki, Elfie Symposium Paper: ‘Calling on the “Three Caesars”: Legacies of Discursive Activism by Monagle, Clare Public Forum: ‘The History of the Person: Scholasticism and Human Rights’, UQ, (Curtin University) Noongar Women’, at ‘Fanny Balbuk Yooreel: Life, Legacy and Emotions’ public symposium, (Macquarie University) 9 June 2017. City of Perth Library, 17 May 2017. Norman, Wendy (UAdel) Council Library Workshops: ‘Colourful Feelings’, Mawson Lakes, Unley, Marion and Sinnerbrink, Robert* Keynote Presentation: ‘Cinematic Imagination, Emotion and Ethical Criticism’, Munno Para libraries (SA), 11–12 April 2017; ‘Fire Stories’, Unley Town Hall, Semaphore (Macquarie University) at ‘Cinematic Imagination, Emotion and Ethical Criticism’ public symposium, UQ, and Len Beadell libraries (SA), 19–20 April 2017. 9 November 2017. O’Loughlin, Katrina Public Lecture: ‘“Hardly Any Women at All”? Literary Landscapes at the Time of Jane Tarantino, Giovanni Public Seminar: ‘The Historical Study of Emotions: Concepts, Challenges, Case Studies’, (UWA) Austen’, ‘New Perspectives on Jane Austen’ lecture series, Institute of Advanced Studies/ (UWA) University of the Witwatersrand, Johannesburg, 8 August 2017. Centre for Medieval and Early Modern Studies, UWA, 20 June 2017. Toft, Robert*** Public Lecture: ‘Bel Canto: The Unbroken Tradition’, in association with Sydney Osborn, Carly (UAdel) Public Workshop: ‘Fire Stories’, South Australia’s History Festival, Country Fire Service (Western University) Conservatorium of Music Graduate Symposium, USyd, 19 May 2017. Region 1 Headquarters, Mount Barker (SA), 24 May 2017. Troy, Jakelin (USyd) Public Lecture: ‘Standing on the Ground and Writing on the Sky: An Emotional Account Public Lecture: ‘Colourful Feelings’, Dream Big Festival, UAdel, 20 May 2017. of Being Indigenous’, in association with the Society for the History of Emotions inaugural Public Lecture: ‘Religious Conflict in Seventeenth-Century France’, University of The conference, ‘Emotions of Cultures/Cultures of Emotions: Comparative Perspectives’, Third Age, Adelaide, 15 August 2017. UWA, 12 December 2017. Palfrey, Simon*** Public Seminar: ‘A Modern Seminary? Spenser’s The Faerie Queene Shaping the Modern’, Turner, James Public Lecture: ‘Post-Platonism: Rethinking the Relations of Art, Love and Desire, UWA, 5 September 2017. Grantham* (University 1500–1767’, UMelb, 14 March 2017. Moved Reading: Demons Land, New Fortune Theatre, UWA, 6 September 2017. of California, Berkeley) Film Screening: Demons Land: A Poem Come True, Dechaineaux Theatre, Van Gent, Jacqueline Symposium Presentation: ‘Emotions of Colonial Contacts, Indigenous Women and University of Tasmania, 8 September 2017. (UWA) Colonial Archives’, at ‘Fanny Balbuk Yooreel: Life, Legacy and Emotions’ public symposium, City of Perth Library, 17 May 2017. Film Screening and Discussion: Demons Land: A Poem Come True, USyd, 14 September 2017. Public Lecture: ‘Luther and the Devil’, ‘Luther’s Reformation at 500’ lecture series, Institute of Advanced Studies/Centre for Medieval and Early Modern Studies, UWA, Film Screening and Artist’s Talk: Demons Land: A Poem Come True, UQ Art Museum, 12 September 2017. Brisbane, 16 September 2017. Public Talk: ‘Looking at the Seven Deadly Sins’, Lawrence Wilson Art Gallery, UWA, Parker, Kathryn (USyd) Public Talk: ‘Shakespeare, Macbeth and the Supernatural’, Wyrd Vignettes Halloween 3 November 2017. performance with the Ninefold Ensemble, Don Bank Museum, Sydney, 31 October and 13 November 2017. Waldow, Anik (USyd) Public Talk: ‘Empathy and Understanding Difference’, Leichhardt Library, NSW, 3 August 2017. Phillips, Bríd Public Event: ‘Library Lovers’ Day’, Fremantle Library, 14 February 2017. White, Robert (UWA) Consultation: with TAFE design students working on a project to set up a hypothetical Pickering, Gina Short Film Presentation: Fanny Balbuk Yooreel: Realising a Resistance Fighter, at theatre company specialising in Shakespeare. ‘Fanny Balbuk Yooreel: Life, Legacy and Emotions’ public symposium, City of Perth Public Lecture: ‘Sense and Sensibility and Jane Austen’s Lexicon of Emotions’, Library, 17 May 2017. ‘New Perspectives on Jane Austen’ lecture series, Institute of Advanced Studies/Centre Prince, Kathryn* Moved Reading: ‘Bad Hamlet’, New Fortune Theatre, UWA, 24 May 2017. for Medieval and Early Modern Studies, UWA, 20 June 2017. (University of Ottawa) and Bríd Phillips Presentation: ‘The Pot Plant of Love and Death: John Keats and Freud’s Mourning and Melancholia’, to the Royal Australian and New Zealand College of Psychiatrists Section Prince, Kathryn* Public Lecture: ‘Decolonising the Emotions of Neptune in Canada’, in association with of the History, Philosophy and Ethics of Psychiatry (WA), WorkSpace Unlimited, Perth, the Society for the History of Emotions inaugural conference, ‘Emotions of Cultures/ 3 October 2017. Cultures of Emotions: Comparative Perspectives’, UWA, 11 December 2017. Zika, Charles (UMelb) Symposium Presentation: ‘The Emotions of Love: An Introduction’, at ‘The Emotions Read, Richard (UWA) Public Guided Tour: ‘Continental Shift’ exhibition, Art Gallery of Western Australia, of Love in the Art of Late Medieval and Early Modern Europe’ public symposium, Perth, 4 January 2017. UMelb and National Gallery of Victoria, Melbourne, 4–6 May 2017. Public Presentation: ‘Anthony Gormley’s New Sculptures’, Art Gallery of Western Presentation: ‘Emotions in History and the ARC Centre’, Committee of Convocation, Australia, Perth, 30 April 2017. UMelb, 20 September 2017. Presentation to Gallery Guides: ‘The Renaissance, Corsini Collection’ exhibition, Art Gallery of Western Australia, Perth, 27 November 2017. * CHE Invited Speaker ** CHE Early Career or Mid-Career International Visiting Research Fellow Public Presentation: ‘Good and Bad Art’, City of Melville Library, Perth, 15 December 2017. *** CHE Distinguished International Visiting Research Fellow

90 2017 ANNUAL REPORT | 91 RESEARCH OUTREACH

LtoR: Education and Outreach Officer Xanthe Ashburner (UQ), Curator and AI Andrea Bubenik (UQ), CI Peter Holbrook (UQ) with Michele Helmrich (Associate Director Curatorial) at the University of Queensland Art Museum. Ecstasy exhibition. © Sebastian Moody.

FEATURE FOCUS

‘Ecstasy: Baroque and Beyond’ Exhibition Ecstasy exhibition. © Sebastian Moody.

Almost four centuries after its exhibition were a series of twenty- focused on two critical creative I saw in his hand a long spear of gold, and at the creation, Gian Lorenzo Bernini’s first-century appropriations and video installations: Simon Palfrey’s Ecstasy of Saint Teresa (1652), the deconstructions of Bernini’s Teresa Demons Land: A Poem Come True, point there seemed to be a little fire. He appeared famous stone rendering of the by American artist Audrey Flack and which reimagines Edmund Spenser’s mystical ‘transverberation’ of the Australian artists Anastasia Booth The Faerie Queene in the context of to me to be thrusting it at times into my heart, and sixteenth-century Carmelite nun, and Nigel Milsom. In another room, colonial Australia; and Mieke Bal’s remains the supreme emblem of a series of seventeenth-century Reasonable Doubt: Scenes From Two to pierce my very entrails; when he drew it out, religious visionary experience and engravings by Claude Mellan and Lives, a staging of the relationship baroque sensibilities in art. In 2017 Pietro Aquila, depicting Christian between the philosopher René he seemed to draw them out also, and to leave the UQ node of the Centre partnered and classical concepts of ecstasy, Descartes and Queen Kristina of with the UQ Art Museum to produce appeared alongside modern, Sweden that explores the relation of me all on fire with a great love of God. ‘Ecstasy: Baroque and Beyond’. psychological treatments of the film to thinking. Collaborative and Taking its cue from Bernini’s theme by Salvador Dalí and Louise experimental, these works take up sculpture, this exhibition brought Bourgeois. The latter’s celebrated the traditional aims of art criticism The pain was so great, that it made me moan; together early modern depictions bronze Arched Figure (1993, cast and scholarship – they interpret of ecstasy and more recent works 2010), for instance, looked back to and evaluate the aesthetic and and yet so surpassing was the sweetness of this focused on transcendence of the eroticism of Bernini but applied intellectual objects of the past while normal consciousness, including it to a headless, tensely arched male also exploring new possibilities for excessive pain, that I could not wish to be rid of it… trances, moments of expanded torso shown in a state of hysteria. art and literary criticism. awareness and visionary insight. Other works by photographer David The UQ node hosted a series of From representations of saints and Stephenson and video artist Gordon TERESA OF AVILA public and academic events to mystics to dreamscapes and images Matta-Clark permitted an exploration accompany ‘Ecstasy: Baroque of bacchanalian revels, the exhibition of the history and afterlife of baroque and Beyond’ and ‘The Critic as explored how baroque style – style in architecture, while David Artist’. These included: a public characterised by exaggeration, Wadelton’s painting Show Them You forum and Continuing Professional high drama, extravagance, frenzy Want It (2004) suggested the kinds of Development seminar exploring and excess – continues to inform communal ecstasy made available aesthetic, philosophical and political contemporary art, both in Australia by sport. conceptions of ecstatic experience; and internationally. Running alongside the main a concert of baroque music played Curated by AI Andrea Bubenik (UQ), exhibition was a smaller on original instruments; film ‘Ecstasy: Baroque and Beyond’ curatorial project exploring recent screenings; public lectures, as well opened at the UQ Art Museum on intersections between artistic as masterclasses and workshops 15 September 2017 and ran until 25 practice and scholarship. Titled for postgraduate students and early February 2018. At the centre of the ‘The Critic as Artist’, this project career scholars.

92 2017 ANNUAL REPORT | 93 Blog: historiesofemotion.com 18 April 2017: Gary Schwartz, ‘The Emotional Turn’, Facebook: facebook.com/ThinkEmotions/ Gary Schwartz Art Historian: Art History from Holland blog. Twitter: twitter.com/ThinkEmotions garyschwartzarthistorian.nl/351-the-emotional-turn/ SoundCloud: soundcloud.com/emotions_make_history 18 May 2017: Amanda Krause, ‘Love … How Was It for Vimeo: vimeo.com/thinkemotions You?’, Precinct blog. Flickr: flickr.com/photos/89150570@N02/ precinct.vca-mcm.unimelb.edu.au/2017/05/18/love-how- In 2017 CHE researchers continued to use a variety was-it-for-you/ of media forms to promote and communicate their 13 June 2017: Charlotte-Rose Millar, ‘Requiem for a Bad research to both scholarly and public audiences. We have Dream: Fear of the Night, the Devil and the Nightmare in continued to build our following on social media, and the

IN THE MEDIA Early Modern England’, QMUL History of Emotions blog. Centre’s research was featured in major media outlets emotionsblog.history.qmul.ac.uk/2017/06/requiem-for-a- such as BBC History Magazine, Limelight Magazine and bad-dream-fear-of-the-night-the-devil-and-the-nightmare- The Age, as well as on ABC Breakfast News and national in-early-modern-england/ IN THE and international radio programs. 30 August 2017: Frederic Kiernan, ‘The Tale of Orpheus: A Several of the Centre’s researchers contributed pieces to MEDIA 21st-Century Take on the First “True” Opera’, Precinct blog. popular web-based news sites such as The Conversation. precinct.vca-mcm.unimelb.edu.au We took a proactive approach in contributing scholarly perspectives to public discussions about contemporary 2 October 2017: Hayley Singer, ‘Art, Meat and the Lives events. A highlight in this regard was ‘Manchester, and Deaths of Animals’, LitHub. Ritual Emotion and the Healing Power of Song’, a piece lithub.com/art-meat-and-the-lives-and-deaths-of-animals/ published in The Conversation by CI Jane Davidson and 13 November 2017: Melissa Raine, ‘Hearing and Postdoctoral Research Fellow Samantha Dieckmann Understanding Children’s Voices in Contemporary (both UMelb), in response to the concert in Manchester Australia’, Children’s Voices blog. that followed the bombing there. research.unimelb.edu.au/hallmark-initiatives/childrens- While we have continued to use existing media channels, lives-research-initiative/connect/the-childrens-voices- we have predominantly endeavoured to strengthen our project-inaugural-blog reach on social media platforms Facebook and Twitter. This comes as a result of the encouraging uptake of our Print and Online Articles weekly ‘Emotions Make History’ podcast series and the continued popularity of the Histories of Emotions blog. February 2017: Kimberley-Joy Knight, ‘Medieval Valentines: Seven Ways to Say “I Love You”’, BBC History In 2017 CHE’s followers on Twitter increased from 3,210 Magazine 2 (2017): 30–33. to 4,187, which equates to an average of approximately 80 new followers each month. Our Facebook following rose March 2017: ‘Let’s Talk About Love, With Angela Hesson’, ARTiculation. from 2,025 in 2016 to 2,265 in 2017. Notable hashtags arts.unimelb.edu.au/articulation/editions/march-2017/lets- that related to CHE events included #FutureEmotions, talk-about-love #PeaceMusicMelb, #NewsEmo, #ecstasy, #EmotionalObjects, #Orpheus and #LoveNGV. 3 March 2017: ‘“Lullaby Choir” Brings Communities Together Through the Power of Song’, VICSEG New Futures. The Centre’s website continues to draw a steady number vicsegnewfutures.org.au/news/lullaby-choir-brings- of visitors from across the globe, especially from the UK, communities-together-through-the-power-of-song?A=Searc the USA and Germany. The number of visitors (both new hResult&SearchID=8698232&ObjectID=66523&ObjectType=7 and returning) increased from 37,465 in 2015 and 40,362 in 2016 to 43,123 in 2017. 24 March 2017: Lindy Percival, ‘Love: Art of Emotion at NGV Looks Back to a Time When Romance Wasn’t In 2017 podcasts in the ‘Emotions Make History’ series Required. An Exhibition of Historical Artworks Explores were played a total of 8,877 times, at an average of 740 Emotions Both Dutiful and Dizzying’, The Age. plays per month, compared to an average of 468 plays theage.com.au/entertainment/art-and-design/love-art- per month in 2016. The majority of these listeners were of-emotion-at-ngv-looks-back-to-a-time-when-romance- from Australia, the USA, the UK, Croatia, Canada, Spain, wasnt-required-20170320-gv1xz7.html Germany, Denmark and Brazil. Part of the success of the podcast series can be attributed to a new monthly 28 March 2017: Goya Dmytryshchak, ‘Easter Calls Forth instalment titled ‘Thinking With The History of Emotions’ the Passion’, Maribyrnong & Hobsons Bay Star Weekly by former CHE Postdoctoral Research Fellow Katie Community News. Barclay (UAdel). issuu.com/starweekly/docs/hsw-20170329 31 March 2017: Patricia Simons, ‘Friday Essay: The Histories of Emotions blog remains popular, with Finding Spaces for Love’, The Conversation. 26,117 visitors in 2017, mostly from Australia, the USA, theconversation.com/friday-essay-finding-spaces-for- the UK, Canada and India. love-74156 Selected media highlights in 2017 include: 31 March 2017: Bhakthi Puvanenthiran, ‘Artists Rise to Guest Blog Posts the Challenge in St Paul’s Easter Extravaganza’, The Age. theage.com.au/entertainment/music/artists-rise-to-the- 21 March 2017: Amy Milka, ‘The Many Tricks of challenge-in-st-pauls-easter-extravaganza-20170331- Thomas Tyler, Swindler’, Justice and Jacobins blog. gvb08r.html amymilka.wordpress.com/2017/03/21/the-many-tricks-of- thomas-tyler-swindler/ 5 April 2017: Janette Wells, ‘Passion, Lament, Glory: Review’, Classic Melbourne: Music News and Views website. classicmelbourne.com.au/passion-lament-glory/

Postdoctoral Research Fellow Kirk Essary.

2017 ANNUAL REPORT | 95 7 April 2017: Olivia Murphy, ‘Regency Lives Matter: Jane 6 April 2017: ‘Love: Art of Emotion’ (interview with Austen So White? Not So Fast ...’, ABC Religion & Ethics. Angela Hesson), on ABC Breakfast News. abc.net.au/religion/articles/2017/04/07/4650069.htm facebook.com/breakfastnews/videos/10154661762108983/ 14 April 2017: Paul Megna, ‘Good Friday Essay: 10 April 2017: ‘Love: Art of Emotion, 1400–1800’ Passion Plays and the Ethics of Spectacular Violence’, (interview with Lisa Beaven by Claire Bowditch), The Conversation. on ‘Afternoons’, ABC Radio Melbourne. theconversation.com/good-friday-essay-passion-plays-and- 11 April 2017: ‘Hamlet and Emotions: Then and Now’ the-ethics-of-spectacular-violence-75916 (interview with R. S. White by Gillian O’Shaughnessy), 4 May 2017: Michael D. Barbezat, ‘“Pizzagate” and the on ‘WA Afternoons’, ABC Radio Perth.

