April 2021 Newsletter
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Owner's Manual
Owner’s Manual BL00005063-201 EN Introduction Thank you for your purchase of this product. Be sure that you have read this manual and understood its contents be- fore using the camera. Keep the manual where it will be read by all who use the product. For the Latest Information The latest versions of the manuals are available from: http://fujifilm-dsc.com/en/manual/ The site can be accessed not only from your computer but also from smartphones and tablets. It also contains information on the software license. For information on fi rmware updates, visit: https://fujifilm-x.com/support/download/firmware/ ii P Chapter Index Menu List iv 1 Before You Begin 1 2 First Steps 29 3 Basic Photography and Playback 45 4 Movie Recording and Playback 51 5 Taking Photographs 59 6 The Shooting Menus 101 7 Playback and the Playback Menu 179 8 The Setup Menus 205 9 Shortcuts 245 10 Peripherals and Optional Accessories 259 11 Connections 283 12 Technical Notes 301 iii Menu List Camera menu options are listed below. Shooting Menus Menu List Adjust settings when shooting photos or movies. N See page 101 for details. Photo Menus Items marked with an asterisk (“*”) are also found in the movie menus. Changes to these items in the photo menus are refl ected in the movie menus and vice versa. H IMAGE QUALITY SETTING P G AF/MF SETTING P IMAGE SIZE 102 FOCUS AREA 120 IMAGE QUALITY 103 AF MODE 121 RAW RECORDING 104 AF-C CUSTOM SETTINGS 122 FILM SIMULATION 104 STORE AF MODE BY ORIENTATION 126 1⁄3 1⁄3 MONOCHROMATIC COLOR 106 AF POINT DISPLAYyz 126 GRAIN EFFECT 106 NUMBER -
Game on Technical Specifications
TECHNICAL SPECIFICATIONS GAME ON GAME ON With four times the detail of 4K, EOS R5 is the world’s first interchangeable lens digital camera with 8K movie capability1. World’s best Image Stabilization 8-stops2 with Coordinated Control IS. Combines 5-axis In Body Image Stabilizer with lens based Image Stabilizer in selected RF lenses for increased effectiveness. 100% AF coverage3 with Dual Pixel CMOS AF II. Advanced Face and Eye Detect. Perfect portraits with advanced tracking of human subjects with eye, face and head detect. High speed 20fps shooting4, 45MP Full Frame CMOS & DIG!C X processing. The 45MP full frame Canon CMOS sensor offers amazing resolution for large prints and the flexibility to crop in your images. EOS 5 series operability and reliability. You get the 5D series heritage and trust. The EOS R5 has dual card slots (CF Express + SD cards), AF joystick & rear scroll wheel and new higher capacity battery (back compatible). *Shopper Media Survey February 2020, n=20,431 1Among all interchangeable lens digital cameras. Based on Canon research as of 9th July 2020. 1Only when setting crop [Off], up to 29.97 fps / 25.00 fps.1 The video recording time of the Canon EOS R5 is limited by heat. 2Among all interchangeable lens digital cameras. As of 9th July 2020 (based on Canon research). 2Based on the CIPA standard, 8.0 steps with RF 24-105mm F4 L IS USM at a focal distance of 105mm. 2The RF 24-105mm F 4 L IS USM has Coordinated IS and most IS performance. 2Depending on the time of purchase, the lens firmware needs to be updated.2 The Canon EOS R5’s IS performance is the same as that of the Canon EOS R6. -
Fujinon30x SPECIFICATIONS
ACCESSORIES INCLUDED OPTIONAL ACCESSORIES Li-ion battery NP-W126 Remote release Shoe Mount Flash Protector Filter Battery charger BC-W126 Shoulder strap USB cable A/V cable Lens cap and Lens cap cord CD-ROM EF-42 Owner's manual Lens hood RR-80 EF-20 PRF-58 (Φ58mm) FUJINON30x SPECIFICATIONS 1 Number of eective pixels* 16.0 million pixels Manual Zoom × EXR Technology Image sensor 1/2-inch EXR CMOS with primary color lter Storage media Internal memory (approx. 25MB), SD/SDHC/SDXC (UHS-I) memory card*2 Lens Fujinon 30× optical zoom lens Responsive intuitive performance focal length f=4.2 - 126.0 mm, equivalent to 24 - 720 mm on a 35 mm camera full-aperture F2.8 (Wide) - F5.6 (Telephoto) constitution 11 groups 15 lenses Digital zoom Intelligent digital zoom approx. 