DOCSLIB.ORG

April 06 Issue.Pub

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
April 06 Issue.Pub April 2006 Re-Vue Chicago Fling Records-Bobby Robinson Buck Owens Re-Vues: Roller Derby ‘06 Music Cherry Casino & the GambLers The Mad Men Movie Ferry Across the mersey Event pre-Vues: Rockabilly Rebel As always News, reviews, Event Notices, Calendar And morE Inside this issue Weekend and Ponderosa Stomp Re-Vue DIG THAT CRAZY RABBIT! It’s Spring-time everybody! We made it through the winter. And to me, that’s an accomplishment in itself. Spring has sprung, flung… however you want to put it… it’s HERE! Many of you are headed to Viva Las Vegas. Best of luck to you. Hope you win big! This month Matt Strickland treats our readers to reviews of two European acts. He picked up the disks (I’m sure) during his trip to the Rave last month. In any case, the acts in review for this issue are Cherry Casino from Germany and the Mad Men from Croatia. Tony “Mr. Exotica” Cambio rolls-on-in this month to bring us what’s fresh and new in the heart-stopping world of Roller Derby. Chicago is starting to get more active in roller derby and he’s right there—literally) rink-side—well, for that matter—on the rink, giving you the blow-by-blow as a referee. Doug Freedman was so inspired by last month’s Kaiser George, Hi-Risers and Eddie Angel show that he went out an got a copy of Ferry Across the Mercey with Gerry and the Pacemakers. We just keep having to report on closing after closing of famous and formerly fabulous Chicago vintage institutions. This month we report the closings of the Velvet Lounge and Victory Lanes. We have some event pre-vues for you this You can call him sentimental if you like, and I’m sure he month. This month is Viva Las Vegas, and we wouldn’t mind, Ken Mottet writes a truly touching know most folks are already kicking it way into account of his father and about growing up a farm kid in gear for that almost week-long party so there’s Iowa. He also made time to write a review of the recent no need to beat a dead horse this month by Ray Price show at the Old Town School of Folk Music. giving it more press time; we hope to have some reviews when it is finished. We give you To celebrate that old cliché, the Spring Fling, we are plenty of warning for the upcoming Rockabilly covering the super small independent label Fling, which Rebel Weekend which will be taking place in was out of New York in the mid 50s. Covered in that Indianapolis in June. Finally, the Ponderosa article are Bobby Robinson, his other labels (briefly!) Stomp takes place in Memphis next month. Fury, Fire, Whirlin’ Disk, and some others. Additionally, we highlight some of the roster of talent that recorded for Coming in May, we are going to try to get in his labels. the “swing” of things… have a favorite baseball team? Then speak-up! We’re looking to hear Another sad passing to report on this month. People from you. round the world have a reason for that tear in their beer. Buck Owens passed away. Soon-to-be-graduated Drew Covering all the angles all the time… Schadegg stepped forward this month and in his Re- Vue debut, he chronicles the life and times of Buck Susan E. Funk Owens. Re-Vue Don’t Say We Didn’t Warn You Matt Strickland Coming Soon…. Ken Mottet See the calendar on the back page for April 2006 dates. May 2006 3 MAD SIN (UK. People Like You Records) THE MASSACRES @ Logan Square Audito- rium 6PM doors / $12 adv. all ages. 4 Drew Schadegg Doug Freedman 15th Anniversary Big"C"Jamboree with Nick Willett @ Martyrs’ 6 Everett Dean and the Reckless Abandon @ Dan “D” Jac’s 9:30 - 1:30 Orland Hills, IL 10 Neverly Brothers @ MURPHY'S PUB 7:30PM Tony “Mr. 12 Exotica” Cambio 7 SHOT SCREAMERS, THE ROSEDALES Desiree Kiss KOFFIN DRAGGER @ Nite Cap Lounge 20 Everett Dean and the Reckless Abandon @ Outpost Bar and Grill Lockport, IL 9-1 24 Neverly Brothers @ MURPHY'S PUB 7:30PM Deke Dickerson. @ The Abbey Pub 8pm Tickets $8 in advance & $10 @ door Susan E. Funk April 2006 Matt StrickLaND Re-Wind Cherry Casino & the Gamblers (Demo) "Let's Play Around!" (Rhythm Bomb Records) Originally formed to back American artist Rayburn Anthony, Cherry Casino & the Gamblers is a hot German R&B act that features Axel The Mad Men – Praefke on vocals/guitar (Ike & the Capers, Round Up Boys), Ike Stoye on saxophone (Ike & the Capers), Humpty Kirscht on guitar "Rhythm and Sin" (Round Up Boys), Lucky Lehmann on upright bass and (Rhythm Bomb