IN THE MEDIA Nocturnal Ritual Fantasy: Imaginary Cults, Fake News 12 April 2017: ‘What Is Love’ (interview with Lisa Beaven and Real Violence’, The Public Medievalist. by Francesca Valdinoci), on SBS Italian. publicmedievalist.com/pizzagate-cults/ sbs.com.au/yourlanguage/italian/en/article/2017/04/13/ 15 May 2017: Pino Lamberti, ‘Il linguaggio epistolare what-love SPOTLIGHT dell’amicizia’ (interview with Francesco de Toni), Il Globo, p. 31. 25 April 2017: ‘Are Italians Divided on the Meaning Shipwrecks, Theatre and 5 June 2017: Samantha Dieckmann and Jane of Liberation Day?’ (interview with Umberto Grassi W. Davidson, ‘Manchester, Ritual Emotion and the by Davide Schiappapietra), on SBS Italian. Healing Power of Song’, The Conversation. the Devil Documentaries 28 April 2017: ‘Love: Art of Emotion, 1400–1800’, https://theconversation.com/manchester-ritual-emotion- on ‘Books and Arts’, ABC Radio National. and-the-healing-power-of-song-78837 abc.net.au/radionational/programs/booksandarts/love-art- 24 August 2017: Helen Hickey and Helen Dell, of-emotion/8476534 ‘Singing Death: Why Music and Grief Go Hand in Hand’, 19 May 2017: Samantha Dieckmann, ‘Music and Trauma’, The Conversation. Music on the Mind podcast. theconversation.com/singing-death-why-music-and-grief- melbournerecital.com.au/news/2017/05/music-on-the- go-hand-in-hand-81679 mind-music-and-trauma-podcast/ 15 September 2017: Daniela Kaleva, ‘Review: The Tale 18 July 2017: ‘Austen in the Age of Trump’ (interview with of Orpheus (Melbourne Conservatorium)’, Limelight: Spencer Jackson by Sarah Kanowski), on ‘Books and Australia’s Classical Music and Arts Magazine. Arts’, ABC Radio National. limelightmagazine.com.au/live-reviews/review-tale- radio.abc.net.au/programitem/pgQ7eM4gA7?play=true orpheus-melbourne-conservatorium 21 June 2017: ‘Dark Tourism’ (interview with Alicia Marchant 17 September 2017: Janette Wells. ‘Monteverdi: by Leon Compton), on ‘Mornings’, ABC Radio Hobart. The Tale of Orpheus – Review’, Classic Melbourne: Artwork by Erica Brown. © Lisa Currie. Music News and Views. 8 July 2017: Amelia Dale, ‘Anxiety of Novel Reading classicmelbourne.com.au/monteverdi-tale-orpheus-review/ Among Mid- to Late Eighteenth-Century Female Readers’, Chawton House Library Conversations. 21 September 2017: Samantha Dieckmann and Jane W. https://chawtonhouse.org/2017/07/july-podcast-now- Davidson, ‘Giving Peace a Chance? Music Can Drive Us available/ Apart as Much as It Unites’, The Conversation. theconversation.com/giving-peace-a-chance-music-can- 15 August 2017: ‘“A Pint of History” and the History In 2017 CHE looked to documentaries as a way to A second CHE documentary, Old Emotions on the drive-us-apart-as-much-as-it-unites-82745 of Whaling’ (interview with Alicia Marchant by Helen communicate the stories behind our research and the New Fortune Stage, focused on the New Fortune Shields), on ‘Your Afternoon’, ABC Radio Hobart. impact it is having on Australian communities. Theatre at UWA, a working reconstruction of London’s 20 December 2017: John Lewis, ‘Manuscript Fragment Fortune Playhouse (1599–1600). As well as tracing One of the Centre’s biggest community outreach Completes the Story’ (about work by Grace Moore 22 August 2017: Alex Edney-Browne, Rachel Ang and the New Fortune’s history, the documentary explores success stories has been our collaboration with and Thomas McLean), Otago Daily Times. Natasha Mitchell, ‘What It’s Really Like to Live With the potential for this unique space to function as a various organisations and the local Kalbarri community odt.co.nz/news/dunedin/manuscript-fragment-completes-story Drone Warfare’, on ‘Science Friction’, ABC Radio National. ‘humanities laboratory’, showing how it has enabled to create the Zest Festival, which ran annually from abc.net.au/news/2017-08-18/perspectives-from-the-front- researchers to interrogate the theatre as a dynamic 2012 to 2016. The festivals commemorated the 300th Audio and Video line-of-the-drone-war/8793400 performance space and to study the intersections of anniversary of the sinking of the Dutch East India 27 January 2017: ‘Compassion: Caught or Taught?’ theatre, emotions and history. The documentary is 7 September 2017: ‘Them’s Fighting Words, They Are’ Company’s ship Zuytdorp north of Kalbarri and the 400th (interview with Anik Waldow by Laura D’Olimpio), on available on vimeo.com/233430160. (interview with Michael Ovens) on RTRFM 92.1 Radio. anniversary of Dirk Hartog’s arrival in Shark Bay. Zest ‘Philosopher’s Zone’, ABC Radio National. https://rtrfm.com.au/story/uwa-research-week-them- celebrated the rich heritage of Western Australia’s coast, A longer documentary, The Devil’s Country, focuses on abc.net.au/radionational/programs/philosopherszone/ fighting-words-they-are/ which includes early encounters between Europeans bushrangers, cattle duffers, runaway convicts and the compassion:-caught-or-taught/8212506 11 September 2017: ‘Singing Death: Why Music and and local Nhanda people, and connections forged across Devil himself. It explores the tangled webs that were 5 February 2017: ‘Authors and the Family in the Grief Go Hand in Hand’ (interview with Helen Hickey), the Indian Ocean. A short documentary about the Zest woven around place-name stories when colonial views Nineteenth Century’ (interview with Tom McLean, on ‘Evenings’, ABC Radio Sydney. Festivals, Zest and Emotions, highlights how this model of of the Australian landscape intersected with Indigenous Liam McIlvanney and Grace Moore by Lynn Freeman), humanities research, with its connections to community, experiences of colonisation. Produced by our USyd node on ‘Standing Room Only’, Radio New Zealand. 6 November 2017: ‘Indigenous Emotions’ (interview with industry, government and education, engages audiences Director, CI Juanita Ruys, and documentary-maker radionz.co.nz/national/programmes/standing-room-only/ Shino Konishi by Stephanie Coombes), on ‘Breakfast’, and reveals the ways that emotional heritage shapes Cassie Charlton, the film explores the nexus between audio/201832019/authors-and-family-in-the-19th-century ABC Kimberley WA. modern society. The documentary is available on vimeo. emotions, place, memory and competing understandings com/206531899. of the land. It will receive its final edit and release in 2018. 23 March 2017: ‘Love: Art of Emotion, 1400–1800’ 30 November 2017: ‘Luther and Dreams’ (interview with (interview with Angela Hesson by Lindy Burn), on Lyndal Roper by Red Symons), on ABC Radio Melbourne. ‘Evenings’, ABC Radio Melbourne. 4 April 2017: ‘Love: Art of Emotion, 1400–1800’ (interview with Angela Hesson), on ‘Uncommon Sense’, 3RRR Radio. ondemand.rrr.org.au/player/128/201704040900

96 2017 ANNUAL REPORT | 97 EVENTS AND PUBLICATIONS EVENTS AND SELECTED CENTRE EVENTS PUBLICATIONS International Conferences Title: ‘Natures and Spaces of Workshops Enlightenment’, 16th David Nichol Title: ‘Fears and Angers: Historical Smith Seminar in Eighteenth- Title: ‘The Future of the History of and Contemporary Perspectives’* Century Studies and Conference Emotions’ CHE/University of York Dates: 19–20 June 2017 of the Australian and New Zealand Workshop Venue: Queen Mary University of Society for Eighteenth Century Date: 30 June 2017 London (QMUL) Studies* Venue: York Minster Library Convenors: Andrew Lynch, Giovanni Dates: 13–15 December 2017 Convenors: Andrew Lynch, Robin Tarantino (UWA); Thomas Dixon, Venue: UQ and Griffith University Macdonald, Giovanni Tarantino, Helen Stark, Elena Carrera, Convenors: Lisa O’Connell, Jacqueline Van Gent (UWA); Mark Evelien Lemmens (QMUL) Peter Denney Jenner, Helen Smith, Craig Taylor, Participants: 51 Participants: 80 Catriona Kennedy (University of York) Title: ‘Powerful Emotions: Emotions Participants: 26 and Power, c.400–1850’* Collaboratories Title: ‘History of Emotions Dates: 28–29 June 2017 Methodology and Academic Venue: University of York Title: ‘Art and Affect’ Disciplines’ CHE Workshop Convenors: Andrew Lynch, Robin (Meanings Program) Date: 30 November–1 December 2017 Macdonald, Giovanni Tarantino, Dates: 12–14 July 2017 Venue: UMelb Jacqueline Van Gent (UWA); Mark Venue: UQ Convenors: Charles Zika, Jenner, Helen Smith, Craig Taylor, Convenors: Peter Holbrook, Stephanie Trigg Catriona Kennedy (University of York) Spencer Jackson, Kenneth Chong Participants: 24 Participants: 89 Participants: 76 Title: ‘Place, Planet and Title: ‘News Reporting Symposia Translation’, Annual Conference and Emotions, 1100–2017’ for the Australasian Association (Change Program) Title: ‘Screening Melbourne’ * for Literature* Dates: 4–6 September 2017 Date: 22–24 February 2017 Dates: 17–19 July 2017 Venue: UAdel Venue: Deakin Edge, Federation Venue: Griffith University, Convenors: David Lemmings, Square, Melbourne Gold Coast Amy Milka, Abaigéal Warfield Convenors: Melbourne Screen Convenors: Peter Denney, Participants: 32 Studies Group Stuart Cooke Participants: 150 Title: Participants: 95 ‘Peace, Empathy and Conciliation Through Music’ Title: ‘Hamlet and Emotions: Title: ‘Musical Affects’, 5th (Performance Program) Then and Now’ International Conference on Music Dates: 21–22 September 2017 Dates: 10–11 April 2017 and Emotion (ICME), in association Venue: UMelb Venue: UWA with the Australian Music and Convenors: Jane W. Davidson, Convenors: Bob White, Paul Megna Psychology Society* Samantha Dieckmann Participants: 56 Dates: 7–9 December 2017 Participants: 60 Title: ‘The Emotions of Love in Venue: School of Music, UQ Title: the Art of Late Medieval and Early Convenors: Jane W. Davidson, ‘Wild Emotions: Affect and the Natural World’ (Shaping the Modern Europe’* Mary Broughton Dates: 4–6 May 2017 Participants: 70 Modern Program) Dates: 14–15 December 2017 Venue: UMelb and National Gallery Venue: UMelb of Victoria (NGV) Convenors: Grace Moore, Convenors: Charles Zika, Stephanie Trigg Angela Hesson Participants: 49 Participants: 98

PhD Candidate Bríd Phillips.

2017 ANNUAL REPORT | 99 Title: ‘Fanny Balbuk Yooreel: Public Exhibitions/ Title: ‘Ecstasy: Baroque and Beyond’ Life, Legacy and Emotions’ Outreach Events/ exhibition Date: 17 May 2017 Performances Date: 16 September 2017– Venue: City of Perth Library 25 February 2018 Convened by: Susan Broomhall, Title: ‘Screening Melbourne’ Venue: UQ Art Museum Andrew Lynch workshops* Curator: Andrea Bubenik Participants: 59 Date: 24–25 January 2017 Participants: 450 at opening Venue: Centre for Contemporary Title: ‘Hacking the Anthropocene II: Title: ‘The Canoe Project – Stories Photography, Melbourne Weathering’ * From the Collection’ exhibition* Convenor: Penelope Lee Date: 26 May 2017 Date: 14 October 2017–28 February

EVENTS AND PUBLICATIONS Participants: 30 Venue: USyd 2018 Convened by: Jennifer M. Hamilton, Title: ‘Laneways of Melbourne’ Venue: Koorie Heritage Trust (KHT), Astrida Neimanis Historical Walk* Melbourne Participants: 90 Date: 22 February 2017 Curators: Charlotte Christie, Zenzi Venue: Departing from RMIT Clark (KHT); Penelope Lee (UMelb) Title: ‘Mapping the Emotional Building 11 (Old Melbourne Gaol) Participants: 60 at opening Cityscape: Spaces, Performances Convenors: Helen Hickey, and Emotion in Urban Life’ Title: ‘Word, Image, Song: Penelope Lee Date: 18 September 2017 Celebrating 500 Years of Luther’s Participants: 30 Venue: UAdel Reformation’ exhibition Convenors: Katie Barclay, Title: ‘Love: Art of Emotion, Date: 16–29 October 2017 Jade Riddle 1400–1800’ exhibition* Venue: UAdel Participants: 55 Date: 31 March–18 June 2017 Curators: Abaigéal Warfield, Dana Venue: NGV Rehn, Clara Stockigt, Jula Szuster, Title: ‘Future Affects: Curator: Angela Hesson Cheryl Hoskin A Collaboratory on Art, Convenors: Charles Zika, Affect and Automation’ Title: ‘trespasses’ exhibition Angela Hesson (UMelb); Isobel Date: 6 November 2017 Date: 10 November–9 December 2017 Crombie and Tony Ellwood (NGV) Venue: UQ Venue: Turner Galleries, Perth Participants: approx. 80,000, Convenor: Elizabeth Stephens Artists: Thea Costantino, including 3,000 students and teachers Participants: 55 Anna Nazzari, Rebecca Dagnall Title: Passion, Lament, Glory Participants: 320 Title: ‘Cinematic Imagination, performances Emotion and Ethical Criticism’ Title: War of the Buffoons concert LtoR: Joshua Scodel (The University of Chicago) and Dates: 31 March and 1 April 2017 Sam Shpall (The University of Sydney) in conversation Date: 9 November 2017 Dates: 12 July 2017 at the ‘Art and Affect’ Meanings Collaboratory at UQ. Venue: St Paul’s Cathedral, Venue: UQ Venue: UQ Art Museum Melbourne Convenors: Jane Stadler, Convenor: Xanthe Ashburner Convenor: Jane W. Davidson Ted Nannicelli Performed by: Badinerie Players Participants: 350 each night Participants: 33 Participants: 106 Title: Schubert and Songfulness: Title: ‘Emotions, Human Rights Title: ‘Portals: Spaces of Encounter, More events are listed in Title: ‘Feeling the Past: Indigenous Title: The Ornithologist (Joâo Pedro Love in the Age of Syphilis concert* and Humanitarianism’ public event Entanglement and Exchange’ the ‘Academic Training and Emotions and History’ Rodrigues, 2016); UZU (Gaspard Date: 11 May 2017 to open Australian Academy of the seminar* Development’ and ‘Research Dates: 9–10 November 2017 Kuentz, 2015); Natpwe: Feast of the Venue: Melbourne Recital Centre Humanities 48th Annual Symposium Dates: 25 September 2017 Outreach and Public Engagement’ Venue: UWA Spirits (Tiane Doan Na Champassak Convenors: Erin Helyard, Dates: 15 November 2017 Venue: Centre Studia Mediterranea, sections of this report. Convenor: Shino Konishi & Jean Dubrel, 2012); Brimstone David Greco Venue: UWA Split Participants: 63 & Glory (Viktor Jakovleski, 2017); A comprehensive list of 2017 and Participants: 50 Convenor: Susan Broomhall Convenors: Mirko Sardelic´ Nocturama (Bertrand Bonello, 2016) forthcoming events are on the Title: ‘Humanitarianism and Participants: 146 (ECCE, Zagreb), Katrina O’Loughlin Title: The Tale of Orpheus film screenings and panel discussion CHE website: Human Rights’, Australian Academy (UWA) performances in collaboration with the Australian Title: Ayre, Cappricio, Fantasia concert www.historyofemotions.org.au/ of the Humanities 48th Annual Participants: 22 Dates: 7 and 8 September 2017 Screen Editors Guild Dates: 15 December 2017 events/ Symposium* Venue: Meat Market Theatre, Dates: 13–23 July 2017 Venue: UQ Art Museum Title: ‘Emotions of Cultures/ Dates: 15–17 November 2017 Melbourne Venue: Queensland Film Festival (QFF), Convenor: Xanthe Ashburner Cultures of Emotions: Comparative Venues: UWA and WA Maritime Convenor: Jane W. Davidson New Farm Six Cinemas, Brisbane Performed by: Badinerie Players Perspectives’ conference* Museum Participants: 130 Convenors: Xanthe Ashburner (UQ); Participants: 82 Dates: 11–13 December 2017 Convenors: Susan Broomhall, Jane John Edmond (QFF) Venue: UWA Lydon (UWA); Alan Dench, Baden Title: ‘History of Emotions’ public Convenor: Jacqueline Van Gent Offord (Curtin University) outreach event and performance Title: The Passion of Joan of Arc Society for the History Participants: 56 Participants: 178 Date: 3 May 2017 film screening, with a live score by of Emotions Events Venue: Abbotsford Convent, Primitive Motion and Ross Manning Title: ‘Entangled Histories of Title: ‘The Emotional Worlds of Melbourne Dates: 26 October 2017 Title: ‘Cultures in Movement: New Things in the Mediterranean World’ Children and Young People’* Convenor: Jane W. Davidson Venue: Institute of Modern Art, Visions, New Conceptual Paradigms’ seminar* Dates: 14–15 December 2017 Participants: 60 Brisbane seminar* Dates: 14 December 2017 Venue: UAdel Convenor: Xanthe Ashburner Dates: 26 June 2017 Venue: UWA Convenors: Katie Barclay, Dee Participants: 66 Venue: National Society of Sciences, Convenors: Giovanni Tarantino, Michell, Clemence Due Letters and Arts in Naples Susanne Meurer, Arvi Wattel Participants: 17 Convenors: Luisa Simonutti Participants: 30 (CNR-ISPF Milan), Giovanni Tarantino (UWA) *co-sponsored by CHE Participants: 30