2.0× (up to approx. 60×, with 30× optical zoom) Aperture F2.8 - F11 (Wide), F5.6 - F11 (Telephoto) 1/3 EV step Focus distance Normal: (Wide) Approx. 45 cm to innity / 1.4 ft. to innity, (Telephoto) Approx. 3.0 m to innity / 9.8 ft. to innity (from lens surface) Macro: (Wide) Approx. 7 cm - 3.0 m / 2.7 in. - 9.8 ft., (Telephoto) Approx. 2.0 m - 5.0 m / 6.5 ft. - 16.4 ft. Super Macro: Approx. 1 cm - 1.0 m / 0.4 in. - 3.2 ft. Sensitivity Auto, Equivalent to ISO 100/200/400/800/1600/3200/6400*/12800* (Standard Output Sensitivity) *ISO6400: Image size M or lower, ISO12800: Image size S Image stabilizer CMOS shift type Electronic viewnder 0.26-inch, Approx. -
Canon EOS R 5 a Field Review
Canon EOS R 5 A field review All text and photos © SimonDP/Actionimage 2020, unless otherwise noted (web: www.actionimage.co.za email: [email protected]) INTRODUCTION AND BACKGROUND The Canon EOS R5 continues the newer direction that Canon is taking with their full-frame mirrorless range of cameras using their RF lens mount system. Along with the previously released R and RP, Canon now offers the R5 at the upper end of the scale in terms of features, performance and pricing. This camera also came with the lens mount adapter, of which three different models are offered, to make the RF mount compatible with the current huge range of Canon EF and EF-S lenses. The standard EF/EF-S to RF adapter was provided boxed with the camera. Standard disclaimer: I do my reviews in the way a camera is likely to be used; out in the field, real life conditions with real life subjects. There are enough intelligent guys out there for the lab tests and special sensor resolution tests etc. What I present is how the camera fared under certain conditions using typical lenses. If a parameter does not work for me, it does not mean it won’t work for someone else. We all have our own requirements and preferences when choosing camera equipment. When I reviewed the Canon EOS R some time ago, it initially left me a little cold, and warming up to it after some time using it. But I never got really intrigued by the EOS R to the point where I wanted to go out and buy one. -
Photography 2021 Equipment Recommendation
DEPARTMENT: PHOTOGRAPHY 2021 EQUIPMENT RECOMMENDATION Student work: Nicole van Niekerk FIRST YEAR / ONE YEAR PROGRAM + Digital DSLR camera body or Interchangeable Mirrorless camera + 1x Good multi-purpose zoom lens, wide to telephoto range (16-55mm) (Generic lenses like SIGMA and Tamron is more than adequate. Please discuss your options with the relevant service providers attached later in the document.) + 1x Reflector board (107 - 110cm). Please do not buy a reflector smaller than this. + 1x Strong sturdy tripod (invest in a good tripod that can support your camera and lens) + 1x Cable Release + 1x Extra Camera battery + 2x Memory card (with a write speed of atleast 150mb/s) + 1x Grey card + Cleaning kit RECOMMENDED CAMERA BODIES FujiFilm, Nikon, Canon and Sony are the only four digital camera brands we recommend. Although there are other great brands on the market; we have found that in terms of product range and support these brands have a very strong presence in South Africa. The following camera bodies are especially popular: (Please refer to the FAQ section at the end of the document for more information) 02 2021 Photography Equipment List Open Window FUJIFILM MIRRORLESS CAMERAS FUJIFILM X-T30 FUJIFILM X-T3 FUJIFILM X-S10 FUJIFILM X-T4 FUJIFILM GFX-50S FUJIFILM GFX-100 FUJIFILM LENSES FUJIFILM XF 16 – 55MM F2.8 NICE TO HAVE (FUJIFILM XF 56MM F1.2) FUJIFILM XF 16 – 80MM F4 NICE TO HAVE (FUJIFILM XF 80MM F2.8 MACRO) 03 2021 Photography Equipment List Open Window NIKON MIRRORLESS NIKON Z6 II NIKON Z7 II NIKON Z5 NIKON MIRRORLESS LENSES -
Ultra-Short Throw Projector “FUJIFILM PROJECTOR Z8000” Wins The
