Small Hours 1St Edition Pdf Free Download
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected]
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected] FRANK SINATRAS ZEITLOSE MUSIK WIRD WELTWEIT MIT DER KOMPLETTEN KARRIERE UMFASSENDEN JAHRHUNDERTCOLLECTION ‘ULTIMATE SINATRA’ GEFEIERT ‘Ultimate Sinatra’ erscheint als CD, Download, 2LP & limited 4CD/Digital Deluxe Editions und vereint zum ersten Mal die wichtigsten Aufnahmen aus seiner Zeit bei Columbia, Capitol und Reprise! “Ich liebe es, Musik zu machen. Es gibt kaum etwas, womit ich meine Zeit lieber verbringen würde.” – Frank Sinatra Dieses Jahr, am 12. Dezember, wäre Frank Sinatra 100 Jahre alt geworden. Anlässlich dieses Jubiläums hat Capitol/Universal Music eine neue, die komplette Karriere des legendären Entertainers umspannende Collection seiner zeitlosen Musik zusammengestellt. Ultimate Sinatra ist als 25 Track- CD, 26 Track-Download, 24 Track-180g Vinyl Doppel-LP und als limitierte 101 Track Deluxe 4CD- und Download-Version erhältlich und vereint erstmals die wichtigsten Columbia-, Capitol- und Reprise- Aufnahmen in einem Paket. Alle Formate enthalten bisher unveröffentlichte Aufnahmen von Sinatra und die 4CD-Deluxe, bzw. 2LP-Vinyl Versionen enthalten zusätzlich Download-Codes für weitere Bonustracks. Frank Sinatra ist die Stimme des 20. Jahrhunderts und seine Studiokarriere dauerte unglaubliche sechs Jahrzehnte: 1939 sang er seinen ersten Song ein und seine letzten Aufnahmen machte er im Jahr 1993 für sein weltweit gefeiertes, mehrfach mit Platin ausgezeichnetes Album Duets and Duets II. Alle Versionen von Ultimate Sinatra beginnen mit “All Or Nothing At All”, aufgenommen mit Harry James and his Orchestra am 31. August 1939 bei Sinatras erster Studiosession. Es war die erste von fast 100 Bigband-Aufnahmen mit den Harry James und Tommy Dorsey Orchestern. -
Pioneers of the Concept Album
Fancy Meeting You Here: Pioneers of the Concept Album Todd Decker Abstract: The introduction of the long-playing record in 1948 was the most aesthetically signi½cant tech- nological change in the century of the recorded music disc. The new format challenged record producers and recording artists of the 1950s to group sets of songs into marketable wholes and led to a ½rst generation of concept albums that predate more celebrated examples by rock bands from the 1960s. Two strategies used to unify concept albums in the 1950s stand out. The ½rst brought together performers unlikely to col- laborate in the world of live music making. The second strategy featured well-known singers in song- writer- or performer-centered albums of songs from the 1920s, 1930s, and 1940s recorded in contemporary musical styles. Recording artists discussed include Fred Astaire, Ella Fitzgerald, and Rosemary Clooney, among others. After setting the speed dial to 33 1/3, many Amer- icans christened their multiple-speed phonographs with the original cast album of Rodgers and Hammer - stein’s South Paci½c (1949) in the new long-playing record (lp) format. The South Paci½c cast album begins in dramatic fashion with the jagged leaps of the show tune “Bali Hai” arranged for the show’s large pit orchestra: suitable fanfare for the revolu- tion in popular music that followed the wide public adoption of the lp. Reportedly selling more than one million copies, the South Paci½c lp helped launch Columbia Records’ innovative new recorded music format, which, along with its longer playing TODD DECKER is an Associate time, also delivered better sound quality than the Professor of Musicology at Wash- 78s that had been the industry standard for the pre- ington University in St. -
The Digital Deli Online - List of Known Available Shows As of 01-01-2003
