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March 2016 Conversation
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WIT H THE NATIONAL ARTS CLUB THE WNDC IN WASHINGTON THE ENGLISH-SPEAKING UNION DIANA OWEN ♦ Tuesday, February 23 As we commemorate SHAKESPEARE 400, a global celebration of the poet’s life and legacy, the GUILD is delighted to co-host a WOMAN’S NATIONAL DEMOCRATIC CLUB gathering with DIANA OWEN, who heads the SHAKESPEARE BIRTHPLACE TRUST in Stratford-upon-Avon. The TRUST presides over such treasures as Mary Arden’s House, WITTEMORE HOUSE Anne Hathaway’s Cottage, and the home in which the play- 1526 New Hampshire Avenue wright was born. It also preserves the site of New Place, the Washington mansion Shakespeare purchased in 1597, and in all prob- LUNCH 12:30. PROGRAM 1:00 ability the setting in which he died in 1616. A later owner Luncheon & Program, $30 demolished it, but the TRUST is now unearthing the struc- Program Only , $10 ture’s foundations and adding a new museum to the beautiful garden that has long delighted visitors. As she describes this exciting project, Ms. Owen will also talk about dozens of anniversary festivities, among them an April 23 BBC gala that will feature such stars as Dame Judi Dench and Sir Ian McKellen. PEGGY O’BRIEN ♦ Wednesday, February 24 Shifting to the FOLGER SHAKESPEARE LIBRARY, an American institution that is marking SHAKESPEARE 400 with a national tour of First Folios, we’re pleased to welcome PEGGY O’BRIEN, who established the Library’s globally acclaimed outreach initiatives to teachers and NATIONAL ARTS CLUB students in the 1980s and published a widely circulated 15 Gramercy Park South Shakespeare Set Free series with Simon and Schuster. -
“Revenge in Shakespeare's Plays”
“REVENGE IN SHAKESPEARE’S PLAYS” “MUCH ADO ABOUT NOTHING” – LECTURE/CLASS WRITTEN: In the second half of 1598 or 99 -- no later because the role of Dogberry was sometimes replaced by the name of “Will Kemp”, the actor who always played the role; Kemp left the Lord Chamberlain’s Men in 1599. AGE: 34-35 Years Old (B.1564-D.1616) CHRONO: Seventh in the line of Comedies after “The Two Gentlemen of Verona”, “The Comedy of Errors”, “Taming of the Shrew”, “Love’s Labours Lost”, “A Midsummer’s Night’s Dream”, “The Merchant of Venice”. QUARTO: A Quarto edition of the play appeared in 1600. GENRE: “Tragicomic” SOURCE: “Completely and entirely unhistorical” VERSION: The play is “Shakespeare’s earliest version of the more serious story of the man who mistakenly believes his partner has been unfaithful to him”. (“Othello” for one.) SUCCESS: There are no records of early performances but there are “allusions to its success.” HIGHLIGHT: The comedy was revived in 1613 for a Court performance at Whitehall before King James, his daughter Princess Elizabeth and her new husband in May 1613. AFTER: Oddly, the play was “performed only sporadically until David Garrick’s acclaimed revival in 1748”. CRITICS: 1891 – A.B. Walkley: “a composite picture of the multifarious, seething, fermenting life, the polychromatic phantasmagoria of the Renaissance.” 1905 – George Bernard Shaw: “a hopeless story, pleasing only to lovers of the illustrated police papers BENEDICTS: Anthony Quayle, John Gielgud, Michael Redgrave, Donald Sinden BEATRICES: Peggy Ashcroft, Margaret Leighton, Judi Dench, Maggie Smith RECENT: There was “a boost in recent fortunes with the well-received 1993 film version directed by Kenneth Branagh and starring Branagh and Emma Thompson.” SETTING: Messina in northeastern Sicily at the narrow strait separating Sicily from Italy. -
Is the Proud Sponsor of Team Shakespeare. Barbara Gaines Criss Henderson Table of Contents Artistic Director Executive Director Preface