Records) Torsten Peukert o-n drums. Their debut CD was recorded at top Croatia's wildest (and as far as I know European studio Lightning o-nly) traditional rockabilly quartet is Recording Services in Berlin, back with a brand new CD that is Germany and has that killer guaranteed to make you get up out of sound we've come to expect! your seat With the same line-up as the first CD: Branko on rhythm guitar/ The CD is short but sweet and vocals, Darko on lead guitar, Gorgo features 8 songs of pure listening enjoyment…not a plunker or any on upright bass and Marko on drums filler on this o-ne!! All the songs o-n the CD are great, but I particularly they recorded this latest set music at enjoyed their originals "Gonna Tear Your Playhouse Down", "All Night Lightning Recording Service in Berlin Long" and "Let's Play Around". All great R&B jivers! What you get is an Germany. early 50's R&B combo done in a refreshing, yet traditional style! Super all around! Dig these cats at the Rhythm Riot in 2006. Following in the tradition of European acts like Wildfire Willie & the NOTE: This is the demo version! There is a Ramblers and Jack Baymoore & the 15 song full release available (expect a Bandits, the Mad Men have begun complete review soon!). carving their own niche in the worldwide rockin' scene. What does Track List: this mean? Wild, frantic rockabilly and Huh Baby ue rock n' roll of course! The CD contains Gonna Tear Your Playhouse Down -V 15 songs of pure rockin' enjoyment. Did You Hear That Door Slam?e Standouts o-n the record are "Dig Plans Without Me R This Action" (frantic bopper w/killer All Night Long guitar breaks!), Breaking Hearts and Baby Please Come Back Promises of Love" (rockin' boogie Night Train perfect for jiving), "Long About Let's Play Around Midnight" (rockin' jiver with wild guitar and piano) and their blistering cover of Dale Hawkin's "Baby, Baby"! I was www.cherry-casino.de lucky enough to have caught their www.rhythmbomb.com show at the Rave…very wild! Be not to miss their show Sunday night at Viva Las Vegas 06! STRICKLAND SCALE 4.5 Fezes (Continued Next Page) April Re-Wind 2006 The Mad Men – "Rhythm and Bobby Robinson owned a record store (a familiar refrain for several of Sin"(Rhythm Bomb Records) the label executives we’ve written STRICKLAND SCALE 4 Fezes about in previous issues!) called Bobby’s Happy House Records. www.geocites.com/band_mad_men www.rhythmbomb.com Track List: Dig This Action Early Next Morning Bop Disease Breaking Hearts and Promises of Love Little Franny Long About Midnight Mary Rhythm and Sin Only You Saturday Night Rich I had a heck of a time finding out Snap Your Little Fingers whether Bobby’s record shop still Baby Baby exists. And, in fact, it still does. Big Mama When you try to research where the Intoxicated Matt Strickland record store is/was you get tons of Time to Howl different addresses. But then again, for a business that has been around for over 60 years…I guess they might have moved around a bit. Fling Records— Most addresses place the store in Harlem. And the most recent Bobby Robinson address from Goggle is: Bobby's Happy House, 2335 8th Avenue, Corner of 125th Street, (212) 663- There were hundreds of small time 5240. independent record labels that sprung-up nationwide during the late 40s through the Let’s take a look back at Bobby’s early 60s. Most of them were short lived life. He lived in South Carolina but and few had significant hits to report. The e u left it to join the efforts for WWII. He genres of music that we tend to seekV out – e- did a lot of entertainment related rockabilly, jump-blues, rhythm and blues R work during the war, putting doo-wop, hillbilly bop, western swing – most together entertainment and shows of the groups and songs we listen to— to boost servicemen morale. When weren’t exactly top ten artists. So, as far as he got out of the service, he had the I’m concerned, the more obscure the better, taste for the entertainment world. right? Realizing his chances of a career in music would be better in New York, Well, you don’t get much more obscure than he decided to relocate there rather the Fling record label. I searched for a label than head back to his native South. that would somehow tie-in with “Spring”. Like many record producers of his Spring “Fling” huh? Well-alright! So… here’s time though, he still visited the a short story on the Fling Record label out Photos by: south later looking for talent.