The Digital Deli Online - List of Known Available Shows as of 01-01-2003 $64,000 Question, The 10-2-4 Ranch 10-2-4 Time 1340 Club 150th Anniversary Of The Inauguration Of George Washington, The 176 Keys, 20 Fingers 1812 Overture, The 1929 Wishing You A Merry Christmas 1933 Musical Revue 1936 In Review 1937 In Review 1937 Shakespeare Festival 1939 In Review 1940 In Review 1941 In Review 1942 In Revue 1943 In Review 1944 In Review 1944 March Of Dimes Campaign, The 1945 Christmas Seal Campaign 1945 In Review 1946 In Review 1946 March Of Dimes, The 1947 March Of Dimes Campaign 1947 March Of Dimes, The 1948 Christmas Seal Party 1948 March Of Dimes Show, The 1948 March Of Dimes, The 1949 March Of Dimes, The 1949 Savings Bond Show 1950 March Of Dimes 1950 March Of Dimes, The 1951 March Of Dimes 1951 March Of Dimes Is On The Air, The 1951 March Of Dimes On The Air, The 1951 Packard Radio Spots 1952 Heart Fund, The 1953 Heart Fund, The 1953 March Of Dimes On The Air 1954 Heart Fund, The 1954 March Of Dimes 1954 March Of Dimes Is On The Air With The Fabulous Dorseys, The 1954 March Of Dimes Is On The Air, The 1954 March Of Dimes On The Air 1955 March Of Dimes 1955 March Of Dimes Is On The Air, The 1955 March Of Dimes, The 1955 Pennsylvania Cancer Crusade, The 1956 Easter Seal Parade Of Stars 1956 March Of Dimes Is On The Air, The 1957 Heart Fund, The 1957 March Of Dimes Galaxy Of Stars, The 1957 March Of Dimes Is On The Air, The 1957 March Of Dimes Presents The One and Only Judy, The 1958 March Of Dimes Carousel, The 1958 March Of Dimes Star Carousel, The 1959 Cancer Crusade Musical Interludes 1960 Cancer Crusade 1960: Jiminy Cricket! 1962 Cancer Crusade 1962: A TV Album 1963: A TV Album 1968: Up Against The Establishment 1969 Ford...It's The Going Thing 1969...A Record Of The Year 1973: A Television Album 1974: A Television Album 1975: The World Turned Upside Down 1976-1977. -
The Playlist!
THE SOUNDS OF THE SEASON NOON, DECEMBER 24 - MIDNIGHT, DECEMBER 25, 2020 PRESENTED BY JAZZ 88.3 KSDS Number Name Artist Album Time Hour #01 NOON TO 1 PM DECEMBER 24 001 The Sounds of the Season - Open 0:45 002 ‘Twas the Night Before Christmas Chuck Niles 3:46 003 Jingle Bells Duke Ellington Jingle Bell Jazz (rec. 1962) 3:02 004 Frosty the Snowman Roy Hargrove & Christian McBride Jazz for Joy - A Verve Christmas Album (rec. 1996) 3:56 005 Sleigh Ride Ella Fitzgerald Ella Wishes You a Swinging Christmas! (rec. 1960) 2:59 006 Winter Wonderland The Ramsey Lewis Trio Sound of Christmas (rec. 1961) 2:08 007 O Tannenbaum Vince Guaraldi A Charlie Brown Christmas (rec. 1964) 5:09 008 Home for the Holidays Joe Pass Six-String Santa (rec. 1992) 4:00 009 The Sounds of the Season ID 0:45 010 Let It Snow! Let It Snow! Let It Snow! Brynn Stanley Classic Christmas (rec. 2019) 3:44 011 Line for Santa Octobop West Coast Christmas (rec. 2012 4:07 012 White Christmas Booker Ervin Structurally Sound (rec. 1966) 4:28 013 Deck the Halls Gerry Beaudoin & The Boston Jazz Ensemble A Sentimental Christmas (rec. 1994) 2:39 014 I’ll Be Home for Christmas Tony Bennett The Tony Bennett Christmas Album 2:14 015 The Christmas Song Scott Hamilton Christmas Love Song (rec. 1997) 5:44 016 Have Yourself a Merry Little Christmas Ron Affif Christmas Songs (rec. 1992) 5:01 017 The Christmas Waltz Beegie Adair Trio Jazz Piano Christmas (rec. 1989) 2:42 HOUR #02 1 PM TO 2 PM DECEMBER 24 018 The Sounds of the Season ID 0:45 019 A Holly Jolly Christmas Straight No Chaser Social Christmasing (rel. -
Frank's World
Chris Rojek / Frank Sinatra Final Proof 9.7.2004 10:22pm page 7 one FRANK’S WORLD Frank Sinatra was a World War One baby, born in 1915.1 He became a popular music phenomenon during the Second World War. By his own account, audiences adopted and idol- ized him then not merely as an innovative and accomplished vocalist – his first popular sobriquet was ‘‘the Voice’’ – but also as an appealing symbolic surrogate for American troops fighting abroad. In the late 1940s his career suffered a precipitous de- cline. There were four reasons for this. First, the public perception of Sinatra as a family man devoted to his wife, Nancy, and their children, Nancy, Frank Jr and Tina, was tarnished by his high-octane affair with the film