100 2017 ANNUAL REPORT | 101 DETAILED ACTIVITY PLAN FOR 2018

EVENTS AND PUBLICATIONS For 2018, the Centre has firm plans in place for research, research training, domestic events/activities including a panel Michael Gamer (University of Mediterranean World’, convened with and international collaboration, education, outreach and events for the final six months discussion, singing circle, choir Pennsylvania), Evelyn Welch (King’s Nadia Al-Bagdadi in cooperation with the Center for Eastern of its seven-year ARC grant. These plans are presented below. performance and objects sand- College London), Slavko Kacunko casting workshops, to accompany (University of Copenhagen), Mediterranean Studies (CEU) Selected 2018 Events/Outputs the MMV’s launch exhibition Sasha Handley (The University of (CEU, Institute for Advanced Study, ‘Grandmothers’, in collaboration Manchester), Kim Phillips (The Budapest, 18 June 2018). with the Jewish, Islamic, Hellenic, University of Auckland), and PhD International Conference ‘The Voices of Women’* concert partnership with CHE and the The Society is also supporting the Italiano and Chinese museums Candidates Sophie Cope (University ‘The Future of Emotions: (Melbourne Recital Centre, 20 March Wellcome Institute-funded ‘Living ‘History of Emotion Conference, of Melbourne. of Birmingham), Catherine Rose Conversations Without Borders’, 2018). Performed by Ludovico’s with Feeling’ project at QMUL. convened by Susan Matt and Peter Hailstone (University of York) and Third International Conference of Band, Helen Thomson; audience Media Stearns (George Mason University, Continuing Professional Jeanne Søberg Jørgensen (University the ARC Centre of Excellence for surveys by Jane W. Davidson, Podcasts of CHE lectures, seminars, Virginia, 1–2 June 2018). Development (CPD) seminars for of Southern Denmark). the History of Emotions (UWA, Amanda Krause. interviews and events will continue teachers and student teachers are A seven-year contract has been 13–15 June 2018). to be loaded weekly onto the CHE CHE members will continue ‘Gloria’* (St Paul’s Cathedral, planned at UQ and UWA. Already negotiated for the Emotions: History, podcast channel ‘Emotions Make to present their research at Symposia Melbourne, 4 and 5 May 2018), confirmed is a Public Forum/ Culture, Society journal. The current History’ (https://itunes.apple.com/ international conferences and ‘The Literary Academy, 1968 to a program of works by Vivaldi CPD, ‘Vision and Opticality: The editorial team will remain in place. au/podcast/emotions-make-history/ meetings. the Present: Moods and Modes’ performed by the Early Music Humanities and Neuroscience’ Brill will provide the capability id1087709602?mt=2). (UQ, 2 March 2018). Studio, UMelb. with the Queensland Brain Institute Arizona Center for Medieval and for online access for institutional (UQ Art Museum, 17 March 2018). ‘Devotion, Objects and Emotion, The 2017 exhibitions ‘Ecstasy: The CHE Blog ‘Histories of Emotion’ Renaissance Studies (ACMRS): subscribers, which will enable Themes under consideration for 1300–1700’ (UMelb, 16–17 March 2018). Baroque and Beyond’* (UQ Art will publish weekly posts about The documentary The Devil’s broader access to the articles and CPDs at UQ include: ‘The History of Museum) and ‘The Canoe Project – current emotions research by Country, produced by CHE at provide a modest income to fund the ‘Emotional Discourses in Children’s Monstrosity’, ‘Empiricism and the Stories from the Collection’* (Koorie CHE members, affiliates and USyd, will launch the 24th Annual Society’s activities. Literature’* (UWA, 3–4 April 2018). History of Science: Women’s Art and honorary researchers. (https:// ACMRS conference ‘Reading the Heritage Trust, Melbourne) continue The SHE International Reading Poetry in the Nineteenth Century’, historiesofemotion.com/). Natural World: Perceptions of the ‘From Melancholy to Euphoria: The until 25 February and 28 February Group via the Loomio online platform ‘Shakespearean Character’ and Environment and Ecology in the Materialisation of Emotion in Middle 2018 respectively. Publications engages informally with several ‘Nature Poetry from the Romantics Global Middle Ages and Renaissance’ Eastern Manuscripts Symposium’,* Anticipated publications from CHE hundred researchers from a wide Education and Outreach Book: to the Present’. UWA will present (Phoenix, Arizona, 8–10 February hosted by the Grimwade Centre for researchers in 2018 and 2019 range of disciplines, examining a Education and Outreach Officers two workshops to trainee teachers at 2018) at a keynote plenary screening Cultural Materials Conservation include eight monographs, 18 edited different text each month. (EOOs) from each node, together UWA’s Graduate School of Education, and discussion with CI Juanita Ruys, (UMelb, 27–28 June 2018). collections, multiple book chapters, with CI Jane W. Davidson, and another to Drama Education further enhancing CHE’s partnership Chief Investigators and the four edited journal issues, 16 Workshops are producing a legacy book, students at Edith Cowan University. with ACMRS. Research Development Officer journal articles and the six-volume ‘The Critic as Artist’ (UQ Art working title, ‘Engaging Emotions. will continue to meet monthly in School Workshops: Four Senior Bloomsbury series ‘A Cultural Plans for the Future Museum, 16 February 2018). A Handbook for Outreach and 2018 to discuss future research School Engagement workshops History of Emotions’. Other plans include ongoing long-term Impact in the Humanities’. directions and strategies to attract ‘Digital Humanities Techniques’* are scheduled at UWA and strategic initiatives and Society for the International Collaboration further funding for the Centre and (UWA, 16 June 2018). New education packs for teachers, 16 High School workshops are History of Emotions (SHE) events. developed for Years Foundation confirmed for schools in WA. We look forward to welcoming the the Society. The Centre will continue Postgraduate Advanced Training to 10 by the EOO team at UAdel, Topics include ‘Religion’, ‘King following international visitors Convened by Giovanni Tarantino, to operate formally as the ARC Seminar interpreting work of CHE Arthur’, ‘Enlightenment in France’, (most self-funded or funded other the four-part seminar series Centre of Excellence for the History ‘Emotions and Place’ researchers across the Centre, will ‘Witchcraft’, ‘Black Death’ (with than ARC), who will present public ‘Entangled Histories of Emotions of Emotions for three years post- (UWA, 13 June 2018). be launched in early 2018. Topics SFX makeup for plague victims), lectures, workshops, seminars or in the Mediterranean World’, which ARC funding. symposium papers and collaborate is supported by SHE, has grown to Public Exhibitions/ Performances/ include: ‘Fire Stories: Bushfires ‘Shakespeare’, ‘Early Modern Note: Please check the CHE website for updates with researchers at our nodes: eight seminars, with three more Education and Outreach/ and Australian Colonial History’, History’, ‘Elizabethan Theatre’, on 2018 events, including public lectures, Michelle P. Brown (University of being considered for late 2018 or Collaboration with Industry ‘Aha! You’re a Witch: Early Modern ‘Reading Middle English’, conferences, seminars, CPDs, SHE events: London), Víctor Fernández Soriano early 2019. Partners European Witch-hunts’, ‘Colourful ‘Print Media and Emotions’. http://www.historyofemotions.org.au/events/ (Université Libre de Bruxelles), ‘trespasses’ exhibition (Geraldton Feelings: Responding to Historic Confirmed seminars for 2018 * co-sponsored/supported by CHE A ‘Trails of Feeling’ Walking Tour is Erin Griffey (The University of Regional Art Gallery, WA, 19 Art Sources’, ‘Shakespeare the are: ‘Mediterranean Encounters: planned for April 2018 in Melbourne, Auckland), Kathryn Rudy (University January–2 March 2018). Artists: Drummer: Rhythm and Metre in People in Motion’, convened with in collaboration with the Koorie of St Andrews), Johanna Scheel Thea Costantino, Anna Nazzari, Shakespeare’s Plays’, ‘On the Move: Ann Thomson (European University Heritage Trust and accompanied (Philipps-University Marburg), Rebecca Dagnall. Transport Toys Through History’, Institute, Florence, 5 February 2018); by an online resource exploring the Patricia Simons (University of ‘Historians Are Curious: Managing ‘Entangled Histories of Gender in ‘Mockingbird’*, a black comedy relationships between emotions, Michigan, Ann Arbor), Ulrike the Historical Enquiry Process’. the Medieval Mediterranean World’, about motherhood and mental city and landscapes across time Strasser (University of California, convened with Megan Cassidy-Welch health (Western Sydney University The Vault online game* is due for and place. San Diego), Kimberley Reynolds and ‘107’ Redfern, NSW, 14, 15, release in mid-2018. It has been (UQ, 5 May 2018); and ‘Religious A Multicultural Museums of Victoria (Newcastle University), Mieke Bal 16 February 2018). Written and developed to ICT learning matrices Sentiments Across Central and (MMV) Project is in development (University of Amsterdam), Megan performed by Lisa Brickell. and to the Australian Curriculum Eastern Europe and the Eastern for 2018, involving a series of Moore (University of Missouri), standards by Monkeystack in

102 2017 ANNUAL REPORT | 103 EVENTS AND PUBLICATIONS

SELECTED PUBLICATIONS

Books D. G. ‘Poetry’, pp. 89–91; ‘Epistolary 300; Spinks, J. ‘Wonders of Nature’, Literature’, pp. 95–98; Braddick, M. pp. 293–97; Tarantino, G. ‘Tolerance’, Brooks, A. Genealogies of Emotions, J. ‘Political Revolutions’, pp. 185–88; pp. 284–87; Trigg. S. ‘Affect Theory’, Intimacies and Desire: Theories of Colwell, T. ‘Emotives and Emotional pp. 10–13; Van Gent, J. ‘Witchcraft’, Changes in Emotional Regimes From Regimes’, pp. 7–10; D’Arcy, S. pp. 290–93; ‘Global Trading CI Jacqueline Van Gent. Medieval Society to Late Modernity. ‘Church Interiors’, pp. 230–35; Companies’, pp. 304–07; ‘Protestant London: Routledge, 2017. Davidson, J. W. and A. Maddox. Global Missions’, pp. 313–16; Walker, Cohen-Hanegbi, N. Caring for the ‘Gestures’, pp. 168–73; ‘Baroque C. ‘Monastic Communities’, pp. Living Soul: Emotions, Medicine Music’, pp. 261–63; Downes, S. 277–80; White, R. S. ‘Language of and Penance in the Late Medieval ‘Books’, pp. 132–35; Eckstein, N. A. Emotions’, pp. 50–53; ‘Romanticism’, Mediterranean. Leiden: Brill, 2017. ‘Civic Culture’, pp. 238–41; Garrido, pp. 273–76; ‘Mood’, pp. 50–53; S. and J. W. Davidson. ‘Psychological Zika, C. ‘Prints and Illustrated Essary, K. Erasmus and Calvin on Approaches’, pp. 23–27; Harvey, K. Broadsheets’, pp. 140–46. Bailey, M. L. ‘Shaping London Beaven, L. M. and A. Hesson. Broomhall, S. ‘Love Thy Neighbour? the Foolishness of God: Reason and ‘The Body’, pp. 165–68; Haskell, Y. Merchant Indentities: Emotions, ‘Objects of Love’. In Love: Art of The Gendered, Emotional and Spatial Emotion in the Christian Philosophy. Bailey, M. L., and K. Barclay, ‘Medicine and Science’, pp. 257–60; Reputation and Power in the Court of Emotion 1400–1800, edited by A. Production of Charity and Poverty in Toronto: University of Toronto eds. Emotion, Ritual and Power in Holloway, S. ‘Textiles’, pp. 161–65; Chancery’. In The Routledge History Hesson, M. Martin and C. Zika, pp. Sixteenth-Century France’. In The Press, 2017. Europe, 1200–1920: Family, State Hultquist, A. ‘The Passions’, pp. Handbook of Gender and the Urban 124−39. Melbourne: National Gallery Routledge History Handbook of Gender and Church. Basingstoke: Palgrave Hutchison, E. Affective Communities 71–73; Ibbett, K. ‘Fellow-feeling’, Experience, edited by D. Simonton, of Victoria, 2017. and the Urban Experience, edited by Macmillan, 2017. pp. 327–37. London and New York: D. Simonton, pp. 338–50. London and in World Politics: Collective Emotions pp. 61–64; Jarzebowski,C. Broomhall, S. ‘Shipwrecks, Sorrow, Routledge, 2017. New York: Routledge, 2017. After Trauma. Cambridge: Cambridge ‘Childhood’, pp. 214–17; Broomhall, S., ed. Early Modern Shame and the Great Southland: The University Press, 2016. Kambaskovic, D. ‘Humoral Theory’, Emotions: An Introduction. London Barclay, K. ‘Intimacy and Emotion: Use of Emotions in Seventeenth- Davidson, J. W. ‘Performance pp. 39–42; ‘Love’, pp. 53–56; Knecht, and New York: Routledge, 2017. Millar, C.-R. Witchcraft, the Devil and Introduction’. In The Routledge Century Dutch East India Company Identity’. In Handbook of Musical R. ‘Grammar’, pp. 48–50; Kounine, L. Emotions in Early Modern England. Dell, H., and H. Hickey, eds. Singing History Handbook of Gender and Communicative Ritual’. In Emotion, Identities, edited by R. MacDonald, ‘The Devil and Demons’, pp. 331–34; London: Routledge, 2017. Death: Reflections on Music and the Urban Experience, edited by Ritual and Power in Europe, 1200– D. J. Hargreaves and D. Miell, pp. Lemmings, D. ‘Law’, pp. 192–95; Mortality. London: Routledge, 2017. D. Simonton, pp. 321–26. London 1920: Family, State and Church, edited 364–82. Oxford: Oxford University Ruys, J. F. Demons in the Middle Ages, Lynch, A. ‘Emotional Community’, and New York: Routledge, 2017. by M. L. Bailey and K. Barclay, pp. Press, 2017. Kalamazoo, MI: Arc Humanities pp. 3–6; McEwan, J. ‘Judicial Waldow, A., and N. DeSouza, eds. 83–102. Basingstoke: Palgrave Barclay, K. ‘Intimacy, Community Davidson, J. W., and G. McPherson. Press, 2017. Sources’, pp. 112–14; McIlvenna, U. Herder: Philosophy and Anthropology. Macmillan, 2017. ‘Punishment’, pp. 195–98; Maddox, Oxford: Oxford University Press, 2017. and Power: Bedding Rituals in ‘Learning to Perform: From Vella Bonavita, H. Illegitimacy and A. and J. W. Davidson. ‘Music’, pp. Eighteenth-Century Scotland’. In Broomhall, S. ‘Fit for a King?: The “Gifts” and “Talents” to Skills the National Family in Early Modern Book Chapters 173–76; Marchant, A. ‘Maps’, pp. Emotion, Ritual and Power in Europe, Gendered Emotional Performances and Creative Engagement’. In England. London: Routledge, 2017. 127–32; ‘Battlefields’, pp. 235–38; Bailey, M. L., and K. Barclay. 1200–1920: Family, State and Church, of Catherine de Medici as Dauphine Musicians in the Making: Pathways Edited Books ‘Antiquarianism’, pp. 254–57; ‘Emotion, Ritual and Power: From edited by M. L. Bailey and K. Barclay, of France, 1536–1547’. In Unexpected to Creative Performance, edited by Millar, C.-R. ‘Church and Parish Family to Nation’. In Emotion, Ritual pp. 43–61. Basingstoke: Palgrave Heirs in Early Modern Europe: J. Rink, H. Gaunt and A. William, Broomhall, S., ed. Early Modern Records’, pp. 115–17; ‘Familiars’, and Power in Europe, 1200–1920: Macmillan, 2017. Potential Kings and Queens, edited by pp. 7–27. Oxford: Oxford University Emotions: An Introduction. London pp. 340–43; Moore, G. ‘Nature’, pp. Family, State and Church, edited V. Schutte, pp. 85–111. Basingstoke: Press, 2017. and New York: Routledge, 2017. Barclay, K. ‘Negotiating 346–49; O’Loughlin, K. ‘Sociality and by M. L. Bailey and K. Barclay, Palgrave Macmillan, 2017. Entries include: Independence: Manliness and Dell, H. ‘Dying for Love in Trouvère Sociability’, pp. 64–67; ‘Sensibility’, pp. 1–20. Basingstoke: Palgrave Adams, T. ‘Court Culture’, Begging Letters in Late Eighteenth- Broomhall, S., and J. Van Gent. ‘The Song’. In Singing Death: Reflections pp. 78–80; Owens, S. ‘Theatre Macmillan, 2017. pp. 225–28; Bailey, M. L. ‘Educational and Early Nineteenth-Century Gendered Power of Porcelain Among on Music and Mortality, edited by and Stage’, pp. 228–30; Prince, K. Treatises’, pp. 99–102; ‘Economic Scotland’. In Nine Centuries of Man: Early Modern European Dynasties’. H. Dell and H. Hickey, pp. 119–38. ‘Drama’, pp. 92–95; Raeburn, G. Records’, pp. 108–11; Barclay, K. Manhood and Masculinities in Scottish In Gender and Political Culture in London: Routledge, 2017. ‘Plague’, pp. 205–08; Randles, S. ‘Performance and Performativity’, History, edited by L. Abrams and Early Modern Europe, 1400–1800, ‘Materiality’, pp. 17–20; Rizzi, A. pp. 14–17; ‘Space and Place’, pp. 20– E. Ewan, pp. 160–82. Edinburgh: edited by J. Daybell and S. Norrhem, ‘Humanism’, pp. 248–51; Soyer, F. 23; ‘Marriage’, pp. 217–20; ‘Family Edinburgh University Press, 2017. pp. 49–67. London and New York: ‘Racial Othering – Jews’, pp. 297– and Household’, pp. 244–47; Barnes, Routledge, 2017.