Load more

Recommended publications
  • Carnegie Hall Concert with Buck Owens and His Buckaroos”—Buck Owens and His Buckaroos (1966) Added to the National Registry: 2013 Essay by Scott B
    “Carnegie Hall Concert with Buck Owens and His Buckaroos”—Buck Owens and His Buckaroos (1966) Added to the National Registry: 2013 Essay by Scott B. Bomar (guest post) * Original album Original label Buck Owens and His Buckaroos In the fall of 1965, Buck Owens was the biggest country star in the world. He was halfway through a string of sixteen consecutive #1 singles on the country chart in the industry-leading “Billboard” magazine, and had just been invited to appear at New York City’s prestigious Carnegie Hall. Already designated a National Historic Landmark, the esteemed venue had hosted Tchaikovsky, Rachmaninoff, Stravinsky, Gershwin, Bernstein, and Ellington. Owens recognized the honor of being asked, but instructed his manager, Jack McFadden, to decline the offer. “When they first started talking about it, it scared me to death,” he admitted in a 1967 radio interview with Bill Thompson. Buck was worried the Manhattan audience wouldn’t be interested in his music, and he wanted to avoid the embarrassment of unsold tickets. McFadden pushed him to reconsider. When Ken Nelson, Owens’ producer at Capitol Records, suggested they record the performance and release it as his first live album, Buck finally conceded. Buck Owens’ journey to the top of the charts and the top of the bill at the most revered concert hall in the United States began in Sherman, Texas, where he was born Alvis Edgar Owens, Junior in 1929. By 1937, the Owens family was headed for a new life in California, but they wound up settling in Mesa, Arizona, when a broken trailer hitch derailed their plan.
    [Show full text]
  • Starr-Waterman American Popular Music Chapter 11: the 1970S: Rock Music, Disco, and the Popular Mainstream Key People Allman
    Starr-Waterman American Popular Music Chapter 11: The 1970s: Rock Music, Disco, and the Popular Mainstream Key People Allman Brothers Band: Most important southern rock band of the late 1960s and early 1970s who reconnected the generative power of the blues to the mainstream of rock music. Barry White (1944‒2004): Multitalented African American singer, songwriter, arranger, conductor, and producer who achieved success as an artist in the 1970s with his Love Unlimited Orchestra; perhaps best known for his full, deep voice. Carlos Santana (b. 1947): Mexican-born rock guitarist who combined rock, jazz, and Afro-Latin elements on influential albums like Abraxas. Carole King (b. 1942): Singer-songwriter who recorded influential songs in New York’s Brill Building and later recorded the influential album Tapestry in 1971. Charlie Rich (b. 1932): Country performer known as the “Silver Fox” who won the Country Music Association’s Entertainer of the Year award in 1974 for his song “The Most Beautiful Girl.” Chic: Disco group who recorded the hit “Good Times.” Chicago: Most long-lived and popular jazz rock band of the 1970s, known today for anthemic love songs such as “If You Leave Me Now” (1976), “Hard to Say I’m Sorry” (1982), and “Look Away” (1988). David Bowie (1947‒2016): Glam rock pioneer who recorded the influential album The Rise and Fall of Ziggy Stardust and the Spiders from Mars in 1972. Dolly Parton (b. 1946): Country music star whose flexible soprano voice, songwriting ability, and carefully crafted image as a cheerful sex symbol combined to gain her a loyal following among country fans.