Ultra-short throw projector “FUJIFILM PROJECTOR Z8000” wins the highest-ranked “Best of the Best Award” -Fujifilm sets its highest record with 29 products winning the internationally prestigious Red Dot Design Award -In recognition of beautiful appearance and design to achieve outstanding functionality and performance in products of various business fields TOKYO, April 13, 2021 – FUJIFILM Corporation (President: Kenji Sukeno) is pleased to announce that 29 of its products in various business fields including the “instax” series of instant cameras and the “X” and “GFX” series of digital cameras, have been awarded the “Red Dot Design Award: Product Design 2021,” a product design award program organized by Design Zentrum Nordrhein Westfalen based in Essen, Germany. Of the products that have received the honor, the ultra-short throw projector “FUJIFILM PROJECTOR Z8000” has received the program's highest-ranked “Best of the Best Award.” Fujifilm sets its highest record with 29 products winning the prestigious program in recognition of not only the products’ beautiful appearance but also their design that achieves outstanding functionality and performance. The Red Dot Design Award is an international design award program launched in 1955. The award is extended to products with excellence in design innovation, functionality, ergonomics, ecological compatibility and durability. It is one of the world's three most prestigious design awards, alongside Germany's “iF design award” and the United States' “the International Design Excellence Awards (IDEA)”. This time, there were around 7,800 entries from around the world to be judged by internationally-renowned design experts. In developing all of its products and services, Fujifilm not only pursues product functionality and performance, but also engages in design development that leverages superior functionality and performance. -
BROCHURE Number of Effective Pixels 51.4 Million Pixels Touch Screen Color LCD Monitor (Approx
Specication Model name FUJIFILM GFX 50S LCD monitor 3.2 inch, Aspect Ratio 4:3, Approx. 2,360K-dot Tilt-Type, Medium Format Mirrorless Digital Camera SYSTEM BROCHURE Number of effective pixels 51.4 million pixels Touch Screen Color LCD Monitor (Approx. 100% Coverage) Image sensor 43.8mm×32.9mm Bayer array with primary color filter Sub LCD monitor 1.28 inch, Aspect Ratio 1:1, 128×128-dot Monochrome LCD Monitor Sensor Cleaning System Ultra Sonic Vibration Movie recording [Full HD (1920×1080)] 29.97p / 25p / 24p / 23.98p 36Mbps up to Approx. 30min. Storage media SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-256GB) UHS-I / UHS-II*1 [HD (1280×720)] 29.97p / 25p / 24p / 23.98p 18Mbps up to Approx. 30min. File format Still Image JPEG (Exif Ver.2.3)*2, RAW : 14bit RAW (RAF original format), Photography functions Color, Sharpness, Highlight tone, Shadow tone, Noise reduction, Long exposure NR, RAW+JPEG, 8-bit TIFF (In-camera Raw Conversion Only) Lens Modulation Optimizer, Color space, Pixel mapping, Select custom setting, Movie MOV (MPEG-4 AVC / H.264 Edit/Save custom setting, Store AF mode by orientation, Rapid AF, AF point display, Pre-AF, Audio : Linear PCM / Stereo sound 48KHz sampling) Face/Eye detection AF, AF+MF, Focus peak highlight, Focus check, Interlock spot AE & focus area, Number of [L] <4:3> 8256×6192 <3:2> 8256×5504 <16:9> 8256×4640 <1:1> 6192×6192 Instant AF setting (AF-S/AF-C), Depth-of-field scale, Rlease/Focus priority, Touch screen mode, recorded pixels <65:24> 8256×3048 <5:4> 7744×6192 <7:6> 7232×6192 Mount adapter setting, -
L E N S E S & a C C E S S O R I