is the proud sponsor of Team Shakespeare. Barbara Gaines Criss Henderson Table of Contents Artistic Director Executive Director Preface................................................................................................1 Art That Lives ..................................................................................2 Bard’s Bio...........................................................................................2 The First Folio..................................................................................3 Shakespeare’s England....................................................................4 The Renaissance Theater...............................................................5 Chicago Shakespeare Theater is Chicago’s professional theater Courtyard-style Theater .................................................................6 dedicated to the works of William Shakespeare. Founded as Timelines ...........................................................................................8 Shakespeare Repertory in 1986, the company moved to its seven- story home on Navy Pier in 1999. In its Elizabethan-style courtyard WILLIAM SHAKESPEARE’S TWELFTH NIGHT theater, 500 seats on three levels wrap around a deep thrust stage—with only nine rows separating the farthest seat from the Dramatis Personae ........................................................................10 DFWRUV&KLFDJR6KDNHVSHDUHDOVRIHDWXUHVDÁH[LEOHVHDWEODFN The Story.........................................................................................10 -
SHAKESPEARE in PERFORMANCE Some Screen Productions
SHAKESPEARE IN PERFORMANCE some screen productions PLAY date production DIRECTOR CAST company As You 2006 BBC Films / Kenneth Branagh Rosalind: Bryce Dallas Howard Like It HBO Films Celia: Romola Gerai Orlando: David Oyelewo Jaques: Kevin Kline Hamlet 1948 Two Cities Laurence Olivier Hamlet: Laurence Olivier 1980 BBC TVI Rodney Bennett Hamlet: Derek Jacobi Time-Life 1991 Warner Franco ~effirelli Hamlet: Mel Gibson 1997 Renaissance Kenneth Branagh Hamlet: Kenneth Branagh 2000 Miramax Michael Almereyda Hamlet: Ethan Hawke 1965 Alpine Films, Orson Welles Falstaff: Orson Welles Intemacional Henry IV: John Gielgud Chimes at Films Hal: Keith Baxter Midni~ht Doll Tearsheet: Jeanne Moreau Henry V 1944 Two Cities Laurence Olivier Henry: Laurence Olivier Chorus: Leslie Banks 1989 Renaissance Kenneth Branagh Henry: Kenneth Branagh Films Chorus: Derek Jacobi Julius 1953 MGM Joseph L Caesar: Louis Calhern Caesar Manluewicz Brutus: James Mason Antony: Marlon Brando ~assiis:John Gielgud 1978 BBC TV I Herbert Wise Caesar: Charles Gray Time-Life Brutus: kchard ~asco Antony: Keith Michell Cassius: David Collings King Lear 1971 Filmways I Peter Brook Lear: Paul Scofield AtheneILatenla Love's 2000 Miramax Kenneth Branagh Berowne: Kenneth Branagh Labour's and others Lost Macbeth 1948 Republic Orson Welles Macbeth: Orson Welles Lady Macbeth: Jeanette Nolan 1971 Playboy / Roman Polanslu Macbe th: Jon Finch Columbia Lady Macbeth: Francesca Annis 1998 Granada TV 1 Michael Bogdanov Macbeth: Sean Pertwee Channel 4 TV Lady Macbeth: Greta Scacchi 2000 RSC/ Gregory -
PDF EPUB} the Witch at No
Read Ebook {PDF EPUB} The Witch At No. 13 by Gyles Brandreth John Gielgud: An Actor's Life: Centenary Edition. John Gielgud was born in April 1904. When he died in May 2000, he was honoured as 'the giant of twentieth-century theatre.' In the centenary edition of this acclaimed biography, Gyles Brandreth draws from over thirty years of conversations with Gielgud to tell the extraordinary story of a unique actor, film star, director and raconteur. In 1921 Gielgud made his first appearance at the Old Vic in London and through the next eight decades he dominated his profession - initially as a classical actor, later in plays by Harold Pinter and Alan Bennett. In his twenties he had appeared in silent movies: more than half a century later, he emerged as a Hollywood star, winning his first Oscar at the age of seventy-eight. With wonderful anecdotes, and contributions from Kenneth Branagh, Alec Guinness, Paul Scofield, Donald Sinden and Peter Hall, John Gielgud: An Actor's Life is a compelling, humorous and moving account of a remarkable man. Praise : 'Gyles Brandreth's memoir of Gielgud is vastly entertaining. a fascinating account of the actor's life' - Charles Osborne, Sunday Telegraph. 