    [Show full text]
  • 4'~~~, - ~ 10700 Ventura Blvd
    ~/~ ) 4'~~~, - ~ 10700 Ventura Blvd. FOR WEEK ENDING: Augus t 16 , l2Z 5 No---. Hollywood, Ca, 91604 CYCLE NO. C75J PROGRAM 7 Of 1J Phone: (213) 980-9490 SIDES: lA & lB ~ PAGE NO. 1 SCHEDULED ACTUAL RUNNING START TIME TIME ELEMENT TIME 00: 0( THEME & OPENING OF PART 1 THEME: MY KIND OF COUNTRY 11 (MARKWATER MUSIC/BM!) #40 - HOME - Loretta Lynn 4/39 - ALIMONY - Bobby Bare 8:18 OLDIE: SHAME ON ME - Bobby Bare 8:16 LOGO: MY KIND OF COUNTRY, MY KIND OF MUSIC 8:18 LOCAL INSERT: c.1 2:00 10:18 LOGO: AMERICAN COUNTRY COUNTDOWN 1t3B - LET THE LITTLE BOY DREAM - Even Stevens 6:05 #37 - THE SAME OLD STORY - Hank Williams, Jr. 16:21 LOGO: MY KIND OF COUNTRY, MY KIND OF MUSIC 16:23 LOCAL INSERT: C-2 2:00 18:23 LOGO: AMERICAN COUNTRY COUNTDOWN #36 - MEMORIES OF US - George Jones #35 - JUST GET UP AND CLOSE THE DOOR - Johnny Rodriguez 8:47 #34 - DAYDREAMS ABOUT NIGHT THINGS - Ronnie Milsap 26: St LOGO: MY KIND OF COUNTRY, MY KIND OF MUSIC 27:0C LOCAL INSERT: C-3 2 ,1 0 29: lC LOGO: AMERICAN COUNTRY COUNTDOWN #33 - BLUE EYES CRYING IN THE RAIN - Willy Nelson #32 - SAY FOREVER YOU'LL BE MINE - Porter Wagoner & Dolly 9:00 #31 - THE BARMAID - David Wills Parton 38:0f LOGO: MY KIND OF COUNTRY, MY KIND OF MUS IC 38: lC LOCAL INSERT: C-4 '1 :00 40: lC LOGO: AMERICAN COUNTRY COUNTDOWN 4t30 - STAY AWAY FROM THE APPLE TREE - Billy Jo Spears 7:07 #29 - THIRD RATE ROMANCE - Amazing Rhythm Aces 47: 1~ LOGO.: MY KIND OF COUNTRY, MY KIND OF MUSIC 4 7: 1, LOCAL INSERT: C-5 2:00 49: li LOGO: AMERICAN COUNTRY COUNTDOWN #28 - IF I COULD ONLY WIN YOUR LOVE - Emmylou Harris OLDIE: MUST YOU THROW DIRT IN MY FACE - Louvin Brothers #27 - THINGS - Ronnie Dove 8:06 57:2: THEME UP & UNDER W/TALK UNIT ENDING AT: 57:44 THEME TO: 57:50 EMERGENCY THEME RUNOUT TO: 59:00 THEME: 'tm' KIND OF COUNTRY" (MARKWATER MUSIC/BMI) LOCAL INSERT: 2:00 C-6 ~~~ ~l STATION 1.D.
    [Show full text]
  • “Amarillo by Morning” the Life and Songs of Terry Stafford 1
    In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City. On Billboard magazine’s April 4, 1964, Hot 100 2 list, the “Fab Four” held the top five positions. 28 One notch down at Number 6 was “Suspicion,” 29 by a virtually unknown singer from Amarillo, Texas, named Terry Stafford. The following week “Suspicion” – a song that sounded suspiciously like Elvis Presley using an alias – moved up to Number 3, wedged in between the Beatles’ “Twist and Shout” and “She Loves You.”3 The saga of how a Texas boy met the British Invasion head-on, achieving almost overnight success and a Top-10 hit, is one of triumph and “Amarillo By Morning” disappointment, a reminder of the vagaries The Life and Songs of Terry Stafford 1 that are a fact of life when pursuing a career in Joe W. Specht music. It is also the story of Stafford’s continuing development as a gifted songwriter, a fact too often overlooked when assessing his career. Terry Stafford publicity photo circa 1964. Courtesy Joe W. Specht. In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City.
    [Show full text]
  • Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
    MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me​ is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away.