104 2017 ANNUAL REPORT | 105 Dell, H. ‘Introduction: Music Megna, P. Courtly Love Hate is Van Gent, J. ‘Moravian Memoirs for the Dead and the Living’. In Undead: Sadomasochistic Privilege and the Emotional Salience of Singing Death: Reflections on Music in Geoffrey Chaucer’s Troilus and Conversion Rituals’. In Emotion, and Mortality, edited by H. Dell Criseyde. In Everything You Always Ritual and Power in Europe, 1200– and H. Hickey, pp. 1–16. London: Wanted to Know about Literature 1920: Family, State and Church, edited Routledge, 2017. but Were Afraid to Ask Žižek: by M. L. Bailey and K. Barclay, pp. SIC 10, edited by R. Sbriglia, pp. 241–60. Basingstoke: Palgrave Haskell, Y. ‘Conjuring with the 267–89. Durham: Duke University Macmillan, 2017. Classics: Neo-Latin Poets and Their Press, 2017. Pagan Familiars’. In A Guide to Neo- Waldow, A. ‘Between History and Latin Literature, edited by V. Moul, Moore, G. ‘“Beasts, Birds, Fishes, and Nature: Herder’s Human Being and EVENTS AND PUBLICATIONS pp. 17–34. Cambridge: Cambridge Reptiles”: Anthony Trollope and the the Naturalisation of Reason’. In University Press, 2017. Australian Acclimatization Debate’. Herder: Philosophy and Anthropology, In Animals in Victorian Literature and edited by A. Waldow and N. DeSouza, Hesson, A. ‘Silver-Sweet and Frantic- Culture, edited by L. W. Mazzeno and pp. 147–65. Oxford: Oxford University Mad’. In Love: Art of Emotion 1400– R. Morrison, pp. 65–82. Basingstoke: Press, 2017. 1800, edited by A. Hesson, M. Martin Palgrave Macmillan, 2017. and C. Zika, pp. 2–20. Melbourne: Walker, C. ‘Political Ritual and © Sebastian Moody. National Gallery of Victoria, 2017. Phiddian, R. ‘Spectacular Opposition: Religious Devotion in Early Modern Suppression, Deflection, and the English Convents’. In Emotion, Ritual Hickey, H. ‘“And the Stars Spell Out Performance of Contempt in John and Power in Europe, 1200–1920: Your Name”: The Funeral Music Gay’s Beggar’s Opera and Polly’. In Family, State and Church, edited by M. of Diana, Princess of Wales’. In The Power of Laughter and Satire in L. Bailey and K. Barclay, pp. 221–39. Singing Death: Reflections on Music Early Modern Britain: Political and Basingstoke: Palgrave Macmillan, Downes, S., and S. J. Trigg, Barclay, K. ‘Natural Affection, the Downes, S. ‘“Iclosid Art With Stoon”: and Mortality, edited by H. Dell and Religious Culture, 1500–1820, edited 2017. eds. ‘Facing Up to the History Patriarchal Family and the “Strict Charles of Orleans’ Imprisonment H. Hickey, pp. 166–79. London: by M. Knights and A. Morton, pp. of Emotions’. Special Issue: Settlement” Debate: A Response Poetics’. Parergon 34.2 (2017): 49–71. Routledge, 2017. White, R. S. ‘Keats, Mourning and 133–51. Woodbridge: Boydell & postmedieval: a journal of medieval from the History of Emotions’. The Melancholia’. In John Keats and Edney-Browne, A. ‘Embodiment Holbrook, P. ‘Stevenson’s Brewer, 2017. cultural studies 8.1 (2017). Eighteenth Century: Theory and the Medical Imagination, edited by and Affect in a Digital Age: Metaphysics’. In Robert Louis Interpretation 58.3 (2017): 309–20. Reddan, B. ‘Gift-Giving and the N. Roe, pp. 129–52. Basingstoke: Journal Articles Understanding Mental Illness in Stevenson and the Great Affair: Obligation to Love in Riquet à la Palgrave Macmillan, 2017. Barnes, D. G. ‘Wifely “Affection and Military Drone Personnel’. Krisis: Movement, Memory and Modernity, Bailey, M. L., and K.-J. Knight. houppe’. In Emotion, Ritual and Power Disposition”: Brilliana Harley and Journal for Contemporary Philosophy edited by R. Hill, pp. 27–40. London Zika, C. ‘Recalibrating Witchcraft ‘Writing Histories of Law and in Europe, 1200–1920: Family, State Thomas Gataker’s A Wife in Deed 1 (2017): 18–32. and New York: Routledge, 2017. Through Recycling and Collage: The Emotion’. The Journal of Legal History and Church, edited by M. L. Bailey and (1623)’. English Studies 98.7 (2017): Case of a Late Seventeenth-Century 38.2 (2017): 117–29. English, H. ‘Singing and Identity Holbrook, P. ‘Shakespeare and K. Barclay, pp. 23–41. Basingstoke: 717–32. Anonymous Print’. In The Primacy of Formation in Newcastle, 1860– Philosophy’. In The Shakespearean Palgrave Macmillan, 2017. Barclay, K. ‘Stereotypes as Political the Image in Northern European Art, Bristow, T. ‘Affective Rhetoric and 1880: Choirs, Cultivation and World, edited by J. Levenson and Resistance: The Irish Police Court Salzberg, R., and M. Rospocher. 1400–1700: Essays in Honor of Larry the Cultural Politics of Determinate Connectedness’. Journal of Australian R. Ormsby, pp. 512–27. New York: Columns, c.1820–1845’. Social ‘Murder Ballads: Singing, Hearing, Silver, edited by D. Cashion, A. West Negation’. Angelaki: Journal of the Colonial History 19 (2017): 95–118. Routledge, 2017. History 42.2 (2017): 257–80. Writing and Reading About Murder and H. Luttikhuizen, pp. 391–404. Theoretical Humanities 22.3 (2017): Essary, K. ‘Passions, Emotions, Hotchin, J. ‘Emotions and the in Renaissance Italy’. In Murder in Leiden: Brill, 2017. Barclay, K. ‘Love and Violence in the 103–32. or Affections? On the Ambiguity of Ritual of a Nun’s Coronation Renaissance Italy, edited by T. Dean Music of Late Modernity’. Popular Zika, C. ‘The Witch and Magician Collins, A. ‘The Forgotten Spinozist: 16th-Century Terminology’. Emotion in Late Medieval Germany’. In and K. Lowe, pp. 164–85. Cambridge: Music and Society (2017): http:// in European Art’. In The Oxford Romain Rolland, Gilles Deleuze, and Review 9.4 (2017): 367–74. Emotion, Ritual and Power in Europe, Cambridge University Press, 2017. dx.doi.org/10.1080/03007766.2017.1 Illustrated History of Witchcraft, edited the Figure of Christ’. French Cultural 1200–1920: Family, State and Church, 378526. Essary, K. ‘Clear as Mud: Metaphor, Soyer, F. ‘Ritualised Public by O. Davies, pp. 134–66. Oxford: Studies 28.4 (2017): 329–43. edited by M. L. Bailey and K. Barclay, Emotion, and Meaning in Early Performance, Emotional Narratives Oxford University Press, 2017. Barclay, K. ‘New Materialism and the pp. 171–92. Basingstoke: Palgrave D’Arcens, L. ‘Mirthful Faces in The Modern England’. English Studies and the Enactment of Power: The New History of Emotions’. Emotions: Macmillan, 2017. Zika, C. ‘The Transformation of Name of the Rose’. postmedieval: a 98.7 (2017): 1–15. Public Baptism of a Muslim in History, Culture, Society 1.1 (2017): Sabbath Rituals by Jean Crépy journal of medieval cultural studies Hultquist, A. ‘From Pleasure to Eighteenth-Century Barcelona’. In 161–83. Essary, K. ‘Enduring Erasmus: and Laurent Bordelon: Redirecting 8.1 (2017): 35–50. Power: The Passion of Love in The Emotion, Ritual and Power in Europe, Reception and Emotion in Christian Emotion Through Ridicule’. In Barclay, K. ‘Narrative, Law and Fair Hypocrite’. In New Perspectives 1200–1920: Family, State and Church, Davidson, J. W., F. Kiernan and Humanism’. Church History and Emotion, Ritual and Power in Europe, Emotion: Husband Killers in Early on Delarivier Manley and Eighteenth- edited by M. L. Bailey and K. Barclay, S. Garrido. ‘Introducing a Psycho- Religious Culture 97.4 (2017): 322–33. 1200–1920: Family, State and Church, Nineteenth-Century Ireland’. The Century Literature, edited by A. pp. 103–21. Basingstoke: Palgrave Historical Approach to the Study edited by M. L. Bailey and K. Barclay, Journal of Legal History 38.2 (2017): Essary, K. ‘Annotating the Affections: Hultquist and E. J. Mathews, pp. Macmillan, 2017. of Emotions in Music: The Case pp. 261–84. Basingstoke: Palgrave 203–27. The Philology of Feeling in Erasmus’ 122–34. New York: Routledge, 2017. of Monteverdi’s Il Combattimento Starbuck, N. ‘Ritual Encounters of Macmillan, 2017. New Testament Scholarship and Barclay, K. ‘Performing Emotion and di Tancredi e Clorinda’. Emotions: Lynch, A. ‘War, Church, Empire and the “Savage” and the Citizen: French Its Reception in Early Modern Edited Journal Issues Reading the Male Body in the Irish History, Culture, Society 1.1 (2017): the Medieval in British Histories for Revolutionary Ethnographers in Dictionaries’. Erasmus Studies 37.2 Court, c.1800–1845’. Journal of Social 29–58. Children’. In The Middle Ages in the Oceania, 1768–1803’. In Emotion, Bailey, M. L., and K.-J. Knight, eds. (2017): 193–216. History 51.2 (2017): 293–312. Modern World: Twenty-First Century Ritual and Power in Europe, 1200– ‘Emotions in Legal History’. Special Davidson, J. W. ‘“Passion, Lament, Flannery, M. C. ‘Gower’s Blushing Perspectives, edited by B. Bildhauer 1920: Family, State and Church, edited Issue: The Journal of Legal History Barclay, K., and R. Carr. ‘Women, Glory”: Baroque Music and Modern Bird, Philomela’s Transforming Face’. and C. Jones, pp. 87–101. Oxford: by M. L. Bailey and K. Barclay, pp. 38.2 (2017). Love and Power in Enlightenment Social Justice Resonances’. postmedieval: a journal of medieval Oxford University Press, 2017. 123–43. Basingstoke: Palgrave Scotland’. Women’s History Review Voices 17.3 (2017): http://dx.doi. Barclay, K., and A. Lynch, eds. cultural studies 8.1 (2017): 35–50. Macmillan, 2017. (2017): http://dx.doi.org/10.1080/0961 org/10.15845/voices.v17i3.935. Lynch, A. ‘Post-Colonial Studies’. In Emotions: History, Culture, Society 2025.2017.1306917. Gook, B. ‘Ecstatic Melancholic: Handbook of Arthurian Romance: King 1.1 (2017). Downes, S., and S. J. Trigg. Ambivalence, Electronic Music and Arthur’s Court in Medieval European ‘Introduction: Facing Up to the Barclay, K., and A. Lynch, eds. Social Change Around the Fall of Literature, edited by L. Tether and J. History of Emotions’. postmedieval: Emotions: History, Culture, Society the Berlin Wall’. Emotions: History, McFadyen, pp. 297–310. Berlin: De a journal of medieval cultural studies 1.2 (2017). Culture, Society 1.2 (2017): 11–37. Gruyter, 2017. 8.1 (2017): 3–11.

106 2017 ANNUAL REPORT | 107 Stoessel, J. ‘Climbing Mont Ventoux: The Contest/Context of Scholasticism and Humanism in Early Fifteenth-Century Paduan Music Theory and Practice’. Intellectual History Review 27.3 (2017): 317–32. Trigg, S. J. ‘“A good hater”: Writing About the Emotions With George Eliot and A. S. Byatt’. Emotions:

EVENTS AND PUBLICATIONS History, Culture, Society 1.1 (2017): 91–111. Trigg, S. J. ‘Bluestone and the City: Writing an Emotional History’. Melbourne Historical Journal 44.1 (2017): 41–53. © JanakaMaharageDharmasena, iStock. Trigg, S. J. ‘The Biennial Chaucer Lecture “Chaucer’s Silent Discourse”’. Studies in the Age of Chaucer 39 (2017): 31–56. Waldow, A. ‘Activating the Exhibition Catalogues/ Mind: Descartes’ Dreams and War of the Buffoons, by Badinerie Concert Books the Awakening of the Human Players. UQ Art Museum, Brisbane, 12 July 2017. Animal Machine’. Philosophy and Bubenik, A., ed. Ecstasy: Baroque Phenomenological Research 94.2 and Beyond. Brisbane: University of The Tale of Orpheus by Claudio (2017): 299–325. Queensland Art Museum, 2017. Monteverdi, 1607, directed and © BlackQuetzal, iStock Walker, C. ‘The Experience of Exile Hesson, A., M. Martin and C. Zika, produced by J. W. Davidson. in Early Modern English Convents’. eds. Love: Art of Emotion 1400−1800. Meat Market Theatre, Melbourne, Parergon 34.2 (2017): 159–77. Melbourne: National Gallery of 7 and 8 September 2017. Walker, C. ‘Governing Bodies, Family Victoria, 2017. Recorded/Rendered Creative Works and Society: The Rhetoric of the Catalogue Entries Emotions and the Zest Festival. Passions in the Sermons of Samuel Haskell, Y. ‘Group Therapy for Lemmings, D. ‘Henry Fielding Milka, A., and D. Lemmings. Holbrook, P. ‘Foreword’, Ecstasy: Documentary produced by Wild Vista Wesley’. English Studies 98.7 (2017): Productions, 2017. Venetian Adolescents? Giannantonio and English Crime and Justice ‘Narratives of Feeling and 733–46. Baroque and Beyond, edited by Bernardi’s “Prudence, a didactic Reportage, 1748–1752: Narratives Majesty: Mediated Emotions in A. Bubenik, pp. 8–9 Brisbane: Old Emotions on the New Fortune Williams, L. ‘Seventeenth-Century prolusion” (Venice, 1709) and Jesuit of Panic, Authority and Emotion’. the Eighteenth-Century Criminal University of Queensland Art Stage. Documentary produced by Concepts of the Nonhuman World: Moral Counselling in Verse’. Journal Huntington Library Quarterly Courtroom’. The Journal of Legal Museum, 2017. Wild Vista Productions, 2017. of Jesuit Studies 4.2 (2017): 186–208. 80.1 (2017): 71–97. History 38.2 (2017): 155–78. A Nascent Romanticism?’ Green Letters: Studies in Ecocriticism 21.2 Zika, C. ‘Sebald Beham, Venus 1539, Created or Produced Substantial Koschut, S., T. H. Hall, R. Wolf, Lemmings, D. ‘Emotions, Power Milka, A. ‘Impostors: Performance, (2017): 122–37. From The Seven Planets series 1539, Public Exhibitions or Events T. Solomon, E. Hutchison and R. and Popular Opinion About the Emotion and Genteel Criminality in Engraving’. In Love: Art of Emotion Bleiker. ‘Discourse and Emotions in Administration of Justice: The Late Eighteenth-Century England’. Zika, C. ‘The Emotional Economy 1400–1800, edited by A. Hesson, ‘Love: Art of Emotion 1400–1800’, International Relations’. International English Experience, From Coke’s Emotions: History, Culture, Society of Early Modern Pilgrimage Shrines: M. Martin and C. Zika, pp. 34–35. curated by A. Hesson, National Studies Review 19.3 (2017): 481–508. “Artificial Reason” to the Sensibility 1.2 (2017): 81–107. The Case of Mariazell’. Emotions: Melbourne: National Gallery of Gallery of Victoria, Melbourne, 31 of “True Crime Stories”’. Emotions: History, Culture, Society 1.1 (2017): Victoria, 2017. March–18 June 2017. Lavers, J. R. ‘“Der Zorn ist eine O’Brien, K. ‘Social Cohesion and History, Culture, Society 1.1 (2017): 1–27. unduldsame Liebe”: Gender, Anger Resilience in First Australian Family Live Performance of ‘Ecstasy: Baroque and Beyond’, 59–90. Zika, C. ‘The History of Emotions: and Sisterhood in Letters by Karoline and Kinship Networks’. Journal of Creative Works curated by A. Bubenik, UQ Art A Brief Historiography’, translated von Günderrode and Her Sisters’. McGillivray, G. ‘Rant, Cant and Tone: Family History 42.4 (2017): 440–51. Museum, Brisbane, 16 September by Zhou Jia-ying. Social Science Front Passion, Lament, Glory, directed and L’Homme 28.2 (2017): 35–48. The Voice of the Eighteenth-Century 2017–28 February 2018. Rai, E. ‘“Come le Anime del 10 (2017): 246–56. produced by J. W. Davidson. St Paul’s Actor and Sarah Siddons’. Theatre Lee, J., and J. W. Davidson. ‘Music’s Purgatorio”. Le Emozioni dell’Attesa Cathedral, Melbourne, 31 March and ‘Word, Image, Song: Celebrating Notebook: A Journal of the History and Encyclopedia Entries Role in Facilitating the Process nelle Indipetae Italiane durante 1 April 2017. 500 years of Luther’s Reformation’, Technique of the British Theatre 71.1 of Healing—A Thematic Analysis’. il Generalato di Jan Roothaan’. Lynch, A., and P. Beasley. ‘Malory, Schubert and Songfulness: Love in the curated by A. Warfield, D. Rehn, C. (2017): 2–20. Religions 8.9 (2017): 184–96. Ricerche di Storia Sociale e Religiosa Sir Thomas’. In The Encyclopedia of Age of Syphilis, presented by D. Greco Stockigt, J. Szuster and C. Hoskin, McLean, T., and G. Moore. ‘The 88 (2017): 67–88. Medieval Literature in Britain, edited and E. Helyard. Melbourne Recital Barr Smith Library, Adelaide, 16–30 Lee, J., A. E. Krause and J. W. Concluding Page of an Angrian by S. Echard and R. Rouse, pp. 1254– Centre, 11 May 2017. November 2017. Davidson. ‘The PERMA Well-Being Reddan, B. ‘Scripting Love in Fairy Story, by Branwell Brontë’. Notes and 62. 4 vols. Hoboken: Wiley, 2017. Model and Music Facilitation Tales by Seventeenth-Century Love Remixed: An Interactive ‘Trespasses’, group exhibition Queries 64.4 (2017): 607–11. Practice: Preliminary Documentation French Women Writers’. French Conference Proceedings Composition Project. Grant Street including body of creative work (four for Well-Being Through Music Maddern, P. ‘Reading Faces: How Did History and Civilization (2017): 97–107. Theatre, Melbourne, 27 May 2017. drawings, five photographic prints) Beaven, L. ‘Playing With Objects: Provision in Australian Schools’. Late Medieval Europeans Interpret by T. Costantino, with A. Nazzari and Sardelic´, M. ‘John of Plano Carpini Engaging the Senses in the Villa The Judgement of Paris by John Research Studies in Music Education Emotions in Faces?’ postmedieval: R. Dagnall. Turner Galleries, Perth, vs Simon of Saint-Quentin: 13th- Collections of Rome’. In The Early Eccles (1701), directed by G. Corral, 39 (2017): 73–89. a journal of medieval cultural studies 10 November–9 December 2017. Century Emotions in the Eurasian Modern Villa: Senses and Perception with gesture specialist P. Alessi. 8.1 (2017): 12–34. Steppe’. Golden Horde Review 5.3 Versus Materiality, edited by B. Denmark Civic Centre (WA), 1 and 2 (2017): 494–508. Arciszewska, pp. 117–30. Warsaw: June 2017. Wilanow Palace, 2017.