star Ava Gardner. The public face of callow charm and steadfast moral virtue that Sinatra and his publicist George Evans concocted during his elevation to celebrity was damaged by his admitted adultery. Sinatra’s reputation for possessing a violent temper – he punched the gossip columnist Lee Mortimer at Ciro’s night- club2 and took to throwing tantrums and hurling abuse at other reporters when the line of questioning took a turn he disap- proved of – became a public issue at this time. Second, servicemen were understandably resentful of Sina- tra’s celebrity status. They regarded it as having been easily achieved while they fought, and their comrades died, overseas. Some members of the media stirred the pot by insinuating that Sinatra pulled strings to avoid the draft. During the war, like most entertainers, Sinatra made a virtue of his patriotism in his stage act and music/film output. -
Exit Here for Jazz…
Volume 43 • Issue 11 December 2015 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Pianist Marc Cary, center, is flanked by members of his Harlem Sessions All-Stars during their performance at the Exit 0 Jazz Festival in Cape May on Nov. 7. Photo by Mitchell Seidel. Exit Here For Jazz… Now in its 4th year, Exit 0, the new iteration of a twice-yearly Cape May jazz festival, expands its soul and R&B offerings (and its audience) while still serving up plenty of outstanding straight-ahead and trad jazz. Jersey Jazz’s Mitchell Seidel offers an inside view in words and pictures beginning on page 26. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez. 2 Bulletin Board ......................2 NJJS Calendar ......................3 Jazz Trivia .........................4 In The Mailbag. .4 Prez Sez Editor’s Pick/Deadlines/NJJS Info .......6 Crow’s Nest. 46 By Mike Katz President, NJJS Change of Address/Support NJJS/ Volunteer/Join NJJS. 47 USPS Statement of Ownership ........47 NJJS/Pee Wee T-shirts. 48 nce again, the holiday season is upon us! For are selected by the Music Committee, but it has New/Renewed Members ............48 Othe New Jersey Jazz Society, that means become a tradition that the President selects the storIes (among other things) it’s time for the annual group to perform at the annual meeting. For this Exit 0 Jazz Festival ..............cover meeting, at which the officers report on the state of year’s meeting, I have picked the DIVA Jazz Trio, Big Band in the Sky ..................8 the society and leadership is elected for the coming consisting of Sherrie Maricle on drums, Tomoko Talking Jazz: Ted Nash ..............12 year. -
Leonard Cohen JENNIFER WARNES by Bob Mersereau
“Her voice is like the California weather. It’s infused with sunshine, but there’s an earthquake behind it.” — Leonard Cohen JENNIFER WARNES By Bob Mersereau Jennifer Warnes is an American singer and songwriter. She is best known for her rich distinctive voice, her interpretations of work by James Taylor, Leonard Cohen, and Buffy Sainte Marie, and for her association with the soundtracks of a number of popular films during the 1970s, ‘80s and ‘90s. Her biggest hits were “Up Where We Belong” (a duet with Joe Cocker, from the 1983 film An Officer and a Gentleman), which won the duo a Grammy, a Golden Globe, and took the Oscar for Best Original e Song. Then another duet, this time with Righteous Brothers Bill Medley, also topped the charts with ’(I've Had) The Time Of My Life’ from Dirty Dancing, which won an Oscar, a Grammy, and a Golden Globe. That was the third Oscar-winning song Warnes had sung in her career, following 1979's ‘It Goes Like It Goes’ from Norma Rae. Those three wins tie her with Frank Sinatra, and only one behind the great Bing Crosby for having more Oscar-winning songs. 1 “If it took Warnes a long time to commit to making an album again, the clarity and confidence of her performances on “Another Time, Another Place” validate her decision with style and grace.” — Associated Press It can be overwhelming, all the negativity coming at us. There's the constant flood of bad news, social media chatter, and the seemingly daily doses of disappointment. -