    [Show full text]
  • Course Description, Class Outline and Syllabus Instructor: Peter Elman
    Course description, class outline and syllabus Instructor: Peter Elman Title: “A Round-Trip Road Trip of Country Music, 1950-present: From Nashville to California to Texas--and back.” Course Description: An up close and personal look at the golden era of American country music, this class will explore key movements that contributed to the explosive growth of country music as an industry, art form and subculture. The first half of this course will focus on three major regions: Nashville, California and Texas, and concentrate on the period 1950-1975. The second half will look at the women of country, discuss the making of a country song and record, look at the work of five great songsmiths, visit the country music of the 1980’s, and end with an examination of Americana music. The course will do this through lectures, photographs, recorded music, film clips, question and answer sessions, and the use of live music. The instructor will play piano, guitar and sing, and will choose appropriate examples from each region, period and style. - - - - - - - - - - - Course outline by week, with syllabus; suggested reading, listening and viewing Week one: The rise of “honky-tonk” music, 1940-60: Up from bluegrass—the roots of country music. Roy Acuff, Ernest Tubb, Hank Williams, Kitty Wells, Lefty Frizzell, Porter Wagoner, Jim Reeves, Webb Pierce, Ray Price, Hank Lochlin, Hank Snow, and the Grand Old Opry. Reading: The Nashville sound: bright lights and country music Paul Hemphill, 1970-- the definitive portrait of the roots of country music. Listening: 20 of Hank Williams Greatest Hits, Mercury, 1997 30 #1 Country Hits of the 1950s, 3-disc set, Direct Source, 1997 Viewing: O Brother Where Art Thou, 2000, by the Coen brothers America's Music: The Roots of Country 1996, three-part, six episode documentary.
    [Show full text]
  • Buck Owens Obituary
    Obituary of Buck Owens: March 27, 2006 By: Dave Hoekstra Buck Owens was more than a voice in country music. He was an American metaphor for the clarion of possibility after The Grapes of Wrath migration to California. Alvin Edgar "Buck" Owens was a honky-tonk singer, a TV star -- best known for his role in "Hee-Haw" -- and an entrepreneur who owned radio and television stations in Bakersfield, Calif. He was a good soul, one who would fly from Bakersfield to Portland, Ore., as he did in March 2005 to surprise compatriot Merle Haggard, who was opening for Bob Dylan. The depth of the moment was understood. With Mr. Owens standing stage right in a resplendent brown and black cowboy jacket, Dylan took a chance on Haggard's "Sing Me Back Home." Mr. Owens died Saturday at home in Bakersfield. He was 76. On Sunday, CMT.com reported the cause of death as a heart attack. He grew old, but his songs never became tired. In recent years he stopped touring outside of California, but he still managed to capture a new generation of fans that included Dwight Yoakam, Steve Earle and the Bottle Rockets. In the late 1990s, John Soss of Chicago's Jam Productions held an annual Buck Owens birthday party at Schubas that featured artists as diverse as soul singers Otis Clay and Mavis Staples, and country-rocker Jon Langford. Mr. Owens crossed borders he never would have dreamed of as a child when he headed west with his sharecropper parents from the Red River Valley near Sherman, Texas.