108 2017 ANNUAL REPORT | 109 111 2017 ANNUAL REPORT ANNUAL 2017 | SPOTLIGHT Fellowships Fellowships resulted, involving major presses and journals, with major presses involving resulted, been funds have The each recipient. from items multiple of doctoral the conversion helpful in allowing especially and manuscripts. The book proposals into research as in fields as diverse include emotions research projects and Viking medievalism, studies heritage neuroscience, the twenty- to the twelfth time periods from and covering centuries. first and added to culture enriched CHE’s The recipients at their local by participating in events our reputation national and to their research nodes and by presenting conference papers, through audiences international and other media blogs panels, symposia, public lectures, valuable make them to outputs. The funds also allowed collegial to build in their field and with experts contacts in 2018 publication many, opportunities for For networks. these connections. opened up through have and beyond for humanities difficult climate In an increasingly fellowship the Project-to-Publication researchers, encourage support to valuable scheme has provided to be shared. flourish and to research new Project-to-Publication Project-to-Publication Reddan (UMelb), Chris Rudge (USyd), and Nicole Nicole and (USyd), Rudge Chris (UMelb), Reddan Port Arthur, the subject of Project-to-Publication Fellow, Fellow, Arthur, the subject of Project-to-Publication Port iStock © Uwe-Bergwitz, research. Alicia Marchant’s In July 2016 the Centre invited applications for Project- for applications invited 2016 the Centre In July were These grants grants. fellowship to-Publication without researchers help Australian-based designed to undertake employment academic or continuing tenured of emotions. in the history projects research short-term for submissions significant to lead to were Projects due by 30 September with submissions publication, Joanne (UWA), Dell (UMelb), Alicia Marchant 2017. Helen of Tasmania), (University Randles Sarah McEwan (UWA), Bronwyn also were Applications grants. (UAdel) won Starbuck staff academic established enable to grants for accepted (University Neil Ramsey on projects. work to leave take to his project for a grant was awarded South Wales) of New Novel’. War in the Romantic Era ‘Embodied Affect of activities and uses: a variety supported The grants with combined often resources, archival to travel while living costs meetings and conferences; research research of essential purchases or abroad; interstate prepare the opportunity to and especially materials; and book journal articles monographs, and complete work and submitted of accepted list A long chapters. 2017 CHASS Australia Prize for Distinctive Work Work Distinctive Prize for Australia 2017 CHASS in the Humanities, Arts and Social Sciences. and Rose G Hoffman L. Calvin Potter, Publication a Distinguished Prize for ‘“From for Marlowe, on Christopher ashes”: Ekphrastic Troy’s forth in and alius Achilles Catharsis Dido, Queen Marlowe’s Christopher Carthage’of (GBP5,550). Awarded 2017. December Emotions Raeburn, G. ‘Weaponised Tracts and Their Use in Civil War John Emmerson and Pamphlets’, Library at State Fellowship Research 2017–2018 (AUD15,000). Victoria, 2017. July Awarded of a ´ M. ‘The Fashioning Sardelic and the Entangled Sunni Orthodoxy of Confession-Building Histories 15th–17th Empire, in the Ottoman Visiting Research Centuries’, and ERC Consolidator Fellowship University, European Central Grant, 2017. October–December Budapest, E. ‘Understanding Stephens, the Arts and Between Collaboration Fellowship ARC Future Sciences’, FT170100214 (AUD872,468). Awarded June 2017. of G. ‘The Colours Tarantino, Religion, Race Idolatry: Comparative Labelling and Emotions in Early of the “Religious Modern Accounts Fellowship, Other”’, Visiting Research Ruhr Kolleg, Hamburger Käte Bochum, January– University 2018. March Lionel Frost, Jenny Gaynor, A., Lionel Frost, Shanahan M. R. Morgan, Gregory, and the Spearritt, ‘Water and P. Since Making of Urban Australia Project 1900’, ARC Discovery DP180100807 (AUD379,748). 2017. November Awarded Research C. Three-Month Green, Residency at the SenseLab, Montreal, University, Concordia in 2018. (creative Hodge, S. ‘The Volta’, Commended’ in was ‘Highly work), Prize 2017. Poetry the Ros Spencer 2017. August Announced E. British International Hutchison, Susan Strange Studies Association Affective Book Prize 2017, for Politics: Communities in World After Emotions Collective Trauma. Cambridge, Cambridge University June 2017. 2016. Awarded Press, E. ‘Emotions and Hutchison, of International the History UQ Foundation Humanitarianism’, Excellence in Research (AUD60,000). Awarded Award 2017. September E. ‘Emotions and Hutchison, of International the Future ARC Discovery Humanitarianism’, Award Researcher Career Early DE180100029 (AUD355,847). 2017. November Awarded E. Rai, E. Kinder, J., S. Fitzmaurice, and M. Colombo H. Carey, Moreton. Networks Gent. ‘Transnational J. Van Missionaries Among European Building a Australia: in Colonial of Epistolary Repository Digital 2018 UWA Correspondence’, Award Collaboration Research 2017. October (AUD23,450). Awarded Neuendorf, M. ‘Emotions, Print and the Makings of British Culture, with Fellowship Curran Psychiatry’, Victorian Society for the Research 2017–2018 (USD5,000). Periodicals, 2017. February Awarded 110 Broomhall, S., J. W. Davidson, M. S., J. W. Broomhall, Reid, J. Van Kirkham, R. Millar, E. ‘Zest Kaschke. Gent and E. von with the Kalbarri Project, Festival (2012–2016)’, Community, WA the Humanities, Arts Council for (CHASS) and Social Sciences Work Distinctive Prize for Australia and Social in the Humanities, Arts (AUD3,500 and trophy). Sciences 2017. October Awarded S., C. James and Broomhall, Wars, L. Mansfield. ‘The Italian Project 1494–1559’, ARC Discovery DP180102412 (AUD532,675). 2017. November Awarded Sounds: Mediating J. ‘Vital Browning, in British Contemporary Nature Music’. 2018 British Academy Award Fellowship Postdoctoral June 2017. (GBP254,364). Awarded Collins, D., and J. Stoessel. of Canon in ‘The Art and Science 17th-Century the Music of Early Project Rome’, ARC Discovery DP180100680 (AUD339,683). 2017. November Awarded and G. Oppy. Damousi, J., J. Lydon Workforce’. Humanities ‘The Future Special ARC Learned Academies 2017 (AUD306,467). Projects 2017. November Awarded the 2017 for Finalist Edmonds, P. Settler Prize, for Scott Ernest and (Re)conciliation: Colonialism Affective Violence, Frontier and Imaginative Performances, Palgrave Basingstoke: Refoundings. Macmillan, 2016. Shortlist 2017. March announced Auty, M. I., T. Forbes-Macphail, of UWA et al. Convocation Ovens, Student the UWA and Graduates Matilda Award Stokes Guild Bryant Ceræ for Excellence Cultural for Journal (AUD5,000). Awarded 2017. August AWARDS AND RESEARCH GRANTS RESEARCH AND AWARDS

EVENTS AND PUBLICATIONS 113 2017 ANNUAL REPORT ANNUAL 2017 | Conference Paper (with Federica Verdina): ‘Scrittura epistolare e reti sociali: un’analisi e reti epistolare ‘Scrittura Verdina): (with Federica Paper Conference of the 1846–1900’, 9th Biennial Conference Salvado, di Rosendo della corrispondenza 2017. 4–7 July Italy, Centre, Monash Prato Studies, Italian for Centre Australian in Sydney Songs of Change: Community Choirs of Difference, ‘Voices Seminar Paper: seminar, Summer School World Empathy and Music’ SOAS Fear, and Melbourne’, ‘War, 2017. of London, UK, 22 July University in the Hunter and Play: The Rise of Minstrelsy at Work ‘Blackface Paper: Conference of University British Music conference, 1840–1880’, Nineteenth-Century Valley, 2017. Birmingham, UK, 28–30 July of Approach The Ambiguous and Supernatural: ‘Negotiating Natural Lecture: Keynote Worlds’ Modern Early and in Medieval and the Supernatural ‘The Natural Erasmus’, 2017. 7 October UWA, PMRG/CMEMS conference, for Society European Cities: A Sensory-Emotional History’, ‘Frog Paper: Conference 2017. 28 June–2 July Croatia, conference, History Environmental of the Publication Around The Controversy and Truth: ‘Obscenity Paper: Conference National Australian Studies conference, French Society for ’, Australian La Terre Zola’s 2017. 13–15 December Australia, University, Methodological New and Emotional Practices: Trials ‘Inquisitorial Paper: Conference Umeå University, conference, History Cultural Society for International Perspectives’, 26–29 June 2017. Sweden, of the and Latinity under the Shadow Scholarship ‘Science, Lecture: Keynote UK, Oxford, College, Corpus Christi conference, ‘Latin Enlightenment’ Suppression’, 20 April 2017. Aboriginal The Australian Life: of Mission Stories ‘Liberating Paper: Conference Perspectives’ of Emotions: Comparative ‘Emotions of Cultures/Cultures Narratives’, 2017. 11–13 December UWA, SHE conference, and Art, 1600–1800s’, in Poetry Horses Emotions: ‘Evolving Paper: Conference UAdel, 3–5 June 2017. conference, Animal Studies Association Australasian Paris-Sorbonne in English Literature’, ‘On the Theme of Naturalness Seminar Paper: April 2017. 20 France, University, East-Central/ Capital’, of Cultural and the Politics ‘Phillis Wheatley Paper: Conference University, Annual Meeting, Howard Studies Eighteenth-Century Society for American 2017. USA, 2–4 November and the Czech Baroque: ‘Zelenka in Czech Literature’, ‘Zelenka Paper: Conference Museum and National Pedagogical in Bohemia’ conference, 18th-Century Music Culture 2017. of Jan Amos Komenský, Czech Republic, 6 October Library on Livy Annual Pacific Discourses ’, 31st ‘The Angry Public in Machiavelli’s Seminar Paper: 2017. USA, 10–14 July University, Seminar, San Diego State Rim Roman Literature De Toni, Francesco Francesco De Toni, Dieckmann, Samantha English, Helen Kirk Essary, Gaynor, Andrea Paul Gibbard, Umberto Grassi, Yasmin Haskell, Robyn Heckenberg, Hodge, Siobhan Peter Holbrook, Jackson, Spencer Kiernan, Frederic Knight, Jayne Associate Investigator Susan Broomhall Investigator Associate September 2017. September

Collaboratory Paper: ‘Unseeing Piety or the Vision of God? Tensions in Christian in Christian Tensions ‘Unseeing Piety or the Vision of God? Paper: Collaboratory 2017. UQ, 12–14 July CHE collaboratory, and Affect’ ‘Art Aesthetics’, and Affect’ Kempe’, ‘Art of Margery Signs: The Tears ‘Inarticulate Paper: Collaboratory 2017. UQ, 12–14 July CHE collaboratory, Opened (1639)’, 11th Bowels Sibbes’ in Richard and Metaphor ‘Love Paper: Conference and Medieval for Zealand Association and New of the Australian Biennial Conference Zealand, 7–10 New of Wellington, University Studies (ANZAMEMS), Victoria Modern Early 2017. February Nova (1559) Motets in the Musica and Paradox ‘Emotion, Reception Paper: Conference Society Music and Psychology of the Australian Conference by Adrian Willaert’, 3rd on Music and Emotion), UQ, 7–9 Conference the 5th International (incorporating 2017. December ’, 52nd International and Criseyde ‘Reading in Bed with Troilus Paper: Conference May 2017. USA, 11–14 Michigan University, Studies, Western on Medieval Congress ‘Music 2020: of Emotions’, and the History Lament, Glory” ‘“Passion, Lecture: Keynote Summer School, Music Research Impact’ International Innovation, Interdisciplinarity, 2017. of Music, Norway, 15 June Academy Norwegian Grieg Conservatorium, Edvard Ages in the Modern World The Middle of Nostalgia’, ‘The Ironising Paper: Conference 2017. UK, 28 June–1 July of Manchester, The University conference, Conference Paper: ‘Muhammad’s Miracles: Science, Faith and the Prophet’s Tricks in Tricks and the Prophet’s Faith Science, Miracles: ‘Muhammad’s Paper: Conference and Early in Medieval and the Supernatural ‘The Natural Texts’, Norse East Medieval and Medieval for Centre Group/UWA and Renaissance Medieval Perth Modern Worlds’ 2017. 7 October UWA, conference, Modern Studies (PMRG/CMEMS) Early Culture European Policy’, Heritage Cultural EU Intangible ‘Towards Lecture: Keynote 2017. 7–8 December Milan, Italy, Forum, History Medieval Hierarchies’, in Medieval of Meekness ‘The Value Seminar Paper: 2017. UK, 6 November Oxford, Souls College, Seminar Series, All and Rome: Ancient and Modern ‘Grief and Consolation in Greece Lecture: Keynote University, Flinders Research, on Greek Conference 12th International Perspectives’, 23–24 June 2017. Australia, Good and the Similarity Between Interpreting in Like: Rejoices ‘Like Paper: Conference 14th Annual Symposium of the International Heresy’, and of Reform Evil in the Context de Paris, Occidentale de Médiévistique and Laboratoire Society of Paris Medieval 2017. 1 July France, 1 Panthéon-Sorbonne, of Paris University ‘Emotions of Cultures/ Readers’, Emotions and Christian ‘Jewish Paper: Conference of Emotions the History Society for Perspectives’ of Emotions: Comparative Cultures 2017. 11–13 December UWA, (SHE) conference, 13th Annual Modern World’, and Early in the Medieval ‘Placing Children Lecture: Keynote June 2017. UK, 9 Bangor University, conference, Transformed Medievalism and Paintings Landscape Claude Lorrain’s and Patronage: ‘Politics Paper, Conference 3’ Modern Rome Rome’, ‘Early of Nobility in Seventeenth-Century the Construction 2017 5–7 October Rome, Italy, of California, University conference, de Medici and the Myth of ‘Emotions and Memory: Catherine Lecture: Keynote 2017. 27–28 July UWA, Limina conference, Modernity’, ‘Memory: Myth and Modernity’ Reproducing and Reflexivity: Works Davidson): ‘Roles, (with Jane W. Paper Conference in Process the Creative Art Music’, ‘Tracking Western in Creativity and Reconfiguring UK, 14–16 of Huddersfield, University Music’ conference, Champion, Michael Chong, Kenneth Jennifer Clement, Collins, Denis H. Davidson, Clare Davidson, Jane W. Dell, Helen Akagawa, Natsuko Akagawa, Natsuko Merridee Bailey, Han Baltussen, Barbezat, Michael D. Barbu, Daniel** Cambridge/ (CRASSH CNRS Paris) Katie Barclay, Lisa Beaven, Susan Broomhall, Joseph Browning, Adams, Jonathan (Uppsala University) 112 SELECTED TALKS AND PRESENTATIONS AND TALKS SELECTED

EVENTS AND PUBLICATIONS Knight, Kimberley-Joy Conference Paper: ‘Reading Powerful Emotions in the Icelandic Sagas’, ‘Powerful Osborn, Carly Conference Paper: ‘The Ecology of Tragedy in Two American Novels’, ‘Literary Emotions/Emotions and Power, c.400–1850’ CHE/University of York conference, Environments: Place, Planet and Translation’ Australasian Association for Literature University of York, UK, 28–29 June 2017. conference, Griffith University, Australia, 17–19 July 2017. Konishi, Shino Public Lecture: ‘“After the Referendum, … the emotional things changed”: Indigenous Owens, Samantha Collaboratory Paper: ‘“Caecilia’s Mingled World of Sound”: The Representation of the Memories of the 1967 Referendum’, History Council of Western Australia Lecture, State Passions in Musical Settings of Collins’s Ode for Music, 1750–1898’, ‘Art and Affect’ CHE

EDUCATION AND OUTREACH Library of Western Australia, 21 September 2017. collaboratory, UQ, 12–14 July 2017.