P. 4 P. 5 P. 6 P. 7 Scott Grant / Hai Tre / Jeff Carter / Gathot Subroto / Canada Vietnam UK Indonesia P. 8 P. 9 P.10 Matt Hart / Bert Stephani / Max De Martino / UK Belgium Italy P.11 P.12 P.13 P.14 Omar Z Robles / Simone Sbarglia / Pål Laukli / LS Trung / U.S.A. Italy Norway Vietnam P.15 P.16 P.17 Yonghui Wang / Supalerk Fabian De Backer / China Narubetkrausee / Belgium Thailand P.18 P.19 P.20 Taeyoung An / Joe Ng / Chalit Padoongcheep / Korea Canada Thailand P.21 P.21 Torwong Salwala / Giulia Torra / Thailand Italy Cover_P.2-3 Jonas Dyhr Rask / Denmark Specifications are subject to change without notice. LENSES & ACCESSORIES For more information, please visit our website: http://www.http://fujifilm-x.com/en/accessories/ c 2016 FUJIFILM Corporation P2-3/P36 The vision of the X Series, the choice for X Series owners A collection of creativity-oriented lenses, which complement the X-Trans CMOS sensor perfectly and eliminate the low-pass filter for ultimate sharpness. X Mount Lenses _ P.4-21 Accessories _ P.23-29 Technology _ P.30-33 Specifications _ P.34-35 2 3 P4-5/P36 XF14mmF2.8 R XF16mmF1.4 R WR X-T2 : F11 1/4 sec. ISO200 Scott Grant / Canada High resolving power across the frame from the centre to the edges. This ultra-wide-angle lens, which has a diagonal angle of view greater than 90°, produces extraordinary images. Distortion has been kept to a measured value of zero, with sharpness right across the frame, even when the subject is near the edges. -
Clifton Cameras Canon EOS R5 Full Product Specification
Cli$on Cameras Product Specificaon Canon EOS R5 Camera Full Spec IMAGE SENSOR Type 36 x 24 mm CMOS Effective Pixels Approx. 45 megapixels Total Pixels Approx. 47.1 megapixels Aspect Ratio 3:2 Low-Pass Filter Built-in/Fixed Sensor Cleaning EOS integrated cleaning system Colour Filter Type Primary Colour Sensor shift-IS Yes, 5 axis, up to 8-Stops when used with compatible lenses [1] IMAGE PROCESSOR Type DIGIC X LENS Lens Mount RF (EF and EF-S lenses can be attached using: Mount Adapter EF-EOS RControl Ring Mount Adapter EF-EOS RDrop-In Filter Mount Adapter EF-EOS R)EF-M lenses are not compatible Focal Length Equivalent to 1.0x the focal length of the lens with RF and EF lenses 1.6x with EF-S FOCUSING Type Dual Pixel CMOS AF II AF System/Points 100% horizontal and 100% vertical with Face + Tracking and Auto Selection modes 100% horizontal and 90% vertical with manual selection and large zone modes [2] AF working range EV -6 –20 (at 23°C & ISO100) [3] AF Modes One Shot Servo AF AI Focus AF (in A+ Scene Intelligent Auto mode ) AF Point Selection Automatic selection: Face + tracking. 1053 Available AF areas when automatically selected Manual selection: 1-point AF (AF frame size can be changed) 5940 (stills)/ (4500) movie AF positions available Manual selection: AF point Expansion 4 points (up, down, left, right) Manual selection: AF point Expansion surrounding points Manual selection: Zone AF (all AF points divided into 9 focusing zones) Manual selection: Large Zone AF (Vertical) Manual selection: Large Zone AF (Horizontal) AF Lock Locked when shutter button is pressed halfway or AF ON is pressed in One Shot AF mode. -
Fujinon Lenses
Section4 PHOTO - VIDEO - PRO AUDIO Camera Accessories Fujinon Lenses ......................262-267 Canon Lenses........................268-273 VariZoom...............................274-275 Electrophysics...............................276 Tiffen Filters .........................277-281 SourceBook Video Century Precision.................282-287 Telemetrics............................288-297 The rofessional P FUJINON ENG CAMERA LENSES While ENG camera technology evolves faster and faster, delivering ever higher per- formance in ever small bodies, it has been increasingly difficult for lens manu- facturers to improve quality while keeping size and weight to a minimum.... until recently. With At2 Aspheric Technology, Fujinon has suc- ceeded in manufacturing superior quality lenses that are both smaller and lighter than lenses of conventional spherical design. From the widest angle to the longest telephoto, Fujinon’s broadcast hand-held style lenses offer unparalleled features and performance. In fact, they are so advanced and so optically superb, they will reshape your thinking about how well a lens can perform. FEATURES CAMERA ACCESSORIES Aspheric Lens Technology Shortest MOD Quick Zoom ■ Conventional lenses use multiple