    [Show full text]
  • 12-17-20 Rockabilly Auction Ad
    John Tefteller’s World’s Rarest Records Address: P. O. Box 1727, Grants Pass, OR 97528-0200 USA Phone: (541) 476–1326 or (800) 955–1326 • FAX: (541) 476–3523 E-mail: [email protected] • Website: www.tefteller.com Auction closes Thursday, December 17, 2020 at 7:00 p.m. PT See #33 See #44 Original 1950’s Rockabilly / Country Boppers / Teen Rockers 45’s Auction 1. The Anderson Sisters — “The Wolf 17. Boyd Bennett — “The Brain/Coffee 31. Gene Brown — “Big Door/Playing 43. Johnny Burnette — “Me And The Hop/Empty Arms And A Broken Break” MERCURY 71813 M- WHITE With My Heart” 4 STAR 1717 MINT Bear/Gumbo” FREEDOM 44011 M- Heart” FORTUNE 202 (SEE INSERT LABEL PROMO MB $20 FIrst label, true first pressing before it WHITE LABEL PROMO with date of 4/2/59 BELOW) 18. Rod Bernard — “Pardon, Mr. Gordon/ went nationwide on Dot MB $30 written neatly on the label MB $20 2. Angie & The Citations — “I Wanna This Should Go On Forever” ARGO 32. Gene Brown — “Big Door/Playing 44. Mel Calvin And The Kokonuts — Dance/Salt & Pepper” ANGELA NO # 5327 M- MB $20 With My Heart Again” DOT 15709 “My Mummy/I Love You” BERTRAM VG Wol and slight storage warp with NO 19. Bob And The Rockbillies — “Your M- MB $20 INTERNATIONAL 215 M- MB $50 effect on play. Super obscure one from Kind Of Love/Baby Why Did You Have 33. Tom Brown And The Tom Toms — (See picture at top of page) Tamaqua, Pennsylvania MB $20 To Go” BLUE-CHIP 011 M- TWO- “Kentucky Waltz/Tomahawk” JARO 45.
    [Show full text]
  • ECH One Sheet
    E. Christina Herr & Wild Frontier Contact: 505.890.8924 [email protected] EChristinaHerr.com Facebook.com/EChristinaHerrAndWildFrontier myspace.com/EChristinaHerr It’s easy to think Joni Mitchell’s long-lost but equally talented sister has suddenly found herself backed by a haunting Western band. —Santa Fe Reporter A sonic rodeo of original Americana, Alt Country Twang, old school Rock ‘n Roll and Spaghetti Western, E. Christina Herr & Wild Frontier evoke a compelling musical weather report from the West and Southwest of yesterday and today. Christina’s crystal clear alto voice and tremolo vibrato contrasts brilliantly with the ring of vintage acoustic and electric guitar twang, atmospheric pedal steel, driving upright bass and drums. She’s been compared to Emmylou Harris, Lucinda Williams, Joni Mitchell, Wanda Jackson and Chrissie Hynde. Wild Frontier reflects influences from the psychedelic Neil Young and Crazy Horse, the cosmic alt country of Gram Parsons and the Flying Burrito Brothers, Don Rich’s Bakersfield sound, John Ford’s atmospheric landscapes and Ennio Morricone’s Spaghetti Western soundtracks. The songs on Wild Frontier’s latest CD, Americana Motel, range from country two steps, and cowboy waltzes to old school rock n’ roll… With songs telling stories about desert cowboys, longed for road signs, burning embers and a tragic songwriter poet. All flavored with an original sound the band calls Western Gothic. Some of Wild Frontier’s recent appearances: Santa Fe Bandstand, Nashville Songwriter Showcase, WDVX Blue Plate Special, Knoxville TN, KBAC Free Fall, Santa Fe Performance Exchange, Albuquerque Old Town, New Mexico State Fair, The Cowgirl BBQ, RT 66 Casino, Buffalo Thunder Casino, The Alley Cantina, The Adobe Bar - Taos, Santa Fe Brewing Co, 2nd Street Brewery, Scalo Il Bar, Low Spirits and The Mineshaft Tavern… A song from Americana Motel is featured #1 on the No Depression Magazine Music Player.
    [Show full text]
  • Oral History Interview: Susan Wiggins
    Susan Wiggins 2015 California State College, Bakersfield Bakersfield Sound Oral History Project Recorded History INTERVIEWEE: Susan Raye Wiggins PLACE OF BIRTH: Eugene, Oregon DATE OF BIRTH: October 8, 1944 INTERVIEWER: Curt Asher DATE OF INTERVIEW: January 15, 2014 PLACE OF INTERVIEW: home in NW Bakersfield NUMBER OF RECORDINGS: 1 TRANSCRIBER: Kaye LeFebvre FILE IDENTIFIER(S): Wiggins_001 CA: This is Curt Asher. I am interviewing Susan Raye Wiggins at her home in Northwest Bakersfield at 3:00 p.m. Tuesday/Thursday January 15, 2014 for the Bakersfield Sound Oral History Project. Could you please state and spell your name for me? SW: Yes. My name is Susan Raye Wiggins. CA: Thank you. And when and where were you born, Susan? SW: I was born on October 8, 1944 in Eugene, Oregon. CA: Can you tell me about your early life growing up? Tell me about your family, where you lived, and did you move from Portland…things like that? SW: Well, I have two brothers--one older and one younger. I was the only daughter. And my mom and dad. When I was born it was at the tail end of World War II and my father didn’t see me until I was about eighteen months old because he was overseas. We had a very happy life. We lived in Eugene, then we moved to the coast in Southern Oregon—Port Orford, Oregon, lived there up through 5th grade which was a wonderful place as a child, you know, living right there on the sand and the ocean. And then when I was in 5th grade, we moved, and moved up outside of Portland to Forest Grove, Oregon.