'A sense of delight permeates Gyles Brandreth's John Gielgud: An Actor's Life . Brandreth combines neat reportage, deft evocation and lovely tales about a man he knew and relished' - Benedict Nightingale, The Times. 'A delightful memoir which tells you all you need to know and collects all the anecdotes' - Michael Coveney, Daily Mail. 'A testimony to Gyles Brandreth's talent . -
Theatre Archive Project: Interview with Michael Codron
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Michael Codron – interview transcript Interviewer: Adam Smith 7 April 2009 Producer. Actors; Alphabetical Order; The Birthday Party; The Caretaker; censorship; critics; directors; 'Dirty Plays' controversy; Entertaining Mr Sloane; Gallery First Nighters; The Homecoming; Jack Hylton The Killing of Sister George; Joan Littlewood; Look Back in Anger; London Arts Theatre; Lyric Theatre, Hammersmith; Donald McWhinnie; Joe Orton; Harold Pinter; producers; Peggy Ramsay; scripts; Share My Lettuce; There's a Girl in My Soup; Kenneth Williams; writers. AS: You have been described as both a producer and an impresario, although some critics claim that there is nowadays an uncertainty as to the precise meaning of these words. Given the slippage between the two, and that you have been described using each of the terms, but that they are not mutually exclusive, which would you describe yourself as? MC: I sometimes say impresario but it sounds like the wretched man from Pinocchio, doesn't it? Do you remember that man that tried to capture Pinocchio? But I really am a producer, a theatre producer. Yes, impresario sounds rather evil, doesn't it? [laughs] Perhaps I am evil, occasionally. AS: So how would you define this profession before 1968, what would it involve? MC: As far as I'm concerned? Well you’re asking me to talk about 1945 aren't you first, when I was all of 15. AS: What about after you became a producer, how would you define the profession? MC: No I didn't become a producer until 1950-something. AS: You're right, we'll do it chronologically. -
Download Booklet
Felix Mendelssohn (1809-1847) ARTIST NOTE Jewish roots. In addition to the great artists and Violin Concerto in D minor thinkers of the time that would frequent his family As I was first becoming acquainted with these home, the Mendelssohn family’s Jewish heritage CONCERTO FOR VIOLIN, PIANO AND two early Mendelssohn concerti, I was captivated clearly remained with them. STRING ORCHESTRA IN D MINOR by the youthful spirit which seems to bound off the page. Written only the following year, the Concerto for Violin, Piano and String Orchestra in D The D minor Concerto for Violin is the earlier of minor brings us a much more mature musician. Violin Concerto in D minor the two, and evidently so – the almost childlike His grasp of form is impressive, showcased in 1 Allegro molto [9.12] innocence of the emotional content is constantly each movement, but in particular the colossal 2 Andante [7.41] charming. As I was playing it, I was struck by first movement. Here, his teenage exuberance the contrast between the heavily Baroque is in full swing. Brilliantly virtuosic, tender, 3 Allegro [5.16] influenced orchestral exposition and the violin’s playful, and restless, he could hardly have much more improvisatory line. Time and again, packed more in. Everything is on a grand scale Concerto for Violin, Piano and String Orchestra in D minor the operatic quality of the writing grabbed my yet what fun it is to play! After the attention; here like a coloratura, there a recitativo, engaging orchestral exposition, it is a wonderful 4 Allegro [18.55] and always with the natural and breathing lines release when the piano and violin finally 5 Adagio [9.00] we associate with Mendelssohn. -