Krause, Amanda and Conference Paper: ‘Examining Modern-Day Audiences’ Emotional Responses to Historical Parrott, W. Gerrod * Keynote Lecture: ‘Fears and Angers: Categorisations of Emotion’, ‘Fears and Angers: Jane W. Davidson Works’, 3rd Conference of the Australian Music and Psychology Society (incorporating the (Georgetown University, Historical and Contemporary Perspectives’ CHE/QMUL conference, QMUL, UK, 19–20 5th International Conference on Music and Emotion), UQ, 7–9 December 2017. USA) June 2017. Lemmings, David Keynote Lecture: ‘Emotions, Power and Popular Opinion About the Administration of Polain, Julian Conference Paper: ‘The Antipodes of the Mind: Australia and the Sleep of Reason’ 16th Justice: The English Experience, From Coke’s “Artificial Reason” to the Sensibility of David Nichol Smith Seminar in Eighteenth-Century Studies and Australian and New “True Crime Stories”’, ‘Powerful Emotions/Emotions and Power, c.400–1850’ CHE/ Zealand Society for Eighteenth-Century Studies conference, Griffith University and UQ, University of York conference, University of York, UK, 28–29 June 2017. 13–15 December 2017. Luke, Nicholas Collaboratory Paper: ‘The Animation of Evil: Demonic Life in Macbeth’, ‘Art and Affect’ Raeburn, Gordon Conference Paper: ‘Emotional Reponses to the Massacre at Dunaverty, Scotland, 1647’, CHE collaboratory, UQ, 12–14 July 2017. 11th Biennial Conference of ANZAMEMS, Victoria University of Wellington, New Zealand, Lynch, Andrew Conference Paper: ‘Pity, Anger, Vengeance: An Emotional Nexus in the Alliterative Morte 7–10 February 2017. Arthure and The Siege of Jerusalem’, ‘Fears and Angers: Historical and Contemporary Rai, Eleonora Conference Paper: ‘Le emozioni del cuore: Litterae indipetae e Jesuit Emotions’, Perspectives’ CHE/Queen Mary University of London (QMUL) conference, QMUL, UK, ‘Le lettere indipetae come fonte per la storia della Compagnia di Gesù. Nuove prospettive 19–20 June 2017. di ricerca’ conference, Turin, Italy, 5 December 2017. Macdonald, Robin Conference Paper: ‘“He Wished Himself To Be the Bearer of the Letter”: Iroquoian Raine, Melissa Conference Paper: ‘Game on? Knowing and Feeling in Jack and His Stepdame’, and Algonquian Letter Bearers in Seventeenth-Century New France’, ‘Emotions of 52nd International Congress on Medieval Studies, Western Michigan University, USA, Cultures/Cultures of Emotions: Comparative Perspectives’ SHE conference, UWA, 10–13 May 2017. 11–13 December 2017. Ramsey, Neil Conference Paper: ‘War and the Nationalist Romance: The United Service Journal and Maddox, Alan Conference Paper: ‘Prima La Musica? Rhetoric and Pitch Contour in the Affective the Military Tale’, 15th International Conference of the British Association for Romantic Performance of Italian Recitative’, New Zealand Musicological Society and 40th Studies, University of York, UK, 27–30 July 2017. Musicological Society of Australia conference, The University of Auckland, New Zealand, 8–10 December 2017. Randles, Sarah Conference Paper: ‘The Middle Ages Transported – Medieval Objects in Australian Collections’, 11th Biennial Conference of ANZAMEMS, Victoria University of Wellington, Marchant, Alicia Conference Paper: ‘The Role of Heritage During Migration and Displacement’, ‘The Role New Zealand, 7–10 February 2017. of Heritage in Migration and Displacement’ Worldwide Universities Network Heritage Workshop, University of Massachusetts Amherst Center for Heritage and Society, USA, Read, Richard Conference Paper: ‘Studios as Ships: Reflexive Fantasies of Romantic Travel’, 4th 30 April–2 May 2017. Biennial Conference of the Romantic Studies Association of Australasia, Massey University and Victoria University of Wellington, New Zealand, 16–18 February 2017. Meek, Richard** Keynote Lecture: ‘“For by the image of my cause, I see / The portraiture of his”: Hamlet (University of Hull) and the Imitation of Emotion’, ‘Hamlet and Emotions: Then and Now’ CHE symposium, Reddan, Bronwyn Conference Paper: ‘Strategies of Authorial Displacement in Fairy Tales by French Women, UWA, 10–11 April 2017. 1690–1709’, 47th Annual Congress of the North American Society for Seventeenth- Century French Literature, Lyon, France, 21–24 June 2017. Megna, Paul Conference Paper: ‘Parrhesia and Law in The Second Nun’s Tale and The Manciple’s Tale’, ‘Chaucer and the Law’, Biennial London Chaucer conference, University of London, UK, Rudge, Christopher Symposium Paper: ‘Aldous Huxley, Neuropsychiatry, and the Evolutionary Potential of the 1 July 2017. Human Brain’, 6th International Aldous Huxley Symposium, University of Almería, Spain, 19–21 April 2017. Milka, Amy Conference Paper: ‘Scandalous Paragraphs: Newspapers, Emotions and the Criminal Trial in Eighteenth-Century England’, 27th Conference of the International Association Ruys, Juanita Feros Conference Paper: ‘Emotion, Dark Tourism and the Jenolan Caves’, ‘Emotions of for Media History, University of Paris 2 Pantheon-Assas, France, 10–13 July 2017. Cultures/Cultures of Emotions: Comparative Perspectives’ SHE conference, UWA, 11–13 December 2017. Millar, Charlotte-Rose Conference Paper: ‘Male Witches in Early Modern England: Their Intimate, Emotional Bonds with the Devil’, Social History Society conference, University College London, UK, Sardelic´, Mirko Conference Paper: ‘John of Plano Carpini vs Simon of Saint-Quentin: Thirteenth-Century 4–6 April 2017. Emotions in the Eurasian Steppe’, 5th International Golden Horde Forum, Kazan, Russia, 15–17 March 2017. Moore, Grace Conference Paper: ‘Fire, Time and Memory in Victorian Settler Fiction’, Pacific Ancient and Modern Language Association conference, Chaminade University, USA, 10–12 Schober, Sarah-Maria Seminar Paper: ‘A System to Disgust? The Role of Revulsion in Early Modern Europe’s November 2017. (University of Basel) * Interest in China’, UWA, 1 September 2017; UMelb, 12 September 2017. Nancarrow, Seminar Paper: ‘Normanitas and Entangled Memorial Traditions in the Architecture of Shaw, Jan Keynote Lecture: ‘Laughter and the Slippage of Identity in Medieval Romance’, 23rd Jane-Heloise Frederick II’, ‘Entangled Histories of Things in the Mediterranean World’ seminar, UWA, Australasian Humour Studies Network Conference, Federation University Australia, 1–3 14 December 2017. February 2017. Neuendorf, Mark Conference Paper: ‘Fighting the “Sacred Cause of Humanity”: Aggression and Lunacy Shiosaki, Elfie Symposium Paper: ‘Hand on Heart: Emotions and Letter-Writing by Noongar People’, Activism in Nineteenth-Century Britain’, ‘Patient Voices: Historical and Ethical ‘Feeling the Past: Indigenous Emotions and History’ CHE symposium, UWA, 9–10 Engagement with Patient Experiences of Healthcare, 1850–1948’ symposium, University November 2017. of Oxford, UK, 18–19 September 2017. Tarantino, Giovanni Conference Paper: ‘The Colour of Fear in Early Modern Europe: From Sexual Shock to Affective Encompassment’, ‘Powerful Emotions/Emotions and Power, c.400–1850’ CHE/ University of York conference, University of York, UK, 28–29 June 2017.

114 2017 ANNUAL REPORT | 115 Trigg, Stephanie Keynote Lecture: ‘Chaucer’s Voices: Anya Seton to Brantley Bryant’, ‘Historical Fictions/ Identities’ symposium, La Trobe University, Australia, 3 November 2017. Troy, Jakelin Symposium Paper: ‘Vocabularies of Emotion: What Do the Earliest Studies of Australian Languages Tell Us About Human Relationships and Emotions’, ‘Feeling the Past: Indigenous Emotions and History’ CHE symposium, UWA, 9–10 November 2017. EDUCATION AND OUTREACH Tsentourou, Naya** Keynote Lecture: ‘Hamlet’s “Spendthrift Sigh”: Wasting Breath on the Renaissance (University of Exeter) Stage’, ‘Hamlet and Emotions: Then and Now’ CHE symposium, UWA, 10–11 April 2017. Turk, Cate Conference Paper: ‘Putting Placemarks on Watermarks: Mapping, Fluidity and the River of Emotions’, International Cartographic Association conference, Washington DC, USA, 1–7 July 2017. Van Gent, Jacqueline Keynote Lecture: ‘Embodiment, Culture and Emotions’, ‘Interpreting the Body’ interdisciplinary graduate student workshop, Stockholm University, Sweden, 21–22 September 2017. Waldow, Anik Seminar Paper: ‘Descartes on Conceiving and Experiencing the Self’, Humboldt University of Berlin, Germany, 3 July 2017. Walker, Claire Keynote Lecture: ‘“The martyer of mortification”: Embodied Devotion in Early Modern English Carmelite Cloisters’, ‘Devotion, Gender and the Body’ symposium, Monash University, Australia, 18–19 August 2017. Warfield, Abaigéal Conference Paper: ‘Salvation at Stake: Fear and Justice in Early Modern German Witchcraft Crime Reports,’ 27th Conference of the International Association for Media and History, University of Paris 2 Pantheon-Assas, France, 10–13 July 2017. Warren, Mick Conference Paper: ‘“The Wickedness of Three Kingdoms”: Navigating the Emotions of George Augustus Robinson’s Friendly Mission’, ‘Emotions of Cultures/Cultures of Emotions: Comparative Perspectives’ SHE conference, UWA, 11–13 December 2017. Giovanni Tarantino, CHE Research and Development Officer, viewing ‘The Vault’ through a virtual reality headset. White, Robert (Bob) Symposium Paper: ‘Ian McEwan’s Nutshell as Avant-Garde Hamlet’, ‘Hamlet and Emotions: Then and Now’ CHE symposium, UWA, 10–11 April 2017. Zika, Charles Conference Paper: ‘Compassion in Punishment: The Visual Evidence in Sixteenth- Century Depictions of Calvary’, Sixteenth Century Society conference, Milwaukee, USA, 26–29 October 2017. Applicant ARC CHE-Sponsored Conference Panels Through Major Conference Travel Zovko, Valentina* Seminar Paper: ‘Gift Giving in Dubrovnik’s First Diplomatic Contacts with the Sublime Bursary Scheme (University of Zadar, Porte’, ‘Portals: Spaces of Encounter, Entanglement and Exchange’ seminar, Centre for ECCE) the Study of Emotions in Cross-Cultural Exchange (ECCE), Croatia, 25–26 September 2017. Barclay, Katie Panel: ‘Gender, Emotion and Engaging With the Past: A Difficult Conversation’, 17th Berkshire Conference of Women, Genders, and Sexualities’, Hofstra University, USA, 1–4 * CHE Invited Speaker June 2017. Funded panel members: Tanya Evans (Macquarie University, Australia), Claire ** CHE Early Career or Mid-Career International Visiting Research Fellow Walker (UAdel), Dianne Hall (Victoria University, Australia), Kate Gibson (University of Sheffield, UK) and Bronwyn Reddan (UMelb). ANZAMEMS 2017: In February 2017, researchers who were currently or previously funded by the Centre presented Marchant, Alicia Panel: ‘Shifting Emotions: Affect, Performance and Immersion in Cultural Heritage’, papers on topics related to the history of emotions in 27 panels at the 11th Biennial Conference of the Australian 11th Biennial Conference of the Australian and New Zealand Association for Medieval and New Zealand Association for Medieval and Early Modern Studies (ANZAMEMS), hosted at Victoria University and Early Modern Studies, Victoria University of Wellington, New Zealand, 7–10 February of Wellington, New Zealand, 7–10 February 2017. A full list of the panels is available on the conference website: 2017. Funded panel members: Alicia Marchant (University of Tasmania, Australia), Brian https://anzamems2017.files.wordpress.com/2015/11/anzamems-2017-conference-programme-timetable.pdf Shanahan (National University of Ireland, Galway), Jane-Héloïse Nancarrow (UWA). Philippa Maddern Travel Bursaries: Eleven Masters and PhD candidates were recipients of ARC CHE-sponsored Potter, Ursula Panel: ‘At the Intersection of Religion and Medicine in Seventeenth-Century England’, Philippa Maddern Travel Bursaries to attend ANZAMEMS. The recipients were: Rachel Allerton (Macquarie University), 11th Biennial Conference of the Australian and New Zealand Association for Medieval Clare H. Davidson (UWA), Jane Fitzgerald (The University of Newcastle), Elinor French (Monash University), Moira and Early Modern Studies, Victoria University of Wellington, New Zealand, 7–10 February Kenny (USyd), Cheyenne Langan (UQ), Rebecca W. Lobel (Monash University), Jessica McCandless (UAdel), Anna 2017. Funded panel members: Judith Bonzol (USyd) and Ursula Potter (USyd). Milne-Tavendale (University of Canterbury), Mark Neuendorf (UAdel), Sheilagh I. O’Brien (UQ), Jessica O’Leary Zika, Charles Panel: ‘Fighting Threats to Religious Authority at the Turn of the Eighteenth Century: (Monash University), Michael Ovens (UWA) and Lana Starkey (UQ). Atheism, Witchcraft and Vampirism’, 11th Biennial Conference of the Australian and New Zealand Association for Medieval and Early Modern Studies, Victoria University of CHE Major Conference Travel Bursary Scheme: The Centre funded participation of eligible panel members in four Wellington, New Zealand, 7–10 February 2017. Funded panel members: Julie Davies conference panels in 2017 through the Major Conference Travel Bursary Scheme, including three at ANZAMEMS. (UMelb) and Michael Pickering (UMelb).

RSAA 2017 Biennial Conference Bursaries: The Centre provided travel bursaries for three PhD candidates to present at the 4th Biennial Conference of the Romantic Studies Association of Australasia, hosted at Massey University and Victoria University of Wellington, New Zealand, 15–18 February 2017. The recipients were: Melinda Graefe (Flinders University, Australia), Francesca Kavanagh (UMelb) and Mark Neuendorf (UAdel).

116 2017 ANNUAL REPORT | 117 EDUCATION AND OUTREACH

FEATURE FOCUS Behind the Scenes: Producing The Tale of Orpheus and Passion, Lament, Glory

The fusion of text and music with drama and visual elements makes opera a unique art form. Spectators often have little more than a superficial understanding of historical performance practices and the philosophical theories, myths and biblical stories that underpin many of the most popular and enduring operas. © Sarah Walker.

When experiencing a staged The Tale of Orpheus (1608) by only three of many examples. Earlier in the year, Passion, Lament, the feast of the Ascension, an image performance, audience members Claudio Monteverdi was performed Directing the work was a careful act Glory was devised by creating a of Christ accompanied by angels and are often transformed by the in September 2017. The rehearsal of negotiation to allow the modern- pasticcio of several religious works the Holy Spirit was drawn up through event: the all-embracing sensory period included work with source day audience access to emotions to depict the Passion of Christ. This the church tower. This idea was re- experience has the power to change texts and original instruments, the generated by an opera from the past. was a tightly choreographed work imagined to spectacular effect with perceptions. In 2017 CHE supported production aiming to capture some In the final approach, rather than employing highly skilled singer- an aerialist ascending into the spire two productions with the Melbourne historical underpinnings of the using elaborate sets and costumes, dancers and an aerial artist, which of Melbourne’s St Paul’s Cathedral Conservatorium of Music that emotions depicted. This included the the music was given ‘space’ to sound led to a different kind of theatrical on a corde lisse. attempted to work with knowledge bliss of the lovers on their wedding into the auditorium, with emotions engagement. While thoroughly The emotional effect of these of how historical emotions were day, the profound grief experienced and situations ‘clarified’ using modern in look, the work managed productions was simple and direct. understood and interpreted in by Orpheus after losing his beloved rhetorically motivated postures and to reference the Passion plays of Audiences and critics reported being contemporary performance. Eurydice, and the mixed emotions gestures, and dramatic lighting medieval Europe in the enactment of suitably moved by them, and The Tale of Speranza who takes Orpheus to to capture thoughts, feelings the Stations of the Cross. In addition, of Orpheus was awarded a five-star the entrance to Hades, to mention and moods. reference was made to a sixteenth- rating by Limelight magazine. century German custom whereby, on