spheri- ■ Using Fujinon’s patented aspheric tech- ■ Fujinon takes the guesswork out of cal elements to control spherical and nology with a new inner focusing system, returning precisely to your original chromatic aberrations, glare and reflec- they reduce the minimum object distance framed shot. You focus and the exclusive tions. In AT-equipped lenses, a single MOD of each lens. Quick Zoom has the lens zoom back to aspheric element reduces these undesir- ■ The inner focusing system also gives the the original frame in full focus, at the able characteristics — and far better than added convenience of not having to re- touch of a button. -
The FUJIFILM X100S: FUJIFILM Launches a High-Speed Successor to the X100 with the World’S Fastest AF of 0.08 Seconds (*1)
8th January 2013 Sydney 8am The FUJIFILM X100S: FUJIFILM launches a high-speed successor to the X100 with the world’s fastest AF of 0.08 seconds (*1) Two years ago, FUJIFILM launched the renowned X100 with FUJINON 23mm F2 fixed prime lens and superb image quality in a beautifully designed compact camera body. Its unique style and international acclaim has carved out a niche for a new genre of Premium Compact Camera designed in pursuit of optimum operability. Today, FUJIFILM Corporation (President: Shigehiro Nakajima) is proud to announce the launch of the FUJIFILM X100S, the successor to the FUJIFILM X100, inheriting the X100’s elegant design and high-performance lens, while evolving further to meet customer’s demands with the introduction of a higher-definition Hybrid Viewfinder and a new sensor and processor. The newly-developed 16.3 million pixels APS-C X-Trans CMOS II sensor and EXR Processor II, which increase resolution by approx. 25% (*2) and reduce noise by more than 30% (*3), have the ability to capture high resolution images comparable to those taken on full-frame sensors. Thanks to the removal of the optical low pass filter and powerful processor, the FUJIFILM X100S will produce a clear image with minimal graininess even at a high ISO setting. The newly-developed X-Trans CMOS II sensor has built-in Phase Detection pixels for the world’s fastest AF in as little as 0.08 seconds (*1). Additionally, the EXR Processor II offers fast response times with a start-up time of only approx. 0.5 seconds (*4), and a shooting interval of 0.5 seconds. -
X-Pro3 Mirrorless Digital Camera with FUJINON Xf23mmf2 R WR At 1/1000Sec at F/2, ISO 1600
INTRODUCING X-TRANS X-PROCESSOR 4 ISO HIGH-QUALITY 26 MEGAPIXEL QUAD-CORE 160-12,800 4K VIDEO CMOS4 SENSOR IMAGING ENGINE SENSITIVITY RANGE UP TO 29.97FPS Photo © Jonas Rask | FUJIFILM X-Pro3 Mirrorless Digital Camera with FUJINON XF23mmF2 R WR at 1/1000sec at f/2, ISO 1600. Jonas Rask is a Fujifilm compensated professional photographer. FUJIFILM and FUJINON are trademarks of FUJIFILM Corporation and its affiliates. © 2019 FUJIFILM North America Corporation and its affiliates. All rights reserved. SPECIFICATIONS Black Dura Black Dura Silver A professional camera for photographers on the move who want top-level features, a low-profile, and reliable durability. Whether you are in the field, on the streets or in the studio, X-Pro3 reconnects you with your subject. Its revolutionary hybrid OVF/EVF and hidden LCD touchscreen keep you in the moment, while the state-of-the-art imaging sensor and incredible 4K video ensure spectacular results. X-Pro3 is a true photographer’s tool that combines all the feeling of film with all the quality of digital. FUJIFILM X-PRO3 SPECIFICATIONS MODEL NAME FUJIFILM X-PRO3 Number of effective pixels 26.1 million pixels Image sensor 23.5mm×15.6mm (APS-C) X-Trans CMOS 4 with primary color filter Storage media SD memory card (~2GB) / SDHC memory card (~32GB) / SDXC memory card (~512GB) UHS-I / UHS-II / Video Speed Class V30 *1 File format of still image JPEG: Exif Ver.2.3*2, RAW: 14bit RAW (RAF original format) / RAW+JPEG Lens mount FUJIFILM X Mount Sensitivity Standard output AUTO1 / AUTO2 / AUTO3 / ISO160~12800