How to Order by Phone Call the Hal Leonard E-Z Order Line at 1-800-554-0626, Monday Through Friday Between 8:30 A.M
HOW TO ORDER By Phone Call the Hal Leonard E-Z Order Line at 1-800-554-0626, Monday through Friday between 8:30 a.m. and 9:00 p.m. or Saturday and Sunday 9:00 a.m. - 5:00 C.S.T. Please have ready the following information: • Your customer account number • Your purchase order number • Special shipping instructions (if any) • Quantity of each item • Hal Leonard inventory number of each item (the 8-digit number listed with all products) By Fax You may fax your order to 414-774-3259. Be sure to put “Attention: Sales” on your cover page, and include all of the same information listed under the “By Phone” section. By E-Mail Simply e-mail us at [email protected] with the same information as above. By Mail For stock orders, simply indicate the quantity of each item you wish to order directly in this catalog and mail it back to us. A Hal Leonard sales representative will be happy to provide you with a replacement catalog. On Line Visit Hal Leonard on the internet at http://www.halleonard.com/dealers. Ask your sales rep about our dealer access web features. International Orders For international inquiries, please contact the Hal Leonard International Sales Department at [email protected]. Canadian Dealers, please contact the Sales Representative for Canada at [email protected]. Customer Service Should you have any questions regarding your account (shipping, orders, etc.), please call our Customer Service Department in Winona, Minnesota, toll-free at 1-800-321-3408 Monday through Friday between 8:00 a.m. -
Phil Turk Song List C/O Cleveland Music Group
Phil Turk Song List c/o Cleveland Music Group This is by no means an exhaustive list. Also, Phil has a tremendous memory and ear. If there is a song you must have for your event, he is almost certain to be able to perform it. Just one of those things I won’t dance Somethings got to give Anything Goes If I had you South of the border Beyond the sea I’m gonna live til I die Strangers in the night That’s All I’m gonna sit right down and write Summer wind After the Lovin’ myself a letter Suspicious minds After you’ve gone I’m so lonesome I could cry Sway Aint no sunshine Imagination Sweet Caroline Aint that a kick in the head In the wee small hours of the morning Swingin’ on a star All my tomorrows Innamorata Teddy Bear All of me It was a very good year That’s amore’ All or nothing at all It’s now or never That’s life All shook up I’ve got the world on a string The Christmas song All the way I’ve got you under my skin The tender trap Almost like being in love Jingle Bells The way you look tonight Are you lonesome tonight Just the way you are They can’t take that away from me Bad, Bad Leroy Brown King of the road This is my song Bang Bang Kissing a fool Time Beautiful Strangers Lady is a tramp Touch me Bein’ green Learnin’ the blues Travelin’ man Bewitched, bothered, and bewildered Let me try again Unforgettable Big Bad John Love and Marriage Volare Blue Christmas Love me tender Wandering Blue Moon Love’s been good to me Welcome to my world By the time I get to Phoenix Luck be a lady What a wonderful world Call me Irresponsible Mack the knife -
Jimmy Durante Papers PASC-M.0195