118 2017 ANNUAL REPORT | 119 PERSONNEL Ashok Collins Peter Denney Andrea Gaynor Honorary Associate Investigator Honorary Associate Investigator Associate Investigator (2017) (AI 2016) (AI 2014) Marina Gerzic PERSONNEL Denis Collins Daniel Derrin Research Assistant Associate Investigator Honorary Associate Investigator Indira Ghose (2013, 2014, 2015–2017) (AI 2013, 2014, 2015) Partner Investigator Tania Colwell Francesco De Toni Paul Gibbard Honorary Associate Investigator PhD Candidate Chief Investigator; Associate (AI 2014) Samantha Dieckmann Investigator (2015) Rob Conkie Postdoctoral Research Fellow Ron Goodrich Honorary Associate Investigator Thomas Dixon Honorary Associate Investigator (AI 2013, 2016) Partner Investigator (AI 2014, 2015, 2016) Georg Corall Stephanie Downes Ben Gook CHE Participants at the Society for the History of Emotions Honorary Artistic Associate Conference at UWA, December 2017. Postdoctoral Research Fellow Honorary Associate Investigator Investigator (AI 2015) (AI 2015) Ana Dragojlovic Thea Costantino Honorary Associate Investigator Umberto Grassi Associate of the USyd node (2017) (AI 2016) Postdoctoral Research Fellow Catherine Czerw Nicholas Eckstein Chloe Green Honorary Associate Investigator Honorary Associate Investigator PhD Candidate Natsuko Akagawa Jacquie Bennett Jill Burton (AI 2012–2013) (AI 2012) Kate Gregory Associate Investigator Administrative Officer Honorary Associate of the UAdel Amelia Dale (2016, carried over to 2017) node (2016, 2017) Penny Edmonds Honorary Associate Investigator Tahlia Birnbaum Honorary Associate Investigator Honorary Associate Investigator (AI 2013) Patricia Alessi PhD Candidate Megan Cassidy-Welch (AI 2016) (AI 2013) Sushma Griffin PhD Candidate (under examination) (graduated September 2015) Honorary Associate Investigator Heather Dalton (AI 2014–2016) Alex Edney-Browne Project Officer Xanthe Ashburner Marina Bollinger Honorary Associate Investigator PhD Candidate Education and Outreach Officer; Associate Investigator (Full Term) Michael Champion (AI 2012) Maria Hach Research Assistant Honorary Associate Investigator Helen English PhD Candidate Pam Bond Joy Damousi (AI 2016) Associate Investigator (2017) Tara Auty Administrative Officer Senior Honorary Research Fellow Dianne Hall PhD Candidate Louis C. Charland Kirk Essary Honorary Associate Investigator Keagan Brewer Louise D’Arcens Partner Investigator Postdoctoral Research Fellow (AI 2015) Merridee L. Bailey PhD Candidate (graduated May 2017) Honorary Associate Investigator Senior Research Fellow; Honorary Cassandra Charlton (AI 2012–2016) Sarah Ferber Violet Hamence-Davies Thomas Bristow Associate Investigator (AI 2012) Documentary Director; Education Honorary Associate Investigator Research Assistant Honorary Research Fellow; Sing d’Arcy and Outreach Officer (2014–2016); (AI 2012) Han Baltussen Postdoctoral Research Fellow Honorary Associate Investigator Jennifer Hamilton Administrative Officer (2012–2013) Honorary Associate Investigator (AI 2013) Olivia Formby Associate Investigator Ann Brooks (AI 2012, 2014–2016) Kenneth Chong MPhil Candidate (2016, carried over to 2017) International Investigator Kate Darian-Smith Postdoctoral Research Fellow (graduated July 2017) Michael D. Barbezat (2014–current); Associate Associate Investigator (2017) Antonina Harbus Brandon Chua John Gagné Associate Investigator (2017) Postdoctoral Research Fellow Investigator (2011–2014) Clare H. Davidson Postdoctoral Research Fellow Honorary Associate Investigator Katie Barclay Susan Broomhall Associate of the UWA node (2017); Samuel Harvey (2012–2015) (AI 2014) Associate Investigator (2014– Associate Investigator (2014– Research Assistant PhD Candidate Jacqueline Clarke Sandra Garrido current); ARC DECRA (2014–2017); current); ARC Future Fellow P/T Jane W. Davidson Yasmin Haskell Postdoctoral Research Fellow (2014–current); Foundation Chief Associate Investigator (2017) Honorary Research Fellow; Deputy Director; Program Leader – Partner Investigator; Foundation (2011–2014) Investigator (2011–2014) Postdoctoral Research Fellow Jennifer Clement Performance; Chief Investigator Chief Investigator (2011–2016) (2012–2015) Diana G. Barnes Joseph Browning Honorary Associate Investigator Julie Davies Chris Hay Postdoctoral Research Fellow; Postdoctoral Research Fellow (P/T) (AI 2014, 2015, 2016) Raphaële Garrod Research Assistant Associate Artist of the UMelb node Associate Investigator (2015, 2017) Postdoctoral Research Fellow Andrea Bubenik Deirdre Coleman (2017) Helen Dell (2012–2014) Peta Beasley Associate Investigator (Full Term) Associate Investigator (Full Term) Project-to-Publication Fellow; Robyn Heckenberg Research Assistant Stephen Gaukroger Lucy Burnett Len Collard Honorary Associate Investigator Honorary Associate Investigator Honorary Associate Investigator Lisa Beaven Social Media Officer Associate Investigator (2017) (AI 2013) (AI 2016) (AI 2012) Postdoctoral Research Fellow

120 2017 ANNUAL REPORT | 121 Adam Hembree Frederic Kiernan Glen McGillivray PhD Candidate PhD Candidate (P/T); Honorary Associate Investigator Research Assistant (P/T) (AI 2014, 2015) Erin Helyard Artistic Associate (2016, 2017) Hannah Kilpatrick Claire McIlroy PhD Candidate Research Liaison Officer Angela Hesson Postdoctoral Research Fellow/Curator Melissa Kirkham Una McIlvenna Education and Outreach Officer Postdoctoral Research Fellow Helen Hickey (Parental Leave) (2012–2015) Research Assistant Ross Knecht Anne McKendry Lisa Hill PERSONNEL Honorary Research Fellow; Research Assistant Associate Investigator (Full Term) Postdoctoral Research Fellow Dolly MacKinnon Siobhan Hodge (2012–2015) Honorary Associate Investigator Associate of the UWA node (2017) Jayne Knight (AI 2012, 2016) Peter Holbrook Associate Investigator (2017) Shane McLeod Chief Investigator Han Baltussen, Paul Megna and Michael Barbezat. Kimberley-Joy Knight Honorary Associate Investigator Fincina Hopgood Honorary Research Fellow; (AI 2013) Honorary Associate Investigator Postdoctoral Research Fellow Rebecca McNamara (AI 2015) Stephen Knight Honorary Research Fellow; Julie Hotchin Honorary Associate Investigator Postdoctoral Research Fellow Honorary Associate Investigator (AI 2012, 2013, 2016) (2011–2014) Jill Milroy Katrina O’Loughlin Georgina Pitt (AI 2015) Honorary Associate Investigator Associate Investigator (2012, 2014, Research Assistant Shino Konishi † Philippa Maddern (AI 2016) 2015–current); ARC DECRA (2015– Aleksondra Hultquist Chief Investigator Founding Director; Foundation Julian Polain current); Postdoctoral Research Honorary Associate Investigator Chief Investigator (2011–2014) Clare Monagle PhD Candidate Catherine Kovesi Fellow (P/T 2012–2013; 2014–2015) (AI 2012, 2014) Honorary Associate Investigator Honorary Associate Investigator Alan Maddox Emily Poore (AI 2012–2015) Carly Osborn Leanne Hunt (AI 2012) Honorary Artistic Associate (2015); PhD Candidate Education and Outreach Officer (P/T); Administrative Officer Honorary Associate Investigator Grace Moore Amanda E. Krause Postdoctoral Research Fellow (P/T) Lucy Potter (AI 2012–2014) Acting UMelb node Leader; Emma Hutchison Postdoctoral Research Fellow (P/T) Honorary Associate Investigator Senior Research Fellow Kieran O’Shea Associate Investigator Catherine Mann (AI 2016) Melissa Lane Web Officer (2014, carried over to 2017) Associate Investigator Finn Morgan Honours Student (2015) Ursula Potter (2016, carried over to 2017) Research Assistant Michael Ovens Alison Scott Inglis Honorary Associate Investigator Cheyenne Langan PhD Candidate (graduated March Honorary Associate Investigator Alicia Marchant Linda Morris (AI 2012, 2013) MPhil Candidate 2017) (AI 2013) Honorary Research Fellow; Project- Finance Officer Kathryn Prince Jordan Lavers to-Publication Fellow; Project Samantha Owens David R. M. Irving Paulina Motlop Visiting Fellow PhD Candidate Officer; Associate Investigator International Investigator Honorary Associate Investigator Honorary Associate Investigator (2013, 2014, 2016) (2016–current); Associate Laura Prosperi (AI 2014/2015) Penelope Lee (AI 2016) Investigator (2011–2015) Honorary Associate Investigator Education and Outreach Officer Louise Marshall Gemma Irving Olivia Murphy (AI 2014) Honorary Associate Investigator Jasmin Parasiers Honours Student (2016/2017) David Lemmings Honorary Associate Investigator (AI 2012, 2014) PhD Candidate (P/T) Gordon Raeburn Program Leader – Change; (AI 2016) Spencer Jackson Postdoctoral Research Fellow Chief Investigator Paul Megna Kathryn Parker Postdoctoral Research Fellow Piroska Nagy Postdoctoral Research Fellow PhD Candidate Eleonora Rai Jonas Liliequist Partner Investigator Paul James Associate Investigator (2015, 2017); Partner Investigator Andrew Mellas Eric Parisot Associate Investigator (2012, 2017) Jane-Héloïse Nancarrow Postdoctoral Research Fellow PhD Candidate (P/T) (thesis under Honorary Associate Investigator Andrew Lynch Research Assistant; Honorary Claudia Jarzebowski examination) (AI 2015, 2016) Melissa Raine Director; Chief Investigator Associate Investigator (AI 2016) Partner Investigator Honorary Associate Investigator Constant Mews Nicola Parsons Craig Lyons Kathleen Nelson (AI 2015, 2016) Narelle Jones Honorary Associate Investigator Honorary Associate Investigator Education and Outreach Officer; Honorary Associate Investigator Administrator (AI 2012–2015) (AI 2014, 2015) Neil Ramsey Administrative Officer (AI 2016) Project-to-Publication Fellow; Jennifer Jorm Daniel Midena Bastian Phelan Jodi McAlister Mark Neuendorf Honorary Associate Investigator PhD Candidate Associate Investigator (2017) Education and Outreach Officer; Associate of the UMelb node (2017) PhD Candidate (thesis passed (AI 2013) Administrative Officer Daniela Kaleva Amy Milka November 2017) Jessica McCandless Sarah Randles Honorary Associate Investigator Postdoctoral Research Fellow Robert Phiddian PhD Candidate † Andrea Noble Project-to-Publication Fellow; (AI 2014, 2016) Honorary Associate Investigator Charlotte-Rose Millar Partner Investigator Honorary Research Fellow; Robin Macdonald (AI 2012) Danijela Kambaskovic-Schwartz Associate Investigator (2016–2017); Postdoctoral Research Fellow Postdoctoral Research Fellow Wendy Norman Associate Investigator (2011–2013, Research Assistant (2015); PhD Bríd Phillips (2012–2014) Education and Outreach Officer 2017); Postdoctoral Research Fellow Joanne McEwan Candidate (graduated March 2015) PhD Candidate (thesis passed May Ciara Rawnsley (2014–2016) Research Assistant; Project-to- Karen O’Brien 2017); Research Assistant Emma Miller Media and Project Officer; Research Assistant; Publication Fellow; Honorary Associate of the USyd node (2017) Heather Kerr Communications Officer Gina Pickering Associate Investigator (AI 2012) PhD Candidate (graduated International Investigator (2017); Lisa O’Connell Honorary Outreach Associate March 2014) Associate Investigator (2011–2016) Associate Investigator (Full Term) Investigator (AI 2015)

122 2017 ANNUAL REPORT | 123 Richard Read Kathryn Smithies Erika von Kaschke Associate Investigator (Full Term) Honorary Associate Investigator National Communications Officer (AI 2015) Elizabeth Reid Anik Waldow Project Officer François Soyer Associate Investigator Partner Investigator; Postdoctoral (2013–2014, 2016, 2017) Bronwyn Reddan Research Fellow (2012–2015) Project-to-Publication Fellow; Claire Walker Research Assistant; PhD Candidate Jennifer Spinks Acting UAdel node Leader; (graduated May 2017) Associate Investigator (2012, Associate Investigator (Full Term) 2016–current); International Elsa Reuter Abaigéal Warfield

PERSONNEL Investigator (2016); PhD Candidate (graduated Postdoctoral Research Fellow September 2014) Nicole Starbuck Michael (Mick) Warren Project-to-Publication Fellow; Kimberley Reynolds PhD Candidate (thesis passed Honorary Associate Investigator Senior Honorary Research Fellow October 2017) (AI 2013, 2014, 2015) Peter Reynolds Gabriel Watts Lana Starkey Senior Honorary Research Fellow; Education and Outreach Officer PhD Candidate Partner Investigator (2012–2015) Robert S. (Bob) White Angelique Stastny Marian Riddell Program Leader – Meanings; PhD Candidate Finance Officer Chief Investigator Elizabeth Stephens Jade Riddle Cassandra Whittem Honorary Associate Investigator PhD Candidate PhD Candidate (AI 2016) Andrea Rizzi Carol Williams Janice Stockigt Associate Investigator (2015–2017) Honorary Associate Investigator Honorary Associate Investigator (AI 2012) Sophia Robinson (AI 2012) Administrative Officer Linda Williams Jason Stoessel Honorary Associate Investigator Stephanie Rocke Associate Investigator (AI 2015, 2016) Project Officer (2014, 2015–2017) Penelope Woods Christopher Rudge Makoto Harris Takao Postdoctoral Research Fellow Project-to-Publication Fellow PhD Candidate (graduated April 2017) (2012–2015) Juanita Feros Ruys Katrina Tap Jennifer Wright Chief Investigator National Administrative Officer; PhD Candidate (thesis passed Voice-Over Artist Mirko Sardelic´ December 2017) Honorary Research Fellow; Giovanni Tarantino Colin Yeo NEWFELPRO Fellow (2015–2016) Research Development Officer; PhD Candidate (thesis passed Honorary Research Fellow; Sarah-Maria Schober September 2017) Postdoctoral Research Fellow Swiss National Fund Mobility Visiting (2013–2016) Richard Yeo Scholar Honorary Associate Investigator Stephanie Tarbin Alison Scott (AI 2012) Research Assistant Associate Investigator (Full Term) James Youd Sarah Tiboni Jessica Scott Honours Student (2017) Honorary Associate of the UWA node Administrative Officer (2017) Elizabeth Younan John Scott Honours Student (2015) Stephanie Trigg Honorary Associate Investigator Program Leader – Shaping the Richard Young (AI 2014) Modern; Chief Investigator Research Assistant Karin Sellberg Tanya Tuffrey Spencer Young Associate Investigator (2017) Centre Manager Honorary Research Fellow; Madeline Shanahan Postdoctoral Research Fellow Maria Tumarkin Honorary Associate Investigator (2011–2014) Artistic Outreach Associate (2015, (AI 2015, 2016) carried over to 2017) Charles Zika Matthew Sharpe Cate Turk Chief Investigator Associate Investigator 2017 Project Officer Jan Shaw Joanna Tyler Honorary Associate of the USyd node Education and Outreach Officer (AI 2016) Jacqueline Van Gent Elfie Shiosaki Chief Investigator Associate Investigator (2016–2017)

Andrew Lynch speaking to Nola Marino, Federal Member for Forrest, and Senator Louise Pratt during their visit to UWA.

124

6 4 4 36 47 10 issues lectures 16 radio/ television television 6 keynote 6 keynote programs interviews/ interviews/ 16 print and online articles Outcome 2017 Outcome Outcome 2017 Outcome 131 papers and 131 papers 4 edited journal 4 edited 2 0 1 4 10 59 59 14 KEY PERFORMANCE INDICATORS 17 radio/ television television programs interviews/ interviews/ 12 print and Target 2017 Target Target 2017 Target KEY PERFORMANCE online articles

9 9 5 51 58 INDICATORS 11 issues lectures 26 radio/ television television 6 keynote 6 keynote programs interviews/ 22 print and 84 papers and 84 papers online articles online articles Outcome 2016 Outcome Outcome 2016 Outcome 8 edited journal 8 edited

2 10 14 41 14 108 issues lectures 18 radio/ television television programs 10 keynote 10 keynote interviews/ 62 papers and 62 papers 6 print articles Outcome 2015 Outcome Outcome 2015 Outcome 3 edited journal 3 edited 14 online articles

5 8 10 43 58 16 articles lectures 26 radio/ television television 6 keynote 6 keynote programs 16 website 16 website 7 including interviews/ 5 edited books 5 edited Outcome 2014 Outcome Outcome 2014 Outcome 30 papers and 30 papers 158 print articles

7 2 5 3 19 30 34 articles lectures 20 radio/ television television 6 keynote 6 keynote programs 11 website 11 website interviews/ 69 papers and 69 papers 8 print articles Outcome 2013 Outcome Outcome 2013 Outcome

7 6 4 8 24 16 28 30 lectures 10 keynote 10 keynote 75 papers and 75 papers Outcome 2012 Outcome Outcome 2012 Outcome

1 1 8 1 7 10 13 11 lectures lectures 7 keynote 7 keynote 44 papers and 44 papers Outcome 2011 Outcome Outcome 2011 Outcome Performance Performance measure Books (published) Edited books Edited Book chapters Journal articles Other (Refereed Other (Refereed conference or proceedings papers) Major performance Major performance research practice event Papers and invited and invited Papers lectures keynote at major delivered international meetings Number and nature Number and nature of commentaries about the Centre’s achievements Media releases Articles Research Findings Research Opening of the ‘Love: Art of Emotion 1400–1800’ Exhibition at the National Gallery of Victoria.