University of Birmingham Interviews with Theatre Practitioners About Texts
University of Birmingham Interviews with theatre practitioners about texts for performance Rokison-Woodall, Abigail DOI: 10.1353/shb.2016.0008 License: None: All rights reserved Document Version Publisher's PDF, also known as Version of record Citation for published version (Harvard): Rokison-Woodall, A 2016, 'Interviews with theatre practitioners about texts for performance', Shakespeare Bulletin, vol. 34, no. 1, pp. 47-68. https://doi.org/10.1353/shb.2016.0008 Link to publication on Research at Birmingham portal General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. -
The Parmetto Piano Trio
LUNCHTIME RECITAL th Friday 9 July 2021 1.15pm The Parmetto Piano Trio Susan Meteyard violin Maja Todd ‘cello Gillian Parsons piano Admission free – retiring collection or via QR code (see back page) The Parmetto Trio - Gillian PARsons (piano), Sue METeyard (violin) and Maja TOdd (‘cello) - met while teaching in the Music Departments of the Warwick Independent Schools Foundation. They formed this trio in 2018 and since then have played regularly in chamber music series in Warwickshire and beyond, including a recital at St Mary’s Episcopal Cathedral, Edinburgh during the Festival in 2019. They particularly enjoy exploring less well- known trio repertoire and are thrilled to be able to perform together again after the prolonged interruption. Sue Meteyard had a musical childhood in Bury St Edmunds and went on to study Violin and Viola at the Birmingham Conservatoire with Prof Dr Joseph Aronoff, Felix Kok and David Curtis, where she was a prize winner in her final year. After three years touring the UK with West End Musicals, Sue settled in Leamington Spa, where she has established a varied career of teaching and performing. She has played with many orchestras and chamber ensembles across the UK, including Corona String Orchestra, Mid Wales Opera, Bergonzi String Quartet, British Philharmonic Concert Orchestra, Armonico Consort, Heritage Opera, Opera Novella, Orchestra of the Swan and English Symphony Orchestra. She is also the leader of the Beauchamp Sinfonietta with whom she has performed the Bach Double Violin Concerto and Vivaldi Concerto for Four Violins. Sue has given recitals in Leamington, Warwick, Stratford and Coventry. -
FAMOUS HISTORICAL FIGURES 1 Napoleon Bonaparte
AUTOGRAPHED: FAMOUS HISTORICAL FIGURES 1 Napoleon Bonaparte: French Government Document (17" x 11") with full clear signature of Napoleon Bonaparte, together with his seal, also signed by two of his Ministers. Folded horizontally through centre but superb condition for its age (see photo) £4,500 AUTOGRAPHED: ROYALTY 2 1943-4 Christmas card showing "Old England Still" signed by Queen Mary (widow of George V) £100 3 1986 Royal Wedding Rembrandt cover with Dummer CDS dated July 23rd, the day of the Wedding, autographed by the bride's father Major Ronald Ferguson. AL £10 4 George IV (Duke of York & Albany, son of George III): Signed on 1818 Free Front £80 5 George VI: 1914 (Dec 16th) letter on Buckingham Palace notepaper thanking a friend for the clock he gave him for his birthday written & signed by Prince Albert, later to become King George VI £350 6 King Hussain of Jordan: Autographed on USA $1 note (see photo) £75 AUTOGRAPHED: POLITICIANS 7 1970s black & white photo of the Government