http://oac.cdlib.org/findaid/ark:/13030/c8cv4m1z No online items Finding Aid for the Jimmy Durante Papers PASC-M.0195 Finding aid prepared by Alexandra Apolloni; machine-readable finding aid created by Julie Graham and Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2021 January 19. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Jimmy Durante PASC-M.0195 1 Papers PASC-M.0195 Contributing Institution: UCLA Library Special Collections Title: Jimmy Durante papers Creator: Durante, Jimmy Identifier/Call Number: PASC-M.0195 Physical Description: 150 Linear Feet(342 boxes) Date (inclusive): circa 1920s-circa 1990 Abstract: Jimmy Durante had a decades-long career as a musician, songwriter, comedian, and actor. The collection consists of script material, scrapbooks, photographs, written music, audio recordings, printed material and ephemera, and a small amount of correspondence documenting Durante's extensive career as an entertainer on stage, radio, film, and television. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. Audiovisual materials are not currently available for access, unless otherwise noted in a Physical Characteristics and Technical Requirements note at the series and file levels. -
A Sinatra Sampler Rosemary Clooney; and Any Number Arranged by Nelson Riddle
largely impressive new albums, in-been embroiled in more controver-renewed ballads, that enable him to cluding the three -volume "Trilogy."sies than ever with the press and pol-lift a concert hall by its roots and Once again there was a new Sinatra,iticians (usually concerning his al-swing it as though all time but his had with a loamier voice, a hard-earnedleged Mafia connections). He hascome to a halt. and expressive tremor in the lowmore than his share of enemies; they Frank Sinatra remains unique, the notes, a stoic determination to useare apparently immune to the innatemaster explicator of the complexity aesthetically the trappings of age-decency and pride of craft that allowand power of American popular sibilance, wavering, harshness. him to bring the contradictory ele-songs, the entertainer as shaman. He Sinatra cannot be said to have mel-ments in his personality to bear onis both the founder of his tradition lowed much in recent years. He'sachingly personal and persistentlyand its principal heir. 0 FRANK SINA TRA: A SELECTED DISCOGRAPHY ALMOST all of the albums listed here them Young at Heart and The Lady is O I Remember Tommy(FS -1003), are still available, but a few are a Tramp) and otherwise interesting arranged by Sy Oliver. simply the most recent releases of performances (notably a version of OSinatra & Strings(FS -1004), significant Sinatra recordings. They Where or When that begins with pitch arranged by Don Costa. are grouped chronologically by label problems but achieves a stunning OAll Alone(FS -1007), arranged by affiliation. climax) are not included, this limited Gordon Jenkins. -
He Sang One for the Ages
MASTERPIECE He Sang One for the Ages Frank Sinatra recorded the definitive version of the sorrowful saloon song ‘One for My Baby (and One More for the Road)’ in 1958. By John Edward Hasse Published originally in The Wall Street Journal, Nov. 2, 2019 One of the premier popular music recordings resulted in no small part from the failed romances of two musical figures: lyricist Johnny Mercer and singer Frank Sinatra. Both also loved their liquor, this song’s sub-theme. It’s quarter to three, There’s no one in the place except you and me, So, set ’em up, Joe... One for My Baby (and One More for the Road) was written by Mercer and composer Harold Arlen. From dissimilar backgrounds, they shared a deep devotion to jazz and blues, and became each other’s best-matched collaborator. Mercer boasted a remarkable grasp of American vernacular language. He was something of a musical polymath—lyricist, singer, record company executive (co-founder of Capitol Records) and talent scout. He was also unhappily married while in love with Johnny Mercer young Judy Garland, who became a muse for some of his most resplendent lyrics—I Remember You and Skylark. When she broke off the relationship, he was devastated and evidently channeled his grief into One for My Baby, written for a largely forgotten 1943 film, The Sky’s the Limit. Arlen wrote the music first—with a winding chromatic melody, a change of key, and an uncommon length of 58 bars instead of the usual 32. Mercer fit his lyrics to the tune impeccably, creating a dramatic monologue that’s a masterpiece of urban loneliness and loss.