2017 ANNUAL REPORT | 127 KEY PERFORMANCE INDICATORS PERFORMANCE KEY

128 Research Training and Professional Education

Performance Outcome 2011 Outcome 2012 Outcome 2013 Outcome 2014 Outcome 2015 Outcome 2016 Target 2017 Outcome 2017 measure

Number of attended 6 collaboratories 6 collaboratories 4 collaboratories 5 collaboratories 5 collaboratories 5 collaboratories 6 collaboratories 6 collaboratories professional training 6 masterclasses 5 masterclasses 2 PATS 1 PATS 1 PATS 2 PATS 1 PATS 0 PATS courses for staff and postgraduate 5 study days/ 8 masterclasses 9 masterclasses 5 masterclasses 9 masterclasses 6 masterclasses 7 masterclasses students (including workshops/ 10 study days/ 17 study days/ 11 study days/ 12 study days/ 12 study days/ collaboratories research workshops/ workshops/ workshops/ workshops/ workshops/ and postgraduate meetings research research advanced training research research research meetings meetings/ seminars [PATS]) meetings/ meetings/ meetings/ symposia symposia/ symposia/ symposia/ honours electives honours electives honours electives

Number of Centre >35 >40 >50 >125 65 109 >70 179 attendees at all professional training courses

Number of new 3 3 continuing, 7 12 continuing, 11 continuing, 20 continuing, 0 23 continuing, postgraduate 2 commenced in 3 new 8 new 7 new 3 new students working 2012 on core Centre research and supervised by Centre staff (including PhD, Masters and Masters by coursework)

Number of new 5 commenced 5 continuing, 14 continuing, 15 continuing, 11 continuing, 17 continuing, 0 22 continuing, postdoctoral plus 6 appointed 8 commenced in 2 commenced in 4 commenced in 11 commenced in 4 commenced in 2 commenced in researchers to start in 2012 2012 (one senior 2013, 2014, 2015, 2016 2017 recruited to the research fellow), Centre and working 3 appointed in 7 appointed in 2 appointed in on core Centre 2 appointed in 2013 to start in 2014 to start in 2015 to start in research 2012 to start in 2014 2015 2016 2013

Number of new 2 7 1 0 2 1 4 2 Honours students working on core Centre research and supervised by Centre staff

Number of 0 0 1 2 2 0 4 5 postgraduate completions by students working on core Centre research and supervised by Centre staff

Number of Early 5 13 14 13 16 15 18 Career Researchers 15 (within 5 years of completing PhD) working on core Centre research

Number of students Outcome 2011 Outcome 2012 Outcome 2013 Outcome 2014 Outcome 2015 Outcome 2016 Target 2017 Outcome 2017 mentored

Centre postgraduate 3 5 11 15 21 27 5 26 students

Centre Honours 2 7 1 0 2 29 20 27 students

Postgraduates not 60 25 36 50 45 88 10 51 supervised within the Centre but 21 NULRPR | 2017 ANNUAL REPORT mentored through attendance at Centre PATS and collaboratories

Number of 6 6 collaboratories 4 collaboratories 5 collaboratories 5 collaboratories 5 collaboratories 5 collaboratories 6 collaboratories mentoring programs 2 PATS 1 PATS 1 PATS 2 PATS 2 PATS 0 PATS (collaboratories and 129 PATS) KEY PERFORMANCE INDICATORS PERFORMANCE KEY

130 International, National and Regional Links and Networks

Performance Outcome 2011 Outcome 2012 Outcome 2013 Outcome 2014 Outcome 2015 Outcome 2016 Target 2017 Outcome 2017 measure

Number of 22 28 76 47 42 45 40 35 international and visiting fellows

Number of national 7 15 13 14 19 25 8 9 and international workshops held/organised by the Centre (collaboratories and major conferences)

Number of visits to 30 94 112 114 149 213 40 94 overseas scholarly departments, centres and archives. Note: Many of these were co-funded or host- funded, and multiple institutions were visited in one trip.

Examples Outcome 2011 Outcome 2012 Outcome 2013 Outcome 2014 Outcome 2015 Outcome 2016 Target 2017 Outcome 2017 of relevant interdisciplinary research supported by the Centre

Collaboratories 6 6 4 5 5 5 4 6

Industry interns - - 0 0 4 3 2 0

End-User Links

Performance Outcome 2011 Outcome 2012 Outcome 2013 Outcome 2014 Outcome 2015 Outcome 2016 Target 2017 Outcome 2017 measure

Number of >10 >10 31 28 26 15 10 29 government, (1 Advisory (1 Advisory (1 Advisory (1 Advisory (1 Advisory Board (1 Advisory Board industry and Board, 3 culture Board, 2 state Board, 6 state Board, business community 1 state culture 1 state culture and heritage culture and culture and 2 state culture briefings and heritage and heritage bodies, heritage bodies, heritage bodies, and heritage bodies bodies 16 arts industry, 9 dance/theatre/ 3 museums, bodies; 2 state 5 teacher opera companies, 2 state theatre/ theatre/opera 3 state art 4 state art professional 9 state education opera companies, companies; galleries galleries development departments, 9 independent 4 state art 2 state theatre/ 5 state education [PD] days, 7 media artists/small galleries; opera companies departments) 7 state education developers) ensembles/ 1 state education 3 state education departments) international department; departments ensembles, 5 independent 3 small 5 state education artists/small ensembles/ departments) ensembles/ international international ensembles ensembles) 15 community and cultural organisations)

Number and nature Outcome 2011 Outcome 2012 Outcome 2013 Outcome 2014 Outcome 2015 Outcome 2016 Target 2017 Outcome 2017 of public awareness programs

Public lectures 7 54 50 74 67 67 30 33 public lectures and seminars

Number of public 3 40 27 45 50 46 30 32

21 NULRPR | 2017 ANNUAL REPORT talks given by Centre staff

School outreach 11 96 41 86 84 83 30 91 events (WA, SA, VIC, NSW, QLD)

Currency of Established, Updated weekly Updated weekly Updated weekly Updated weekly Updated weekly Updated weekly Updated weekly information on updated weekly 131 Centre’s website KEY PERFORMANCE INDICATORS PERFORMANCE KEY 132 Number of website Outcome 2011 Outcome 2012 Outcome 2013 Outcome 2014 Outcome 2015 Outcome 2016 Target 2017 Outcome 2017 hits (3 websites will be monitored)

CHE website 31,000 page views From Oct to Dec 116,110 page 146,992 page 173,995 page 197,845 page 6,000 page views 184,852 page (approx. 8,353 on new website views (35,896 views (48,127 views (59,663 views (approx. 3,000 views (68,627 visits) 21,000 page views visits with 19,432 visits with 27,687 visits with 36,299 visits) visits with 42,668 (67,201 visits with (approx. 6,200 new visits in new visits in new visits in new visits in 40,793 new visits visits) 2013) 2014) 2015) 2017) in 2016)

Confluence - - - In 2014 this came Other forms of No longer in use N/A N/A (CHE members into regular use networking have networking site) as a platform proved more to share policy useful than It was decided and information Confluence, so that this site was documents with use has been unnecessary members across limited in 2015 because visits to the the Centre CHE website have exceeded the targets set for the two websites together

CHE-built wiki site / Being set up Being set up At the end of The objective N/A N/A N/A N/A online bibliography 2013, there were of this tool has 147 wiki entries, changed – now which have been being targeted as promoted via a school resource

email, Facebook Work has now The online The online The online and Twitter, and commenced bibliography has bibliography bibliography have been viewed on setting been set up and currently has 500 currently has 776 multiple times up an online currently has 255 entries entries bibliography entries

Organisational Support

Performance Institution Outcome 2011 Outcome 2012 Outcome 2013 Outcome 2014 Outcome 2015 Outcome 2016 Target 2017 Outcome 2017 measure

Annual cash UWA $462,985 $437,352 $464,230 $396,730 $324,750 $283,257 $144,523 $144,523 contributions from collaborating UAdel $130,000 $130,000 $130,000 $133,343 $130,000 $103,825 $130,000 $130,000 and partner UMelb $175,852 $229,310 $216,112 $279,657 $519,103 $514,097 $288,542 $324,476 organisations UQ $91,695 $364,215 $347,090 $400,854 $115,521 $145,775 $42,475 $31,856

USyd $ 90,226 $45,113 $135,339 $90,226 $90,226 $90,226 $90,266 86,226

Umeå $2,095 $0 $0 $0 – Jonas $2,150 (cost of $0 $0 $0 University Liliequist’s international travel planned flight) for Nov 2015

Queen Mary $0 $0 $2,300 $0 $0 $0 $0 $0 University of London

Annual in-kind UWA $341,290 $194,977 $206,763 $209,000 $212,926 $219,262 $225,811 $225,811 contributions from collaborating UAdel $43,690 $43,690 $43,690 $43,690 $43,690 $43,690 $43,690 $43,690 organisations UMelb $69,876 $69,876 $125,085 $110,085 $242,435 $242,435 $242,435 $242,435

UQ $45,170 $45,170 $45,170 $45,170 $45,170 $45,170 $45,170 $45,170

USyd $9,000 $49,019 $49,019 $49,019 $49,019 $49,019 $49,019 $49,019 21 NULRPR | 2017 ANNUAL REPORT 133 KEY PERFORMANCE INDICATORS PERFORMANCE KEY 134 Annual in-kind Umeå $21,369 $21,369 $21,369 $21,369 $21,369 $21,369 $21,369 $21,369 contributions University from partner organisations Freie $25,000 $25,000 $25,000 $25,000 $25,000 $25,000 $25,000 $25,000 Universität Berlin

Newcastle $45,072 $45,072 $46,264 $47,420 $28,353 $0 $0 $0 University (UK) PI retired 31 PI retired 31 July 2015 July 2015

University of $29,527 $29,527 $29,527 $29,527 $29,527 $29,527 $29,527 $29,527 Fribourg

Queen Mary $20,276 $20,276 $20,276 $15,300 $15,600 $15,900 16,200 $16,200 University of London

National N/A N/A N/A N/A $140,666 $140,666 $140,666 $140,666 Gallery of Victoria

Durham N/A N/A N/A N/A $28,151 $28,151 $28,151 $7,038 University PI passed away 10 May 2017

University of N/A N/A N/A N/A $28,910 $30,090 $31,323 $31,323 Southampton

Western N/A N/A N/A N/A $29,474 $29,474 $29,474 $29,474 University

Université N/A N/A N/A N/A $16,495 $16,741 $16,992 $16,992 du Québec à Montréal

Other research Outcome 2011 Outcome 2012 Outcome 2013 Outcome 2014 Outcome 2015 Outcome 2016 Target 2017 Outcome 2017 income secured by Centre staff

ARC DP $725,487 S893,474 $913,000 $854,311 $953,900 $874,252 $600,000 $394,487

ARC DECRA $0 $0 $122,824 $242,870 $360,701 $373,343 $0 $101,579

ARC Future $0 $81,024 $163,502 $377,693 $573,698 $474,524 $0 $369,193 Fellowship

ARC Linkage Project $0 $0 $0 $76,030 $31,527 $0 $0 $0

AHRC Network $6,000 $12,000 $0 $6,000 Grant

NSW Government’s $11,000 0 0 Liveable Communities Grants program

Swedish Royal $5,900 Academy of Letters, History and Antiquities Grant

VICSEG (Victorian $4,000 0 0 Cooperative on Children’s Services for Ethnic Groups) New Futures

Victorian Women’s 0 $10,890 Benevolent Trust, Lullaby Playgroup

21 NULRPR | 2017 ANNUAL REPORT Number of new 0 6 3 3 6 3 3 2 organisations collaborating or involved with the Centre 135 National Benefits Collaboratories and The ‘Powerful Emotions/Emotions and Power, c.400–1850’ conference at the University overseas visits enhance of York was jointly convened to enhance collaborative links between CHE and the Contribution to the Outcome 2017 collaboration centres for Medieval Studies, Renaissance and Early Modern Studies, and Eighteenth- national research Century Studies at the University of York. CHE’s collaborative agreement with the priorities and the Center for Medieval and Renaissance Studies at Arizona State University provided national innovation travel funding for Arizona State University scholar Bradley J. Irish to present at this priorities conference. In conjunction with the Centre for the History of Emotions at Queen Mary Research outputs A number of CHE events in 2017 focused on social emotions by seeking to increase University of London, CHE co-convened ‘Fears and Angers: Historical and Contemporary enhance understanding awareness of cultural diversity. A public symposium on Indigenous activist Fanny Balbuk Perspectives’ in London, at which a number of CHE scholars presented their research in of social emotions Yooreel at the City of Perth Library, a documentary – The Devil’s Country – by CI Juanita an interdisciplinary environment. Collaborations between CHE and QMUL were further EDUCATION AND OUTREACH Feros Ruys and Cassie Charlton, and CI Shino Konishi’s symposium ‘Feeling the Past: enhanced with the formalisation of an agreement to collaborate on the development of Indigenous History and Emotions’ (UWA) explored engagements with particular histories CHE’s innovative online game ‘The Vault’. The international seminar series, ‘Entangled and spaces from different perspectives and the ongoing emotional implications of Histories of Emotions in the Mediterranean World’, collaboratively co-sponsored by colonialism. The Performance Program collaboratory, ‘Peace, Empathy and Conciliation CHE, the Society for the History of Emotions, the Centre for the Study of Emotions in Through Music’ (UMelb). Considered the role of music in conflict resolution, and Cross-Cultural Exchange, the European University Institute (Florence), the Institute featured performances by the Senegambian Jazz Trio and the multicultural CHE-VICSEG for Advanced Study at Central European University (Budapest), the CNR Institute for New Futures Lullaby Choir. ‘The Lullaby Train’, comprising two public performances on the History of Philosophy and Science in the Early Modern Age (Milan and Naples) and Melbourne trains by the Lullaby Choir, further drew attention to the emotional valences La Maison méditerranéenne des sciences de l’homme (Université d’Aix-Marseille), of traditional songs for different communities and employed them in an attempt to hosted three seminars in 2017, in Naples, Split and Perth. In July scholars from the bring such groups together in social harmony. Two major exhibitions – ‘Love: The Art Manchester-Melbourne Humanities Consortium participated in a two-day workshop of Emotion, 1400–1800’ at the NGV and ‘Ecstasy: Baroque and Beyond’ at the UQ Art to explore the collections of The Whitworth Art Gallery and The John Rylands Library. Museum – sought to examine emotional engagements with art, depicting love and A number of Australian and international scholars participated in CHE collaboratories ecstasy respectively. Other events held in conjunction with these exhibitions included and symposia during the year, some of which will result in future collaborations and masterclasses, workshops, Continuing Professional Development sessions for teachers publications. and a Meanings Program collaboratory on ‘Art and Affect’ (UQ). Industry interns Postdoctoral Research Fellow/Curator Angela Hesson was appointed Curator of Policy papers directed Book publications by CHE members highlighted the importance of emotions history enhance researcher– Australian Art at the NGV. to enhancing social and research to understanding and enhancing social and cultural wellbeing. The research industry collaborations cultural well-being related to many fields, including compassion, intimacy, love, power and ritual, and Collaborative Collaborative publications with industry partners resulted from the two major music and grief. Following a public symposium exploring the life and legacies of publication with industry exhibitions CHE co-curated in 2017: ‘Love: Art of Emotion, 1400–1800’ at the NGV and Indigenous woman Fanny Balbuk Yooreel, education packs mapped to the Australian partners ‘Ecstasy: Baroque and Beyond’ at the UQ Art Museum. CI Charles Zika and Postdoctoral Curriculum were developed to incorporate Noongar biography and heritage into Research Fellow Angela Hesson co-edited Love: Art of Emotion 1400–1800, an extended school classrooms. Other CHE events explored aspects of cultural and social history exhibition catalogue, with Matthew Martin (NGV), and Andrea Bubenik edited Ecstasy: to enhance our understanding of, and policies regarding, issues pertaining to modern Baroque and Beyond, which was published by the UQ Art Museum. wellbeing. The Change Program collaboratory, ‘News Reporting and Emotions, 1100– 2017’ (UAdel), brought together historians, media scholars and practising journalists to explore the ethics of journalistic practice and the impact of particular types of news reporting on practitioners. The Performance Program collaboratory, ‘Peace, Empathy Financial Statement and Conciliation Through Music’ (UMelb), brought academics into conversation with policymakers and music practitioners (including musicians, music educators, Income 2012 2013 2014 2015 2016 2017 music therapists, community development workers, social service workers and arts organisation delegates), and included workshops and field reports on topics such as ARC Centre grant $3,955,617 $3,998,263 $4,062,667 $4,307,740 $4,380,971 $2,371,566 ‘Practical Approaches to Effective Leadership and Facilitation in Community Music’. Host institutions $1,205,990 $1,264,021 $1,344,378 $1,179,600 $1,137,180 $718,081 New postdoctoral In 2017 the Centre hosted 24 postdoctoral and senior research fellows, distributed cash support appointments enhance across the five participating Centre universities. Current and completed postdoctoral base of skilled research fellows contributed one academic book, two edited books, two refereed journal researchers special issues and 19 other refereed publications. Three CHE postdoctoral research fellows took up further academic employment in 2017, with a further six appointments Expenditure for positions starting in 2018. One postdoctoral research fellow was appointed to an ongoing position at a state art gallery. Fellowships were taken up by two postdoctoral Expenditure 2012 2013 2014 2015 2016 2017 research fellows, with another five fellowships awarded for 2018. Salaries $1,774,962 $2,532,354 $2,846,062 $3,047,008 $3,541,981 $3,370,821

Equipment $38 $2,907 $0 $0 $0 $0

Travel $513,175 $769,188 $732,210 $822,126 $916,983 $707,179

Scholarships $39,882 $39,621 $69,918 $59,219 $84,224 $109,499

Other $279,688 $242,805 $357,962 $391,111 $637,769 $654,437

Total $2,607,745 $3,586,875 $4,006,151 $4,319,463 $5,180,957 $4,841,937

136 2017 ANNUAL REPORT | 137 “CHE’s work has made the History of Emotions both a vital interdisciplinary field and an important analytical approach in international humanities studies. In that, the vision of our founding Director, the late Philippa Maddern, has been realised.” Andrew Lynch Director

Acknowledgements: CHE wishes to thank the following for their work in the production of this report: Andrew Lynch, Pam Bond, Joanne McEwan, Marian Riddell, Katrina Tap, Stephanie Tarbin, Tanya Tuffrey, Joanna Tyler and Erika von Kaschke.

138 Ruth Blythman in Passion, Lament, Glory. © Sarah Walker. ARC Centre of Excellence for the History of Emotions, Europe 1100-1800 Faculty of Arts, Business, Law and Education The University of Western Australia M201, 35 Stirling Highway, PERTH, WA 6009, Australia Tel: +61 8 6488 3858, Fax: +61 8 6488 1069 Email: [email protected] historyofemotions.org.au