Whips Office showing the Prime Minister Jim Callaghan, Chief Whip Michael Cocks & 15 other MPs from the Whips office, signed below by all 17 men. Probably unique, in 16" x 21" frame. Not suitable for posting - buyer to collect £60 8 Australian Prime Minister John Howard: Autographed on Australia 1971 RSPCA FDC. UA £15 9 Celia Sandys, Grand daughter of Sir Winston Churchill: Autographed on 1974 Churchill GPO FDC. Aw in pencil £8 10 Edward Heath & Margaret Thatcher: Autographed on 1992 Europa Royal Mail FDC. UA (see photo) £40 11 Edward Heath, William Hague, Rex Hunt, Michael Heseltine, Mo Mowlam, John Nott & Sebastian Coe: Autographed on 1986 Parliamentary Conference Royal Mail FDC. -
Coventry & Warwickshire Cover
Coventry & Warwickshire Cover November 2017 .qxp_Coventry & Warwickshire Cover 20/10/2017 15:20 Page 1 KATHERINE RYAN AT COVENTRY & WARWICKSHIRE WHAT’S ON NOVEMBER 2017 2017 ON NOVEMBER WHAT’S WARWICKSHIRE & COVENTRY Your FREE essential entertainment guide for the Midlands WARWICK ARTS CENTRE Coventry & Warwickshire ISSUE 383 NOVEMBER 2017 ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD On warwickshirewhatson.co.uk PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART TWITTER: @WHATSONWARWICKS @WHATSONWARWICKS FACEBOOK: @WHATSONWARWICKSHIRE WARWICKSHIREWHATSON.CO.UK (IFC) Warwickshire.qxp_Layout 1 23/10/2017 17:46 Page 1 Contents November Warwicks_Worcs.qxp_Layout 1 23/10/2017 17:29 Page 2 November 2017 Contents The Hairy Bikers - cook up a treat at the BBC Good Food Show - page 49 Alison Moyet Patrick Monahan The Stick Man the list stops off at Warwick Arts Centre headlines the Desi Central children’s favourite visits Your 16-page to promote new album Other Comedy Show at the Belgrade Malvern Theatres week-by-week listings guide page 15 page 23 page 30 page 51 inside: 4. First Word 11. Food 15. Music 22. Comedy 24. Theatre 40. Film 44. Visual Arts 47. Events fb.com/whatsonwarwickshire fb.com/whatsonworcestershire @whatsonwarwicks @whatsonworcs Warwickshire What’s On Magazine Worcestershire What’s On Magazine Warwickshire What’s On Magazine Worcestershire What’s On Magazine Managing Director: Davina Evans [email protected] 01743 281708 Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 -
LOCANTRO Theatre
Tony Locantro Programmes – Theatre MSS 792 T3743.L Theatre Date Performance Details Albery Theatre 1997 Pygmalion Bernard Shaw Dir: Ray Cooney Roy Marsden, Carli Norris, Michael Elphick 2004 Endgame Samuel Beckett Dir: Matthew Warchus Michael Gambon, Lee Evans, Liz Smith, Geoffrey Hutchins Suddenly Last Summer Tennessee Williams Dir: Michael Grandage Diana Rigg, Victoria Hamilton 2006 Blackbird Dir: Peter Stein Roger Allam, Jodhi May Theatre Date Performance Details Aldwych Theatre 1966 Belcher’s Luck by David Mercer Dir: David Jones Helen Fraser, Sebastian Shaw, John Hurt Royal Shakespeare Company 1964 (The) Birds by Aristophanes Dir: Karolos Koun Greek Art Theatre Company 1983 Charley’s Aunt by Brandon Thomas Dir: Peter James & Peter Wilson Griff Rhys Jones, Maxine Audley, Bernard Bresslaw 1961(?) Comedy of Errors by W. Shakespeare Christmas Season R.S.C. Diana Rigg 1966 Compagna dei Giovani World Theatre Season Rules of the Game & Six Characters in Search of an Author by Luigi Pirandello Dir: Giorgio de Lullo (in Italian) 1964-67 Royal Shakespeare Company World Theatre Season Brochures 1964-69 Royal Shakespeare Company Repertoire Brochures 1964 Royal Shakespeare Theatre Club Repertoire Brochure Theatre Date Performance Details Ambassadors 1960 (The) Mousetrap Agatha Christie Dir: Peter Saunders Anthony Oliver, David Aylmer 1983 Theatre of Comedy Company Repertoire Brochure (including the Shaftesbury Theatre) Theatre Date Performance Details Alexandra – Undated (The) Platinum Cat Birmingham Roger Longrigg Dir: Beverley Cross Kenneth