    [Show full text]
  • Final Nominations List the National Academy of Recording Arts & Sciences, Inc
    NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 63rd Annual GRAMMY® Awards For recordings released during the Eligibility Year September 1, 2019 through August 31, 2020 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 8. SAVAGE Record Of The Year Megan Thee Stallion Featuring Beyoncé Award to the Artist and to the Producer(s), Recording Engineer(s) Beyoncé & J. White Did It, producers; Eddie “eMIX” and/or Mixer(s) and mastering engineer(s), if other than the artist. Hernández, Shawn "Source" Jarrett, Jaycen Joshua & Stuart White, engineers/mixers; Colin Leonard, mastering 1. BLACK PARADE engineer Beyoncé Beyoncé & Derek Dixie, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer 2. COLORS Black Pumas Adrian Quesada, producer; Adrian Quesada, engineer/mixer; JJ Golden, mastering engineer 3. ROCKSTAR DaBaby Featuring Roddy Ricch SethinTheKitchen, producer; Derek "MixedByAli" Ali, Chris Dennis, Liz Robson & Chris West, engineers/mixers; Glenn A Tabor III, mastering engineer 4. SAY SO Doja Cat Tyson Trax, producer; Clint Gibbs & Kalani Thompson, engineers/mixers; Mike Bozzi, mastering engineer 5. EVERYTHING I WANTED Billie Eilish Finneas O'Connell, producer; Rob Kinelski & Finneas O'Connell, engineers/mixers; John Greenham, mastering engineer 6. DON'T START NOW Dua Lipa Caroline Ailin & Ian Kirkpatrick, producers; Josh Gudwin, Drew Jurecka & Ian Kirkpatrick, engineers/mixers; Chris Gehringer, mastering engineer 7. CIRCLES Post Malone Louis Bell, Frank Dukes & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer © The Recording Academy 2020 - all rights reserved 1 Not for copy or distribution 63rd Finals - Press List General Field Category 2 8.
    [Show full text]
  • Jelly Sanders 1976
    Jelly Sanders 1976 California State College, Bakersfield San Joaquin Valley Oral History Project, Bakersfield Sound Recorded History INTERVIEWEE: Jelly Sanders PLACE OF BIRTH: Duncan, Oklahoma INTERVIEWER: Janna Jae (Greif) DATE OF INTERVIEW: November 22, 1976 PLACE OF INTERVIEW: Sanders’ home/Bakersfield NUMBER OF TAPES: 1 TRANSCRIBER: Kaye LeFebvre FILE IDENTIFIER(S): Jelly Sanders JJ: My name is Janna Jae and I am here with Jelly Sanders at his home in Bakersfield, California. Jelly has played an important part in the history of Country/Western music in Kern County and that is why I am here tonight to find a little bit more about his background and also some of his experiences with the early Country/Western music in Kern County. Jelly, where were you raised and how did you get started on the fiddle, which is your instrument? JS: Well, I was borned and raised in Duncan, Oklahoma. And then, when I was 17, I came to California and picked a lot of cotton and all that kind of stuff for a while and then I went to L.A. and started playing Country music. Of course, before I ever came here, I played a lot of country dances and stuff like that. JJ: In Oklahoma? JS: Yes. That was back in Oklahoma and (something wrong with the tape for about one minute.) JJ: In Oklahoma then, you were playing quite a bit of fiddle. JS: Well, yes. I started playing when I was five years old. And in fact, there’s my dad, I played several different instruments. My dad had a Martin guitar.
    [Show full text]